Search results for ""author thomas"

Published by Boydell & Brewer Inc.

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'Magical, beguiling... Carries echoes of Toni Morrison's Beloved' Guardian A Vulture 'Book We Can't Wait to Read in 2022' They had not lost anyone that year, or the ones they had lost were not worth remembering... Set in the fictional Kenyan town of Mapeli, Things They Lost tells the story of four generations of women, each haunted by the mysterious curse that hangs over the Brown family. At the heart of the novel is Ayosa Ataraxis Brown, twelve years old and the loneliest girl in the world. Okwiri Oduor's stunningly original debut novel sings with Kenyan folklore and myth as it traces Ayosa's fragile, toxic relationship with Nabumbo Promise, her mysterious and beguiling mother who comes and goes like tumbleweed: lost, but not quite gone.

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In another historical adventure from Susanna Gregory, Chaloner the spy investigates a murder in a plague-ravaged 17th century LondonThe plague raging through London in 1665 has emptied the city. The only people left are those too poor to flee, or those who selflessly struggle to control the contagion and safeguard the capital's future.Amongst them, though, are those prepared to risk their health for money - those who sell dubious 'cures' and hawk food at wildly inflated prices. Also amongst them are those who hold in their hands the future of the city's most iconic building - St Paul's Cathedral.The handsome edifice is crumbling from decades of neglect and indecision, giving the current custodians a stark choice - repair or demolish. Both sides have fanatical adherents who have been fighting each other since the Civil Wars. Large sums of money have disappeared, major players have mysteriously vanished, and then a unidentified skeleton is discovered in another man's grave.A reluctant Chaloner returns to London to investigate, only to discover that someone is determined to thwart him by any means - by bullet, poison or bludgeon - and he fears he has very little time to identify the culprits before he becomes yet another victim in the battle for the Cathedral's future.

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Includes the whole of the First Part of the Summa Theologica. Pegis's revision and correction of the English Dominican Translation renders Aquinas' technical terminology consistently as it conveys the directness and simplicity of Aquinas' writing; the Introduction, notes, and index aim at giving the text its proper historical setting, and the reader the means of studying St. Thomas within that setting.

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Thomas Cromwell was a man of humble origins and outstanding intellect who rose up to become Henry VIII’s chief minister and right-hand man during the English Reformation. He wielded enormous power while he retained the king’s favour, but the failure of Henry’s marriage to Anne of Cleves, which Cromwell had arranged, led to his swift downfall and execution. In this biography, John Schofield reveals that the popular image of Cromwell as a blood-stained henchman is largely fictional. Detailed research into contemporary sources illuminates his brilliant mind and his love for and patronage of the arts and humanities, while short case studies shed new light on his relations with, and his reputation among, Henry VIII’s subjects. In his conclusion, Schofield narrates the drama of Cromwell’s downfall and highlights the king’s posthumous exoneration of the ‘most faithful servant he ever had’.

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This ground-breaking book follows the rise of a distinctive school of Australian art that first emerged in the 1940s. Beginning with the artists of the ‘Angry Penguins’ movement, Arthur Boyd, Albert Tucker, Joy Hester and Sidney Nolan, whose work exhibited a new strain of surrealism and expressionism, the book continues with the rich variety of 1970s work by Jan Seberg, Robert Jacks and George Baldessin, moving through to contemporary artists such as Rover Thomas and Judy Watson. Stephen Coppel traces the major developments in Australian art from the 1940s to the present day, and examines the significant interplay with the British art scene. The book includes a substantial essay outlining the major developments in Australian art since the 1940s, the reception of Australian art in Britain and the recent rise of Aboriginal printmaking. It features 127 works by 61 artists, and includes concise artists’ biographies and individual commentaries on the works.

