Search results for ""author thomas"

What is the theological place of the Holy Spirit with respect to the forgiveness of sins in the sacrament of penance? This study examines the role of the Spirit in the theology of sacramental forgiveness of Thomas Aquinas (1224/5-1274), who is often blamed for the "Geistvergessenheit" of Western theology. In the first part of this study it is shown that in Thomas' theology notions like guilt and forgiveness function within the context of a relationship of friendship between God and human beings. Constitutive for this relationship is the indwelling of God, which is 'appropriated' to the Holy Spirit. It is explained that Thomas understands appropriation, i.e. the practice of ascribing to divine Persons individually what belongs to the divine essence in general, as a part of proper God-talk, which takes into account the limitations of our language vis-a-vis God. In the second part of this study, it is argued that the notion of the causality of the sacrament of penance, i.e. that it effects the forgiveness of sins that it signifies, can only be evaluated properly if the sacrament of penance is not only seen as prolongation of the incarnation, i.e. the visible mission of the Son, but also as accompanied by the continous invisible mission of the Holy Spirit. Eric Luijten (1964) has been a research-fellow of the Catholic Theological University at Utrecht, the Netherlands, and at present is rector of studies of the Arienskonvikt, the priest seminary of the archdiocese Utrecht and the diocese Groningen.

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Throughout the history of Thomas’s critical reception, psychoanalytic interpretations have been applied that have privileged the psychosexual over the psycho-linguistic elements of his work. The wealth of sexual and pseudo-sexual imagery has acquired a negative charge, and has been used to evidence claims that Thomas was the epiphon of his own disturbed psyche, thus reducing the poetry to the expression of the poet’s schizoid neuroses. Avoiding the biography-based approaches that have dominated hitherto, Liberating Dylan Thomas rescues his early poetry from the position of servitude to the discursive mastery of psychoanalysis. Placing the poetry and psychoanalysis together in a mutually illuminating dialogue, this book clearly demonstrates the ways in which the vital connection between post-Freudian psychoanalysis and Thomas’s early poetry can be articulated without reductive simplification.

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The Bijlmer Spinoza-Festival is an artwork, a sculpture, created by Swiss artist Thomas Hirschhorn in a peripheral borough of Amsterdam’s south-east known as the Bijlmer in 2009. This book recounts the event through the eyes of its “Ambassador”, art historian Vittoria Martini, who was invited by the artist to be an eyewitness to the existence of this “precarious” work. A term Hirschhorn sees as positive and creative: a means of asserting the importance of the moment and of the place, of asserting the Here and Now to touch eternity and universality. Appreciating the art historian’s presence as a central element of his sculpture, Hirschhorn consciously challenged the certainties of the profession by empowering and activating the role, thus leading Martini to find a new working methodology that she calls “precarious art history”. Accompanying the readers through her experience of the physical existence of The Bijlmer Spinoza-Festival, Martini’s commentary leads to the profound understanding of how a work that no longer exists physically, can live on in the mind— elsewhere, at some other time—because in the meantime it has become universal.

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A definitive scholarly edition of the correspondence and papers of Thomas JeffersonCongress adjourns early in March, and Jefferson goes home to Monticello for a month. After his return to Washington, he corresponds with territorial governors concerning appointments to legislative councils. He peruses information about Native American tribes, Spanish and French colonial settlements, and the geography of the Louisiana Territory. He seeks the consent of Spanish authorities to a U.S. exploration along the Red River while asserting privately that Spain “has met our advances with jealousy, secret malice, and ill faith.” A new law extends civil authority over foreign warships in U.S. harbors, and he considers using it also to constrain privateers. Federalist opponents bring up “antient slanders” to question his past private and official actions. His personal finances are increasingly reliant on bank loans. He starts a search for a new farm manager at Monticello. Meriwether Lewis and William Clark write from Fort Mandan in April before setting out up the Missouri River. Jefferson will not receive their reports until mid-July. In the Mediterranean, William Eaton coordinates the capture of the port of Derna and Tobias Lear negotiates terms of peace with Pasha Yusuf Qaramanli to end the conflict with Tripoli. News of those events will not reach the United States until September.

