Search results for ""author arnold a."

Important new research on a very wide range of topics in the fields of history, archaeology, literature and palaeography. Adela of Blois and Ivo of Chartres; Anglo-Norman families; Anglo-Scandinavian equestrian equipment; `Belrem'; Bookland, Folkland and Fiefs; Charters of David I; Counts of Boulogne under Eustace II; Dispute settlement; Financing Stephen's War; Fortification de Rouen; French literature in 12c England; Margam Annals; Ranulf II Earl of Chester's armed neutrality; Rochester cathedral priory c.1100; See of London. G.W.S. BARROW, P. DALTON, B. GAUTHIEZ, J. GRAHAM-CAMPBELL, J. GREEN, K. LOPRETE, J.S. MOORE, R.B. PATTERSON, S. REYNOLDS, I. SHORT, H.J. TANNER, A.J. TAYLOR, P. TAYLOR, H. TSURUSHIMA. Wide-ranging volume of essays introducing new research in the fields of history, archaeology, literature and palaeography. Includes (amongst others) papers on 12th century French literature, settling disputes in Anglo-Norman England, financing Stephen's war and the Allen Brown Memorial lecture entitled Belrem. Contributors: ARNOLD J. TAYLOR, G.W.S BARROW, PAUL DALTON, BERNARDGAUTHIEZ, JAMES GRAHAM-CAMPBELL, JUDITH GREEN, KIMBERLEY LOPRETE,JOHN S. MOORE, ROBERT B. PATTERSON, SUSAN REYNOLDS, IAN SHORT, HEATHERJ. TANNER, PAMELA TAYLOR, and H. TSURUSHIMA.

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In Peripheral Desires, Robert Deam Tobin charts the emergence, from the 1830s through the early twentieth century, of a new vocabulary and science of human sexuality in the writings of literary authors, politicians, and members of the medical establishment in German-speaking central Europe—and observes how consistently these writers, thinkers, and scientists associated the new nonnormative sexualities with places away from the German metropoles of Berlin and Vienna. In the writings of Aimée Duc and Lou Andreas-Salomé, Switzerland figured as a place for women in particular to escape the sexual confines of Germany. The sexual ethnologies of Ferdinand Karsch-Haack and the popular novels of Karl May linked nonnormative sexualities with the colonies and, in particular, with German Samoa. Same-sex desire was perhaps the most centrifugal sexuality of all, as so-called Greek love migrated to numerous places and peoples: a curious connection between homosexuality and Hungarian nationalism emerged in the writings of Adalbert Stifter and Karl Maria Kerbeny; Arnold Zweig built on a long and extremely well-developed gradation of associating homosexuality with Jewishness, projecting the entire question of same-sex desire onto the physical territory of Palestine; and Thomas Mann, of course, famously associated male-male desire with the fantastically liminal city of Venice, lying between land and sea, Europe and the Orient. As Germany—and German-speaking Europe—became a fertile ground for homosexual subcultures in the nineteenth and early twentieth centuries, what factors helped construct the sexuality that emerged? Peripheral Desires examines how and why the political, scientific and literary culture of the region produced the modern vocabulary of sexuality.

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Few ideas are as important and pervasive in the discourse of the twentieth century as the idea of culture. Yet culture, Christopher Herbert contends, is an idea laden from its inception with ambiguity and contradiction. In Culture and Anomie, Christopher Herbert conducts an inquiry into the historical emergence of the modern idea of culture that is at the same time an extended critical analysis of the perplexities and suppressed associations underlying our own exploitation of this term. Making wide reference to twentieth-century anthropologists from Malinowski and Benedict to Evans-Pritchard, Geertz, and Lévi-Strauss as well as to nineteenth-century social theorists like Tylor, Spencer, Mill, and Arnold, Herbert stresses the philosophically dubious, unstable character that has clung to the "culture" idea and embarrassed its exponents even as it was developing into a central principle of interpretation. In a series of detailed studies ranging from political economy to missionary ethnography, Mayhew, and Trollope's fiction, Herbert then focuses on the intellectual and historical circumstances that gave to "culture" the appearance of a secure category of scientific analysis despite its apparent logical incoherence. What he describes is an intimate relationship between the idea of culture and its antithesis, the myth or fantasy of a state of boundless human desire—a conception that binds into a single tradition of thought such seemingly incompatible writers as John Wesley, who called this state original sin, and Durkheim, who gave it its technical name in sociology: anomie. Methodologically provocative and rich in unorthodox conclusions, Culture and Anomie will be of interest not only to specialists in nineteenth-century literature and intellectual history, but also to readers across the wide range of fields in which the concept of culture plays a determining role.

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East Timor is at last, and at terrible human cost, firmly on the road to independence. The significance of its passage to freedom-for its people, for Asia, and for the world-is manifold. This volume offers a comprehensive overview of East Timor's travail and its triumph in its international context. East Timor's independence constitutes one of the final and most poignant moments in a long and bitter history of European colonization and decolonization. For the people of East Timor, independence from Portugal in 1975 was only the beginning of a new struggle against Indonesian invaders—a struggle that took the lives of 200,000 East Timorese—and one that is by no means over. The case of East Timor, both during and after the Cold War, provides a litmus test for issues of international responsibility, posing questions of double standards in unusually clear-cut form. It reveals the active support by the United States and other powers for the military forces of Indonesia throughout the years of that nation's invasion and repression of East Timor, until 1998 when the collapse of the Indonesian dictatorship ushered in a new phase in the East Timorese struggle. Contributions by: Peter Bartu, Noam Chomsky, Richard Falk, Geoffrey C. Gunn, Peter Hayes, Wade Huntley, Gerry Van Klinken, Helene Van Klinken, Arnold S. Kohen, Allan Nairn, Sarah Niner, Constâncio Pinto, Geoffrey Robinson, João Mariano Saldanha, Charles Scheiner, Mark Selden, Stephen R. Shalom, and Richard Tanter.

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Raising a child has never been more challenging. If you ever doubt yourself or wonder if it is worth the heartache, read this little book. If you worry that your family will not weather life’s storms or if you fear losing your children to the prevailing culture, read it again. Why Children Matter offers biblical wisdom and commonsense advice on how to hold a family together and raise children with character. Johann Christoph Arnold, a father, grandfather and pastor, has written eleven books, including three on parenting and children’s education. As the fabric of family and society is torn apart, this book offers up concrete steps to encourage parents faced with difficult child-rearing decisions.

