Search results for ""author manus"

R.M. Liuzza’s Broadview edition of Beowulf was published at almost exactly the same time as Seamus Heaney’s; in reviewing the two together in July 2000 for The New York Review of Books, Frank Kermode concluded that both translations were superior to their predecessors, and that it was impossible to choose between the two: “the less celebrated translator can be matched with the famous one,” he wrote, and “Liuzza’s book is in some respects more useful than Heaney’s.” Ever since, the Liuzza Beowulf has remained among the top sellers on the Broadview list.With this volume readers will now be able to enjoy a much broader selection of Old English poetry in translations by Liuzza. As the collection demonstrates, the range and diversity of the works that have survived is extraordinary—from heartbreaking sorrow to wide-eyed wonder, from the wisdom of old age to the hot blood of battle, and to the deepest and most poignant loneliness. There is breathless storytelling and ponderous cataloguing; there is fervent religious devotion and playful teasing. The poems translated here are meant to provide a sense of some of this range and diversity; in doing so they also offer significant portions of three of the important manuscripts of Old English poetry—the Vercelli Book, the Junius Manuscript, and the Exeter Book.

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The first cohesive Faust narrative in facsimile form, German transcription, and (first-ever) English translation, plus a history of Faust illustrations and an assessment of Faust's historicity. The Faust legend, which has come down to us most famously in Goethe's tragedy but also in countless other incarnations since the late sixteenth century, was first collected and presented as a cohesive narrative (in manuscript) byChristoph Rosshirt during the 1570s. Rosshirt was also the first to provide illustrations of Faust, hand-colored by Rosshirt himself. This book offers a critical edition of Rosshirt's six tales, including an introductory chapter,a facsimile of the manuscript, a transcription and first-ever English translation on facing pages, as well as a history of Faust illustrations, with Rosshirt's own illustrations and other examples up through Delacroix, the most complete survey of such illustrations to date. A final chapter rounds out the study with an assessment of Rosshirt's significance for the Faust tradition, a review of the evidence for a historical Faust, and a rejection of his historicity (because it is unprovable) in favor of his existence only in his story - a story Rosshirt helped to tell - and in our imaginations that animate that story. J. M. van der Laan is Professor Emeritus of German at Illinois State University.

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Your tour guide will show you how different artists can look at one thing - like a horse - and have totally different visions. These different visions create ART. And this is a book that canters through the whole of art history, explaining the puzzling and imaginative thing we call 'art'.With reproductions of over thirty iconic pieces of artwork - from Pablo Picasso to Edouard Manet, René Magritte, Susan Rothenberg, Jackson Pollock, and many more. This is an exhibition you won't want to miss!Based on a newly-discovered manuscript and sketches from Dr. Seuss, and brought to life by acclaimed illustrator Andrew Joyner, this is a thoroughly Seussian exploration of 'art'.With cameo appearances from beloved Dr. Seuss characters, such as the Cat in the Hat, this playful picture book is totally unique. Ideal for home or classroom use, this book will inspire Seuss fans, artists, and horse lovers - of all ages.

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The expression "liturgical drama" was formulated in 1834 as a metaphor and hardened into formal category only later in the nineteenth century. Prior to this invention, the medieval rites and representations that would forge the category were understood as distinct and unrelated classes: as liturgical rites no longer celebrated or as theatrical works of dubious quality. This ground-breaking work examines "liturgical drama" according to the contexts of their presentations within the manuscripts and books that preserve them.

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This collection of five tales and one play contains the definitive Robin Hood. They are the earliest ballads and play and still the best of the bunch. ‘Robin Hood and the Monk’ is the earliest surviving manuscript, dated c.1450, and is considered the greatest of the ballads, though it was probably not sung, being described as a ‘talkyng’; ‘Robin Hood’s Death’ is one of the most satisfying tragedies in the English language; while ‘A Lytell Geste of Robyn Hode’ is a comprehensive account of the famous English outlaw - complete, unified and pointing quite clearly to the reign of Edward II as a probable time for an historical Robin Hood, despite the opinions of most of the experts.

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Drawing on the Folger’s rich collections of 16th- and 17th-century books, manuscripts, and works of art, Voices for Tolerance in an Age of Persecution tells the story of the struggle between tolerance and persecution. It traces the roots of our quest for liberty of conscience and freedom of expression and explores how individuals and communities in early modern Europe experienced, contemplated, and responded to the forces of hate, racism, and intolerance as their world expanded to include peoples and cultures radically different from their own. Essays explore many topics including religious dissent, the protestant and Catholic reformations in Germany, protestant identity in France, Jews in early modern Europe, Africans in England and Scotland, Catholics in Renaissance England, the Puritan revolution, Islam, early modern Ireland, and print culture.

