Search results for ""author arnold a."

The spectacular revival of serious music in England is a chief feature of the history of British culture from the turn of the twentieth century and after. For some two centuries the art form had stagnated in England, which was referred to, notoriously, by a German commentator as 'the land without music'. But then came a great renaissance. In the three linked essays that make up this book, Keith Alldritt, the most recent biographer of Vaughan Williams, examines the several phases and genres of this revival. A number of composers including Gustav Holst, Arnold Bax and William Walton contributed to the renewal. But this book presents the renaissance as centrally a continuity of enterprise, sometimes of riposte, running from Elgar to Vaughan Williams and then to Benjamin Britten. Their concern was with music at its most serious, though not unceasingly humourless. All three explored music's frontier with philosophy. They also probed the psychological impact of the unprecedently violent and destructive century in which they practised their art. Going beyond musicological comment, England Resounding essays insights into the historical, geopolitical and personal events that elicited the major works of these three great composers.

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Introducing Starla Jean! She's full of moxie, clever as a fox, and obsessed with catching a chicken she finds at the park. When Starla first sees the scrawny bird wandering around, she just knows they're destined for each other. Her dad says, 'If you can catch it, you can keep it,' and Starla Jean is not one to back down from a challenge. Printz Honor winner and National Book Award Finalist Elana K. Arnold makes her chapter book debut with this irresistible story of a girl and her chicken.

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Tamera Musiowsky-Borneman and C. Y. Arnold have developed a way to bring a minimalist mindset to the classroom and shed the burden of too many initiatives, strategies, and "things" in general. Their Triple P process helps teachers declutter in three steps: identify something's purpose, prioritize what is important, and pare down to essentials.Because the Triple P process emphasizes structured and candid self-reflection to determine what is essential, meaningful, and useful—and then discard what is extraneous—The Minimalist Teacher can be adapted to the physical classroom environment, curriculum, instruction, assessment, and more. Each chapter provides sample reflection questions and brainstorming activities to help teachers* Reduce mental and physical waste.* Manage burnout and stress.* Advocate for minimalism in the school.* Prioritize resources that best support student learning.Teachers face countless decisions every day, few of which are easy, but they don't have to be overwhelming. No matter the classroom, you can take control of your daily decisions in a way that reduces educator stress and builds a better learning environment for students.

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Microsoft Power BI is a data analytics and visualization tool powerful enough for the most demanding data scientists, but accessible enough for everyday use for anyone who needs to get more from data. The market has many books designed to train and equip professional data analysts to use Power BI, but few of them make this tool accessible to anyone who wants to get up to speed on their own. This streamlined intro to Power BI covers all the foundational aspects and features you need to go from "zero to hero" with data and visualizations. Whether you work with large, complex datasets or work in Microsoft Excel, author Jeremey Arnold shows you how to teach yourself Power BI and use it confidently as a regular data analysis and reporting tool. You'll learn how to: Import, manipulate, visualize, and investigate data in Power BI Approach solutions for both self-service and enterprise BI Use Power BI in your organization's business intelligence strategy Produce effective reports and dashboards Create environments for sharing reports and managing data access with your team Determine the right solution for using Power BI offerings based on size, security, and computational needs

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This invaluable book features bibliographies, important papers, and speeches (for example at international congresses) of Wolf Prize winners, such as V I Arnold, P R Deligne, H Furstenberg, I M Gel'fand, P A Griffiths, M Gromov and G A Margulis. This is the first time that documents on Wolf Prize winners have been published together. Since the work of the Wolf laureates covers a wide spectrum, much of the mathematics of the twentieth century comes to life in this book.

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A passionate, wry, and personal book about how the greatest works of literature illuminate our livesWhy do we read literature? For Arnold Weinstein, the answer is clear: literature allows us to become someone else. Literature changes us by giving us intimate access to an astonishing variety of other lives, experiences, and places across the ages. Reflecting on a lifetime of reading, teaching, and writing, The Lives of Literature explores, with passion, humor, and whirring intellect, a professor’s life, the thrills and traps of teaching, and, most of all, the power of literature to lead us to a deeper understanding of ourselves and the worlds we inhabit.As an identical twin, Weinstein experienced early the dislocation of being mistaken for another person—and of feeling that he might be someone other than he had thought. In vivid readings elucidating the classics of authors ranging from Sophocles to James Joyce and Toni Morrison, he explores what we learn by identifying with their protagonists, including those who, undone by wreckage and loss, discover that all their beliefs are illusions. Weinstein masterfully argues that literature’s knowing differs entirely from what one ends up knowing when studying mathematics or physics or even history: by entering these characters’ lives, readers acquire a unique form of knowledge—and come to understand its cost.In The Lives of Literature, a master writer and teacher shares his love of the books that he has taught and been taught by, showing us that literature matters because we never stop discovering who we are.

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Examines the decline and resurgence of Haydn's reputation in an effort to better understand the forces that shape critical reception on a broad scale. By the 1840s Joseph Haydn, who died in 1809 as the most celebrated composer of his generation, had degenerated into the bewigged "Papa Haydn," a shallow placeholder in music history who merely invented the forms used by Beethoven.In a remarkable reversal, Haydn swiftly regained his former stature within the opening decades of the twentieth century. Reviving Haydn: New Appreciations in the Twentieth Century examines both the decline and the subsequent resurgence of Haydn's reputation in an effort to better understand the forces that shape critical reception on a broad scale. No single person or event marked the turning point for Haydn's reputation. Instead a broad resurgence reshaped opinion in Europe and the United States in short order. The Haydn revival engaged many of the music world's leading figures -- composers (Vincent d'Indy and Arnold Schoenberg), conductors (Arturo Toscanini), performers (Wanda Landowska), critics (Lawrence Gilman), and scholars (Heinrich Schenker and Donald Tovey) -- each of whom valued Haydn's music for specific reasons and used it to advance particular goals. Yet each advocated for a rehearing and rereading of the composer's works, calling for a new appreciation of Haydn's music. Bryan Proksch is Assistant Professor of Music History at Lamar University.

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Persian literature is the jewel in the crown of Persian culture. It has profoundly influenced the literatures of Ottoman Turkey, Muslim India and Turkic Central Asia and been a source of inspiration for Goethe, Emerson, Matthew Arnold and Jorge Luis Borges among others. Yet Persian literature has never received the attention it truly deserves. A History of Persian Literature answers this need and offers a new, comprehensive and detailed history of its subject. This 18-volume, authoritative survey reflects the stature and significance of Persian literature as the single most important accomplishment of the Iranian experience. It includes extensive, revealing examples with contributions by prominent scholars who bring a fresh critical approach to bear on this important topic. The third volume in this ground-breaking series explores mainly the poems written in the couplet form (mathnavi) including narrative mathnavis, allegorical mathnavis such as The Conference of the Birds by Attar as well as didactive mathnavis such as Sa'di's Bustan and Rumi's Mathnavi-ye Ma'navi.Included in this volume are also Strophic Poetry, Satirical and Invective Poems and Occasional Poems (qat'e) and some rarer forms of Persian poetry. This volume is an invaluable companion for anyone who wants to understand the continuing relevance and influence of Classical Persian Poetry.

