Search results for ""yale university press""

Do the dead have rights? In a persuasive argument, Don Herzog makes the case that the deceased’s interests should be protected This is a delightfully deceptive works that start out with a simple, seemingly arcane question—can you libel or slander the dead?—and develops it outward, tackling larger and larger implications, until it ends up straddling the borders between law, culture, philosophy, and the meaning of life. A full answer to this question requires legal scholar Don Herzog to consider what tort law is actually designed to protect, what differences death makes—and what differences it doesn’t—and why we value what we value. Herzog is one of those rare scholarly writers who can make the most abstract argument compelling and entertaining.

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The first comprehensive study in English of the Soviet propaganda artist Aleksandr Zhitomirsky, who conceived and deployed his striking photomontages as a political weapon The leading Russian propaganda artist Aleksandr Zhitomirsky (1907–1993) made photomontages that were airdropped on German troops during World War II. He later worked for Pravda and other leading publications, satirizing American politics and finance from the Truman through the Reagan eras and educating his public about Egypt, South Africa, Vietnam, and Nicaragua as well. Zhitomirsky favored the grotesque and the eye-catching. His villainous menagerie included Reichsminister Joseph Goebbels as a distorted simian and an airborne scorpion outfitted with an Uncle Sam hat. In this comprehensive, image-driven account of Zhitomirsky’s long career, Erika Wolf explores his connections to and long friendship with the German artist John Heartfield, whose work inspired his own. Wolf also examines more than 100 of Zhitomirsky’s photomontages and translates excerpts from his one published book, The Art of Political Photomontage: Advice for the Artist (1983). In an era when satirical photomontage thrives on the Internet and propaganda has reasserted itself in America and Russia alike, this study of a once-prominent yet internationally undiscovered artist is more than timely.Distributed for the Art Institute of ChicagoExhibition Schedule:Art Institute of Chicago (09/03/16–01/10/17)

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This is the first modern scholarly biography of Blanche of Castile, whose identity has until now been subsumed in that of her son, the saintly Louis IX. A central figure in the politics of medieval Europe, Blanche was a sophisticated patron of religion and culture. Through Lindy Grant’s engaging account, based on a close analysis of Blanche’s household accounts and of the social and religious networks on which her power and agency depended, Blanche is revealed as a vibrant and intellectually questioning personality.

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A bold new interpretation of Germany’s democratic transformation in the twentieth century, focusing on the generation that shaped the post-Nazi reconstruction Not long after the horrors of World War II and the Holocaust, Germans rebuilt their shattered country and emerged as one of the leading nations of the Western liberal world. In his debut work, Noah Strote analyzes this remarkable turnaround and challenges the widely held perception that the Western Allies—particularly the United States—were responsible for Germany’s transformation. Instead, Strote draws from never-before-seen material to show how common opposition to Adolf Hitler united the fractious groups that had once vied for supremacy under the Weimar Republic, Germany’s first democracy (1918-1933). His character-driven narrative follows ten Germans of rival worldviews who experienced the breakdown of Weimar society, lived under the Nazi dictatorship, and together assumed founding roles in the democratic reconstruction. While many have imagined postwar Germany as the product of foreign-led democratization, this study highlights the crucial role of indigenous ideas and institutions that stretched back decades before Hitler. Foregrounding the resolution of key conflicts that crippled the country’s first democracy, Strote presents a new model for understanding the origins of today’s Federal Republic.

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The history of children’s literature is a growing area of study; this group of essays brings together innovative, scholarly voices to explore the fascinating tales behind many beloved books. The publication mines the Betsy Beinecke Shirley Collection of American Children’s Literature, one of the world’s richest sources for original books, manuscripts, and artwork. The essays, commissioned for this volume, examine little-known backstories of three hundred years of classic children’s literature, from Louisa May Alcott to Langston Hughes to Mo Willems.Distributed for the Beinecke Rare Book and Manuscript Library

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An exploration of British male fashion of the late eighteenth century “A brilliant account of a controversial moment in men’s self-fashioning.”—Valerie Steele, director and chief curator, Museum at the Fashion Institute of Technology The term “macaroni” was once as familiar a label as “punk” or “hipster” is today. In this handsomely illustrated book devoted to notable eighteenth-century British male fashion, award-winning author and fashion historian Peter McNeil brings together dress, biography, and historical events with the broader visual and material culture of the late eighteenth century. For thirty years, “macaroni” was a highly topical word, yielding a complex set of social, sexual, and cultural associations. Pretty Gentlemen is grounded in surviving dress, archival documents, and art spanning hierarchies and genres, from scurrilous caricature to respectful portrait painting. Celebrities hailed and mocked as macaroni include politician Charles James Fox, painter Richard Cosway, freed slave Julius “Soubise,” and criminal parson Reverend Dodd. The style also rapidly spread to neighboring countries in cross-cultural exchange, while Horace Walpole, George III, and Queen Charlotte were active critics and observers of these foppish men.