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Meister Eckhart and Thomas of Erfurt lived streets away from one another. Thomas was the last great figure of the Modistae, the speculative grammarians who were concerned with the relationship between grammar and ontology, the structure of the sentence mirroring the structure of the world. Thomas’ major work – the Grammatica speculativa – was deeply influential in the medieval period. But does Thomas’ geographical proximity to Eckhart suggest a concomitant influence of modism on his thought? What of modism’s legacy after the rapid demise of the grammatical theory in the early-mid fourteenth century? The contributions to this volume deal with these matters, and were originally presented at the ‘Meister Eckhart and Thomas of Erfurt’ conference at the Max-Weber-Center at the University of Erfurt, 14-15 November 2013.

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Dylan Thomas's letters bring the fascinating and tempestuous poet and his times to life in a way that no biography can.The letters begin in the poet's schooldays and end just before his death in New York at the age of 39. In between, he loved, wrote, drank, begged and borrowed his way through a flamboyant life. He was an enthusiastic critic of other writers' work and the letters are full of his thoughts on the work of his contemporaries, from T.S. Eliot and W.H. Auden to Stephen Spender and Cecil Day-Lewis.A lifetime of letters tell a remarkable story, each taking the reader a little further along the path of the poet's self-destruction, but written with such verve and lyricism that somehow the reader's sympathies never quite abandon him.

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Scholars and enthusiasts alike will revel in this ambitious two-volume catalogue raisonné of Thomas Gainsborough’s portraits and copies of Old Master works. The catalogue contains approximately 1,100 paintings, including nearly 200 works newly attributed to the British master, as well as updated information about his subjects and specially commissioned photography. Each portrait entry includes the biography of the sitter—including several newly identified—the painting’s provenance, and exhibitions in which each work was shown. Gainsborough’s copies after Old Masters, painted in admiration and used to assimilate their style of painting into his own work, are documented here as well. Research includes in-depth analysis of newspaper archives and other printed material to establish the date of a painting’s production, chart the development of the artist’s style, and assess the impression the work made within the context of its time.Published in association with the Paul Mellon Centre for Studies in British Art

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'In front of Nature' is the first monograph to feature the work of Thomas Fearnley (1802-1842), a major artist in the tradition of the great romantics like Caspar David Friedrich, J.C. Dahl and J.M.W.Turner. This volume reveals the full range of Fearnley's landscape paintings, from large oils to spontaneous sketches, which he produced 'en plein air' during his summer travels. Fearnley's entire career is considered: Frode Ernst Haverkamp studies his Norwegian upbringing and influence, David Jackson looks at his extensive travels to artistic centres in Italy and Germany, including Dresden where he studied under J. C. Dahl, and his return to Norway via the Swiss Alps and Britain. Ann Sumner studies the artist's little-known British paintings, including his tour of the Lake District and involvement with the Etching Society. Greg Smith focuses on how Fearnley appears in his own landscape studies and in a new type of contemporary painting: gatherings of artists in social settings.

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Edward Thomas was perhaps the most beguiling and influential of the war poets. This haunting account of his final five years follows him from his beloved English countryside to the battlefield in France where he lost his life. When he met the American poet Robert Frost in 1913, Thomas was tormented by feelings of failure in his work and in his marriage. With Frost’s encouragement he began writing poem after poem as he finally found the expression for which he had spent his life searching. But the First World War put an ocean between them: Frost returned to New England while Thomas enlisted and went to fight in France. It is these roads taken—and not taken—that are at the heart of this unforgettable book, which culminates in Thomas’s tragic death on Easter Monday, 1917. Now All Roads Lead to France encompasses an astonishingly creative moment in English literature, when London was a battleground for new, ambitious writing. A generation that included W. B. Yeats, Ezra Pound, Robert Frost, and Rupert Brooke was “making it new”—vehemently and pugnaciously—and this dazzling biography places Thomas firmly in their midst.

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This volume aims to restore the reputation of Thomas White, who in his time was as well respected as his fellow landscape designers Lancelot 'Capability' Brown and Humphry Repton. By the end of his career, he had produced designs for at least 32 sites across northern England and over 60 in Scotland. These include nationally important designed landscapes in Yorkshire such as Harewood House, Sledmere Hall, Burton Constable Hall, Newby Hall, Mulgrave Castle as well as Raby Castle in Durham, Belle Isle in Cumbria and Brocklesby Hall in Lincolnshire. He has a vital role in the story of how northern English designed landscapes evolved in the 18th century.The book focuses on White's known commissions in England and sheds further light on the work of other designers such as Brown and Repton, who worked on many of the same sites. White set up as an independent designer in 1765, having worked for Brown from 1759, and his style developed over the next thirty years. Never merely a 'follower of Brown', as he is often erroneously described, his designs for plantations in particular were much admired and influenced the later, more informal styles of the picturesque movement.The improvement plans he produced for his clients demonstrate his surveying and artistic skills. These plans were working documents but at the same time works of art in their own right. Over 60 of his beautifully-executed coloured plans survive, which is a testament to the value his clients placed on them. This book makes available for the first time over 90% of the known plans and surveys by White for England. Also included are plans by White's contemporaries, together with later maps, estate surveys and contemporary illustrations to understand which parts of improvement plans were implemented.

