Search results for ""University of Exeter Press""
University of Exeter Press Charles Urban: Pioneering the Non-Fiction Film in Britain and America, 1897 - 1925
Charles Urban was a renowned figure in his time, and he has remained a name in film history chiefly for his development of Kinemacolor, the world’s first successful natural colour moving picture system. He was also a pioneer in the filming of war, science, travel, actuality and news, a fervent advocate of the value of film as an educative force, and a controversial but important innovator of film propaganda in wartime. The book uses Urban’s story as a means of showing how the non-fiction film developed in the period 1897-1925, and the dilemmas that it faced within a cinema culture in which the entertainment fiction film was dominant. Urban’s solutions – some successful, some less so – illustrate the groundwork that led to the development of documentary film. The book considers the roles of film as informer, educator and generator of propaganda, and the social and aesthetic function of colour in the years when cinema was still working out what it was capable of and how best to reach audiences. Luke McKernan also curates a web resource on Charles Urban at www.charlesurban.com
£75.00
University of Exeter Press Cornish Studies Volume 20
The twentieth volume in the acclaimed paperback series . . . the only county series that can legitimately claim to represent the past and present of a nation. Cornish Studies has consistently - and successfully - sought to investigate and understand the complex nature of Cornish identity, as well as to discuss its implications for society and governance in contemporary Cornwall. Publication of Cornish Studies: Twenty marks two decades of this internationally acclaimed paperback series The volume discusses Cornish medieval and early modern studies, examines the efforts of Cornish language revivalists past and present, and considers the relation between Cornish folk tradition and Cornish identity, as well as evaluating Cornish literature in Cornwall and Australia, investigating the distinctive features of Cornish politics in the first half of the twentieth century, analysing the separation of wives and husbands during Cornwall’s ‘Great Emigration, and reviewing Cornish mine accidents. “For the past twenty years, Cornish Studies has stood at the very heart of the ongoing scholarly conversation over what it means – and what is has meant – to be Cornish. Interdisciplinary and internationalist in its approach, the series adopts a wide variety of perspectives in order to set the people of Cornwall – and the wider Cornish diaspora – in a truly global context”. Mark Stoyle, Professor of History, University of Southampton
£26.06
University of Exeter Press Cornish Studies Volume 18
This is the eighteenth volume in the acclaimed paperback series...the only county series that can legitimately claim to represent the past and present of a nation. "Cornish Studies" has consistently - and successfully - sought to investigate and understand the complex nature of Cornish identity, as well as to discuss its implications for society and governance in contemporary Cornwall. The article which provides the cover illustration is a fascinating account of the rise and importance of swimming matches in Victorian Cornwall. These demonstrated both the beneficial aspects of the sport, and the importance of swimming prowess in life-saving around the Cornish coast - an important consideration for the developing tourist trade - the latter providing a significant antidote to the simultaneous construction of maritime Cornwall by a range of English writers as a dangerous region inhabited by wreckers, smugglers and pirates. This latest and diverse collection also includes articles on mining in both nineteenth century and contemporary Cornwall, an exploration of identity using material gathered through individual interviews, an assessment of research into Cornish folklore, discussion of the modern growth of alternative 'Celtic spiritualities' in Cornwall, and a fresh perspective on the Middle Cornish language of medieval Cornish drama. Cover Illustration: Exhibited at the Royal Academy in 1890, it shows the start of a race from the 1896 swimming matches in St Ives.
£26.06
University of Exeter Press Cornish Studies Volume 17
The seventeenth volume in the acclaimed paperback series . . . the only county series that can legitimately claim to represent the past and present of a nation.
£26.06
University of Exeter Press Theatres of the Troubles: Theatre, Resistance and Liberation in Ireland
The first book to document grass roots popular theatres which developed from within the working class Republican and Loyalist communities of Belfast and Derry during the latest phase of the four hundred year conflict between Ireland and Britain. Theatres of the Troubles explores the history of one of the most important periods of political theatre activity in post-war Europe. This significant study seeks to convey how the moment to moment unfolding of the conflict determined organisation, ‘texts’, performance contexts and reception, and how the theatres operated within Republican and Loyalist communities. All chapters draw upon previously unpublished primary sources, including texts, interviews and letters, shared workshops and witnessed performance. In examining not only how these theatres related to each other, but also their relationship to European traditions of radical theatre and to the liberation models which were developing in neo- and post-colonial contexts in the South, Theatres of the Troubles represents a key addition to our understanding of the critical relationship between historical conditions and the development of radical theatre forms.