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A lively interdisciplinary study of how venereal disease was represented in eighteenth-century British literature and art In eighteenth-century Britain, venereal disease was everywhere and nowhere: while physicians and commentators believed the condition to be widespread, it remained shrouded in secrecy, and was often represented using slang, symbolism, and wordplay. In this book, literary critic Noelle Gallagher explores the cultural significance of the “clap” (gonorrhea), the “pox” (syphilis), and the “itch” (genital scabies) for the development of eighteenth-century British literature and art. As a condition both represented through metaphors and used as a metaphor, venereal disease provided a vehicle for the discussion of cultural anxieties about gender, race, commerce, and immigration. Gallagher highlights four key concepts associated with venereal disease, demonstrating how infection’s symbolic potency was enhanced by its links to elite masculinity, prostitution, foreignness, and facial deformities. Casting light where the sun rarely shines, this study will fascinate anyone interested in the history of literature, art, medicine, and sexuality.

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A sweeping and lavishly illustrated survey of nearly four thousand years of human settlement and building activity in Jerusalem, from prehistoric times through the Ottoman period In this sweeping and lavishly illustrated history, Katharina Galor and Hanswulf Bloedhorn survey nearly four thousand years of human life and material culture in Jerusalem. They have organized their book chronologically, exploring fortifications and water systems as well as key sacred, civic, and domestic architecture. Distinctive finds such as paintings, mosaics, pottery, and coins highlight each period. They provide a unique perspective on the emergence and development of Judaism, Christianity, and Islam, and the relationship among the three religions and their cultures into the modern period.

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An account of the alliance between the Catholic Church and the Italian Fascist regime in their campaign against Protestants Based on previously undisclosed archival materials, this book tells the fascinating, untold, and troubling story of an anti-Protestant campaign in Italy that lasted longer, consumed more clerical energy and cultural space, and generated far more literature than the war against Italy’s Jewish population. Because clerical leaders in Rome were seeking to build a new Catholic world in the aftermath of the Great War, Protestants embodied a special menace, and were seen as carriers of dangers like heresy, secularism, modernity, and Americanism—as potent threats to the Catholic precepts that were the true foundations of Italian civilization, values, and culture. The pope and cardinals framed the threat of evangelical Christianity as a peril not only to the Catholic Church but to the fascist government as well, recruiting some very powerful fascist officials to their cause. This important book is the first full account of this dangerous alliance.

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A vibrant history of the renowned and often controversial Iowa Writers’ Workshop and its celebrated alumni and faculty As the world’s preeminent creative writing program, the Iowa Writers’ Workshop has produced an astonishing number of distinguished writers and poets since its establishment in 1936. Its alumni and faculty include twenty-eight Pulitzer Prize winners, six U.S. poet laureates, and numerous National Book Award winners. This volume follows the program from its rise to prominence in the early 1940s under director Paul Engle, who promoted the “workshop” method of classroom peer criticism. Meant to simulate the rigors of editorial and critical scrutiny in the publishing industry, this educational style created an environment of both competition and community, cooperation and rivalry. Focusing on some of the exceptional authors who have participated in the program—such as Flannery O’Connor, Dylan Thomas, Kurt Vonnegut, Jane Smiley, Sandra Cisneros, T. C. Boyle, and Marilynne Robinson—David Dowling examines how the Iowa Writers’ Workshop has shaped professional authorship, publishing industries, and the course of American literature.

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American photographer Donald Blumberg (b. 1935) began his career making black-and-white photographs of the streets and people of New York. He first gained national attention and widespread recognition for his 1965–67 series In Front of Saint Patrick’s Cathedral, published in 1973. In these thought-provoking photographs, Blumberg innovatively captured worshippers exiting the cavernous threshold of the famed Roman Catholic cathedral on Fifth Avenue. The figures often seem to defy scale and perspective, clustered in the corners of the frame or gathered in blurry crowds. This revised and expanded edition of Blumberg’s pioneering project features a new sequence that includes previously unpublished images and select contact sheets from the project, all printed in rich duotones. Distributed for the Yale University Art GalleryExhibition Schedule:Yale University Art Gallery (08/21/15–11/22/15)

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An in-depth look at the changing status of American artists in the 18th and early 19th century This fascinating book is the first comprehensive art-historical study of what it meant to be an American artist in the 18th- and early 19th-century transatlantic world. Susan Rather examines the status of artists from different geographical, professional, and material perspectives, and delves into topics such as portrait painting in Boston and London; the trade of art in Philadelphia and New York; the negotiability and usefulness of colonial American identity in Italy and London; and the shifting representation of artists in and from the former British colonies after the Revolutionary War, when London remained the most important cultural touchstone. The book interweaves nuanced analysis of well-known artists—John Singleton Copley, Benjamin West, and Gilbert Stuart, among others—with accounts of non-elite painters and ephemeral texts and images such as painted signs and advertisements. Throughout, Rather questions the validity of the term “American,” which she sees as provisional—the product of an evolving, multifaceted cultural construction. Published for the Paul Mellon Centre for Studies in British Art

