Search results for ""University of Exeter Press""

This is a book for theatre-lovers, written for anyone who shares the author's curiosity about the art of acting and about theatre past and present. The first section centres on Elizabethan theatre practice, the second highlights themes, episodes and contemporary taste in the eighteenth and nineteenth centuries in England, and the third focuses on twentieth-century performances of Shakespeare at Stratford in the 1970s and in the New Globe as the new century begins. The extensive cast of actors discussed includes Richard Tarlton, Will Kemp, David Garrick, Samuel Foote, Richard and Mary Ann Yates, Thomas Weston, John Kemble, Edmund Kean, Frederick Robson, Henry Irving, Ian Richardson and Ben Kingsley.

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The ninth volume in the acclaimed paperback series . . . the only county series that can legitimately claim to represent the past and present of a nation.

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This book combines film studies with environmental history and politics, aiming to establish a cultural criticism informed by 'green' thought. David Ingram argues that Hollywood cinema has largely perpetuated romantic attitudes to nature and has played an important ideological role in the 'greenwashing' of ecological discourses. The book accounts for the rise of environmental concerns in Hollywood cinema, and explores the ways in which attitudes to nature and the environment are constructed in a number of movies. It is divided into three sections: Wilderness in Hollywood Cinema; Wild Animals in Hollywood Cinema; Development and the Politics of Land Use.

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New Arabian Studies is an international journal covering a wide spectrum of topics including geography, archaeology, history, architecture, agriculture, language, dialect, sociology, documents, literature and religion. It provides authoritative information intended to appeal to both the specialist and general reader. Both the traditional and the modern aspects of Arabia are covered, excluding contemporary controversial politics.

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This book will be of value to those in the West and in the Middle East with an interest in the contemporary state of the higher educational system in the region and in comparative education in general. It concentrates on the Gulf, but the problems of control, development, curriculum and purpose in higher education are general throughout the Middle East. Its contributors are mainly academics working in universities in the Gulf region. Higher Education in the Gulf stresses the need for engagement with the problems of the Gulf States as developing countries and the roles which practical, locally-based research can play in promoting balanced, self-reliant development. For too long work in the West relating to the Gulf has concentrated on oil, military and political issues, and this book looks beyond these to the neglected areas of social, cultural and human capital aspects of modernisation. It is deliberately intended to suggest and promote research.

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Rohou interprets Dynamis as an orthodox tragi-comedy that reflects both the political concerns of the late 1640s and the developments in dramaturgy which had taken place over the previous decade or so. Rohou is most helpful in pointing out, in footnotes and a brief glossary, differences between Du Ryer's language and modern usage.

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The French-language adaptation of Shakespeare's Othello by Jean-François Ducis was first performed in Paris in 1792. This book is a critical edition, with introduction, notes and bibliography, and the original text of the play, all in French.

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Étienne Jodelle, seigneur de Limodin, was a French dramatist and poet, was born in Paris in 1532 to a noble family and died in poverty in 1573. He attached himself to the group of 16th-century French Renaissance poets known as thePléiade and applied their principles to his work. Eugène, a comedy satirizing the clergy, is one of his three plays. This is a volume in the Exeter French Texts series. The text, introduction and essential notes are all in French.

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What are the contexts (political, social, legal, cultural) of theatre censorship in twenty-first-century Europe? Given the abolition of state-sanctioned and institutional forms of stage censorship in the late twentieth century, the prevalence of authoritarian and populist politics, and the escalation of so-called ‘culture wars’, in what ways and to what extent does stage censorship manifest and proliferate today? How does censorship respond (or not) to governmental, economic, moral, and religious circumstances? And how have theatre-makers in Europe contested or countered censorial prohibitions in the recent past? This edited collection is the first pan-European study of contemporary theatre censorship. An international range of scholars assess how new forms of censorship operate to silence artists and control performances; they explore how theatre artists respond to constraints placed upon their work across territories, and analyse how age-old political, religious, and moral taboos impact on theatrical creation and reception. Readers are invited to consider not only the varied mechanisms of censorship, including its more covert iterations, but also what is censored, when, how, and why, particularly in relation to the sensitive issues of religion, race, sexuality, and nationalism. By focusing on the work of key European theatre practitioners, as well as significant productions and performances, contributors reflect on the impact of censorship on artistic policies and cultural activity, and the forms of protest mobilized against it.