£75.00
University of Exeter Press London’s Grand Guignol and the Theatre of Horror
A companion to UEP’s Grand-Guignol: The French Theatre of Horror (now in its third reprint). A genre that has left more of a mark on British and American culture than we may imagine” (Gothic Studies). London’s Grand Guignol was established in the early 1920s at the Little Theatre in the West End. It was a high-profile venture that enjoyed popular success as much as critical controversy. On its side were some of the finest actors on the English stage, in the shape of Sybil Thorndike and Lewis Casson, and a team of extremely able writers, including Noël Coward. London's Grand Guignol and the Theatre of Horror considers the importance and influence of the English Grand Guignol within its social, cultural and historical contexts. It also presents a selection of ten remakarble English-language Grand Guignol plays, some of which were banned by the Lord Chamberlain, the censor of the day, and have never been published or publicly performed. Among the plays in the book is a previously unpublished work by Noël Coward, The Better Half, first performed at the Little Theatre in 1922. The reviewer in the journal Gothic Studies wrote, of the authors’ previous book: “having recently taught a module on Grand Guignol with third year drama students, it is also worth noting that this book captured their imaginations in a way that few other set texts seem to manage.”
£75.00
University of Exeter Press Translating Rimbaud's Illuminations
Translating Rimbaud’s Illuminations is a critique of the assumptions which currently underlie our thinking on literary translation. It offers an alternative vision; extending the parameters of literary translation by showing that such translation is itself a form of experimental creative writing. It also provides a reassessment of Rimbaud’s creative impulses and specifically his prose poems, the Illuminations. In the expanding field of translation studies, a brilliant and demanding book such as this has a valuable place. In addition, it also provides some fascinating ‘hands on’ translation work of a very practical kind. Published as a sequel to the author’s Translating Baudelaire (UEP, 2000), it will become part of the canon.
£26.06
University of Exeter Press The Censorship of British Drama 1900-1968 Volume 3: The Fifties
This is the third volume in a new paperback edition of Steve Nicholson’s comprehensive four-volume analysis of British theatre censorship from 1900-1968, based on previously undocumented material in the Lord Chamberlain's Correspondence Archives in the British Library and the Royal Archives at Windsor. Focusing on plays we know, plays we have forgotten, and plays which were silenced for ever, Censorship of British Drama demonstrates the extent to which censorship shaped the theatre voices of this decade. The book charts the early struggles with Royal Court writers such as John Osborne and with Joan Littlewood and Theatre Workshop; the stand-offs with Samuel Beckett and with leading American dramatists; the Lord Chamberlain’s determination to keep homosexuality off the stage, which turned him into a laughing stock when he was unable to prevent a private theatre club in London's West End from staging a series of American plays he had banned, including Arthur Miller's A View from the Bridge and Tennessee Williams's Cat on a Hot Tin Roof; and the Lord Chamberlain’s attempts to persuade the government to give him new powers and to rewrite the law. This new edition includes a contextualising timeline for those readers who are unfamiliar with the period, and a new preface.
£75.00
University of Exeter Press Cornish Studies Volume 12
The twelfth volume in the acclaimed paperback series . . . the only county series that can legitimately claim to represent the past and present of a nation.
£26.06
University of Exeter Press Autour De La Lettre Aux Directeurs De La Résistance
Jean Paulhan’s Lettre aux directeurs de la Résistance was an important and contentious statement about the influence of communism in intellectual and literary circles. On publication in 1952, the pamphlet revived debates over collaboration with the Nazi authorities that had dominated French society since the Liberation, and that still have important echoes today. In this new edition, John Flower provides a full contextualising introduction. He also examines Paulhan’s evolution during the period and assesses his postion alongside that of other key figures: in particular Mauriac and Camus. The volume makes an important contribution to our understanding of this turbulent period and provides a documentary history of the post-war political and literary debates in Paris.
£21.53
University of Exeter Press From Goethe To Gide: Feminism, Aesthetics and the Literary Canon in France and Germany, 1770-1936
From Goethe to Gide brings together twelve essays on canonical male writers (six French and six German) commissioned from leading specialists from Britain and North America. These essays, aimed at final year undergraduates and postgraduates, focus on Rousseau, Goethe, Schiller, Hoffmann, Stendhal, Baudelaire, Flaubert, Heine, Fontane, Zola, Kafka, Gide. The collection therefore foregrounds the major authors taught on British university BA courses in French and German. Working with the tools of feminist criticism, the authors demonstrate how feminist readings of these writings can illuminate far more than attitudes towards women.
£75.00
University of Exeter Press Popular Filmgoing in 1930s Britain: A Choice of Pleasures
In the 1930s there were close to a billion annual admissions to the cinema in Britain and it was by far the most popular paid-for leisure activity. This book is an exploration of that popularity. John Sedgwick has developed the POPSTAT index, a methodology based on exhibition records which allows identification of the most popular films and the leading stars of the period, and provides a series of tables which will serve as standard points of reference for all scholars and specialists working in the field of 1930s cinema. The book establishes similarities and differences between national and regional tastes through detailed case study analysis of cinemagoing in Bolton and Brighton, and offers an analysis of genre development. It also reveals that although Hollywood continued to dominate the British market, films emanating from British studios proved markedly popular with domestic audiences.