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An ambitious, landmark history of the Scientific Revolution, from the age of Columbus to the age of Cook In 1492 Columbus set out across the Atlantic; in 1776 American colonists declared their independence. Between these two events old authorities collapsed—Luther’s Reformation divided churches, and various discoveries revealed the ignorance of the ancient Greeks and Romans. A new, empirical worldview had arrived, focusing now on observation, experiment, and mathematical reasoning. This engaging book takes us along on the great voyage of discovery that ushered in the modern age. David Knight, a distinguished historian of science, locates the Scientific Revolution in the great era of global oceanic voyages, which became both a spur to and a metaphor for scientific discovery. He introduces the well-known heroes of the story (Galileo, Newton, Linnaeus) as well as lesser-recognized officers of scientific societies, printers and booksellers who turned scientific discovery into public knowledge, and editors who invented the scientific journal. Knight looks at a striking array of topics, from better maps to more accurate clocks, from a boom in printing to medical advancements. He portrays science and religion as engaged with each other rather than in constant conflict; in fact, science was often perceived as a way to uncover and celebrate God’s mysteries and laws. Populated with interesting characters, enriched with fascinating anecdotes, and built upon an acute understanding of the era, this book tells a story as thrilling as any in human history.

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A dazzling translation by Lydia Davis of the first volume of Michel Leiris’s masterwork, perhaps the most important French autobiographical enterprise of the twentieth century Michel Leiris, a French intellectual whose literary works inspired high praise from the likes of Simone de Beauvoir and Claude Lévi-Strauss, began the first volume of his autobiographical project at the age of 40. It was the beginning of an endeavor that ultimately required 35 years and three additional volumes. In Volume 1, Scratches, Leiris proposes to discover a savoir vivre, a mode of living that would have a place for both his poetics and his personal morality. “I can scarcely see the literary use of speech as anything but a means of sharpening one’s consciousness in order to be more—and in a better way—alive," he declares. He begins the project of uncovering memories, returning to moments and images of childhood—his father’s recording machine, the letters of the alphabet coming to life—and then of his later life—Paris under the Occupation, a journey to Africa, and a troubling fear of death.

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This magnificently illustrated people’s history celebrates the extraordinary feats of cultivation by the working class in Britain, even if the land they toiled, planted, and loved was not their own. Spanning more than four centuries, from the earliest records of the laboring classes in the country to today, Margaret Willes's research unearths lush gardens nurtured outside rough workers’ cottages and horticultural miracles performed in blackened yards, and reveals the ingenious, sometimes devious, methods employed by determined, obsessive, and eccentric workers to make their drab surroundings bloom. She also explores the stories of the great philanthropic industrialists who provided gardens for their workforces, the fashionable rich stealing the gardening ideas of the poor, alehouse syndicates and fierce rivalries between vegetable growers, flower-fanciers cultivating exotic blooms on their city windowsills, and the rich lore handed down from gardener to gardener through generations. This is a sumptuous record of the myriad ways in which the popular cultivation of plants, vegetables, and flowers has played—and continues to play—an integral role in everyday British life.

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An important new look at Rome's earliest buildings and their context within the broader tradition of Mediterranean culture This groundbreaking study traces the development of Roman architecture and its sculpture from the earliest days to the middle of the 5th century BCE. Existing narratives cast the Greeks as the progenitors of classical art and architecture or rely on historical sources dating centuries after the fact to establish the Roman context. Author John North Hopkins, however, allows the material and visual record to play the primary role in telling the story of Rome’s origins, synthesizing important new evidence from recent excavations. Hopkins’s detailed account of urban growth and artistic, political, and social exchange establishes strong parallels with communities across the Mediterranean. From the late 7th century, Romans looked to increasingly distant lands for shifts in artistic production. By the end of the archaic period they were building temples that would outstrip the monumentality of even those on the Greek mainland. The book’s extensive illustrations feature new reconstructions, allowing readers a rare visual exploration of this fragmentary evidence.

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A leading legal scholar explores how the constitutional right to seek justice has been restricted by the Supreme Court The Supreme Court’s decisions on constitutional rights are well known and much talked about. But individuals who want to defend those rights need something else as well: access to courts that can rule on their complaints. And on matters of access, the Court’s record over the past generation has been almost uniformly hostile to the enforcement of individual citizens’ constitutional rights. The Court has restricted who has standing to sue, expanded the immunity of governments and government workers, limited the kinds of cases the federal courts can hear, and restricted the right of habeas corpus. Closing the Courthouse Door, by the distinguished legal scholar Erwin Chemerinsky, is the first book to show the effect of these decisions: taken together, they add up to a growing limitation on citizens’ ability to defend their rights under the Constitution. Using many stories of people whose rights have been trampled yet who had no legal recourse, Chemerinsky argues that enforcing the Constitution should be the federal courts’ primary purpose, and they should not be barred from considering any constitutional question.