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Chef Matt Williamson serves up an abundance of culinary inspiration from around the world, from breakfast classics such as French toast to Mexican barbecues, delicious baking suggestions to three-course meals. Whatever the season, this is your essential companion to the perfect lazy weekend. Weekends are the perfect time to treat yourself to some delicious food and in this new book chef Matt Williamson provides recipes ideal for any occasion – whether it is a lazy breakfast in bed, a healthy brunch, a leisurely roast dinner or a quick Sunday supper. The book includes chapters on Breakfast, Brunch, Long Lunches, Roasts, Barbecue, Picnics, Easy Dinner Parties and Bakes. The recipes range from brunch classics such as French toasts and Omelette Arnold Bennett to tasty long lunches like mussels in a saffron and fennel broth or Persian-style stuffed shoulder of lamb. There are lots of ideas for dining outdoors – from jerk skewers or Mexican corn cooked on the barbecue to noodle salads and black pudding Scotch eggs for the perfect picnic. There are recipes for three-course dinners, perfect for a supper party with friends, and tasty baking ideas such as ham, cheese and olive loaf, filled thumbprint biscuits and ice-cream sandwiches. With 100 approachable and easy-to-follow recipes packed with flavour and drawing on culinary inspiration from around the globe, The Lazy Weekend Cookbook is the perfect way to discover new delicious and indulgent meals.

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From internationally renowned psychologist Dr. Arnold Lazarus, this book presents simple yet powerful imagery techniques that can help you greatly enhance your quality of life--by harnessing the power of your own mind. Dr. Lazarus draws on decades of research and clinical experience to provide new insights into common psychological problems and practical guidance for overcoming them. Whether used on their own or in conjunction with therapy, the easy-to-learn procedures described in this book have helped countless people:*Manage fear, anxiety, anger, and depression*Break free of bad habits, such as smoking and overeating*Build more pleasurable relationships*Improve work performance and creativity*Communicate better and feel more confident *Overcome tension headaches, insomnia, and more

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Concentrate on the biblical author's message as it unfolds.Designed to assist the pastor and Bible teacher in conveying the significance of God's Word, the Zondervan Exegetical Commentary on the New Testament series treats the literary context and structure of every passage of the New Testament book in the original Greek.With a unique layout designed to help you comprehend the form and flow of each passage, the ZECNT unpacks: The key message. The author's original translation. An exegetical outline. Verse-by-verse commentary. Theology in application. While primarily designed for those with a basic knowledge of biblical Greek, all who strive to understand and teach the New Testament will benefit from the depth, format, and scholarship of these volumes.

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'Spellbinding, fast-paced and deeply romantic.' Aiden Thomas'A blast of heart-racing magic you won't want to miss.' Andrew Joseph White'Story alchemy unlike any other.' A. R. Capetta'A thrilling, expansive adventure.' Elana K. Arnold'Standout fantasy.' Publisher's WeeklyThree young alchemists embark on a quest leading them towards unexpected love and unimaginable power - the debut YA fantasy from the bestselling and award-winning Kacen Callender.Ash Woods isn't supposed to perform alchemy - he'll be arrested if anyone ever finds out. But when he's caught by the condescending Ramsay Thorne, instead of handing him over to the reds, Ramsay surprises Ash by making him an offer: Ramsay will keep Ash's secret if he helps her find the legendary Book of Source, a sacred text that gives its reader extraordinary power.As Ash and Ramsay work together and their feelings for each other grow, Ash discovers their mission is more dangerous than he imagined, pitting them against influential and powerful alchemists - Ash's estranged father included. Ash's journey takes him through the cities and wilds across New Anglia, forcing him to discover his own definition of true power and how far he and other alchemists will go to seize it.Fans of Cemetery Boys and Iron Widow will love this LGBTQ+ romantasy reminiscent of A Deadly Education meets Six of Crows.

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Institutional theory has become one of the dominant organizational approaches in recent decades. Its roots can be traced to Europe and an important intellectual objective of this book is to examine North American theory strands and to reconnect them with European research traditions in order to explore new perspectives. For that purpose, this book focuses on how organizations and individuals handle heterogeneous and challenging social conditions which are subsequently reflected in various forms of change. In particular, the book: sheds light on neo-institutionalism from a European perspective examines neo-institutionalism in North American sociological and organizational theories and (re-)connects them with European research traditions explores novel and innovative methodologies to analyse institutions analyzes institutional and organizational change links micro- and macro-approaches to institutions reconnects organizational institutionalism with sociological theories. Finally, the book includes an afterword by John Meyer which is intended to stimulate further discussion. New Themes in Institutional Analysis will appeal to students and academics in organization, management and institutionalism.Contributors include: J.L. Alvarez, N. Arnold, C. Berg Johansen, S. Boch Waldorff, S. Bohn, M. Bottura, R. Corrado, G. Delmestri, G.S. Drori, B. Forgues, R.O. Friedland, M.A. Höllerer, T. Klatetzki, K. Kloos, V.P. Korff, G. Krücken, M. Lounsbury, C. Mazza, J.W. Meyer, R.E. Meyer, A. Mica, A. Oberg, V. Odorici, C.R. Oelberger, M. Pawlak, W.W. Powell, B. Soppe, J. Strandgaard Pedersen, S. Svejenova, P. Walgenbach, E. Weik, A. Westenholz

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This book describes a revolutionary new approach to determining low energy routes for spacecraft and comets by exploiting regions in space where motion is very sensitive (or chaotic). It also represents an ideal introductory text to celestial mechanics, dynamical systems, and dynamical astronomy. Bringing together wide-ranging research by others with his own original work, much of it new or previously unpublished, Edward Belbruno argues that regions supporting chaotic motions, termed weak stability boundaries, can be estimated. Although controversial until quite recently, this method was in fact first applied in 1991, when Belbruno used a new route developed from this theory to get a stray Japanese satellite back on course to the moon. This application provided a major verification of his theory, representing the first application of chaos to space travel. Since that time, the theory has been used in other space missions, and NASA is implementing new applications under Belbruno's direction. The use of invariant manifolds to find low energy orbits is another method here addressed. Recent work on estimating weak stability boundaries and related regions has also given mathematical insight into chaotic motion in the three-body problem. Belbruno further considers different capture and escape mechanisms, and resonance transitions. Providing a rigorous theoretical framework that incorporates both recent developments such as Aubrey-Mather theory and established fundamentals like Kolmogorov-Arnold-Moser theory, this book represents an indispensable resource for graduate students and researchers in the disciplines concerned as well as practitioners in fields such as aerospace engineering.