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This book considers how nature - in both its biological and environmental manifestations - has been invoked as a dynamic force in human history. It shows how historians, philosophers, geographers, anthropologists and scientists have used ideas of nature to explain the evolution of cultures, to understand cultural difference, and to justify or condemn colonization, slavery and racial superiority. It examines the central part that ideas of environmental and biological determinism have played in theory, and describes how these ideas have served in different ways at different times as instruments of authority, identity and defiance. The book shows how powerful and problematic the invocation of nature can be.

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Highly regarded Old Testament scholar John Goldingay offers a substantive and useful commentary on the book of Genesis that is both critically engaged and sensitive to the theological contributions of the text. This volume, the first in a new series on the Pentateuch, complements the successful Baker Commentary on the Old Testament: Wisdom and Psalms series (series volumes have sold over 55,000 copies). Each series volume will cover one book of the Pentateuch, addressing important issues and problems that flow from the text and exploring the contemporary relevance of the Pentateuch. The series editor is Bill T. Arnold, the Paul S. Amos Professor of Old Testament Interpretation at Asbury Theological Seminary.

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In the years between 1930 and 1980, some of the best-known photographers from around the world came to London and made its streets, buildings and communities their subject. For some, the British capital was to become home; for others it remained a foreign city, as enigmatic perhaps as any they had visited. Each brought their own distinctive perspective,subverting or perpetuating national stereotypes, seeking out the typical or the exotic, attempting to penetrate the fabled British reserve with their lens. Together their work creates a portrait of a great world city, changing and mutating, a restless and fascinating muse. This remarkable book, accompanying a major exhibition at Tate Britain in London's Olympic year, demonstrates the breadth and variety of the responses London provoked from visiting photographers during the period, from portraits to reportage, from social realism to whimsy and humour, the changes in their technique and attitude demonstrating developments in photography itself. Essays by selected critics will address both the photographers' contributions and the history of London. Artists represented feature some of the greatest names in twentieth century photography, including Eve Arnold, Dorothy Bohm, Bill Brandt, Henri-Cartier Bresson, Bruce Davidson, Elliot Erwitt, Robert Frank, Leonard Freed, Emil Hoppe,Inge Morath, Dora Maar, Irving Penn, Willy Ronis and Al Vandenberg.

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The One Resource with All the Facts You hear about Israel in the news regularly, but beyond the many opinions and preconceptions, do you really know what to make of the conflicts and controversies in the Middle East? What Should We Think About Israel? exposes the main current issues and provides well-researched objective facts to help you learn the truth about Israel’s past, present, and future. This compilation from experts including Walter Kaiser, Jr., David Brickner, Mitch Glaser, Michael Brown, Arnold Fructenbaum, and Steven Ger, will help you answer the tough questions: What is the history of the strife and suffering that continues in Israeli and Palestinian territories—and what are the potential solutions? What are the significant and long-term implications of locating the US Embassy in Jerusalem? Why is the Holocaust still such a big deal nearly 75 years after it happened? What is the Boycott, Divestment, Sanctions movement all about? What is being done to restore relations between Jews and Arabs? Learn from respected scholars how to look past the heated debates and discern for yourself what is important to know about Israel, and how that affects you today.

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A comprehensive look at the academic criticism of Jane Austen from her time down to the present. Among the most important English novelists, Jane Austen is unusual because she is esteemed not only by academics but by the reading public. Her novels continue to sell well, and films adapted from her works enjoy strong box-officesuccess. The trajectory of Austen criticism is intriguing, especially when one compares it to that of other nineteenth-century English writers. At least partly because she was a woman in the early nineteenth century, she was longneglected by critics, hardly considered a major figure in English literature until well into the twentieth century, a hundred years after her death. Yet consequently she did not suffer from the reaction against Victorianism thatdid so much to hurt the reputation of Dickens, Tennyson, Arnold, and others. How she rose to prominence among academic critics - and has retained her position through the constant shifting of academic and critical trends - is a story worth telling, as it suggests not only something about Austen's artistry but also about how changes in critical perspective can radically alter a writer's reputation. Laurence W. Mazzeno is President Emeritus of Alvernia University, Reading, Pennsylvania.

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An examination of the most significant literary criticism on Wilde at the turn of the century. In 1891, Oscar Wilde defined 'the highest criticism' as 'the record of one's own soul, and insisted that only by 'intensifying his own personality' could the critic interpret the personality and work of others. This book exploreswhat Wilde meant by that statement, arguing that it provides the best standard for judging literary criticism about Wilde a century after his death. Melissa Knox examines a range of Wilde criticism in English -- including the work of Lawrence Danson, Michael Patrick Gillespie, Ed Cohen, and Julia Prewitt Brown. Applying Wilde's standards to his critics, Knox discovers that the best of them take to heart Wilde's idea of the aim of criticism -- 'to see theobject as in itself it really is not.' By this, Wilde appreciates Walter Pater's profound observation that everyone sees through a 'thick wall of personality' and that, therefore, objectivity as conceived by Matthew Arnold does not exist. Admiring Pater, Wilde became a prophet for Freud, his exact contemporary. Their intellectual sympathies, made obvious in Knox's exegesis, help to make the case for Wilde as a modern, not a Victorian. Melissa Knox's book Oscar Wilde: A Long and Lovely Suicide was published in 1994. She teaches at the University of Duisburg-Essen, Germany.

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For most North Americans—Canadians as well as Americans—the term "Western" evokes images of the frontier, brave sheriffs and ruthless outlaws, good cowboys and bad Indians. As Arnold E. Davidson shows in this groundbreaking study, a number of Canada’s most interesting and experimental Western writers parody, reverse, or otherwise defuse the paraphernalia of the classic U.S. Western. Lacking both a real and imagined frontier—Canadian settlers rode trains into the new territory, already policed by Mounties—the writers of Canadian Westerns were set a different task from their American counterparts and were subsequently freed to create some of the most complex and engrossing fiction yet produced in Canada.Davidson details the evolution of the U.S. and Canadian Western forms, tracing the divergence between the two as Canadian writers responded to their unique historical circumstances by reinventing the West as well as the Western and establishing a new literary landscape where author and reader could work out new possibilities of being. Surveying a range of texts by Canada’s most innovative writers, with special attention to women writers and Native stories of Coyote, he provides close readings of novels by Howard O’Hagan, Sheila Watson, Robert Kroetsch, Aritha van Herk, Anne Cameron, Peter Such, W. O. Mitchell, Beatrice Culleton, and Thomas King. A unique study, Coyote Country offers at one and the same time a theory of Canadian Western fiction, a history of crosscultural paradigms of the West as manifested in novels, and an intensive reading of some of Canada’s best literature.