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A prominent scholar explores King Arthur’s historical development, proposing that he began as a fictional character developed in the ninth century According to legend, King Arthur saved Britain from the Saxons and reigned over it gloriously sometime around A.D. 500. Whether or not there was a “real” King Arthur has all too often been neglected by scholars; most period specialists today declare themselves agnostic on this important matter. In this erudite volume, Nick Higham sets out to solve the puzzle, drawing on his original research and expertise to determine precisely when, and why, the legend began. Higham surveys all the major attempts to prove the origins of Arthur, weighing up and debunking hitherto claimed connections with classical Greece, Roman Dalmatia, Sarmatia, and the Caucasus. He then explores Arthur’s emergence in Wales—up to his rise to fame at the hands of Geoffrey of Monmouth. Certain to arouse heated debate among those committed to defending any particular Arthur, Higham’s book is an essential study for anyone seeking to understand how Arthur’s story began.

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A lavishly illustrated global exploration of the vast array of styles and most significant practitioners of tattoo from ancient times to today Tattoo art and practice has seen radical changes in the 21st century, as its popularity has exploded. An expanding number of tattoo artists have been mining the past for lost traditions and innovating with new technology. An enormous diversity of styles, genres, and techniques has emerged, ranging from geometric blackwork to vibrant, painterly styles, and from hand-tattooed works to machine-produced designs. With over 700 stunning color illustrations, this volume considers historical and contemporary tattoo practices in Europe, the Americas, the Middle East, North and Sub-Saharan Africa, Asia, Australia, and the Pacific Islands. Each section, dedicated to a specific geographic region, features fascinating text by tattoo experts that explores the history and traditions native to that area as well as current styles and trends. The World Atlas of Tattoo also tracks the movement of styles from their indigenous settings to diasporic communities, where they have often been transformed into creative, multicultural, hybrid designs. The work of 100 notable artists from around the globe is showcased in this definitive reference on a widespread and intriguing art practice.

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Samuel Palmer (1805–1881) was one of the leading British landscape painters of the 19th century. Inspired by his mentor, the artist and poet William Blake, Palmer brought a new spiritual intensity to his interpretation of nature, producing works of unprecedented boldness and fervency. Pre-eminent scholar William Vaughan—who organized the Palmer retrospective at the British Museum and The Metropolitan Museum of Art in 2005—draws on unpublished diaries and letters, offering a fresh interpretation of one of the most attractive and sympathetic, yet idiosyncratic, figures of the 19th century. Far from being a recluse, as he is often presented, Palmer was actively engaged in Victorian cultural life and sought to exert a moral power through his artwork. Beautifully illustrated with Palmer's visionary and enchanted landscapes, the book contains rich studies of his work, influences, and resources. Vaughan also shows how later, enthralled by the Pre-Raphaelite movement, Palmer manipulated his own artistic image to harmonize with it. Little appreciated in his lifetime, Palmer is now hailed as a precursor of modernism in the 20th century.Published for the Paul Mellon Centre for Studies in British Art

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Caterina Corner, a Venetian noblewoman and the last Queen of Cyprus, led a complex and remarkable life. In 1468, Corner married King Jacques II Lusignan of Cyprus at the behest of her family, whose ambitions matched those of the Venetian republic anxious to extend its empire. In the first year of her reign, pregnant and widowed, she became regent for the kingdom. This study considers for the first time the strategies of her reign, negotiating Venetian encroachment, family pressures, and the challenges of female rule. Using previously understudied sources, such as her correspondence with Venetian magistracies, the book shows how Corner marshalled her royal authority until and beyond her forced abdication in 1489. The unique perspective of Corner’s life reveals new insights into Renaissance imperialism, politics, familial ambition, and conventions of ideal womanhood as revealed in the portraits, poetry, and orations dedicated to her.

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A compelling argument for broad-based profit sharing and employee ownership in keeping with the economic vision of America’s Founders The idea of workers owning the businesses where they work is not new. In America’s early years, Washington, Adams, Jefferson, and Madison believed that the best economic plan for the Republic was for citizens to have some ownership stake in the land, which was the main form of productive capital. This book traces the development of that share idea in American history and brings its message to today's economy, where business capital has replaced land as the source of wealth creation. Based on a ten-year study of profit sharing and employee ownership at small and large corporations, this important and insightful work makes the case that the Founders’ original vision of sharing ownership and profits offers a viable path toward restoring the middle class. Blasi, Freeman, and Kruse show that an ownership stake in a corporation inspires and increases worker loyalty, productivity, and innovation. Their book offers history-, economics-, and evidence-based policy ideas at their best.

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The issue of how to represent God is a concern both ancient and contemporary. In this wide-ranging and authoritative study, renowned biblical scholar Mark Smith investigates the symbols, meanings, and narratives in the Hebrew Bible, Ugaritic texts, and ancient iconography, which attempt to describe deities in relation to humans. Smith uses a novel approach to show how the Bible depicts God in human and animal forms—and sometimes both together. Mediating between the ancients’ theories and the work of modern thinkers, Smith’s boldly original work uncovers the foundational understandings of deities and space.