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Groundbreaking anthologies of this kind come along once in a generation and, in time, define that generation. The Swallow Anthology of New American Poets identifies a group of poets who have recently begun to make an important mark on contemporary poetry, and their accomplishment and influence will only grow with time. The poets gathered here do not constitute a school or movement; rather they are a group of unique artists working at the top of their craft. As editor David Yezzi writes in his introduction, “Here is a group of writers who have, perhaps for the first time since the modernist revolution of the early twentieth century, returned to a happy détente between warring camps. This, I think, is a new—at least in our age—kind of poet, who, dissatisfied with the climate of extremes, has found a balance between innovation and received form, perceiving the terror beneath the classical and the unities girding romanticism. This new unified sensibility is no watered-down admixture, no pragmatic compromise worked out in departments of creative writing, but, rather, the vital spirit behind some of the most accomplished poetry being written by America’s new poets.” Poets include: Craig Arnold, David Barber, Rick Barot, Priscilla Becker, Geoffrey Brock, Daniel Brown, Peter Campion, Bill Coyle, Morri Creech, Erica Dawson, Ben Downing, Andrew Feld, John Foy, Jason Gray, George Green, Joseph Harrison, Ernest Hilbert, Adam Kirsch, Joanie Mackowski, Eric McHenry, Molly McQuade, Joshua Mehigan, Wilmer Mills, Joe Osterhaus, J. Allyn Rosser, A. E. Stallings, Pimone Triplett, Catherine Tufariello, Deborah Warren, Rachel Wetzsteon, Greg Williamson, Christian Wiman, Mark Wunderlich, David Yezzi, and C. Dale Young.

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From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between landscape documentary and fiction film. Yet German film studies has been slow to adopt an environmental focus, concentrating (understandably) on its subject matter's political implications. This book reveals critical connections between German film, sociopolitical context, and environment, showing it to have been a creative catalyst for the social and ecological transformation of the Anthropocene. The book first considers the interplay between German film and environmental history in films and discourses of Heimat. Weimar-era films such as E. A. Dupont's Die Geierwally (1921), Carl Ludwig Achaz-Duisberg's Sprengbagger 1010 (1929), and Phil Jützi's Hunger in Waldenburg (1929) document and create a forum for discussing environmental change. The book then looks at film as a visual archive of and catalyst for infrastructure development, focusing on Metropolis (Fritz Lang, 1927), the mountain films of Arnold Fanck, and the Berlin films Stadt der Millionen (Adolf Trotz, 1925), Berlin: Die Sinfonie der Großstadt (Walter Ruttmann, 1927), and Menschen am Sonntag (1930). Nazi-era and postwar films are also examined. By exploring German film history alongside environmental history and theory, this book provides a case study of the power of film within processes of environmental transformation.

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Project 9: The Birth of the Air Commandos in World War II is a thoroughly researched narrative of the Allied joint project to invade Burma by air. Beginning with its inception at the Quebec Conference of 1943 and continuing through Operation Thursday until the death of the brilliant British General Orde Wingate in March 1944, less than a month after the successful invasion of Burma, Project 9 details all aspects of this covert mission, including the selection of the American airmen, the procurement of the aircraft, the joint training with British troops, and the dangerous night-time assault behind Japanese lines by glider.Based on review of hundreds of documents as well as interviews with surviving Air Commandos, this is the history of a colourful, autonomous, and highly effective military unit that included some of the most recognizable names of the era. Tasked by the General of the Army Air Forces, H. H. “Hap” Arnold, to provide air support for British troops under the eccentric Major General Wingate as they operated behind Japanese lines in Burma, the Air Commandos were breaking entirely new ground in operational theory, tactics, and inter-Allied cooperation. Okerstrom’s in-depth research and analysis in Project 9 shed light on the operations of America’s first foray into special military operations, when these heroes led the way for the formation of modern special operations teams such as Delta Force and Seal Team Six.

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‘There are few more moving accounts of the effects of time, the passage of history and the slow encroachment of age than this remarkable, epic novel’ Guardian Discover this powerful novel about the ordinary lives of the Baines sisters. The perfect next step for fans of Little Women. In The Old Wives' Tale, Arnold Bennett tells the story of two such old wives, sisters Constance and Sophia, from youth, through marriage, heartbreak, triumphs and disasters, to old age. In doing so, he reveals with careful compassion the intense inner lives that throb beneath every seemingly insignificant exterior. WITH AN INTRODUCTION BY SATHNAM SANGHERA

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"This book vividly captures vital and imaginative lessons from one of the most influential and joyous traditions of contemporary actor training. Any actor or teacher, who is devoted to the transformational power of the theatre, will want to return to these pages again and again, finding in them not only the work to be done, but also the inspiration to do it." James Bundy - Dean, Yale School of Drama; Artistic Director, Yale Repertory Theatre Movement training techniques allow actors to acquire the physical body language and non-verbal skills to clearly express the ideas and emotions of their characters. The techniques contained in this book help actors to develop awareness of their own natural posture, walk and rhythm, release the physical imagination and transform into the characters they are portraying, on stage, in film or on television. Movement Training for Actors provides a practical workbook approach to the core fundamentals of movement, fusing together the work of the key practitioners: Sigurd Leeder, Kurt Jooss, Rudolf Laban, Trish Arnold, Litz Pisk, F. M. Alexander, Moshé Feldenkrais, Jerzy Growtowski, Jacques Lecoq and Belinda Quirey. Chapters include Games, Pure Movement, Historical Dance, Acrobatics and Animal Study. The book is illustrated with photographs throughout and contains a DVD featuring over an hour of movement exercises further demonstrating the techniques. Movement Training for Actors is a masterclass on movement written by experienced coach, Jackie Snow and a culmination of her many years of teaching and coaching professionals. The highly practical approach will suit actors of all abilities as well as serving as an inspirational teaching guide.

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Taking in its sights Matthew Arnold's 'land of dreams', the collection explores the idealism and reality of a multicultural Britain with wit, intelligence and no small sense of mischief. Nagra, whose own parents came to England from the Punjab in the 1950s, conjures a jazzed hybrid language to tell stories of aspiration, assimilation, alienation and love, from a stowaway's first footprint on Dover beach to the disenchantment of subsequent generations. By turns realist and romantic, these charged and challenging poems never shy from confrontation, but remain, always, touched by a humorous zeal and an appetite for living.

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White women are one of the most influential demographics in America—we are the largest voting bloc, with purchasing power that exceeds anybody else's, and when we unify to demand change, we are a force to be reckoned with. Yet, so many of us sit idly on the sidelines, opting out of raising our hands to do, learn, and engage in ways that could make a difference. Why? White American women are no monolith. Yet, as Women's March national organizer Jenna Arnold has learned over the past few years criss-crossing the US in conversations with white women about their identity and role in the country, we do possess common characteristics—ones that get in the way of us becoming more engaged as citizens. We're so focused on checking off our to-do lists, or so afraid of getting it wrong, or so busy trying to avoid conflict, that we are actively avoiding the urgent conversations we need to have. We are confused about how we got here and unsure how to do better. Raising Our Hands is the reckoning cry for white women. It asks us to step up and join the new frontlines of the fight against complacency—in our homes, in our behaviors, and in our own minds. Consider Raising Our Hands your starting place, your "Intro to Being a White Woman in Today's World" freshman-year class. In these pages, Jenna peels back the history that's been kept out of textbooks and the cultural norms that are holding us back, so we can finally start really listening to marginalized voices and doing our part to promote progress. The American white woman is a powerful force—an essential participant—to mobilize alongside the rest of humanity on behalf of the world, and we can no longer make excuses for why we don't have time or don't know enough.