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The Renaissance popes were among the most enlightened and generous patrons of arts and letters in the Europe of their day. The diaries of Pius II give us an intimate glimpse of the life and thought of one of the greatest of the Renaissance popes. Pius II (1405–1464) began life as Aeneas Silvius Piccolomini in a small town near Siena and became a famous Latin poet and diplomat. Originally an opponent of the papacy as well as something of a libertine, Aeneas eventually reconciled himself with the Roman church and became a priest, then a cardinal. Finally he was elected Pope Pius II (1458) and dedicated his pontificate to organizing a pan-European crusade against the Ottoman Empire. Pius’s Commentaries, the only autobiography ever written by a pope, was composed in elegant humanistic Latin modeled on Caesar and Cicero. This edition contains a fresh Latin text based on the last manuscript written in Pius’s lifetime and an updated and corrected version of the 1937 translation by Florence Alden Gragg.

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Michelangelo Rossi's two books of five-voice polyphonic madrigals are among the most expressive works of their kind ever composed. Showing the influence of Gesualdo, the madrigals were probably written in Rome betwen 1624 and 1629, when Rossi was in the service of Cardinal Maurizio of Savoy. They were apparently never published, and there is only one complete manuscript source, which once belonged to Queen Christina of Sweden and now forms the principal source for Brian Mann's critical edition. In his extensive introduction, Mann considers in detail the biographical, cultural and stylistic milieu in which the madrigals were written. The scholarly edition of the music, based on a thorough examination of all the known sources, includes a complete critical commentary. Mann's work on Rossi's madrigals has already helped revive interest in them. In 1998 a CD recording of Book I appeared on the Virgin label, performed by Il Complesso Barocco under the direction of Alan Curtis, based on this critical edition.

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Oxford Choral Classics: English Church Music assembles in two volumes around 100 of the finest examples of English sacred choral music. The second volume presents a wealth of service material suitable for use throughout the year. The evening canticles are given due space, with seventeen settings, including those by Byrd, Gibbons, Purcell, Walmisley, Stanford, Noble, Howells, Walton, and Tippett. Also included are settings of the Te Deum and Jubilate Deo, alongside seven settings of the Preces and Responses and two additional early Lord's Prayers. The selection is completed with three supplementary items: a set of previously unpublished Psalm chants by Howells, John Sanders's Good Friday Reproaches, and a written-out Order for Compline. Robert King has prepared completely new editions of all the pre-twentieth-century works, going back to the earliest and most reliable manuscripts or printed sources. Playable keyboard reductions have been added for the majority of unaccompanied items.

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Studies of how the physical manifests itself in medieval romance - and medieval romances as objects themselves. Medieval romance narratives glitter with the material objects that were valued and exchanged in late-medieval society: lovers' rings and warriors' swords, holy relics and desirable or corrupted bodies. Romance, however, is also agenre in which such objects make meaning on numerous levels, and not always in predictable ways. These new essays examine from diverse perspectives how romances respond to material culture, but also show how romance as a genre helps to constitute and transmit that culture. Focusing on romances circulating in Britain and Ireland between the twelfth and sixteenth centuries, individual chapters address such questions as the relationship between objects and protagonists in romance narrative; the materiality of male and female bodies; the interaction between visual and verbal representations of romance; poetic form and manuscript textuality; and how a nineteenth-century edition of medieval romances provoked artists to homage and satire. NICHOLAS PERKINS is Associate Professor and Tutor in English at St Hugh's College, University of Oxford. Contributors: Siobhain Bly Calkin, Nancy Mason Bradbury, Aisling Byrne, Anna Caughey, Neil Cartlidge, Mark Cruse, Morgan Dickson, Rosalind Field, Elliot Kendall, Megan G. Leitch, Henrike Manuwald, Nicholas Perkins, Ad Putter, Raluca L. Radulescu, Robert Allen Rouse,

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Anglo-Norman Studies is nothing if not wide-ranging. One opens each new volume expecting to find the unexpected - new light on old arguments, new material, new angles. MEDIUM AEVUM This year's volume continues to demonstrate the vitality of scholarship in this area, across a variety of disciplines. Topics include the forging of the Battle Abbey Chronicle; warring schoolmasters in eleventh-century Rouen; theimpact of the Conquest on England; the circulation of manuscripts between England and Normandy; and Earl Harold and the Foundation of Waltham Holy Cross. Contributors: Julie Barrau, Christopher Clark, Laura Cleaver, Stefan de Jong, Simon Keynes, Tom Licence, Brigitte Meijns, Thomas O'Donnell, Alheydis Plassman, Elisabeth Ridel, Chris Whittick, Ann Williams