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Florence Cathedral, familiarly called Il Duomo, is an architectural masterpiece and home to celebrated works of art. The interrelationship between the brilliant art and architecture and the Cathedral’s musical program is explored in depth in this beautiful book. Perhaps the most beloved example is Luca della Robbia’s sculptural program for the organ loft, comprising ten sculptural relief panels that depict children singing, dancing, and making music. Luca’s charming sculptures are examined alongside luxurious illuminated manuscripts commissioned for musical performances. Essays by distinguished scholars provide new insights into the original function and meaning of Luca’s sculptures; organs and organists during the 15th century; the roles played by women and girls—as well as men and boys—in making music throughout Renaissance Florence; and the Cathedral’s illuminated choir books. Published in association with the High Museum of Art, AtlantaExhibition Schedule:High Museum of Art, Atlanta(10/25/14–01/11/15)Detroit Institute of Arts(02/06/15–05/17/15)

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A portrayal of the unique and vibrant city of Calcutta, shown in an intriguing array of captivating and visually arresting photographs Photographer Laura McPhee, noted for her stunning large-scale landscapes and portraits of the people who live and work in them, has been traveling to eastern India for over a decade. There she has devoted her perceptive vision to picturing layers of history, culture, religion, and class as they appear in private heritage homes and public markets, in lively street festivals, and in the faces of city dwellers in Calcutta (also known as Kolkata). This exquisitely produced book features a selection of McPhee’s works made in and around India’s former capital. Here we glimpse courtyards, living spaces, temples, and altars as both vestiges of the past and elements of contemporary urban existence. McPhee’s images sensitively penetrate the surface to show the blurred boundaries between social classes, the blending of public and private life, and the resonance between India and other parts of the world. Also included are a foreword by Amitav Ghosh on the historical divisions inherent in the city’s culture and on the nature of McPhee’s work, and an essay by art historian Romita Ray on the ways McPhee captures and distills the remnants of colonial Calcutta in her photographs of the contemporary city.

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The first available textbook on the rapidly growing and increasingly important field of government analytics This first textbook on the increasingly important field of government analytics provides invaluable knowledge and training for students of government in the synthesis, interpretation, and communication of “big data,” which is now an integral part of governance and policy making. Integrating all the major components of this rapidly growing field, this invaluable text explores the intricate relationship of data analytics to governance while providing innovative strategies for the retrieval and management of information.

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The first comprehensive guide to Elizabethan ideas about the mind What is the mind? How does it relate to the body and soul? These questions were as perplexing for the Elizabethans as they are for us today—although their answers were often startlingly different. Shakespeare and his contemporaries believed the mind was governed by the humours and passions, and was susceptible to the Devil’s interference. In this insightful and wide-ranging account, Helen Hackett explores the intricacies of Elizabethan ideas about the mind. This was a period of turbulence and transition, as persistent medieval theories competed with revived classical ideas and emerging scientific developments. Drawing on a wealth of sources, Hackett sheds new light on works by Shakespeare, Marlowe, Sidney, and Spenser, demonstrating how ideas about the mind shaped new literary and theatrical forms. Looking at their conflicted attitudes to imagination, dreams, and melancholy, Hackett examines how Elizabethans perceived the mind, soul, and self, and how their ideas compare with our own.

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British Royal Navy Captain James Cook’s voyages of exploration across and around the Pacific Ocean were a marvel of maritime achievement, and provided the first accurate map of the Pacific. The expeditions answered key scientific, economic, and geographic questions, and inspired some of the most influential images of the Pacific made by Europeans. Now readers can immerse themselves in the adventure through the collections of London’s National Maritime Museum, which illuminate every aspect of the voyages: oil paintings of lush landscapes, scientific and navigational instruments, ship plans, globes, charts and maps, rare books and manuscripts, coins and medals, ethnographic material, and personal effects. Each artifact holds a story that sheds light on Captain Cook, the crews he commanded, and the effort’s impact on world history. Showcasing one of the richest resources of Cook-related material in the world, this publication invites readers to engage with the extraordinary voyages—manifested in material culture—and their continuing significance today. Published in association with the National Maritime Museum, Greenwich, LondonExhibition Schedule:National Maritime Museum, Greenwich, London (Permanent Gallery, opens fall 2018)

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A compact and accessible edition of Hume’s political and moral writings with essays by a distinguished set of contributors A key figure of the Scottish Enlightenment, David Hume was a major influence on thinkers ranging from Kant and Schopenhauer to Einstein and Popper, and his writings continue to be deeply relevant today. With four essays by leading Hume scholars exploring his complex intellectual legacy, this volume presents an overview of Hume’s moral, political, and social philosophy. Editors Angela Coventry and Andrew Valls bring together a selection of writings from Hume’s most important works, with contributors placing them in their appropriate context and offering a lively discourse on the relevance of Hume’s thought to contemporary subjects like reason’s dependence on emotion and the importance of social convention in political and economic behavior. Perfect for classroom use, this volume is an invaluable companion for anyone studying an important thinker who advanced the development of moral philosophy, economics, cognitive science, and many other fields of the Western tradition.

