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The fourteen essays of this volume engage in distinct ways with the matter of motion in early modern Spanish poetics. Los catorce ensayos de este volumen conectan de una manera perceptible con el tema del movimiento enla poesía española del siglo de oro The fourteen essays of this volume engage in distinct ways with the matter of motion in early modern Spanish poetics, without limiting the dialectic of stasis and movement to any single sphere or manifestation. Interrogation of the interdependence of tradition and innovation, poetry, power and politics, shifting signifiers, the intersection of topography and deviant temporalities, the movement between the secular and the sacred, tensions between centres and peripheries, issues of manuscript circulation and reception, poetic calls and echoes across continents and centuries, and between creative writing and reading subjects, all demonstrate that Helgerson's central notion of conspicuous movement is relevant beyond early sixteenth-century secular poetics, By opening it up we approximate a better understanding of poetry's flexible spatio-temporal co-ordinates in a period of extraordinary historical circumstances and conterminous radical cultural transformation. Los catorce ensayos de este volumen conectan de una manera perceptible con el tema del movimiento en la poesía española del siglo de oro, sin limitar la dialéctica de la estasis y movimiento a una sola esfera o manifestación única. Entre los multiples enfoques cabe destacar: el cuestionamiento de la interdependencia de la tradición e inovación, de la poesía, del poder y la política, de los sigantes que se transforman, de los espacios que conectan y cruzan con los tiempos 'desviados'; análisis de las tensiones entre lo sagrado y lo secular, del conflicto centro-periferia y del complejo sistema de producción, circulacióny recepción de los manuscritos; el diálogo con el eco poético a través de los siglos y de los continentes y la construcción creativa del sujeto escritor y/o lector. Al abrir la noción central de Helgerson del "movimiento cono" más allá de la poesía nueva secular, este libro propone un entendimiento más completo de las coordinadas espacio-temporales de la poesía en un periodo de circunstancias históricas extrao Jean Andrews is Associate Pssor in the Department of Spanish, Portuguese and Latin American Studies, University of Nottingham. Isabel Torres is Professor of Spanish Golden Age Literature at Queen's University, Belfast. Contributors: Jean Andrews,Dana Bultman, Noelia Cirnigliaro, Marsha Collins, Trevor J. Dadson, Aurora Egido, Verónica Grossi, Anne Holloway, Mark J. Mascia,Terence O'Reilly, Carmen Peraita, Amanda Powell, Colin Thompson, Isabel Torres

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A collection of tales from the Middle Ages that reveal voyages to Heaven and Hell, the realm of the Faery, mystical lands, and encounters with mythic beasts • Shares travelers’ accounts of voyages into the afterlife, alarming creatures of unparalleled strangeness, encounters with doppelgangers and angels, chivalric romantic misadventures, and legends of heroes • Explains how travelers’ tales from the Middle Ages drew on geographies, encyclopedias, travel accounts, bestiaries, and herbals for material to capture the imagination of their audiences • Includes rare illustrations from incunabula and medieval manuscripts Heading off to discover unknown lands was always a risky undertaking during the Middle Ages due to the countless dangers lying in wait for the traveler--if we can believe what the written accounts tell us. In the medieval age of intercontinental exploration, tales of sea monsters, strange hybrid beasts, trickster faeries, accidental trips to the afterlife, and peoples as fantastic and dangerous as the lands they inhabited abounded. In this curated collection of medieval travelers’ tales, editors Claude and Corinne Lecouteux explain how the Middle Ages were a melting pot of narrative traditions from the four corners of the then-known world. Tales from this period often drew on geographies, encyclopedias, travel accounts, bestiaries, and herbals for material to capture the imagination of their audiences, who were fascinated by the wonders being discovered by explorers of the time. Accompanied by rare illustrations from incunabula and medieval manuscripts, the stories in this collection include voyages into the afterlife, with guided tours of Hell and glimpses of Heaven, as well as journeys into other fantastic realms, such as the pagan land of the Faery. It also includes accounts from travelers such as Alexander the Great of alarming creatures of unparalleled strangeness, encounters with doppelgangers and angels, legends of heroes, and tales of chivalric romantic misadventures, with protagonists swept to exotic new places by fate or by quest. In each story, the marvelous is omnipresent, and each portrays the reactions of the protagonist when faced with the unknown. Offering an introduction to the medieval imaginings of a wondrous universe, these tales reflect the dreams and beliefs of the Middle Ages’ era of discovery and allow readers to survey mythic geography, meet people from the far ends of the earth, and experience the supernatural.