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This monograph is a critical study of the medieval manuscript held in Exeter Cathedral Library, popularly known as ‘The Exeter Book’. Recent scholarship, including the standard edition of the text, published by UEP in 2000 (2 ed’n 2006), has re-named the manuscript ‘The Exeter Anthology of Old English Poetry’. The book gives us intelligent, sensitive literary criticism, profound readings of all of the poems of the Anthology. God’s Exiles and English Verse is the first integrative, historically grounded book to be written about the Exeter Book of Old English poetry. By approaching the Exeter codex as a whole, the book seeks to establish a sound footing for the understanding of any and all of its parts, seen as devout yet cosmopolitan expressions of late Anglo-Saxon literary culture. The poems of the Exeter Book have not before been approached primarily from a codicological perspective. They have not before been read as an integrated expression of a monastic poetic: that is to say, as a refashioning of the medium of Old English verse so as to serve as an emotionally powerful, intellectually challenging vehicle for Christian doctrine and moral instruction. Part One, consisting of three chapters, introduces certain of the book’s main themes, addresses matters of date, authorship, audience, and the like, and evaluates hypotheses that have been put forth concerning the origins of the Exeter Anthology in the south of England during the period of the Benedictine Reform. Part Two, the main body of the book, begins with a long chapter, divided into seven sections, that introduces the contents of the Exeter Anthology poem by poem in a more systematic fashion than before, with attention to the overall organization of the Anthology and certain factors in it that have a unifying function. The five shorter chapters that follow are devoted to topics of special interest, including the volume’s possible use as a guide to vernacular poetic techniques, its underlying worldview, its reliance on certain thematically significant keywords, and its intertextual versus intratextual relations. The riddles, especially those of a sexual content, receive attention in a chapter of their own. In addition, there is a translation of the popular poem The Wanderer into modern English prose, a folio-by-folio listing of the contents of the Exeter Anthology, and a listing of a number of the poems of the Anthology with notes on their genre, according to Latin generic terms familiar to educated Anglo-Saxons. This book is the first of its kind - an integrative, book-length critical study of the Exeter Anthology.

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For the first time, this book tells the 'lost' story of the 1930s Western. Written from a concern to understand Western films primarily as products of Hollywood's studio system, it recovers the context in which Westerns were produced, exhibited and viewed in the 1930s. Peter Stanfield highlights the hitherto marginalised 'B' or 'series' Western, the significance of female audiences, the role of independent exhibitors and of censorship in shaping film production. Includes illustrations from the following films: Arizona, The Big Trail, Billy the Kid, Cimarron, Destry Rides Again, Dodge City, In Old Arizona, In Old Santa Fe, Jesse James, The Lash, Let Freedom Ring, Oh, Susanna!, Oklahoma Kid, The Plainsman, Ramona, Santa Fe Trail, Stand Up and Fight, Three Godfathers, Trail of the Lonesome Pine, Tumbling Tumbleweeds, Union Pacific, Virginia City, The Virginian, The Westerner.

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This book sheds new light on the under-researched period of early British cinema through an in-depth history of the British and Colonial Kinematograph Company – also known as ‘B&C’– in the years 1908-1916, the period when it became one of Britain’s leading film producers. It provides an account of its films and personalities, and explores its production methods, business practices and policy changes. Gerry Turvey examines the range of short film genres B&C manufactured, including newsworthy topicals and comics, and series dramas, and how they often drew on the resources of urban Britain’s existing popular culture – from cheap reading matter to East End melodramas. He discusses B&C’s first open-air studio in East Finchley, its extensive use of location filming, and its large, state-of-the-art studio at Walthamstow. He also investigates how the films were photographed and ‘staged’, their developing formal properties, and how the choice of genres shifted radically over time in an attempt to seek new audiences.

