Search results for ""author arnold a."

From Tudor oyster pedlars and Victorian pie and mash shops, to the supper clubs and street food scene flourishing today, Britain's capital has always been a tantalising draw for those who live to eat. In Made in London, Londoner Leah Hyslop offers a joyful celebration of the city and its food, past and present. The book features recipes invented in the city; such as the 18th century treat Chelsea buns (a favourite of King George II) and Omelette Arnold Bennett, created for the famous writer while staying at the Savoy Hotel. Alongside these are new, exciting dishes, inspired by the Leah’s eating adventures around the capital: such as a mouthwatering Pimm’s and lemon curd trifle, an unusual goat’s cheese and cherry tart and an easy twist on Indian restaurant Dishoom’s iconic bacon naan, one of the best brunches in London. Interspersed with the recipes are short, entertaining histories and profiles about London’s food scene, including the tale of the 18th century 'gin craze'; a profile of the East End’s most beloved greasy spoon; and why Scotch eggs might have actually been invented in a London department store! Short shopping guides, lifting the lid on such pressing gastronomic questions as where to buy cheese, the city's most delicious chocolate shops, or the best cocktail bars for a nightcap (or two…) are also featured. Beautifully illustrated with contemporary photographs of London, alongside vintage images sourced from historic archives, this is a book for anyone who has ever lived in, visited or simply dreamt of sipping a cocktail while watching red buses trundle by in the world's greatest city.

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Who advises our policy makers in Washington? What brings these advisors to the federal bureaucracy and keeps them there? And how do their clients and the bureaucratic context influence the choices they make in selecting, defining, and working on problems of public policy? In the late 1960s, professional policy advisors—called policy analysts—began to emerge in the Washington bureaucracy. Their job: to provide information and advice about the consequences of choosing different policies. Arnold J. Meltsner examines the various roles they asumed and the ways in which their priorities and methods were affected by the people they advised and the bureaucratic environment. Drawing on interviews with analysts and using his own experience as a government consultant, Meltsner shows how political and organizational considerations extended the boundaries of the advisor's role in a way that went far beyond the analyst's own notions of what policy analysis was. As the profession began to take shape, there were few standards of external organizations to set expectations for the analyst's work. As advisors on the inside, many policy analysts became adept at writing speeches and memos and making political calculations. In short, they took on the folkways of the bureaucrat. This detailed and vivid account of the experiences of analysts in a government agency is written not only for students of the subject but for all those interested in the general processes of our government. By providing a picture of the roles and behavior of the policy analyst, Meltsner points out the predicaments facing those who try to improve the effectiveness of analytical expertise within the government. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.

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'Who knew that writing with this degree of care and pain and tact was still possible? For my money it's the best first volume in decades, I would say since Tom Paulin's A State of Justice (1977): no dead weight, foot-perfect and engaging.' Michael Hofmann, Times Literary Supplement, Books of the YearCrisis Actor chronicles various failures and farewells. It is peopled by faded heroes and deferential devotees; a hanged donkey, a bloated rat; solitary bachelors and disillusioned youths - these are the watchers, not the players. The poems are awash with rueful self-accusation and laconic scepticism. There are touching elegies, reportage and bruised, wary replayings. A blistering sequence about boxers and their fates weaves through the collection. The overwhelming sense is of life going on elsewhere, the halcyon days and brightest of years long past. This is the aftermath of being one who - in Matthew Arnold's words - 'has reached his utmost limits and finds . . . himself far less than he had imagined himself'.But there are still flashes of camaraderie, of stars aligning: lunchtimes in sunlit garden squares, languorous pub afternoons, cheering on and hard-won triumphs. These precious, precarious moments point to how we might reclaim potential, discover human connection in times of defeat or despair, and reach towards grace and redemption.'Elegant and heartaching, these poems illuminate the sorrows of life with a bright flame, returning us to that miraculous human capacity for love and faith even in our darkest days.' Liz Berry'Declan Ryan reveals himself a master of both the telling detail and of narrative suspense. Each exquisitely orchestrated vignette delivers a punch worthy of the heroes of the ring here commemorated.' Mark Ford

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It's armadillos vs. dragons! Quick-thinking third-graders Lizzy, her twin, Connor, and their friends Kym and Deon have a big idea: their school desperately needs a new mascot, and they've got the perfect one in mind.Now have to figure out a way to convince their principal and rally the rest of the school behind them. Luckily, their teacher, Miss Zips (short for Zipsokowski - but who can say that?) is skilled in the art of persuasion. Armed with Miss Zips's persuasive tips, the gang of four set out to make their claim, build a case for a new mascot, and convince Clay Elementary that Arnold the Armadillo has had his day.

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Simon Heffer's new book forms an ambitious exploration of the making of the Victorian age and the Victorian mind.Britain in the 1840s was a country wracked by poverty, unrest and uncertainty, where there were attempts to assassinate the Queen and her prime minister, and the ruling class lived in fear of riot and revolution. By the 1880s it was a confident nation of progress and prosperity, transformed not just by industrialisation but by new attitudes to politics, education, women and the working class. That it should have changed so radically was very largely the work of an astonishingly dynamic and high-minded group of people – politicians and philanthropists, writers and thinkers – who in a matter of decades fundamentally remade the country, its institutions and its mindset, and laid the foundations for modern society. It traces the evolution of British democracy and shows how early laissez-faire attitudes to the lot of the less fortunate turned into campaigns to improve their lives and prospects. It analyses the birth of new attitudes to education, religion and science. And it shows how even such aesthetic issues as taste in architecture were swept in to broader debates about the direction that the country should take. In the process, Simon Heffer looks at the lives and deeds of major politicians, from the devout and principled Gladstone to the unscrupulous Disraeli; at the intellectual arguments that raged among writers and thinkers such as Matthew Arnold, Thomas Carlyle, and Samuel Butler; and at the 'great projects' of the age, from the Great Exhibition to the Albert Memorial. Drawing heavily on previously unpublished documents, he offers a superbly nuanced insight into life in an extraordinary era, populated by extraordinary people – and how our forebears’ pursuit of perfection gave birth to modern Britain.

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The first book in English on the German Gothic in over thirty years, consisting of new essays investigating the internationality of the Gothic mode. The literary mode of the Gothic is well established in English Studies, and there is growing interest in its internationality. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly -- for instance, in the form of plagiarized texts or pseudo-translations of nonexistent sources. In the 1790s, when the English Gothic novel was emerging, the real or ostensible source of many of these uncanny texts was Germany. Thisfirst book in English dedicated to the German Gothic in over thirty years is aimed at students and researchers in German Studies and English Studies, and redresses deficiencies in existing sources, which are outdated, piecemeal, or not sufficiently grounded in German Studies. The book examines the international reception of German Gothic since the 1790s heyday of the Gothic novel in Britain and Germany; traces a line of Gothic writing in German to thepresent day; and inquires into the extraliterary impact of German Gothic. Thus the essays do full justice to the Gothic as a site of conflict and exchange -- both between cultures and between discourses. Contributors:Peter Arnds, Silke Arnold-de Simine, Jürgen Barkhoff, Matthias Bickenbach, Andrew Cusack, Mario Grizelj, Jörg Kreienbrock, Barry Murnane, Victor Sage, Monika Schmitz-Emans, Catherine Smale, Andrew Webber Andrew Cusack is Alexander von Humboldt Research Fellow at the Institut für Kulturwissenschaft of the Humboldt-Universität Berlin. Barry Murnane is Assistant Professor of German and Comparative Literature at the Martin-Luther-Universität Halle-Wittenberg, Germany.