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William Hunter and the Anatomy of the Modern Museum accompanies a groundbreaking exhibition organized by the Hunterian at the University of Glasgow, in collaboration with the Yale Center for British Art, to celebrate the 2018 tercentenary of The Hunterian’s founder, Dr. William Hunter (1718–1783). This publication is the first in 150 years to assess the contribution made by Hunter, the Scottish-born obstetrician, anatomist, and collector, to the development of the modern museum as a public institution. Essays examine how Hunter gathered his collection to be used as a source of knowledge and instruction, encompassing outstanding paintings and works on paper, coins and medals, and anatomical and zoological specimens. Hunter also possessed ethnographic artifacts from Spain, the Middle East, China, and the South Pacific, and was an avid collector of medieval manuscripts and incunabula; these were all located within one of the most important “working” libraries of eighteenth-century London.Published by the Yale Center for British Art in association with The HunterianExhibition Schedule:The Hunterian, Glasgow (09/28/18–01/06/19)Yale Center for British Art (02/14/19–05/20/19)

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Count Robert of Paris, condemned by Scott's printer as 'altogether a failure', was later prepared for publication by his son-in-law, J. G. Lockhart , and his publisher Robert Cadell. What appeared was a bowdlerised, tamed and tidied version of what Scott had written and dictated. This edition, the first to have returned to the manuscript and to the many surviving proofs, realises Scott's original intentions. Scott's last full novel has many roughnesses, but it also challenges the susceptibilities of his readers more directly than any other and in that lay its fault in the eyes of the lesser men who condemned it.

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A vastly informative and rare early-American pioneer autobiography rescued from obscurity. In this remarkable memoir, Daniel Parker (1781–1861) recorded both the details of everyday life and the extraordinary historical events he witnessed west of the Appalachian Mountains between 1790 and 1840. Once a humble traveling salesman for a line of newly invented clothes washing machines, he became an outspoken advocate for abolition and education. With his wife and son, he founded Clermont Academy, a racially integrated, coeducational secondary school—the first of its kind in Ohio. However, Parker’s real vocation was as a self-ordained, itinerant preacher of his own brand of universal salvation. Raised by Presbyterian parents, he experienced a dramatic conversion to the Halcyon Church, an alternative, millenarian religious movement led by the enigmatic prophet Abel Sarjent, in 1803. After parting ways with the Halcyonists, he continued his own biblical and theological studies, arriving at the universalist conclusions that he would eventually preach throughout the Ohio River Valley. David Torbett has transcribed Parker’s manuscript and publishes it here for the first time, together with an introduction, epilogue, bibliography, and extensive notes that enrich and contextualize this rare pioneer autobiography.

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Tornabuoni Art Paris opens 2023 with an exhibition dedicated to the relationship between art and poetry, examining the case of Giuseppe Ungaretti, on the 110th anniversary of his arrival in Paris, a defining moment in his literary career. The catalogue, with texts by Alexandra Zingone, literary critic and curator of the exhibition, tackles the analysis of the art of the 'short century' with a global view, taking into consideration the constant dialogue between the various exponents of the cultural world. Through passages from critical texts by Ungaretti as an interpreter of art, the volume follows the exhibition among the many works by contemporary artists, including Giacomo Balla, Alberto Burri, Giuseppe Capogrossi, Carlo Carrà, Giorgio de Chirico, Piero Dorazio and others. Throughout his multidisciplinary career, Ungaretti found himself indiscriminately analysing various genres, including Futurism, Metaphysical, Informalism, Socialist Realism and Expressionism of the Roman School. The exhibition develops around the poet's pieces, in some cases in the form of original manuscripts and first editions. Accompanying the volume is an extremely rich iconographic and archival apparatus accompanies the reader in discovering a virtuous example of the links that have always existed between literature and the visual arts.

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In 1751, John Holker (1719-1786), an English textile manufacturer exiled in France, undertook an industrial espionage mission to England to collect samples of English textiles on behalf of the French king, Louis XV. On his return, the samples were assembled in a manuscript volume, which is now preserved at the Museum of Decorative Arts in Paris. Each sample in this album is accompanied by a handwritten technical description specifying the quality of the fabric, its price, its dimensions and the manufacturing processes. This album is famous for preserving the oldest identifiable samples of jean fabric. Completely bilingual, the book includes a facsimile reproduction of the album, accompanied by a transcription of its handwritten text and a dozen essays. The essays, written by academics, curators and specialists from France, Britain, and North America, explore the album from various angles: the globalisation of commerce, the slave trade, industrial espionage, economic rivalry between France and England, the taste for cotton and its role in the history of fashion, etc. The book demonstrates the importance of centuries-old links between France and the United Kingdom and is an indispensable work of reference for the history of textiles. Text in English and French.

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The statesman on statecraft.Cicero (Marcus Tullius, 106–43 BC), Roman lawyer, orator, politician, and philosopher, of whom we know more than of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In his political speeches especially and in his correspondence we see the excitement, tension, and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, delivered before the Roman people or the Senate if they were political, before jurors if judicial, fifty-eight survive (a few of them incompletely). In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters of which more than 800 were written by Cicero and nearly 100 by others to him. These afford a revelation of the man all the more striking because most were not written for publication. Six rhetorical works survive and another in fragments. Philosophical works include seven extant major compositions and a number of others; and some lost. There is also poetry, some original, some as translations from the Greek. The Loeb Classical Library edition of Cicero is in twenty-nine volumes.

