Search results for ""author manus"

The High Deck brings to life and explains a whole new deck of cards, with new games and a new take on symbolism and psychology. Included here are a beautifully conceived and illustrated card deck, explanatory manuscript containing wonderful games to play with the deck, an explanation of the fully formed symbolism of the deck with its far-reaching implications for users' lives, creating an archetypal mirror for personal use. The thirty-eight cards of the deck feature thirty-two characters divided into red and black houses and eight individual persons, including the Knight, Priest, Father, Lover, Vassal, Sinner, Child, and Maid. Together these cards form the mirror, with which users may peer deeply into themselves by creating "The Motley Player," a symbolic being in one's own image.Includes cards and book.Card dimensions: 2 3/8" x 3 3/8"

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The Gaelic pharmacy was rich, the sources of which lay almost entirely in nature and were subject to the minimum of preparation. Much of the rich store of material comes from the great legacy of medieval Gaelic manuscripts. In more recent times, papers of medical societies have shown how traditional methods and cures are still of value to modern medicine. In addition to a general historical background, which traces the story of Highland folk tradition from earliest times, Mary Beith describes a whole variety of traditional remedies, cures and practices, from the healing properties of stone and metal, animals and insects, to rituals, charms and incantations. Her book also includes a list of the most commonly used herbs. Clearly written with extensive source notes, Healing Threads is a unique introduction to a subject that has fascinated generation after generation.

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Emphasizing the Romantic heritage and modernist legacy of Karl Marx's writings, Peter Osborne presents Marx's thought as a developing investigation into what it means, concretely, for humans to be practical historical beings. Drawing upon passages from a wide range of Marx's writings, and showing the links between them, Osborne refutes the myth of Marx as a reductively economistic thinker. What Marx meant by 'materialism', 'communism' and the 'critique of political economy' was much richer and more original, philosophically, than is generally recognized. With the renewed globalization of capitalism since 1989, Osborne argues, Marx's analyses of the consequences of commodification are more relevant today than ever before. Extracts are taken from the full breadth of Marx's writings, from his student Notebooks on Epicurean Philosophy, via the Economic and Philosophical Manuscripts and The Communist Manifesto to Capital.

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I was supposed to be having the time of my life.When Esther Greenwood wins an internship on a New York fashion magazine in 1953, she is elated, believing she will finally realise her dream to become a writer. But in between the cocktail parties and piles of manuscripts, Esther's life begins to slide out of control. She finds herself spiralling into depression and eventually a suicide attempt, as she grapples with difficult relationships and a society which refuses to take women's aspirations seriously.The Bell Jar, Sylvia Plath's only novel, was originally published in 1963 under the pseudonym Victoria Lucas. The novel is partially based on Plath's own life and descent into mental illness, and has become a modern classic. The Bell Jar has been celebrated for its darkly funny and razor sharp portrait of 1950s society and has sold millions of copies worldwide.

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The stunning novel from the million-copy Sunday Times bestseller, a Richard & Judy Bookclub Pick. SECRETS FROM THE PAST, UNRAVELLING IN THE PRESENT…  The night before it all begins, Jude has the dream again . . . Can dreams be passed down through families? As a child Jude suffered a recurrent nightmare: running through a dark forest, crying for her mother. Now her six-year-old niece, Summer, is having the same dream, and Jude is frightened for her. A successful auctioneer, Jude is struggling to come to terms with the death of her husband. When she's asked to value a collection of scientific instruments and manuscripts belonging to Anthony Wickham, a lonely 18th century astronomer, she leaps at the chance to escape London for the untamed beauty of Norfolk, where she grew up. As Jude untangles Wickham's tragic story, she discovers threatening links to the present. What ha

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Rosenblum provides the student of the book with a selective guide to a growing discipline. Emphasis is on more recent works, though classics are included regardless of age. The four sections focus on, but are not restricted to, the book in the West. The first section covers reference works. The second section is devoted to technical aspects of the making of books and manuscripts, such as ink, printing, and binding. The third section is arranged by period, from the ancient world to the present. A final section deals with book collecting, bookselling, and private presses.

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Written by leading Leonardo experts from London and Florence, and accompanying a major British Library exhibition, this fascinating new book reveals the central importance of motion in Leonardo's art and thought. Large-scale reproductions of Leonardo's handwritten notes include clear illustrations of dozens of pages from Codex Arundel, alongside other manuscripts and paintings. Leonardo's ingenious, cutting-edge ideas about the art and physics of motion - the dynamics of motion in water; movement of the human form; and motion as a force in artistic composition - are explained in a clear and accessible form as never before.

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Sun Tzu was an accomplished general and strategist in China who lived during the Spring and Autumn period (771 - 485BC). His treatise The Art of War is the most famous military text ever written and remains influential to this day.Lionel Giles (1875-1958) was a British sinologist, writer, and philosopher. Lionel Giles served as assistant curator at the British Museum and Keeper of the Department of Oriental Manuscripts and Printed Books. He is most notable for his 1910 translations of The Art of War by Sun Tzu and The Analects of Confucius.

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From behind the drums to behind the lens, in PHOTOGRAPH Ringo Starr opens his archives to share memories of his childhood, The Beatles and beyond.Rare and unseen photographs taken by Ringo, with others reproduced from his family albums, are showcased here for fans of The Beatles and anyone passionate about modern music. Accompanied by Ringo''s original manuscript of over 15,000 words, PHOTOGRAPH gives unprecedented insight into the life of one of the world''s greatest musicians.From Pwllheli to Delhi, obscurity to superstardom, join Ringo on his travels in his photographic memoir.

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The Royal College of Physicians celebrates its 500th anniversary in 2018, and to observe this landmark is publishing this series of ten books. Each of the books focuses on fifty themed elements that have contributed to making the RCP what it is today, together adding up to 500 reflections on 500 years. Some of the people, ideas, objects and manuscripts featured are directly connected to the College, while others have had an influence that can still be felt in its work. This, the ninth book in the series looks at the libraries and archive of the Royal College.