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Concentrate on the biblical author's message as it unfolds.Designed to assist the pastor and Bible teacher in conveying the significance of God's Word, the Zondervan Exegetical Commentary on the New Testament series treats the literary context and structure of every passage of the New Testament book in the original Greek.With a unique layout designed to help you comprehend the form and flow of each passage, the ZECNT unpacks: The key message. The author's original translation. An exegetical outline. Verse-by-verse commentary. Theology in application. While primarily designed for those with a basic knowledge of biblical Greek, all who strive to understand and teach the New Testament will benefit from the depth, format, and scholarship of these volumes.

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In the late summer and fall of 1777, after two years of indecisive fighting on both sides, the outcome of the American War of Independence hung in the balance. Having successfully expelled the Americans from Canada in 1776, the British were determined to end the rebellion the following year and devised what they believed a war-winning strategy, sending General John Burgoyne south to rout the Americans and take Albany. When British forces captured Fort Ticonderoga with unexpected ease in July of 1777, it looked as if it was a matter of time before they would break the rebellion in the North. Less than three and a half months later, however, a combination of the Continental Army and Militia forces, commanded by Major General Horatio Gates and inspired by the heroics of Benedict Arnold, forced Burgoyne to surrender his entire army. The American victory stunned the world and changed the course of the war. Kevin J. Weddle offers the most authoritative history of the Battle of Saratoga to date, explaining with verve and clarity why events unfolded the way they did. In the end, British plans were undone by a combination of distance, geography, logistics, and an underestimation of American leadership and fighting ability. Taking Ticonderoga had misled Burgoyne and his army into thinking victory was assured. Saratoga, which began as a British foraging expedition, turned into a rout. The outcome forced the British to rethink their strategy, inflamed public opinion in England against the war, boosted Patriot morale, and, perhaps most critical of all, led directly to the Franco-American alliance. Weddle unravels the web of contingencies and the play of personalities that ultimately led to what one American general called "the Compleat Victory."

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Isn't everyone the 'refrain of other people's lives'? This collection has to do with the feeling that your own life is determined by other people.Arnold Jansen op de Haar (1962) moved from Arnhem to London in 2014. His emigration brought everything into focus. The poems of this collection combine to form a story. What makes somebody the person he is?What do you do when everyone has disappeared and you are the last one?Arnold Jansen op de Haar, shuttling between two countries, sets out in search of his history.at my birthmy own father called meson and heir for laterbut later is lastI am the refrain ofother people's livesI repeat a self-evident truth

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SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2023THE SUNDAY TIMES HISTORY BOOK OF THE YEAR'Profoundly moving.' EDMUND DE WAAL'A work of searching scholarship, acute critical observation, philosophical heft, and deep feeling.' ALEX ROSS'A rare book: extraordinarily powerful - magisterial, meticulously rich and unexpected, deeply affecting and human.' PHILIPPE SANDSA remarkable and stirring account of how music acts as a witness to history and a medium of cultural memory in the post-Holocaust world.When it comes to how societies commemorate their own distant dreams and catastrophes, we often think of books, archives, or memorials carved from stone. But in Time's Echo, Jeremy Eichler makes a revelatory case for the power of music as culture's memory, an art form uniquely capable of carrying forward meaning from the past. Eichler shows how four towering composers - Richard Strauss, Arnold Schoenberg, Benjamin Britten and Dmitri Shostakovich - lived through the era of the Second World War and the Holocaust and later transformed their experiences into deeply moving works of music, scores that carry forward the echoes of lost time. A lyrical narrative full of insight and compassion, this book deepens how we think about the legacies of war, the presence of the past, and the profound possibilities of art in our lives today.

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This collection, born of obvious passion and graced with superb writing, is a welcome even necessary addition to the glutted holiday bookshelves. -- Publishers Weekly (starred review)Though Christians the world over make yearly preparations for Lent, there’s a conspicuous lack of good books for that other great spiritual season: Advent. All the same, this four-week period leading up to Christmas is making a comeback as growing numbers reject shopping-mall frenzy and examine the deeper meaning of the season.Ecumenical in scope, these fifty devotions invite the reader to contemplate the great themes of Christmas and the significance that the coming of Jesus has for each of us – not only during Advent, but every day. Whether dipped into at leisure or used on a daily basis, Watch for the Light gives the phrase “holiday preparations” new depth and meaning.Includes contributions by these and other writers: C. S. Lewis, Madeleine L’Engle, Thomas Merton, and Philip Yancey Dorothy Day, Henri Nouwen, Dietrich Bonhoeffer, Oscar Romero, and Edith Stein Martin Luther, Meister Eckhart, Eberhard Arnold, and Christoph Friedrich Blumhardt T. S. Eliot, John Donne, and Sylvia Plath Karl Barth, Will Willimon, Jürgen Moltmann, and J. B. Phillips Kathleen Norris, Brennan Manning, and Evelyn Underhill Annie Dillard, St. Thomas Aquinas, and Gerard Manley Hopkins Romano Guardini, St. John Chrysostom, and Giovanni Papini Jane Kenyon, Friedrich Wilhelm Foerster, Isaac Penington, and Alfred Delp

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Venice is a city full of secrets. For hundreds of years it has been the scene of scandal, intrigue and murderous rivalries. And it remains so today.1548, Lorenzino de Medici, himself a murderer and a man few will miss, is assassinated by two hired killers.Today, Marmaduke Godolphin, British TV historian and a man even fewer will miss, is stabbed by a stiletto blade on the exact same spot, his body dropping into the canal.Can the story of the first murder explain the attack on Godolphin? The Carabinieri certainly think so. They recruit retired archivist Arnold Clover to unpick the mystery and to help solve the case. But the conspiracy against Godolphin runs deeper than anyone imagined.

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Computation theory is a discipline that uses mathematical concepts and tools to expose the nature of "computation" and to explain a broad range of computational phenomena: Why is it harder to perform some computations than others? Are the differences in difficulty that we observe inherent, or are they artifacts of the way we try to perform the computations? How does one reason about such questions? This unique textbook strives to endow students with conceptual and manipulative tools necessary to make computation theory part of their professional lives. The work achieves this goal by means of three stratagems that set its approach apart from most other texts on the subject. For starters, it develops the necessary mathematical concepts and tools from the concepts' simplest instances, thereby helping students gain operational control over the required mathematics. Secondly, it organizes development of theory around four "pillars," enabling students to see computational topics that have the same intellectual origins in physical proximity to one another. Finally, the text illustrates the "big ideas" that computation theory is built upon with applications of these ideas within "practical" domains in mathematics, computer science, computer engineering, and even further afield. Suitable for advanced undergraduate students and beginning graduates, this textbook augments the "classical" models that traditionally support courses on computation theory with novel models inspired by "real, modern" computational topics,such as crowd-sourced computing, mobile computing, robotic path planning, and volunteer computing. Arnold L. Rosenberg is Distinguished Univ. Professor Emeritus at University of Massachusetts, Amherst, USA. Lenwood S. Heath is Professor at Virgina Tech, Blacksburg, USA.