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Essays bringing out the richness of the hitherto neglected Charlemagne tradition in medieval Norway, Sweden, Denmark, Iceland, Wales and Ireland. The reception of the Charlemagne legends among Nordic and Celtic communities in the Middle Ages is a shared story of transmission, translation, an exploration of national identity, and the celebration of imperialism. The articles brought together here capture for the first time the richness of the Charlemagne tradition in medieval Norway, Sweden, Denmark, Iceland, Wales and Ireland and its coherence as a series of adaptations of Old French chansons de geste. Emerging from the French sources is a set of themes which unite the linguistically different Norse and Celtic Charlemagne traditions. The ideology of the Crusades, the dichotomy of Christian and heathen elements, the values of chivalry and the ideals of kingship are among the preoccupations common to both traditions. While processes of manuscript transmission are distinctive to each linguistic context, the essential function of the legends as explorations of political ideology, emotion, and social values creates unity across the language groups. From the Old Norse Karlamagnús saga to the Irish and Welsh narratives, the chapters present a coherent set of perspectives on the northern reception of the Charlemagne legends beyond the nation of England. Contributors: Massimiliano Bampi, Claudia Bornholdt, Aisling Byrne, Luciana Cordo Russo, Helen Fulton, Jon Paul Heyne, Susanne Kramarz-Bein, Erich Poppe, Annalee C. Rejhon, Sif Rikhardsdottir, Hélène Tétrel.

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Examinations of the culture - artistic, material, musical - of English monasteries in the six centuries between the Conquest and the Dissolution. The cultural remains of England's abbeys and priories have always attracted scholarly attention but too often they have been studied in isolation, appreciated only for their artistic, codicological or intellectual features and notfor the insights they offer into the patterns of life and thought - the underlying norms, values and mentalité - of the communities of men and women which made them. Indeed, the distinguished monastic historian David Knowles doubted there would ever be sufficient evidence to recover "the mentality of the ordinary cloister monk". These twelve essays challenge this view. They exploit newly catalogued and newly discovered evidence - manuscript books,wall paintings, and even the traces of original monastic music - to recover the cultural dynamics of a cross-section of male and female communities. It is often claimed that over time the cultural traditions of the monasteries were suffocated by secular trends but here it is suggested that many houses remained a major cultural force even on the verge of the Reformation. James G. Clark is Professor of History at the University of Exeter. Contributors: DAVID BELL, ROGER BOWERS, JAMES CLARK, BARRIE COLLETT, MARY ERLER, G. R. EVANS, MIRIAM GILL, JOAN GREATREX, JULIAN HASELDINE, J. D. NORTH, ALAN PIPER, AND R. M. THOMSON.

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Today, after centuries of obscurity, Hildegard of Bingen has become one of the most famous women of the Middle Ages. She was a woman of great and varied talent as well as tenacious purpose. Her life centered on two places: the abbey of St. Disibod, where she grew to maturity in a community of women, and the abbey of St. Ruppert, to which she led that community after she had become its leader. In her only two efforts at hagiography, she composed vitae of these two patron saints, in whose honor she also wrote liturgical poetry. These two lives tell much about her understanding of monastic life and history. The text of the two lives in Migne's Patrologia latina is quite defective. This edition presents the complete texts from the best surviving manuscripts, along with the first translation of the two lives into English. The introduction relates the two vitae to Hildegard's biography, to her other writings, and to her establishment of her new monastery on the Rupertsberg. This edition also includes a bibliography of editions of Hildegard's Latin texts, English translations of them, and scholarly works about Hildegard.

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Convection heat transfer is an important topic both for industrial applications and fundamental aspects. It combines the complexity of the flow dynamics and of the active or passive scalar transport process. It is part of many university courses such as Mechanical, Aeronautical, Chemical and Biomechanical Engineering. The literature on convective heat transfer is large, but the present manuscript differs in many aspects from the existing ones, particularly from the pedagogical point of view. Each chapter begins with a brief yet complete presentation of the related topic. This is followed by a series of solved problems. The latter are scrupulously detailed and complete the synthetic presentation given at the beginning of each chapter. There are about 50 solved problems, which are mostly original with gradual degree of complexity including those related to recent findings in convective heat transfer phenomena. Each problem is associated with clear indications to help the reader to handle independently the solution. The book contains nine chapters including laminar external and internal flows, convective heat transfer in laminar wake flows, natural convection in confined and no-confined laminar flows, turbulent internal flows, turbulent boundary layers, and free shear flows.

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Explores the role of Islam in forming and transforming interconnectivity across the Indian Ocean World from a longue dur e perspective Highlights the centrality of Muslim cultures in understanding interconnectivity across the Indian Ocean Explores the role of Islam in forming and transforming global interactions and local agencies across the Indian Ocean Offers intra-Muslim perceptions of beliefs, practices and activities, both religious and other Presents 15 case studies across Ethiopia, Gujarat, Java, Kerala, the Malay-Indonesian archipelago, Maldives, Oman, Tanzania, Zanzibar and the Persianate cultural zone This book examines the role of Muslim communities in the emergence of connections and mobilities across the Indian Ocean World from a longue dur e perspective. Spanning the 7th century through the medieval period until the present day, this book aims to move beyond the usual focus on geographical sub-regions to highlight different aspects of interconnectivity in relation to Islam. Analysing textual and material evidence, contributors examine identities and diasporas, manuscripts and literature, as well as vernacular and religious architecture. It aims to explore networks and circulations of peoples, ideas and ideologies, as well as art, culture, religion and heritage. It focuses on global interactions as well as local agencies in context.