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Move over, Benedict Arnold . . .Oh to be sure, America''s first traitor is one of the 101 bastards you will find in this one-of-a-kind account of bad guys in Washington. But compared to some of the gross misconduct in this frighteningly funny history book, well, let''s just say he''s in good company. This page-turner of a potboiler reveals all the dirtiest little secrets readers never learned in history class. From illegitimate children (we thought Grover Cleveland was too boring to have sex) and illicit trysts (Warren G. Harding in the White House phone booth with his secretary) to turncoats (make up your own mind about Daniel Ellsberg) and traitors (General Wilkinson, aka a Spanish secret agent), you will discover all the dirt worth dishing since the founding of Jamestown.The Book of Bastards - because what you don''t know about the history of our great nation can make you laugh and cry!

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The social practice of tact was an invention of the nineteenth century, a period when Britain was witnessing unprecedented urbanization, industrialization, and population growth. In an era when more and more people lived more closely than ever before with people they knew less and less about, tact was a new mode of feeling one’s way with others in complex modern conditions. In this book, David Russell traces how the essay genre came to exemplify this sensuous new ethic and aesthetic.Russell argues that the essay form provided the resources for the performance of tact in this period and analyzes its techniques in the writings of Charles Lamb, John Stuart Mill, Matthew Arnold, George Eliot, and Walter Pater. He shows how their essays offer grounds for a claim about the relationship among art, education, and human freedom—an “aesthetic liberalism”—not encompassed by traditional political philosophy or in literary criticism. For these writers, tact is not about codes of politeness but about making an art of ordinary encounters with people and objects and evoking the fullest potential in each new encounter. Russell demonstrates how their essays serve as a model for a critical handling of the world that is open to surprises, and from which egalitarian demands for new relationships are made.Offering fresh approaches to thinking about criticism, sociability, politics, and art, Tact concludes by following a legacy of essayistic tact to the practice of British psychoanalysts like D. W. Winnicott and Marion Milner.

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A lavishly illustrated reference on a little-known chapter in art history – the art of the three Baltic States, covering a wide range of mediums, movements and styles. The Baltic States – Lithuania, Latvia and Estonia – retain strong cultural identities that have survived despite centuries of colonization by powerful neighbouring lands. By the late 19th and early 20th centuries, artists and writers were starting to reclaim and promote their own artistic heritage as radically distinct from that of the invading nations, with pioneers such as M. K. Ciurlionis and Vilhelms Purvitis demonstrating rare originality in their work. In the wake of the First World War, the three Baltic countries regained their autonomy, and the 1920s and 30s became a rich period of openness and international artistic exchange. Modernism in all its forms flourished, not only in painting but in sculpture, printmaking, photomontage and the decorative arts, ranging from the elegant abstraction of Arnold Akberg to the provocative figuration of Karlis Padegs and the experimental photography of Domicele Tarabildiene. Art of the Baltic States is organized into three main chapters, documenting the history of art in each country. Enriched with illustrations from important museum collections, Fauchereau covers key art movements as well as their complex historical background, from time under the Czars and the German crown to the invasion by the Soviet Union and beyond. With each country showcased in its own lavishly illustrated section, this is a wonderful guide to a vibrant field in European art history that is often overlooked but deserves rediscovery and a place on the global stage.

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Stephen Eric Bronner revisits the modernist project's groundbreaking innovations, itsexperimental imagination, and its utopian politics. Reading the artistic and intellectual achievements of the movement's leading figures against larger social, political, and cultural trends, he follows the rise of a flawed yet salient effort at liberation and its confrontation with modernity. Modernism at the Barricades features chapters on expressionism, futurism, surrealism, and revolutionary art and includes fresh perspectives on the work of Arnold Schoenberg, Wassily Kandinsky, and Emil Nolde, among others. The volume illuminates an international avant garde intent on resisting bureaucracy, standardization, scientific rationality, and the increasing commodification of mass culture. Modernists sought new ways of feeling, new forms of expression, and new possibilities of experience while seeking to refashion society. Liberation was their aim, along with the invigoration of daily life-yet their process entangled political resistance with the cultural. Exploring both the political responsibility of the artist and the manipulation of authorial intention, Bronner reconfigures the modernist movement for contemporary progressive purposes and offers insight into the problems still complicating cultural politics. He ultimately reasserts the political dimension of developments often understood in purely aesthetic terms and confronts the self-indulgence and political irresponsibility of certain so-called modernists today. The result is a long overdue reinterpretation and rehabilitation of the modernist legacy for a new age.

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Bartering with the Bones of their Dead tells the unique story of a tribe whose members waged a painful and sometimes bitter twenty-year struggle among themselves about whether to give up their status as a sovereign nation. Over one hundred federally recognized Indian tribes and bands lost their sovereignty after the Eisenhower Administration enacted a policy known as termination, which was carefully designed to end the federal-Indian relationship and to dissolve Indian identity. Most tribes and bands fought this policy; the Colville Confederated Tribes of north-central Washington State offer a rare example of a tribe who pursued termination. Some Colville tribal members who favored termination wanted a life free from federal supervision and a return to the era when each band of the confederation managed its own affairs. Other termination advocates simply sought the financial payout that termination promised. Opponents of termination wanted to protect tribal identities and lands, hoped to preserve the Colville heritage and homeland for future generations, and sought to compel the federal government to live up to its promises. Laurie Arnold tells the story of those years on the Colville reservation with the perspective both of a thorough and careful historian and of an insider who grew up listening to the voices and memories of her elders. Watch the book trailer: http://www.youtube.com/watch?v=4N_jvwYb6z0

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Richard Overy's The Morbid Age opens a window onto the creative but anxious period between the First and Second World Wars. British intellectual life between the wars stood at the heart of modernity; it was the golden age of the public intellectual and scientist: Arnold Toynbee, Aldous and Julian Huxley, H. G. Wells, Marie Stopes and a host of others. Yet, as Richard Overy argues, a striking characteristic of so many of the ideas that emerged from this new age - from eugenics to the Freudian unconscious, to modern ideas of pacifism and world government - was the fear that the West was faced a dystopian future of war, economic collapse and racial degeneration. Brilliantly evoking a Britain of BBC radio lectures, public debates, peace demonstrations, pamphleteers, psychoanalysts, anti-fascist volunteers, sex education manuals and science fiction, The Morbid Age reveals a time at once different from, and yet surprisingly similar to, our own. 'History at its best' Economist 'The carefree image of life in Britain between the wars is overturned in this magnificent account' Peter Preston, Observer 'It is hard to imagine anyone recording these times more exactly and more intelligently, or with greater insight and scholarship, than Overy has' Simon Heffer, Daily Telegraph 'With learning, lucidity and wit, The Morbid Age ... brilliantly describes the sense of an inevitably approaching catastrophe' Eric Hobsbawm, London Review of Books Richard Overy is Professor of History at the University of Exeter. His books include Why the Allies Won, Russia's War, The Battle of Britain and The Dictators, which won the Wolfson and the Hessell Tiltman Prizes for history in 2005.