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The first book length-work on Afa Ajura and translation of his complete poems This is the first English translation of and commentary on the collected poems of Alhaj Yūsuf Ṣāliḥ Ajura (1910–2004), a northern Ghanaian orthodox Islamic scholar, poet, and polemicist known as Afa Ajura, or “scholar from Ejura.” The poems, all handwritten in Arabic script, mainly in the Ghanaian language of Dagbani and also Arabic, explore the author’s socio‑religious beliefs. In the accompanying introduction, the translator examines the diverse themes of the poems and how they challenge Tijāniyyah Sufi clerics and traditional practices such as idol worship.

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This is the essential companion to the architecture of Cambridgeshire, fully revised for the first time in sixty years and featuring superb new photography. Half of the book is devoted to the famous university city, with its astonishingly rich and varied inheritance of college buildings including striking post-war additions. A combination of boldness and innovation may be found at Ely Cathedral, one of the greatest achievements of English medieval design. By comparison, the rest of the county remains surprisingly little known. Its largely unspoiled landscapes vary from the northern flat fen country to the rolling chalk uplands of the south and east; its architecture encompasses rewarding village churches, distinctive vernacular building in timber, stone, and brick, the former monastic sites at Denny and Anglesey, and the magnificent aristocratic seat of Wimpole Hall.

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A celebrated novelist and an acclaimed historian of ideas, father and daughter, unravel the chain of words at the core of Jewish life, history, and culture Why are words so important to so many Jews? Novelist Amos Oz and historian Fania Oz-Salzberger roam the gamut of Jewish history to explain the integral relationship of Jews and words. Through a blend of storytelling and scholarship, conversation and argument, father and daughter tell the tales behind Judaism’s most enduring names, adages, disputes, texts, and quips. These words, they argue, compose the chain connecting Abraham with the Jews of every subsequent generation. Framing the discussion within such topics as continuity, women, timelessness, and individualism, Oz and Oz-Salzberger deftly engage Jewish personalities across the ages, from the unnamed, possibly female author of the Song of Songs through obscure Talmudists to contemporary writers. They suggest that Jewish continuity, even Jewish uniqueness, depends not on central places, monuments, heroic personalities, or rituals but rather on written words and an ongoing debate between the generations. Full of learning, lyricism, and humor, Jews and Words offers an extraordinary tour of the words at the heart of Jewish culture and extends a hand to the reader, any reader, to join the conversation.

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Can anything prevent China surpassing the United States and becoming the world’s superpower? While dozens of recent books and articles have predicted the near-certainty of China’s rise to global supremacy, this book boldly counters such widely-held assumptions. Timothy Beardson brings to light the daunting array of challenges that today confront China, as well as the inadequacy of the policy responses. Threats to China come on many fronts, Beardson shows, and by their number and sheer weight these problems will thwart any ambition to become the world’s “Number One power.” Drawing on extensive research and experience living and working in Asia over the last 35 years, the author spells out China’s situation: an inexorable demographic future of a shrinking labor force, relentless aging, extreme gender disparity, and even a falling population. Also, the nation faces social instability, a devastated environment, a predominantly low-tech economy with inadequate innovation, the absence of an effective welfare safety net, an ossified governance structure, and radical Islam lurking at the borders. Beardson’s nuanced, first-hand look at China acknowledges its historic achievements while tempering predictions of its imminent hegemony with a no-nonsense dose of reality.

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An accessible survey of the history of European overseas empires in the seventeenth and eighteenth centuries based on new scholarship In this thematic survey, Gabriel Paquette focuses on the evolution of the Spanish, Portuguese, English, French, and Dutch overseas empires in the seventeenth and eighteenth centuries. He draws on recent advances in the field to examine their development, from efficacious forms of governance to coercive violence. Beginning with a narrative overview of imperial expansion that incorporates recent critiques of older scholarly approaches, Paquette then analyzes the significance of these empires, including their political, economic, and social consequences and legacies. He makes the multifaceted history of Europe’s globe‑spanning empires in this crucial period accessible to new readers.

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Celebrating the fortieth anniversary of this seminal book, this new edition includes an illuminating foreword by Carlos Eire and Ronald K. Rittges The seeds of the swift and sweeping religious movement that reshaped European thought in the 1500s were sown in the late Middle Ages. In this book, Steven Ozment traces the growth and dissemination of dissenting intellectual trends through three centuries to their explosive burgeoning in the Reformations—both Protestant and Catholic—of the sixteenth century. He elucidates with great clarity the complex philosophical and theological issues that inspired antagonistic schools, traditions, and movements from Aquinas to Calvin. This masterly synthesis of the intellectual and religious history of the period illuminates the impact of late medieval ideas on early modern society. With a new foreword by Carlos Eire and Ronald K. Rittgers, this modern classic is ripe for rediscovery by a new generation of students and scholars.

