Search results for ""author manus"

A classic grand tour of Southern folk art, from Howard Finster to Lonnie Holley Walks to the Paradise Garden is the last unpublished manuscript of the late American poet, photographer, publisher, Black Mountain alumnus and bon viveur Jonathan Williams (1929–2008). This 352-page book chronicles Williams' road trips across the Southern United States with photographers Guy Mendes and Roger Manley in search of the most authentic and outlandish artists the South had to offer. Williams describes the project thus: "The people and places in Walks to the Paradise Garden exist along the blue highways of America.… We have traveled many thousands of miles, together and separately, to document what tickled us, what moved us, and what (sometimes) appalled us." The majority of these road trips took place in the 1980s, a pivotal decade in the development of Southern "yard shows," and many of the artists are now featured in major institutions. This book, however, chronicles them at the outset of their careers and provides essential context for their inclusion in the art historical canon. Taking its name from the famous artwork by Howard Finster, Walks to the Paradise Garden brings to light rare images and stories of Southern artists and creators who existed in near anonymity during the last half of the 20th century. Organized in chapters devoted to each artist, the book features Banner Blevins, Henry Dorsey, Sam Doyle, Howard Finster, Lonnie Holley, Ralph Eugene Meatyard, Sister Gertrude Morgan, William C. Owens, Vollis Simpson, Edgar Tolson and Jeff Williams, among many others.

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The first ever edition of The Tea-Table Miscellany, the seminal collection in defining eighteenth-century Scottish song Detailed examination of the musical archaeology for each of the songs, providing for the first time comprehensive antecedents for almost all the songs in this critical contribution to the establishment of a Scottish song 'tradition' Uniquely comprehensive survey of early sources for the tunes of Ramsay's songs Detailed collation of texts against all extant manuscript sources and relevant printed editions and comprehensive explanatory annotations offering new insights into Ramsay's cultural, historical, political, literary and theatrical contexts This edition of The Tea-Table Miscellany is the first ever produced, bringing together the four volumes of this collection of songs published between 1723 and 1737. The Tea-Table Miscellany combines traditional Scottish song, works by Allan Ramsay and his contemporaries, together with material from D'Urfey, Playford and the English stage and broadside, in a collection of 399 songs. This edition offers, for the first time, annotations, background, and a study of origins for all the songs and tunes examining both Ramsay's categorisation of the authorship and origin of the song texts and tunes to which it was most likely he was referring. As such, the edition consists of a detailed introduction, the clearly presented song texts, notes on the songs that identify both their print and musical antecedents, musical illustrations that show major variations in the contemporary tunes with which the songs are associated, illustrations of the title pages, and the main design features and ornaments used in Ruddiman's original edition.

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In 2002, an amateur Jane Austen scholar, while staying at a Hertfordshire estate, stumbled upon a hidden cache of manuscript pages and made an extraordinary literary discovery - lost scenes from Jane Austen's novels that reveal an altogether different dimension to her oeuvre.Pride and Prejudice's Bingley sisters appear as Sapphic seductresses; Mansfield Park's incest subtext becomes manifest; and Darcy gets more than his shirt wet. This incisive parody of academic study is sure to astonish and delight mischievous Austenites.

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Albert of Saxony was one of the great logicians of the Middle Ages, on a par with William Ockham and John Buridan. The Twenty-Five Disputed Questions on Logic treat of central issues in logic, both then and now, such as the nature of meaning, of universals, of truth, and of tense and modality; and the quality and quantity of propositions, the role of negation, and the relations of contradiction and equivalence between them. Dr. Fitzgerald has studied Albert's work extensively, and previously edited the Twenty-Five Disputed Questions from the original manuscripts. This translation makes available for the first time in English this careful and exemplary examination of logical notions by an outstanding medieval thinker.

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Ces cinq études militaires résultent essentiellement de développements présentés dans le manuscrit doctoral de l’auteur, L’Armée du royaume de Macédoine à l’époque hellénistique (323-148 av. J.-C.). Les troupes « nationales », présenté en Sorbonne le 11 janvier 2007. L’idée première avait été de les publier sous forme d’articles. Mais ce projet se heurtait à une difficulté. Ces textes se faisant écho, il s’avèrerait difficile d’attendre la diffusion du premier d’entre eux pour présenter les suivants tout en faisant exactement référence à un voire à plusieurs textes en cours de publication. Aussi apparut-il qu’il valait mieux les réunir en un recueil dont la cohérence serait assurée par un thème commun : l’histoire et l’archéologie militaire de l’époque hellenistique, tout particulièrement dans le cadre de la Macédoine des Antigonides.

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The manuscript (CLLA 352) came from the Abbey of Silos. After the monastery's suppression in 1835 the library was kept together for a time by the last abbot, Dom Rodrigo Echevarria, afterwards Bishop of Segovia, but in 1878 the library was sold in Paris and divided between the British Museum Library and the Bibliotheque Nationale. Some books, of course, escaped, and were restored to the French Benedictines who repopulated Silos. This MS most probably dates from the eleventh century. Gilson's work includes the sections for the Psalter, the canticles, hymns, and canonical hours, in a diplomatic edition with a minimum of editorial intervention.

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Sor María de Santa Isabel, writing under the pseudonym Marcia Belisarda, was one of the most prolific female poets of seventeenth-century Spain. The body of her known work is preserved in one manuscript in the Biblioteca Nacional Española (Madrid), ms. 7469, prepared for publication but never published. Belisarda has received some critical attention; she is represented in a number of anthologies of women’s writings from Iberia, and a recent edition of her poems appeared in Spanish (2015). The present edition provides students and researchers with the first transcription of ms. 7469 together with an English translation for those interested in women’s writing from the early Modern Period but who are not trained as Hispanists.

