Search results for ""author manus"

The Exeter Ordinale is a huge ordinal issued by John de Grandisson, bishop of Exeter [1327-69], in 1337; it is edited on the basis of manuscripts that belonged to, and were annotated by, the bishop himself. The compilationmarked an important point in medieval study of the liturgy, and the Legenda [liturgical readings for saints' days] which it contains are regarded as one of the most important sources for the study of English medieval hagiography, particularly for saints of English origin.

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Composed in rhyming English verse, the Northern homily cycle is the earliest and most complete work of its kind (Gospel paraphrases with homilies on the theme of the Gospel texts), its widespread and enduring popularity witnessed by three distinct recensions and twenty surviving manuscripts ranging from the early fourteenth to the mid-fifteenth centuries. The collection was intended to accompany the Gospel lessons that were read every Sunday as part of the mass.

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The Old Faith and the Russian Land is a historical ethnography that charts the ebbs and flows of ethical practice in a small Russian town over three centuries. The town of Sepych was settled in the late seventeenth century by religious dissenters who fled to the forests of the Urals to escape a world they believed to be in the clutches of the Antichrist. Factions of Old Believers, as these dissenters later came to be known, have maintained a presence in the town ever since. The townspeople of Sepych have also been serfs, free peasants, collective farmers, and, now, shareholders in a post-Soviet cooperative. Douglas Rogers traces connections between the town and some of the major transformations of Russian history, showing how townspeople have responded to a long series of attempts to change them and their communities: tsarist-era efforts to regulate family life and stamp out Old Belief on the Stroganov estates, Soviet collectivization drives and antireligious campaigns, and the marketization, religious revival, and ongoing political transformations of post-Soviet times. Drawing on long-term ethnographic fieldwork and extensive archival and manuscript sources, Rogers argues that religious, political, and economic practice are overlapping arenas in which the people of Sepych have striven to be ethical—in relation to labor and money, food and drink, prayers and rituals, religious books and manuscripts, and the surrounding material landscape. He tracks the ways in which ethical sensibilities—about work and prayer, hierarchy and inequality, gender and generation—have shifted and recombined over time. Rogers concludes that certain expectations about how to be an ethical person have continued to orient townspeople in Sepych over the course of nearly three centuries for specific, identifiable, and often unexpected reasons. Throughout, he demonstrates what a historical and ethnographic study of ethics might look like and uses this approach to ask new questions of Russian, Soviet, and post-Soviet history.

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El sistema Stanislavski es la base pedagógica de la mayoría de las escuelas occidentales de teatro. En 1951 se editó El trabajo del actor sobre sí mismo en el proceso creador de la encarnación , un complemento al libro que el mismo autor, Konstantín Stanislavski, escribió bajo el título El trabajo del actor sobre sí mismo en el proceso creador de la vivencia (Alba Editorial, 2003). La influencia que ambos libros han tenido en el teatro y en el cine soviético, norteamericano y de muchos otros países ha sido enorme. Este segundo volumen ?que tardó más de 20 años en gestarse- representa la ardua publicación, en su momento, de un conjunto de borradores mecanografiados, otros escritos a mano, con anotaciones en los márgenes y con multitud de esbozos. La guerra y la posguerra hicieron aún más difícil la publicación pero finalmente los manuscritos vieron la luz, gracias también a la colaboración de Stanislavski que poco antes de su muerte apartó los manuscritos necesarios para concluir del li

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Siân, troubled by dark dreams and seeking distraction, joins an archaeological dig at Whitby. The abbey's one hundred and ninety-nine steps link the twenty-first century with the ruins of the past and Siân is swept into a mystery involving a long-hidden murder, a fragile manuscript in a bottle and a cast of most peculiar characters. Equal parts historical thriller, romance and ghost story, this is an ingenious literary page-turner and is completely unforgettable.THIS EDITION ALSO FEATURES MICHEL FABER'S NOVELLA THE COURAGE CONSORT

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Five cartularies from what was probably the most important Augustinian house in England. Waltham Abbey is generally considered to have been the most important Augustinian house in England. Five cartularies have survived and there are original documents in six different manuscript collections. They concern the canons,churches and land in nine counties and the City of London. Over 350 local place and field names appear and there is much material relating to the development of surnames and evidence of flourishing use of the English language.