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Robert Hayden was one of the most important American poets of the twentieth century. He left behind an exquisite body of work, collected in this definitive edition, including A Ballad of Remembrance, Words in the Mourning Time, The Night-Blooming Cereus, Angle of Ascent, and American Journal, which was nominated for a National Book Award. Also included is an introduction by American poet Reginald Dwayne Betts, as well as an afterword by Arnold Rampersad that provides a critical and historical context. In Hayden’s work the actualities of history and culture became the launching places for flights of imagination and intelligence. His voice—characterized by musical diction and an exquisite feeling for the formality of pattern—is a seminal one in American life and literature.

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The Story of the Masters is the first comprehensive year-by-year history of the world’s most famous golf tournament. Veteran golf journalist David Barrett draws upon contemporaneous reporting and other source material to offer dramatic accounts of each year the tournament has been played, starting in 1934. The story of the tournament progresses from the early years when it was founded by golf great Bobby Jones and quickly established itself as an elite event, to the post-World War II era when Sam Snead and Ben Hogan dominated. The thrilling exploits of dashing hero Arnold Palmer brought the tournament into the television age and the sustained excellence of Jack Nicklaus helped to further the prestige of the tournament. Nearly two full decades of European dominance of the Masters heralded the international age of golf. Then Tiger Woods came along and used the Augusta stage for his coming-out party in 1997 and then for his epic comeback in 2019. In Barrett's telling, each year has its own story to tell as the Augusta National course provides the perfect setting for tournament excitement, noted for suspenseful back-and-forth action between multiple contenders -— the norm at the Masters. The nature of the course's layout creates opportunities for stirring charges and heroic shots to determine the champion, while filled with enough danger to provoke monumental collapses that also become part of Masters lore. Through the decades, the game’s greatest players have shined their brightest at the Masters. Many golfing careers have been shaped and defined by this tournament, and Barrett shares unknown and forgotten stories of not only the sport's stars, but also the many others who challenged them over the years at Augusta.

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In Why Forgive? Arnold lets the untidy experiences of ordinary people speak for themselves--people who have earned the right to talk about forgiving. Some of these stories deal with violent crime, betrayal, abuse, hate, gang warfare, and genocide. Others address everyday hurts: the wounds caused by backbiting, gossip, conflicts in the home, and tensions in the workplace. The book also tackles what can be the biggest challenge: forgiving ourselves. These people, who have overcome the cancer of bitterness and hatred, can help you unleash the healing power of forgiveness in your own life. Why Forgive? these stories and decide for yourself.

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The seeds of heresy are contained in Christianity itself, which began as a religion of dissent. In the Middle Ages the Church was the main focus of intellectual activity, and its spiritual leaders themselves often questioned the practices and beliefs which heretics openly challenged. The documentary analysed in this volume trace the development of popular heresy from its beginnings. Four main themes are presented: the first manifestations of popular dissent in the eleventh century; the emergence of evangelical anticlericalism in the twelfth century; the infiltration of western heterodoxy in the mid-1100s; and the establishment and early organization of Cathar Churches in southern France and northern Italy which ultimately led to the inquisition. Originally published by Edward Arnold, 1975.

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The prophecy has come to pass. The London Stone has been stolen and the Dark King rules the Nowhere. Only Mona and the new Seer dare to stand against him, leading an underground rebellion in the frozen wasteland . . . but what chance do they have, against both the Army of the Mad and Arnold Mather's soldiers? There is still hope: if they can recruit a banished race to their cause, maybe Fin and his friends can force a final battle against the Dark King. But that aid will be hard-won, through an almost impossible quest, and even then there are no guarantees.It will come down to three friends, standing together against all odds. And fulfilling their destinies, whatever the cost . . .

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Here returned to print, at a timely moment in history, is Elie Kedourie's classic study of the Middle East in modern times. In analyzing British failures in the region during the zenith of their power and influence, Mr. Kedourie attributes much of Britain's faulty and disastrous handling of Middle East problems to what he calls "the Chatham House version." It was a view of Middle Eastern history and politics propounded and propagated in the various publications of the Royal Institute of International Affairs (known popularly as Chatham House), written or edited by Arnold Toynbee. The episodes that Mr. Kedourie investigates show "successive and cumulative manifestations of illusion, misjudgment, maladroitness, and failure." Together they point up hard lessons for the Bush administration or any outside power that would intervene in Middle Eastern affairs. "No better guide...can be found to the pitfalls awaiting those who seek to control the Middle East to their own advantage."—Asian Affairs "These twelve studies in the modern history of the Middle East [form] the most learned book, the most demanding therefore of rethinking, that has come out on the Middle East for many years, and anyone who in the future writes on any Middle Eastern subject, from any point of view, without consulting it, will do so at his or her grave peril."—London Telegraph

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AN ANGEL FALLS IN SUNDER CITY...In a city that lost its magic, an angel falls in a downtown street. His wings are feathered, whole - undeniably magical - the man clearly flew, for all that he plummeted to his downfall moments after.The mystery will set Fetch - in his quest to bring magic back to his beloved city - on a journey involving necromancers, genies and shadowy secret societies. Fetch will search Sunder's wildest forests and dingiest dive bars for the answer, and when he finds it, nothing will ever be the same again.A world recovers from losing its magic in this brilliantly-voiced contemporary fantasy series by Luke Arnold - perfect for fans of Ben Aaronovitch, Rotherweird or Terry Pratchett's Discworld Fetch Phillips: Man for Hire Bringing the magic back! Enquire at Georgio's café . . .

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The 1960 U.S. Open Golf Championship played at Cherry Hills Country Club in Denver, Colorado, remains perhaps the most dramatic, competitive, and passionate of all Open championships. In 1960 the young lions of the game were eager to reach the top tier occupied by venerable players such as Ben Hogan and Sam Snead. In this Open only a single stroke separated the three leaders-Ben Hogan, Arnold Palmer, and a young but talented amateur named Jack Nicklaus-on the final two holes. The stunning conclusion would prove a watershed in the lives of all three players, and in the game itself. Golf's Greatest Championship is a suspenseful, richly detailed chronicle of this epic chapter in the game of golf.