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From King Arthur and the Round Table to Alexander the Great’s global conquests, the stories of romance appear in some of the most beautiful books of the Middle Ages, and still resonate today. This book provides an engaging, scholarly and richly illustrated guide to medieval romance and its continuing influence on literature and art. Romance’s conjunctions of chivalric violence, love and piety, and its openness to the miraculous, monstrous or bizarre mark it out as the most fertile narrative form of the Western Middle Ages. This book examines the development of romance as a literary genre, its place in medieval culture, and the scribes and readers who copied, owned and commented on romance books – from magnificent illuminated manuscripts to personal notebooks and chance survivals. It also explores the complex anatomy of human desire in romance, as portrayed by writers including Dante, Chaucer and Thomas Malory. Medieval romance was hugely popular after the Middle Ages. Shakespeare, Spenser and Walter Scott imbibed its motifs, Mark Twain parodied them, and the Pre-Raphaelites based an aesthetic movement around them. The Romance of the Middle Ages traces the influence of the genre to the twentieth century and beyond, encompassing the stories of J.R.R. Tolkien, C.S. Lewis and J.K. Rowling, the Jedi knights of Star Wars and Monty Python’s Knights who say ‘Ni!’.

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The ‘Percy Folio’ (BL MS Add. 27879), a seventeenth-century miscellany of ballads, romances and songs is a highly significant document in English poetry. It was crucial to the success and credibility of Bishop Thomas Percy’s Reliques of Ancient English Poetry (1765). A best-seller that inspired many including Wordsworth and Sir Walter Scott, the Reliques made ballads a subject worthy of study and respect, in no small part due to the supposed antiquity of the Folio’s contents, Percy even claiming that one Arthurian piece was known to Chaucer. For the first time ever this volume publishes critical editions of all eleven Arthurian texts in the Percy Folio, with transcriptions taken directly from BL MS Add. 27879. The book opens with a discussion of the manuscript’s history and ownership, the place of these Arthurian texts within a ballad tradition, attitudes to King Arthur up to the early eighteenth century, and Percy’s interest in and knowledge of Arthurian legend. A particular focus has been the role played by performance in the evolution of the Arthurian material. Each text is prefaced by a Headnote with endnotes, references to previous editions, and suggestions for further reading. The texts themselves are complemented by Explanatory Notes for the reader, and Textual Notes which include transcripts of Percy’s own annotations. The book concludes with a comprehensive bibliography. Contributors: John Withrington, Gillian Rogers, Elizabeth Darovic, Maldwyn Mills, Raluca Radulescu, Diane Speed, Marion Trudgill and Elizabeth Williams.

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The environmental setting within the Central Sahara was subject to considerable changes during Late Quaternary, mainly driven by major global climate variations, although human impact increased constantly since Early Holocene.Such global events can be reconstructed with the help of reliefs, sediments and palaeosoils and their specific morphological, chemical and mineralogical properties. The project’s focus is to ascertain new and established data on climate variations and associated palaeoenvironmental changes within the Central Sahara and to systematically collate and correlate them to results obtained from the Afro-Asian dry land belt and adjacent areas. The joint analysis of Late Quaternary landscape development and present environmental conditions in the Central Sahara will result in the modelling of Late Pleistocene and Holocene palaeoenvironments, emphasising various aspects. This book will be of interest to all concerned with environmental changes in desert ecosystems in the past and at present and related development problems of Saharan countries, especially Ecologists, Botanists, Earth scientists and Climatologists. It will be valuable for advanced undergraduates and postgraduates as a reference for review and overview articles as well as a source of information for new original manuscripts on the topic of Late Pleistocene and Holocene landscape evolution in the lower latitudes of Africa. Palaeobotanists, Palynologists, Geomorphologists and Quaternarists will equally find this edition useful for their work.

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Monsters, Animals, and Other Worlds is a collection of twenty-five medieval Japanese tales of border crossings and the fantastic, featuring demons, samurai, talking animals, amorous plants, and journeys to supernatural realms. The most comprehensive compendium of short medieval Japanese fiction in English, Monsters, Animals, and Other Worlds illuminates a rich world of literary, Buddhist, and visual culture largely unknown today outside of Japan.These stories, called otogizōshi, or Muromachi tales (named after the Muromachi period, 1337 to 1573), date from approximately the fourteenth through seventeenth centuries. Often richly illustrated in a painted-scroll format, these vernacular stories frequently express Buddhist beliefs and provide the practical knowledge and moral education required to navigate medieval Japanese society. The otogizōshi represent a major turning point in the history of Japanese literature. They bring together many earlier types of narrative—court tales, military accounts, anecdotes, and stories about the divine origins of shrines and temples––joining book genres with parlor arts and the culture of itinerant storytellers and performers. The works presented here are organized into three thematically overlapping sections titled, “Monsters, Warriors, and Journeys to Other Worlds,” “Buddhist Tales,” and “Interspecies Affairs.” Each translation is prefaced by a short introduction, and the book features images from the original scroll paintings, illustrated manuscripts, and printed books.

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The New Griffon volume 12 seeks to highlight several discoveries in a variety of areas and time periods: Father Konstantinos Terzopoulos explores 16 manuscripts of Byzantine chant; Leonora Navari presents the published works of Cardinal Bessarion, one of the heroes of Joannes Gennadius because of his active role in promoting the study of Hellenism in Italy; Cristina Pallini dissects an early hand-drawn map of Smyrna; Massimo Pinto considers the works of the 19th-century forger Constantinos Simonidis, a complete set of which was eagerly sought by Gennadius; Stephen Duckworth follows Edward Lear's wanderings on Crete through a careful study of his watercolors; American School Director Jack Davis analyzes topographical drawings connected with the presence of the French in the Peloponnesus in the early 19th century; Aliki Asvesta presents a wealth of information from the archive of cartographer Barbié du Bocage; Maria-Christina Chatziioannou explores the personal archive of Joannes Gennadius to paint a portrait of the Gennadeion's founder in the context of British society; and Eleftheria Daleziou examines the archives of Greek politician Ion Dragoumis, focusing on his exile on Corsica in the early 20th century. The volume is not all-inclusive, as the unique holdings of the Gennadeion could not possibly fit within the pages of a single issue of a journal. Our hope is that readers will be tempted to browse the Library's catalogue in person or online (www.gennadius.gr) in order to find their very own hidden treasures.