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Max Webers weltberühmte Abhandlung Wirtschaft und Gesellschaft ist kein Buch in Teilen, wie die bisherigen Editionen suggerierten, sondern ein Projekt in mehreren Fassungen, wobei sich die Vorkriegsfassung von der Nachkriegsfassung nach Entstehung und Inhalt unterscheiden lässt. Dieser Band enthält den Text der Nachkriegsfassung von 1919/20 in historisch-kritischer Bearbeitung. Max Weber entwickelte sie zu großen Teilen aus Manuskripten der Vorkriegsfassung, die er teils verdichtete, teils erweiterte. Die Fassung besteht aus vier Kapiteln, darunter die beiden häufig rezipierten Kapitel I "Soziologische Grundbegriffe" und III "Die Typen der Herrschaft". Eine Besonderheit stellt das Kapitel II dar, das Weber mit "Soziologische Grundkategorien des Wirtschaftens" überschrieb. Es ist nicht nur das umfangreichste der überlieferten Kapitel, hier wissen wir auch nichts von einem Vorkriegsmanuskript, auf das er sich hätte stützen können. Vermutlich wurde dieses Kapitel 1919/20 größtenteils neu verfasst. Weber starb mitten in der Arbeit an seinem Projekt, so dass bereits das Kapitel IV "Stände und Klassen" von ihm nicht mehr abgeschlossen werden konnte. Für die darüber hinaus vorgesehenen Kapitel hinterließ er keinen Plan. Es handelt sich also insgesamt um ein unvollendetes Projekt, mit dem er die Leistungsfähigkeit seiner verstehenden Soziologie unter Beweis stellen wollte. Die Entstehung des Werks ist im Nachwort ausführlich geschildert. Der Anhang enthält Informationen der Editoren zur Textbearbeitung sowie Verzeichnisse und Register.

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Introduces Skelton and his work to readers unfamiliar with the poet, gathers together the vibrant strands of existing research, and opens up new avenues for future studies. John Skelton is a central literary figure and the leading poet during the first thirty years of Tudor rule. Nevertheless, he remains challenging and even contradictory for modern audiences. This book aims to provide an authoritative guide to this complex poet and his works, setting him in his historical, religious, and social contexts. Beginning with an exploration of his life and career, it goes on to cover all the major aspects of his poetry, from the literary traditions in which he wrote and the form of his compositions to the manuscript contexts and later reception. SEBASTIAN SOBECKI is Professor of Medieval English Literature and Culture at the University of Groningen; JOHN SCATTERGOOD is Professor (Emeritus) of Medieval and Renaissance English at Trinity College, Dublin. Contributors: Tom Betteridge, Julia Boffey, John Burrow, David Carlson, Helen Cooper, Elisabeth Dutton,A.S.G. Edwards, Jane Griffiths, Nadine Kuipers, Carol Meale, John Scattergood, Sebastian Sobecki, Greg Waite

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For two decades, beginning in the early 1870s, Robert Keller, music editor for N. Simrock Verlag in Berlin, worked with diligence and devotion to usher into print most of Johannes Brahms's major compositions, including all four of his symphonies, the Violin Concerto, the Double Concerto, the Second Piano Concerto, and numerous chamber, choral, and vocal works. This volume collects for the first time the complete extant correspondence between Brahms and Keller, as preserved in the collections of the Library of Congress and the Gesellschaft der Musikfreunde in Vienna. To read their correspondence is to witness a relationship of mutual respect and increasing friendship and to gain an appreciation for the meticulous labor that went into the publication of Brahms's masterpieces. Keller’s admiration for the composer's genius was answered by Brahms's affection for Keller’s diligence and musical expertise. The vicissitudes of the publication process from composer’s manuscript to printed score are documented in fascinating detail.This edition includes a transcription of the letters in the original German.

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Above all, a haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi pastorella.' Jack Kerouac. Renowned for his groundbreaking Beat Generation novel "On the Road", Jack Kerouac was also a master of the haiku, the three-line, seventeen-syllable Japanese poetic form. Following in the tradition of Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with this centuries-old genre, taking it beyond strict syllable counts into what he believed was the form's essence. He incorporated his 'American' haiku in novels and in his correspondence, notebooks, journals, sketchbooks, and recordings.In this edition, Kerouac scholar Regina Weinreich has supplemented a core haiku manuscript from Kerouac's archives with a generous selection of the rest of his haiku, from both published and unpublished sources. The result is a compact collection of more than five hundred poems that reveal a lesser known but important side of Jack Kerouac's literary legacy.

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The most extensive collection of nature printing ever assembled, featuring 43 different printing techniques. Hailed as the earliest precursor to photography, nature printing is the practice of using impressions from the surface of a natural object such as leaves, flowering plants, ferns, seaweed, snakes and more to produce an image. The Zucker Collection is the most extensive collection of nature prints ever assembled, with more than 13,000 images across 120 rare and seminal works, including journals, published books, unique manuscripts, American Currency, and instructional texts related to nature printing from 1733 to 1902. For the first time, readers will be able to see these nature prints presented side by side, enabling unique comparisons while creating a visually stunning journey through the developments over a 150 year period in printing methods including photography with examples of cyanotypes. Capturing Nature is the ultimate guide to Nature Printing, and a beautiful reference work for scholars, artists, designers, botanists and anyone interested in nature, botanical illustration and printing.