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In this volume, Fr. Franck Quoëx responds to Joseph Ratzinger's call for a renewed appreciation of liturgical rite. A student of Pierre Gy, OP, he brings to this study of Aquinas's liturgical theology a rare combination of expert knowledge of liturgical sources and history and the best of modern historical-critical research guided by sound theological judgment. Fr. Quoëx frames his study with an overview of the problem of rite in modern theological-anthropological discourse, before turning to Aquinas' theory of worship in the treatise on the virtue of religion. He then explores Aquinas' doctrine on the cultic dimensions of the Eucharist and other sacraments in his sacramental theology more broadly, finishing with a close study of the mass commentary of the Tertia Pars.Although there has been increasing attention to Thomas's treatment of religion as a virtue, none have approached him from an anthropological angle with a focus on the nature of liturgical rite, or fully exploited the perspectives of liturgical scholarship to shed light on sacramental theology. Quoëx's work, as the work of a Thomist, liturgist, and medievalist well versed in medieval liturgical development and in the genre of often-allegorical liturgical commentary, opens up this crucial but neglected facet of Aquinas' theological synthesis. Few books have been published on Aquinas's liturgical theology. Now that interest in Aquinas's virtue theory and sacramental theology is growing rapidly, Quoëx's studies are an invitation to further reflection on the topic of Aquinas's liturgical theology with its manifold ramifications for and connections with other theological topics in his Summa, including his theological anthropology, his soteriology, his treatment of the Old and New Laws, and his account of the virtue of religion in connection with the other virtues.

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Thomas Aquinas on the Cardinal Virtues provides essential passages from Thomas's treatment of the cardinal virtues in the Summa theologiae, edited and explained for classroom use or the independent reader. Arranged for beginners, this book contains passages from the Summa theologiae of great historical import, contemporary relevance, or intrinsic interest combined with abundant footnotes aiding the modern reader. Each individual article is arranged so that the question, e.g. “Is capital punishment moral?” is followed directed by Thomas’s answer. Then the first objection is raised, followed immediately by Thomas’s response, the second objection is raised and then Thomas answers it, and so forth. The abundant footnotes help first time readers navigate key theological and philosophical terms which may be unfamiliar. In addition, the notes provide biographical information about key authors cited by Thomas, such as Tully, Vegetius, and Gregory the Great. The footnotes sometimes look back at the sources and philosophical roots of what Thomas teaches. Other notes note how authors after Aquinas including theologians, church councils, and popes developed, synthesized, and sometimes rejected what Thomas teaches. In sum, this book seeks to illuminate Thomas’s teaching on the cardinal virtues such as a teacher might do in the classroom.

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Thomas Edison was a famous American inventor in the late 1800s. His work with light bulbs got a lot of attention. Over time, many stories were told about this work, including that he invented the light bulb. But this isn’t true! Discover what’s real and what’s fiction through infographics, primary sources and expertly levelled text.

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The year is 1855. The Crimean war is raging. The British government has fallen. The Empire itself hangs in the balance.And then the murders start...Someone is targeting members of London's elite - leaving with each corpse the names of men who failed to assassinate Queen Victoria. It's clear that Victoria will be the ultimate victim. As the notorious Opium-Eater Thomas De Quincey and his daughter Emily race to save her, they uncover the heart-breaking past of a man whose lust for revenge has destroyed his soul.Based on actual attempts to assassinate the queen, Inspector of the Dead brilliantly merges fact with fiction, bringing a bloody chapter of Victorian England to vivid, pulse-pounding life.