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A Nation is Born Lexington, Bunker Hill, Saratoga, Washington, Hamilton, Benedict Arnold. All familiar names, but how did they all fit together? How did merchants, lawyers, farmers, and cobblers come together to defeat the British Empire, its powerful navy, and its Hessian auxiliaries? For that matter, who were the Hessians, and what is an auxiliary? Bringing together ten eminent Revolutionary War experts, editor Ed Lengel presents their stirring narratives of the military campaigns that changed history and gave birth to a new nation. These historians guide you through the fateful decade of the 1770s in British America. In 1776, you battle in Brooklyn Heights, then cross the Delaware with Washington. In the late summer and fall of ’77, you bushwhack down the Champlain Valley with Johnny Burgoyne. You struggle through winter with Washington and his beleaguered troops in Valley Forge. When the spring of ’78 turns to summer, you endure the oppressive heat and the massive battle on New Jersey farmland at Monmouth Courthouse. In 1780 your journey takes you south into a bloody civil war—Tory versus patriot, neighbor versus neighbor in Georgia and the Carolinas. Finally, in ’81, you join the patriots as they maneuver north into Virginia, whereWashington and the French navy can trap the British on the Yorktown Peninsula. Complete with maps and suggested further reading, The 10 Key Campaigns of the American Revolution is a short course in one of history’s most consequential wars, explaining how citizens became soldiers and how their dedication, determination, and force of will defeated the world’s greatest power and launched a nation like no other.

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Shelley has long been viewed as a dreamer isolated from reality, a “beautiful and ineffectual angel,” in Arnold’s words. In contrast, Stuart Sperry’s book emphasizes the life forces originating in the poet’s childhood that impelled and shaped his career, and reasserts Shelley’s relevance to the social and cultural dilemmas of contemporary life.Concentrating on the major narrative and dramatic poems and the patterns of development they reveal, Sperry reintegrates Shelley’s poetry with his life by showing how, following the traumatic events of his early years, the poet sought to preserve and extend those life impulses by creating a network of personal relationships that provided the inspiration and model for his poems. As the circumstances of his life and his relationships to others changed and as his thought evolved, he was led to reshape his major poems. Three chapters at the center of the book, devoted to Shelley’s visionary masterpiece Prometheus Unbound, provide the finest introduction so far to its conceptions and intent as well as a powerful vindication of the poet’s enduring idealism. In defining Shelley’s true originality, Sperry defends the poet against his harshest critics by suggesting that his vision of human potential may represent a vital resource against the competitive drives and self-destructive compulsions of our own day.Sperry’s approach to the poetry through the formative events of Shelley’s early life provides an excellent biographical introduction. His reinterpretation of the major works and the career will appeal to first-time readers as well as to mature students of Shelley.

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By the 1920s, Jews were--by all economic, political, and cultural measures of the day--making it in America. But as these children of immigrants took their places in American society, many deliberately identified with groups that remained excluded. Despite their success, Jews embraced resistance more than acculturation, preferring marginal status to assimilation. The stories of Al Jolson, Felix Frankfurter, and Arnold Rothstein are told together to explore this paradox in the psychology of American Jewry. All three Jews were born in the 1880s, grew up around American Jewish ghettos, married gentile women, entered the middle class, and rose to national fame. All three also became heroes to the American Jewish community for their association with events that galvanized the country and defined the Jazz Age. Rothstein allegedly fixed the 1919 World Series--an accusation this book disputes. Frankfurter defended the Italian anarchists Sacco and Vanzetti. Jolson brought jazz music to Hollywood for the first talking film, The Jazz Singer, and regularly impersonated African Americans in blackface. Each of these men represented a version of the American outsider, and American Jews celebrated them for it. Michael Alexander's gracefully written account profoundly complicates the history of immigrants in America. It challenges charges that anti-Semitism exclusively or even mostly explains Jews' feelings of marginality, while it calls for a general rethinking of positions that have assumed an immigrant quest for inclusion into the white American mainstream. Rather, Alexander argues that Jewish outsider status stemmed from the group identity Jews brought with them to this country in the form of the theology of exile. Jazz Age Jews shows that most Jews felt culturally obliged to mark themselves as different--and believed that doing so made them both better Jews and better Americans.

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Celebrated by Matthew Arnold as the "city of the dreaming spires", Oxford has a long and illustrious history as one of Europe's oldest university towns. Its colleges, libraries and museums, ranging from the medieval to the modern, testify to the city's academic traditions and the dominant influence of "gown" over "town". But there is another Oxford, the city of car factories and housing estates, high-tech research and alternative culture. The University City: the seat of learning, inside the colleges, river and gardens, dons and students, "town and gown" conflict, the other university The Writer's City: Oxford loved and hated by Dr Johnson, Oscar Wilde and CS Lewis; Alice in Wonderland, Zuleika Dobson, and Inspector Morse. The Other Oxford: cars and marmalade; saints and sinners, museums and mausoleums, tramps and tourists.

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Fall in love with a modern fairy tale inspired by a Jewish family memory in this magical picture book by award-winning picture book creators Elana K. Arnold and Magdalena Mora.Once, there was a girl named Kiki, who found a fish on the asphalt.The fish was very hot and very dry.But when Kiki put it in the bathtub, it started swimming, and growing, and . . . speaking?I want to grant you a wish for saving me, it said.A wish-granting fish!Alas, this fish was only a fish of small wishes, and Kiki's wish was too big.Unless . . . there was a way for both their dreams to come true.Follow Kiki and the wish-granting fish in this contemporary fairy-tale perfect for fans of A Big Mooncake for Little Star and Carmela Full of Wishes.

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Re-thinking Biblical Story and Myth consists of selected non-doctrinal lectures presented at the Theodor Herzl Institute in New York City over ten years. A probing perspective that counters the usual confusion of the historical with the moral landscape, while cautioning against a literalist reading of biblical narrative, unites the individual lectures. This type of reading forces a recognition that a mode of thought appropriate for moral comprehension is rarely suitable for historical interpretation. In addition, this work calls for a re-assessment of some highly prized and fairly common perspectival usages applied to biblical content. Overall, the author calls for a re-orientation of modes of thought in interpreting biblical content focusing on the distinction between a moral lesson and the impulse towards historicization characterized by such stories as Adam and Eve.