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This edition of the letters of Sir Walter Ralegh will replace the long out-of-print edition of Edward Edwards published in 1868. It contains the full text, in the original spelling, with modern punctuation, of all known surviving letters, 240 in all, compared with Edwards' 160, in most cases taken from the original manuscripts, many never before published. All are extensively annotated, many have been newly dated and corrected; there is a substantial Introduction by Joyce Youings. The letters help to reconcile the family man, never happier than when at home on his estate in the West Country, with one who is revered, especially in North America, as the founder and inspirer of English overseas settlement. They show him drawn both towards his native West Country, where he was not universally admired, and towards the Court at Westminster where lay the determination of the success or failure of his enterprises. Never before have we been able to get as near to understanding the strengths and weaknesses of one of the best-known figures of English history, the man who was both patriot and European; courtier and failed politician; soldier and poet; owner of ships and organiser of privateering ventures yet a reluctant sailor; greedy for personal wealth and social status but apparently ready to plead the case of the poor and disadvantaged.

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The young statesman’s first major prosecution.Cicero (Marcus Tullius, 106–43 BC), Roman lawyer, orator, politician and philosopher, of whom we know more than of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In his political speeches especially and in his correspondence we see the excitement, tension and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, delivered before the Roman people or the Senate if they were political, before jurors if judicial, fifty-eight survive (a few of them incompletely). In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters of which more than 800 were written by Cicero and nearly 100 by others to him. These afford a revelation of the man all the more striking because most were not written for publication. Six rhetorical works survive and another in fragments. Philosophical works include seven extant major compositions and a number of others; and some lost. There is also poetry, some original, some as translations from the Greek. The Loeb Classical Library edition of Cicero is in twenty-nine volumes.

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Cet hommage à la mémoire de Mgr Paul Canart († 14 septembre 2017), organisé par Michel Cacouros et Jacques-Hubert Sautel, regroupe douze contributions de ses collègues et amis; il explore les domaines dans lesquels Paul Canart s’est illustré, en prenant comme point de repère les manuscrits grecs, en particulier la confection du codex et son organisation en cahiers, la transmission des textes copiés et leur impact sur l’histoire de la culture à Byzance. Ainsi, certaines contributions se cantonnent au domaine de la codicologie (P. Andrist et M. Maniaci; J.-H. Sautel), d’autres portent sur la transmission de l’héritage antique à Byzance, dans le domaine proprement littéraire (M.-L. Agati), philosophique (M. Cacouros) ou scientifique (A. Tihon; R. Burri), ou encore sur celle de l’héritage biblique (K. Demoen, R. Ricceri et M. Tomadaki) et patristique (R. Ceulemans; P. Van Deun). Enfin, quelques-unes s’intéressent à l’histoire ancienne ou plus récente de Byzance (S. Voicu; J. Schamp) ou à la transmission de la culture antique ou chrétienne en Arménie (P. Cornil).

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Cet ouvrage présente l’editio princeps, d’après les manuscrits IB 11.128-136 de la Biblioteca Nazionale Vittorio Emanuele III de Naples, et M 578 du Morgan Library and Museum de New York, de la version copte d’un grec transmis sous le titre de Discours sur le très beau Joseph. Ce Discours appartient au corpus de l’«Éphrem grec», qui regroupe un grand nombre de textes attribués à Éphrem le Syrien, dont la plupart sont considérés comme inauthentiques. Par son contenu, le Discours s’inscrit dans le cadre de la littérature juive et chrétienne relative au patriarche Joseph, qui développe les chapitres 37 et 39 à 50 du livre de la Genèse. Il ne peut toutefois être identifié à aucune autre production littéraire connue consacrée au patriarche. Par le nombre et la diversité des témoins qui l’attestent, le Discours sur le très beau Joseph est parfaitement représentatif des problèmes critiques posés par la transmission et l’édition de l’Éphrem grec.

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Vicente Millán Torres (Córdoba, 1970), es lingüista, antropólogo e historiador, y miembro del Laboratoire de Dèclassement Comparé (París). Durante sus investigaciones ha recorrido Pakistán, Afganistán, Irán y Líbano, antes de centrarse a partir de 1995 en la Curva del Níger (Malí), convirtiéndose en el primer andaluz tras más de cuatro siglos que tomó contacto con las poblaciones donde hoy día permanecen grupos originarios de la diáspora andaluza. Gracias a ello tuvo la ocasión de acceder a los primeros manuscritos del actual Fondo Kati. Sus publicaciones giran en torno a etno-lingüística, antropología e historia de la diáspora andaluza en África Occidental. Adelina Cano Fernández (Córdoba, 1978), Doctora por la Universidad de Córdoba, arqueóloga, historiadora del Arte especializada en historiografía de los siglos XVI, XVII y XVIII y en la actualidad Archivera Municipal de Belmez (Córdoba). Desde 1999 ha centrado sus labores de investigación en el destino de la diáspora andaluza en Áfr

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Este volumen de las Obras completas de San Agustín, con el que se pone fin a la colección, quiere ofrecer a los estudiosos y lectores una muestra de la amplísima literatura que a lo largo de los siglos, en especial durante la Edad Media, ha venido utilizando el pensamiento, la doctrina de San Agustín, a través de alguna de sus obras o de colecciones y extractos de sus textos. Además, se han editado libros manuscritos e impresos, sin que se declare el autor que los ha recogido, y par lo tanto figuran anónimos, atribuidos a San Agustín, como protegidos con su autoridad indiscutible, pero que al no ser escritos por él están entre los libros pseudo-agustinianos, llamados apócrifos o atribuidos. Este volumen presenta, pues, catorce obras de distintas épocas como muestra de esa influencia larguísima de San Agustín, leído, interpretado, y a veces expoliado con difusión fragmentaria y popular.