£75.00
University of Exeter Press Young And Innocent?: The Cinema in Britain, 1896-1930
This book brings together the study of silent cinema and the study of British cinema, both of which have seen some of the most exciting developments in Film Studies in recent years. The result is a comprehensive survey of one of the most important periods of film history. Most of the acknowledged experts on this period are represented, joined by several new voices. Together they chart the development of cinema in Britain from its beginnings in the 1890s to the conversion to sound in the late 1920s. From these accounts the youthful British cinema emerges as far from innocent. On the contrary, it was a fascinatingly complex field of cultural and industrial practices. The book also includes guides to bibliographical and archival sources and an extensive bibliography.
£75.00
University of Exeter Press Living Words: Language, Lexicography and the Knowledge Revolution
In this unique and entertaining collection of articles, a noted scholar and compiler of key works of reference reflects on the nature of language, the art of lexicography and the breath-taking developments in communication, the media and information technology in the late twentieth century. This book ranges widely over three main linked subjects: Language at large and in particular English, the most widely used language in the history of the world, The art and study of dictionaries and reference science, embracing all past, present and potential reference materials-from the OED to the Yellow Pages and The processes through which communication, information and knowledge have evolved-from cave art to the personal computer.
£75.00
University of Exeter Press Short French Fiction: Essays on the Short Story in France in the Twentieth Century
Short fiction in France has made a major contribution to French culture and literature. This volume provides new insights into some of the best examples of this form of writing in the twentieth century and also includes a chapter which explores ways in which the genre is evolving as the century draws to a close. Each chapter has been written by specialists in their particular field; their interpretations are backed by the experience of teaching and writing about these authors. They invite the reader to go beyond the immediate context or circumstances of what is related in the story under scrutiny and illustrate some of the many ways in which short stories may be narrated. In some cases stories are revisited and subjected to new interpretations; in others those perhaps less well known are revealed as being no less rewarding. The book offers stimulating reading for those already familiar with some of the works under discussion as well as for those coming to them afresh.
£26.06
University of Exeter Press Christian-Jewish Dialogue: A Reader
Brings together primary texts from influential Jewish and Christian writers, providing an accessible overview of the major issues and movements in the Christian-Jewish dialogue. The book includes key topics such as anti-Semitism, Jesus, Israel, women and the Holocaust.
£21.53
University of Exeter Press Tudor And Stuart Devon: The Common Estate and Government
A collection of essays on the theme of Tudor and Stuart Devon. Subjects studied include Katherine Courtney, Countess of Devon; tinworking in four Devon stannaries; the legislative activities of local MPs during the reign of Elizabeth; landed society and the emergence of the country house; North Devon maritime enterprise; English wine imports, with special reference to the Devon ports- fishing and the commercial world of early Stuart Dartmouth; the clergy in Devon, 1641-1661.
£65.00
University of Exeter Press Global Interests In The Arab Gulf
This book sets out to examine why the world regards the Gulf as important. Chapters either treat the way in which individual countries view their vital interest in the Gulf, or deal with specific themes such as the question of militarization and the international arms-trade. The book makes the point that different countries and continents are conscious of possessing a variety of practical interests in the region: for some, the Gulf represents a market for manufactured goods; for some a field of expatriate labour; for some a source of oil; and, for the Superpowers, an area of conspicuous political and strategic importance. This last topic, closely linked as it now is with changes in Eastern Europe and the former USSR, is analyzed at some length in this collection.
£75.00
University of Exeter Press 'Ensaladas Villanescas' From The 'Romancero Nuevo'
A collection of poems in the 'ensaladas' tradition, a Renaissance style of rustic and pastoral lyricism.
£21.53
University of Exeter Press The Treaty Of Bayonne (1388)
The Treaty of Bayonne of 1388 between Juan I, King of Castile, and John of Gaunt, Duke of Lancaster and Pretender to the Castilian throne, was one of the most important treaties of the Hundred Years War. In the transcription of the documents, the original spellings of words, however inconsistent, have been respected.
£21.53
University of Exeter Press Le Jodelet ou le Maistre Valet
Critical edition of the comedy dating from 1664.
£21.53
University of Exeter Press Devon Women in Public and Professional Life, 1900–1950: Votes, Voices and Vocations
Highly Commended for the W.G. Hoskins Prize in the Devon History Society Book of the Year awards. This book is one of the first to study the regional role of women in public and professional life, breaking new ground in early twentieth-century local and gender history. Covering politics (Eleanor Acland and Clara Daymond), medicine and education (Dr Mabel Ramsay and Jessie Headridge), and a variety of voluntary organizations (Florence Cecil, Georgiana Buller, Jane Clinton and Sylvia Calmady-Hamlyn), it shows how women worked individually and in collaboration to create new opportunities for women and girls in a large, mainly rural, county far from London and the industrial heartlands of England. These biographical studies are based on original research and reveal the huge public contribution made by these eight women, who up to now have been largely hidden from history. Devon Women in Public and Professional Life, 1900–1950 is a contribution to the history of women in Britain between the wars, a period that has received less attention than the Edwardian era and the two World Wars. It also fills a major gap in the history of Devon women, on which almost nothing has been published, and on Devon in the inter-war period, similarly neglected by historians. It will be of interest to academics and students in the fields of gender history and the history of modern Britain, as well as everyone interested in the history of twentieth-century Devon.