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Fifty-two readings on living in intentional Christian community to spark group discussion.Gold Medal Winner, 2017 Illumination Book Awards, Christian LivingSilver Medal Winner, 2017 Benjamin Franklin Award in Religion, Independent Book Publishers AssociationWhy, in an age of connectivity, are our lives more isolated and fragmented than ever? And what can be done about it? The answer lies in the hands of God’s people. Increasingly, today’s Christians want to be the church, to follow Christ together in daily life. From every corner of society, they are daring to step away from the status quo and respond to Christ’s call to share their lives more fully with one another and with others. As they take the plunge, they are discovering the rich, meaningful life that Jesus has in mind for all people, and pointing the church back to its original calling: to be a gathered, united community that demonstrates the transforming love of God.Of course, such a life together with others isn’t easy. The selections in this volume are, by and large, written by practitioners—people who have pioneered life in intentional community and have discovered in the nitty-gritty of daily life what it takes to establish, nurture, and sustain a Christian community over the long haul.Whether you have just begun thinking about communal living, are already embarking on sharing life with others, or have been part of a community for many years, the pieces in this collection will encourage, challenge, and strengthen you. The book’s fifty-two chapters can be read one a week to ignite meaningful group discussion.Contributors include: John F. Alexander, Eberhard Arnold, J. Heinrich Arnold, Johann Christoph Arnold, Alden Bass, Benedict of Nursia, Christoph Friedrich Blumhardt, Leonardo Boff, Dietrich Bonhoeffer, Joan Chittister, Stephen B. Clark, Andy Crouch, Dorothy Day, Anthony de Mello, Elizabeth Dede, Catherine de Hueck Doherty, Fyodor Dostoyevsky, Jenny Duckworth, Friedrich Foerster, Richard J. Foster, Jodi Garbison, Arthur G. Gish, Helmut Gollwitzer, Adele J Gonzalez, Stanley Hauerwas, Joseph H. Hellerman, Roy Hession, David Janzen, Rufus Jones, Emmanuel Katongole, Arthur Katz, Søren Kierkegaard, C. Norman Kraus, C.S. Lewis, Gerhard Lohfink, Ed Loring, Chiara Lubich, George MacDonald, Thomas Merton, Hal Miller, José P. Miranda, Jürgen Moltmann, Charles E. Moore, Henri J. M. Nouwen, Elizabeth O’Connor, John M. Perkins, Eugene H.Peterson, Christine D. Pohl, Chris Rice, Basilea Schlink, Howard A. Snyder, Mother Teresa, Thomas à Kempis, Elton Trueblood, and Jonathan Wilson-Hartgrove.

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A shipwrecked elephant makes his tiny island a home for the many friends who come to the rescue, in the new picture book from New York Times Illustrated Book Award winning author. Caught in a storm, Arnold the elephant washes up on a tiny island. Along comes Mouse in a little dingy and Arnold steps aboard...uh-oh! They use the wreckage to make the island bigger. And here’s Dog—can this boat take Arnold's weight? Uh-oh! None of the animals can save the shipwrecked elephant but each broken vessel provides new materials for another intricate construction. Wheels and pulleys create a Ferris wheel, an elevator, a waffle maker. All the animals work as a team to build increasingly intricate constructions that turn the desert island into a fun park city. Soon there is a whole community and enough space for everyone! As with all Leo Timmers picture books, Elephant Island has many layers of discovery. Tapping into the childhood pleasure of contraptions, this cheerful picture book is full of complex and playful visual detail and humour that Leo Timmers’ readers love. Preschoolers who enjoy Meccano and Lego will find joy on every page with the creation of each new imaginative construction, packed with mechanical detail on bright double page spreads. Elephant Island is a runaway hit in Europe. Other books by Leo Timmers: Monkey On The Run Where Is The Dragon? Who’s Driving? Gus’s Garage Franky Bang! Praise for Elephant Island: "This light-tension, winking tale of a makeshift homecoming is sure to delight audiences at story time."―Foreword Reviews, Starred "A picture book tribute to the power of collective, constructive play, and to heeding the call to freedom."―Publishers Weekly Praise for Leo Timmers: Where Is The Dragon? "A lilting Seussian singsong, with wonderful, surprising rhymes, and little readers and their grown-ups will have a great time combining their voices and giggling through the proceedings." —Kirkus Reviews, Starred Monkey On The Run “The silly antics of the little monkey provide forward momentum, but the details in each illustration kept calling us back for a more thorough examination.” — A New York Times / New York Public Library Best Illustrated Children's Book 2019 Gus’s Garage “Clearly, one animal’s clutter is another pig’s livelihood in this buoyant, rhyming tale.” —The New York Times Who‘s Driving? “Belgian illustrator Leo Timmers creates a delightful play on the fable of “The Tortoise and the Hare”, which sees the hare driving a racing car.” — The Telegraph, Book of the Year 2020 Franky “On top of delivering a tender, funny friendship story, Timmers leaves readers with the impression that Sam’s creativity and faith have allowed him to tap into a truth far bigger than himself.” — Publishers Weekly Bang! “Watching vehicles bash into one another is a perennial rib-tickler for kids, and Timmers exploits this with a marvellously loony series of fender benders… Timmers never skimps, painting with devoted attention every automotive detail and gleam in every chicken’s eye, and providing a plausible cause for every new accident.” — Publishers Weekly, Starred Review

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In this rich exploration of the era of the Grand Tour, contributors from the fields of history, art history, literary history and theory, science history, and anthropology investigate the experiences of travelers and their ways of understanding and representing their encounters with the foreign. From the beginning of the seventeenth century through the early decades of the nineteenth century, the practice of the Grand Tour supplied a crucial point of reference for travel and imaginative geography in general. At the same time, concepts of pleasure and enjoyment became entangled with visual and verbal representations of that which was foreign.With chapters by Ken Arnold, Rosemary Bechler, Richard Hamblyn, Roy Porter, E. S. Shaffer, Nicholas Thomas, Tzvetan Todorov, Richard Wrigley, and the editors, Transports discusses a range of original topics. These include narrative orderings of travel; the classification of exotic objects; pastoral and paradisal topography in the paintings of Claude Lorrain; Beckford's invocations of China as he travels through Italy; volcanoes in the discourses of travel and geology; the experience of Rome; crossing boundaries and exceeding limits in travel and in the sublime; liberty and license in New Zealand; foreigners' responses to the high-velocity culture of London; and Byron's sublime impulse beyond the established bounds of the Grand Tour. Published for the Paul Mellon Center for Studies in British Art

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This second volume of Brian's writings shows him to have been one of the most perceptive commentators on contemporary music in the twentieth century. In this second volume of selections from his journalism, written over four decades between 1907 and 1946, the maverick English composer Havergal Brian [1876-1972] directs his enquiring mind at the music being composed in France,Germany, Italy and elsewhere, while he and his British contemporaries were fighting to establish new music at home. Richard Strauss figures prominently among the composers discussed, beginning with reviews of Hallé and Queen's Hall concerts in 1907 and 1910. But even Strauss was not treated as lavishly as another whose music clearly fascinated Brian deeply: Arnold Schoenberg. From Gurrelieder to the Violin Concerto, Brian emerges as one of Schoenberg's most sympathetic and understanding champions among the English critical fraternity in the inter-War period. Other composers featured include Bartók, Berg, Busoni, Debussy, Dohnányi, Dukas, Glazunov, Grieg, Hindemith, Kilpinen, Lehár,Mahler, Messager, Puccini, Rachmaninov, Ravel, Respighi, Shostakovich, Sibelius, Sousa, Stravinsky, Szymanowski, Tailleferre and Varèse - as well as figures now obscure such as Alfred Bruneau, August Bungert, César Géloso and Wilhelm Kienzl. Malcolm MacDonald's introductions and annotations provide the background to each piece and cast light on Brian's more obscure references.