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Explores the deployment of racial thinking and racial formations in the visual culture of the pre-modern world. The capacious visual archive studied in this volume includes a trove of materials such as annotated or illuminated manuscripts, Renaissance costume books and travel books, maps and cartographic volumes produced by Europeans as well as Indigenous peoples, mass-printed pamphlets, jewelry, decorative arts, religious iconography, paintings from around the world, ceremonial objects, festival books, and play texts intended for live performance. Contributors explore the deployment of what coeditor Noémie Ndiaye calls “the racial matrix” and its interconnected paradigms across the medieval and early modern chronological divide and across vast transnational and multilingual geographies. This volume uses items from the Fall 2023 exhibition “Seeing Race Before Race”—a collaboration between RaceB4Race and the Newberry Library—as a starting point for an ambitious theoretical conversation between premodern race studies, art history, performance studies, book history, and critical race theory.

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This acclaimed edition is making available authentic versions of the works of a key figure in the history of opera.Gli Equivoci nel Sembiante (1679), Alessandro Scarlatti’s first opera, is a comedy of mistaken identities and amorous intrigues in the pastoral mode. It was one of the most popular and widely performed works of the composer’s long career. A small cast and simple scenic requirements make it an ideal work for performances today.In preparing the score presented here, Frank A. D’Accone compared the six extant manuscripts. His Introduction sketches the opera’s history and discusses performance practice. A translation of the libretto is appended.

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The Book of John Mandeville has tended to be neglected by modern teachers and scholars, yet this intriguing and copious work has much to offer the student of medieval literature, history, and culture. [It] was a contemporary bestseller, providing readers with exotic information about locales from Constantinople to China and about the social and religious practices of peoples such as the Greeks, Muslims, and Brahmins. The Book first appeared in the middle of the fourteenth century and by the next century could be found in an extraordinary range of European languages: not only Latin, French, German, English, and Italian, but also Czech, Danish, and Irish. Its wide readership is also attested by the two hundred fifty to three hundred medieval manuscripts that still survive today. Chaucer borrowed from it, as did the Gawain-poet in the Middle English Cleanness, and its popularity continued long after the Middle Ages.

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Hogg's involvement with song collecting and writing spans the whole of his career, from the early 1800s until the early 1830s, and examples are found across all genres of his work - fiction, drama, poetry and in a number of important musical publications. His 1831 collection entitled Songs by the Ettrick Shepherd came about as an attempt to better his difficult financial situation, and is of particular interest and significance. It was published towards the end of his career, and it provides his own retrospective presentation of his lifetime achievement as a song-writer. This critical edition of Hogg's volume makes his songs accessible for the first time. The layout mirrors the original volume which contained 'head notes' by Hogg himself. These notes provide a great deal of factual, biographical and anecdotal information which proves vitally important to our understanding of the development of his role as a song writer and collector. Alongside the text of Songs from 1831, this edition will contain an introduction discussing Hogg's role as a song writer and collector and a detailed account of the creation of the original manuscript.

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Conchita: "un caso único en la mística de hoy", "un alma bellísima, muy sencilla, fascinante a los ojos de Dios y de los hombres", "una mujer misteriosa y cercana".Esposa y madre de nueve hijos, escritora mística, fundadora de las Obras de la Cruz, alma privilegiada, de un heroismo excepcional, portadora de un mensaje para toda la Iglesia y todos los hombres de hoy.Conchita ha dejado sesenta y seis volúmenes manuscritos, una obra tan amplia como la de Tomás de Aquino, un trabajo inmenso, un Diario espiritual que encierra tesoros de enseñanzas, de luz.

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Dübell es un magnífico narrador y su novela mantiene al lector en constante tensión. Los acontecimientos se encadenan sin respiro y el ritmo trepidante no decae a lo largo de todo el libro.Bohemia, siglo XVI. Hay un libro que es causa de muerte y tortura, un compendio del mal: la Biblia del Diablo. Combinando historia con ficción, Richard Dübell recrea los orígenes y misterios que rodean el satánico manuscrito.Richard Dübell (1962) es autor de Las puertas de la eternidad, la presente La Biblia del diablo y El héroe de Roncesvalles, todas ellas publicadas por Ediciones B.