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The Library at Trinity College Dublin dates back to the establishment of the college by Queen Elizabeth I in 1592. The library is the largest in Ireland, containing more than 6.2 million volumes and an extensive collection of early manuscripts, including the internationally famous Book of Kells, which attracts around 1 million visitors annually from around the world. A visit to the Book of Kells includes a visit to the Long Room, the main chamber of the Old Library, and one of the most beautiful and impressive libraries and architectural spaces in the world. In this, the first of a new series called Pocket Photo Books, photographer Harry Cory Wright explores the richness of the architecture and collections of the Long Room, resulting in a book that brings the reader close to the sense of being there. With a brief introduction by Trinity’s Librarian and College Archivist, Helen Shenton, about her own experience of the Long Room, this beautifully designed book of exquisite photographs will appeal to all visitors to Trinity College Dublin, and to anyone keen to explore in detail one of the most awe-inspiring libraries and architectural spaces in the world.

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This volume is part of the Complete Works of Evelyn Waugh critical edition, which brings together all Waugh's published and previously unpublished writings for the first time with comprehensive introductions and annotation, and a full account of each text's manuscript development and textual variants. The edition's General Editor is Alexander Waugh, Evelyn Waugh's grandson and editor of the twelve-volume Personal Writings sequence. This is the first fully annotated critical edition of Waugh's book on Mexico, Robbery Under Law: The Mexican Object-Lesson (1939), based on three months' research by Waugh in the country in 1938 and rarely included in later reprints of Waugh's travel writings. Waugh insisted in its opening words: 'This is a political book'; it traced the expropriation of British and American oil interests in Mexico by its repressive Marxist government. It described the current political and social inequities suffered by both its Mexican citizens and foreign companies trading there and also provided a powerful account of the history of Catholic persecution in the country. Its narratives offered an implicit but potent warning about the barbarity of totalitarian regimes as war in Western Europe grew increasingly likely.

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This is the first book to examine the full range of the evidence for Irish charms, from medieval to modern times. As Ireland has one of the oldest literatures in Europe, and also one of the most comprehensively recorded folklore traditions, it affords a uniquely rich body of evidence for such an investigation. The collection includes surveys of broad aspects of the subject (charm scholarship, charms in medieval tales, modern narrative charms, nineteenth-century charm documentation); dossiers of the evidence for specific charms (a headache charm, a nightmare charm, charms against bleeding); a study comparing the curses of saints with those of poets; and an account of a newly discovered manuscript of a toothache charm. The practices of a contemporary healer are described on the basis of recent fieldwork, and the connection between charms and storytelling is foregrounded in chapters on the textual amulet known as the Leabhar Eoin, on the belief that witches steal butter, and on the nature of the belief that effects supernatural cures.

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A critical study of a Welsh translation of Ystorya Gwlat Ieuan Vendigeit, a letter supposedly sent by Prester John to Manuel, emperor of Constantinople about 1165, comprising presentations of two translations of the document, taken from manuscripts Jesus College 119, Peniarth 15, 47 and 267, an appreciation of the text and its significance in Welsh literature, and detailed notes.

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Picturing the life story of Jalal ad-Din Rumi, a premier Muslim mystic and the original Whirling Dervish, John Renard studies the images in three extant manuscripts of Aflaki's Wondrous Feats of the Knowers of God to provide a unique way to interpret the text.

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A free open access ebook is available upon publication. Learn more atwww.luminosoa.org. Discourse about water and power in the modern era have largely focused on human power over water: who gets to own and control a limited resource that has incredible economic potential. As a result, discussion of water, even in the humanities, has traditionally focused on fresh water for human use. Today, climate extremes from drought to flooding are forcing humanities scholars to reimagine water discourse. This volume exemplifies how interdisciplinary cultural approaches can transform water conversations. The manuscript is organized into three emergent themes in water studies: agency of water, fluid identities, and cultural currencies. The first section deals with the properties of water and the ways in which water challenges human plans for control. The second section explores how water (or lack of it) shapes human collective and individual identities. The third engages notions of value and c

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Poemas a Amanda reúne por primera vez, bajo la edición de Fran Garcerá y Cari Fernández, los poemas que Carmen Conde dedicó a Amanda Junquera entre 1936 y 1983. También incluye dos anexos con importante material documental, como la reproducción de todas las dedicatorias manuscritas que ambas se intercambiaron en libros, además de otro material inédito conservado en su archivo personal en el Patronato Carmen Conde-Antonio Oliver de Cartagena.-

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À partir de l'époque abbasside (750-820), les vastes territoires situés au-delà du fleuve Amu Darya (le Mawara'annahr), conquis par les généraux umayyades durant la première moitié du VIIIe siècle, entrent définitivement dans l'aire culturelle de l'islam. L'analyse croisée des sources médiévales arabes, persanes et chinoises, complétées par les données de manuscrits inédits, ainsi que les derniers résultats livrés par les fouilles archéologiques de Samarqand permettent d'établir une chronologie fine de cette période charnière de l'histoire de l'Asie centrale. Sous cet éclairage nouveau sont examinés les processus complexes et irréversibles qui ont abouti à un changement du cadre politique et religieux, à la transformation des élites sogdiennes et musulmanes, à l'évolution du système étatique de contrôle des pays frontaliers, dans un contexte de confrontations et de relations diplomatiques entre le califat, l'empire chinois des Tang et les Turcs. During the Abbasid period (750-820), the vast territories beyond the Amu Darya river (the Mawara'annahr), conquered by the Umayyad generals in the first half of the eighth century, entered definitively into the cultural sphere of Islam. The comparative analysis of medieval Arabic, Persian, and Chinese sources, supplemented by materials from unpublished manuscripts, as well as the latest results yielded by archaeological excavations at Samarkand, have made it possible to establish a fine-grained chronology of this turning point in the history of Central Asia. Examined in this new light are complex and irreversible processes that resulted in a changed political and religious fabric, transformations of the Sogdian and Muslim elite, and the evolution of the state's system of controlling territories on its borders, within a context of confrontations and diplomatic relations between the caliphate, the Tang empire in China, and the Turks.