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For over a century, the Danish thinker Søren Kierkegaard (1813–55) has been at the center of a number of important discussions, concerning not only philosophy and theology but also, more recently, fields such as social thought, psychology, and contemporary aesthetics, especially literary theory.Despite his relatively short life, Kierkegaard was an extraordinarily prolific writer, as attested to by the 26-volume Princeton University Press edition of all of his published writings. But Kierkegaard left behind nearly as much unpublished writing, most of which consists of what are called his “journals and notebooks.” Kierkegaard has long been recognized as one of history’s great journal keepers, but only rather small portions of his journals and notebooks are what we usually understand by the term “diaries.” By far the greater part of Kierkegaard’s journals and notebooks consists of reflections on a myriad of subjects—philosophical, religious, political, personal. Studying his journals and notebooks takes us into his workshop, where we can see his entire universe of thought. We can witness the genesis of his published works, to be sure—but we can also see whole galaxies of concepts, new insights, and fragments, large and small, of partially (or almost entirely) completed but unpublished works. Kierkegaard’s Journals and Notebooks enables us to see the thinker in dialogue with his times and with himself.Kierkegaard wrote his journals in a two-column format, one for his initial entries and the second for the extensive marginal comments that he added later. This edition of the journals reproduces this format, includes several photographs of original manuscript pages, and contains extensive scholarly commentary on the various entries and on the history of the manuscripts being reproduced.Volume 11, Part 1, and Volume 11, Part 2, present an exciting, enlightening, and enormously varied treasure trove of papers that were found, carefully sorted and stored by Kierkegaard himself, in his apartment after his death. These papers—many of which have never before been published in English—provide a window into many different aspects of Kierkegaard’s life and creativity. Volume 11, Part 1, includes items from his earliest, formative years, through his extensive studies at the university, and up to the publication of Either/Or. These materials include Kierkegaard’s studies in biblical exegesis; his reading of theologians such as Schleiermacher and Baader; his concern with aesthetic matters, including a lengthy consideration of the Faust legend; his first, trial sermon, delivered at the Pastoral Seminary; his views on the burgeoning field of political journalism in the 1830s; and a group of papers he titled “The First Rudiments of Either/Or. The Green Book. Some Particulars that were not Used.”

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In 1947 America’s premier philosopher, educator, and public intellectual John Dewey purportedly lost his last manuscript on modern philosophy in the back of a taxicab. Now, sixty-five years later, Dewey’s fresh and unpretentious take on the history and theory of knowledge is finally available. Editor Phillip Deen has taken on the task of editing Dewey’s unfinished work, carefully compiling the fragments and multiple drafts of each chapter that he discovered in the folders of the Dewey Papers at the Special Collections Research Center at Southern Illinois University Carbondale. He has used Dewey’s last known outline for the manuscript, aiming to create a finished product that faithfully represents Dewey’s original intent. An introduction and editor’s notes by Deen and a foreword by Larry A. Hickman, director of the Center for Dewey Studies, frame this previously lost work. In Unmodern Philosophy and Modern Philosophy, Dewey argues that modern philosophy is anything but; instead, it retains the baggage of outdated and misguided philosophical traditions and dualisms carried forward from Greek and medieval traditions. Drawing on cultural anthropology, Dewey moves past the philosophical themes of the past, instead proposing a functional model of humanity as emotional, inquiring, purposive organisms embedded in a natural and cultural environment. Dewey begins by tracing the problematic history of philosophy, demonstrating how, from the time of the Greeks to the Empiricists and Rationalists, the subject has been mired in the search for immutable absolutes outside human experience and has relied on dualisms between mind and body, theory and practice, and the material and the ideal, ultimately dividing humanity from nature. The result, he posits, is the epistemological problem of how it is possible to have knowledge at all. In the second half of the volume, Dewey roots philosophy in the conflicting beliefs and cultural tensions of the human condition, maintaining that these issues are much more pertinent to philosophy and knowledge than the sharp dichotomies of the past and abstract questions of the body and mind. Ultimately, Dewey argues that the mind is not separate from the world, criticizes the denigration of practice in the name of theory, addresses the dualism between matter and ideals, and questions why the human and the natural were ever separated in philosophy. The result is a deeper understanding of the relationship among the scientific, the moral, and the aesthetic. More than just historically significant in its rediscovery, Unmodern Philosophy and Modern Philosophy provides an intriguing critique of the history of modern thought and a positive account of John Dewey’s naturalized theory of knowing. This volume marks a significant contribution to the history of American thought and finally resolves one of the mysteries of pragmatic philosophy.

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Wilfred Owen is the poet of pity, the voice of the soldier maimed, blinded, traumatised and killed, not just in the Great War, but in all wars since, so resonant has his message become. Although he saw only five of his poems published in his lifetime, he left behind a portfolio of poetry and letters that created a powerful legacy. This generously illustrated book tells the story of Wilfred Owen’s life and work anew, from his birth in 1893 until his death one week before the Armistice on 4 November 1918. It chronicles Owen’s journey from a romantic youth, steeped in the poetry of Keats, to mature soldier awakened to the horrors of the Western Front. Drawing on rich archival material such as personal books, artefacts, family photographs and numerous manuscripts, the volume takes a fresh look at Owen’s apprenticeship and eventual mastery of poetry, giving a comprehensive view of the relationship between his lived experience and his writing. Those already familiar with or well-versed in Owen's work will find new material in this book, and those coming to Owen for the first time will enjoy a well researched, yet accessible, illustrated introduction to one of the twentieth century's greatest poets.