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This substantive and useful commentary on the book of Numbers is both critically engaged and sensitive to the theological contributions of the text. It is grounded in rigorous scholarship but useful for those who preach and teach. This is the second volume in a new series on the Pentateuch, which complements other Baker Commentary on the Old Testament series: Historical Books, Wisdom and Psalms, and Prophets. Each series volume covers one book of the Pentateuch, addressing important issues and problems that flow from the text and exploring the contemporary relevance of the Pentateuch. The series editor is Bill T. Arnold, the Paul S. Amos Professor of Old Testament Interpretation at Asbury Theological Seminary.

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Let the writers who love the game best ell you stories of the greats like Jack Nicklaus, Arnold Palmer, Ben Hogan, Bobby Jones, Gary Player, and Tiger Woods—and more personal stories of the game and its challenges and mysteriesThis book is a comprehensive collection of stories, each of which captures a different facet of the game of golf. Some of the best golfers in the history of the sport as well as those who have established themselves as aficionados through their writing or commentary all offer their stories from both on and off the course. Stories include: The Story of Beginning Golf by W. Proudfoot The Story of the Long Hole by P.G. Wodehouse The Story of Simpson and His Decision to Cake up Golf by A.A. Milne The Story of Ben Hogan and the 1950 U.S. Open by David Barrett The Story of the 1959 British Open by Gary Player The Story Behind Tiger Woods’ Nickname by Matthew Silverman And much more! Together they articulate the passion as well as the frustrations behind one of the world’s most popular sports. The Best Golf Stories Ever Told is a book for golf fans and players alike who share a love for the game.“What other people may find in poetry or art museums, I find in the flight of a good drive.”—Arnold Palmer

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The life of William Shakespeare, Britain's greatest dramatist, was inextricably linked with the history of London. Together, the great writer and the great city came of age and confronted triumph and tragedy. Triumph came when Shakespeare's company, the Chamberlain's Men, opened the Globe playhouse on Bankside in 1599, under the patronage of Queen Elizabeth I. Tragedy touched the lives of many of his contemporaries, from fellow playwright Christopher Marlowe to the disgraced Earl of Essex, while London struggled against the ever-present threat of riots, rebellions and outbreaks of plague. Globetakes its readers on a tour of London through Shakespeare's life and work, as, in fascinating detail, Catharine Arnold tells how acting came of age. We learn about James Burbage, founder of the original Theatre in Shoreditch, who carried timbers across the Thames to build the Globe among the bear-gardens and brothels of Bankside, and of the terrible night in 1613 when the theatre caught fire during a performance of King Henry VIII. Rebuilt, the Globe continued to stand as a monument to Shakespeare's genius until 1642 when it was destroyed on the orders of Oliver Cromwell. And finally we learn how 300 years later, Shakespeare's Globe opened once more upon the Bankside, to great acclaim, rising like a phoenix from the flames Arnold creates a vivid portrait of Shakespeare and his London from the bard's own plays and contemporary sources, combining a novelist's eye for detail with a historian's grasp of his unique contribution to the development of the English theatre. This is a portrait of Shakespeare, London, the man and the myth.

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Pink Floyd are one of the most innovative and enduringly successful bands in history. 1973's Dark Side of the Moon, though far from the first concept album, established a new model for quasi-symphonic, long-form investigations into the human condition. It is a record of thoughtfully poignant lyrics and some of the most powerful, genre-defining rock music ever made. Roger Waters, Rick Wright, Nick Mason and the tragically brilliant Syd Barrett fused English whimsy with electrifying voyages through inner and outer space. Their underground gigs are the stuff of psychedelic legend, but between 1968 and 1971, with Barrett replaced by David Gilmour, their sonic inquiries were never braver. Some were delivered instantly while others were revealed slowly, but all played crucial parts in rock's development. During the 1970s, the music matured as the messages darkened. While Floyd continued to prove that emotional weight can be forged from deceptively modest arrangements, the band's live spectaculars reached a pitch of technical complexity and extravagance none has matched. With insightful analysis and witty objectivity, Richard Butterworth appraises afresh Pink Floyd's official recorded canon, from 'Arnold Layne' to The Endless River and beyond to 2022 and the first all-new Floyd music for 28 years.

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In this thought-provoking book, David Hart challenges the creation myth of post--World War II federal science and technology policy. According to this myth, the postwar policy sprang full-blown from the mind of Vannevar Bush in the form of Science, the Endless Frontier (1945). Hart puts Bush's efforts in a larger historical and political context, demonstrating in the process that Bush was but one of many contributors to this complex policy and not necessarily the most successful one. Herbert Hoover, Karl Compton, Thurman Arnold, Henry Wallace, Robert Taft, and Curtis LeMay--along with more familiar figures like Bush--are among those whose endeavors he traces. Hart places these policy entrepreneurs in the broad scheme of American political development, connecting each one's vision of the state in this apparently esoteric policy area to the central issues, events, and figures of mid-century America and to key theoretical debates. Hart's work reveals the wide range of ideas, often in conflict with one another, that underlay what later observers interpreted as a "postwar consensus." In Hart's view, these visions--and the interests and institutions that shape their translation into public policy--form the enduring basis of American politics in this important area. Policymakers today are still grappling with the legacies of the forged consensus.

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Rembrandt Harmensz. van Rijn (c.1606-1669) was the most talked-about painter of the 17th-century - and quite possibly of the following centuries too. His prodigious talent, extraordinary emotional truth, and reckless disregard of artistic convention astonished, delighted and often dismayed his contemporaries; and the full gamut of these reactions is revealed in the three early biographies published here for the first time in their entirety in English. Sandrart, a German painter and writer on painting, actually knew Rembrandt in Amsterdam; Baldinucci, also an artist contemporary with Rembrandt, was one of the greatest early connoisseurs of prints; and Arnold Houbraken, who studied under some of Rembrandt's pupils, wrote the earliest major biographical account of the artists of Holland. These extraordinary documents give a vivid picture of Rembrandt's shattering impact on the art world of his time - not only as a painter, but as a supremely successful manipulator of the market, a dangerous example to the young, and an unavoidable challenge to any sense of decorum and rule-giving. Rooted firmly in the 17-century realities of Rembrandt's life, they bring into sharper focus the qualities of originality and psychological acuity that remain Rembrandt's trademark to this day. The introduction by Charles Ford situates these biographies in the context of 17th-century appreciation of art, and the trajectory of Rembrandt's career. The translations have been specially prepared for this edition by Charles Ford, aided by Ulrike Kern and Francesca Migliorini, and in part following the work of Tancred Borenius.