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Engaging account of the fortunes of a farming family during the eighteenth and nineteenth centuries. Proputty, proputty, proputty: Tennyson's "Northern Farmer, New Style" could hear the word in the rhythm of his horse's hooves as he cantered between his fields. The Dixon family built up their estate in Holton-le-Moor, betweenMarket Rasen and Caistor, from a minor purchase in 1741 to the point where they owned the whole parish, with a fine house, a governess for their daughters, and a phaeton in which to ride out. But despite these marks of status, they remained working farmers well into the Victorian era. Even more remarkably, they created and preserved a comprehensive archive, including farming accounts, diaries and correspondence. Dr Richard Olney has known this archive for nearly fifty years, first uncovering the documentary riches at Holton Hall (where manuscripts from the loft had to be lowered in baskets to the study below) and subsequently cataloguing the entire collection in the LincolnshireArchives. In this book he creates a vivid portrait of the building up of a farming estate over several generations, revealing the introduction of agricultural improvements, the use of canals and, later, railways to access wider markets, and the place of "the middling sort" in nineteenth-century English rural society. Richard Olney was an archivist at the Lincolnshire Archives Office from 1969 to 1975, and an Assistant Keeper with the Royal Commission on Historical Manuscripts from 1976 to 2003. His publications include Lincolnshire Politics 1832-1885 (Oxford 1973) and Rural Society and County Government in Nineteenth-Century Lincolnshire (History of Lincolnshire Committee 1979).

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This publication includes peer-reviewed manuscripts from the 2011 International Network of Environmental Forensics (INEF) Conference held at St John's College in Cambridge, UK. INEF is an organization founded by environmental forensic scientists for the express purpose of sharing and disseminating environmental forensic information to the international scientific community. Environmental forensic information presented at this conference included topics on contaminant age dating, the use of chemical and biological diagnostic markers for contaminant source identification, advancements in the use of petroleum hydrocarbon pattern recognition techniques, the availability of surrogate chemicals to identify the age of a contaminant release, the identification and application of chemical impurities for source identification and advancements in compound specific isotopic analysis, especially related to chlorinated solvent releases. All of these topics were presented in terms of their applications in contaminant releases throughout the world in terrestrial and marine environments. This professionally edited book is the second of a series of INEF conference publications chronicling the current state of the art in environmental forensics. The intent of this publication and subsequent INEF conference volumes is to capture the evolution of environmental forensic topics as a scientific discipline.

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One of a series of volumes that introduce symbolic systems. This book covers the symbols of the Celts who are associated with a rich body of symbolism and mystery which was expressed in a variety of designs and symbols found in Celtic stonework, metalwork and manuscripts.

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The ‘knight in shining armour’ has become a staple figure in popular culture, and images of bloody battlefields, bustling feasting halls and courtly tournaments have been creatively interpreted many times in film and fiction. But what was the medieval knight truly like? In this fascinating title, former Senior Curator at the Royal Armouries Christopher Gravett describes how knights evolved over three centuries of English and European history, the wars they fought, their lives both in peacetime and on campaign, the weapons they fought with, the armour and clothing they wore and their fascinating code and mythology of chivalry. The text is richly illustrated with images ranging from manuscript illustrations to modern artwork reconstructions and many photographs of historic artefacts and sites.

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What makes the Book of Kells such an extraordinary example of illuminated manuscript? Why is Durer's self-portrait so iconic? How did Turner's Rain, Steam, Speed turn the art world on its head? What's so great about Jasper John's Flag? And who was Whistler's mother, anyway? Art history is filled with paintings that shocked, intrigued, enraged and mystified their audiences - paintings that exemplified the period in which they were created and forever changed the way we think. Here, one hundred examples of these icons of art are presented in beautiful, high-quality reproductions. Each double-page spread features lavish illustrations and details as well as engaging texts that explain why the painting belongs in the pantheon of world-changing art. Published in association with the Stadel Museum, Frankfurt.

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Following the death of her beloved mother Jennifer Worth in 2011, Suzannah Worth discovered amongst her manuscripts a folder simply labelled 'Fifth Book'. Imagine her excitement when she sat down to read and her mother's distinctive voice came flooding back. This enchanting new collection from Jennifer Worth's Call the Midwife takes you back to the East End of London in the 1950s. Heart-warming and funny, these never-before-seen stories feature all Worth's beloved characters, with a particular focus on Fred, the irresistible Poplar boiler man. A selection of Suzannah's favourites from the original memoirs, featuring Chummy and Sister Monica Joan, join the new stories to make a very special addition to the Call the Midwife family.