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Five hundred years ago the great walled city of Constantinople fell under the relentless siege of the Ottoman Turks led by Sultan Mehmed II, Mehmed the Conqueror. Kristovoulos, one of the vanquished Greeks, later entered into the service of the Conqueror and began to write a history of the Sultan's life, starting with the year 1451, the beginning of Mehmed's 31-year reign. Death apparently prevented Kritovoulos from completing his account, but the manuscript covering the first seventeen years has been preserved and this exciting chronicle is here translated into English for the first time. Charles T. Riggs, who died in February 1953 at Robert College in modern Istanbul, was a missionary in the Near East. Originally published in 1954.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The publication of this four-volume edition of Horace Walpole’s Memoirs of the Reign of King George III completes the monumental Yale Walpole Edition that also includes 48 volumes of correspondence and three volumes of Memoirs of King George II.Walpole’s aim in Memoirs of the Reign of King George III was not to chronicle events year by year (October 1760 – February 1772), as he had done in Memoirs of King George II, but to defend what he called his "return to action" and to attack those who had thwarted it. Yet previous editors, first Sir Denis le Marchant in 1845 and then G. F. Russell Barker in 1894, abridged or altered much of what Walpole said about his friends and his enemies, and left out most of his lies and fantasies about the British Royal Family. These editors produced a narrative that seemed impersonal as well as impartial, the work of a detached spectator rather than a committed participant. The present edition is the first to go back to the manuscripts and give Walpole’s text in its entirety, unabridged and unexpurgated, together with an introduction and annotation designed to help reassess the value of the memoirs as historical evidence.

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Three late dialogues.Cicero (Marcus Tullius, 106–43 BC), Roman lawyer, orator, politician and philosopher, of whom we know more than of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In his political speeches especially and in his correspondence we see the excitement, tension and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, delivered before the Roman people or the Senate if they were political, before jurors if judicial, fifty-eight survive (a few of them incompletely). In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters of which more than 800 were written by Cicero and nearly 100 by others to him. These afford a revelation of the man all the more striking because most were not written for publication. Six rhetorical works survive and another in fragments. Philosophical works include seven extant major compositions and a number of others; and some lost. There is also poetry, some original, some as translations from the Greek. The Loeb Classical Library edition of Cicero is in twenty-nine volumes.

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Shizuku is a shy girl who hardly talks to other people. Instead, she loses herself in creative writing, crafting a novel that she never plans to show anyone. But when Kaori - Shizuku's cute, popular classmate - gets her hands on Shizuku's manuscript, everything changes. Kaori is a huge fan, and suggests that Shizuku can get inspiration for her writing if the two of them start dating! Can these very different young ladies create their own love story together?

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Biblia basada en el texto Peshitta, un antiguo manuscrito bíblico en arameo, el idioma del Señor Jesús y Sus apóstoles. El resurgimiento del interés actual por el arameo bíblico se manifiesta principalmente en la traducción del texto Peshitta al español. Este texto, obra cumbre de la literatura aramea, dejó registrado para la posteridad el mensaje del evangelio en un idioma claro, sencillo y directo, que es el significado de 'Peshitta'. El lector encontrará notas explicativas a pasajes de relevancia. Bible based on the Peshitta text, an ancient Bible manuscript written in Aramaic, the language spoken by our Lord Jesus and His apostles. The current renewed interest in Biblical Aramaic is mainly conveyed by the translation of the Peshitta text into Spanish. This work, the ultimate masterpiece in Aramaic literature, left the message of the gospel and the apostles as a historical record in a 'clear, simple, straightforwa

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The best scholarship focused on shoes and everyday dress accessories from the Middle Ages. Indispensable. SPECULUM Until recently, very little was known about medieval shoes. Glimpses in manuscript illustrations and on funerary monuments, with the occasional reference by a contemporary writer, was all that the costume historian had as evidence, not least because leather tends to perish after prolonged contact with air, and very few actual examples survived. In recent years, however, nearly 2,000 shoes, many complete and in near-perfect condition, have been discovered preserved on the north bank of the Thames, and are now housed in the Museum of London. This collection, all from well-dated archaeological contexts, fills this vast gap in knowledge, making it possible to chart precisely the progress of shoe fashion between the twelfth and fifteenth centuries.

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Here is the first translation into English of the complete Yin-Hai Jing-Wei, a classic fifteenth-century text on Chinese ophthalmology. As one of the few original manuscripts on traditional Chinese medicine translated into a Western language, this work offers an unprecedented view of the practice of medicine, and specifically eye care, in premodern China. Superbly rendered from the classical Chinese and extensively annotated by Paul U. Unschuld and Jurgen Kovacs, the text provides detailed descriptions of the etiology, symptomatology, and therapy of every eye disease known to fifteenth-century Chinese practitioners. The translators' introduction also provides the first in-depth analysis of the development of this specialty within Chinese medicine. As a source for comparative studies of Chinese and Western medicine and numerous other issues in the history of medicine and Chinese thought, the Yin-Hai Jing-Wei has no equal in the Western world.