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Herbert Marcuse examined the subjective and material conditions of radical social change and developed the "Great Refusal," a radical concept of "the protest against that which is." The editors and contributors to the exciting new volume The Great Refusal provide an analysis of contemporary social movements around the world with particular reference to Marcuse's revolutionary concept. The book also engages-and puts Marcuse in critical dialogue with-major theorists including Slavoj Žižek and Michel Foucault, among others. The chapters in this book analyze different elements and locations of the contemporary wave of struggle, drawing on the work and vision of Marcuse in order to reveal, with a historical perspective, the present moment of resistance. Essays seek to understand recent uprisings-such as the Zapatistas in Mexico, the Arab Spring, and the Occupy movement-in the context of Marcuse's powerful conceptual apparatus.The Great Refusal also charts contemporary social movements against global warming, mass incarceration, police brutality, white supremacy, militarization, technological development, and more, to provide insights that advance our understanding of resistance today.Contributors include: Kevin B. Anderson, Stanley Aronowitz, Joan Braune, Jenny Chan, Angela Y. Davis, Arnold L. Farr, Andrew Feenberg, Michael Forman, Christian Fuchs, Stefan Gandler, Christian Garland, Toorjo Ghose, Imaculada Kangussu, George Katsiaficas, Douglas Kellner, Sarah Lynn Kleeb, Filip Kovacevic, Lauren Langman, Heather Love, Peter Marcuse, Martin J. Beck Matuštík, Russell Rockwell, AK Thompson, Marcelo Vieta, and the editors.

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*Read the book before you see the film, out September 2021!* Dear Evan Hansen, Today's going to be an amazing day and here's why...When a letter that was never meant to be seen draws high school senior Evan Hansen into the Murphy family's grief over the loss of their son, he is given the chance of a lifetime: to belong. He just has to stick to a lie he never meant to tell. That the notoriously troubled Connor Murphy was his secret best friend.Suddenly, Evan isn't invisible anymore. And Connor's wealthy parents have taken him in like he was their own, desperate to know more about their enigmatic son from his 'closest friend'.As Evan gets pulled deeper into their family, he knows that what he's doing may not be right, but if he's helping people, how wrong can it be?No longer tangled in his once-incapacitating anxiety, this new Evan has a purpose.He's confident. He's a viral phenomenon. Every day is amazing. But when everything is in danger of unravelling, he comes face to face with his greatest obstacle: himself.A simple lie leads to complicated truths in this big-hearted coming-of-age story of grief, authenticity and the struggle to belong in an age of instant connectivity and profound isolation.__________ Praise for Dear Evan Hansen:'Even in book form, Evan Hansen's story sings. Required reading, especially for anyone who's ever needed to be found' - Becky Albertalli, author of Love Simon'Dear Evan Hansen: The Novel is a terrific reinvention of an already brilliant piece of art.' -Jodi Picoult, author of My Sister's Keeper'Today's going to be an amazing day, and here's why: because you're holding this book.' - David Arnold, author of Mosquitoland'The writers of Dear Evan Hansen have given fans a rare gift' - Teen Vogue'Yep, the hit musical will make you cry just as much in book form' - Entertainment Weekly

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Assassin's Reign, the fourth in The Civil War Chronicles, Michael Arnold's acclaimed series of historical thrillers, sees battle-scarred hero Captain Stryker, 'the Sharpe of the Civil War', in the fight of his life.'Stands in comparison with the best of Cornwell' Yorkshire PostThe forces of King Charles are victorious; their Parliamentarian enemies in deep crisis. In the west, the crucial port city of Bristol has fallen, and Royalist eyes fall quickly upon neighbouring Gloucester. Its walls are weak, its garrison under strength, and its governor - Sir Edward Massie - suspected of harbouring sympathy for the King.Stryker and his men are with the army as it converges on Gloucester, still reeling from the loss of a close friend at the bloody Battle of Stratton. Ordered to infiltrate the rebel city on a mission to discover whether Massie will indeed surrender, Stryker reluctantly embarks upon his most desperate mission yet. But Gloucester's defenders are more resolute than any had imagined, and catastrophe soon befalls him. With his life seemingly forfeit, Stryker is spared by an unlikely saviour; Vincent Skaithlocke, his former commander. The mercenary has returned to England to fight for Parliament, and offers Stryker his protection. As old friends adjust to life fighting for opposing sides, Stryker begins to question his own loyalties . . . but a chance discovery makes him realise that all in Gloucester is not what it seems, for a hidden menace threatens his own life, and that of King Charles himself.

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Joseph Dan, the Gershom Scholem Professor of Kabbalah Emeritus at the Hebrew University and long-time Professor of Jewish Studies at the Freie Universität Berlin, is one of the most influential figures in the fields of Jewish mystical thought, homiletical and ethical literature, modern Messianism and Hasidism, and contemporary 'belles-lettres'. His studies of the diverse aspects of Jewish creativity, with close attention to the dialectics of religious-cultural continuity versus historical innovation, provide a comprehensive overview of the complex history of Jewish thought and its multiple creative faces. It is precisely for this reason, to honor Joseph Dan's multifaceted research, that his many colleagues, students, and friends, scattered among universities around the world, have decided to focus their contributions in this Festschrift on the continuing process of creation and re-creation in Jewish thought throughout the centuries. Contributors: Philip Alexander, Dan Ben-Amos, Peter Schäfer, Margarete Schlüter, Bernard McGinn, Klaus Herrmann, Herbert Davidson, Annelies Kuyt, Haym Soloveitchik, Eli Yassif, Gerold Necker, Marc Saperstein, Giuseppe Veltri, Aviezer Ravitzky, Avinoam Rosenak, Kimmy Caplan, Saverio Campanini, Eric Jacobson, Yair Zakovitch, Rachel Elior, David Weiss Halivni, Avigdor Shinan, Avraham Grossman, Giulio Busi, Moshe Hallamish, Chava Turniansky, Jacob Elbaum, Hagit Matras, Joseph Hacker, Raya Haran, Arnold J. Band, Hamutal Bar Yosef, Miri Kubovy, Naama ben Shahar.

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A landmark work of literary criticism by one of the foremost interpreters of nineteenth-century England, The Disappearance of God confronts the consciousness of an absent (though perhaps still existent) God in the writings of Thomas De Quincey, Robert Browning, Emily Brontë, Matthew Arnold, and Gerard Manley Hopkins. J. Hillis Miller surveys the intellectual and material developments that conspired to cut man off from God--among other factors the city, developments within Christianity, subjectivism, and the emergence of the modern historical sense--and shows how each writer's body of work reflects a sustained response to the experience of God's disappearance.

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In Race, Nation, History, Oded Y. Steinberg examines the way a series of nineteenth-century scholars in England and Germany first constructed and then questioned the periodization of history into ancient, medieval, and modern eras, shaping the way we continue to think about the past and present of Western civilization at a fundamental level. Steinberg explores this topic by tracing the deep connections between the idea of epochal periodization and concepts of race and nation that were prevalent at the time—especially the role that Germanic or Teutonic tribes were assumed to play in the unfolding of Western history. Steinberg shows how English scholars such as Thomas Arnold, Williams Stubbs, and John Richard Green; and German scholars such as Christian Karl Josias von Bunsen, Max Müller, and Reinhold Pauli built on the notion of a shared Teutonic kinship to establish a correlation between the division of time and the ascent or descent of races or nations. For example, although they viewed the Germanic tribes' conquest of the Roman Empire in A.D. 476 as a formative event that symbolized the transformation from antiquity to the Middle Ages, they did so by highlighting the injection of a new and dominant ethnoracial character into the decaying empire. But they also rejected the idea that the fifth century A.D. was the most decisive era in historical periodization, advocating instead for a historical continuity that emphasized the significance of the Germanic tribes' influence on the making of the nations of modern Europe. Concluding with character studies of E. A. Freeman, James Bryce, and J. B. Bury, Steinberg demonstrates the ways in which the innovative schemes devised by this community of Victorian historians for the division of historical time relied on the cornerstone of race.