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An exquisitely illustrated volume in celebration of the world’s foremost library of botanical works The renowned LuEsther T. Mertz Library of The New York Botanical Garden counts among its holdings many of the most beautiful and pioneering botanical and horticultural works ever created. More than eight centuries of knowledge, from the twelfth century to the present, are represented in the library’s collection of over one million items. In this sumptuously illustrated volume, international experts introduce us to some of the library’s most fascinating works—exceedingly rare books, stunning botanical artworks, handwritten manuscripts, Renaissance herbals, nursery catalogs, explorers’ notebooks, and more. The contributors hold these treasures up for close inspection and offer surprising insights into their histories and importance. The diverse materials showcased in the volume reflect the creative efforts of eminent explorers, scientists, artists, publishers, and print makers. From the rare, illuminated pages of Pliny the Elder’s Naturalis historia (1483), to the earliest book ever published on American insects (1797), to lovely etchings of the water gardens at Villa Pratolino in Florence (1600s), the Mertz Library holdings will inspire in readers a new appreciation for the extraordinary history of botany and its far-reaching connections to the worlds of science, books, art, and culture.A co-publication with The New York Botanical Garden

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This book takes seriously the need for a two-fold shift in methodology within the field of liturgical studies and serves as a model for future historical work. The first shift necessary in liturgical studies is a shift to sources other than the central liturgical texts, i.e. the Missal, breviary, lectionary, and books of rites. The second shift necessary in the field is a greater appreciation of the diversity of liturgical celebrations within the Church. In order to engage in such a study, this book analyzes a non-traditional liturgical source within a little-studied liturgical tradition. The source that provides the basis for this study is the Homiliae Toletanae (British Library, Add. 30853), a homiliary for Mass found in the Hispano-Mozarabic Rite. The Homiliae Toletanae dates to circa the seventh/eighth centuries and survives in one tenth/eleventh-century manuscript. It contains homilies for every major temporal and sanctoral feast in the calendar of Toledo. The Homiliae Toletanae is a valuable manuscript for reconstructing and understanding the liturgical practices of seventh/eighth-century Toledo. This study looks only at the Lenten homilies found within the Homiliae Toletanae in order to supplement what is already known about the Lenten practices of late Visigothic and early Mozarabic Spain. In reconstructing the practices of Lent in seventh/eighth-century Spain, this study explores the two major themes of Lent, penance and initiation, and their relationship to one another. It reflects on what some scholars consider a crisis in the thematic understanding of Lent in the seventh/eighth centuries. Coupled with this crisis is a shift from adult initiation to infant initiation in this period. This study argues that this crisis of meaning and the subsequent shift to a more penitential understanding of Lent was a direct result of the decline in adult initiation in this period. The dominant role that fasting and almsgiving played in the Lenten life of late Visigothic and early Mozarabic Spain is also analyzed. In order to conduct this study, this volume utilizes textual criticism as well as the comparative method in liturgical studies. The comparative method is based on the work of Anton Baumstark, the Mateos School, and Paul Bradshaw. This method is used to reconstruct liturgical practices based on the manuscript evidence. The first part of this book contextualizes the Homiliae Toletanae within the larger Hispano-Mozarabic and Christian tradition, and discusses its origin, dating, composition, and general content. The second part of this book is an in-depth look at the twenty-three homilies of Lent found within the Homiliae Toletanae. The goal of this volume is to show that liturgical traditions, like the Hispano-Mozarabic Rite, have a profound creativity and uniqueness. Their patrimony is rich, and they contain many liturgical insights, both historically and pastorally.

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The idea of the quest, crucial to Arthurian literature, investigated in texts, manuscripts, and film. The theme of the quest in Arthurian literature - mainly but not exclusively the Grail quest - is explored in the essays presented here, covering French, Dutch, Norse, German, and English texts. A number of the essays trace the relationship, often negative, between Arthurian chivalry and the Grail ethos. Whereas most of the contributors reflect on the popularity of the Grail quest, several examine the comparative rarity of the Grail in certain literatures and define the elaboration of quest motifs severed from the Grail material. An appendix to the volume offers a filmography that includes all the cinematic treatments of the Grail, either as central theme or minor motif. This book will appeal to students, scholars, and general readers fascinated by the Arthurian and Grail legends. CONTRIBUTORS: NORRIS J. LACY, ANTONIO FURTADO, WILL HASTY, RICHARD TRACHSLER, MARIANNE E. KALINKE, MARTINE MEUWESE, DAVID F. JOHNSON, PHILLIP BOARDMAN, CAROLINE D. ECKHARDT, P.J.C. FIELD, JAMES P. CARLEY, RICHARD BARBER, KEVIN J. HARTY

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Geoffrey of Monmouth’s History of the Kings of Britain—the earliest book to detail the legendary foundation of Britain and life of King Arthur—was widely read during the Middle Ages. This volume presents the first English translation of what may have been his source, the anonymous First Variant Version, attested in just a handful of manuscripts.

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The editing is done with great skill . . . this is a masterly treatment of the subject. ENGLISH HISTORICAL REVIEW Aspilogia' means materials of heraldry, and this first volume in the series on heraldry published by the Society of Antiquaries is a comprehensive listing of the known medieval rolls of arms of English origin. The rolls vary fromvery grand and luxurious painted manuscripts to simple records made by heralds using descriptive code, and this book is the best guide to them. It includes details of all known copies and variants, and includes rolls which are only known to us through later transcripts.