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This new edition of Aristophanes is intended to replace the previous Oxford Classical Text published in 1900-1. Since that date it has been possible to construct a far better picture of the transmission of the text from antiquity to the age of printing and to obtain reliable reports of other significant manuscripts. While some of the new information has been taken into account for recent commentaries on individual plays, there is no easily available complete edition. Though the text of the plays is better preserved than that of Greek tragedy, the editor has thought it desirable to record or adopt a fair number of conjectures, some of them little known or unjustly disregarded; in a few passages he has ventured to offer suggestions of his own.

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Saint Augustine famously “wept for Dido, who killed herself by the sword,” and many later medieval schoolboys were taught to respond in similarly emotional ways to the pain of female characters in Virgil’s Aeneid and other classical texts. In Weeping for Dido, Marjorie Curry Woods takes readers into the medieval classroom, where boys identified with Dido, where teachers turned an unfinished classical poem into a bildungsroman about young Achilles, and where students not only studied but performed classical works.Woods opens the classroom door by examining teachers’ notes and marginal commentary in manuscripts of the Aeneid and two short verse narratives: the Achilleid of Statius and the Ilias latina, a Latin epitome of Homer’s Iliad. She focuses on interlinear glosses—individual words and short phrases written above lines of text that elucidate grammar, syntax, and vocabulary, but that also indicate how students engaged with the feelings and motivations of characters. Interlinear and marginal glosses, which were the foundation of the medieval classroom study of classical literature, reveal that in learning the Aeneid, boys studied and empathized with the feelings of female characters; that the unfinished Achilleid was restructured into a complete narrative showing young Achilles mirroring his mentors, including his mother, Thetis; and that the Ilias latina offered boys a condensed version of the Iliad focusing on the deaths of young men. Manuscript evidence even indicates how specific passages could be performed.The result is a groundbreaking study that provides a surprising new picture of medieval education and writes a new chapter in the reception history of classical literature.

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Durante varios decenios, Menéndez Pelayo fue considerado en España el autor de los Heterodoxos. Y así se le comenzó a llamar desde que a los veinticuatro años, siendo ya catedrático de la Universidad de Madrid, empezó a publicar su famosa obra. La Biblioteca de Autores Cristianos pone en manos de sus lectores esta cuidada edición de los Heterodoxos ?en dos volúmenes?, enriquecida con las notas que Menéndez Pelayo dejó manuscritas a su muerte. A la luz del estudio final del que fuera autorizadísimo especialista en estos trabajos, Rafael García y García de Castro, el lector contemporáneo puede, a través de esta excepcional obra, ubicar la figura gigantesca de don Marcelino en el triple plano espiritual, doctrinal e histórico.

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SUMMARY IN SPANISH: Pascual el dragó n, que todaví a no ha aprendido muy bien a hacer fuego, se encontrará con muchos animales en la Antá rtida y los ayudará para que no se resfrí en. Un libro infantil interactivo en españ ol, en el que el propio dragoncito cuenta la historia y, de vez en cuando, hace preguntas al niñ o.Este es el primer tí tulo de la colecció n Pascual el dragó n descubre el mundo, en letra ligada o manuscrita.Se recomienda para explicar a niñ os a partir de 3 añ os o bien para leerlo ellos mismos a partir de 5 añ os.Tí tulos de la colecció n: 1- Pascual el dragó n descubre Antá rtida2- Pascual el dragó n descubre Asia3- Pascual el dragó n descubre á frica4- Pascual el dragó n descubre Amé rica5- Pascual el dragó n descubre Europa6- Pascual el dragó n descubre Oceaní a LIBRO ESCRITO ORIGINALMENTE EN ESPAñ OL._________________________________________SUMMARY IN ENGLISH: Pascual the dragon, who still hasn’ t learned to make fire very well, will meet lots of animals in the Antarctic and he will help them so they don’ t catch cold.An interactive children's book in Spanish, in which the little dragon himself tells the story and, from time to time, asks the child questions.This is the first title in the collection Pascual el dragó n descubre el mundo, in handwriting.It’ s recommended to explain to children from 3 years old or to read it themselves from 5 years old.Titles in the collection: 1- Pascual el dragó n descubre Antá rtida2- Pascual el dragó n descubre Asia3- Pascual el dragó n descubre á frica4- Pascual el dragó n descubre Amé rica5- Pascual el dragó n descubre Europa6- Pascual el dragó n descubre Oceaní aORIGINALLY WRITTEN IN SPANISH.

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Founded in 1921, the Nettie Lee Benson Latin American Collection at the University of Texas at Austin has become one of the world’s great libraries for the study of Latin America, as well as the largest university library collection of Latin American materials in the United States. Encompassing all areas of the Western Hemisphere that were ever part of the Spanish or Portuguese empires, the Benson Collection documents Latin American history and culture from the first European contacts to the current activities of Latinas/os in the United States. Scholars, students, and members of the public from around the world regularly use the multifaceted, multimedia resources of the Benson.Showcasing the incredible depth, diversity, and history of the Benson Collection, A Library for the Americas presents rare books and manuscripts, maps, photographs, music, oral histories, art and objects dating from the early 1500s to the present. Images of and captions for these materials are paired with a series of essays and reflections by distinguished scholars of Latin American and Latina/o studies, who describe the role that the Benson Collection has played in the research and intellectual contributions that have defined their careers. As a whole, the book celebrates the remarkable place for learning that is the Benson Collection, while not shying away from larger questions about what it means to have a monumental library and archive devoted to Latin America in the United States.

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A Sinister Assassin contains original translations of Antonin Artaud’s last writings and interviews, most never previously available in English.A Sinister Assassin presents translations of Antonin Artaud’s largely unknown final work of 1947–48, revealing new insights into his obsessions with human anatomy, sexuality, societal power, creativity, and ill-will—notably, preoccupations of the contemporary world. Artaud’s last conception of performance is that of a dance-propelled act of autopsy, generating a ”body without organs” which negates malevolent microbial epidemics. This book assembles Artaud’s crucial writings and press interviews from September 1947 to March 1948, undertaken at a decrepit pavilion in the grounds of a convalescence clinic in Ivry-sur-Seine, on the southern edge of Paris, as well as in-transit through Paris’s streets. It also draws extensively on Artaud’s manuscripts and original interviews with his friends, collaborators, and doctors throughout the 1940s, illuminating the many manifestations of Artaud’s final writings: the contents of his last, death-interrupted notebook; his letters; his two final key texts; his glossolalia; the magazine issue which collected his last fragments; and the two extraordinary interviews he gave to national newspaper journalists in the final days of his life, in which he denounces and refuses both his work’s recent censorship and his imminent death. Edited, translated, and with an introduction by Stephen Barber, A Sinister Assassin illuminates Artaud’s last, most intensive, and terminal work for the first time.