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The social practice of tact was an invention of the nineteenth century, a period when Britain was witnessing unprecedented urbanization, industrialization, and population growth. In an era when more and more people lived more closely than ever before with people they knew less and less about, tact was a new mode of feeling one's way with others in complex modern conditions. In this book, David Russell traces how the essay genre came to exemplify this sensuous new ethic and aesthetic. Russell argues that the essay form provided the resources for the performance of tact in this period and analyzes its techniques in the writings of Charles Lamb, John Stuart Mill, Matthew Arnold, George Eliot, and Walter Pater. He shows how their essays offer grounds for a claim about the relationship among art, education, and human freedom--an "aesthetic liberalism"--not encompassed by traditional political philosophy or in literary criticism. For these writers, tact is not about codes of politeness but about making an art of ordinary encounters with people and objects and evoking the fullest potential in each new encounter. Russell demonstrates how their essays serve as a model for a critical handling of the world that is open to surprises, and from which egalitarian demands for new relationships are made. Offering fresh approaches to thinking about criticism, sociability, politics, and art, Tact concludes by following a legacy of essayistic tact to the practice of British psychoanalysts like D. W. Winnicott and Marion Milner.

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Isaiah Berlin, in his "Tribute to a Friend", wrote about the historian Jacob L. Talmon (1916-1980): "No matter what his theoretical interests were, or the topics on which he was lecturing or writing, his deepest concern was with the Jewish people, its history, its religious, moral and social values, its place among the nations, its future in Israel and the diaspora." These words capture the essence of Talmon's political essays presented in Mission and Testimony. Talmon was chosen by an international committee of scholars as one of the twenty major historians of the twentieth century, declaring that "his historiography was a convincing apologia for human freedom." He owes his fame primarily to his magnum opus, the trilogy that began with The Origins of Totalitarian Democracy (1952), continued with Political Messianism (1960) and concluded with The Myth of the Nation and the Vision of Revolution (1981). This edited collection of Talmon's essays comprises the following: Part I, "The Nature of Jewish history", deals with the Jewish presence in history, the universal significance of Jewish history, and the impact of Jewish intellectuals. Part II, "From Anti-Semitism to the Holocaust", concerns the anti-Semitic climate of opinion that led to the Holocaust. Part III depicts the regional and global situation of the State of Israel. In Part IV, "Intellectual and Political Debates", Talmon confronts intellectuals and statesmen such as Arnold Toynbee and Menachem Begin. Part V, "Profiles in History", depicts the intellectual portraits of the historian Lewis Namier and the physicist and champion of human rights Andrei Sakharov.

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Absence has played a crucial role in the history of avant-garde aesthetics, from the blank canvases of Robert Rauschenberg to Yves Klein’s invisible paintings, from the “silent” music of John Cage to Samuel Beckett’s minimalist theater. Yet little attention has been given to the important role of absence in cinema. In the first book to focus on cinematic absence, Justin Remes demonstrates how omissions of expected elements can spur viewers to interpret and understand the nature of film in new ways.While most film criticism focuses on what is present, such as images on the screen and music and dialogue on the soundtrack, Remes contends that what is missing is an essential part of the cinematic experience. He examines films without images—such as Walter Ruttmann’s Weekend (1930), a montage of sounds recorded in Berlin—and films without sound—such as Stan Brakhage’s Window Water Baby Moving (1959), which documents the birth of the filmmaker’s first child. He also examines found footage films that erase elements from preexisting films such as Naomi Uman’s removed (1999), which uses nail polish and bleach to blot out all the women from a pornographic film, and Martin Arnold’s Deanimated (2002), which digitally eliminates images and sounds from a Bela Lugosi B movie. Remes maps out the effects and significations of filmic voids while grappling with their implications for film theory. Through a careful analysis of a broad array of avant-garde works, Absence in Cinema reveals that films must be understood not only in terms of what they show but also what they withhold.

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Looking at the theory and practice of privatization in its broadest manifestations, the contributors to this volume scrutinize the combination of public and private initiatives that makes up the present U.S. social sector. As they discuss privatization both in production and delivery of services and in financing, they reveal complexities that have been ignored in recent ideological arguments. This book, while warning about political misuse of privatization, offers an unusually rigorous definition and theory of the concept and presents a number of case studies that show how public and private sectors variously cooperate, compete, or complement one another in social programs--and how various systems have accommodated to the privatization rhetoric that has come to the fore under the Reagan administration. The contributors are Marc Bendick, Jr., Evelyn Z. Brodkin, Arnold Gurin, Alfred J. Kahn, Sheila B. Kamerman, Michael O'Higgins, Martin Rein Richard Rose, Paul Starr, Mitchell Sviridoff, and Dennis Young. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The authoritative expert's guide to fascinating frogfishes and their unusual lives.Winner of the PROSE Award for Best Single Volume Reference in Science by the Association of American PublishersUnique among the world's fishes, frogfishes display a bizarre combination of attributes and behaviors that make them a subject of fervent study. Through cunning and trickery, they turn would-be predators into prey; they "walk" across the ocean floor and jet-propel through open water; some lay their eggs in a floating mucoid mass, while others employ complex patterns of parental care; and they are certainly among the most colorful of nature's productions. In Frogfishes, two of the world's leading anglerfish experts, Theodore W. Pietsch and Rachel J. Arnold, bring together an enormous amount of information about these incredible creatures. The only detailed exploration of frogfishes in print, the book touches on everything from their morphology and biomechanics to their diets and habitats. Enhanced with more than 500 spectacular color images, the book also includes• a thorough look at about 5,000 preserved specimens;• an annotated synonymy for all extant taxa, as well as keys and tables to facilitate identification;• insights into frogfish feeding, locomotion, mimicry, and reproductive behavior;• descriptions of recent scientific advances, including the discovery of new species, shifts in geographic distribution, and emerging DNA sequencing techniques; and • tips for frogfish-seeking divers and aquarists that emphasize conservation.Unmasking the mysteries of frogfish evolution and phylogenetic relationships through close examination of their fossil record, morphology, and molecular reconstruction, Frogfishes demonstrates the surprising diversity and beauty of this remarkable assemblage of marine shorefishes.