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In the 1980s David Thomas was an unemployed plumber with a seemingly impossible dream: to become a fashion stylist. He ran away to London, landed a job selling cassettes in Tower Records, spent weekends and evenings washing dishes and working as a lavatory attendant, and every spare moment hammering on the doors of fashion editors until one of them opened a tiny crack. As well as telling the touching and funny story of the “Billy Elliot of fashion’s” bumpy ride to success, Vanity Project examines the fascinating relationship between the fairytale worlds fashion and celebrity. It describes how the discipline of styling has evolved from the 1980s to now, from the streets of London to the red carpets of Hollywood. This story is told largely in the words of those in the front row seats: actors, musicians, designers, photographers, editors, directors, artists, and music business power brokers. In short, people who have shaped popular culture over more than three decades. This beautifully designed book features more than 300 iconic images – photographs, sketches, magazine covers, Polaroids, iPhone snaps, and press cuttings – that illustrate the creative process from the mind of the stylist and the client's brief to the end result. The rich visual archive is brought right up to date with a specially commissioned portfolio of never-before-seen portraits by some of the world's leading contemporary photographers. Vanity Project is a tale of stars, of clothes, and of the skill and sweat that goes into creating those glittering moments on stage and screen. Above all, it’s the story of how, with the right kind of help and belief, one boy’s dream came true. The publisher will donate 10% of the cover price to The Prince’s Trust. The total amount donated to The Prince’s Trust is expected to be £5 per book. The Prince’s Trust is a registered charity incorporated by Royal Charter in England and Wales (1079675) and Scotland (SC041198).

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The father of Minnesota ornithology, whose life story opens a window on a lost world of nature and conservation in the state’s early days Imagine a Minneapolis so small that, on calm days, the roar of St. Anthony Falls could be heard in town, a time when passenger pigeons roosted in neighborhood oak trees. Now picture a dapper professor conducting his ornithology class (the university’s first) by streetcar to Lake Harriet for a morning of bird-watching. The students were mostly young women—in sunhats, sailor tops, and long skirts, with binoculars strung around their necks. The professor was Thomas Sadler Roberts (1858–1946), a doctor for three decades, a bird lover virtually from birth, the father of Minnesota ornithology, and the man who, perhaps more than any other, promoted the study of the state’s natural history. A Love Affair with Birds is the first full biography of this key figure in Minnesota’s past.Roberts came to Minnesota as a boy and began keeping detailed accounts of Minneapolis’s birds. These journals, which became the basis for his landmark work The Birds of Minnesota, also inform this book, affording a view of the state’s rich avian life in its early days—and of a young man whose passion for birds and practice of medicine in a young Minneapolis eventually dovetailed in his launching of the beloved Bell Museum of Natural History.Bird enthusiast, doctor, author, curator, educator, conservationist: every chapter in Roberts’s life is also a chapter in the state’s history, and in his story acclaimed author Sue Leaf—an avid bird enthusiast and nature lover herself—captures a true Minnesota character and his time.

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Rome and Religion in the Medieval World provides a panoramic and interdisciplinary exploration of Rome and religious culture. The studies build upon or engage Thomas F.X. Noble’s interest in Rome, especially his landmark contributions to the origins of the Papal States and early medieval image controversies. Scholars from a variety of disciplines offer new viewpoints on key issues and questions relating to medieval religious, cultural and intellectual history. Each study explores different dimensions of Rome and religion, including medieval art, theology, material culture, politics, education, law, and religious practice. Drawing upon a wide range of sources, including manuscripts, relics, historical and normative texts, theological tracts, and poetry, the authors illuminate the complexities of medieval Christianity, especially as practiced in the city of Rome itself, and elsewhere in Europe when influenced by the idea of Rome. Some trace early medieval legacies to the early modern period when Protestant and Catholic theologians used early medieval religious texts to define and debate forms of Roman Christianity. The essays highlight and deepen scholarly appreciation of Rome in the rich and varied religious culture of the medieval world.

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A study of the prophetic tradition in medieval England brings out its influence on contemporary politics and the contemporary elite. The period from the twelfth century to the Wars of the Roses witnessed a dominant tradition of secular prophecy engaged with high political affairs, which this book charts, discussing the production of prophetic texts forecastingthe rule of the whole of Britain by the kings of England. It draws on the prophetic works of familiar authors and names, such as Geoffrey of Monmouth and Thomas of Erceldoune, alongside previously unpublished manuscript material,to study identity formation among medieval political elites. Alongside English prophetic texts, the author explores competing visions of the British future produced in Wales and Scotland, with which English prophetic authors entered into an overt dialogue; this was a cross-border exchange which in many ways shaped the development of this deeply influential discourse. Prophecy is revealed to be a dynamic arena for literary exchange, where alternative imaginings of the future sovereignty of Britain vied for acceptance, and compelled decision making at the highest political levels. Dr Victoria Flood is Lecturer in Medieval and Early Modern Literature at the University of Birmingham.