£75.00
University of Exeter Press The Censorship of British Drama 1900-1968 Volume 3: The Fifties
This is the third volume in a new paperback edition of Steve Nicholson’s comprehensive four-volume analysis of British theatre censorship from 1900-1968, based on previously undocumented material in the Lord Chamberlain's Correspondence Archives in the British Library and the Royal Archives at Windsor. Focusing on plays we know, plays we have forgotten, and plays which were silenced for ever, Censorship of British Drama demonstrates the extent to which censorship shaped the theatre voices of this decade. The book charts the early struggles with Royal Court writers such as John Osborne and with Joan Littlewood and Theatre Workshop; the stand-offs with Samuel Beckett and with leading American dramatists; the Lord Chamberlain’s determination to keep homosexuality off the stage, which turned him into a laughing stock when he was unable to prevent a private theatre club in London's West End from staging a series of American plays he had banned, including Arthur Miller's A View from the Bridge and Tennessee Williams's Cat on a Hot Tin Roof; and the Lord Chamberlain’s attempts to persuade the government to give him new powers and to rewrite the law. This new edition includes a contextualising timeline for those readers who are unfamiliar with the period, and a new preface. DOI: https://doi.org/10.47788/SEEA6021
£25.00
University of Exeter Press The Folklore of Cornwall: The Oral Tradition of a Celtic Nation
By considering the folklore of Cornwall in a Northern European context, this book casts light on a treasury of often-ignored traditions. Folklore studies internationally have long considered Celtic material, but scholars have tended to overlook Cornwall’s collections. The Folklore of Cornwall fills this gap, placing neglected stories on a par with those from other regions where Celtic languages have deep roots. The Folklore of Cornwall demonstrates that Cornwall has a distinct body of oral tradition, even when examining legends and folktales that also appear elsewhere. The way in which Cornish droll tellers achieved this unique pattern is remarkable; with the publication of this book, it becomes possible for folklorists to look to the peninsula beyond the River Tamar for insight. A very readable text with popular appeal, this book serves as an introduction to folklore studies for the novice while also offering an alternative means to consider Cornish studies for advanced scholars. The comparative analysis combined with an innovative method of The Folklore of Cornwall is not to be found in other treatments of the subject.
£25.00
University of Exeter Press The Beginnings Of The Cinema In England,1894-1901: Volume 4: 1899
Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field and represent a major contribution to international film studies. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors. This is augmented by numerous carefully chosen illustrations and a comprehensive filmography of English films, fiction and non-fiction, for the year. Particular attention is also paid to the ways in which the cinema of other countries affected the English industry. Volume 4 examines how in 1899 two major events influenced British cinema. The Boer War created a boom in film production as a result of an insatiable demand for news and pictures of the campaign brought on my fervent patriotism. Though actual battle could not be filmed, ‘fake’ war films based on incidents from the campaign began to be produced by English filmmakers. The University of Exeter Press editions of Volumes 2, 3, 4 are re-jacketed re-issues of the first editions. The long-awaited fifth and final volume in the series is published for the first time by UEP, and edited and introduced by Richard Maltby, Professor of Screen Studies, Flinders University, Australia. Describing in detail one of the most inventive periods in the history of English cinema, this series represents a major contribution to international film studies. Each illustrated volume details a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors, as well as a comprehensive filmography of English films, fiction and non-fiction, for the year. The previous volumes are aready established as classics in their field and have recently been re-jacketed and re-issued by University of Exeter Press.The fifth and final volume documents the year 1900, when the conflict in South Africa against the Boers and the Boxer uprising in China proved popular subjects for news films and fictional representations. It includes a full Introduction by Richard Maltby which places Victorian cinema in its cultural, social and historical context
£30.59
University of Exeter Press The Folklore of Devon
Devon has a long and rich folkloric heritage which has been extensively collected over many years. This book consolidates more than a century of research by eminent Devon folklorists into one valuable study and builds on the vital work that was undertaken by the Devonshire Association, providing insightful analysis of the subject matter and drawing comparisons with folklore traditions beyond the county. The first major work on Devon's folklore since Ralph Whitlock’s short book published by the Folklore Society in the 1970s, this volume brings the subject into the twenty-first century with consideration of internet memes and modern lore, demonstrating that ‘folklore’ does not equate to ‘old rural practice’. With chapters covering the history of Devon's folklore collecting, tales from the moors, the annual cycle, farming and the weather, the devil, fairies, hauntings, black dogs, witchcraft and modern lore, this will remain the standard work for many years to come.