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In this provocative and historically detailed reading of the relations between Victorian liberalism and aestheticism, David Wayne Thomas challenges current critical assumptions concerning modern liberal agency and aesthetic experience more generally. Through meticulous examinations of literature, visual arts, popular culture, and politics, Cultivating Victorians shows how a mid-Victorian liberal discourse of individual "many-sidedness"—understood as a cultivated disposition toward self-criticism and open-mindedness—was taken up by artists and writers as they claimed for art a self-reflecting agency at the core of the liberal ideal. Thomas makes plain, as well, the ongoing but often repressed stake of latter-day critics in the aesthetics of many-sidedness. As Thomas shows, an increasingly dominant mid-Victorian liberal culture employed its rhetoric of cultivation in projects as varied as aesthetic appreciation, self-improvement, and social amelioration. By looking to topics across both elite and popular culture, Thomas demonstrates how this liberal culture had to take shape in competition with other dimensions of Victorian public life. Thus several uncommon but illuminating contexts come under inspection here: the bizarre sensation of the Tichborne Claimant, a low-born imposter claiming a noble inheritance; the reportage on life-scale historical city replicas fashioned for temporary public exhibitions in the 1880s; and Dante Gabriel Rossetti's practice of producing and reproducing his artwork for a newly constituted consumer market. Thomas also reads extensively in notable Victorian intellectuals such as George Eliot, John Stuart Mill, John Ruskin, Matthew Arnold, and Oscar Wilde. Theoretically inventive, engagingly written, and vividly illustrated, Cultivating Victorians is a timely invitation to rethink liberal values—like autonomy and reflective judgment—that have been routinely condemned as atomistic individualism and false universalism in recent decades.

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A look at First Amendment coverage of music, non-representational art, and nonsense The Supreme Court has unanimously held that Jackson Pollock’s paintings, Arnold Schöenberg’s music, and Lewis Carroll’s poem “Jabberwocky” are “unquestionably shielded” by the First Amendment. Nonrepresentational art, instrumental music, and nonsense: all receive constitutional coverage under an amendment protecting “the freedom of speech,” even though none involves what we typically think of as speech—the use of words to convey meaning. As a legal matter, the Court’s conclusion is clearly correct, but its premises are murky, and they raise difficult questions about the possibilities and limitations of law and expression. Nonrepresentational art, instrumental music, and nonsense do not employ language in any traditional sense, and sometimes do not even involve the transmission of articulable ideas. How, then, can they be treated as “speech” for constitutional purposes? What does the difficulty of that question suggest for First Amendment law and theory? And can law resolve such inquiries without relying on aesthetics, ethics, and philosophy? Comprehensive and compelling, this book represents a sustained effort to account, constitutionally, for these modes of “speech.” While it is firmly centered in debates about First Amendment issues, it addresses them in a novel way, using subject matter that is uniquely well suited to the task, and whose constitutional salience has been under-explored. Drawing on existing legal doctrine, aesthetics, and analytical philosophy, three celebrated law scholars show us how and why speech beyond words should be fundamental to our understanding of the First Amendment.

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A look at First Amendment coverage of music, non-representational art, and nonsense The Supreme Court has unanimously held that Jackson Pollock’s paintings, Arnold Schöenberg’s music, and Lewis Carroll’s poem “Jabberwocky” are “unquestionably shielded” by the First Amendment. Nonrepresentational art, instrumental music, and nonsense: all receive constitutional coverage under an amendment protecting “the freedom of speech,” even though none involves what we typically think of as speech—the use of words to convey meaning. As a legal matter, the Court’s conclusion is clearly correct, but its premises are murky, and they raise difficult questions about the possibilities and limitations of law and expression. Nonrepresentational art, instrumental music, and nonsense do not employ language in any traditional sense, and sometimes do not even involve the transmission of articulable ideas. How, then, can they be treated as “speech” for constitutional purposes? What does the difficulty of that question suggest for First Amendment law and theory? And can law resolve such inquiries without relying on aesthetics, ethics, and philosophy? Comprehensive and compelling, this book represents a sustained effort to account, constitutionally, for these modes of “speech.” While it is firmly centered in debates about First Amendment issues, it addresses them in a novel way, using subject matter that is uniquely well suited to the task, and whose constitutional salience has been under-explored. Drawing on existing legal doctrine, aesthetics, and analytical philosophy, three celebrated law scholars show us how and why speech beyond words should be fundamental to our understanding of the First Amendment.

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Songs of Sonderling is the story of Jacob Sonderling's unique contributions to Jewish liturgical music. Rabbi Sonderling was many things: a descendant of Chassidic rebbes, a rationalist, a Reform rabbi, a Zionist, an army chaplain, a celebrated orator, an artistic soul. From his early career at the Hamburg Temple and German Army service in World War I, to his wandering years in the Eastern United States and founding of the Society for Jewish Culture–Fairfax Temple in Los Angeles, Sonderling cultivated a unique aesthetic vision of Judaism, a "five-sense appeal."Jonathan L. Friedmann and John F. Guest document and analyze Sonderling's experience and expression of Judaism through music. Rabbi Sonderling's vision yielded liturgical commissions from exiled Viennese Jewish composers who arrived in Los Angeles in the 1930s and 1940s. Through these musical settings, activities at the Fairfax Temple, and involvement with the Los Angeles campus of the Hebrew Union College–Jewish Institute of Religion, Sonderling made an indelible mark on the city's Jewish community and the wider musical world.Songs of Sonderling focuses on the commissions Sonderling made from 1938 to 1945: Ernst Toch's Cantata of the Bitter Herbs, Arnold Schoenberg's Kol Nidre, Erich Wolfgang Korngold's A Passover Psalm and Prayer, and Eric Zeisl's Requiem Ebraico. Through musical analyses and an examination of Sonderling's career in Los Angeles, Friedmann and Guest contribute to the study of Jewish liturgical music, to Jewish history in the American West, to Jewish identity in the twentieth century, and to Jewish diaspora writ large.