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Mental health presents one of the defining public health challenges of our time. Proponents of different conceptions of what mental illness is wage war for the hearts and minds of patients, practitioners, policy-makers, and the public. Debate and fragmentation around the nature of the entities that feature in the mental health domain divide resources and reduce progress. The way mental health is publicly discussed in the media has tangible effects, in terms of stigma, access to healthcare and resources, and private expectations of recovery. This book explores in detail the sorts of statements that are made about mental health in the media and public reporting of scientific research, grounding them in the wider context of the theoretical frameworks, assumptions and metaphors that they draw from. The author shows how a holistic understanding of the way that different aspects of mental illness are interrelated can be developed from evidence-based interpretation of the latest research findings. She offers some ideas about corrective, integrative approaches to discussing mental health-related matters publicly that may reduce the opposition between conceptualisations while still aiming to reduce stigma, shame and blame. In particular, she emphasises that discourse in the media needs to be anchored to an overview of all the research results across the field and argues that this could be achieved using new technological infrastructures. The author provides an integrative account of what mental health is, together with an improved understanding of the factors driving the persistence of oppositional accounts in the public discourse. The book will be of benefit to researchers, practitioners and students in the domain of mental health.

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For as long as there have been vaccines, there have been those who oppose them. As the world continues to grapple with the impact of COVID-19 and the challenges of managing an effective vaccination programme, this book shows that our experiences have more in common with those of previous generations than we may so far have understood. Vaccination Wars examines the history of vaccine objection in nineteenth-century Cornwall, looking not only at the reasons behind resistance to the smallpox vaccine, but at the lives of Cornish parents who steadfastly refused to have their children inoculated. Exploring the earliest phases of the anti-vaccination movement, the rise of middle-class resistance and organized opposition societies, and the influence of propaganda, the book presents a more nuanced understanding of the ways regional and cultural differences affect the reception of state-mandated medical practices. Ella Stewart-Peters challenges existing notions of the nineteenth-century debate by shifting the focus away from major urban centres to the struggles concerned with enforcing compulsory vaccination at the peripheries. Distinct parallels can be drawn with the anti-vaccination movement of the twenty-first century. This book will appeal to anyone who has ever wondered about the origins of the modern anti-vaccination movement, or is more generally interested in the history of medicine.

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While the infamous Théâtre du Grand-Guignol in Paris closed its doors in 1962, the particular form of horror theatre it spawned lives on and has, moreover, witnessed something of a resurgence over the past twenty years. During its heyday it inspired many imitators, though none quite as successful as the Montmartre-based original. In more recent times, new Grand-Guignol companies the world over have emerged to reimagine the form for a new generation of audiences. This book, the fourth volume in University of Exeter Press’s series on the Grand-Guignol by Richard J. Hand and Michael Wilson, examines the ongoing influence and legacy of the Théâtre du Grand-Guignol through an appraisal of its contemporary imitators and modern reincarnations. As with the previous volumes, Grand-Guignolesque consists of a lengthy critical introduction followed by a series of previously unpublished scripts, each with its own contextualizing preface. The effect thereof is to map the evolution of horror theatre over the past 120 years, asking where the influence of the Grand-Guignol is most visible today, and what might account for its recent resurgence. This book will be of interest not only to the drama student, theatre historian and scholar of popular theatre, but also to the theatre practitioner, theatregoer and horror fan.