£45.00
University of Exeter Press Theatres Of War: French Committed Theatre from the Second World War to the Cold War
Theatres of War is the first full-length study to be devoted to the 'Committed' theatre that flourished in modern France from 1944 to the mid-1950s. During this crucial decade, authors such as Sartre, de Beauvoir and Camus, along with other lesser-known dramatists, responded to the issues of their time by contributing a number of tense controversial plays to a distinctive genre of realist theatre. These plays dealt with the ideological, political and moral issues arising from the Second World War, the Cold War and a series of disastrous colonial wars. Theatres of War combines historical contextualisation, pointing up the political and moral debate of the theatre of the period, with detailed analysis of specific plays, making it a useful student text. All quotations are in French with English translations immediately following.
£75.00
University of Exeter Press Film, Cinema, Genre: The Steve Neale Reader
This book brings together key works by pioneering film studies scholar Steve Neale. From the 1970s to the 2010s Neale’s vital and unparalleled contribution to the subject has shaped many of the critical agendas that helped to confirm film studies’ position as an innovative discipline within the humanities. Although known primarily for his work on genre, Neale has written on a far wider range of topics. In addition to selections from the influential volumes Genre (1980) and Genre and Hollywood (2000), and articles scrutinizing individual genres – the melodrama, the war film, science fiction and film noir – this Reader provides critical examinations of cinema and technology, art cinema, gender and cinema, stereotypes and representation, cinema history, the film industry, New Hollywood, and film analysis. Many of the articles included are recommended reading for a range of university courses worldwide, making the volume useful to students at undergraduate level and above, researchers, and teachers of film studies, media studies, gender studies and cultural studies. The collection has been selected and edited by Frank Krutnik and Richard Maltby, scholars who have worked closely with Neale and been inspired by his diverse and often provocative critical innovations. Their introduction assesses the significance of Neale’s work, and contextualizes it within the development of UK film studies. DOI: https://doi.org/10.47788/YRCC6901
£100.00
University of Exeter Press Crestien’s Guillaume d’Angleterre / William of England: An Edition and Annotated Translation
An edition with facing annotated translation of the twelfth-century Medieval French popular romance Guillaume d’Angleterre. The claim to fame of this verse narrative is to have had its authorship attributed (falsely) to Chrétien de Troyes, the most famous of all twelfth-century Medieval French narrative poets. This prototypical adventure romance and is representative of a literary genre that has recently seen a renewal of interest among medieval literary critics. An amusing tale of late twelfth-century social mobility, the romance tells of a bewildering series of adventures that befall a fictitious king who deliberately abandons his royal status to enter the ‘real’ world of knights, wolves, pirates and merchants. He and his family, dispersed by events between Bristol, Galway and Caithness, are finally reunited at Yarmouth thanks to a climactic stag hunt. The book is designed for students of French, Medieval Studies, Comparative Literature and English, and for all medieval scholars interested in having an English version of a typical medieval adventure romance. It is the first authoritative English translation of this text, and all of its critical material is new. DOI: https://doi.org/10.47788/TXVU9029
£75.00
University of Exeter Press Mental Health Ontologies: How We Talk About Mental Health, and Why it Matters in the Digital Age
Mental health presents one of the defining public health challenges of our time. Proponents of different conceptions of what mental illness is wage war for the hearts and minds of patients, practitioners, policy-makers, and the public. Debate and fragmentation around the nature of the entities that feature in the mental health domain divide resources and reduce progress. The way mental health is publicly discussed in the media has tangible effects, in terms of stigma, access to healthcare and resources, and private expectations of recovery. This book explores in detail the sorts of statements that are made about mental health in the media and public reporting of scientific research, grounding them in the wider context of the theoretical frameworks, assumptions and metaphors that they draw from. The author shows how a holistic understanding of the way that different aspects of mental illness are interrelated can be developed from evidence-based interpretation of the latest research findings. She offers some ideas about corrective, integrative approaches to discussing mental health-related matters publicly that may reduce the opposition between conceptualisations while still aiming to reduce stigma, shame and blame. In particular, she emphasises that discourse in the media needs to be anchored to an overview of all the research results across the field and argues that this could be achieved using new technological infrastructures. The author provides an integrative account of what mental health is, together with an improved understanding of the factors driving the persistence of oppositional accounts in the public discourse. The book will be of benefit to researchers, practitioners and students in the domain of mental health.