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In the cold winter months that followed Franklin Roosevelt’s election in November 1940 to an unprecedented third term in the White House, he confronted a worldwide military and moral catastrophe. Almost all the European democracies had fallen under the ruthless onslaught of the Nazi army and air force. Great Britain stood alone, a fragile bastion between Germany and American immersion in war. In the Pacific world, Japan had extended its tentacles deeper into China. Susan Dunn dramatically brings to life the most vital and transformational period of Roosevelt’s presidency: the hundred days between December 1940 and March 1941, when he mobilized American industry, mustered the American people, initiated the crucial programs and approved the strategic plans for America’s leadership in World War II. As the nation began its transition into the preeminent military, industrial, and moral power on the planet, FDR laid out the stunning blueprint not only for war but for the American Century.

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An exuberant history of American dance, told through the lives of virtuoso performers who have defined the art The history of American dance reflects the nation’s tangled culture. Dancers from wildly different backgrounds learned, imitated, and stole from one another. Audiences everywhere embraced the result as deeply American. Using the stories of tapper Bill "Bojangles" Robinson, Ginger Rogers and Fred Astaire, ballet and Broadway choreographer Agnes de Mille, choreographer Paul Taylor, and Michael Jackson, Megan Pugh shows how freedom—that nebulous, contested American ideal—emerges as a genre-defining aesthetic. In Pugh’s account, ballerinas mingle with slumming thrill-seekers, and hoedowns show up on elite opera house stages. Steps invented by slaves on antebellum plantations captivate the British royalty and the Parisian avant-garde. Dances were better boundary crossers than their dancers, however, and the issues of race and class that haunt everyday life shadow American dance as well. Deftly narrated, America Dancing demonstrates the centrality of dance in American art, life, and identity, taking us to watershed moments when the nation worked out a sense of itself through public movement.

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Language proficiency emerges not solely as mastery of discrete skills, but also through one’s ability to express ideas fully in a variety of cultural contexts. This innovative French‑language textbook employs a holistic approach that integrates listening, reading, writing, and conversation—placing communication at the heart of the learning experience. It provides intermediate‑level students with the interpretive tools necessary for literary and cultural studies. There are interactions with a variety of texts and media, including short stories, poems, essays, images, and podcasts.

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From one of America’s most distinguished constitutional scholars, an intriguing exploration of America’s most famous political tract and its relevance to today’s politics In An Argument Open to All, renowned legal scholar Sanford Levinson takes a novel approach to what is perhaps America’s most famous political tract. Rather than concern himself with the authors as historical figures, or how The Federalist helps us understand the original intent of the framers of the Constitution, Levinson examines each essay for the political wisdom it can offer us today. In eighty-five short essays, each keyed to a different essay in The Federalist, he considers such questions as whether present generations can rethink their constitutional arrangements; how much effort we should exert to preserve America’s traditional culture; and whether The Federalist’s arguments even suggest the desirability of world government.

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Published in its entirety for the first time, a candid conversation with Susan Sontag at the height of her brilliant career“A humanizing interview with the late cultural icon, who was often perceived as a fiercely aggressive and polarizing intellect.”—Kirkus Reviews Susan Sontag, one of the most internationally renowned and controversial intellectuals of the latter half of the twentieth century, still provokes. In 1978 Jonathan Cott, a founding contributing editor of Rolling Stone magazine, interviewed Sontag first in Paris and later in New York. Only a third of their twelve hours of discussion ever made it to print. Published more than three decades later, this book provides the entire transcript of Sontag’s remarkable conversation, accompanied by Cott’s preface and recollections. Sontag’s musings and observations reveal the passionate engagement and breadth of her critical intelligence and curiosities at a moment when she was at the peak of her powers. Nearly a decade after her death, these hours of conversation offer a revelatory and indispensable look at the self-described "besotted aesthete" and "obsessed moralist." “I really believe in history, and that’s something people don’t believe in anymore. I know that what we do and think is a historical creation. . . .We were given a vocabulary that came into existence at a particular moment. So when I go to a Patti Smith concert, I enjoy, participate, appreciate, and am tuned in better because I’ve read Nietzsche.” “There’s no incompatibility between observing the world and being tuned into this electronic, multimedia, multi-tracked, McLuhanite world and enjoying what can be enjoyed. I love rock and roll. Rock and roll changed my life. . . .You know, to tell you the truth, I think rock and roll is the reason I got divorced. I think it was Bill Haley and the Comets and Chuck Berry that made me decide that I had to get a divorce and leave the academic world and start a new life.”

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This advanced level course book teaches stylistic variations of modern French grammar using examples from films and interviews as well as other authentic texts. Written entirely in French, it focuses on the most difficult grammar points and their usage, rather than on their formation. Variations stylistiques includes an abundance of oral and written exercises that are practical, relevant, creative, and fun, encouraging students to use the grammar in meaningful contexts. By highlighting the many linguistic variants employed by native speakers, Dansereau provides an engaging alternative to traditional French grammar textbooks. An ancillary Web site features quizzes and other valuable resources for instructors.