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Discussing the actor mutiny of 1733, theatre censorship, controversial plays and Fielding’s forgery of an actor’s biography, the book contends that some subversive Augustan and Georgian artists were early Brechtians. Reconstructions of lost episodes in theatre history include a recounting of Fielding’s last days as a stage satirist before his Little Haymarket theatre was closed, Charlotte Charke’s performances as Macheath and Polly Peachum in The Beggar’s Opera and the 1740 staging of Jonathan Swift’s Polite Conversation on a double bill with Shakespeare’s Merry Wives . . . Some documents in this collection offer another perspective on theatre history by employing fiction – speculative reconstructions of Georgian theatre events for which historical facts are scarce or missing. Brecht also employed fiction to reconsider history in short stories he wrote about Lucullus and Socrates, and a novel about Julius Caesar. The stories and several new letters attributed to Fielding delve into theatre history and keep some of its controversy alive in new ways, historicizing fiction and theatre somewhat as Brecht did. It offers an unconventional, new reading of theatre history, Brecht’s tradition and stage satire.

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Forms of Conflict is a full-length study of the representation of contemporary warfare on the British stage and investigates the strategies deployed by theatre practitioners in Britain as they meet the representational challenges posed by the ‘new wars’ of the global era. It questions how dramatists have responded aesthetically to the changing nature of conflict, focusing on plays written and performed after the September 11 terrorist attacks. Soncini examines how the works of playwrights such as Caryl Churchill, David Hare, Martin Crimp and Simon Stephens have provided an interpretative means to enlarge our understanding of the new patterns of conflict, ensuring theatre’s continued cultural and political relevance. Forms of Conflict explores the relationship between new forms of warfare and new forms of drama, illustrating what dramatic form can reveal about the post-9/11 landscape and complementing a rapidly growing field of contemporary war studies. The appendix contains a complete list of war-related plays staged in Britain between 1990 and 2010, with a brief description of their topic and approach.

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The birth of cinema coincided with the heyday of the short story. This book studies the relationship between popular magazine short stories and the very early British films. It pairs eight intriguing short stories on cinema with eight new essays unveiling the rich documentary value of the original fiction and using the stories as touchstones for a discussion of the popular culture of the period during which cinema first developed. The short stories are by authors ranging from the notable (Rudyard Kipling and Sax Rohmer) to the unknown (Raymond Rayne and Mrs. H.J. Bickle); their endearing tributes to the new cinematograph chart its development from unintentional witness to entertainment institution.

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Winner of the Society for Theatre Research Book Prize – 2016 This is the final volume in a new paperback edition of Steve Nicholson’s definitive four-volume survey of British theatre censorship from 1900-1968, based on previously undocumented material, covering the period 1960-1968. This brings to its conclusion the first comprehensive research on the Lord Chamberlain's Correspondence Archives for the 20th century. The 1960s was a significant decade in social and political spheres in Britain, especially in the theatre. As certainties shifted and social divisions widened, a new generation of theatre makers arrived, ready to sweep away yesterday’s conventions and challenge the establishment. Analysis exposes the political and cultural implications of a powerful elite exerting pressure in an attempt to preserve the veneer of a polite, unquestioning society. This new edition includes a contextualising timeline for those readers who are unfamiliar with the period, and a new preface.

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This book explores an industry that was of profound importance both in terms of the local economy and the history of mining nationally, but is long forgotten: the late medieval royal silver mines at Bere Ferrers in the Tamar Valley. The Bere Ferrers silver mines employed up to 400 men, mining on a scale and at depths not previously possible, and changed forever the way that mining was carried out in medieval Britain.

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In the first book-length study to concentrate specifically on Britain, Jamie Sexton examines the rise of avant-garde and experimental film-making between the wars. The book provides a detailed view of how modernist and anti-mainstream currents emerged in the film industry in Britain. Alternative Film Culture in Inter-War Britain is the first book-length study of a number of currents which opposed mainstream filmmaking and which championed film as an intellectual, modern art. It traces the growth of new approaches to film through exhibition and writing on cinema, and looks at how this cultural formation shaped certain areas of filmmaking. As such, it takes an interdisciplinary approach in which a study of independent filmmaking in this era is firmly placed within a cultural context, linking the ways in which films were presented, received and produced.This is the first in-depth look at 'alternative film culture' in Britain between the wars will excite many in the film, and film studies, worlds. It combines the history with analysis of the films themselves, and of their reception. It looks at the operations of a key contemporary institution, the original Film Society.