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Seeds of Knowledge highlights the collection of 15th to 17th-century European printed herbals of Dr. Peter Goop (Liechtenstein). Herbals were highly illustrated, critical texts to doctors and lay healthcare providers that included both the folkloric and medicinal uses of plants. The text and illustrations were repeatedly refined as the medicinal benefits of a plant’s use were more clearly understood and the style of illustration tended towards higher degrees of naturalism. These books were working manuals and frequently annotated by readers with notes of herbal recipes/medicines or other uses not found in the printed text. Dr. Goop’s collection is one of the most extensive in private hands. Using the Morgan’s 10th-century manuscript of Dioscurides’ De materia medica (MS M.652) as a centerpiece, this Thaw Gallery exhibition will explore developments in the understanding of the healthful and healing properties of plants, as Europe moved away from medicinal folklore towards an increased understanding of the natural world.

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'I had been staying just within the shadow of the exit of the great rift. Now, without volition on my part, I drifted out of the semi-darkness and began to move slowly—toward the House.' Amidst the din of roaring water, in a chasm where a house once stood in an isolated corner of Ireland, a manuscript is discovered entitled The House on the Borderland. Penned by the enigmatic Recluse, it tells of a revelatory descent into the uncanny. For the Recluse seems to have discovered another land and in it another House; a jade-green double of his own in a realm rife with beasts and cosmic beings without name, encroaching on the bounds of reality itself. With a new introduction by Ann VanderMeer exploring why Hodgson’s tale is the ‘perfect embodiment of a weird novel’, this edition of the 1908 cult classic still thrums with the visionary energy which influenced countless writers including H. P. Lovecraft and Terry Pratchett.

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Capturing the flavour of Renaissance-style binding at its zenith, this darkly toned book cover is unique, tactile and so very pleasing to the eye. During this remarkable period in history, manuscripts were renowned for their exquisitely crafted covers made of fine morocco leather. Our cover carefully reproduces delicate stamping patterns on an intensely rich background that showcases the markings and unique character of aged leather bindings.The timeless beauty of these antique books is brought into the present with our finely wrought binding reproductions complemented by a memento pouch for storing the treasures of a life well lived.

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This beautifully presented coffee table book includes a 50,000 word narrative by Mike Scott telling the full story of the Waterboys seven-piece band and the making of their album Room To Roam. Covering an 18-month period between Spring 1989 to Summer 1990, The Magnificent Seven includes a vast collection of previously unseen photos of the band on the road, recording at Spiddal House in the West of Ireland, as well as maps, lyrics, manuscripts, and other archival memorabilia.

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The long-awaited eleventh novel in the Bernie Rhodenbarr series.Everybody's favourite burglar returns in an eleventh adventure that finds him and his lesbian sidekick Carolyn Kaiser breaking into houses, apartments, and even a museum, in a madcap adventure replete with American Colonial silver, an F. Scott Fitzgerald manuscript, a priceless portrait, and a remarkable array of buttons.And, wouldn't you know it, there's a dead body, all stretched out on a Trent Barling carpet . . .

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The book provides empirically-rich case studies of the lives and livelihoods of marginalised ethnic minorities in colonial and post-colonial Zimbabwe, with a specific focus on diverse rural areas. It demonstrates the dynamic and complex relationships existing between ethnic minorities and livelihoods, and analyses the ways in which projects of belonging (and identity-formation) amongst these ethnic minorities are entangled in their respective livelihood construction projects, and vice versa. The ethnic minorities include those considered indigenous to Zimbabwe, and those often defined as ‘aliens’, including ethnicities with a transnational presence in southern Africa. The ethnicities studied in the book include the following: Chewa, Doma, Tonga, Tshwa San, Shangane, Basotho, Ndau, Hlengwe and Nambya. By studying their livelihoods in particular, this book offers the first full manuscript about ethnic minorities in Zimbabwe. In doing so, it highlights the significance of these ethnic minorities to Zimbabwean history, politics and society.

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The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. Over the last two decades there has been a resurgence of theatrical interest in Shakespeare's Pericles, which has been rescued from comparative neglect and is now frequently performed. The editors reject the current orthodoxies, that the text is seriously corrupt and that the play is of divided authorship. They show how the 1609 quarto has features in common with the first quarto of King Lear, now widely regarded as being based on Shakespeare's manuscript. Likewise they regard the arguments concerning divided authorship as unproven and misleading. Instead they show the play to be a unified aesthetic experience.