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A must-read follow-up to The Structure of Scientific Revolutions, one of the most important books of the twentieth century. This book contains the text of Thomas S. Kuhn’s unfinished book, The Plurality of Worlds: An Evolutionary Theory of Scientific Development, which Kuhn himself described as a return to the central claims of The Structure of Scientific Revolutions and the problems that it raised but did not resolve. The Plurality of Worlds is preceded by two related texts that Kuhn publicly delivered but never published in English: his paper “Scientific Knowledge as Historical Product” and his Shearman Memorial Lectures, “The Presence of Past Science.” An introduction by the editor describes the origins and structure of The Plurality of Worlds and sheds light on its central philosophical problems. Kuhn’s aims in his last writings are bold. He sets out to develop an empirically grounded theory of meaning that would allow him to make sense of both the possibility of historical understanding and the inevitability of incommensurability between past and present science. In his view, incommensurability is fully compatible with a robust notion of the real world that science investigates, the rationality of scientific change, and the idea that scientific development is progressive.

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Winner of the International Dylan Thomas Prize 2017'The judges recognised the mastery of form which is present in Fiona McFarlane's unforgettable collection of stunning short stories . . . highly varied in tone and brought the reader to characters, situations and places which were haunting in their oddity and moving in their human empathy.' Chair of judges of International Dylan Thomas Prize 2017, Professor Dai Smith CBEBy the author of The Night Guest, a collection of fourteen scintillating short stories: surprising, wise, thought-provoking and superbly wrought. Ranging in setting from Australia to Greece, England to a Pacific island, they focus on people: their hopes, fears, dreams and disappointments, and their relationships - between ill-matched friends, daughters and mothers, fathers and sons, married couples and sisters. Some are eccentric, like the widower who believes his dead wife's mechanical parrot speaks to him, or the research scientist convinced that Charles Darwin visits him on his remote island; others delude themselves, like the mistress of a married man who thinks she's freer than her married sister. All are confronted with events that make them see themselves and their lives from a fresh perspective. It is what they do as a result that is as unpredictable as life itself.

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Published by Boydell & Brewer Inc.

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Published by Boydell & Brewer Inc.

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The origins, controversial uses, and competing interpretations of Jefferson's famous remark—"wall of separation between church and state" No phrase in American letters has had a more profound influence on church-state law, policy, and discourse than Thomas Jefferson’s “wall of separation between church and state,” and few metaphors have provoked more passionate debate. Introduced in an 1802 letter to the Danbury, Connecticut Baptist Association, Jefferson’s “wall” is accepted by many Americans as a concise description of the U.S. Constitution’s church-state arrangement and conceived as a virtual rule of constitutional law. Despite the enormous influence of the “wall” metaphor, almost no scholarship has investigated the text of the Danbury letter, the context in which it was written, or Jefferson’s understanding of his famous phrase. Thomas Jefferson and the Wall of Separation Between Church and State offers an in-depth examination of the origins, controversial uses, and competing interpretations of this powerful metaphor in law and public policy.

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Born into slavery in Hampton County, Virginia, orphaned soon thereafter, and raised for almost two years among Native Americans, the charismatic Rev. Peter Thomas Stanford (c. 1860-May 20, 1909) rose from humble and challenging beginnings to emerge as an inventive and passionate activist and educator who championed social justice. During the post- Reconstruction era and early twentieth century, Stanford traversed the United States, Canada, and England advocating for the rights of African Americans, including access to educational opportunities; attainment of the full rights and privileges of citizenship; protections from racial violence, social stereotyping, and a predatory legal system; and recognition of the artistic contributions that have shaped national culture and earned global renown. His imprint on working-class urban residents, Afro-Canadian settlements, and African American communities survives in the institutions he led and the works that presented his imaginative, literate, ardent, and often comic voice.With a reflection by Highgate Baptist Church's former pastor, Rev. Dr. Paul Walker, this collection highlights Stanford's writings: sermons, lectures, newspaper columns, entertainments, and memoirs. Editors Barbara McCaskill and Sidonia Serafini annotate his life and work throughout the volume, placing him within the context of his peers as a writer and editor. As an American expatriate, Stanford was seminal in redirecting antislavery activism into an international antilynching movement and a global campaign to dismantle slavery and slave trading. This book squarely inserts this influential thinker and activist in the African American literary canon.