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Winner of the 2008 Holyer An Gof Award for non-fiction. An investigation of the popular tradition of ‘Australia’s Little Cornwall’: how one town in South Australia gained and perpetuated this identity into the twenty-first century. This book is about Moonta and its special place in the Cornish transnational identity. Today Moonta is a small town on South Australia’s northern Yorke Peninsula; along with the neighbouring townships of of Wallaroo and Kadina, it is an agricultural and heritage tourism centre. In the second half of the nineteenth century, however, Moonta was the focus of a major copper mining industry. This book is about Moonta and its special place in the Cornish transnational identity. Today Moonta is a small town on South Australia’s northern Yorke Peninsula; along with the neighbouring townships of of Wallaroo and Kadina, it is an agricultural and heritage tourism centre. In the second half of the nineteenth century, however, Moonta was the focus of a major copper mining industry. From the beginning, Moonta cast itself as unique among Cornish immigrant communities, becoming ‘the hub of the universe’ according to its inhabitants, forging the myth of ‘Australia’s Little Cornwall’: a myth perpetuated by Oswald Pryor and others that survived the collapse of the copper mines in 1923—and remains vibrant and intact today.

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The thirteenth volume in this acclaimed paperback series includes articles on Cornish emigration, Cornish literature, the novelist Virginia Woolf, the poet Jack Clemo, Cornish mining history, Cornish folklore, the medieval Cornish-language miracle plays, and William Scawen: the seventeenth-century Cornish patriot and language revivalist.

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Dangerous, outrageous, comic and committed, the extraordinary performers collected here have altered the history of popular entertainment in America and Europe. Some have rarely had their story told, others are familiar figures. The essays explore what made these performers extraordinary; how they were trained, how they practised their art, how they were received, celebrated, satirised and mythologised. From the explosive acting of Richard Burbage to the dislocating quirkiness of Peter Lorre, from the dangerous satire of commedia dell'arte troupes in Russia to the bittersweet collaboration of Morecambe and Wise, this volume explores what made these actors popular. Each contributor has taken care to set the performer and their work in cultural context, so that the collection as a whole charts the changing relationship between acting and popular culture over the last four hundred years. Part One examines seventeenth and eighteenth century performers, as they built a sense of the excitement and possibility of theatre with audiences in Britain and Europe. The idea of acting, its art and popular practice was being formed during this period. Part Two explores nineteenth-century popular performers who became cultural icons and developed popular performance that contributed to the regeneration of national identity. Part Three looks at twentieth-century performers whose acting continued to reach popular audiences in remarkable ways, across national boundaries, as the acting industry underwent transformation in the face of technological change This is a unique collection of essays on performers such as Richard Burbage, Sarah Siddons, Peter Lorre, George Formby, Laurel and Hardy, Morecombe and Wise. It provides an outstanding selection of contributors: Richard Boon, Colin Chambers, Chris Dymkowski, Ger Fitzgibbon, Viv Gardner, Baz Kershaw, Alexander Leggatt, Chris McCullough, Jan McDonald, Joel Schechter, Laurence Senelick, Martin White, Don Wilmeth

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Winner of the Devon Book of the Year Award 2003, Circled with Stone is the most comprehensive study to date of the fortifications of an early modern English city. The culmination of some twenty years of archaeological and documentary research, it provides a richly detailed portrait of the ancient system of walls, towers and gates which ringed the city of Exeter during the Tudor and early Stuart periods. The book traces the development of the fortifications over time, explores the many purposes which they served, and shows how they were defended against a series of major attacks: most notably during the Prayer Book rebellion of 1549 and the English Civil War. The text is accompanied by a series of extensive transcripts from Exeter's matchless civic archives, including two newly-discovered documents relating to the Prayer Book rebellion. The book includes a wealth of illustrations and brings together, for the very first time, colour reproductions of all the early maps of Exeter, as well as a series of specially commissioned photographs of the city walls today. Designed to be accessible to the general reader, as well as to the specialist, Circled with Stone paints a uniquely vivid picture of the role which urban fortifications played in everyday life in one of early modern England's greatest cities. Richly detailed, fully illustrated and accessible to the general reader as well as of interest to historians and archaeologists.