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Thomas Aikenhead, a sometime University of Edinburgh student, was in 1697 the last person executed for blasphemy in Britain. Michael Graham uses the case to open a window into the world of late seventeenth-century Edinburgh and Scotland, exploring the core historical themes in a country in transition from confessional Reformation to polite, literary Enlightenment. Graham traces the roots of the Aikenhead case and the law of blasphemy which was evolving in response to new intellectual currents of biblical criticism and deism. He analyzes Aikenhead's trial and the Scottish government's decision to uphold the sentence of hanging and details the debates surrounding the execution which were carried out in print media across Scotland and England. Aikenhead's case grew into a media event which highlighted starkly the intellectual and cultural divisions dominating late seventeenth-century Britain.

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Study of the critical reception of one of the most famous and widely read works of modern literature. Thomas Mann's 1912 novella Death in Venice is one of the most famous and widely read texts in all of modern literature, raising such issues as beauty and decadence, eros and irony, and aesthetics and morality. The amount and variety of criticism on the work is enormous, and ranges from psychoanalytic criticism and readings inspired by Mann's own homosexuality to inquiries into the place of the novella in Mann's oeuvre, its structure and style, and its symbolism and politics. Critics have also drawn connections between the novella and works of Plato, Euripides, Goethe, Schopenhauer, Platen, Wagner, Nietzsche, Gide, and Conrad. Ellis Shookman surveys the reception of Deathin Venice, analyzing several hundred books, articles, and other reactions to the novella, proceeding in a chronological manner that allows a historical perspective. Critics cited include Heinrich Mann, Hermann Broch, D. H. Lawrence, Karl Kraus, Kenneth Burke, Georg Lukàcs, Wolfgang Koeppen, Mario Vargas Llosa, and Thomas Mann himself. Particular attention is paid to Luchino Visconti's film, Benjamin Britten's opera, and to other more recent creative adaptations, both in Germany and throughout the world. Ellis Shookman is associate professor of German at Dartmouth College.

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Details Thomas Trotter's important contributions, as a naval surgeon and after, to the eradication of scurvy and typhus, to the study of addiction, and to improved health and safety in mines. Thomas Trotter, after studying medicine at Edinburgh, began his naval career as a surgeon's mate in 1779 and saw continuous service up to the peace of 1802, rising as a result of great abilities and the right patronage to become Physician to the Channel Fleet, and being present at the great battles of Dogger Bank in 1781 and the Glorious First of June in 1794. As Physician to the Channel Fleet, he was a major player in the conquest of scurvy and the control of typhus and smallpox in the navy. After the peace he settled in Newcastle where he produced pioneering work on alcoholism and neurosis, as a result of which he is regarded as one of the founders of the field of addiction studies. This book provides an intimate account of naval life in the great age of sail from the perspective of a surgeon, describing the impact of Enlightenment ideas and new medical techniques, and showing how improved health was a crucial factor in making possible the British fleet's great victories in this period. BRIAN VALE is a maritime historian, whose books include Independence or Death: British sailors and Brazilian Independence (Tauris 1996), A Frigate of King George, Life and Duty on a British Man-of-War (Tauris 2001) and The Audacious Admiral Cochrane (Conway 2004). GRIFFITH EDWARDS, Emeritus Professor at King's College, London, is one of the country's leading experts on addiction. His publications include Alchohol: the Ambiguous Molecule (Penguin 2000) and Matters of Substance (Penguin 2005).

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Thomas Telford was arguably the greatest civil engineer Britain has ever produced. This book reveals his humble beginnings and then describes his self-propelled rise from journeyman stonemason to famous canal engineer. In 1793 Telford was appointed principal engineer on the Ellesmere Canal (now the Llangollen Canal) in North Wales. An 11-mile section of the canal, including his magnificent Pontcysyllte Aqueduct, has recently been granted UNESCO World Heritage status, putting it in the company of such international icons as the Taj Mahal, the Statue of Liberty, and the Tower of London. Completed in 1805, the aqueduct represented a stupendous advance in civil engineering; but it was designed for canal boats and tucked away in a relatively unfrequented valley. Following a rapturous opening ceremony and initial commercial success, a decline of the canal system from about 1840 onwards made it look increasingly redundant. The richly-deserved UNESCO award has put the aqueduct and its canal back in the limelight. This is a personal and professional story, putting Telford's work into its historical and social context, showing him as a remarkable mix of good-natured ambition, talent and resilience. Today there is great interest in Britain's transport infrastructure. The 19th-century engineers who did so much to pioneer and improve it are rightly seen as heroes. It will be appreciated how much is owed to Telford and others for creations that have stood the test of time, built with courage and daring, in an age when major construction projects relied heavily on pickaxes, wheelbarrows, and an extraordinary amount of hard physical labour.