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Helmut Ortner reveals a staggering history of perpetrators, victims and bystanders in Hitler's Germany. He explores the shocking evidence of a merciless era - and of the shameful omissions of post-war German justice. Johann Reichhart was a state-appointed judicial executioner in Bavaria from 1924 until the end of the war in Europe. During the Nazi era, he executed numerous people who were sentenced to death for resisting National Socialism, including many of those involved in the 20 July 1944 bomb plot on Adolf Hitler. As a member of the SS-Totenkopfverb nde, the SS organisation responsible for administering the concentration and extermination camps, Arnold Strippel served at a number of locations during his rise to the rank of SS-Obersturmfuhrer. These included Natzweiler-Struthof, Buchenwald, Majdanek, Ravensbruck and Neuengamme, where he was responsible for murdering the victims of a series of tuberculosis medical experiments. Like Reichhart, Erich Schwinge was also involved in the legal sphere during the Third Reich. A German military lawyer, in 1931 he became a professor of law and, from 1936, wrote the legal commentary on German military criminal law that was decisive during the Nazi era. Aside from the part they played in Hitler's regime, these three men all had one further thing in common - they survived the war and restarted their careers in Adenauer's Federal Republic of Germany. In Hitler's Henchmen, Helmut Ortner uncovers the full stories of Reichhart, Strippel, Schwinge and others like them, Nazi perpetrators who enjoyed post-war careers as judges, university professors, doctors and politicians. Had they been gutless cogs in the machinery of the Nazi state, or ideologized persecutors? Ortner reveals that it was not only their Nazi pasts that were forgotten, but how the suffering of the victims, including resistance fighters such as Georg Elser and Maurice Becaud, and their relatives was suppressed and ignored.

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Illuminates unexplored dimensions of the music-literature relationship and the sometimes unrecognized talents of certain famous writers and composers. This book deals with three aspects that have been neglected in the burgeoning field of music and literature. The "First Movement" of the book considers writers from German Romanticism to the present who, like Robert Schumann, first saw themselves as writers before they turned to composition, or, like E. T. A. Hoffmann and Anthony Burgess, sought careers in music before becoming writers. It also considers the few operatic composers, such as Richard Wagner and Arnold Schoenberg, who wrote their own libretti. The "Second Movement" turns to literary works based specifically on musical compositions. This group includes, first and more generally, prose works whose author chose a specificmusical form such as sonata or fugue as an organizational model. And second, it includes novels based structurally or thematically on specific compositions, such as Bach's Goldberg Variations. The "Finale" concludes with aunique case: efforts by modern composers to render musically the compositions described in detail by Thomas Mann in his novel Doktor Faustus. This book, which addresses itself to readers interested generally in music and literature and is written in a reader-friendly style, draws attention to unexplored dimensions of the music-literature relationship and to the sometimes unrecognized talents of certain writers and composers. Theodore Ziolkowski is Professor Emeritus of German and Comparative Literature, Princeton University.

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Christ comes to, and through, his people Many consider pastoral visitation antiquated and impractical. People seem busier than ever, and technology appears to trivialize personal contact. As a result, personal visits are often reserved only for the gravest of situations. Tyler C. Arnold argues that pastoral visitation is essential to the pastoral role. In Scripture, God visits his people to show his personal interest and concern. This is seen most clearly in the incarnation. Christ's ministry is one of presence. But Jesus is not only an example of visitation ministry; he is the embodiment of it. And in visitation, pastors and laypeople continue Jesus's ministry by bringing Christ to the individual in their very place of need. Established in strong theological foundations and sensitive to contemporary concerns, Pastoral Visitation exhorts pastors to return to this classic method of individual soul-care.

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From Val Emmich, the bestselling author of Dear Evan Hansen: The Novel, comes a deeply affecting story of two teens who find themselves thrown together overnight during a snowstorm and discover a surprising connection—perfect for fans of Nina LaCour, David Arnold, and Robin Benway.Tegan Everly is quiet. Known around school simply as the girl with the hand, she's usually only her most outspoken self with her friend Neel, and right now they're not exactly talking. When Tegan is ambushed by her mom with a truth she can't face, she flees home in a snowstorm, finding refuge at a forgotten local attraction—the tiny Thomas Edison museum.She's not alone for long. In walks Mac Durant. Striking, magnetic, a gifted athlete, Mac Durant is the classmate adored by all. Tegan can't stand him. Even his name sounds fake. Except the Mac Durant she thinks she knows isn't the one before her now—this Mac is rattled and asking her for help.Over one unforgettable night spent consuming antique records and corner-shop provisions, Tegan and Mac cast aside their public personas and family pressures long enough to forge an unexpectedly charged bond and—in the very spot in New Jersey that inspired Edison's boldest creations—totally reinvent themselves. But could Tegan's most shameful secret destroy what they've built?Emotionally vivid and endlessly charming, Maybe We're Electric is an artfully woven meditation on how pain can connect us—we can carry it alone in darkness or share the burden and watch the world light up again.

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From Val Emmich, the bestselling author of Dear Evan Hansen: The Novel, comes a deeply affecting story of two teens who find themselves thrown together overnight during a snowstorm and discover a surprising connection -- perfect for fans of Nina LaCour, David Arnold, and Robin Benway.Tegan Everly is painfully shy. Known around school simply as the girl with the weird hand, she's only her true outspoken self with her friend Neel, and right now they're not exactly talking. When Tegan is ambushed by her mom with a truth she can't face, she flees home in a snowstorm, finding refuge at a forgotten local attraction -- the tiny Thomas Edison museum.She's not alone for long. In walks Mac Durant. Striking, magnetic, a gifted athlete, Mac Durant is the classmate adored by all. Tegan can't stand him. Even his name sounds fake. Except the Mac Durant she thinks she knows isn't the one before her now -- this Mac is rattled and asking her for help.Over one unforgettable night spent consuming antique records and corner-shop provisions, Tegan and Mac cast aside their public personas and family pressures long enough to forge an unexpectedly charged bond and -- in the very spot in New Jersey that inspired Edison's boldest creations -- totally reinvent themselves. But could Tegan's most shameful secret destroy what they've built?Emotionally vivid and endlessly charming, Maybe We're Electric is an artfully woven meditation on how pain can connect us -- we can carry it alone in darkness or share the burden and watch the world light up again.

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Contents: I. Religion, evolution, and the novel; 1. 1888 and a look backwards; 2. George Eliot, Walter Pater, and Samuel Butler: three types of search; II. George Eliot: the search for a religious tradition; 1. George Eliot and science; 2. George Eliot and the "higher criticism"; 3. George Eliot, Matthew Arnold, and tradition; III. Middlemarch: the balance of a progress; 1. "Heart" and "mind": two forms of progress; 2. "Modes of religion" (a); 3. Modes of religion" (b); 4. The "metaphysics" of Middlemarch; IV. Daniel Deronda: tradition as synthesis and salvation; 1. Middlemarch and the two "worlds" of Daniel Deronda; 2. Hebraism as nationality; 3. Hebraism as religious belief; V. Walter Pater: the search for a religious atmosphere; 1. Pater's "imaginary portraits"; 2. Pater's "religion of sanity"; VI. The "atmospheres" of Marius the Epicurean; 1. The pilgrimage of Marius (a); 2. The pilgrimage of Marius (b); 3. The Christian death of a pagan; VII. Samuel Butler: the search for a religious crossing; 1. The creation of a faith (1859-1872); 2. The consolidation of a faith (1873-1886); VIII. Reality and Utopia in The way of all flesh; 1. The "past selves" of Ernest Pontifex; 2. The conversion of Ernest Pontifex; 3. The creed of Ernest Pontifex; Appendixes; Index Originally published in 1965. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Jennifer Arnold and Bill Klein have faced some big challenges in their lives. On the way to becoming a preeminent neonatologist and a successful entrepreneur, as well as parents and television stars, these two have faced prejudice, medical scares, and the uncertainty and daily pressures of life with special needs children. Now they share their wisdom and encouragement with everyone who is facing their own challenges. Drawn from their most popular speaking presentation, Think Big is the inspirational guide for dreaming big, setting goals, and taking the steps to get there. Each section includes heartwarming anecdotes full of grace, humor, and wit plus a never-before-seen look inside their personal and professional lives. They have plenty of stories to tell and their unique approach to encountering life’s greatest difficulties will inspire a call to action in all of us.