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The first newspaper arrived in England in 1620 and sparked a huge demand for up-to-the minute reports on domestic and world events. Men and women in Renaissance England were addicted to news, whether from the battlefields of Europe, or the scandal-filled salons of its courtiers. Newspapers commented on politics, crime, omens, bad weather, natural disasters, and strange apparitions.Breaking News traces the development of the newspaper in England, from its origins in manuscript letters and imported corantos in Shakespeare’s England, to the introduction of daily newspapers, regional journals, and specialist magazines around 1700, as well as the first stirrings of American journalism. The examples of early journalism illustrated here reveal the indelible mark the early English newspaper has left on modern news culture.

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In 2017, the New York Times announced that the long-lost memoir of Luis de Carvajal the Younger had been rediscovered. Considered the first autobiography by a Jew in the Americas, the book had been stolen decades earlier from Mexico’s National Archives. Here, Ilan Stavans recounts the extraordinary and entertaining story of the reappearance of this precious object and how its discovery opened up new vistas onto the world of secret Jews escaping the Spanish Inquisition.Called el Mozo (the Younger) to distinguish him from an uncle of the same name who was governor of Nuevo León, Luis de Carvajal learned of his Jewishness after being raised a Catholic. He came to recognize himself as a messiah for fellow crypto-Jews, and he was burned at the stake on December 8, 1596, in the biggest auto-da-fé in all of Latin America. His memoir—a 180-page manuscript written by a crypto-Jew targeted by the Holy Office of the Inquisition for unlawful proselytizing activities—was not only distinct but of enormous value.With characters such as conniving academics embroiled in a scholarly feud, a magnanimous philanthropist, naïve booksellers, and a secondary cast that could be taken from a David Lynch film, The Return of Carvajal recounts the global intrigue that placed crypto-Jewish culture at the heart of contemporary debates on religion and identity.

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Travel back in time and share the experience of everyday thoughts and great moments in history in this fascinating compilation of diaries through the ages.Great Diaries traces the history of the diary from ancient times to the present day, bringing together more than 80 historical and literary diaries, artists' sketchbooks, explorers' journals, and scientists' notebooks. Discover what it was like to build a pyramid, sail the seas with Magellan, travel into the heart of Africa, or serve on the Western Front. Find out how writers and artists planned their masterpieces, and how scientists developed their groundbreaking theories.Great Diaries takes you into the pages of the world's greatest diaries and notebooks, including those of Samuel Pepys, Charles Darwin, Henry-David Thoreau, the Goncourt brothers, Virginia Woolf, and Anne Frank, and shows you what they looked like. Stunning images of the original notebooks and manuscripts are complemented by key extracts and close-ups of important details. Feature boxes provide additional biographical information and set the works in their cultural and historical context.Essential reading for everyone who is passionate about history and literature, Great Diaries provides an intimate insight into the lives and thoughts of some of the most interesting people of the last 2,000 years.

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This book is about conflicts over inheritance in the Ancient and Mediaeval Worlds. It deals with rules of inheritance and property division in ancient Greece, in the Roman and Byzantine Empires, in some Latin kingdoms and in mediaeval Islamic Egypt. The sources drawn upon for this book are varied: documentary sources, such as inscriptions, papyri and manuscripts containing petitions and wills, but also literary sources, legal documents and law codes. The book focuses on the impact religions had on family law and property transmission and offers insight on Greco-Roman religion, Judaism, Christianity and Islam. It deals with gender inequality in the Ancient and Mediaeval Mediterranean world.

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Chausson's Piece Op.39, the composer's only work for solo cello, was written during his final years and belongs with the intensity lyrical Poeme for violin and orchestra (1896) and the two quartets (1897 and 1899). Like these more 'classical' late works, 'Piece' derives potency from its restrained lyricism, but is rhythmically unusual with 5/4 and 7/4 the predominant time signatures.Neil Heyde's new edition, the first authoritative one of the work, is based on the composer's autograph manuscript and will be welcomed by cellists seeking fresh, first-rate repertoire by major French composers.The edition includes an informative introduction and critical commentary.

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Here at last is the first systematic study of the teaching and learning of Latin in thirteenth century England based on evidence from nearly 200 manuscripts where the text has been glossed in the vernacular. These glosses providethe key to discovering the linguistic competence and interest of students at an elementary level: men and women who needed a working knowledge of Latin for practical purposes. The received view that Latin was the exclusive language of the schoolroom is shown to be mistaken and the exhaustive recording of the vernacular glosses provides a hitherto untapped source of lexical materials in French and Middle English. An essential source-book for medievalists interested in language, literacy and culture.

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When the narrator of Childish Loves inherits a colleague Peter's writings on Lord Byron, he finds himself acting as a literary sleuth. Sorting through boxes of manuscripts he reads between the lines of these scandalous, Byron-inspired stories, meets with the Society for the Publication of the Dead, and tracks down people from Peter's past in an effort to untangle rumour from reality. In the process, he crafts a masterful story-within-a-story that turns on uncomfortable questions about childhood and sexual awakening, innocence and attraction, while exploring the lives of three very different writers and their brushes with success and failure in both literature and life.