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Essays on the continuing power and applicability of medieval images, with particular reference to recent films. The middle ages provide the material for mass-market films, for historical and fantasy fiction, for political propaganda and claims of legitimacy, and these in their turn exert a force well outside academia. The phenomenon is tooimportant to be left unscrutinised: these essays show the continuing power and applicability of medieval images - and also, it must be said, their dangerousness and often their falsity. Of the ten essays in this volume, several examine modern movies, including the highly-successful A Knight's Tale (Chaucer as a PR agent) and the much-derided First Knight (the Round Table fights the Gulf War). Others deal with the appropriation of history and literature by a variety of interested parties: King Alfred press-ganged for the Royal Navy and the burghers of Winchester in 1901, William Langland discovered as a prophet of future Socialism, Chaucer at once venerated and tidied into New England respectability. Vikings, Normans and Saxons are claimed as forebears and disowned as losers in works as complex as Rider Haggard's Eric Brighteyes, at once neo-saga and anti-saga. Victorian melodramaprovides the clichés of "the bad baronet" who revives the droit de seigneur (but baronets are notoriously modern creations); and of the "bony grasping hand" of the Catholic Church and its canon lawyers (an image spread in ways eerily reminiscent of the modern "urban legend" in its Internet forms). Contributors: BRUCE BRASINGTON, WILLIAM CALIN, CARL HAMMER, JONA HAMMER, PAUL HARDWICK, NICKOLAS HAYDOCK, GWENDOLYN MORGAN, JOANNE PARKER, CLARE A. SIMMONS, WILLIAM F. WOODS. Professor TOM SHIPPEY teaches in the Department of English at the University of St Louis; Dr MARTIN ARNOLD teaches at University College, Scarborough.

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East Timor is at last, and at terrible human cost, firmly on the road to independence. The significance of its passage to freedom-for its people, for Asia, and for the world-is manifold. This volume offers a comprehensive overview of East Timor's travail and its triumph in its international context. East Timor's independence constitutes one of the final and most poignant moments in a long and bitter history of European colonization and decolonization. For the people of East Timor, independence from Portugal in 1975 was only the beginning of a new struggle against Indonesian invaders—a struggle that took the lives of 200,000 East Timorese—and one that is by no means over. The case of East Timor, both during and after the Cold War, provides a litmus test for issues of international responsibility, posing questions of double standards in unusually clear-cut form. It reveals the active support by the United States and other powers for the military forces of Indonesia throughout the years of that nation's invasion and repression of East Timor, until 1998 when the collapse of the Indonesian dictatorship ushered in a new phase in the East Timorese struggle. Contributions by: Peter Bartu, Noam Chomsky, Richard Falk, Geoffrey C. Gunn, Peter Hayes, Wade Huntley, Gerry Van Klinken, Helene Van Klinken, Arnold S. Kohen, Allan Nairn, Sarah Niner, Constâncio Pinto, Geoffrey Robinson, João Mariano Saldanha, Charles Scheiner, Mark Selden, Stephen R. Shalom, and Richard Tanter.

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Chef Matt Williamson serves up an abundance of culinary inspiration from around the world, from breakfast classics such as French toast to Mexican barbecues, delicious baking suggestions to three-course meals. Whatever the season, this is your essential companion to the perfect lazy weekend. Weekends are the perfect time to treat yourself to some delicious food and in this new book chef Matt Williamson provides recipes ideal for any occasion – whether it is a lazy breakfast in bed, a healthy brunch, a leisurely roast dinner or a quick Sunday supper. The book includes chapters on Breakfast, Brunch, Long Lunches, Roasts, Barbecue, Picnics, Easy Dinner Parties and Bakes. The recipes range from brunch classics such as French toasts and Omelette Arnold Bennett to tasty long lunches like mussels in a saffron and fennel broth or Persian-style stuffed shoulder of lamb. There are lots of ideas for dining outdoors – from jerk skewers or Mexican corn cooked on the barbecue to noodle salads and black pudding Scotch eggs for the perfect picnic. There are recipes for three-course dinners, perfect for a supper party with friends, and tasty baking ideas such as ham, cheese and olive loaf, filled thumbprint biscuits and ice-cream sandwiches. With 100 approachable and easy-to-follow recipes packed with flavour and drawing on culinary inspiration from around the globe, The Lazy Weekend Cookbook is the perfect way to discover new delicious and indulgent meals.

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Arnold J. Toynbee, the most famous professional historian of the twentieth century, is widely quoted as having declared that “History is just one damn thing after another.” This book argues that history is not about “things” at all but is all about turning points—the decisions, acts, innovations, errors, ideas, successes, and failures on which the shape of a nation’s life—our lives—depends. It presents the 100 points at which America’s path decisively turned on its way to where we find ourselves today. ● Columbus arrives in the New World ● The first slaves arrive in America ● Independence is declared ● The Indian Removal Act is passed ● Female suffragists meet in Seneca Falls ● Harpers Ferry is raided ● Fort Sumter falls ● A transcontinental railroad is completed ● Edison lights his first electric lamp ● Prohibition makes America a nation of lawbreakers ● FDR offers a “New Deal” ● The B-29 Enola Gay drops an atomic bomb on Hiroshima ● The Supreme Court decides Brown v. Board of Education ● Neil Armstrong sets foot on the moon ● President Nixon creates the EPA ● 9/11 … Obama … Sandy Hook … Russian election “meddling” … the Age of Trump … These and many more are the crucial “plot points” in our grand national story, and best-selling historian Alan Axelrod presents them here.

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Erin Stern is a professional bodybuilder and two-time Ms. Figure Olympia. She has 14 IFBB (International Federation of Bodybuilding and Fitness) titles, including the 2012 Arnold Classic Europe, and has been featured on over 20 fitness and bodybuilding magazine covers. Erin has created training programs that have helped thousands of people reach their fitness and bodybuilding goals, with a mission to empower, educate, and enrich the lives of people through fitness and healthy living. Her YouTube channel and Instagram page are daily sources of inspiration and practical training tips for hundreds of thousands of her followers.

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‘There are few more moving accounts of the effects of time, the passage of history and the slow encroachment of age than this remarkable, epic novel’ Guardian Discover this powerful novel about the ordinary lives of the Baines sisters. The perfect next step for fans of Little Women. In The Old Wives' Tale, Arnold Bennett tells the story of two such old wives, sisters Constance and Sophia, from youth, through marriage, heartbreak, triumphs and disasters, to old age. In doing so, he reveals with careful compassion the intense inner lives that throb beneath every seemingly insignificant exterior. WITH AN INTRODUCTION BY SATHNAM SANGHERA

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Concentrate on the biblical author's message as it unfolds.Designed to assist the pastor and Bible teacher in conveying the significance of God's Word, the Zondervan Exegetical Commentary on the New Testament series treats the literary context and structure of every passage of the New Testament book in the original Greek.With a unique layout designed to help you comprehend the form and flow of each passage, the ZECNT unpacks: The key message. The author's original translation. An exegetical outline. Verse-by-verse commentary. Theology in application. While primarily designed for those with a basic knowledge of biblical Greek, all who strive to understand and teach the New Testament will benefit from the depth, format, and scholarship of these volumes.