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"A poetic love letter to the complexities of teenage identity, and the frustrations of growing up in a place where everything fits in a box-except you."-David Arnold, New York Times bestselling author of Kids of Appetite "Courtney Stevens firmly reasserts herself as a master storyteller of young adult fiction; crafting stories bursting with humor, heart, and the deepest sort of empathy."-Jeff Zentner, 2017 Morris Award Winner for The Serpent King "Courtney Stevens carries us into the best kind of mess: deep friendships, small town Southern gossip, unexpected garage art, and unfolding romantic identity."-Jaye Robin Brown, author of Georgia Peaches and Other Forbidden Fruit As the tomboy daughter of the town's preacher, Billie McCaffrey has always struggled with fitting the mold of what everyone says she should be. She'd rather wear sweats, build furniture, and get into trouble with her solid group of friends: Woods, Mash, Davey, Fifty, and Janie Lee. But when Janie Lee confesses to Billie that she's in love with Woods, Billie's filled with a nagging sadness as she realizes that she is also in love with Woods...and maybe with Janie Lee, too. Always considered "one of the guys," Billie doesn't want anyone slapping a label on her sexuality before she can understand it herself. So she keeps her conflicting feelings to herself, for fear of ruining the group dynamic. Except it's not just about keeping the peace, it's about understanding love on her terms-this thing that has always been defined as a boy and a girl falling in love and living happily ever after. For Billie-a box-defying dynamo-it's not that simple. Readers will be drawn to Billie as she comes to terms with the gray areas of love, gender, and friendship, in this John Hughes-esque exploration of sexual fluidity.

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Add value to services and increase revenue while giving your clients more of what they need Operational Profitability, Second Edition explains in complete detail how to conduct a management audit that will give clients the essential information they need in today's fiercely competitive marketplace. At the same time, it enables CPA firms and CEOs to expand their range of services, strengthen business relationships, and increase profits. This newly updated and revised Second Edition walks you through all the steps of a management audit and explains: The basic techniques of the management audit, what it involves, how to set it up, and how to establish a clear set of organizational goals How to rethink and rebuild an organization from the bottom up How to use a full range of analytical tools for identifying problem areas throughout the company How to assess the way a firm manages inventory, purchasing, production planning, and operations How to evaluate and reduce operating costs Praise for the First Edition of Operational Profitability... "A great operating manual for general managers and vice presidents . . . A complete how-to program." —William Hoban, CEO, Green Bay Drop Forge, Green Bay, Wisconsin "The most complete profitability program I've seen. The examples and checklists are excellent. It has saved my clients millions." —Chuck Wadowski, CEO, TMQ Consultants, Detroit, Michigan "[An] outstanding reference source for the modern manager; very impressive." —Arnold Bradburd, CEO, Interstate Steel Company, Philadelphia, Pennsylvania "[Operational Profitability] provides valuable data on operational efficiency and additional service opportunity beyond the usual audit . . . [It] provides the basis of helpful recommendations [and] provides much useful reading guidance for the performance of a management audit." —Alexander A. H. Bohtling, CPA, CPA Journal

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Memoir of Bethany Beardslee, the iconic American soprano known as the "composer's singer." American soprano Bethany Beardslee rose to prominence in the postwar years when the modernist sensibilities of European artists and thinkers were flooding American shores and challenging classical music audiences. With her light lyric voice, her musical intuition, and her fearless dedication to new music, Beardslee became the go-to girl for twelve-tone music in New York City. She was the first American singer to build a repertoire performing the music of Arnold Schoenberg, Anton Webern, Alban Berg, Milton Babbitt, and Pierre Boulez, making a vibrant career singing difficult music. I Sang the Unsingable is the autobiography of the acclaimed twentieth-century art-song soprano. In her memoir, Beardslee tells the story of how she made her way from inauspicious depression-era East Lansing to Carnegie Hall, and how her unique combination of musical gifts and training were alchemy for challengingmid-century music. This is Beardslee's own perspective on a formidable catalog of premieres, a forty-six-year career, and a deep and lifelong dedication to performing the work of the composers of our time. Born in 1925 in Lansing, Michigan, Bethany Beardslee is an American soprano. She is noted for her collaborations with major twentieth-century composers. Minna Zallman Proctor is a writer, critic, and translator. She is editor-in-chief of The Literary Review and the author of Do You Hear What I Hear? and Landslide: True Stories. Support for this publication was provided by the Howard Hanson Institute for American Music at theEastman School of Music at the University of Rochester.

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Imagine a life where your business flows, everything feels easy, and amazing opportunities appear in front of you every day.The Magical Business Method shows you how to use the energy in your chakras to move through fear and overwhelm to trust and abundance. Tamara Arnold spent most of her life being afraid to use her voice, afraid it would upset people she loved most in life who suffered from mental illness. Fear kept her from connecting to her stardust and realizing she had the gift of reading energy. When Tamara wrote her first book, My Kid is Driving Me Crazy: A Mom's Survival Guide for Living with a Child with Mental Illness, she busted open her throat and root chakras. With a clear path for receiving, she discovered she could read chakras... and went right to work doing it to help others. Tamara spent months studying what chakra energy looked like and how it affects life and business. The Magical Business Method book was born from what she learned. In The Magical Business Method, Tamara will help you learn:· How energy you’ve been carrying since childhood can affect your business.· How to clear energetic blocks to create massive shifts in how you impact the world.· That you were born to make a difference with your stardust.· How to go from scarcity to wealth.· And so much more. If you like Think and Grow Rich or The Celestine Prophecy, you’ll love what The Magical Business Method has to share.

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Growing up on St Lawrence Boulevard, Phil Gold never aspired to be a doctor. But working as an encyclopedia salesman, a bottle washer at Molson, and a fur-coat schlepper in textile factories helped him realize and embrace his parents’ desire for him to follow that path.Looking back at his short wander from the Main to nearby McGill University and the Montreal General Hospital, Gold coins a new word, fortunome, to evoke his sense of a lucky life: “Our genome comes from our parents; our environment or epigenome shapes the expression of who we are; but without a good fortunome, life’s odds turn against us.” A born storyteller, Gold recounts the sights and sounds of a bygone era – horse-drawn milk carts, Yiddish neighbourhoods full of Holocaust survivors, furniture chopped up to keep the home fires burning, sacks of grain lugged off ships in the harbour, antisemitism and ethnic street-fighting, the padlocked doors of the Red Scare, his father’s first car. Gold tells the story of dating and marrying the love of his life, Evelyn, studying under the brilliant Sir Arnold Burgen, and his discovery of CEA (carcinoembryonic antigen) in a clear, fast-moving narrative that grips and fascinates. Gold’s Rounds also includes unforgettable stories from six decades of treating patients at the General, scenes from the founding of the famous Goodman Cancer Institute, and reflections on the physician's role and the meaning of a good death. By turns funny, wise, and heartrending, Gold’s memoir of a life well lived will be cherished by both medical professionals and general readers.