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In this study, Peter Nagel provides a deeper understanding of Paul's concept of a Hebrew deity by offering a textual-conceptual and linguistic connection between the Hebrew deity of the Old Testament and Jesus as the Christ of the New Testament. He does so by offering a textual-cognitive analysis of the explicit Kyrios and Theos citations within their literary context in the Pauline literature. He also considers the text-critical variants, alternatives, and discrepancies in the entire New Testament where the term Kyrios and Theos are used. This analysis is done against a broad Hebrew and Greek textual-conceptual backdrop by investigating the most prominent biblical Hebrew and Greek manuscript evidence from 300 BCE to 200 CE.

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There is no such thing as history, you see. It's a dream, perhaps even a dream of a dream . . .Walter Benjamin is dead. One of the most radiant minds of the twentieth century has been snatched away by death in a small town on the border between Spain and France. His thousand-page manuscript, carried the length of France during his flight from the Nazis, has vanished with him, never to be recovered. Jay Parini's extraordinary novel traces Benjamin's steps back through time, from the salons of Berlin to the winding roads of Catalonia. A tale of escape and pursuit, Benjamin's Crossing dramatises one of the most moving peripheral episodes of the Holocaust; and above all, it is a love story.

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What We Talk About When We Talk About Love is Carver's most famous collection of short stories and remians one of the most influential pieces of modern literature to date. But the original, unedited manuscript, Beginners – published here for the first time, was almost fifty per cent longer than the published collection. This restored version of Carver's stories reveals what was previously unsaid, filling in the narrative silences that have both inspired and mystified readers for so long. Beginners is a fascinating insight into the aesthetic of a literary great and, in the questions it raises, may just spark off one of the great cultural debates of our times.

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A picture of representative humanists of the Quattrocento, based on manuscript material in the Florence state archives. Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The pervasiveness of Protestant natural law in the early modern period and its significance in the Scottish Enlightenment have long been recognised. This book reveals that Thomas Reid (1710-1796) -- the great contemporary of David Hume and Adam Smith -- also worked in this tradition. When Reid succeeded Adam Smith as professor of moral philosophy in Glasgow in 1764, he taught a course covering pneumatology, practical ethics, and politics. This section on practical ethics took its starting point from the system of natural law and rights published by Francis Hutcheson. Knud Haakonssen has reconstructed it here for the first time from Reid's manuscript lectures and papers, and it provides a considerable addition to our understanding not only of Reid but of the thought of the Scottish Enlightenment and of the education system of the time. The present work is a revised version of a work first published by Princeton University Press in 1990 which has long been out of print.

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At the heart of traditional song rest the concerns of ordinary people - the folk. And folk throughout the centuries have found themselves entangled with the law: abiding by it, breaking it, and being caught and punished by it. Who Killed Cock Robin? is an anthology of just such songs compiled by one of Britain's senior judges, Stephen Sedley, and most respected and best-loved folk singers, Martin Carthy. The songs collected here are drawn from manuscripts, broadsides and oral tradition. They are grouped according to the various categories of crime and punishment, from Poaching to The Gallows. Each section contains a historical introduction, and every song is presented with a melody, its lyrics and an illuminating commentary that explores its origins and sources. Together, they present a unique, sometimes comic, often tragic, and always colourful insight into the past, while preserving an important body of song for the pleasure and performance of future generations.

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This present text represents a significant improvement over the two previously published texts of Vrttivarttika. The novelty of the present edition, aside from correcting many errors found in its predecessors, lies in a careful comparison of the two previous editions, and their collation with still another manuscript, from the Houghton Library at Harvard University, Indic no. 1268. This volume includes commentary, transliterated Sanskrit text and notes.

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This beautifully illustrated book accompanies an exquisite exhibition of 70 tantric, Jain and related objects, paintings, manuscripts and drawings. In as far as the Indian term 'tantrism' is known in the West, it is generally linked with mystery and mysticism as well as with sex, magic and hocus-pocus. Indeed, tantrism is connected with all these and even more, as Jan van Alphen, chief curator of the BOZAR in Brussels, discusses in the introductory essay to the catalogue. Buddhism, Hinduism, Taoism, Jainism, Vajrayana, Bonpo, Ayurveda and Shamanism are some of the philosophies, religions and sciences that were somehow influenced by tantrism. A highlight of the exhibition is the beautiful 19th-century Rajasthani painting in gouache and gold pigment on cloth, Cosmic Manifestation of Vishnu (Vasudeva).

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Before Douce manuscript 116 landed in Oxford's Bodleian Library, this compilation of magical operations passed through the hands of four occult philosophers who recorded charms, seals, talismans, and magical lore over the seventeenth, eighteenth, and nineteenth centuries. Through expert annotations and translations of the original English, Latin, and Welsh content, Daniel Harms has made this untitled volume accessible to all collectors with this new hardcover book. The Book of Four Occult Philosophers reveals the secrets Robert Cross Smith (Raphael), Olivia Serres (Princess Olive), Thomas Harrington, and an unknown individual credited as 'W.' recorded over three centuries. This compendium of ceremonial magic contains historical spells, recipes, and rituals alongside passages about fairies, astrology, numerology, demon conjuring, and more. With red and black text and hundreds of illustrations by S. Aldarnay, this magical miscellany is the perfect addition to any collection of treasured occult works.

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