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Hereford Cathedral is proud of its four stained-glass windows commemorating Traherne, but these volumes are as glorious a memorial. DAILY TELEGRAPH [Christopher Howse] Thomas Traherne (1637?-1674), a clergyman of the Church of England during the Restoration, was little known until the early twentieth century, when his poetry and Centuries of Meditations were first printed. There have beensince only miscellaneous publications of his poetry and devotional writings. The Works of Thomas Traherne brings together for the first time all Traherne's extant works, including his notebooks, in a definitive, printed edition. The poems in this volume are independent, not extracted from Traherne's prose, and demonstrate the range of his imagination. Each poem has its own unique form, line numbers, meter and rhyme, and they are personal in nature with a didactic purpose, filled with joy and thanksgiving. They are also new transcriptions from four manuscripts, held variously at the Bodleian, the British Library, and the Folger Shakespeare Library. They include thirty-seven autograph poems from the "Dobell Folio"; Poems of Felicity, taken from Philip Traherne's incomplete edition of his brother's poems; The Ceremonial Law, an incomplete, autograph, narrative poem in rhyming couplets, wherein Traherne not only gives a reading of events in the Old Testament as types fulfilled in the New, but also interprets his own spiritual journey in terms of the stories from Pentateuch; and the "Early Notebook", made up ofnotes from various sources, probably from Thomas's undergraduate days, as well as five autograph poems. Included in the Appendix are the "Manuscript foliation of Poems" and "The Story of the Traherne MSS. by their Finder" byWilliam T. Brooke; a glossary and index of titles and first lines complete the volume.

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The early Middle Ages provided twentieth-century poets with the material to re-imagine and rework local, religious, and national identities in their writing. Poet of the Medieval Modern focuses on a key figure within this tradition, the Anglo-Welsh poet and artist David Jones (1895-1974): representing the first extended study of the influence of early medieval English culture and history on Jones and his novel-length late modernist poem The Anathemata (1952). Jones's second major poetic project after In Parenthesis (1937), The Anathemata fuses Jones's visual and verbal arts to write a Catholic history of Britain as told through the history of man-as-artist. Drawing on unpublished archival material including manuscripts, sketches, correspondence, and, most significantly, the marginalia from David Jones's Library, this volume reads with Jones in order to trouble the distinction between poetry and scholarship. Placing this underappreciated figure firmly at the centre of new developments in Modernist and Medieval Studies, Poet of the Medieval Modern brings the two fields into dialogue and argues that Jones uses the textual and material culture of the early Middle Ages--including Old English prose and poetry, Anglo-Latin hagiography, early medieval stone sculpture, manuscripts, and historiography--to re-envision British Catholic identity in the twentieth-century long poem. Jones returned to the English record to seek out those moments where the histories of the Welsh had been elided or erased. At a time when the Middle Ages are increasingly weaponised in far-right and nationalist political discourse, the book offers a timely discussion of how the early medieval past has been resourced to both shore-up and challenge English hegemonies across modern British culture.

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Se sabe, aunque la Iglesia siempre ha pasado de puntillas sobre este hecho, que San Agustín, más tarde Padre de la Iglesia latina, tuvo en su juventud una amante que le dio un hijo al que amó con predilección. Vita brevis es la carta manuscrita que supuestamente Floria, su amante, le escribió al hilo de la lectura de sus Confesiones. En ella, con ironía y sarcasmo, critica a Agustín por haber abandonado el verdadero y auténtico amor humano para entregarse a uno divino, del que poco se sabe.

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Jurists and Jurisprudence in Medieval Italy is an original collection of texts exemplifying medieval Italian jurisprudence, known as the ius commune. Translated for the first time into English, many of the texts exist only in early printed editions and manuscripts. Featuring commentaries by leading medieval civil law jurists, notably Azo Portius, Accursius, Albertus Gandinus, Bartolus of Sassoferrato, and Baldus de Ubaldis, this book covers a wide range of topics, including how to teach and study law, the production of legal texts, the ethical norms guiding practitioners, civil and criminal procedures, and family matters. The translations, together with context-setting introductions, highlight fundamental legal concepts and practices and the milieu in which jurists operated. They offer entry points for exploring perennial subjects such as the professionalization of lawyers, the tangled relationship between law and morality, the role of gender in the socio-legal order, and the extent to which the ius commune can be considered an autonomous system of law.

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The Distaff Gospels (Les Évangiles des Quenouilles), a fascinating fifteenth-century collection of more than 250 popular beliefs, constitutes a kind of encyclopedia of late medieval women’s wisdom. The women’s beliefs and experiences are recounted within the narrative frame of traditional gatherings where women meet with their spindles and distaffs to spin. They share advice on such important matters as how to control errant husbands, how to predict the gender of future offspring, how to cure common diseases, and ways to deal with evil spirits, providing a rare look into the intimate lives of medieval peasant women.This edition includes a facing-page translation (the first in English since 1510) of the two Old French manuscripts of the text. The critical introduction discusses the literary context, textual history, and cultural significance of The Distaff Gospels, while the rich selection of appendices includes translations of the names of the women storytellers and excerpts from works by Giovanni Boccaccio, Jean de Meun, François Villon, and Christine de Pizan.