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In The Makers of Modern Economics scholars at the peak of their powers reflect on their influences, education and careers as well as the wider concerns of economics as a discipline.Leading figures at the centre of developments in modern economic theory have been invited by Arnold Heertje to discuss their careers, their work to date and, in particular, their views on future research. The first volume in this series was acclaimed by Professor David Audretsch as ‘a unique insight into the thoughts and lives of prominent economists’. . . The second volume includes essays by Mauro L. Baranzini, Paul Krugman, Masahiko Aoki, Bruno S. Frey, Edmund S. Phelps and Oliver E. Williamson.These essays discuss their development as scientists, the problems and issues that interested them, and the individuals who guided and influenced them. The Makers of Modern Economics offers an exciting impression of the - sometimes conventional, sometimes unexpected - course of their lives.

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`I believe this volume will give to scholars of Williams expanded vistas from which to view his work, and to the general reader glimpses of Camelot'. MYTHPRINT Includes Taliessin through Logres and The Regionof the Summer Stars - complex and haunting works which constitute the major imaginative writings about the Grail this century in addition to much previously unpublished material. Charles Williams's two cycles of poems, Taliessin through Logres and The Region of the Summer Stars, constitute the major imaginative work about the Grail of the 20th century. Williams's vision of spiritual reality is expressed through symbols of great originality, and the complex patterns of sound and haunting rhythms make his poems deeply rewarding.In this new edition David Dodds collects together for the first time twenty-four of Williams's earlier poems on Arthurian themes, many never published before. They are from Williams's collection The Advent of Galahad, which both grew into and gave way to the Taliessin cycle. There are also later poems showing this transmutation in process, and fragments, designed to form a sequel to The Region of the Summer Stars, which appear for the first time. Besides the publication of this important new material, the present edition will serve to introduce new readers to the magic of these rich and lyrical pieces, which evoke a spiritual world in keeping with the highest ideals of Arthurian literature. DAVID LLEWELLYN DODDS, of Merton College, was a Rhodes Scholar and Richard Weaver Fellow. He has lectured in English at Harlaxton College, worked at the Houghton and Regenstein Libraries, and is now Curator of C.S. Lewis's house, The Kilns. He is currently working on a complete critical edition of Charles Williams's unpublished Arthurian poetry and prose. Other poets in this series: Edwin Arlington Robinson; A.C. Swinburne; William Morris & Matthew Arnold.

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The preoccupation with “depth” and its relevance to cinema and media studiesFor decades the concept of depth has been central to critical thinking in numerous humanities-based disciplines, legitimizing certain modes of inquiry over others. Deep Mediations examines why and how this is, as scholars today navigate the legacy of depth models of thought and vision, particularly in light of the “surface turn” and as these models impinge on the realms of cinema and media studies.The collection’s eighteen essays seek to understand the decisive but evolving fixation on depth by considering the term’s use across a range of conversations as well as its status in relation to critical methodologies and the current mediascape. Engaging contemporary debates about new computing technologies, the environment, history, identity, affect, audio/visual culture, and the limits and politics of human perception, Deep Mediations is a timely interrogation of depth’s ongoing importance within the humanities. Contributors: Laurel Ahnert; Taylor Arnold, U of Richmond; Erika Balsom, King’s College London; Brooke Belisle, Stony Brook University; Jinhee Choi, King’s College London; Jennifer Fay, Vanderbilt U; Lisa Han, UC Santa Barbara; Jean Ma, Stanford U; Shaka McGlotten, Purchase College-SUNY; Susanna Paasonen, U of Turku, Finland; Jussi Parikka, U of Southampton; Alessandra Raengo, Georgia State U; Pooja Rangan, Amherst College; Katherine Rochester, VIA Art Fund in Boston; Karl Schoonover, University of Warwick (UK); Jordan Schonig, Michigan State U; John Paul Stadler, North Carolina State U; Nicole Starosielski, New York U; Lauren Tilton, U of Richmond.

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Arnold Eisen here calls for a fundamental rethinking of the story of modern Judaism. More than simply a study of Jewish thought on customs and rituals, Rethinking Modern Judaism explores the central role that practice plays in Judaism's encounter with modernity."Fascinating . . . an insightful entrance point to understanding the evolution of the theologies of America's largest Jewish denominations."—Tikkun"I know of no other treatment of these issues that matches Eisen's talents for synthesizing a wide variety of historical, philosophical, and social scientific sources, and bringing them to bear in a balanced and open-minded way on the delicate questions of why modern Jews relate as they do to the practices of Judaism."—Joseph Reimer, Boston Book Review"At once an incisive survey of modern Jewish thought and an inquiry into how Jews actually live their religious lives, Mr. Eisen's book is an invaluable addition to the study of American Judaism."—Elliott Abrams, Washington Times

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This Research Handbook provides a scholarly and comprehensive account of the multiple converging challenges that digital technologies present for intellectual property (IP) rights, from the perspectives of international, EU and US law. Despite the fast-moving nature of digital technology, this Handbook provides profound reflections on the underlying normative legal dilemmas, identifying future problems and suggesting how digital IP issues should be dealt with in the future. Written by leading international academics, commentators and practitioners, the Handbook is organised into clear thematic parts that address the most prominent types of IP rights: copyrights and related rights; patents and trade secrets; and trade mark law and designs. Chapters analyse a range of key technologies and their impacts within these areas, including big data, artificial intelligence, streaming, software, databases, user-generated content, mass digitisation, metatags, keywords and 3D printing. The Handbook concludes by exploring issues of competition and enforcement that cut across all of these technologies, particularly in the light of online exploitation and infringement. Scholars and doctoral students of law will find this Handbook an invaluable introduction and guide to the field of digital IP. Practitioners will also find its thoughtful coverage practically relevant. Contributors include: R. Abbott, B. Allgrove, R. Arnold, R. Burrell, T. Cook, M. Davison, M. Fisher, S. Ghosh, J. Ginsburg, J. Groom, M. Handler, Y. Harn Lee, T.R. Holbrook, M. Iljadica, S. Karapapa, I. Lee, J. Lipton, D. Llewelyn, M.F. Makeen, M.P. McKenna, D. Mendis, F. Mostert, L.S. Osborn, T.P. Reddy, E. Rosati, S.K. Sandeen, M. Senftleben, N. Shemtov, A. Strowel, T.E. Synodinou, K. Weatherall

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The preoccupation with “depth” and its relevance to cinema and media studiesFor decades the concept of depth has been central to critical thinking in numerous humanities-based disciplines, legitimizing certain modes of inquiry over others. Deep Mediations examines why and how this is, as scholars today navigate the legacy of depth models of thought and vision, particularly in light of the “surface turn” and as these models impinge on the realms of cinema and media studies.The collection’s eighteen essays seek to understand the decisive but evolving fixation on depth by considering the term’s use across a range of conversations as well as its status in relation to critical methodologies and the current mediascape. Engaging contemporary debates about new computing technologies, the environment, history, identity, affect, audio/visual culture, and the limits and politics of human perception, Deep Mediations is a timely interrogation of depth’s ongoing importance within the humanities. Contributors: Laurel Ahnert; Taylor Arnold, U of Richmond; Erika Balsom, King’s College London; Brooke Belisle, Stony Brook University; Jinhee Choi, King’s College London; Jennifer Fay, Vanderbilt U; Lisa Han, UC Santa Barbara; Jean Ma, Stanford U; Shaka McGlotten, Purchase College-SUNY; Susanna Paasonen, U of Turku, Finland; Jussi Parikka, U of Southampton; Alessandra Raengo, Georgia State U; Pooja Rangan, Amherst College; Katherine Rochester, VIA Art Fund in Boston; Karl Schoonover, University of Warwick (UK); Jordan Schonig, Michigan State U; John Paul Stadler, North Carolina State U; Nicole Starosielski, New York U; Lauren Tilton, U of Richmond.