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This book aims to open up the discussion and research of the up to now unstudied period of the History of the Hebrew Bible text: the period from the apparent stabilization of the Hebrew biblical text until the standardization that is reflected in the manuscripts of biblical text, those including the Masorah (c. 2nd - 9th centuries A.D.). What took place from the time of the standardization of the consonantic text of the Hebrew Bible until the appearance of the first Masoretic codices? How was the biblical text preserved in the meantime? How was the body of notes that makes up the Masorah formed? How can the diversity of the textual traditions contained in the Masorah be explained and be consistent with the idea of a text established and standardized centuries before?

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The two texts of the Dialogue presented here, a Latin version printed ca. 1488 and a Middle English translation printed in 1492, preserve lively, entertaining, and revealing exchanges between the Old Testament wisdom figure Solomon and Marcolf, a medieval peasant who is ragged and foul-mouthed but quick-witted and verbally astute. The Dialogue was a best-seller of its day; Latin versions survive in some twenty-seven manuscripts and forty-nine early printed editions and the work was translated into a wide variety of late medieval vernaculars, including German, Dutch, Swedish, Italian, English, and Welsh.

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This is the fifth volume to be published in the ongoing complete edition of Auden's works, under the editorship of Edward Mendelson. It includes the essays, reviews, and other prose that Auden published or prepared for publication between 1949 -- when he wrote his first book of criticism, The Enchafèd Flood -- and December 1955, shortly before he was elected Professor of Poetry at Oxford and began the series of lectures that he published, with much else, in The Dyer's Hand.The texts throughout this edition are, wherever possible, newly edited from Auden's manuscripts, and the notes report variant readings from all published versions.

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This expansive book reveals the great diversity and range of art of the Arab lands, Turkey, Iran, Central Asia, and later South Asia. Published to coincide with the historic reopening of the galleries of the Metropolitan Museum's Islamic Art Department, it presents nearly three hundred masterpieces from one of the finest collections in the world. The works range chronologically from the origins of Islam in the seventh century through the nineteenth century, and geographically from as far west as Spain and Morocco to as far east as India. Outstanding miniature paintings and illuminated manuscripts, ceramics, textiles, carpets, glass, and metalwork reflect the mutual influence of artistic practice in the sacred and secular realms. Many of these beautiful objects display the rich traditions of calligraphy, vegetal ornament (the arabesque), and geometric patterning that distinguish the arts of the Islamic world.With seven informative essays and almost three hundred catalogue entries-supplemented by introductory essays on the collection and its display-this handsome and comprehensive overview will enlighten the specialist and the general reader alike.

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Making a foundational contribution to Mesoamerican studies, this book explores Aztec painted manuscripts and sculptures, as well as indigenous and colonial Spanish texts, to offer the first integrated study of food and ritual in Aztec art.Aztec painted manuscripts and sculptural works, as well as indigenous and Spanish sixteenth-century texts, were filled with images of foodstuffs and food processing and consumption. Both gods and humans were depicted feasting, and food and eating clearly played a pervasive, integral role in Aztec rituals. Basic foods were transformed into sacred elements within particular rituals, while food in turn gave meaning to the ritual performance.This pioneering book offers the first integrated study of food and ritual in Aztec art. Elizabeth Morán asserts that while feasting and consumption are often seen as a secondary aspect of ritual performance, a close examination of images of food rites in Aztec ceremonies demonstrates that the presence—or, in some cases, the absence—of food in the rituals gave them significance. She traces the ritual use of food from the beginning of Aztec mythic history through contact with Europeans, demonstrating how food and ritual activity, the everyday and the sacred, blended in ceremonies that ranged from observances of births, marriages, and deaths to sacrificial offerings of human hearts and blood to feed the gods and maintain the cosmic order. Morán also briefly considers continuities in the use of pre-Hispanic foods in the daily life and ritual practices of contemporary Mexico. Bringing together two domains that have previously been studied in isolation, Sacred Consumption promises to be a foundational work in Mesoamerican studies.

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William A. Wallace demonstrates the importance of two early manuscripts of Galileo dismissed by earlier researchers as juvenile exercises. Analyzing all his scientific writings from the late 1580s to 1610 and from 1610 to 1640, this book illuminates both the sources and the evolution of Galileo's thought. Originally published in 1984. The Princet

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Les divertides aventures de les lletres, de la A a la Z, queden recollides en aquests 26 contes, un per cada lletra de l ' abecedari. Cada lletra, personalitzat en un simpàtic dibuix, és protagonista de la seva pròpia història, i així, l ' A és una aventurera que passeja per la selva africana, la D és dentista., i així fins a la Z, que és trapezista. Textos en lletra manuscrita i amb la lletra protagonista de cada conte destacada en color.