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Archive, Matrix, Assembly: The Photographs of Thomas Struth 1978-2018 presents the first comprehensive, systematic theory of contemporary German artist Thomas Struth's main body of photographic work from its beginnings in the late 1970s until his most recent work in 2018. The book presents a unique, evolutionary understanding of the work, proposing that it has established three stages of production: archive, matrix, and assembly. Together the three stages form a developmental system that characterises the individual photographs, their relation to their subject matter, and how they form larger, significant collections of images. In covering all phases of the artist's work, it also develops a comprehensive critical reading of the work, serves as a monograph of the artist, and provides an extensive analysis of the photographs at all stages, including the less discussed, more recent photography, which is placed on par with his earlier work for which Struth first became internationally renowned.

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Keep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring art by Thomas Kinkade Studios. Thomas Kinkade, the Painter of LightTM, emphasized simple pleasures and inspirational messages through his art – and the branded products created from that art. From textiles, to collectibles, to music and books, Thom believed that both the ability and the inspiration to create his paintings had been given to him as a gift. His goal as an artist was to touch people of all faiths and to bring peace and joy into their lives through the images he had created.

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Menschsein in Weisheit und Freiheit - der Titel der Festschrift für Thomas Krüger benennt ein zentrales Reflexionsfeld im theologischen und exegetischen Schaffen des Geehrten. In seinen Forschungsbeiträgen, die sich über Exegese und Theologie hinaus auch in die Bereiche altorientalische Religionsgeschichte, Literatur- und Sprachwissenschaften erstrecken, untersucht Krüger diesen Themenkomplex in vielfältiger Art. Der vorliegende Band beinhaltet Beiträge von 39 Kolleginnen und Kollegen aus der Schweiz, aus Deutschland, Österreich, Israel, den Niederlanden und den USA und spiegelt so die gedanklich und geographisch weite Vernetzung des Geehrten. Inhaltlich machen Arbeiten zum Tanach den Auftakt, sortiert nach den drei Kanonteilen Tora, Propheten und Schriften. Es folgen Beiträge, die sich altorientalischen und biblischen Sprach- und Vorstellungswelten widmen, sowie zuletzt Arbeiten, die mit der Bibel über die Bibel hinaus denken.

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Thomas Sankara was one of Africa's most important anti-imperialist leaders of the late 20th Century. His declaration that fundamental socio-political change would require a 'certain amount of madness' drove the Burkinabe Revolution and resurfaced in the country's popular uprising in 2014. This book looks at Sankara's political philosophies and legacies and their relevance today. Analyses of his synthesis of Pan-Africanism and humanist Marxist politics, as well as his approach to gender, development, ecology and decolonisation offer new insights to Sankarist political philosophies. Critical evaluations of the limitations of the revolution examine his relationship with labour unions and other aspects of his leadership style. His legacy is revealed by looking at contemporary activists, artists and politicians who draw inspiration from Sankarist thought in social movement struggles today, from South Africa to Burkina Faso. In the 30th anniversary of his assassination, this book illustrates how Sankara's political praxis continues to provide lessons and hope for decolonisation struggles today.

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Thomas Howard, 2nd duke of Norfolk, lived a remarkable life spanning eighty years and the reigns of six kings. Amongst his descendants are his granddaughters, Anne Boleyn and Catherine Howard, and his great-granddaughter, Elizabeth I. The foundations of this dramatic and influential dynasty rest on Thomas' shoulders, and it was his career that placed the Howard family in a prominent position in English society and at the Tudor royal court. Thomas was born into a fairly ordinary gentry family, albeit distantly related to the Mowbray dukes of Norfolk. During the course of the fifteenth century, he and his father would rise through the political and social ranks as a result of their loyal service to Edward IV and Richard III. In a tragic turn of events, all their hard work was undone at the Battle of Bosworth and his father was killed fighting for King Richard. Imprisoned for treason and stripped of his lands and titles, Thomas had to start from the beginning to gain the trust of a new king. He spent the next thirty-five years devoting his administrative, military and diplomatic skills to the Tudors whilst rebuilding his family fortunes and ensuring that his numerous children were well-placed to prosper.