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One of the most recurrent and controversial subjects of nineteenth–century discourse was work. Many thinkers associated work with honest pursuit of doing good, not the curse accompanying exile from Eden but rather “a great gift of God.” Sincerely undertaken work comprised a mission entailing a commitment to serve others and promote a better future for all. Satisfaction with what work could do for individuals had its counterbalance in the anger and dismay expressed at the conditions of those whom Robert Owen, in 1817, first called the “working class.” What working–class people confronted both at the labor site and at their lodgings was construed as oppressive, and the misery of their lives became the subject of sentimental poetry, government report, popular fiction, and journalistic expose. Perhaps as heated as the discussion about conditions of lower–class workers was the conversation about separate spheres of work for men and women. This conversation, too, found its way into the literature and public discourse of the day. In The Voice of Toil, the editors have collected the central writings from a pivotal place and time, including poems, stories, essays, and a play that reflect four prominent ways in which the subject of work was addressed: Work as Mission, Work as Opportunity, Work as Oppression, and (Separate) Spheres of Work. The resulting anthology offers a provocative text for students of nineteenth-century British literature and history and a valuable resource for scholars. The text includes readings from John Wesley, William Blake, Elizabeth Gaskell, William Wordsworth, Charles Dickens, Florence Nightingale, William Morris, Joanna Baillie, Friedrich Engels, Matthew Arnold, Angela Burdett–Coutts, John Stuart Mill, Elizabeth Barrett Browning, Bernard Shaw and many others.

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"In Rough Meditations, reading about golf courses is almost as much fun as playing them." --Arnold Palmer "Many golfers have strong opinions when it comes to course architecture. Nobody, however, matches Brad Klein's ability to explain the difference between good and bad design. Rough Meditations deserves a place on that select list of must-reads for anyone who cares about the art of the golf course." --Peter Jacobsen "Rough Meditations is eloquently written, blends a variety of topics seamlessly together, and touches repeatedly on aspects of golf that are barely acknowledged by the majority of golfers and pretty much disregarded by devotees of the 'aerial game.' If you haven't done so already, buy this book. Read it. Digest what it says. Become architecturally 'literate.' It's worth it." --Bob Weisgerber, Golf Today Magazine Rough Meditations is a unique collection of fascinating essays that bring the world's greatest golf courses to life with brilliantly colorful prose. These charming and often hilarious essays take golf enthusiasts on an intimate tour of the game's most distinguished courses. Along the way, readers gain a privileged look at the differences between good and bad golf course design. Featured essays include: * In Golf as in Life * Longest Wait That Was Worth It * Goofiest Modern Green * Business or Art? * Read Any Good Greens Lately? * In the Beginning There Was Sand * Worst Shot in Golf * Treasure Hunting Long considered one of golf's most talented writers, Bradley Klein offers more than fifty essays, ranging from instructive to inspirational, that cover the architecture of courses, how to read greens, the ins and outs of green committees, the relationships that grow from the game, and much more. With a style all his own, Klein takes readers to where he was for years as a caddie on the PGA and LPGA tours--onto the grass and into the game.

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Warlord's Gold, the fifth novel in The Civil War Chronicles, Michael Arnold's acclaimed series of historical thrillers, sees battle-scarred hero, Captain Stryker, 'the Sharpe of the Civil War' on a quest to recover lost treasure.Autumn,1643. As an increasingly bitter war rages across England, Captain Innocent Stryker leaves Oxford with orders to recover a lost treasure, vital to the success of the Royalist cause. But a seemingly simple mission to the remote Scilly Isles is soon jeopardised, for enemies lie in wait. A formidable Parliamentarian agent has been sent ahead of Stryker's force, intent on defeating Royalist plans. Feared by ally and enemy alike, he is a man whose determination is only matched by his hatred for Stryker.The quest for the gold takes Stryker across storm-ravaged seas, through enemy territory and finally to the Royalist stronghold of Basing House. And it is there that Stryker will face his most dangerous challenge yet.

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People who saw the first moving pictures at the end of the nineteenth century were delighted by a new art that communicated without words – yet they were also alarmed to be witnessing events in a strange, mute, spectral realm, where the laws of time and space were suspended and magical transformations could occur. Some early commentators hailed cinema as a blessing and praised it for resurrecting the dead; others likened it to a hypnotic trance or a hallucinogenic drug. The medium has always been excited by speed, and it enjoys sending the body on furious kinetic chases; at the same time, it stealthily probes our minds, invading our dreams and titillating our desires. Although this is an art kindled by light and inflamed by colour, it is nurtured by darkness and can reduce life to an insubstantial shadow play. Either way, as Peter Conrad argues in this brilliant book, the movie camera has given us new eyes and changed forever our view of reality. The Mysteries of Cinema sets out to map this ambiguous territory by taking readers on a thematic roller-coaster ride through movie history. Directors and critics speculate about the nature of cinematic vision, and there are contributions to the debate from writers like Kafka, Virginia Woolf and Joan Didion, artists including Salvador Dalí, George Grosz and Fernand Léger, and the composers Arnold Schoenberg and Dmitri Shostakovich. The book begins from the audacious innovations of silent film, and examines the influence of French surrealism and German expressionism; it accounts for the appeal of Hollywood genres like the Western, the horror film and the musical, and ends by considering the fate of the moving image in our visually glutted society. Combining contagious enthusiasm with an eye for the subjective quirks of filmmakers and the allure of favourite performers, Conrad delivers an astonishing addition to the literature on the seventh art. With 61 illustrations

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A French woman haunted by her encounter with an American-German pianist-composer who is obsessed with Arnold Schoenberg's portrait, flies home with her lively sister and a volume of Adorno's letters to Thomas Mann. While the impossible heroine unpicks her social failures the pianist reaches towards a musical self-portrait with all the resonance of Schoenberg's passionate, chilling blue. A novel of angst and high farce, Blue Self-Portrait unfolds among Berlin's cultural institutions but is more truly located in the mid-air flux between contrary impulses to remember and to ignore. Noemi Lefebvre shows how music continues to work on and through us, addressing past trauma while reaching for possible futures.

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In this classic work, originally published in 1932, Hook set out to demonstrate to the radical and conservative philosophers and activists of the 1920s and 1930s that Marx was a systematic thinker who developed a sound set of philosophical principles. His major argument is that Marx was undogmatic in his approach to philosophy and a critical thinker who assimilated and synthesized a variety of ideas. Hook explains how Marx engaged both Hegel and the young Hegelians in order to develop the notion of the dialectic with Marx's take on historical materialism. The individual chapters engage the reader through the debates and discussions between Marx and young Hegelians such as Moses Hess, who influenced Marx in the study of social and economic problems; Feuerbach, who influenced Marx's view of religion; Bruno Bauer (antiliberalism); Arnold Ruge (philosophy as politics); and Max Stirner (ideals as illusions).