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Prepared from the composer’s autograph manuscript, Brian Newbould’s authoritative new performing edition of Franz Schubert’s celebratory Magnificat brings this little-known masterpiece to light. A short, perfectly crafted setting, written by the young composer in 1815, it provides the ideal concert opener or partner to other more extended concert works. A vocal score is also available (0-571-52010-3) Magnificat is arranged for SATB chorus, soloists and orchestra. Also available: Magnificat (Vocal Score) (Mixed Voices) £5.99

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Tomando como hilo conductor los avatares de un manuscrito que, con el nombre de la mítica ciudad de Samarcanda, contiene las famosas ?Rubayat? del poeta persa Omar Jayyám, Amin Maalouf recrea en esta novela un fascinante y tumultuoso mundo oriental. En el marco de la Persia medieval, desgarrada por profundas contradicciones, dos figuras destacan junto a la del que, además de poeta, fuera astrónomo, geómetra y filósofo: la de Nizam el-Molk, gran visir del sultán Malikxah, y la del misterioso ismailí Hassan Sabbah, fundador de la secta de los Asesinos, que desde su fortaleza de Alamut mantuvo aterrorizado al país.

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The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate.When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective. He collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey where extraordinary things are happening under the over of night. A spectacular popular and critical success, The Name of the Rose is not only a narrative of a murder investigation but an astonishing chronicle of the Middle Ages.

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When the celebrated crime writer Agatha Crispy engages Hettie and Tilly in the search for a stolen manuscript, our feline detective duo is plunged into a world of Dickensian thieves and murderers. Does the ghost of Jake the Nipper prowl the London Streets of Kitzrovia? Will Madame Two Paws’s exhibition wax or wane? And will the secrets in the crypt of the church of St Mavis and Cucumber finally be revealed? Join Hettie and Tilly as they attempt to unravel yet another darkly humorous case for The No. 2 Feline Detective Agency.

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The oldest extant Marathi work, a medieval chronicle of Chakradhar’s divine life on earth, in a new English translation.God at Play, or Līḷācaritra, is a remarkable biography of the medieval religious figure Chakradhar Svami. His followers, called Mahanubhavs, understand him to be a divine incarnation of Parameshvar. Mhaimbhat, a Brahmin goldsmith who became one of Chakradhar’s most important followers, compiled this astonishingly down-to-earth religious text around 1278. It records not only Chakradhar’s ethical and theological teachings, but also his everyday activities, including the foods he ate and the people he met. This rich, detailed account provides insights into economic conditions, political history, and society in medieval India. Manuscripts of the work were carefully preserved within the Mahanubhav community and were not known to outsiders until the early twentieth century.The first volume of God at Play describes Chakradhar’s early life, his wanderings as a lone ascetic, and the gathering of the disciples who later accompany him on his travels.This new English translation of Līḷācaritra is accompanied by an emended Marathi text, based on Hari Narayan Nene’s edition, in the Devanagari script.

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Although Tory Island, a small island off the north coast of Ireland, has been a stronghold of the Irish language for centuries, the island has no literary tradition. Therefore, this recently discovered manuscript, written over 100 years ago, is a major literary find. Written by Séamus Mac a' Bháird in a rich Tory dialect that no longer survives, the novel is a story full of travel and adventure.

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Explores communities, manuscripts and their spaces of dwelling

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This book takes seriously the need for a two-fold shift in methodology within the field of liturgical studies and serves as a model for future historical work. The first shift necessary in liturgical studies is a shift to sources other than the central liturgical texts, i.e. the Missal, breviary, lectionary, and books of rites. The second shift necessary in the field is a greater appreciation of the diversity of liturgical celebrations within the Church. In order to engage in such a study, this book analyzes a non-traditional liturgical source within a little-studied liturgical tradition. The source that provides the basis for this study is the Homiliae Toletanae (British Library, Add. 30853), a homiliary for Mass found in the Hispano-Mozarabic Rite. The Homiliae Toletanae dates to circa the seventh/eighth centuries and survives in one tenth/eleventh-century manuscript. It contains homilies for every major temporal and sanctoral feast in the calendar of Toledo. The Homiliae Toletanae is a valuable manuscript for reconstructing and understanding the liturgical practices of seventh/eighth-century Toledo. This study looks only at the Lenten homilies found within the Homiliae Toletanae in order to supplement what is already known about the Lenten practices of late Visigothic and early Mozarabic Spain. In reconstructing the practices of Lent in seventh/eighth-century Spain, this study explores the two major themes of Lent, penance and initiation, and their relationship to one another. It reflects on what some scholars consider a crisis in the thematic understanding of Lent in the seventh/eighth centuries. Coupled with this crisis is a shift from adult initiation to infant initiation in this period. This study argues that this crisis of meaning and the subsequent shift to a more penitential understanding of Lent was a direct result of the decline in adult initiation in this period. The dominant role that fasting and almsgiving played in the Lenten life of late Visigothic and early Mozarabic Spain is also analyzed. In order to conduct this study, this volume utilizes textual criticism as well as the comparative method in liturgical studies. The comparative method is based on the work of Anton Baumstark, the Mateos School, and Paul Bradshaw. This method is used to reconstruct liturgical practices based on the manuscript evidence. The first part of this book contextualizes the Homiliae Toletanae within the larger Hispano-Mozarabic and Christian tradition, and discusses its origin, dating, composition, and general content. The second part of this book is an in-depth look at the twenty-three homilies of Lent found within the Homiliae Toletanae. The goal of this volume is to show that liturgical traditions, like the Hispano-Mozarabic Rite, have a profound creativity and uniqueness. Their patrimony is rich, and they contain many liturgical insights, both historically and pastorally.