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This new edition of the Christian classic includes an introduction from Sinclair Ferguson From the introduction: Thomas Boston never sought a prominent congregation or pulpit. He knew that, at the end of the day, the only thing that makes a pulpit lastingly prominent is the manner in which God’s word is preached from it in the power and presence of the Holy Spirit. The Beauties of Boston is a book that has been treasured by many Christians in past generations. It is full of rich gospel truth and health–giving spiritual prescriptions. Part of its ‘beauty’ is that while a big book it is not really a long book, but a series of smaller and manageable passages that will – as The Marrow of Modern Divinity did for Boston himself – stimulate thought, enhance understanding of the gospel, point us to Christ, and strengthen both mind and spirit in the knowledge and service of God. Thomas Boston was born at Duns in Berwickshire in 1676. After studying in Edinburgh, he was licensed to preach by the Presbytery of Duns and Chirnside in 1697. Shortly afterwards, he published his first book, A Soliloquy on The Art of Man–fishing, based on the words of Jesus in Matthew 4:19, ‘Follow me and I will make you fishers of men.’ In 1699, he became the minister of the small congregation in a village called Simprin, located quite close to his birthplace. He was there until 1707 when he became minister in Ettrick, and he would serve there until his death in 1732. The collected writings of Boston are found in twelve volumes, and from them the selections in The Beauties of Boston were selected by the editor. Boston’s best–known book is Human Nature in Its Fourfold State. It was published in his lifetime, as were two others books by him: a Collection of Sermons and an edition of the Marrow of Modern Divinity which he annotated. After his death, several volumes of his writings were published, including his View of the Covenant of Works and of Grace, The Christian Life, A Body of Divinity, and The Crook in The Lot.

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William of Norwich is the name of a young boy purported to have been killed by Jews in or about 1144, thus becoming the victim of the first recorded case of such a ritual murder in Western Europe and a seminal figure in the long history of antisemitism. His story is first told in Thomas of Monmouth's The Life and Miracles of William of Norwich, a work that elaborates the bizarre allegation, invented in twelfth-century England, that Jews kidnapped Christian children and murdered them in memory and mockery of the crucifixion of Christ. In Inventing William of Norwich Heather Blurton resituates Thomas's account by offering the first full analysis of it as a specifically literary work. The second half of the twelfth century was a time of great literary innovation encompassing an efflorescence of saints' lives and historiography, as well as the emergence of vernacular romance, Blurton observes. She examines The Life and Miracles within the framework of these new textual developments and alongside innovations in liturgical and devotional practices to argue that the origin of the ritual murder accusation is imbricated as much in literary culture as it is in the realities of Christian-Jewish relations or the emergence of racially based discourses of antisemitism. Resisting the urge to interpret this first narrative of the blood libel with the hindsight knowledge of later developments, she considers only the period from about 1150-1200. In so doing, Blurton redirects critical attention away from the social and economic history of the ritual murder accusation to the textual genres and tastes that shaped its forms and themes and provided its immediate context of reception. Thomas of Monmouth's narrative in particular, and the ritual murder accusation more generally, were strongly shaped by literary convention.

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Traces the history of the Peppercanister Press and illuminates the evolving development of Kinsella's ambitious poetic project. The poems are discussed chronologically and the clear interpretations are accompanied by drawings and reproductions of covers from the original publications.

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Edward Thomas and World Literary Studies offers a revelatory re-reading of Edward Thomas. Adapting Pascale Casanova's vision of 'world literature' as a system of competing national traditions, this study analyses Thomas's appropriation of Anglocentric British literary culture at key moments of historical crisis in the twentieth century: after the First World War, either side of the Second World War, and with the resumption of war in Ireland in the 1970s. It shows how the dominant assumptions underpinning the discipline of English Literature marginalise the Welshness of Thomas's work, before combining this revised 'world literature' model with fresh archival research to reveal how Thomas's reading of Welsh culture - its barddas, folk and literary traditions - is central both to his creation of an innovative body of poetry and to his extensive, and relatively neglected, prose. This study is groundbreaking in its contribution to recent debates about devolution and independence for Britain's constituent nations.