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Entre dos fuegos (1928) es un drama popular. Un arma de penetración cultural e ideológica. Un alegato libertario en el amor y la política. Escrito por un representante del pueblo. Y representado por el pueblo. Ahí radica su extraordinaria fuerza literaria. No se trata de una obra costumbrista al estilo de las quinteradas. Tampoco encuentra paralelismo con el posterior teatro lorquiano, ni siquiera con las acciones pedagógicas de La Barraca. Es una pieza singular dentro del teatro popular y comprometido de la época, con escasos ejemplos similares de denuncia social y política creados por y para el pueblo, que rezuma valentía por el tiempo en que se escribe y por el lugar donde se representa. La actitud vital del autor recuerda al activismo literario de los revolucionarios franceses de La Comuna (Jules Vallès o Émile Zola), al compromiso de Blas Infante o Miguel Hernández. El manuscrito se halló en el Archivo Municipal de Córdoba, fue editado por primera vez en 2007 y representado ochent

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Año del Señor 1503. Un mercader veneciano aparece estrangulado en su habitación, en el castillo de Gorizia. El administrador de la ciudad quiere encontrar al responsable del crimen y pone al cargo de la investigación a Tiberio di Castro, un apoticario romano exiliado. Junto con la hija de la víctima, la fascinante y docta Isabella, y un misterioso fraile, Tiberio emprende una investigación que lo pone sobre la pista de una antiquísima civilización. Para encontrar al asesino y recuperar un valioso manuscrito, el apoticario deberá enfrentarse a las incursiones de los turcos y desenmascarar falsos demonios, en una arriesgada huída por las costas de Istria hasta la República de Venecia. Mientras, en Roma, fallece el papa maldito, Alejandro VI, y una oscura fuerza despeja el camino para que se cumpla una inquietante profecía...Ante él se materializaron fragmentos de una realidad que aún no era más que un sueño, una posibilidad. Y en cambio, conseguía visualizarla: la cadena de acontecimi

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The studies in this volume all deal with images and texts that relate to the veneration of the saints in Byzantium after the 9th century. Some papers are devoted to the church calendar and the annual commemorations of hundreds of saints through liturgical poetry and sequences of isolated images in fresco, icon painting and illuminated manuscripts. Others are concerned with the longer and rarer, narrative cycles devoted to the life of a single saint, cycles found mainly in fresco and on the so-called vita icons that first appear in the East in the late 12th century. Additional studies deal with the developing role of icons in liturgical ceremonies, and with images of a saint being approached by a supplicant or patron. A final section is devoted to places made holy by the saints, and to their holy relics.

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This is a critical edition of the Kramapatha and Jatapatha forms of recitational permutations of several sections of the Saunakiya Atharvaveda available in six rare manuscripts found in Pune, India. Such recitational variations for the Atharvaveda are no longer available in the surviving oral tradition in India, and hence the texts, critically edited here, provide rare access to these materials. Some of these recitational variations are defined in the ancient text, Saunakiya Caturadhyayika, which was recently published in a critical edition in Harvard Oriental Studies (vol. 52, 1997). The texts offered here allow scholars to compare the recitational tradition of the Atharvaveda with those of other Vedas, which are still available in the surviving oral tradition. The edition has a detailed introduction that investigates the historical origins, development, and significance of these recitational permutations.

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During his lifetime, the sounds of Handel’s music reached from court to theatre, echoed in cathedrals and filled crowded taverns. But the man himself is a mystery. Though he took meticulous care of his musical manuscripts and provided for their preservation in his will, very little of an intimate nature survives. In search of the private man behind the public persona, Ellen T. Harris has tracked down the letters, diaries, financial accounts, court cases and other documents connected with the composer’s closest friends. The result is a tightly woven tapestry of London life in the first half of the eighteenth century, one that weaves together vibrant descriptions of Handel’s music with stories of loyalty, cunning and betrayal. With this new approach, Harris reveals an ambitious, shrewd, generous, brilliant and flawed man.

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The Journal of the International Qur'anic Studies Association (JIQSA) is a peer reviewed annual journal published on behalf of the International Qur'anic Studies Association, a nonprofit learned society for scholars of the Qur'an. JIQSA welcomes article submissions that explore the Qur'an's origins in the religious, cultural, social, and political contexts of Late Antiquity; its connections to various literary precursors, especially the scriptural and parascriptural traditions of older religious communities; the historical reception of the Qur'an in the West; the hermeneutics and methodology of qur'anic exegesis and translation (both traditional and modern); the transmission and evolution of the textus receptus; Qur'an manuscripts and material culture; and the application of various literary and philological modes of investigation into qur'anic style, compositional structure, and rhetoric.

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In a provocative attempt to outline a history of communication during the Spanish Golden Age, Communication, Knowledge, and Memory in Early Modern Spain examines how speech, visual images, and written texts all interact as manifestations of the human desire to know and remember. Seeking to address the reductive opposition both between written and oral texts and between script and print in the Early Modern period, Fernando Bouza, one of Spain's most influential cultural historians, makes an elegant case for the equality and complementary natures of the various modes of communication. While the advent of printing is commonly thought to have resulted in the demise of the manuscript, Bouza upholds that the progress of textual culture in all its forms did not undermine the importance of other mediums of knowledge. The history of the book and of reading is often considered separately from the history of the uses of writing and speech, but according to Bouza, the boundaries between the spheres are artificial constructions that fail to honor the realities of the transfer of knowledge and information. While recognizing that reading and writing belong to two distinct models of acculturation, Bouza refuses to accept the myth that has identified rationality and modernity with written culture only, while the languages of images and the practices of orality are relegated to the past. Considering the uses of text, image, and speech in social settings ranging from the most humble to the most aristocratic, he argues that orality is as strongly present in the world of the court as in popular milieux, that the image was put to uses both naive and learned, and that writing—far from a privilege of the powerful—touched the lives of even the illiterate. This original and brilliant book is bound to transform current understandings of the intellectual practices of the Golden Age.