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Since its first publication in 1990, Brahms and His World has become a key text for listeners, performers, and scholars interested in the life, work, and times of one of the nineteenth century's most celebrated composers. In this substantially revised and enlarged edition, the editors remain close to the vision behind the original book while updating its contents to reflect new perspectives on Brahms that have developed over the past two decades. To this end, the original essays by leading experts are retained and revised, and supplemented by contributions from a new generation of Brahms scholars. Together, they consider such topics as Brahms's relationship with Clara and Robert Schumann, his musical interactions with the "New German School" of Wagner and Liszt, his influence upon Arnold Schoenberg and other young composers, his approach to performing his own music, and his productive interactions with visual artists. The essays are complemented by a new selection of criticism and analyses of Brahms's works published by the composer's contemporaries, documenting the ways in which Brahms's music was understood by nineteenth- and early twentieth-century audiences in Europe and North America. A new selection of memoirs by Brahms's friends, students, and early admirers provides intimate glimpses into the composer's working methods and personality. And a catalog of the music, literature, and visual arts dedicated to Brahms documents the breadth of influence exerted by the composer upon his contemporaries.

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New York Times bestselling author Steve Sheinkin presents a follow up to his award-winning book Bomb: The Race to Build--and Steal--the World's Most Dangerous Weapon, taking readers on a terrifying journey into the Cold War and our mutual assured destruction. As World War II comes to a close, the United States and the Soviet Union emerge as the two greatest world powers on extreme opposites of the political spectrum. After the United States showed its hand with the atomic bomb in Hiroshima, the Soviets refuse to be left behind. With communism sweeping the globe, the two nations begin a neck-and-neck competition to build even more destructive bombs and conquer the Space Race. In their battle for dominance, spy planes fly above, armed submarines swim deep below, and undercover agents meet in the dead of night. The Cold War game grows more precarious as weapons are pointed towards each other, with fingers literally on the trigger. The decades-long showdown culminates in the Cuban Missile Crisis, the world's close call with the third-and final-world war. Praise for BOMB: A Newbery Honor book A National Book Awards finalist for Young People's Literature A Washington Post Best Kids Books of the Year title "This is edge-of-the seat material that will resonate with YAs who clamor for true spy stories, and it will undoubtedly engross a cross-market audience of adults who dozed through the World War II unit in high school." -BCCB, starred review "...reads like an international spy thriller, and that's the beauty of it." -School Library Journal, starred review "[A] complicated thriller that intercuts action with the deftness of a Hollywood blockbuster." -Booklist "A must-read." -Publishers Weekly, starred review "A superb tale of an era and an effort that forever changed our world." -Kirkus, starred review Also by Steve Sheinkin: The Notorious Benedict Arnold: A True Story of Adventure, Heroism & Treachery The Port Chicago 50: Disaster, Mutiny, and the Fight for Civil Rights Undefeated: Jim Thorpe and the Carlisle Indian School Football Team Most Dangerous: Daniel Ellsberg and the Secret History of the Vietnam War Which Way to the Wild West?: Everything Your Schoolbooks Didn't Tell You About Westward Expansion King George: What Was His Problem?: Everything Your Schoolbooks Didn't Tell You About the American Revolution Two Miserable Presidents: Everything Your Schoolbooks Didn't Tell You About the Civil War Born to Fly: The First Women's Air Race Across America

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Groundbreaking anthologies of this kind come along once in a generation and, in time, define that generation. The Swallow Anthology of New American Poets identifies a group of poets who have recently begun to make an important mark on contemporary poetry, and their accomplishment and influence will only grow with time. The poets gathered here do not constitute a school or movement; rather they are a group of unique artists working at the top of their craft. As editor David Yezzi writes in his introduction, “Here is a group of writers who have, perhaps for the first time since the modernist revolution of the early twentieth century, returned to a happy détente between warring camps. This, I think, is a new—at least in our age—kind of poet, who, dissatisfied with the climate of extremes, has found a balance between innovation and received form, perceiving the terror beneath the classical and the unities girding romanticism. This new unified sensibility is no watered-down admixture, no pragmatic compromise worked out in departments of creative writing, but, rather, the vital spirit behind some of the most accomplished poetry being written by America’s new poets.” Poets include: Craig Arnold, David Barber, Rick Barot, Priscilla Becker, Geoffrey Brock, Daniel Brown, Peter Campion, Bill Coyle, Morri Creech, Erica Dawson, Ben Downing, Andrew Feld, John Foy, Jason Gray, George Green, Joseph Harrison, Ernest Hilbert, Adam Kirsch, Joanie Mackowski, Eric McHenry, Molly McQuade, Joshua Mehigan, Wilmer Mills, Joe Osterhaus, J. Allyn Rosser, A. E. Stallings, Pimone Triplett, Catherine Tufariello, Deborah Warren, Rachel Wetzsteon, Greg Williamson, Christian Wiman, Mark Wunderlich, David Yezzi, and C. Dale Young.

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Project 9: The Birth of the Air Commandos in World War II is a thoroughly researched narrative of the Allied joint project to invade Burma by air. Beginning with its inception at the Quebec Conference of 1943 and continuing through Operation Thursday until the death of the brilliant British General Orde Wingate in March 1944, less than a month after the successful invasion of Burma, Project 9 details all aspects of this covert mission, including the selection of the American airmen, the procurement of the aircraft, the joint training with British troops, and the dangerous night-time assault behind Japanese lines by glider.Based on review of hundreds of documents as well as interviews with surviving Air Commandos, this is the history of a colourful, autonomous, and highly effective military unit that included some of the most recognizable names of the era. Tasked by the General of the Army Air Forces, H. H. “Hap” Arnold, to provide air support for British troops under the eccentric Major General Wingate as they operated behind Japanese lines in Burma, the Air Commandos were breaking entirely new ground in operational theory, tactics, and inter-Allied cooperation. Okerstrom’s in-depth research and analysis in Project 9 shed light on the operations of America’s first foray into special military operations, when these heroes led the way for the formation of modern special operations teams such as Delta Force and Seal Team Six.

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New research throws light on the history of the viol after Purcell, including its revival in the late eighteenth century through Charles Frederick Abel. It is normally thought that the bass viol or viola da gamba dropped out of British musical life in the 1690s, and that Henry Purcell was the last composer to write for it. Peter Holman shows how the gamba changed its role and function in the Restoration period under the influence of foreign music and musicians; how it was played and composed for by the circle of immigrant musicians around Handel; how it was part of the fashion for exotic instruments in themiddle of the century; and how the presence in London of its greatest eighteenth-century exponent, Charles Frederick Abel, sparked off a revival in the 1760s and 70s. Later chapters investigate the gamba's role as an emblem of sensibility among aristocrats, artists and intellectuals, including the Countess of Pembroke, Sir Edward Walpole, Ann Ford, Laurence Sterne, Thomas Gainsborough and Benjamin Franklin, and trace Abel's influence and legacy farinto the nineteenth century. A concluding chapter is concerned with its role in the developing early music movement, culminating with Arnold Dolmetsch's first London concerts with old instruments in 1890. PETER HOLMAN is Professor Emeritus of Historical Musicology at Leeds University, and director of The Parley of Instruments, the choir Psalmody, and the Suffolk Villages Festival.

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