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The great religious poetry of R. S. Thomas and the poetry of the former Archbishop of Canterbury Rowan Williams is rooted in a remarkable late-twentieth-century tradition of spiritual poetry in Wales that includes figures as different as Saunders Lewis and Vernon Watkins, Waldo Williams and Bobi Jones. Examining this body of work in detail, the present study demonstrates how the different theological outlooks of the poets was reflected in their choice of form, style and vocabulary, highlighting a literary culture that was highly unusual in its rejection of a prevailing secularisation in the UK, Western Europe and the USA.

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This study considers sixteenth century evangelicals vision of a godly commonwealth within the broader context of political, religious, social, and intellectual changes in Tudor England. Using the clergyman and bestselling author, Thomas Becon (1512-1567), as a case study, Brian L. Hanson argues that evangelical views of the commonwealth were situation-dependent rather than uniform, fluctuating from individual to individual. His study examines the ways commonwealth rhetoric was used by evangelicals and how that rhetoric developed and changed. While this study draws from English Reformation historiography by acknowledging the chronology of reform, it engages with interdisciplinary texts on poverty, gender, and the economy in order to demonstrate the intersection of commonwealth rhetoric with Renaissance humanism. Furthermore, the experience of exile and the languages of prophecy and companionship directly influenced commonwealth rhetoric and dictated the priorities, vocabulary, and political expression of the evangelicals. As sixteenth-century England vacillated in its religious direction and priorities, the evangelicals were faced with a political conundrum and the tension between obedience and lawful disobedience. There was ultimately a fundamental disagreement on the nature and criteria of obedience. Hansons study makes a further contribution to the emerging conversation about English commonwealth politics by examining the important issues of obedience and disobedience within the evangelical community. A correct assessment of the issues surrounding the relationship between evangelicals and the commonwealth government will lead to a rediscovery of both the complexities of evangelical commonwealth rhetoric and the tension between the biblical command to submit to civil authorities and the injunction to obey God rather than man.

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'Treadwell's book is a magnificent pastiche of 18th-century fiction'The Sunday Times'Tristram Shandy meets Jonathan Strange & Mr Norrell in a novel that addresses dark disturbing themes with tremendous wit, charm and elegance'Daily Express 'Part historical pastiche, part gothic horror, this is an ambitious and stylistically bold 18th-century adventure with shades of Jonathan Strange & Mr Norrell'SFX'Treadwell's book entertains and impresses . . . He must be heartily congratulated both for performing an extraordinary feat of literary ventriloquism and also for reminding us what historical fiction does best: create an entirely convincing vanished world while also using that world as a lens through which to view the present day' GuardianWHO IS THOMAS PEACH?Ah, reader! -- if you would have us answer THAT question -- What mysteries you shall compel us to expose!It is the year 1785, and a gentleman of modest means has left London for the countryside, to look after his ailing wife.Among his new neighbours, tongues begin to wag. Why does he keep a locked chest under the stairs? Is it really full of forbidden books? And what exactly is the matter with his wife?For the most part, though, the couple live in peace -- until a letter arrives, threatening to cut off their livelihood and expel them from their home.Faced with the prospect of penury -- and perhaps worse -- the gentleman rides out in search of some means to save himself.But fate has other plans for Thomas Peach.A bizarre request brings an encounter with a mysterious young woman, raised from infancy as a rich man's ward, now condemned to the madhouse. As their paths become disturbingly entangled, Mr Peach begins to suspect that in her past lies a dreadful secret . . .Dreadful indeed! -- Yet however fearful the poor child's history -- can her secret be darker, than HIS OWN?

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'Treadwell's book is a magnificent pastiche of 18th-century fiction'The Sunday Times'Tristram Shandy meets Jonathan Strange & Mr Norrell in a novel that addresses dark disturbing themes with tremendous wit, charm and elegance'Daily Express'Part historical pastiche, part gothic horror, this is an ambitious and stylistically bold 18th-century adventure with shades of Jonathan Strange & Mr Norrell'SFX'Treadwell's book entertains and impresses . . . He must be heartily congratulated both for performing an extraordinary feat of literary ventriloquism and also for reminding us what historical fiction does best: create an entirely convincing vanished world while also using that world as a lens through which to view the present day'GuardianWHO IS THOMAS PEACH?Ah, reader! -- if you would have us answer THAT question -- What mysteries you shall compel us to expose!It is the year 1785, and a gentleman of modest means has left London for the countryside, to look after his ailing wife.Among his new neighbours, tongues begin to wag. Why does he keep a locked chest under the stairs? Is it really full of forbidden books? And what exactly is the matter with his wife?For the most part, though, the couple live in peace -- until a letter arrives, threatening to cut off their livelihood and expel them from their home.Faced with the prospect of penury -- and perhaps worse -- the gentleman rides out in search of some means to save himself.But fate has other plans for Thomas Peach.A bizarre request brings an encounter with a mysterious young woman, raised from infancy as a rich man's ward, now condemned to the madhouse. As their paths become disturbingly entangled, Mr Peach begins to suspect that in her past lies a dreadful secret . . .Dreadful indeed! -- Yet however fearful the poor child's history -- can her secret be darker, than HIS OWN?