£75.00
University of Exeter Press Communication Across Cultures: The Linguistics of Texts in Translation (Expanded and Revised Edition)
A unique synthesis of contrastive linguistics and discourse analysis, providing a core text for upper undergraduates and postgraduates taking courses in language, applied linguistics, translation and cultural studies. The book will also be of interest to language teachers and other applied linguists, as well as translators and interpreters. This revised and expanded edition includes important updates reflecting the growth over the past two decades in the theoretical study of translation and contrastive linguistics, and the wide-ranging practical applications of such studies. It offers authoritative updates on the major issues of translation and contrastive linguistics, using new practical examples and case studies that present the latest exploratory research of interest to both students and practitioners. While English and Arabic remain the language pair used for illustrative purposes, the analytic tools and theoretical overviews presented are of global applicability. The main objectives pursued remain the training of future linguists and, more broadly, an increased awareness of the subtleties of discourse on the part of language users.
£80.00
University of Exeter Press Forms of Conflict: Contemporary Wars on the British Stage
Forms of Conflict is a full-length study of the representation of contemporary warfare on the British stage and investigates the strategies deployed by theatre practitioners in Britain as they meet the representational challenges posed by the ‘new wars’ of the global era. It questions how dramatists have responded aesthetically to the changing nature of conflict, focusing on plays written and performed after the September 11 terrorist attacks. Soncini examines how the works of playwrights such as Caryl Churchill, David Hare, Martin Crimp and Simon Stephens have provided an interpretative means to enlarge our understanding of the new patterns of conflict, ensuring theatre’s continued cultural and political relevance. Forms of Conflict explores the relationship between new forms of warfare and new forms of drama, illustrating what dramatic form can reveal about the post-9/11 landscape and complementing a rapidly growing field of contemporary war studies. The appendix contains a complete list of war-related plays staged in Britain between 1990 and 2010, with a brief description of their topic and approach.
£75.00
University of Exeter Press Water in the City: The Aqueducts and Underground Passages of Exeter
The city of Exeter was one of the great provincial capitals of late medieval and early modern England, possessing a range of civic amenities fully commensurate with its size and importance. Among the most impressive of these was its highly sophisticated system of public water supply, including a unique network of underground passages. Most of these ancient passages still survive today. Water in the City provides a richly illustrated history of Exeter's famous underground passages—and of Exeter’s system of public water supply during the medieval and early modern periods. Illustrated with full colour throughout, Mark Stoyle shows how and why the passages and aqueducts were originally built, considers the technologies that were used in their construction, explains how they were funded and maintained, and reveals the various ways in which the water fountains were used and abused by the townsfolk.
£60.00
University of Exeter Press John Betjeman and Cornwall
“I was one of the 8,000-strong ‘Betjemaniacs’ gathered at Carruan farm in Cornwall in August 2006 to celebrate the hundredth birthday of Sir John Betjeman, the late Poet Laureate. Situated high above Polzeath, with tremendous views out to the azure Atlantic and the great headland of Pentire, Carruan was, with its exhilarating sense of space, an inspirational choice for this great event. I stood in the pasty-queue with the Archbishop of Canterbury, watched the poetic performance of Bert Biscoe, and browsed among the bookstalls in the hope of finding second-hand copies of rare Betjeman books to add to my collection. Here was that Patrick Taylor-Martin volume that had eluded me for years, and Betjeman’s Britain – compiled by Candida Lycett Green, Betjeman’s daughter – together with more recent editions of old favourites.” Philip Payton, in the preface to John Betjeman and Cornwall Quintessentially English, Betjeman was an 'outsider' in England - and doubly so in Cornwall where, as he was the first to admit, he was a ‘foreigner’. And yet, as this book describes, Betjeman also strove to acquire a veneer of ‘Cornishness', cultivating an alternative Celtic identity, and finding inspiration in Cornwall's Anglo-Catholic tradition. He was also active in Cornish affairs, insisting that Cornwall was not part of England, and championing Cornish environmental concerns that anticipated today's focus on sustainability. The new research in this book includes a wealth of previously ignored source material, forming a lively new account of Betjeman's life and work and his defining relationship with Cornwall. This book is likely to be controversial and to provoke debate.
£75.00
University of Exeter Press Theatres of the Troubles: Theatre, Resistance and Liberation in Ireland
The first book to document grass roots popular theatres which developed from within the working class Republican and Loyalist communities of Belfast and Derry during the latest phase of the four hundred year conflict between Ireland and Britain. Theatres of the Troubles explores the history of one of the most important periods of political theatre activity in post-war Europe. This significant study seeks to convey how the moment to moment unfolding of the conflict determined organisation, ‘texts’, performance contexts and reception, and how the theatres operated within Republican and Loyalist communities. All chapters draw upon previously unpublished primary sources, including texts, interviews and letters, shared workshops and witnessed performance. In examining not only how these theatres related to each other, but also their relationship to European traditions of radical theatre and to the liberation models which were developing in neo- and post-colonial contexts in the South, Theatres of the Troubles represents a key addition to our understanding of the critical relationship between historical conditions and the development of radical theatre forms.