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The book, intended for biomedical researchers, attempts to foster a comprehensive understanding of the elements that impact scientific research, such as clinical trial design, communication, and publication methods. It introduces the process of idea generation and creative/critical thinking, leading to the development of key concepts that coalesce into theoretical constructs and working hypotheses. The book systematically delineates research phases associated with a bench-to-bedside translational approach, providing the full depth and breadth of drug discovery and development: design, synthesis, and optimization of drug candidates interacting with targets linked to diseases, as well as clinical trial design to acquire substantial evidence of efficacy and safety for candidate drugs in the target patient population. New and evolving topics such as artificial intelligence, machine and deep learning, drug repurposing approaches, and bioinformatics, are incorporated into the text as these features are becoming integrated into drug research and development. Additionally, it covers publication strategies, including literature search, manuscript preparation, data presentation, relevant discussion, editorial processes, elements of peer review, and bibliometrics. Finally, the book addresses grantsmanship, key strategies for building effective networks, mentorships, maintaining research integrity, and forging career advancement opportunities, including entrepreneurship.

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This innovative collection of essays shows how linguistic diversity has inspired people across time and cultures to embark on adventurous journeys through the translation of texts. It tells the story of how ideas have travelled via the medium of translation into different languages and cultures, focusing on illustrated examples ranging from Greek papyri through illuminated manuscripts and fine early books to fantasy languages (such as J.R.R. Tolkien’s Elvish), the search for a universal language and the challenges of translation in multicultural Britain. Starting with the concept of Babel itself, which illustrates the early cultural prominence of multilingualism, and with an illustration of a Mediterranean language of four millennia ago (Linear A) which still resists deciphering, it goes on to examine how languages have interacted with each other in different contexts. The book also explores the multilingual transmission of key texts in religion, science (the history of Euclid), animal fable (from Aesop in Greek to Beatrix Potter via La Fontaine, with some fascinating Southeast Asian books), fairy-tale, fantasy and translations of the great Greek epics of Homer. It is lavishly illustrated with a diverse range of material, from papyrus fragments found at Oxyrhynchus to Esperanto handbooks to Asterix cartoons, each offering its own particular adventure into translation.

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Esta nueva edición de Sobre la esencia incorpora como principal novedad un apéndice con las anotaciones de Xavier Zubiri a su propio ejemplar de la primera edición (1962), conservado en su biblioteca personal. Se trata de indicaciones de Zubiri en el mismo texto y de fichas manuscritas, añadidas al libro, en las que Zubiri iba matizando, corrigiendo e interpretando su propio pensamiento. Estas anotaciones hacen ahora posible entrever el modo en que la reflexión filosófica posterior de Zubiri, que culminaría en la trilogía sobre la Inteligencia sentiente (1980-1983), hubiera podido afectar a algunos de los contenidos de Sobre la esencia.

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Text in German. The study of the surviving Septuagint fragments has a long tradititon at the Georg-August-Universitat Gottingen and V&R has already published editions of said manuscripts as early as the 18th century CE. The Septuagint represents an interface between Jewish and Christian life and belief. Hence, it is of major importance with regard to religious and cultural history. Volume 15 of the LXX edition, provided by the Septuaginta Unternehmen was edited by Joseph Ziegler and provides the books of Jeremias, Baruch, Threni, and Epistula Jeremiae.

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Advances in Taxation publishes relevant, quality manuscripts addressing the issues of federal, state, local and international taxation including tax compliance, tax planning, and tax policy issues among others. The series uses a wide variety of research methods, including analytical modelling, archival, experimental, survey, descriptive, and legal approaches to address the problems and issues associated with taxation. Volume 21 of Advances in Taxation continues this broad approach to taxation, looking at taxpayer compliance, state tax issues and tax policy decisions, amongst others.

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The final volume of the Harvard edition presents the journals of Ralph Waldo Emerson’s last years. In them, he reacts to the changing America of the post–Civil War years, commenting on Reconstruction, immigration, protectionism in trade, and the dangers of huge fortunes in few hands—as well as on baseball and the possibilities of air travel. His role as a Harvard Overseer evokes his thoughts on education during crucial years of reform in American universities.His travels take him to Europe for the third time, and for the first time he encounters the new garden of California and the enigma of Egypt. He continues to lecture, and a second volume of poems and two more collections of essays, culled from his manuscripts, are published. Finally, his late journals show Emerson confronting his loss of creative vigor, husbanding his powers, and maintaining his equanimity in the face of decline.This concluding volume thus gives a complex picture of Emerson in his last sixteen years, facing old age but still the advocate of “newness” throughout the world.

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The Dead Sea Scrolls represent the remains of an ancient Jewish library which antedates 68 C.E. It is the most significant discovery of biblically related ancient manuscripts, and represents more than 600 ancient Jewish documents. The series presents an introduction, critical text, and literal English translation of all the Dead Sea Scrolls which are not copies of books in the Hebrew Bible. It is the definitive collection of the Dead Sea Scrolls. Fifty scholars from Canada, Germany, Isreal, the United States, and other countrys serve as subeditors in the series.Volume four, the third to appear in the series, contains improved Hebrew texts and literal translations of the Angelic Liturgy, for the first time with a critical apparatus and a composite text; also included are numerous prayers and non-canonical psalms. The series is prepared with the text on the left page and the translation on the right. Critical notes help the scholar to understand the text, variants, philological subtleties, and translation. An introduction with bibliography precedes each document.