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Catherine McAuley (1778–1841), the founder of the Sisters of Mercy in 1831, frequently gave oral instructions to the first Mercy community. Though she sometimes spoke explicitly about their religious vows, her words were always focused on the life, example, teachings, and evangelic spirit of Jesus Christ, emphasizing “resemblance” to him and fidelity to the calls of the Gospel. Her instructions have, therefore, a broad present-day relevance that can be inspiring and encouraging for all Christians. They are the “shining” words of a companion, a soul-friend, who offers guiding light to those who wend their pilgrim way toward the full embrace of God’s merciful reign. These instructions were initially written down, insofar as that was humanly possible, by sisters who were actually present and listening as she spoke. Some of their manuscripts were later copied into the long manuscript compilation that is the centerpiece of this book. Research also indicates that in preparing and giving her lectures, Catherine often relied on the content of previously published spiritual books, including works by Alphonsus Rodriguez, SJ, Louis Bourdaloue, SJ, and other well-known spiritual writers of the eighteenth and earlier centuries. The book’s endnotes illustrate this dependence. Catherine McAuley’s voice in these instructions is realistic, down-to- earth, humble, and compassionate. She is clearly dead-set against “froth” and “mere outward show” in one’s spiritual life. Like the practical Saint Teresa of Avila, whose life and thought she studied, she favors surrendering oneself now, with God’s help, to “ordinary,” every-day, possible holiness, rather than simply dreaming about extraordinary, but perhaps impossible, future sanctity. Her themes are some of the great themes of the Gospel: genuine humility and poverty of spirit, universal charity, self-denial, taking up one’s “cross,” and following Jesus Christ.

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Yeats, Philosophy, and the Occult is a collection of essays examining the thought of the Irish poet W. B. Yeats and particularly his philosophical reading and explorations of older systems of thought, where philosophy, mysticism, and the supernatural blend. It opens with a broad survey of the current state of Yeats scholarship, which also includes an examination of Yeats’s poetic practice through a manuscript of the original core of a poem that became a work of philosophical thought and occult lore, “The Phases of the Moon.” The following essay examines an area where spiritualism, eugenic theory, and criminology cross paths in the writings of Cesare Lombroso, and Yeats’s response to his work. The third paper considers Yeats’s debts to the East, especially Buddhist and Hindu thought, while the fourth looks at his ideas about the dream-state, the nature of reality, and contact with the dead. The fifth essay explores Yeats’s understanding of the concept of the Great Year from classical astronomy and philosophy, and its role in the system of his work A Vision, and the sixth paper studies that work’s theory of “contemporaneous periods” affecting each other across history in the light of Oswald Spengler’s The Decline of the West. The seventh essay evaluates Yeats’s reading of Berkeley and his critics’ appreciation (or lack of it) of how he responds to Berkeley’s idealism. The book as a whole explores how Yeats’s mind and thought relate to his poetry, drama, and prose, and how his reading informs all of them.

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The best-known literary achievement of Anglo-Saxon England, Beowulf is a poem concerned with monsters and heroes, treasure and transience, feuds and fidelity. Composed sometime between 500 and 1000 C.E. and surviving in a single manuscript, it is at once immediately accessible and forever mysterious. And in Craig Williamson's splendid new version, this often translated work may well have found its most compelling modern English interpreter. Williamson's Beowulf appears alongside his translations of many of the major works written by Anglo-Saxon poets, including the elegies "The Wanderer" and "The Seafarer," the heroic "Battle of Maldon," the visionary "Dream of the Rood," the mysterious and heart-breaking "Wulf and Eadwacer," and a generous sampling of the Exeter Book riddles. Accompanied by a foreword by noted medievalist Tom Shippey on Anglo-Saxon history, culture, and archaeology, and Williamson's introductions to the individual poems as well as his essay on translating Old English, the texts transport us back to the medieval scriptorium or ancient mead hall to share an exile's lament or herdsman's recounting of the story of the world's creation. From the riddling song of a bawdy onion that moves between kitchen and bedroom, to the thrilling account of Beowulf's battle with a treasure-hoarding dragon, the world becomes a place of rare wonder in Williamson's lines. Were his idiom not so modern, we might almost think the Anglo-Saxon poets had taken up the lyre again and begun to sing after a silence of a thousand years.

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“Sinatra with a cold is Picasso without paint, Ferrari without fuel—only worse. For the common cold robs Sinatra of that uninsurable jewel, his voice, cutting into the core of his confidence.” — Gay Talese In the winter of 1965, writer Gay Talese set out for Los Angeles with an assignment from Esquire to write a major profile on Frank Sinatra. When he arrived, he found the singer and his vigilant entourage on the defensive: Sinatra was under the weather, not available, and not willing to be interviewed. Undeterred, Talese stayed, believing Sinatra might recover and reconsider, and used the meantime to observe the star and to interview his friends, associates, family members, and hangers-on. Sinatra never did grant the one-on-one, but Talese’s tenacity paid off: his profile Frank Sinatra Has a Cold went down in history as a tour de force of literary nonfiction and the advent of New Journalism. In this illustrated edition, Frank Sinatra Has a Cold is published with an introduction by Talese, reproductions of his manuscript pages, and correspondence. Interwoven are photographs from the legendary lens of Phil Stern, the only photographer granted access to Sinatra over four decades, as well as from top photojournalists of the ’60s, including John Bryson, John Dominis, and Terry O’Neill. The photographs complement Talese’s character study, painting an incisive portrait of Sinatra in the recording studio, on location, out on the town, and with the eponymous cold, which reveals as much about a singular star persona as it does about the Hollywood machine.

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Now in paperback, this corrected text is based on the earliest sources and represents the most accurate and readable edition of the Book of Mormon ever published"The product of over two decades of painstaking labor by Royal Skousen . . . this Yale edition aims to take us back to the text Smith envisioned as he translated, according to the faithful, from golden plates that he unearthed in upstate New York."—Stephen Prothero, Wall Street Journal“Will forever change the way Latter-day Saints approach modern scripture. Two hundred years from now… students of the Book of Mormon will still be poring over Skousen’s work. What he has accomplished is nothing short of phenomenal.”—Grant Hardy, Journal of Book of Mormon Studies First published in 1830, the Book of Mormon is the authoritative scripture of the Church of Jesus Christ of Latter-day Saints. Over the past thirty years, editor Royal Skousen has pored over Joseph Smith’s original manuscripts and earliest editions and identified about 2,250 textual errors, although many of these discrepancies stem from inadvertent errors in copying and typesetting the text. The first edition of The Book of Mormon: The Earliest Text, published in 2009 to critical acclaim, contained over 600 corrections that had never before appeared in any standard edition of the Book of Mormon, with about 250 of them affecting the text’s meaning. This revised, second edition, issued in paperback, includes additional corrections as well as an illuminating new introduction by Royal Skousen. It will provide a portable, accessible version of this important text.