£21.53
University of Exeter Press Freedom's Pioneer: John McGrath's Work in Theatre, Film and Television
John McGrath's plays are compulsory reading and viewing for students of drama, film and television courses in many University and Further Education departments and yet despite recognition of the central importance of McGrath's work, very little has been written about him. This is the first full-length study of his work. This book illuminates the importance of John McGrath's role in the development of theatre, film and television in the last four decades of the twentieth century. Through play and script-writing, through directing, producing and co-ordinating work, and through his critical, political and philosophical reflections, McGrath exerted a powerful influence over developments and innovations in all three art forms. The contributors include film and television directors, actors, designers, writers, university researchers and journalists, many of whom worked with McGrath. Questions of day-to-day working practice are addressed alongside broader political and aesthetic concerns, and the question of McGrath's relationship to and influence on the arts in Scotland receives careful consideration.
£19.25
University of Exeter Press Making Theatre in Northern Ireland: Through and Beyond the Troubles
Making Theatre in Northern Ireland examines the relationships between theatre and the turbulent political and social context of Northern Ireland since 1969. It explores in detail key theatrical performances which deal directly with this context. The works examined are used as exemplars of wider approaches to theatre-making about Northern Ireland. The book is aimed at a student readership: it is largely play-text-based, and it contains useful contextualising material such as a chronological list of Northern Ireland’s plays in the modern period, a full bibliography, and a brief chronology. Students find it hard to obtain any detailed and informed perspective on this key element of the theatre of Ireland and Britain: Northern Ireland’s theatrical traditions are normally discussed only as an adjunct to discussions of Irish theatre more generally, or as so exceptional as to be beyond comparison with others. This book sets out to fill this gap.
£21.53
University of Exeter Press A.L. Rowse And Cornwall: Paradoxical Patriot
Winner of the Adult Non-Fiction section of the Holyer an Gof Awards 2006, and Overall Winner of the Holyer an Gof Trophy, this gripping biographical study, published here for the first time in paperback, explores the immensely complicated relationship that existed between A.L. Rowse and his native Cornwall. Rowse’s books, A Cornish Childhood and Tudor Cornwall, remain in strong demand and are essential reading for the general reader and historian alike, and for all those who know and love Cornwall. By shedding new light on this complex character, Payton invites a greater understanding of the broader issues of Cornish identity as well as assessing Rowse’s highly original contribution to the writing of British and Cornish history.
£75.00
University of Exeter Press From Goethe To Gide: Feminism, Aesthetics and the Literary Canon in France and Germany, 1770-1936
From Goethe to Gide brings together twelve essays on canonical male writers (six French and six German) commissioned from leading specialists from Britain and North America. These essays, aimed at final year undergraduates and postgraduates, focus on Rousseau, Goethe, Schiller, Hoffmann, Stendhal, Baudelaire, Flaubert, Heine, Fontane, Zola, Kafka, Gide. The collection therefore foregrounds the major authors taught on British university BA courses in French and German. Working with the tools of feminist criticism, the authors demonstrate how feminist readings of these writings can illuminate far more than attitudes towards women.
£23.78
University of Exeter Press From Mimesis to Interculturalism: Readings of Theatrical Theory Before and After ‘Modernism'
From Mimesis to Interculturalism offers a series of critical readings of key texts in the history of European and American theatrical and performance theory. It answers the need for a detailed critique of theatrical theory from its origins in Greek antiquity to the present day, asking the reader to re-examine the basis of what have become assumptions, but are all too often perceived as truths. The book complements existing studies of the major modern theorists by giving close attention to the European tradition before Stanislavski, and to the theorists who have gained prominence after Grotowski. The use of language and the creation of meaning is the primary concern of all the readings. Part One considers classical and classicizing theorists from Greece and the European enlightenment, and Part Two twentieth-century theorists after Grotowski; a concluding Part Three indicates how the approach might be applied to exemplary theorists from the modern canon, and to certain contemporary theoretical proposals.
£75.00
University of Exeter Press New Arabian Studies Volume 5
New Arabian Studies is an international journal covering a wide spectrum of topics including geography, archaeology, history, architecture, agriculture, language, dialect, sociology, documents, literature and religion. It provides authoritative information intended to appeal to both the specialist and general reader. Both the traditional and the modern aspects of Arabia are covered, excluding contemporary controversial politics.
£65.00
University of Exeter Press New Directions In Celtic Studies
The primary aim of New Directions in Celtic Studies is to focus on contemporary issues and to promote interdisciplinary approaches within the subject. Written by international scholars and practitioners in fields such as folklore, ethnomusicology, art history, religious studies, tourism and education, the book brings together in one volume a wide range of perspectives. It responds to the recent questioning of the viability of the notion of 'Celticity' and the idea of Celtic Studies as a discipline and points to a renewed vitality in the subject. New Directions in Celtic Studies is divided into four sections: popular culture and representation; commodities and Celtic lifestyles; contemporary Celtic identity and the Celtic diaspora; Celtic praxis.