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This volume, the ninth in the series of The Variorum Edition of the Poetry of John Donne, presents newly edited critical texts of 25 love lyrics. Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, Volume 4.2 details the genealogical history of each poem, accompanied by a thorough prose discussion, as well as a General Textual Introduction of the Songs and Sonets collectively. The volume also presents a comprehensive digest of the commentary on these Songs and Sonets from Donne's time through 1999. Arranged chronologically within sections, the material for each poem is organized under various headings that complement the volume's companions, Volume 4.1 and Volume 4.3.

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The artistry, wit, and erudition of medieval Latin narrative poetry continued to thrive well into the middle of the thirteenth century. No better evidence of this survives than in the long and brilliantly successful career of Henry of Avranches (d. 1262). Professional versifier to abbots, bishops, kings, and at least one pope, Henry displays a pyrotechnical verbal skill and playfulness that rivals that of the Carmina Burana and similar collections of rhymed secular verse. Yet he also stands as self-conscious heir to the great classicizing tradition of the twelfth-century epic poets, above all of Walter of Châtillon. Henry entwines these two strands of his literary inheritance in what might surprise modern readers as an improbable genre. The bulk of Henry’s known output is a series of versified saints’ lives, including those of Francis of Assisi, King Edmund, and Thomas Becket, nearly all of which are based on identified prose models. These two volumes present most of his work in the genre, as witnessed in the English manuscript that remains the linchpin of our knowledge of this remarkable poet’s career.

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An analysis of the methods of Solomonic magic from the 7th to the 19th century as found in the Hygromanteia and Key of Solomon. This volume is about the methods of magic used in 7th century Egyptian Alexandria and how they have been passed via the Greek grimoires of Byzantium (the Hygromanteia), to the manuscripts of the Latin Clavicula Salomonis and its English incarnation as the Key of Solomon. Jewish techniques like the use of pentacles, oil and water skrying were added along the way, but Solomonic magic (despite its name) remained basically a classical Greek form of magic. Amazingly, this transmission has involved very few changes: the 'technology' of magic has remained firmly intact. The emphasis is upon specific magical techniques such as the invocation of the gods, the binding of demons, the use of the four demon Kings, the construction of a circle and lamen (for protection of the magician). The requirements of purity, sexual abstinence, and fasting have changed little in the last 2000 years. The concrete reasons for that are explained. The difference between amulets, talismans and phylacteries or lamens is outlined along with their methods of construction. Examples of magical circles have been taken from many sources and their construction and development traced out. Practical considerations such as choice of incense, the timing of the cutting of the wand, utilisation of rings and statues, use of the Table of Evocation, or the acquisition of a familiar spirit are explained. The structure of a Solomonic evocation puts into perspective the reasons for each step, the use of thwarting angels, achieving invisibility, sacrifice, love magic, treasure finding, and the binding, imprisoning and licensing of spirits. The facing directions and timing of evocations have always been crucial, and these too have remained consistent. By examining the way these same methods were used again and again in the various periods, minor omissions in magical practice can be observed and repaired. This book is thus a follow-on from Techniques of Graeco-Egyptian Magic. This volume investigates precise methods used by magicians from the magicians' own handbooks rather than from the opinions of theologians, historians, anthropologists or legislators. The emphasis is on what magicians did and why. Tools used by magicians in 7th century Alexandria, 15th century Constantinople and 19th century London are very much the same. Detailed comparisons are made chapter by chapter with 70 illustrations of magical equipment like the wand, the sword, wax and clay images and magical gems, drawn from a wide range of manuscripts and reproduced with detailed analysis. Literally hundreds of manuscripts in libraries across Europe have been read and checked to ensure this is the most detailed analysis of Solomonic magic, from the inside, ever penned.

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Having set aside the Catholic liturgical books, the Protestant Church of England then found itself on occasion obliged to recreate certain rites as necessity arose. The volume aims at presenting a considerable number of these from manuscript and printed sources, and is furnished with ample appendices. The complexity of material involved suggests the usefulness of listing the acts and the sources drawn upon. Twenty-nine main texts are printed, together with a large number of other relevant documents.