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In his lifetime Robert Southey was very much the equal of his fellow “Lake poets,” Coleridge and Wordsworth, but since his death his reputation has been overshadowed by their success. In this new biography W. A. Speck argues that if Southey's poetry is no longer considered as significant, his other writings were more salient and his political views far more influential than those of his fellow poets. He was, as Byron conceded, England's “only existing entire man of letters.”The book engages with Southey's voluminous publications, weaving discussion of them into the narrative of his life. Speck also explores Southey's entire correspondence, not only that which appeared in the editions edited by his descendants, and finds a man of considerably greater emotional complexity than previously assumed. The first fully rounded chronicle of Southey's life in sixty years, Speck's account sets Southey in historical context and restores him to the map of English literature.

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This account of the final years of Britain's long war against Revolutionary and Napoleonic France places the conflict in a new—and wholly modern—perspective. Rory Muir looks beyond the purely military aspects of the struggle to show how the entire British nation played a part in the victory. His book provides a total assessment of how politicians, the press, the crown, civilians, soldiers, and commanders together defeated France. Beginning in 1807 when all of continental Europe was under Napoleon's sway, the author traces the course of the war through the Spanish uprising of 1808, the campaigns of the Duke of Wellington and Sir John Moore in Portugal and Spain, and the crossing of the Pyrenees by the British army, to the invasion of southern France and the defeat of Napoleon at the Battle of Waterloo. Muir sets Britain's military operations on the Iberian Peninsula within the context of the wider European conflict, and he examines how diplomatic, financial, military, and political considerations combined to shape policy and priorities. Just as political factors influenced strategic military decisions, Muir contends, fluctuations of the war affected British political decisions. The book is based on a comprehensive investigation of primary and secondary sources, and on a thorough examination of the vast archives left by the Duke of Wellington. Muir offers vivid new insights on the personalities of Canning, Castlereagh, Perceval, Lord Wellesley, Wellington, and the Prince Regent, along with fresh information on the financial background of Britain's campaign. This vigorous narrative account will appeal to general readers and enthusiasts of the Napoleonic era, as well as academics with an interest in early nineteenth-century British political or military history.

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A special edition of the international bestseller that is “sumptuously illustrated. . . . Perfect for reading to alert and curious children, but it’s even better as a secret pleasure, read alone, with no children in sight.” (Philip Kennicott, Washington Post) E. H. Gombrich’s A Little History of the World, an engaging and lively book written for readers both young and old, vividly brings the full span of human experience on Earth to life, from the stone age to the atomic age. Gombrich’s text paints a colorful picture of wars and conquests; of grand works of art; of the advances and limitations of science; of remarkable people and remarkable events. But Gombrich was, first and foremost, the best-known art historian of his time; his beloved Little History suggests illustrations on every page. Featuring more than two hundred illustrations—most in color—this beautiful edition incorporates a wide range of images, showing us the earliest cave paintings, the classic sculptures of the ancient Greeks, beautiful Islamic calligraphy, oil portraits of the mighty through the ages, and much more. With a high-grade design, fine paper, and classic binding, this enhanced edition will have an important place on family bookshelves for many years to come.

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From small timber-framed houses to sprawling manors, this comprehensive guide to west Suffolk presents an impressive range of buildings from across the centuries. At its center lies the town of Bury St. Edmunds, site of one of Norman England’s most powerful abbeys, whose monolithic gates remain as a local landmark. Other towns boast impressive architecture as well, including Newmarket, where the racetrack and other unique structures support its role as a historic and international center for horse breeding and racing. Also attesting to the remarkable variation of west Suffolk’s buildings are a number of impressively grand residences, such as the fine Elizabethan manors of Long Melford, Majarajah Duleep Singh’s palace at Elveden, and the extraordinary circular mansion of Ickworth.

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The American realist artist John Sloan (1871–1951) is best known for his portrayals of daily life in early 20th-century New York and as a member of The Eight and the Ashcan School, alongside peers like Robert Henri, Everett Shinn, and George Luks. Sloan’s artistic approach was shaped by his experience as a commercial illustrator, a type of work that inaugurated his professional career—at newspapers like the Philadelphia Press and later for mass-market magazines—and which he pursued even after he turned his focus to painting. In John Sloan: Drawing on Illustration, Michael Lobel explores the impact of Sloan’s illustrating on his wider output, including his paintings, his drawings for the radical journal The Masses, and his response to the watershed 1913 Armory Show. Illuminating the interaction between art and popular culture, this book provides an important new framework for understanding the modern genre of illustration, and in so doing touches on major 20th-century currents, including the rise and expansion of the mass media and the visual legacy of European modernism.

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A fresh translation of quaestiones from the Summa theologiae of Thomas Aquinas, edited by Robert Miner. This volume provides direct access to the medieval theologian’s deepest thinking about the supreme goal of human life—blessedness—and the virtue most intimately related to this goal—charity. The edition also contains Aquinas’s treatment of charity’s effects—love, joy, peace, and mercy—and the vices opposed to them, such as hatred, envy, and war. Featuring five supplementary essays by noted Aquinas scholars, the volume will enable readers to engage more thoroughly with the thought of Thomas Aquinas.

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A thrilling new biography of Pyotr Ilyich Tchaikovskycomposer of some of the world's most popular orchestral and theatrical music

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