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Climate change has thrust us into a ''no-analog'' future in which climate disasters threaten to cause extraordinary damage, with little precedent to guide policymakers and private actors. Addressing such risks requires a firm grounding in disaster risk reduction, climate change policy, and environmental law. This Research Handbook provides readers with that integrated foundation, investigating topics in international law as well as domestic programs from countries around the world. Because climate disasters affect both government and non-government actors, the Research Handbook covers issues of both public and private law. We know from the scientific literature and recent experience that the laws addressing natural disasters are insufficient to confront disasters amplified by climate change. The Research Handbook acknowledges that the majority of disasters are susceptible in some way to changes in the earth's climate and explores the barriers to, and opportunities for, finding legal solutions to the risks posed by such disasters. It shows that climate change must be considered in order to fully understand disaster risk and the respective legal and policy responses.The Research Handbook also emphasizes the moral responsibility we have to move as quickly as possible to create a carbon-free economy.This work will be of great appeal to legal scholars, practitioners, and policymakers who are interested in environmental law or climate change as it relates to international and domestic law and policy.Contributors include: C.A. Arnold, C. Bakker, M. Burkett, S. Donald, J.D. Echeverria, D.A. Farber, M. Faure, M.B. Gerrard, Q. He, R. Kundis Craig, S. Kuo, D.A. Kysar, R. Lyster, T. Parejo-Navajas, J. Peel, L. Rajamani, S. Shapiro, T. Stephens, L.G. Sun, K. Tracy, R.R.M. Verchick, J. Verschuuren

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Preface to the Progress Series; Preface to Volume X B; Contributors; Evolution of Steroid Hormones and Steroid-Hormone Receptors Gerd Kauser; Evolution of Developmental Peptide Hormones and Their Receptors Jozef Vanden Broack, Liliane Schoofs, and Arnold De Loof; Arthropoda-Insecta: Embryology August Dorn; Arthropoda-Insecta: Larval Development and Metamorphosis-Molecular Aspects Margarethe Spindler-Barth and Klaus-Deiter Spindler; Arthropoda-Insecta: Diapause David S. Saunders; Arthropoda-Insecta: Caste Differentiation Klaus Hartfelder; Arthropoda-Insecta: Endocrine Control of Phase Polymorphism August Dorn, Christof Ress, Silivia Sickold, and Silke Wedekind-Hirschberger; Arthropoda-Insecta: Migration Jack Kent Jr. and Mary Ann Rankin; Non-Veterbrate Chordata Mario Pestarino; Subject Index; Species Index.

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In this sea breeze–fresh collection, master mixologist Garret Richard and award-winning cocktail writer Ben Schaffer provide detailed instruction on an incredible array of must-know drink techniques, including how to adjust acid and sugar, flash blend, handle carbonation, tackle tinctures and turn anything into a balanced syrup. Offering more than 100 recipes, they reimagine vintage cocktails and build the classics of the future, from the Beachcomber Negroni and Royal Hawaiian Mai Tai to the Winter in LA and Yacht Rock. These drinks honour founding legends such as Donn Beach, “Trader Vic” Bergeron, and Harry Yee as well as modern icons, including Dale DeGroff, Audrey Saunders, Julie Reiner and Dave Arnold. The book includes a short history of tropical drinks as well as a comprehensive overview of necessary tools, so both home bartenders and professionals can shake their creativity to new heights. This innovative compendium sets a new tropical standard.

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Arthur Henry Knighton-Hammond was born in 1875 at Arnold, Nottingham, the youngest son of a modest shopkeeper and his wife. Leaving school at the age of 11, he was reluctantly apprenticed to a local watchmaker but never gave up his determination to study art and become a painter. For some years he was obliged to limit his passion to evening classes at the Nottingham School of Art and the occasional day snatched from work on the pretext of illness or convalescence. Nonetheless, his natural ability shone through, and in 1900 he moved to London to make a living as an artist. This was to be the start of a long and prolific career, which encompassed periods as a landscape painter, a society portraitist and an industrial artist. Knighton-Hammond's subjects ranged from the serene beauty of the Derbyshire dales and the picturesque charm of the French Riviera, to the dynamic interiors of the Dow Chemical Plant in Midland, Michigan, and from the most celebrated figures of his generation to colourful local characters in Sussex. His work took him all over Europe and to the United States, although his first love remained the English countryside. Admirers and collectors of his art included members of the Greek Royal family, American industrialists, English aristocrats and fellow artists. Augustus John, noted for his harsh criticisms of his brother artists, exclaimed upon seeing one of Knighton-Hammond's numerous exhibitions in France: 'That man is the greatest English painter in water-colour of our time.' It is, then, a curious anomaly that until now there has been no biography of this remarkable painter and that, since his death in 1970 at the age of 94, his works have received very little attention. At last this omission has been rectified with this, the first full biography of one of England's great water-colourists. It includes a catalogue of the artist's work together with a complete list of his exhibitions and of his paintings currently in public collections.

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Gripping, terrifying, an unputdownable read. Discover Graham Greene's most iconic novel.A gang war is raging through the dark underworld of Brighton. Seventeen-year-old Pinkie, malign and ruthless, has killed a man. Believing he can escape retribution, he is unprepared for the courageous, life-embracing Ida Arnold. Greene's gripping thriller exposes a world of loneliness and fear, of life lived on the 'dangerous edge of things.'In this gripping, terrifying, and unputdownable read, discover Greene's iconic tale of the razor-wielding Pinkie.'Brighton Rock when I was about thirteen. One of the first lessons I took from it was that a serious novel could be an exciting novel - that the novel of adventure could also be the novel of ideas' Ian McEwanWITH AN INTRODUCTION BY J.M. COETZEE

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It's Willa's first birthday -- a day that doesn't come along...every day. In fact, it only comes once and Starla Jean is going to make the best out of it for her baby sister. How? A party! All she has to do is: -decorate -keep Opal Egg entertained -get ingredients for a cake -try to get Opal Egg to lay an egg -invite guests -come on, Opal Egg! How hard is it to lay an egg? You're a chicken! -bake the cake -Give Willa the best first birthday party ever! But, in typical Starla Jean fashion, a few surprises are waiting to derail the determined girl... but could they be...good surprises? Printz Honor winner and National Book Award Finalist Elana K. Arnold is back with this irresistible story of a girl, her chicken, and a few new friends, superbly illustrated by A. N. Kang.

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This volume, the first in the series to be devoted to Einstein's correspondence, begins in June 1902, when he went to work at the Swiss Patent Office. It closes in March 1914, as Einstein left Switzerland to take up his appointment as a member of the Prussian Academy of Sciences in Berlin. The great majority of the more than 500 letters from and to Einstein presented here have not been published before, and some of them will be new even to most Einstein scholars. They give us a much richer picture of Einstein in his twenties and early thirties than we have ever had. We see him through his correspondence with his mother, his wife Mileva, and, from 1912 on, his cousin Elsa, who would later become his second wife. He maintains close ties with old friends, but his circle widens, particularly after 1906, to include a number of his contemporaries in physics such as Max Laue and Paul Ehrenfest. He also develops important relationships with older theorists--Max Planck, Arnold Sommerfeld, and especially H. A. Lorentz. The letters in this volume clarify the development of his academic career once he leaves the Patent Office in 1909, and bring out the important parts played by such staunch supporters of Einstein as Alfred Kleiner, Fritz Haber, and, above all, Walther Nernst. Most significant, however, is the way the letters document crucial aspects of Einstein's scientific activity: his concentration for years on the unfathomable problems of quanta and radiation, his extensive knowledge of experimental physics, his many fruitful interactions with experimentalists, and finally his long struggle to generalize the 1905 theory of relativity to include gravitation and accelerated frames of reference.