£75.00
University of Exeter Press The Censorship of British Drama 1900-1968 Volume 1: 1900-1932
This is the first volume in a new paperback edition of Steve Nicholson's well-reviewed four-volume analysis of British theatre censorship from 1900-1968, based on previously undocumented material in the Lord Chamberlain's Correspondence archives. It charts the period before 1932, when theatre was seen as a crucial medium with the power to shape society, determining what people believed and how they behaved. It uncovers the differing views and the disputes which occurred among and between the Lord Chamberlain and his Readers and Advisers, and discusses the extensive pressures exerted on him by bodies such as the Public Morality Council, the Church, the monarch, government departments, foreign embassies, newspapers, powerful individuals and those claiming to represent national or international opinion. The book explores the portrayal of a broad range of topics in relation to censorship, including the First World War, race and inter-racial relationships, contemporary and historical international conflicts, horror, sexual freedom and morality, class, the monarchy, and religion. This new edition includes a contextualising timeline for those readers who are unfamiliar with the period, and a new preface. DOI: https://doi.org/10.47788/LXOK1281
£75.00
University of Exeter Press A Further Range: Studies in Modern Spanish Literature from Galdós to Unamuno
The late nineteenth- and early twentieth-century Spanish literature discussed in this volume falls into two main categories: the work of the Galician novelist, short-story writer and critic, Emilia Pardo Bazán, and the wider context of prose fiction and criticism during the period 1870 to 1935. These two areas represent the main spheres of interest of the distinguished scholar and critic Maurice Hemingway, to whose memory this volume is dedicated. Maurice Hemingway was associated with Hispanic scholarship of the highest quality and this book exemplifies the appreciation of Hemingway's work by his colleagues and academic friends in the UK, Spain, France, USA and Canada. Hispanists involved with modern Spanish literature will find the book crucial to their investigations.
£75.00
University of Exeter Press Sick Heroes: French Society and Literature in the Romantic Age 1750-1850
Sick Heroes examines the cultural practices that created those remarkably offensive, though strangely appealing, romantic heroes that appeared in European and especially in French literature in the latter half of the eighteenth century. Romanticism has long been considered a literary movement, but Pasco broadens its scope and suggests that it was a cultural reality born of widespread social factors and sustained by a mass market for novels, poems and plays that popularized attitudes and behaviour.
£26.06
University of Exeter Press The Beginnings Of The Cinema In England,1894-1901: Volume 2: 1897
Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors. This is augmented by numerous carefully chosen illustrations and a comprehensive filmography of English films, fiction and non-fiction, for the year. Volume 2 details how by 1897 on-screen movement was no longer enough to hold the attention of the public. Film makers were beginning to look for other means to widen the appeal of the moving image, including employing lecturers to accompany the shows and filming newsworthy events. Queen Victoria’s Diamond Jubilee procession through London was one of the first of these events. Almost every major and minor film producer in England covered it. These types of films can be seen as the forerunners of the newsreels of the 1920s and 1930s. Barnes was awarded the Jean Mitry Prize for a life-long contribution to film in 1998. Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field and represent a major contribution to international film studies. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors. This is augmented by numerous carefully chosen illustrations and a comprehensive filmography of English films, fiction and non-fiction, for the year.
£75.00
University of Exeter Press The Beginnings Of The Cinema In England,1894-1901: Volume 3: 1898
Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field and represent a major contribution to international film studies. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors. This is augmented by numerous carefully chosen illustrations and a comprehensive filmography of English films, fiction and non-fiction, for the year. Particular attention is also paid to the ways in which the cinema of other countries affected the English industry. Volume 3 explains how by 1898 the playbills of almost every prominent English music hall featured cinema shows with musical accompaniment. Producers such as R.W. Paul, G.A. Smith and James Williamson began to experiment with ‘made up’ productions that anticipated cinema’s development as a storytelling medium. The volume also details the technical improvements in film processing and the influence of French and American film production on the English cinema industry.
£75.00
University of Exeter Press Gentry Leaders In Peace And War: The Gentry Governors of Devon in the Early Seventeenth Century
The great strength of the government of Devon in the early seventeenth century lay in the quality of its leaders. They ruled together in harmony, free from rivalries for supremacy, free from the influence of any powerful resident nobles and saved from religious conflicts by the pacific Bishop Hall. Confident of their ability to rule the county and prepared to introduce innovative methods, even in the judicial sphere, they achieved a high level of competent administration. They gave the King loyal service but were also prepared to be outspoken over the difficulties his policies caused them. This book emphasizes this strength by describing much of the administration through a series of biographical studies, each biography covering the whole life of the subject and so relating service in peacetime to actions during the civil war. In this way the book describes the government of Devon in the early seventeenth century through the eyes of its administrators and helps us to understand the whole class of gentry leaders.
£75.00