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Poet, social justice advocate, and theologian Thomas Merton (1915--1968) is arguably the most influential American Catholic author of the twentieth century. In his short lifetime, he penned over seventy books and maintained a brisk correspondence with colleagues around the globe. However, many Merton scholars and fans remain unaware of the significant body of letters that were exchanged between the Trappist monk and Victor and Carolyn Hammer.Unable to leave his home at the Abbey of Gethsemani except on special occasions, Merton developed a unique friendship with this couple from nearby Lexington, Kentucky. Carolyn, who supplied Merton with many of the books he required for his writing and teaching, was a founder of the King Library Press at the University of Kentucky. Victor was an accomplished painter, sculptor, printer, and architect. The friendship and collaborations between Merton and the Hammers reveal their shared interest in the convergence of art, literature, and spirituality.In this volume, editors F. Douglas Scutchfield and Paul Evans Holbrook Jr. have collected the trio's complete correspondence for the first time. Their letters, arranged chronologically, vividly demonstrate a blossoming intellectual camaraderie and provide a unique opportunity to understand Merton's evolving philosophies. At times humorous, often profound, the letters in this volume shed light on a rare friendship and offer new insights into the creative intellect of Thomas Merton.

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The Glory of God's Grace offers the first full-length comprehensive study of Thomas's teaching on deification in its scriptural, patristic, philosophical, developmental, and systematic context. Daria Spezzano traces Thomas's theology of deification throughout the Summa, exploring in depth how the notion of deification links his treatments of the divine missions and image, the journey to beatitude through the moral life, adopted sonship through Christ and his sacraments, and the deiform worship of the beatific vision.Also examined are Thomas's other works, in particular his Scripture commentaries, as well as the evolution of his thought. Spezzano argues that Thomas's theology of deification in the Summa theologiae demonstrates his mature vision of God's loving and sapiential ordering of predestined human persons to communion with himself by a progressive participation in the divine likeness and activity, accounting for both the primacy of divine causality in all its modes and the fullness of graced human freedom.The fruit of this theology is ultimately doxological: the deification of adopted sons gives praise to God's glory by fully manifesting God's gracious plan to share the divine life with rational creatures.

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Thomas F. Torrance ist einer der meistrezipierten englischsprachigen Theologen des 20. Jahrhunderts. Zum ersten Mal wird seine frühe Christologie nun kritisch und historisch sensibel rekonstruiert. Hat sie das Potential, realistisch von Gottes Neuschöpfung unserer Wirklichkeit zu sprechen? Philip Geck rekonstruiert diesen Zusammenhang in einer historisch sensiblen Werkinterpretation.

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Thomas Kinkade Studios carries on the artist''s legacy of creating and sharing beautiful images that evoke a sense of peace, inspiration, and gratitude. This year''s theme for the 12-month wall calendar is Celebration of Seasons. Each monthly spread features an image such as Winter Chapel, Gardens Beyond Spring Gate, or Autumn on Mackinac Island, and includes information about the paintings or encouraging words from the artist. A ready-to-frame print of New England Harboris also included. Features include: Matchingenvelope 13.5 x 12 (13.5 x 24 open) Printed on FSC certified paper 8.5 x 11 print entitled New England Harbor, ready for framing Hand-numbered certificate of authenticity in a vellum-style envelope Planning spread for SeptemberDecember 2024 Spans JanuaryDecember 2025 Generous grid space to add events, appointments, and reminders Official major world

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The description for this book, The Rhetoric of Leviathan: Thomas Hobbes and the Politics of Cultural Transformation, will be forthcoming.

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Visitors to the Blalock Building at the Johns Hopkins University Medical Center are greeted by portraits of two great men. One, of renowned heart surgeon Alfred Blalock, speaks for itself. The other, of highschool graduate Vivien Thomas, is testimony to the incredible genius and determination of the first black man to hold a professional position at one of America's premier medical institutions. Thomas's dreams of attending medical school were dashed when the Depression hit. After spending some time as a carpenter's apprentice, Thomas took what he expected to be a temporary job as a technician in Blalock's lab. The two men soon became partners and together invented the field of cardiac surgery. Partners of the Heart is Thomas's extraordinary autobiography. Trained in laboratory techniques by Alfred Blalock and Joseph W. Beard, Thomas remained Blalock's principal technician and laboratory chief for the rest of Blalock's distinguished career. Thomas very rapidly learned to perform surgery, to do chemical determinations, and to carry out physiologic studies. He became a phenomenal technician and was able to carry out complicated experimental cardiac operations totally unassisted and to devise new ones. In addition to telling Thomas's life story, Partners of the Heart traces the beginnings of modern cardiac surgery, crucial investigations into the nature of shock, and Blalock's methods of training surgeons.