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This is a fascinating combination of biographical material about the great Scottish engineer Thomas Telford (1757-1834), and a modern travelogue that revisits the places in the Highlands and Islands where he worked over a period of 20 years. Scotland was provided with desperately-needed civil infrastructure - nearly 1000 miles of roads, 1200 bridges, many harbours, and the monumental Caledonian Canal. Telford's programme of work was one of the greatest sustained efforts by any individual in the years of Britain's industrial revolution. And yet it is little celebrated in Scotland, let alone the rest of Britain and the wider world. After working in England and Wales for nearly 20 years, Telford was called back to his native land to address huge problems in the Highlands and Islands. These included unemployment, depopulation, Highlanders dispirited by poverty and suppression following the two Jacobite uprisings, compounded by living in mountainous regions almost totally isolated from the rest of Scotland. Thomas Telford has been widely painted as a brilliant engineer totally devoted to his work, a somewhat one-dimensional character. However, the author shows him differently, as a man of the Scottish Enlightenment, a rounded character with a love of poetry and the natural world, a good companion and a generous friend. A Scotsman Returns reveals him as a person who, in spite of the humblest start in life, displayed great social skills in his dealings with Scots both haughty and humble during his 20-year commitment to the Highlands and Islands. The author retraces an extensive Highland Tour made by Telford and the Poet Laureate, Robert Southey, in 1819. The two men were drawn together by Telford's love of poetry and Southey's admiration of the engineer's remarkable work in the Highlands. Southey kept a journal of the tour, which remained unpublished for a century and is still not widely known. Comments on the places they visited, the sights they saw, their social interactions, and Southey's intelligent interest in Telford's roadmaking, bridgebuilding and, above all, the Caledonian Canal are featured. Telford's work in other areas of the Highlands and Islands is also covered, principally in Caithness, Sutherland, and the Hebridean Islands. There are further discussions of the social and political environment in which Telford operated, including the Highland Clearances. This travelogue, beautifully illustrated in full colour with over 100 photographs of Telford's surviving infrastructure, is complemented with modern views of the places where he worked. A Scotsman Returns is a wonderful collection of Telford's remarkable achievements and will encourage readers worldwide to explore the routes followed by Telford as he developed Highland infrastructure.

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'Echo is a compulsive page turner mixing supernatural survival horror and pulp adventure' Paul Tremblay, author of A Head Full of Ghosts'Hallucinatory, eerie and terrifying' Catriona Ward, author of The Last House on Needless Street'Echo is a haunting contribution to the literature of folk horror' Ramsey Campbell'The most frightening opening scene ever written' The GuardianIt's One Thing to Lose Your LifeIt's Another to Lose Your Soul Travel journalist and mountaineer Nick Grevers awakes from a coma to find that his climbing buddy, Augustin, is missing and presumed dead. Nick's own injuries are as extensive as they are horrifying. His face wrapped in bandages and unable to speak, Nick claims amnesia - but he remembers everything. He remembers how he and Augustin were mysteriously drawn to the Maudit, a remote and scarcely documented peak in the Swiss Alps. He remembers an ominous sense that they were not alone. He remembers something waiting for them . . . Sam Avery wants to be glad that Nick is alive and coming home, but the accident has stirred up memories that Sam thought were long buried. Soon he realizes that it isn't just the trauma of the accident that haunts Nick. Something has awakened inside of him, something that endangers the lives of everyone around him . . .'This is totally, brilliantly original'Stephen King, on HEX 'Creepy and girpping and original' George R. R. Martin on HEX 'Reminiscent of vintage Stephen King' John Connolly on HEX 'The next genre superstar' Paul Cornell

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