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This is the first new book-length study of British cinema of the 1910s to be published for over fifty years, and it focuses on the close relationship between the British film industry and the Edwardian theatre. Why were so many West End legends such as Sir Herbert Beerbohm Tree and Ellen Terry repeatedly tempted to dabble in silent film work? Why were film producers so keen to employ them? Jon Burrows studies their screen performances and considers how successfully they made the transition from one medium to the other, and offers some controversial conclusions about the surprisingly broad social range of filmgoers to whom their films appealed.

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In 1659, Luis de Haro met with Cardinal Jules Mazarin in the Pyrenees to conclude a peace treaty and marriage agreement that would end over twenty years of war between Spain and France. The hitherto unpublished letters which Haro sent to Philip IV from the peace conference are fascinating to read and offer an account of the negotiations that often diverges radically from what Mazarin reports in his letters to the French court. This edition offers a mix of the original letters and summaries of the letters, as well as numerous explanatory notes and an introduction that sets the peace conference firmly within its historical context. This volume in the Exeter Hispanic Texts series provides the letters in the original Spanish; the Introduction, notes and summaries are in English. It will be of interest to a scholarly readership, especially those concerned with late seventeenth-century Spanish and French history.

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The sixth volume in the acclaimed paperback series . . . the only county series that can legitimately claim to represent the past and present of a nation.

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A Chorus of Raspberries is the first full-length academic study of one of the most popular, profitable and persistent genres in British cinema. It redraws the map of British film history by arguing that comedy was the most successful, and perhaps the most important, genre of the 1930s, and that the very qualities which ensured the comedy film's low status are also its particular strengths. In the process it uncovers a whole tradition of popular cinema which criticism has relegated to the sidelines of history. The book looks in detail at the work of a number of key stars, including George Formby, Gracie Fields, The Crazy Gang, Cicely Courtneidge and Ernie Lotinga, revealing the wide range of comic styles and meanings they produced in seemingly formulaic films. It unearths a host of previously forgotten but notable films, and an important tradition in British popular culture, tracing the roots of the genre to its music-hall beginnings. Includes George Formby, Gracie Fields, The Crazy Gang First full-length study of the subject Will appeal to those studying popular culture and film history Market: Scholars and students of film studies, popular culture, media studies, especially those taking courses on British cinema. Academic libraries. The general reader with an interest in twentieth-century popular culture and British cinema.

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This is a study of the nine prose fiction works of Christiane Rochefort written between 1958 and 1988. Despite establishment recognition and a popular mass-market following, Christiane Rochefort has hitherto received little critical attention. Her fiction forms an approachable learning tool for all students of post-war French politics and culture; the bestseller "Les Petits Enfants du Siecle" is a set text in schools and universities in the UK and the USA. This novel of growing up in the working class high-rises of Paris, written in the language of the streets, provides a child-centred view of a youngs girl's social, political and sexual awakening. The study looks at each novel in turn and applies close attention to the narrative sophistication and political subversion of the books. Certain contemporary themes run through her work - the status of children, language as an instrument of oppression and subversion, homosexuality, incest and child abuse. Each chapter of this book provides cultural and socio-political background material.