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This open access volume focuses on the cultural background of the pivotal transformations of scientific knowledge in the early modern period. It investigates the rich edition history of Johannes de Sacrobosco’s Tractatus de sphaera, by far the most widely disseminated textbook on geocentric cosmology, from the unique standpoint of the many printers, publishers, and booksellers who steered this text from manuscript to print culture, and in doing so transformed it into an established platform of scientific learning. The corpus, constituted of 359 different editions featuring Sacrobosco’s treatise on cosmology and astronomy printed between 1472 and 1650, represents the scientific European shared knowledge concerned with the cosmological worldview of the early modern period until far after the publication of Copernicus’ De revolutionibus orbium coelestium in 1543. The contributions to this volume show how the academic book trade influenced the process of homogenization of scientific knowledge. They also describe the material infrastructure through which such knowledge was disseminated, and thus define the premises for the foundation of modern scientific communities.

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There is currently in Madagascar a rich literary production (short stories, poetry, novels, plays) that has not yet reached the United States for lack of diffusion outside the country. Until recently, Madagascar suffered from political isolation resulting from its breakup with France in the 1970s and the eighteen years of Marxism that followed. With little hope that their voices would be heard outside the island, writers nevertheless have continued to express themselves in French (alongside a literature written in the Malagasy language). Malagasy literature in French had begun in the colonial era with three poets: Jean–Joseph Rabearivelo, Jacques Rabemananjara, and Flavien Ranaivo, all three presented in Léopold Senghor’s celebrated Anthologie de la nouvelle poésie nègre et malgache (1948). More recently, although a few Malagasy writers living outside the country have been published in France, the bulk of Malagasy literature today has remained largely unpublished, circulating locally mostly in manuscript form. Voices from Madagascar will bring a wide selection of these texts, both in French and in English, to the North American public.

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What is the role of religion in shaping interactions and relations between the human and nonhuman in nature? Why are Muslim and Christian organizations generally not a potent force in Southeast Asian environmental movements? The Camphor Tree and the Elephant brings these questions into the history of ecological change in the region, centering the roles of religion and colonialism in shaping the Anthropocene—“the human epoch.” Historian Faizah Zakaria traces the conversion of the Batak people in upland Sumatra and the Malay Peninsula to Islam and Christianity during the long nineteenth century. She finds that the process helped shape social structures that voided the natural world of enchantment, ushered in a cash economy, and placed the power to remake local landscapes into the hands of a distant elite. Using a wide array of sources such as family histories, prayer manuscripts, and folktales in tandem with colonial and ethnographic archives, Zakaria brings everyday religion and its far-flung implications into our understanding of the environmental history of the modern world.

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Alongside Erasmus of Rotterdam, Johannes Reuchlin (1455–1522) is one of the most important European humanists whose works marked the transition from the Middle Ages to the modern era. The year 2022 marks the 500th anniversary of the Pforzheim-born jurist, Hebraist, and religious philosopher’s death, cause indeed for an exhibition and publication to bring jewellery, writings, and language into a stimulating dialogue and to offer new meanings to the titular mystery of signs. At the fore stands the human quest for understanding and tolerance, which has lost none of its relevance today. One particular focal point comprises selected manuscripts and works by Reuchlin, highlighted from new perspectives. An additional emphasis is placed on objects that reflect Reuchlin’s cognitive world through script and symbols from the resplendent collection of the Schmuckmuseum Pforzheim [Pforzheim jewellery museum]. With contributions by Jonathan Boyd, Beatriz Chadour-Sampson, Matthias Dall’Asta, Cornelie Holzach, Wolfgang Mayer, Susanne Nagel, Katja Poljanac, Stefan Rhein, Nathan Ron, Isabel Schmidt-Mappes, Pierre Vesperin, and Anja Wolkenhauer. Text in German.

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The third book in a new arc in the New York Times–bestselling Amelia Bedelia chapter book series featuring young Amelia Bedelia and her friends! It’s a piece of cake! Amelia Bedelia + Good Friends = Superfun Stories to Read and Share Amelia Bedelia and her friends are studying all about the Middle Ages in school. They’re building catapults, creating illuminated manuscripts, and visiting a medieval fair—in costume! Plus, there’s a class-wide competition to see who can be the most chivalrous student. Amelia Bedelia really wants to win! But when she discovers that one of her friends is the kindest and most helpful of them all, can she somehow help her friend win the competition? A funny chapter book series about friendship, perfect for fans of Ivy + Bean and Clementine. The Amelia Bedelia books have sold more than 35 million copies since we first met the iconic character in 1963! Includes “Two Ways to Say It,” Amelia Bedelia’s guide to the idioms used in the story, and instructions on how to build a catapult. Illustrated in black and white throughout.

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The story of the amazing discovery of Archimedes' lost worksDrawings and writings by Archimedes, previously thought to have been destroyed, have been uncovered beneath the pages of a 13th-century monk's prayer book. These hidden texts, slowly being retrieved and deciphered by scientists, show that Archimedes' thinking (2,200 years ago) was even ahead of Isaac Newton in the 17th century.Archimedes discovered the value of Pi, he developed the theory of specific gravity and made steps towards the development of calculus. Everything we know about him comes from three manuscripts, two of which have disappeared. The third, currently in the Walters Art Museum, is a palimpsest - the text has been scraped off, the book taken apart and its parchment re-used, in this case as a prayer book. William Noel, the project director, and Reviel Netz, a historian of ancient mathematics, tell the enthralling story of the survival of that prayer book from 1229 to the present, and examine the process of recovering the invaluable text underneath as well as investigating into why that text is so important.

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Les manuscrits cateniques de l'Exode contiennent un lot important de citations imputees a Severe d'Antioche. Ce lot n'appartient pas au fonds primitif de la chaine, laquelle est anterieure a Severe de trois quarts de siecle au moins. L'oeuvre de Severe, perdue en grec, n'est connue que par des versions syriaques. La confrontation des citations de la chaine avec le texte syriaque garantit leur fidelite litterale et souvent permet de mieux interpreter la version orientale. Du point de vue theologique et historique, la lecture que fait de l'Exode un monophysite aussi representatif que Severe n'est pas sans interet. La chaine sur l'Exode a livre quarante-six extraits des Homelies cathedrales, trois textes du dossier Contre Julien d'Halicarnasse et cinq extraits de la Correspondance. Le glossaire qui complete l'edition rendra de grands services aux syriacisants. Glossaire grec-syriaque et syriaque-grec dresse par Lucas Van Rompay.