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Available in English for the first time, Hegel and the Freedom of Moderns revives discussion of the major political and philosophical tenets underlying contemporary liberalism through a revolutionary interpretation of G. W. F. Hegel’s thought. Domenico Losurdo, one of the world’s leading Hegelians, reveals that the philosopher was fully engaged with the political controversies of his time. In so doing, he shows how the issues addressed by Hegel in the nineteenth century resonate with many of the central political concerns of today, among them questions of community, nation, liberalism, and freedom. Based on an examination of Hegel’s entire corpus—including manuscripts, lecture notes, different versions of texts, and letters—Losurdo locates the philosopher’s works within the historical contexts and political situations in which they were composed. Hegel and the Freedom of Moderns persuasively argues that the tug of war between “conservative” and “liberal” interpretations of Hegel has obscured and distorted the most important aspects of his political thought. Losurdo unravels this misleading dualism and provides an illuminating discussion of the relation between Hegel’s political philosophy and the thinking of Karl Marx and Friedrich Engels. He also discusses Hegel’s ideas in relation to the pertinent writings of other major figures of modern political philosophy such as Jean-Jacques Rousseau, John Locke, Edmund Burke, John Stuart Mill, Jeremy Bentham, Karl Popper, Norberto Bobbio, and Friedrich Hayek.

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In The Fernando Coronil Reader Venezuelan anthropologist Fernando Coronil challenges us to rethink our approaches to key contemporary epistemological, political, and ethical questions. Consisting of work written between 1991 and 2011, this posthumously published collection includes Coronil's landmark essays “Beyond Occidentalism” and “The Future in Question” as well as two chapters from his unfinished book manuscript, "Crude Matters." Taken together, the essays highlight his deep concern with the Global South, Latin American state formation, theories of nature, empire, and postcolonialism, and anthrohistory as an intellectual and ethical approach. Presenting a cross section of Coronil's oeuvre, this volume cements his legacy as one of the most innovative critical social thinkers of his generation.

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The Boke of Gostely Grace is the anonymous Middle English version of the Liber specialis gratiae by the German visionary Mechthild of Hackeborn (1241–1298). The original Liber, compiled at the convent of Helfta in Saxony, presents Mechthild’s visions as she experienced them in the liturgy of the Christian year. Her famous visions of the Sacred Heart follow, along with instructions on the religious life in community and her visions of the afterlife. The Middle English version adapts the text to a new fifteenth-century audience, probably a Birgittine community such as the newly founded Syon Abbey on the Thames near London; it emphasises imagery of the dance of the liturgy, the vineyard and the Sacred Heart in new and vivid terms, while other aspects, such as the bridal imagery, are played down. Within a generation, the English text had become popular among the nobility, and stimulated lay piety and private prayer. While scholars have traced the influence and reception of many continental European women writers, Mechthild’s revelations have often escaped their attention, through the lack of suitable editions. This edition of Bodley 220, the manuscript written in the London area, includes introduction, commentary and glossary, and breaks new ground in the study of late medieval vernacular translation and women’s literary culture.

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Required reading for everyone wishing to learn about or research in the field of Wycliffite and Lollard studies. RICHARD REX, QUEENS' COLLEGE, CAMBRIDGE Who were the Lollards? What did Lollards believe? What can the manuscript record of Lollard works teach us about the textual dissemination of Lollard beliefs and the audience for Lollard writings? What did Lollards have in commonwith other reformist or dissident thinkers in late medieval England, and how were their views distinctive? These questions have been fundamental to the modern study of Lollardy (also known as Wycliffism). The essays in this book reveal their broader implications for the study of English literature and history through a series of closely focused studies that demonstrate the wide-ranging influence of Lollard writings and ideas on later medieval English culture. Introductions to previous scholarship, and an extensive Bibliography of printed resources for the study of Wyclif and Wycliffites, provide an entry to scholarship for those new to the field. Contributors: DAVID AERS, MARGARET ASTON, HELEN BARR, MISHTOONI BOSE, LAWRENCE M. CLOPPER, ANDREW COLE, RALPH HANNA III, ANNE HUDSON, MAUREEN JURKOWSKI, ANDREW LARSEN, GEOFFREY H. MARTIN, DERRICK G. PITARD, WENDY SCASE, FIONA SOMERSET, EMILY STEINER.