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This well illustrated book celebrates every aspect of the wide-ranging achievements of William Morris - writer, designer, cultural critic, revolutionary socialist - with particular emphasis on their relevance to our own times. The book makes available up-to-date Morris scholarship in accessible form. Written by a group of international scholars who took part in a conference marking the centenary of the death of Morris in 1896, the book has sections devoted to Morris and Literature (covering texts from The Earthly Paradise to the late romances); Morris, the Arts & Crafts and the New World (including discussions of his influence in Rhode Island, Boston, Ontario and New Zealand); and Morris, Gender and Politics (with fresh consideration of his relation to Victorian ideas of manliness and of the particular qualities of his anti-statist politics). The latter section also draws attention to a hitherto unknown play by Morris's daughter May and concludes with an account of his biographer, the late E.P. Thompson.

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Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors. This is augmented by numerous carefully chosen illustrations and a comprehensive filmography of English films, fiction and non-fiction, for the year. Taking the Kinetoscope as its point of departure, Volume 1 explores in depth the progress made in the field of cinematography up until the end of 1896, by which time the film had become the main attraction of almost every major music hall in Great Britain. The contribution made by inventors such as R.W. Paul and Birt Acres is discussed in detail, as is also the work of hitherto forgotten pioneers of the British film. This volume is edited by Richard Maltby and has a foreword by David Robinson.

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The World According to Hollywood examines the world-wide influence of the American film industry during its golden age — the 1920s and 1930s — and investigates the business policies that shaped the fictional universe of Hollywood movies. Vasey shows how the industry's self-censorship shaped the content of the films to make them saleable to as many foreign markets as possible and in the process created an idiosyncratic world on screen that was glamorous and exotic, but peculiarly narrow in scope. Krazna-Krauz Moving Image Book Award 1997

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This edition of the letters of Sir Walter Ralegh will replace the long out-of-print edition of Edward Edwards published in 1868. It contains the full text, in the original spelling, with modern punctuation, of all known surviving letters, 240 in all, compared with Edwards' 160, in most cases taken from the original manuscripts, many never before published. All are extensively annotated, many have been newly dated and corrected; there is a substantial Introduction by Joyce Youings. The letters help to reconcile the family man, never happier than when at home on his estate in the West Country, with one who is revered, especially in North America, as the founder and inspirer of English overseas settlement. They show him drawn both towards his native West Country, where he was not universally admired, and towards the Court at Westminster where lay the determination of the success or failure of his enterprises. Never before have we been able to get as near to understanding the strengths and weaknesses of one of the best-known figures of English history, the man who was both patriot and European; courtier and failed politician; soldier and poet; owner of ships and organiser of privateering ventures yet a reluctant sailor; greedy for personal wealth and social status but apparently ready to plead the case of the poor and disadvantaged.

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Is the 'West Country' on the map or in the mind? Is it the south-west peninsula of Britain or a semi-mythical country offering a home for those in pursuit of the romance of wrecking, smuggling and a rural Golden Age? This book investigates these questions in the context of the relationship between place and writing, discussing Thomas Hardy's Wessex; R.D. Blackmore's Exmoor and Lorna Doone; Charles Kingsley, whose Westward Ho!, became a Devon place-name, Sabine Baring-Gould of Dartmoor and recorder and inventor of West Country folk-tales; Parson Hawker of Morwenstowe, an inventor of the Cornish King Arthur.

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The fourth volume in the acclaimed paperback series . . . the only county series that can legitimately claim to represent the past and present of a nation.

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New Arabian Studies is an international journal covering a wide spectrum of topics including geography, archaeology, history, architecture, agriculture, language, dialect, sociology, documents, literature and religion. It provides authoritative information intended to appeal to both the specialist and general reader. Both the traditional and the modern aspects of Arabia are covered, excluding contemporary controversial politics.

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The book is a critical edition of La Hollande Malade, a comedy in one act by Raymond Poisson. La Hollande Malade, written in 1673, is a satirical and allegorical comedy. The historical context of this story relates to Louis XIV, who wanted to benefit from the prosperity of the Netherlands. This prosperity derived from trade, fishing and publishing and threatened other European countries. Louis XIV was allied to England to help fight the war against the maritime “Hollande”. The symbolic way in which this story is told takes the form of a countess suffering from illness, with other people symbolising countries who wish to give her medicine in order to cure her.