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Evergreen-the long-time home of the Garrett family in north Baltimore-offers a preeminent example of antebellum-American Italianate architecture. It also houses a remarkably diverse collection of over 50,000 objects, including paintings, furniture, sculpture, ceramics, and rare books. Acquired by two generations of the prominent Garrett family, self-described "collectors by instinct and by education," the assemblage of fine and decorative arts is remarkable in scope and inventiveness. Now part of the Johns Hopkins University, the mansion endures as a rare visual encyclopedia, representative of nearly all major architectural and design movements indicative of America's transition from a predominantly agrarian society to a world industrial power. This meticulously researched and handsomely illustrated volume honors the distinct and richly layered collections that characterize Evergreen. The book opens with a history of the philanthropic family itself, which helped run the Baltimore & Ohio Railroad and develop many of the Monument City's most important civic and cultural institutions. Tracing their evolution as collectors and philanthropists, the book charts the family's artistic tastes and aesthetic sensibilities from the Gilded Age to the World Wars while also describing the physical landscape and architecture of Evergreen. The Asian Art section explores the world renowned Garrett Collection of Chinese and Japanese art. As one of the earliest American collections of Japanese art assembled, it provides an important insight into collecting habits of the late nineteenth and early twentieth centuries. Among its highlights is one of only a half dozen examples of blue lacquer known to exist, as well as examples of Chinese Imperial porcelain. The Decorative Arts section highlights the furniture, textiles, and other applied arts largely commissioned or collected by the Garretts. Beginning with the Aesthetic Movement of the 1880s and the talents of renowned design firms such as Herter Brothers, Liberty & Company, and Louis C. Tiffany and Company, Evergreen's interiors have embraced each succeeding decorative trend-including the Bourbon, Colonial, Empire, and Renaissance revivals, the Arts and Crafts movement, and European modernism. The Fine Arts section showcases modernist art assembled by Alice Warder Garrett and her husband, Ambassador John Work Garrett. Credited as the first Baltimore "gallery" to exhibit a Picasso, Evergreen's collection of drawings, paintings, and sculpture document the couple's aesthetic appreciation and connoisseurship, which began at the threshold of World War I. Included are works by such artists as Pierre Bonnard, Jean-Edouard Vuillard, Leon Bakst, Miguel Covarrubias, Raoul Dufy, Herbert Haseltine, Amedeo Modigliani, and Ignacio Zuloaga. Evergreen's John Work Garrett Library, built between the years immediately following the American Civil War and World War II, ranks among the most extensive private American collections of its kind from that period. Highlights include a recently discovered and ambitious rare book desiderata manuscript from the headiest period of John Work Garrett's book collecting in 1929; an original John James Audubon engraved metal plate for his double-elephant folio Birds of America, a complete copy of which is also held by the library; the Garrett Zafarnama, a sumptuously illustrated fifteenth-century Persian illuminated manuscript by the renowned artist Bihzad; and all four seventeenth-century folios of Shakespeare's collected plays. A celebration of one of Baltimore's grandest nineteenth-century mansions, Evergreen reveals fascinating life stories through the richly preserved family archive and the historical context that remains through Evergreen's evolving architectural spaces and growing collections. This volume will appeal to art collectors and lovers of historic houses, museums, and libraries, as well as readers fascinated by the intersection of art and architecture, literature and history, and the history of ideas and collecting.

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When Raymond E. Brown died in 1998, less than a year after the publication of his masterpiece, An Introduction to the New Testament, he left behind a nearly completed revision of his acclaimed two-volume commentary on the Gospel of John. The manuscript, skillfully edited by Francis J. Moloney, displays the rare combination of meticulous scholarship and clear, engaging writing that made Father Brown’s books consistently outsell other works of biblical scholarship. An Introduction to the Gospel of John represents the culmination of Brown’s long and intense examination of part of the New Testament. One of the most important aspects of this new book, particularly to the scholarly community, is how it differs from the original commentary in several important ways. It presents, for example, a new perspective on the historical development of the Gospels, and shows how Brown decided to open his work to literary readings of the text, rather than relying primarily on the historical, which informed the original volumes. In addition, there is an entire section devoted to Christology, absent in the original, as well as a magisterial new section on the representation of Jews in the Gospel of John.

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The continued influence and significance of the legend of Arthur are demonstrated by the articles collected in this volume. The enduring appeal and rich variety of the Arthurian legend are once again manifest here. Chrétien's Erec et Enide features first in a case study of the poet's endings and medieval theories of poetic composition. Next follows an essay that comes to the rather surprising-but- convincing conclusion that the "traitor" spoken of in the opening lines of Sir Gawain and the Green Knight is neither Aeneas nor Antenor, but Paris. Another essay dealing with Sir Gawain, this time in Malory's Morte Darthur, offers among other things an answer to the question of how Gawain knows the exact hour of his death. Few native Irish Arthurian tales have come down to us: a discussion of "The Tale of the Crop-Eared Dog" shows it to be both bizarre and popular, as witnessed by the many manuscripts in which it is preserved. The materiality of the Arthurian legend is represented here by a detailed treatment of the lead cross supposedly found in the grave of King Arthur at Glastonbury Abbey in 1191. Finally, this volume continues Arthurian Literature's tradition of publishing unfamiliar or previously unknown Arthurian texts, in this instance an original Middle English translation of the story of the sword in the stone, from the Old French Merlin. ELIZABETH ARCHIBALD is Professor of English Studies at Durham University, and Principal of StCuthbert's Society; DAVID F. JOHNSON is Professor of English at Florida State University, Tallahassee. Contributors: Lindy Brady, David Carlton, Neil Cartlidge, Nicole Clifton, Oliver Harris, Richard Moll, Rebecca Newby.