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Advances in Pacific Basin Business, Economics and Finance (APBBEF) is an annual series designed to focus on interdisciplinary research in finance, economics, and management among Pacific Rim countries. All articles published are reviewed and recommended by at least two members of the editorial board. Topics of interest include, but are not limited to, the following: 1. Policy and management on financial markets and financial institutions; 2. Options, futures, and other derivatives markets; 3. Corporate finance and investment decisions; 4. Insurance and risk management; 5. Accounting, auditing, and taxation; 6. Marketing, supply chain management, and business policies; 7. Artificial intelligence and new technology in finance; 8. Monetary and foreign exchange policy; 9. Income, employment, and education; 10. Other economic policies among the Pacific Rim countries. APBBEF is indexed in ABI/INFORM, EconLit, EBSCO, ProQuest, ResearchGate, and Google Scholar. Manuscript submission: mtyu@nctu.edu.tw.

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From the costly velvets and furs worn by kings to the undyed wools and rough linens of the peasantry, the clothing worn by the various classes in the Middle Ages played an integral role in medieval society. In addition to providing clues to status, profession, and/or geographic origin, textiles were a crucial element in the economies of many countries and cities. Much of what is known about medieval fashion is gleaned from the pages of manuscripts, which serve as a rich source of imagery. This volume provides a detailed look at both the actual fabrics and composition of medieval clothing as well as the period's attitude toward fashion through an exploration of illuminated manuscripts in the collection of the J. Paul Getty Museum. The last portion of the book is dedicated to the depiction of clothing in biblical times and the ancient world as seen through a medieval lens. Throughout, excerpts from literary sources of the period help shed light on the perceived role and function of fashion in daily life.

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In The Anzaldúan Theory Handbook AnaLouise Keating provides a comprehensive investigation of the foundational theories, methods, and philosophies of Gloria E. Anzaldúa. Through archival research and close readings of Anzaldúa’s unpublished and published writings, Keating offers a biographical-intellectual sketch of Anzaldúa, investigates her writing process and theory-making methods, and excavates her archival manuscripts. Keating focuses on the breadth of Anzaldúa’s theoretical oeuvre, including Anzaldúa’s lesser-known concepts of autohistoria y autohistoria-teoría, nos/otras, geographies of selves, and El Mundo Zurdo. By investigating those dimensions of Anzaldúa’s theories, writings, and methods that have received less critical attention and by exploring the interconnections between these overlooked concepts and her better-known theories, Keating opens additional areas of investigation into Anzaldúa’s work and models new ways to “do” Anzaldúan theory. This book also includes extensive definitions, genealogies, and explorations of eighteen key Anzaldúan theories as well as an annotated bibliography of hundreds of Anzaldúa’s unpublished manuscripts.

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In the fourteenth century, Europe was a place ravaged by the effects of war and famine and then devastated by the Black Death. These multiple crises lead to a widespread mystical religiosity, which emphasised both ecstatic joy and extreme suffering. This in turn inspired the creation of some of the most magnificent religious art of the period, from depictions of the Crucifixion, to the martyrdom of saints. The ever growing literate elite also created demand for secular art, from magnificent portraits, to lavishly illuminated manuscripts. "European Art in the Fourteenth Century" highlights the most important artists, works, concepts and theories of the period, accompanied by 400 full-colour illustrations.

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F. R. Kraus Die Rolle der Tempel von der dritten Dynastie von Ur bis ersten Dynastie von Babylon," an unpublished manuscript in German published in French in The Journal of World History in anticipation of inclusion in a scientific and cultural history of mankind to be issued by the International Commission for a Scientific and Cultural History of Mankind. The essay discusses in general terms the role of temples in early Mesopotamian society, then turns to more detailed consideration of the respective positions of temples in Babylonian society at the end of the third and during the first half of the second millennium B.C.

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The Royal College of Physicians celebrates its 500th anniversary in 2018, and to observe this landmark is publishing this series of ten books. Each of the books focuses on fifty themed elements that have contributed to making the RCP what it is today, together adding up to 500 reflections on 500 years. Some of the people, ideas, objects and manuscripts featured are directly connected to the College, while others have had an influence that can still be felt in its work.This, the eighth book in the series looks at the art and portraits of the Royal College.

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5th Edition with new preface. This book focuses on the origins of Marx's thought and on his early writings especially The Economic and Philosophical Manuscripts of 1844. It was a winner of the Isaac Deutscher Memorial Prize. 'In the hands of a creative thinker conviction and passion can give wings to the freedom struggle. Meszaros' book is a 'winger' - one of the most far-reaching books of on the subject of Marx's theory of alienation since Lukacs' seminal Geschichte und Klassenbewusstsein." [History and Class Consciousness] The Review of Metaphysics. 'Immensely learned and well-read" Times Literary Supplement

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The Royal College of Physicians celebrates its 500th anniversary in 2018, and to observe this landmark is publishing this series of ten books. Each of the books focuses on fifty themed elements that have contributed to making the RCP what it is today, together adding up to 500 reflections on 500 years. Some of the people, ideas, objects and manuscripts featured are directly connected to the College, while others have had an influence that can still be felt in its work. This, the tenth book in the series looks at the impact of the Royal College around the world.