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De Viaje al centro de la Tierra Fernando Savater ha dichoen su libro La infancia recuperada: Todo Verne estáen ella: el escenario insólito, la empresa prodigiosa, el adolescentetímido y renuente, pero emprendedor, el adulto enérgico quelleva a cabo la iniciación, las fuerzas indomables de lo oculto,la significación implícitamente metafísica del riesgoy del descubrimiento... El profesor Lidenbrock decide dar lecciones deabismo a su sobrino Axel: su proyecto es nada menos que hacerle bajar hastael centro mismo de la Tierra. La aventura comienza cuando encuentran unantiguo manuscrito escrito en ininteligibles signos rúnicos: esla palabra del Viajero, del Alquimista, que llega desde lejos, revestidade un ceremonial de ocultamiento, digno de Poe.Los viajes ficticios al mundo subterráneo -dice Asimov- han captado el interés de todas las mitologías, pero la mejor de todas estas historias es el Viaje al centro de la Tierra de Julio Verne.

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Leopoldo Alas Clarín fue publicando cuentos, de manera ininterrumpida, desde que empezó a manuscribir en 1868, a los dieciséis años, el diario " Juan Ruiz " . A lo largo de su vida, Clarín se debatió entre el cuento y la novela.Reseñando las narraciones de Palacio Valdés, " Aguas fuertes " (1894), escribía Clarín en 1885 en " El Globo " : " No es más difícil un cuento que una novela, ni tampoco menos; de modo que hay notoria injusticia en considerar inferior el género de narraciones cortas, en el cual por cierto se han hecho célebres muchos escritores antiguos y modernos " .Y en 1892, a propósito de unas reflexiones publicadas en " La Publicidad " sobre las relaciones entre el periodismo y la cultura, se detiene en " la moda del cuento " , considerando las ventajas y los inconvenientes: " El cuento no es más ni menos arte que la novela: no es más difícil como se ha dicho, pero tampoco menos; es otra cosa: es más difícil para el que no es cuentista. En general, sabe hacer cuento

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Primera contribución extensa a una historia filosófica de la filosofía, divisora de aguas epocales (entre Ilustración e Idealismo) y biográficas (entre la crítica y el -nunca logrado- sistema), esta obra póstuma de Kant, aparecida al poco de su muerte, es clásica por su contenido y romántica por su forma y destino. Dedicada a la superación de Leibniz y Wolf, encaminada a la justificación histórica del reinado perenne del criticismo y de la etapa a la que él apunta -la doctrina de la sabiduría-, Los progresos de la Metafísica quedó en estado fragmentario, dispersa en manuscritos de improbable reordenación: respuesta inacabada al Tema del concurso de la Academia de Ciencias de Berlín para 1791, cuyo premio otros se llevaron, este torso es a la vez desesperado intenso de poder valladar al empuje combinado de dogmáticos, escépticos y amigos hipercríticos. Todos ellos tuvieron entonces su porción de triunfo, ante el silencio obstinado de Kant. Pero mientras las obras de aquéllos se han sume

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Un manuscrito, Siete crímenes por cópula, es hallado casualmenteen una oficina de objetos perdidos. Es el inicio de lasinvestigaciones de Victorino Delicado, investigador jefe de laComisaría del barrio Espuelitas, quien contará con la ayuda delperspicaz policía Jacinto Galí Matías. Unas muertes que parecíanaccidentales se convertirán aparentemente en crímenes.Ahora Victorino y Jacinto deberán detener a un esquivo asesinoen serie, que parece escapar airoso cada vez al acecho policial.En medio de todo resultará fundamental para la resolución delcaso el Premio Sopitas Carvajal, un viaje vacacional de ensueñopara trece afortunados vecinos del barrio, compradores delsobre ganador en el colmado Garbanzos Betanzos. Entre ellosse encuentra el temible criminal.El caso parece no llevar a ningún lugar, hasta que el autor-editorMargarito Micifú, perplejo por las rugosidades del caso, decideinvestigar por su cuenta. En su búsqueda se topar

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Este singular opúsculo de uno de los más renombrados biógrafos del siglo xx, Emil Ludwig, fue publicado por primera vez en español en 1939, en una traducción preparada por Francisco Ayala en el Buenos Aires en que se había exiliado. Para su trabajo, Ayala se basó en los manuscritos originales del autor, a medida que éste los iba redactando. Hoy recuperamos este libro, en el que el lector se encontrará con la capacidad de análisis de un biógrafo que, ya en fecha temprana, es capaz de estudiar los mecanismos y motivaciones de determinados comportamientos que le son contemporáneos. Ludwig se había entrevistado con Mussolini y con Stalin, y esbozó para ellos sus retratos del natural. No sucedió lo mismo con Hitler, al que describió sin haberlo conocido. Especial interés tiene el último capítulo, en el que Ludwig busca el origen del militarismo alemán en el espíritu prusiano.

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Translation was a critical mode of discourse for early modern writers. Gifting Translation in Early Modern England: Women Writers and the Politics of Authorship examines the intersection of translation and the culture of gift-giving in early modern England, arguing that this intersection allowed women to subvert dominant modes of discourse through acts of linguistic and inter-semiotic translation and conventions of gifting. The book considers four early modern translators: Mary Bassett, Jane Lumley, Jane Seager, and Esther Inglis. These women negotiate the rhetorics of translation and gift-culture in order to articulate political and religious affiliations and beliefs in their carefully crafted manuscript gift-books. This book offers a critical lens through which to read early modern translations in relation to the materiality of early modern gift culture.