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'Echo is a compulsive page turner mixing supernatural survival horror and pulp adventure' Paul Tremblay, author of A Head Full of Ghosts'Hallucinatory, eerie and terrifying' Catriona Ward, author of The Last House on Needless Street'Echo is a haunting contribution to the literature of folk horror' Ramsey Campbell'The most frightening opening scene ever written' The Guardian It's One Thing to Lose Your LifeIt's Another to Lose Your SoulWhen climber Nick Grevers is brought down from the mountains after a terrible accident he has lost his looks, his hopes and his climbing companion. His account of what happened on the forbidden peak of the Maudit is garbled, almost hallucinogenic. Soon it becomes apparent more than his shattered body has returned: those that treat his disfigured face begin experiencing extraordinary and disturbing psychic events that suggest that Nick has unleashed some ancient and primal menace on his ill-fated expedition.Nick's partner Sam Avery has a terrible choice to make. He fell in love with Nick's youth, vitality and beauty. Now these are gone and all that is left is a haunted mummy-worse, a glimpse beneath the bandages can literally send a person insane.Sam must decide: either to flee to America, or to take Nick on a journey back to the mountains, the very source of the curse, the little Alpine Village of Grimnetz, its soul-possesed Birds of Death and it legends of human sacrifice and, ultimately, its haunted mountain, the Maudit. Dutch writer Thomas Olde Heuvelt is a Hugo Award Winner and has been hailed as the future of speculative fiction in Europe. His work combines a unique blend of popular culture and fairy-tale myth that is utterly unique. Echo follows his sensational debut English language novel, HEX.

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The organization of Thomas Aquinas' Summa Theologiae is a remarkable feat of clarity in comparison with its predecessors. Although Aquinas incorporates materials from very different theological traditions he reduces all of these topics to a concise and clear plan. Mark D. Jordan's translation, On Faith, captures this clarity, Aquinas' most characteristic achievement. v. 1. On faith, Summa theologiae, part 2-2, questions 1-16 of St. Thomas Aquinas.

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Winner of the CWA Ian Fleming Steel Dagger for Best Thriller of the Year. Selected by Sunday Times Books of the Year and The Guardian as Best Thriller of the Year. Perfect for fans of John le Carré, a gripping and suspenseful spy thriller from ‘the master of the modern spy thriller’ (Mail on Sunday) Six weeks before she is due to become the first female head of MI6, Amelia Levene disappears without a trace. Disgraced ex-agent Thomas Kell is brought in from the cold with orders to find her – quickly and quietly. The mission offers Kell a way back into the secret world, the only life he’s ever known. Tracking her through France and North Africa, Kell embarks on a dangerous voyage, shadowed by foreign intelligence services. This far from home soil, the rules of the game are entirely different – and the consequences worse than anyone imagines…

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The reality of suffering in today's world, in our personal lives, is for many especially Western Christians an obstacle for entering into a relationship of faith with the One who bears the name "Almighty". Touched by this crisis the author inquires whether the theology of Thomas Aquinas (1224/5 - 1274) can help us find a way out. In this book some distance is taken from the crisis itself, in order to take a closer look at our faith regarding Christ's sufferings and how God almighty is related to these "nexus mysteriorum". For what is more obvious for a Christian thinking about suffering and God's relation to it, to start with the consideration of the sufferings of Christ and how God is related to them? Questions like "Did and/or does God suffer too?", "How are we to understand 'God is love' (1 Jn 4,8, 16) in view of this?" and "What do Christians actually mean by the word 'almighty'?" are dealt with.Thomas' questions and associations may often not be ours. And yet it turns out that his approach opens up new, or rather (almost) forgotten and therefore to us surprising, and hopeful perspectives.Mark-Robin Hoogland C.P. (1969) is a Passionist priest. At the time of preparation for this dissertation he lived and worked in the Passionist Inner City Mission at East End London (U.K.) and he was active in youth work there and in The Hague (the Netherlands). While he was a resaerch-fellow at the Catholic Theological University (KTU) at Utrecht, he also worked for three years at Mesos Medical Centre at Utrecht as a hospital chaplain and after that in several parishes where for a shorter or longer time no priest was available.At present he is preparing a study on Thomas Aquinas regarding God and human suffering, in the context of Stauros International, a Passionist Institute.