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A handmade gospel hidden in a saint’s coffin; a HUGE atlas that takes six people to lift it; a tiny prayer book carried by a queen to her execution; the original handwritten manuscript of Alice in Wonderland; books so rare and valuable they are kept in a bomb-proof store-room. The British Library is an amazing place! From man-eating monsters and brave knights to wicked witches, lost children, haunted moors, magical creatures and flying machines award-winning duo Mick and Brita bring to life the amazing and extraordinary history of the book through the treasures of the largest library in the world – the BRITISH LIBRARY. LET’S GO INSIDE!

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Cicero (Marcus Tullius, 106–43 BCE), Roman lawyer, orator, politician and philosopher, of whom we know more than of any other Roman, lived through the stirring era which saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In his political speeches especially and in his correspondence we see the excitement, tension and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, delivered before the Roman people or the Senate if they were political, before jurors if judicial, 58 survive (a few of them incompletely). In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters of which more than 800 were written by Cicero and nearly 100 by others to him. These afford a revelation of the man all the more striking because most were not written for publication. Six rhetorical works survive and another in fragments. Philosophical works include seven extant major compositions and a number of others; and some lost. There is also poetry, some original, some as translations from the Greek.The Loeb Classical Library edition of Cicero is in twenty-nine volumes.

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This is the first work available in any language to extensively document and critically discuss traditions of 'Alid piety and their modern contestations in the region. The concept of 'Alid piety allows for a reframing of our views on the widespread reverence for 'Ali, Fatima and their progeny that emphasises how such sentiments and associated practices are seen as part of broad traditions shared by many Muslims, which might or might not have their origins in a specifically Shi'a identity. In doing so, it facilitates the movement of academic discussions out from under the shadow of polemical sectarian discourses on 'Shi'ism' in Southeast Asia. The chapters include presentations of new material from previously unpublished early manuscript sources from Muslim vernacular literatures in the Malay, Javanese, Sundanese, Acehnese and Bugis languages, as well as rich new ethnography from across the region. These studies engage with cultural, intellectual, and performative traditions, as well as the ways in which 'Alid piety has been transformed in relation to more strictly sectarian identifications since the Iranian Revolution in 1979.

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It has been collated with the Mellstock Edition of 1920, for which Hardy submitted final corrections. "Backgrounds and Contexts" provides new and invaluable source material on Victorian Dorset and, in particular, Dorchester, Hardy’s native home and the town upon which Casterbridge is based. Included are six of Hardy’s nonfiction writings, notably excerpts from his essay "The Dorsetshire Laboure" (1883), in which he frankly comments on the social changes he has witnessed in the county. Hardy’s Wessex is further examined in an essay by Michael Millgate, by maps of Casterbridge and Wessex, and by a key to local place names. Christine Winfield discusses the novel’s manuscript and its complicated history. "Criticism" collects seventeen wide-ranging assessments of the novel--six new to the Second Edition--from both contemporary and modern critics, including Virginia Woolf, Albert J. Guerard, Julian Moynahan, John Paterson, Michael Millgate, Irving Howe, J. Hillis Miller, Ian Gregor, Elaine Showalter, George Levine, William Greenslade, H. M. Daleski, and Suzanne Keen. A Chronology and Selected Bibliography are also included.

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Apostolic Tradition, as this text is best known, was identified in the early twentieth century as the work of Hippolytus, a Christian leader from third-century Rome. The text provides liturgical information of great antiquity, and as such has been massively influential on liturgical study and reform, especially in Western Churches. The second edition of this crucial liturgical document continues Fr Stewart's influential work of re-evaluating the evolution of church hierarchy in the early Church. In addition, this new edition is the first to incorporate a recently discovered Ethiopic manuscript, which in many cases has helped to clarify ambiguities in the text.

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Each of these diverse essays confronts important issues in the study of medieval art, literature, and drama. The topics covered include the symbolism of scatological illustration in Gothic manuscripts (Karl Wentersdorf), connections between word and picture in religious art (Roger Ellis), and the relationship perceived between divine and human creativity (R. W. Hanning), while Clifford Davidson provides an exploration in the phenomenology of space and time in medieval theater.

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Anantadas is the first 'biographer' who, around 1600, wrote about the most popular bhakti poets of the 15th and 16th centuries in Northern India. This critical study of these manuscripts yields a broad spectrum of the linguistic and morphological variants. It also reveals the processes of oral and scribal transmission during this time when sectarian interests appropriated certain poets and changed their 'biographies' accordingly.

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