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First full comprehensive guide to one of the most important genres of music in the Middle Ages. Motets constitute the most important polyphonic genre of the thirteenth and fourteenth centuries. Moreover, these compositions are intrinsically involved in the early development of polyphony. This volume - the first to be devotedexclusively to medieval motets - aims to provide a comprehensive guide to them, from a number of different disciplines and perspectives. It addresses crucial matters such as how the motet developed; the rich interplay of musical,poetic, and intertextual modes of meaning specific to the genre; and the changing social and historical circumstances surrounding motets in medieval France, England, and Italy. It also seeks to question many traditional assumptions and received opinions in the area. The first part of the book considers core concepts in motet scholarship: issues of genre, relationships between the motet and other musico-poetic forms, tenor organization, isorhythm, notational development, social functions, and manuscript layout. This is followed by a series of individual case studies which look in detail at a variety of specific pieces, compositional techniques, collections, and subgenres. JARED C. HARTT is Associate Professor of Music Theory at the Oberlin College Conservatory of Music. Contributors: Margaret Bent, Jacques Boogaart, Catherine A. Bradley, Alice V. Clark, Suzannah Clark, KarenDesmond, Lawrence Earp, Sarah Fuller, John Haines, Jared C. Hartt, Elizabeth Eva Leach, Dolores Pesce, Gaël Saint-Cricq, Jennifer Saltzstein, Matthew P. Thomson, Stefan Udell, Anna Zayaruznaya, Emily Zazulia

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In a remote Himalayan village in 1721, the Jesuit priest Ippolito Desideri awaited permission from Rome to continue his mission to convert the Tibetan people to Christianity. In the meantime, he forged ahead with an ambitious project: a treatise, written in classical Tibetan, that would refute key Buddhist doctrines. If he could convince the Buddhist monks that these doctrines were false, thought Desideri, he would dispel the darkness of idolatry from Tibet.Offering a fascinating glimpse into the historical encounter between Christianity and Buddhism, Dispelling the Darkness brings Desideri’s Tibetan writings to readers of English for the first time. This authoritative study provides extended excerpts from Inquiry concerning the Doctrines of Previous Lives and Emptiness, Desideri’s unfinished masterpiece, as well as a full translation of Essence of the Christian Religion, a companion work that broadens his refutation of Buddhism. Desideri possessed an unusually sophisticated understanding of Buddhism and a masterful command of the classical Tibetan language. He believed that only careful argumentation could demolish the philosophical foundations of Buddhism, especially the doctrines of rebirth and emptiness that prevented belief in the existence of God. Donald Lopez and Thupten Jinpa’s detailed commentary reveals how Desideri deftly used Tibetan literary conventions and passages from Buddhist scriptures to make his case.When the Vatican refused Desideri’s petition, he returned to Rome, his manuscripts in tow, where they languished unread in archives. Dispelling the Darkness brings these vital texts to light after centuries of neglect.

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To the abdominal surgeon a first successful Whipple procedure is what a first combat mission is to the fighter pilot: a symbol of competence -- the fruits of prolonged training. Not many surgeons managed to incorporate their names into a commonly used eponym; Allen Whipple did and so became immortalised as a household name to surgeons world-wide. Yet, little has been known and written about Whipple, the great American surgeon -- the person and his other interests. This is what this book is about: an edited version of Whipple's previously unpublished memories, which until now -- for more than forty years -- has collected dust. In these pages the retired Whipple describes the journey of his life from the very beginning in Persia, where he was born, to the very end in New Jersey where he died. He provides snap shots of himself, his family and friends, his colleagues, and the changing times in which he lived. The editors have abbreviated the original manuscript by a third and have added footnotes and illustrations. An introduction and 'end page' adds perspective to the memoirs. It has been said "God put the pancreas in the back because he did not want surgeons messing with it". Allen Whipple had the courage to mess with the pancreas and to show us how to mess with it successfully. But what kind of man was he and how did he arrive at his achievements? Find out in this book.

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Jacob and Wilhelm Grimm were pioneers in the field of folklore, collecting stories through Germany’s rich oral tradition in order to preserve a history that might otherwise have been lost forever. In doing so, they popularized some of today’s most enduring fairy tales. “The Frog Prince; or, Iron Henry” was the first tale in the 1812 edition of Grimms’ Fairy Tales (Kinder- und Hausmärchen). It tells the story of a spoiled princess who reluctantly befriends a frog who, unbeknownst to her, is actually a prince under a sorcerer’s spell. In the original tale, the curse is lifted when the princess throws the frog against a brick wall in anger, but in later years the Brothers Grimm sanitized the story, turning it into the tale we know today. The Grimms’ impact was so profound that it is hard to imagine a world without these stories as they continue to be passed down through generations. We are honoured to reproduce this manuscript from the Bodmer

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The Rhetorical Arts in Late Antique and Early Medieval Ireland represents the first study of the art of rhetoric in medieval Ireland, a culture often neglected by medieval rhetorical studies. In a series of three case studies, Brian James Stone traces the textual transmission of rhetorical theories and practices from the late Roman period to those early Irish monastic communities who would not only preserve and pass on the light of learning, but adapt an ancient tradition to their own cultural needs, contributing to the history of rhetoric in important ways. The manuscript tradition of early Ireland, which gave us the largest body of vernacular literature in the medieval period and is already appreciated for its literary contributions, is also a site of rhetorical innovation and creative practice.

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This volume collects together the scattered quotations of the Greek writers of the sixth to the fourth centuries BC who first recorded in prose the tales of Greek mythology (the 'mythographers'). Volume 1 is an edition of the texts, whilst Volume 2, which provides the commentary, will follow in a couple of years' time. Here Professor Fowler presents new texts of Hekataios' Genealogies, Akousilaos, Pherekydes of Athens, the mythographical works of Hellanikos, Andron of Halikarnassos, pseudo-Epimenides, Herodoros, and many other ancient Greek mythographers. The texts are based on a fresh examination of manuscripts and papyri, particularly of the minor scholia to Homer. Read together for the first time, these texts represent an important and understudied genre of early Greek literature.