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Why is the world in which we live so ruled by the idea of the nation? What effect have the newly independent nations of the last fifty years had on the old world order? Are countries in a post-imperial world the same now as they were in the time of imperialism? Not On Any Map seeks to answer these questions and explores the wide-ranging issues surrounding nationalism and postcoloniality. The collection draws on the work of scholars and creative producers from all over the world who explore the idea of the nation in a variety of postcolonial contexts. These include a piece from Wilson Harris' work-in-progress, as well as other work on literary nationalism, media arts promotion, the use of the indigene in tourism, commercial cinema, immigration, developments in communication and technology, sport and issues affecting nations both in the former colonial centres and the ex-colonies.

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An early sixteenth century Spanish romance.

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Critical edition, edited by Robert T. Corum, of the early seventeenth-century religions poem by César de Nostredame (1553-1629).

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Critical edition, edited by Malcolm Cook, of 5-act tragedy by Marie-Joseph Chénier (1764-1811), first performed in 1791.

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The expansion of the English state in the early modern era provoked resistance throughout Britain and Ireland, not least in Cornwall where this intrusion was challenged in a series of dramatic uprisings in the two centuries between 1490 and 1690.In this wide-ranging collection of chapters, several based on articles published previously in the series Cornish Studies, Philip Payton brings together an impressive team of international scholars, including Paul Cockerham, Bernard Deacon, D.H. Frost, Lynette Olson, Joanna Mattingly, Matthew Spriggs, and Mark Stoyle, to present a history of early modern Cornwall, focusing especially on the related issues of language, religion, identity and rebellion. DOI: https://doi.org/10.47788/LZGH4973

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Winner of the Holyer an Gof Award 2022 (Leisure and Lifestyle) An illustrated guide to one hundred of the finest early Cornish stone crosses, dating from around AD 900 to 1300. These characteristic features of the Cornish landscape are splendid examples of their type, exhibiting a wide geographical spread and a certain weather-beaten beauty. The medieval stone crosses of Cornwall have long been objects of curiosity both for residents and visitors. This is the first ever accessible volume on the subject, combining detailed description and discussion of the crosses with information on access, colour images and suggestions for further reading. An approachable but academically rigorous work, it includes analysis of the decorative designs and sculptural techniques, accompanied by high-quality photographs which illustrate the subtleties of each cross, often hard to discern in situ. Ancient and High Crosses of Cornwall offers an ideal introduction for the general reader but will also prove essential to local historians, landscape historians, archaeologists and anyone working in the area of Cornish studies or connected with the Cornish diaspora. DOI: https://doi.org/10.47788/NKIP4746

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358 colour illustrations and 38 b&w drawings. Distributed by University of Exeter Press. This volume fills a major gap: there are no modern publications describing the mosaics of the major Byzantine monuments of Thessaloniki aimed at the contemporary reader, both specialist and layman.

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Distributed by University of Exeter Press. The subjects dealt with in this book are closely bound both with the development of archaeology and with the history of modern Greece. In six main chapters, the author covers the long period from the fifteenth century until the mid-1970s. The first chapter deals with the state of ancient monuments under Turkish rule and the Europeans who visited Greece during that period. The remaining chapters describe the steps taken by the newly-founded Greek state to preserve existing monuments, uncover others, set up collections of antiquities and build museums in Athens and the provinces. For the first time, a detailed search of archives, archaeological journals, newspapers and other publications provides us with a fully-rounded picture of the subject, presenting the work of archaeologists, architects and other specialists and public figures who worked to discover, preserve and display the monuments of Greece from ancient times, through the Byzantine and post-Byzantine periods and onwards into our own era. Greek language text. 142 b&w illustrations and diagrams.

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