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Thomas Paine was the quintessential revolutionary. No other person captured so well the explosiveness of the last quarter of the eighteenth century. In 1805 John Adams, long a critic of Paine, condemned the labeling of the era as the Age of Reason—the title of Paine's last major work. Admitting that no other "man in the world has had more influence on its inhabitants or affairs for the last thirty years than Tom Paine," Adams satirically suggested that this revolutionary era be called "the Age of Paine." Paine was a complex man. Each of his fifty biographers since his death in 1809 has failed to unveil the full person. Because he will always be different things to different people, it is unlikely we shall ever fully understand this enigmatic man. Joel Barlow, one of Paine's closest friends, was perhaps right when he wrote that Paine's "own writings are his best life." Taking Barlow's advice, this compilation of over 1,000 quotations on 450 topics draws exclusively from the genius of Tom Paine. Accompanied by an insightful and concise biography, this totally unique volume broadens and deepens our understanding and appreciation of this remarkable revolutionary, whose vision of a humane and democratic society shaped a philosophy for his time that still speaks to us today.

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Seeking to replicate the success of his New York electric central station throughout the United States and in Europe and Latin America, Thomas A. Edison vowed to become a "business man for a year." This bold decision began a remarkable transition period for America's greatest inventive thinker. The seventh volume of Edison's papers chronicles the profound changes in his professional and personal life, including the unexpected death of his wife. It concludes with Edison returning to the laboratory to develop new communications technology.

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Published by Boydell & Brewer Inc.

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'Magical, beguiling... Carries echoes of Toni Morrison's Beloved' Guardian A Vulture 'Book We Can't Wait to Read in 2022' They had not lost anyone that year, or the ones they had lost were not worth remembering... Set in the fictional Kenyan town of Mapeli, Things They Lost tells the story of four generations of women, each haunted by the mysterious curse that hangs over the Brown family. At the heart of the novel is Ayosa Ataraxis Brown, twelve years old and the loneliest girl in the world. Okwiri Oduor's stunningly original debut novel sings with Kenyan folklore and myth as it traces Ayosa's fragile, toxic relationship with Nabumbo Promise, her mysterious and beguiling mother who comes and goes like tumbleweed: lost, but not quite gone.

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Includes the whole of the First Part of the Summa Theologica. Pegis's revision and correction of the English Dominican Translation renders Aquinas' technical terminology consistently as it conveys the directness and simplicity of Aquinas' writing; the Introduction, notes, and index aim at giving the text its proper historical setting, and the reader the means of studying St. Thomas within that setting.

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The father of Minnesota ornithology, whose life story opens a window on a lost world of nature and conservation in the state’s early days Imagine a Minneapolis so small that, on calm days, the roar of St. Anthony Falls could be heard in town, a time when passenger pigeons roosted in neighborhood oak trees. Now picture a dapper professor conducting his ornithology class (the university’s first) by streetcar to Lake Harriet for a morning of bird-watching. The students were mostly young women—in sunhats, sailor tops, and long skirts, with binoculars strung around their necks. The professor was Thomas Sadler Roberts (1858–1946), a doctor for three decades, a bird lover virtually from birth, the father of Minnesota ornithology, and the man who, perhaps more than any other, promoted the study of the state’s natural history. A Love Affair with Birds is the first full biography of this key figure in Minnesota’s past.Roberts came to Minnesota as a boy and began keeping detailed accounts of Minneapolis’s birds. These journals, which became the basis for his landmark work The Birds of Minnesota, also inform this book, affording a view of the state’s rich avian life in its early days—and of a young man whose passion for birds and practice of medicine in a young Minneapolis eventually dovetailed in his launching of the beloved Bell Museum of Natural History.Bird enthusiast, doctor, author, curator, educator, conservationist: every chapter in Roberts’s life is also a chapter in the state’s history, and in his story acclaimed author Sue Leaf—an avid bird enthusiast and nature lover herself—captures a true Minnesota character and his time.

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