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The Anglo-Saxon period was crucial to the development of the English landscape, but is rarely studied. The essays here provide radical new interpretations of its development. Traditional opinion has perceived the Anglo-Saxons as creating an entirely new landscape from scratch in the fifth and sixth centuries AD, cutting down woodland, and bringing with them the practice of open field agriculture, and establishing villages. Whilst recent scholarship has proved this simplistic picture wanting, it has also raised many questions about the nature of landscape development at the time, the changing nature of systems of land management, and strategies for settlement. The papers here seek to shed new light on these complex issues. Taking a variety of different approaches, and with topics ranging from the impact of coppicing to medieval field systems, from the representation of the landscape in manuscripts to cereal production and the type of bread the population preferred, they offer striking new approaches to the central issues of landscape change across the seven centuries of Anglo-Saxon England, a period surely foundational to the rural landscape of today. NICHOLAS J. HIGHAM is Professor of Early Medieval and Landscape History at the University of Manchester; MARTIN J. RYAN lectures in Medieval History at the University of Manchester. Contributors: Nicholas J. Higham, Christopher Grocock, Stephen Rippon, Stuart Brookes, Carenza Lewis, Susan Oosthuizen, Tom Williamson, Catherine Karkov, David Hill, Debby Banham, Richard Hoggett, Peter Murphy.

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Die sumerische Erzählung von Enmerkara und dem Herrn von Arata ist Teil des thematisch orientierten Uruk-Zyklus, der die Vormacht Sumers Ã"ber den fernen, an Rohstoffen reichen Osten beschreibt und zelebriert. Den Kern der Geschichte bildet ein intellektueller Wettstreit, durch welchen Enmerkara, der mächtige Herr von Uruk, und sein östlicher Widerpart, der namenlose Herr der legendären Statt Arata, um die Gunst der ihnen gemeinsamen Göttin Innana buhlen. Das rhetorische Meisterwerk besticht durch seinen Unterhaltungswert. Die subtil gezeichneten Charaktere der beiden Kontrahenten und die wortgewandten Dialoge lassen fÃ"r den Adressaten des Textes in keinem Moment Zweifel an der Ãbermacht Enmerkaras aufkommen, und die unbeholfenen, bisweilen gar komisch anmutenden Reaktionen des Herrn von Arata tragen nicht minder zu diesem Bild bei. Die insgesamt 637 Zeilen von Enmerkara und der Herr von Arata sind in 23 Manuskripten der altbabylonischen Zeit Ã"berliefert. Sie werden hier in Form einer Partitur mit rekonstruiertem Text, Ãbersetzung, Kommentar und zum Teil auch in Kopie vorgelegt. Die Einleitung bietet eine Textanalyse, in der neben der Struktur und dem Inhalt der Erzählung auch die Protagonisten und der geographische Rahmen des Geschehens untersucht werden.

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The Well-Laden Ship (Fecunda ratis) is an early eleventh-century Latin poem composed of ancient and medieval proverbs, fables, and folktales. Compiled by Egbert of Liège, it was planned as a first reader for beginning students. This makes it one of the few surviving works from the Middle Ages written explicitly for schoolroom use. Most of the content derives from the Bible, especially the wisdom books, from the Church Fathers, and from the ancient poets, notably Vergil, Juvenal, and Horace; but, remarkably, Egbert also included Latin versions of much folklore from the spoken languages. It features early forms of nursery rhymes (for example, "Jack Sprat"), folktales (for instance, various tales connected with Reynard the Fox), and even fairytales (notably "Little Red Riding Hood"). The poem also contains medieval versions of many still popular sayings, such as "Don't look a gift horse in the mouth," "When the cat's away, the mice will play," and "The apple doesn't fall far from the tree." The Well-Laden Ship, which survives in a single medieval manuscript, has been edited previously only once (in 1889) and has never been translated. It will fascinate anyone interested in proverbial wisdom, folklore, medieval education, or medieval poetry.

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This book brings a medley of over 1500 aphorisms, quotations, and rules -- by surgeons and non-surgeons -- about surgery, surgeons and anything which may be relevant to the practice of surgery. It should gratify all potential tastes as the book includes ancient as well as contemporary entries, formal and colloquial, pronounced by surgical giants or anonymous -- only guide by the prerequisite that the entry appeals to the surgical soul. Readers will probably use the book to decorate their lectures or manuscripts with relevant 'smart' or 'entertaining' entries.

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This innovative Research Handbook brings together leading international law scholars from around the world to discuss and highlight the contemporary debate regarding issues of conflict prevention and the legality of resorting to the use of armed force through to those arising during an armed conflict and in the phase between conflict and peace.The Handbook covers key conceptual topics drawn from across the three areas of jus ad bellum, jus in bello and jus post bellum. The subject matter of the included chapters range from conflict prevention through to reparation and compensation, via coverage of issues such as disarmament, the role of the Security Council, self-defense, humanitarian intervention and the responsibility to protect, targets, war crimes, private military contractors, peacekeeping, and the protection of human rights.Being the first to examine topics under these areas in one volume, the book will be of interest to scholars, academics, postgraduate and research students as well as government lawyers from various disciplinary backgrounds looking for a contemporary grounding in issues under the broad theme of international conflict and security law.Contributors: C. Bell, R. Cryer, C. De Cock, C. Gray, V. Hadzi-Vidanovic, M. Happold, C. Henderson, K. Hulme, D. Kritsiotis, C. Lehnardt, K. Manusama, M. Milanovic, M.E. O'Connell, A. Orakhelashvili, N. Ronzitti, T. Ruys, M. Sossai, N. Tsagourias, D. Turns, N.D. White, R. Wilde

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Born in Jedburgh in 1780, Mary Fairfax was the daughter of one of Nelson's captains, and in common with most girls of her time and station she was given the kind of education which prizes gentility over ability. Nevertheless, she taught herself algebra in secret, and made her reputation in celestial mechanics with her 1831 translation of Laplace's Mécanique céleste as The Mechanism of the Heavens.As she was equally interested in art, literature and nature Somerville's lively memoirs give a fascinating picture of her life and times from childhood in Burntisland to international recognition and retirement in Naples. She tells of her friendship with Maria Edgeworth and of her encounters with Scott and Fenimore Cooper. She remembers comets and eclipses, high society in London and Paris, Charles Babbage and his calculating engine, the Risorgimento in Italy and the eruption of Vesuvius.Selected by her daughter and first published in 1973, these are the memoirs of a remarkable woman who became one of the most gifted mathematicians and scientists of the nineteenth century. Oxford's Somerville College was named after her, and the present volume, re-edited by Dorothy McMillan, draws on manuscripts owned by the college and offers the first unexpurgated edition of these revelatory writings.

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