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From Tudor oyster pedlars and Victorian pie and mash shops, to the supper clubs and street food scene flourishing today, Britain's capital has always been a tantalising draw for those who live to eat. In Made in London, Londoner Leah Hyslop offers a joyful celebration of the city and its food, past and present. The book features recipes invented in the city; such as the 18th century treat Chelsea buns (a favourite of King George II) and Omelette Arnold Bennett, created for the famous writer while staying at the Savoy Hotel. Alongside these are new, exciting dishes, inspired by the Leah’s eating adventures around the capital: such as a mouthwatering Pimm’s and lemon curd trifle, an unusual goat’s cheese and cherry tart and an easy twist on Indian restaurant Dishoom’s iconic bacon naan, one of the best brunches in London. Interspersed with the recipes are short, entertaining histories and profiles about London’s food scene, including the tale of the 18th century 'gin craze'; a profile of the East End’s most beloved greasy spoon; and why Scotch eggs might have actually been invented in a London department store! Short shopping guides, lifting the lid on such pressing gastronomic questions as where to buy cheese, the city's most delicious chocolate shops, or the best cocktail bars for a nightcap (or two…) are also featured. Beautifully illustrated with contemporary photographs of London, alongside vintage images sourced from historic archives, this is a book for anyone who has ever lived in, visited or simply dreamt of sipping a cocktail while watching red buses trundle by in the world's greatest city.

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Simon Heffer's new book forms an ambitious exploration of the making of the Victorian age and the Victorian mind.Britain in the 1840s was a country wracked by poverty, unrest and uncertainty, where there were attempts to assassinate the Queen and her prime minister, and the ruling class lived in fear of riot and revolution. By the 1880s it was a confident nation of progress and prosperity, transformed not just by industrialisation but by new attitudes to politics, education, women and the working class. That it should have changed so radically was very largely the work of an astonishingly dynamic and high-minded group of people – politicians and philanthropists, writers and thinkers – who in a matter of decades fundamentally remade the country, its institutions and its mindset, and laid the foundations for modern society. It traces the evolution of British democracy and shows how early laissez-faire attitudes to the lot of the less fortunate turned into campaigns to improve their lives and prospects. It analyses the birth of new attitudes to education, religion and science. And it shows how even such aesthetic issues as taste in architecture were swept in to broader debates about the direction that the country should take. In the process, Simon Heffer looks at the lives and deeds of major politicians, from the devout and principled Gladstone to the unscrupulous Disraeli; at the intellectual arguments that raged among writers and thinkers such as Matthew Arnold, Thomas Carlyle, and Samuel Butler; and at the 'great projects' of the age, from the Great Exhibition to the Albert Memorial. Drawing heavily on previously unpublished documents, he offers a superbly nuanced insight into life in an extraordinary era, populated by extraordinary people – and how our forebears’ pursuit of perfection gave birth to modern Britain.

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'Who knew that writing with this degree of care and pain and tact was still possible? For my money it's the best first volume in decades, I would say since Tom Paulin's A State of Justice (1977): no dead weight, foot-perfect and engaging.' Michael Hofmann, Times Literary Supplement, Books of the YearCrisis Actor chronicles various failures and farewells. It is peopled by faded heroes and deferential devotees; a hanged donkey, a bloated rat; solitary bachelors and disillusioned youths - these are the watchers, not the players. The poems are awash with rueful self-accusation and laconic scepticism. There are touching elegies, reportage and bruised, wary replayings. A blistering sequence about boxers and their fates weaves through the collection. The overwhelming sense is of life going on elsewhere, the halcyon days and brightest of years long past. This is the aftermath of being one who - in Matthew Arnold's words - 'has reached his utmost limits and finds . . . himself far less than he had imagined himself'.But there are still flashes of camaraderie, of stars aligning: lunchtimes in sunlit garden squares, languorous pub afternoons, cheering on and hard-won triumphs. These precious, precarious moments point to how we might reclaim potential, discover human connection in times of defeat or despair, and reach towards grace and redemption.'Elegant and heartaching, these poems illuminate the sorrows of life with a bright flame, returning us to that miraculous human capacity for love and faith even in our darkest days.' Liz Berry'Declan Ryan reveals himself a master of both the telling detail and of narrative suspense. Each exquisitely orchestrated vignette delivers a punch worthy of the heroes of the ring here commemorated.' Mark Ford

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The first book in English on the German Gothic in over thirty years, consisting of new essays investigating the internationality of the Gothic mode. The literary mode of the Gothic is well established in English Studies, and there is growing interest in its internationality. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly -- for instance, in the form of plagiarized texts or pseudo-translations of nonexistent sources. In the 1790s, when the English Gothic novel was emerging, the real or ostensible source of many of these uncanny texts was Germany. Thisfirst book in English dedicated to the German Gothic in over thirty years is aimed at students and researchers in German Studies and English Studies, and redresses deficiencies in existing sources, which are outdated, piecemeal, or not sufficiently grounded in German Studies. The book examines the international reception of German Gothic since the 1790s heyday of the Gothic novel in Britain and Germany; traces a line of Gothic writing in German to thepresent day; and inquires into the extraliterary impact of German Gothic. Thus the essays do full justice to the Gothic as a site of conflict and exchange -- both between cultures and between discourses. Contributors:Peter Arnds, Silke Arnold-de Simine, Jürgen Barkhoff, Matthias Bickenbach, Andrew Cusack, Mario Grizelj, Jörg Kreienbrock, Barry Murnane, Victor Sage, Monika Schmitz-Emans, Catherine Smale, Andrew Webber Andrew Cusack is Alexander von Humboldt Research Fellow at the Institut für Kulturwissenschaft of the Humboldt-Universität Berlin. Barry Murnane is Assistant Professor of German and Comparative Literature at the Martin-Luther-Universität Halle-Wittenberg, Germany.

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By the 1920s, Jews were--by all economic, political, and cultural measures of the day--making it in America. But as these children of immigrants took their places in American society, many deliberately identified with groups that remained excluded. Despite their success, Jews embraced resistance more than acculturation, preferring marginal status to assimilation. The stories of Al Jolson, Felix Frankfurter, and Arnold Rothstein are told together to explore this paradox in the psychology of American Jewry. All three Jews were born in the 1880s, grew up around American Jewish ghettos, married gentile women, entered the middle class, and rose to national fame. All three also became heroes to the American Jewish community for their association with events that galvanized the country and defined the Jazz Age. Rothstein allegedly fixed the 1919 World Series--an accusation this book disputes. Frankfurter defended the Italian anarchists Sacco and Vanzetti. Jolson brought jazz music to Hollywood for the first talking film, The Jazz Singer, and regularly impersonated African Americans in blackface. Each of these men represented a version of the American outsider, and American Jews celebrated them for it. Michael Alexander's gracefully written account profoundly complicates the history of immigrants in America. It challenges charges that anti-Semitism exclusively or even mostly explains Jews' feelings of marginality, while it calls for a general rethinking of positions that have assumed an immigrant quest for inclusion into the white American mainstream. Rather, Alexander argues that Jewish outsider status stemmed from the group identity Jews brought with them to this country in the form of the theology of exile. Jazz Age Jews shows that most Jews felt culturally obliged to mark themselves as different--and believed that doing so made them both better Jews and better Americans.

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