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Invectives against Antony.Cicero (Marcus Tullius, 106–43 BC), Roman advocate, orator, politician, poet, and philosopher, about whom we know more than we do of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In Cicero’s political speeches and in his correspondence we see the excitement, tension, and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, 58 survive (a few incompletely), 29 of which are addressed to the Roman people or Senate, the rest to jurors. In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters, of which more than 800 were written by Cicero, and nearly 100 by others to him. This correspondence affords a revelation of the man, all the more striking because most of the letters were not intended for publication. Six works on rhetorical subjects survive intact and another in fragments. Seven major philosophical works are extant in part or in whole, and there are a number of shorter compositions either preserved or known by title or fragments. The Loeb Classical Library edition of Cicero is in twenty-nine volumes.

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This anonymous Commentary is printed from Troyes, Bibl. munic. 658, a manuscript written at Clairvaux in the late 12th century.It is well known that St Bernard in 1147 revised the monastic hymnal for the use of his Cistercian monks; the anonymous Explanatio is primary evidence for the content of Bernard's hymnal. It is also an invaluable index of Cistercian spirituality in the late 12th century, and provides an index of the range of reading of a Cistercianscholar of that time.

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"Al Jouri wanted to closely know the Flamingo birds that lands in Qatar during their migration. Her grandpa suggested a family trip to the full of mangroves; Bin Ghannam Island. But why did Al Jouri suggest calling it: The Treasure Island? And what is the link between it, the lost maps, and the Center of Rare Manuscripts? Can the answer be found in the bottle floating on the islands water surface?"

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This volume stems from the conference "The Neurosciences and Music IV: Learning and Memory" held in Edinburgh, Scotland 9–12 June 2011. The volume focuses on four themes: infants and children; adult musicians and non-musicians; disabilities and aging-related issues; and therapy and rehabilitation. Manuscripts cover a range of topics, including the cultural neuroscience of music; memory and learning in music performance; the impact of musical experience on cerebral language processing; and mechanisms of rhythm and meter learning over the life span. The Neurosciences and Music IV will be of interest to not only to neuroscientists, psychologists, and students, but also to clinical neurologists and psychologists, educators, and musicologists. NOTE: Annals volumes are available for sale as individual books or as a journal. For information on institutional journal subscriptions, please visit http://ordering.onlinelibrary.wiley.com/subs.asp?ref=1749-6632&doi=10.1111/(ISSN)1749-6632. ACADEMY MEMBERS: Please contact the New York Academy of Sciences directly to place your order (www.nyas.org). Members of the New York Academy of Science receive full-text access to Annals online and discounts on print volumes. Please visit http://www.nyas.org/MemberCenter/Join.aspx for more information about becoming a member.

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Essays showing how the stuff of Norman Sicily, its mosaics, frescoes, art and architecture, was used to construct its history. Material culture played a crucial role in developing the cultural narrative of Norman Sicily. The essays in this book consider how images, designs, artifacts, structures and objects were used to help create the story of the medieval kingdom, and what they reveal about the complex political and social dynamics that underpinned the so-called "multicultural" state. Arguing that a visual language developed in medieval Sicily and southern Italy in this period, the contributions journey through both familiar and unexplored aspects of Siculo-Norman art, in particular those areas which have only been made possible with recent advances in technology and international academic collaboration. Topics addressed include manuscripts and mosaics, textile diplomacy, the drama of coins and trade, new readings of old buildings, and the insights of archaeological excavations into everyday life. All of the ideas presented in this volume converge on the central theme of how material culture helped to develop story and society in the medieval kingdom of Sicily.

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Bringing together scholarship on multilingual and intercultural medieval Britain like never before, The Encyclopedia of Medieval Literature in Britain comprises over 600 authoritative entries spanning key figures, contexts and influences in the literatures of Britain from the fifth to the sixteenth centuries. A uniquely multilingual and intercultural approach reflecting the latest scholarship, covering the entire medieval period and the full tapestry of literary languages comprises over 600 authoritative yet accessible entries on key figures, texts, critical debates, methodologies, cultural and isitroical contexts, and related terminology Represents all the literatures of the British Isles including Old and Middle English, Early Scots, Anglo-Norman, the Norse, Latin and French of Britain, and the Celtic Literatures of Wales, Ireland, Scotland and Cornwall Boasts an impressive chronological scope, covering the period from the Saxon invasions to the fifth century to the transition to the Early Modern Period in the sixteenth Covers the material remains of Medieval British literature, including manuscripts and early prints, literary sites and contexts of production, performance and reception as well as highlighting narrative transformations and intertextual links during the period

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