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Bringing together an impressive range of new scholarship deeply informed both by the legacies of the past and current intellectual trends, Race Consciousness is a veritable Who's Who of the next generation of scholars of African-American studies. This collection of original essays, representing the latest work in African-American studies, covers such trenchant topics as the culture of America as a culture of race, the politics of gender and sexuality, legacies of slavery and colonialism, crime and welfare politics, and African-American cultural studies. In his entertaining Foreword to the volume, Robin D. G. Kelley presents a startling vision of the state of African-American Studies--and the world in general--in the year 2095. Arnold Rampersad and Nell Irvin Painter, chart the different disciplinary and theoretical paths African-American Studies has taken since the 19th century in their Preface to the volume.

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From the writing team of Ian Wright and Musa Okwonga. Inspired by the story of the superstar striker, Ian Wright. CO-WINNER OF THE CHILDREN'S SPORTS BOOK OF THE YEAR 2022 "A thrilling book ... an uplifting story about triumph against all odds ... You don't have to be a football fan to love it!" David Walliams "I devoured it … moving, thrilling, disturbing, triumphant and inspiring ... a wonderful achievement." Stephen Fry Thirteen-year-old Jerome Jackson dreams of becoming a world-class footballer. But with a difficult home life, Jerome can't see how he'll ever make this dream come true ... until he meets a mentor figure who can hopefully put him on the right track. "The best strikers aren't the most skilful ones. They are the ones who never give up." Perfect for fans of real-life drama Readers will love Ian Wright's cameo role in the story With phenomenal cover art from Benjamin Wachenje. "This engaging and uplifting novel, which celebrates friendship and community, is based on Ian Wright's own childhood experiences and will appeal to any aspiring sportsperson." Booktrust "An inspiring story that encourages you to dream big and overcome life's challenges." Trent Alexander-Arnold Ian Wright is one of the UK's all-time leading goal scorers. He's lifted the Premier League title, The FA Cup, the European Cup Winners' Cup and won the Premier League golden boot. Musa Okwonga is an author, poet, journalist and musician; he is a co-host of the Stadio football podcast.

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Die "Wandlung Aseneths" genannte zentrale Episode in der frÃ"hjÃ"dischen Schrift "Joseph und Aseneth" (JosAs) funktioniert nach dem Schema der rites de passage, wie es Arnold van Gennep beschrieben hat, und weist darÃ"ber hinaus im Anschluss an Victor Turner Kennzeichen des Liminalen auf. Gleichzeitig bricht sie mit dem Schema der Mädchentragödie (Walter Burkert), nach der die Protagonistin unterworfen werden mÃ"sste. Ausgehend von diesen Beobachtungen zeigt Wetz, dass Aseneth durch ihre Wandlung, die sowohl eine Konversion zum Judentum als auch einen biographischen Ãbergang vom Mädchen zur Frau darstellt, Freiheit zur Selbstbestimmung erfährt. Die Darstellung dieses doppelten Ãbergangs als rite de passage trägt das Motiv der Auferstehung, des Durchgangs des Lebens durch den Tod hin zu neuem Leben, in die Erzählung ein.Die anschlieÃende religionsgeschichtliche Analyse zeigt, dass zentrale Motive der Wandlungsepisode auf die Auferstehungs- und Freiheitsthematik verweisen. Da die rites de passage als kulturÃ"bergreifend zu fassendes Phänomen integraler Bestandteil der conditio humana sind, gelingt es der Erzählung, ihren historischen wie ihren modernen Rezipienten mitzunehmen auf Aseneths Weg zu einem biographischen Neuanfang.Die LektÃ"re von JosAs erhält die Funktion therapeutischer Katharsis. Wetz legt Wert auf die Feststellung, dass das, was zur conditio humana gehört, sich in einem biologisch-kulturellen Adaptionsprozess im Laufe der Humanevolution entwickelt hat. Dies fungiert als theoretische Grundlage dafÃ"r, dass die Rezipienten von JosAs kultur- und zeitenÃ"bergreifend angerÃ"hrt werden.

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In August 1943, a highly classified US Army Air Force unit, code-named the 'Wright Project', departed Langley Field for Guadalcanal in the South Pacific to join the fight against the Empire of Japan. Operating independently, under sealed orders drafted at the highest levels of Army Air Force, the Wright Project was unique, both in terms of the war-fighting capabilities provided by classified systems the ten B-24 Liberators of this small group of airmen brought to the war, and in the success these 'crash-built' technologies allowed. The Wright airmen would fly only at night, usually as lone hunters of enemy ships. In so doing they would pave the way for the United States to enter and dominate a new dimension of war in the air for generations to come.This is their story, from humble beginnings at MIT’s Radiation Lab and hunting U-boats off America’s eastern shore, through to the campaigns of the war in the Pacific in their two-year march toward Tokyo. The Wright Project would prove itself to be a combat leader many times over and an outstanding technology innovator, evolving to become the 868th Bomb Squadron. Along the way the unit would be embraced by unique personalities and the dynamic leadership, from Army Air Force General Hap Arnold through combat commanders who flew the missions.In this account, the reader will meet radar warfare pioneers and squadron leaders who were never satisfied that they had pushed the men, the aircraft, and the technologies to the full limit of their possibilities. Comprehensive and highly personal, this story can now be revealed for the very first time, based on official sources, and interviews with the young men who flew into the night.

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In-depth case-studies of significant aspects of early twentieth-century English music-theatre, which engage with notions of Englishness and the idea of a 'musical renaissance' Masques, Mayings and Music-Dramas comprises a sequence of in-depth case-studies of significant aspects of early twentieth-century English music-theatre. Vaughan Williams forms a central thread in this discussion, and Stratford-upon-Avon serves as a geographical focus-point for mediating conflicting visions of an English musical tradition. But the reach of the book is much wider, shedding new light on English Wagnerism (at Glastonbury especially) andon the reception of Wagner's ideas as a point of emulation and resistance. No less significant is the discussion of Purcell and the seventeenth-century masque - one of the primary sources for re-imagining an English dramatic tradition - and the more familiar images of the May festival, the Mummers' play and the pageant play, which are tellingly re-contextualised. The book also looks at the associations between Vaughan Williams, the theatre artist Edward Gordon Craig and the impresario Serge Diaghilev. The sequence is framed by the image of the pilgrim-vagabond Vaughan Williams's setting of the poetry of Matthew Arnold and Robert Louis Stevenson as a metaphor and paradigm for his creative career and personal progress. The book not only sheds light on the activities and ambitions of principal agents but also illuminates a particularly dynamic moment in the re-emergence of a distinctively English music-theatrical practice: one especially concerned with calling on aspects of the past to help to secure a worthwhile future. Notions of Englishness turn out to be less insular than sometimes thought and the idea of a 'musical renaissance' more complex when the case-studies are understood in their proper historical context. Scholars and students of twentieth-century English music, theatre and opera will find this volume indispensable. Roger Savage isHonorary Fellow in English Literature at the University of Edinburgh. He has published widely on theatre and its interface with music from the baroque to the twentieth century in leading journals and books.

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