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Genealogies of Fiction is a study of gender, dynastic politics, and intertextuality in medieval and renaissance chivalric epic, focused on Ludovico Ariosto’s Orlando furioso. Relying on the direct study of manuscripts and incunabula, this project challenges the fixed distinction between medieval and early modern texts and reclaims medieval popular epic as a key source for the Furioso. Tracing the formation of the character of the warrior woman, from the Amazon to Bradamante, the book analyzes the process of gender construction in early modern Italy. By reading the tension between the representations of women as fighters, lovers, and mothers, this study shows how the warrior woman is a symbolic center for the construction of legitimacy in the complex web of fears and expectations of the Northern Italian Renaissance court.

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Beowulf, composed between the seventh and tenth century, is the elegaic narrative of the adventures of Beowulf, a Scandinavian hero who saves the Danes from the seemingly invincible monster Grendel, and, later, from Grendel's mother. He returns to his own country and dies in old age in a vivid battle against a dragon. The poem is about encountering the monstrous, defeating it, and living on in the exhausted aftermath. Heaney's celebrated translation honours what is remote and intuits what is uncannily familiar, at the end of the twentieth century, in this founding masterpiece of English poetry. Now, for the first time, the Old English text - which survived only in a single scorched manuscript, now held in the British Museum - can be read in conjunction with the translation on facing pages.

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Take an unforgettable journey with Francesca Rossi's evocative, newly illustrated version of Jules Verne's timeless sci-fi novel - cleverly designed to look like a travel journal. Since its publication in 1864, Jules Verne's classic work of speculative fiction, Journey to the Center of the Earth, has sparked the imaginations of generations of readers. Guided by a coded ancient manuscript, Professor Lidenbrock and his nephew Axel embark on a journey to the very depths of our planet, where they discover a fantastic subterranean realm. Children will encounter exciting adventures on every page, from prehistoric beasts to oversized mushrooms and exploding volcanoes. Francesca Rossi's splendid illustrations fully capture the atmosphere of this strange world, and the book is designed to look like a travel journal, with sketches and illustrations alternating with the text. Ages: 6 plus

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Schleiermacher hielt zwischen 1813 und 1833 fünf Vorlesungen zur Staatslehre an der neugegründeten Universität Berlin, in denen er die Preußischen Reformen unterstützte. Im Unterschied zu Hegels Rechtsphilosophie entfaltete Schleiermachers politisches Denken aber kaum Wirkung. Erst seit 1998 liegt eine kritische Edition der entsprechenden Manuskripte und Nachschriften vor. Miriam Rose liefert erstmals eine umfassende systematische Erschließung der Staatslehre Schleiermachers bezogen auf die Staatsdiskurse nach der Französischen Revolution. In thematischen Längsschnitten, u.a. zu den Problemen Krieg und Frieden sowie Staat und Kirche, zeigt sich die liberale Orientierung Schleiermachers. Die spezifische Eigenart dieser Konzeption profiliert die Autorin anhand der Frage nach der Freiheit des Einzelnen. Sie stellt heraus, dass es sich trotz der liberalen Orientierung um keinen liberalen Entwurf handelt.

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The Journal of the International Qur'anic Studies Association (JIQSA) is a peer reviewed annual journal published on behalf of the International Qur'anic Studies Association, a nonprofit learned society for scholars of the Qur'an. JIQSA welcomes article submissions that explore the Qur'an's origins in the religious, cultural, social, and political contexts of Late Antiquity; its connections to various literary precursors, especially the scriptural and parascriptural traditions of older religious communities; the historical reception of the Qur'an in the West; the hermeneutics and methodology of qur'anic exegesis and translation (both traditional and modern); the transmission and evolution of the textus receptus; Qur'an manuscripts and material culture; and the application of various literary and philological modes of investigation into qur'anic style, compositional structure, and rhetoric.

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Read the enthralling medieval murder mystery. The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective. William collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey where extraordinary things are happening under the cover of night. A spectacular popular and critical success, The Name of the Rose is not only a narrative of a murder investigation but an astonishing chronicle of the Middle Ages.'Whether you're into Sherlock Holmes, Montaillou, Borges, the nouvelle critique, the Rule of St. Benedict, metaphysics, library design, or The Thing from the Crypt, you'll love it' Sunday Times

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The Exposition of the Apocalypse by Tyconius of Carthage (fl. 380) was pivotal in the history of interpretation of the Book of Revelation. While expositors of the second and third centuries viewed the Apocalypse of John, or Book of Revelation, as mainly about the time of Antichrist and the end of the world, in the late fourth century Tyconius interpreted John’s visions as figurative of the struggles facing the Church throughout the entire period between the Incarnation and the Second Coming of Christ. Tyconius’s “ecclesiastical” reading of the Apocalypse was highly regarded by early medieval commentators like Caesarius of Arles, Primasius of Hadrumetum, Bede, and Beatus of Liebana, who often quoted from Tyconius’s Exposition in their own Apocalypse commentaries. Unfortunately no complete manuscript of the Exposition by Tyconius has survived. A number of recent scholars, however, believed that a large portion of his Exposition could be reconstructed from citations of it in the aforementioned early medieval writers; and this task was undertaken by Monsignor Roger Gryson. Gryson’s edition, a reconstruction of the Expositio Apocalypseos of Tyconius, was published in 2011 in Corpus Christianorum Series Latina. The present translation of that reconstructed text, with introduction and notes, exhibits Tyconius’s unique non-apocalyptic approach to the Book of Revelation. It also shows that throughout the Exposition Tyconius made use of interpretive rules that he had laid out in an earlier work on hermeneutics, the Book of Rules, strongly suggesting that Tyconius wrote his Exposition as a companion to his Book of Rules. Thus, the Exposition served as an exemplar of how those rules would apply to interpretation of even the most intriguing of biblical texts, the Apocalypse.

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A sumptuous full-colour art book containing the complete collection of almost 200 sketches, drawings, paintings and maps created by J.R.R. Tolkien for The Lord of the Rings. As he wrote The Lord of the Rings, J.R.R. Tolkien’s mental pictures often found expression in drawing, from rough sketches made within the manuscript to more finished illustrations. Only a few of these were meant for publication; most were aids to help Tolkien conceive his complex story and keep it consistent. Many do not illustrate the final text, but represent moments of creation, illuminating Tolkien’s process of writing and design. In addition to pictorial sketches, numerous maps follow the development of the Shire and the larger landscape of Middle-earth, while inscriptions in runes and Elvish script, and ‘facsimile’ leaves from the burned and blood-stained Book of Mazarbul, support Tolkien’s pose as an ‘editor’ or ‘translator’ of ancient records. The Art of The Lord of the Rings by J.R.R. Tolkien collects these drawings, inscriptions, maps, and plans in one volume. More than 180 images are included, all of them printed in colour from high-quality scans and photographs. Wayne G. Hammond and Christina Scull, two of the world’s leading Tolkien scholars, have edited the book and provide an expert introduction and comments. Readers who have enjoyed The Art of The Hobbit by J.R.R. Tolkien, with which the book is uniform, will find much of interest also in The Art of The Lord of the Rings.

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Avis Crocombe really did exist - she was head cook at Audley End House in Essex from about 1878 to 1884. Although only a little is known about her life, her handwritten cookery book was passed down through her family for generations and rediscovered by a distant relative in 2009. It's a remarkable read, and from the familiar (ginger beer, custard and Christmas cake) to the fantastical (roast swan, preserved lettuce and fried tongue sandwiches), her recipes give us a wonderful window into a world of flavour from 140 years ago. How to Cook the Victorian Way is the definitive guide to the life, times and tastes of the world's favourite Victorian cook. The beautifully photographed book features fully tested and modernised recipes along with a transcription of Avis's original manuscript, plus insights into daily life at Audley End by Dr Annie Gray and Dr Andrew Hann, and a foreword by the 'face' of Mrs Crocombe, Kathy Hipperson. It showcases the best recipes from Mrs Crocombe's own book, alongside others of the time, brought together so that every reader can put on their own Victorian meal. It's a moreish smorgasbord of social history - an absolute must for fans, foodies and anyone with an appetite for the past.

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The story of the Blind Man and the Loon is a living Native folktale about a blind man who is betrayed by his mother or wife but whose vision is magically restored by a kind loon. Variations of this tale are told by Native storytellers all across Alaska, arctic Canada, Greenland, the Northwest Coast, and even into the Great Basin and the Great Plains. As the story has traveled through cultures and ecosystems over many centuries, individual storytellers have added cultural and local ecological details to the tale, creating countless variations. In The Blind Man and the Loon: The Story of a Tale, folklorist Craig Mishler goes back to 1827, tracing the story’s emergence across Greenland and North America in manuscripts, books, and in the visual arts and other media such as film, music, and dance theater. Examining and comparing the story’s variants and permutations across cultures in detail, Mishler brings the individual storyteller into his analysis of how the tale changed over time, considering how storytellers and the oral tradition function within various societies. Two maps unequivocally demonstrate the routes the story has traveled. The result is a masterful compilation and analysis of Native oral traditions that sheds light on how folktales spread and are adapted by widely diverse cultures.

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A monumental work in the history of religion, the history of the book, the study of politics, and bibliographical research, this volume follows the making of the Chinese Buddhist canon from the fourth century to the digital era. Approaching the subject from a historical perspective, it ties the religious, social, and textual practices of canon formation to the development of East Asian Buddhist culture and enlivens Chinese Buddhist texts for readers interested in the evolution of Chinese writing and the Confucian and Daoist traditions. The collection undertakes extensive readings of major scriptural catalogs from the early manuscript era as well as major printed editions, including the Kaibao Canon, Qisha Canon, Goryeo Canon, and Taisho Canon. Contributors add fascinating depth to such understudied issues as the historical process of compilation, textual manipulation, physical production and management, sponsorship, the dissemination of various editions, cultic activities surrounding the canon, and the canon's reception in different East Asian societies. The Chinese Buddhist canon is one of the most enduring textual traditions in East Asian religion and culture, and through this exhaustive, multifaceted effort, an essential body of work becomes part of a new, versatile narrative of East Asian Buddhism that has far-reaching implications for world history.

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Canada has seen the study of Islamic art and archeology grow steadily over the last five decades, with growth in research and teaching across numerous Canadian universities as well as important collections of Islamic art and archaeological materials, most notably at the Royal Ontario Museum and the Aga Khan Museum.Made for the Eye of One Who Sees uncovers the contributions of scholars and museum curators at Canadian institutions to current scholarship on Islamic art. Employing a wide range of approaches and theoretical perspectives, contributors cover topics from across the Islamic world dating from the eighth century to the present. Subjects include the iconography of architectural design and decoration, the role of Qur’anic inscriptions, the representation of symbolic animals in sculpture, and the interpretation of Persian manuscript painting. The book also juxtaposes modern and contemporary worlds, providing insightful reflections on the early history of the Islamic collections at the Royal Ontario Museum, Matisse’s creative encounter with Byzantine and Islamic visual culture, and the ongoing dialogue between new media and the traditional concepts underpinning Islamic art.Bringing together recent scholarship on Islamic art, architecture, and archaeology, Made for the Eye of One Who Sees provides an overview of the important contributions Canada is making to this rich and evolving field of study.

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This Norton Critical Edition is based on the 1985 corrected text and is accompanied by newly updated and expanded explanatory annotations and an introduction by Michael Gorra. “Backgrounds and Contexts” is divided into three sections, each of which includes a concise introduction by Michael Gorra that carefully frames the issues presented, with particular attention to As I Lay Dying’s place in Faulkner’s literary life. “Contemporary Reception” includes a selection of seven reviews, including those by Julia K. W. Baker, Henry Nash Smith, and Valery Larbaud. “The Writer and His Work” examines Faulkner’s own claims regarding the composition of the novel and his changing opinions over time, sample pages from the manuscript, his Nobel Prize address, and additional writings by Faulkner on Yoknapatawpha County. “Cultural Context” reprints seven essays and advertisements—three selections new to the Second Edition—along with other materials that address questions of Southern motherhood, Agrarianism, and the Southern grotesque. “Criticism” begins with the editor’s introduction to As I Lay Dying’s critical history and scholarly reception. Eleven critical essays are included—five new to the Second Edition—by Olga W. Vickery, Cleanth Brooks, Eric Sundquist, Doreen Fowler, Dorothy J. Hale, Patrick O’Donnell, John T. Matthews, John Limon, Richard Godden, Susan Scott Parrish, and Erin E. Edwards. A chronology and a selected bibliography are also included.

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First full-length collection on one of the most significant and influential historians of the medieval period. The Gesta Normannorum ducum and Historia ecclesiastica of Orderic Vitalis are widely regarded as landmarks in the development of European historical writing and, as such, are essential sources of medieval history forstudents and scholars alike. The essays here consider Orderic's life and works, presenting new research on existing topics within Orderic studies and opening up new directions for future analysis and debate. They offer fresh interpretations from across the disciplines of medieval manuscript studies, English-language studies, archaeology, theology, and cultural memory studies; they also revisit established readings. Charles C. Rozier gained hisPhD from the University of Durham; Daniel Roach gained his PhD from the University of Exeter; Giles E.M. Gasper is Senior Lecturer in History, University of Durham; Elizabeth van Houts is Honorary Professor of Medieval European History, University of Cambridge. Contributors: William M. Aird, Emily Albu, James G. Clark, Vincent Debiais, Mark Faulkner, Giles E. M. Gasper, Véronique Gazeau, Estelle Ingrand-Varenne, Elisabeth Mégier, Thomas O'Donnell, Benjamin Pohl, Daniel Roach, Thomas Roche, Charles C. Rozier, Sigbjørn Olsen Sønnesyn, Kathleen Thompson, Elisabeth van Houts, Anne-Sophie Vigot,Jenny Weston

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In Plato's "Letters", Ariel Helfer provides to readers, for the first time, a highly literal translation of the Letters, complete with extensive notes on historical context and issues of manuscript transmission. His analysis presents a necessary perspective for readers who wish to study Plato's Letters as a work of Platonic philosophy. Centuries of debate over the provenance and significance of Plato's Letters have led to the common view that the Letters is a motley collection of jewels and scraps from within and without Plato's literary estate. In a series of original essays, Helfer describes how the Letters was written as a single work, composed with a unity of purpose and a coherent teaching, marked throughout by Plato's artfulness and insight and intended to occupy an important place in the Platonic corpus. Viewed in this light, the Letters is like an unusual epistolary novel, a manner of semifictional and semiautobiographical literary-philosophic experiment, in which Plato sought to provide his most demanding readers with guidance in thinking more deeply about the meaning of his own career as a philosopher, writer, and political advisor. Plato's "Letters" not only defends what Helfer calls the "literary unity thesis" by reviewing the scholarly history pertaining to the Platonic letters but also brings out the political philosophic lessons revealed in the Letters. As a result, Plato's "Letters" recovers and rehabilitates what has been until now a minority view concerning the Letters, according to which this misunderstood Platonic text will be of tremendous new importance for the study of Platonic political philosophy.

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From 1837 to 1861 Thoreau kept a Journal that began as a conventional record of ideas, grew into a writer's notebook, and eventually became the principal imaginative work of his career. The source of much of his published writing, the Journal is also a record of both his interior life and his monumental studies of the natural history of his native Concord, Massachusetts. In contrast to earlier editions, the Princeton Edition reproduces the Journal in its original and complete form, in a reading text that is free of editorial interpolations but keyed to a comprehensive scholarly apparatus. Despite activities as time-consuming and varied as urveying for the town of Concord and helping a fugitive slave escape to Canada, Thoreau wrote nearly eight hundred manuscript pages in his Journal during the eight months covered by this volume. Confirmed in his vocation as a natural historian, he began to compile the richly detailed records of Concord's woods, fields, and streams that would occupy him for the rest of his life, and he consciously shaped the Journal to reflect his new aims as a writer. He also began major revisions of his Walden that would lead to its publication in 1854.

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Essays on the medieval chronicle tradition, shedding light on history writing, manuscript studies and the history of the book, and the post-medieval reception of such texts. The histories of chronicles composed in England during the fourteenth and fifteenth centuries and onwards, with a focus on texts belonging to or engaging with the Prose Brut tradition, are the focus of this volume. The contributors examine the composition, dissemination and reception of historical texts written in Anglo-Norman, Latin and English, including the Prose Brut chronicle (c. 1300 and later), Castleford's Chronicle (c. 1327),and Nicholas Trevet's Les Cronicles (c. 1334), looking at questions of the processes of writing, rewriting, printing and editing history. They cross traditional boundaries of subject and period, taking multi-disciplinary approaches to their studies in order to underscore the (shifting) historical, social and political contexts in which medieval English chronicles were used and read from the fourteenth century through to the present day. As such, the volume honours the pioneering work of the late Professor Lister M. Matheson, whose research in this area demonstrated that a full understanding of medieval historical literature demands attention to both the content of theworks in question and to the material circumstances of producing those works. JACLYN RAJSIC is a Lecturer in Medieval Literature in the School of English and Drama at Queen Mary University of London; ERIK KOOPER taughtOld and Middle English at Utrecht University until his retirement in 2007; DOMINIQUE HOCHE Is an Associate Professor at West Liberty University in West Virginia. Contributors: Elizabeth J. Bryan, Caroline D. Eckhardt,A.S.G. Edwards, Dan Embree, Alexander L. Kaufman, Edward Donald Kennedy, Erik Kooper, Julia Marvin, William Marx, Krista A. Murchison, Heather Pagan, Jaclyn Rajsic, Christine M. Rose, Neil Weijer

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