Search results for ""author manus"

Edition and translation of prognostic guides and calendars, intended as an effort to foretell the future. Winner of the Beatrice White Prize, 2013. Medieval prognostic texts - a survival from the classical world - are the ancestors of modern almanacs; a means of predicting future events, they offer guidance on matters of everyday life, such as illness, childbirth, weather, agriculture, and the interpretation of dreams. They give fascinating insights into monastic life, medicine, pastoral care, the transformations of classical learning in the middleages, and the complex interconnections between orthodox religion, popular belief, science and magic. This volume provides the first full critical edition, with a facing-page translation, of a diverse and peculiar group of prognostic guides and calendars, in Latin and Old English, found in an eleventh-century manuscript from Christ Church, Canterbury; they are collated with related versions in both Anglo-Saxon and continental manuscripts. A lengthy introduction and commentary examine the transmission and translation of these texts, and shed light on their origins and uses in late Anglo-Saxon monastic culture. ROY LIUZZA is Professor of English at the University of Tennessee, Knoxville.

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A study of the manuscripts, relics and historical traditions of Anglo-Saxon Exeter before Leofric moved the see of Devon and Cornwall there in 1050. In his search for an historical context for the famous Exeter Book of Old English poetry, Dr Conner's examination of the archaeological and textual records of Exeter have led him to significant new conclusions about the city's tenth century monastic culture. He posits the existence of a large library dating from the time of King Æthelstan, an active scriptorium from at least the mid-century period, and suggests that five other important manuscripts may have originated at Exeter c.950-c.990.A codicological examination of the Exeter Book draws fresh conclusions about its composition and its literary context. Anglo-Saxon Exeterconcludes with six appendices in which many documents important to the early history of the city are edited, including its relic-lists, the records for moving the see from Crediton to Exeter, Leofric's Inventory, a series of legal records which survive on a single leaf of an8th-century lectionary, and a study of the history of the Exeter Book from 1050 to the present. PATRICK CONNER is Professor in the department of English at West Virginia University.

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A classic since 1949, Gospel Parallels presents Matthew, Mark, and Luke printed side-by-side for easy and enlightening comparative study.Using a parallel arrangement of columns, Gospel Parallels highlights differences and similarities in language and chronology between the first three Gospels. This unique reference tool will benefit anyone interested in examining the life, death, and resurrection of Jesus. Preachers will find this work useful for creating a complete picture of the life of Christ. Students of the English Bible will use it to come to their own conclusions about the variations in Matthew, Mark, and Luke. And advanced scholars will use the scholarly apparatus to study the textual variations in the earliest known Greek and Latin Manuscripts of the Gospels.Features: Easy-to-follow system of comparison Textual notes for in-depth study of biblical manuscripts Noncanonical parallels to the Gospel text Text from the New Revised Standard Version of the Bible This 5th edition features revised and updated textual notes based on the NRSV, enlarged type size, an all-new page design, and an improved system of comparison.

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Drawing on a wide context of bookmaking, this sweeping study traces fundamental changes in books made to support musical practice during the Carolingian Renaissance. During the late eighth and ninth centuries, there were dramatic changes in the way European medieval scribes made books for singers, moving from heavy reliance on unwritten knowledge to the introduction of musical notation into manuscripts. Well-made liturgical books were vital to the success of the Carolingian fight for Christian salvation: these were the basis for carrying out worship correctly, rendering it most effective in petitions to the Christian God. In Sounding the Word of God, Susan Rankin explores Carolingian concern with the expression and control of sound in writing—discernible through instructions for readers and singers visible in liturgical books. Her central focus is on books made for singers, including those made for priests. The emergence of musical notations for ecclesiastical chant and of books designed to accommodate those notations, Rankin concludes, are important aspects of the impact of Carolingian reforming zeal on material culture. The book has three sections. Part 1 considers late antique and early medieval texts, which deal with the value of singing and its necessary regulation. Part 2 describes and investigates techniques used by Carolingian scribes to provide instructions for readers and singers. The extant books themselves are the focus of part 3. Rankin’s analysis of over two hundred manuscripts and extensive supporting images represents the work of a scholar who has spent a lifetime with the sources; her explication of the images, particularly those of the earlier manuscripts, changes the way in which musicologists and liturgical scholars will view the images. Indeed, it will change the way in which they approach the unfolding history of chant and liturgy in the Carolingian period.

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David Darshan of Cracow was the first of the itinerant Jewish preachers whose works were published. He was a Renaissance man in a very real sense. Preacher, scholar, artist, healer, scribe, mystic, editor, commentator, and bibliophile (and father of five daughters), he tried in vain to establish an academy but failed because he was on the wrong side of the establishment. He was involved in the reintroduction of the printing of Hebrew books in Poland in 1569. He wrote a commentary on the Jerusalem Talmud, as well as a spirited defense of preaching and the preacher's art, and copied and illustrated a magnificent Kabbalistic manuscript. He wandered through Germany, Bohemia, and Russia; spent time in Italy during the period of the printing of the Zohar and the banning of the Talmud; served as scholar-in-residence at the home of a wealthy Jewish banking family; returned to Cracow to become the town darshan; and set out for Safed to join the community of Kabbalists and await the Messiah. This account of his background and translation of two almost forgotten books, Shir haMa'a lot l'David and Ktav Hitnazzelut l'Darshanim - a collection of sermons, response, poems, model letters to distinguished persons, efforts to fund an academy, a sourcebook for would-be preachers, and a defense of the craft - lifts the curtain on the inner life of the Jewish world in the late Middle Ages. The reproduction of the Hebrew texts of two books that have all but disappeared places a valuable resource in the hands of scholars. The cover illustration for the volume is by David Darshan and appears in the manuscript of Perush hYeri'ah haG'dolah, a commentary on the Ten Spheres, which he copied, illustrated, and signed in Modena in 1556. It depicts Rabbi Akiva, surrounded by the four creatures of Ezekiel's chariot vision, standing between the sketch of the universe and the spherotic tree. The manuscript is evidence of David's skill as scribe and artist.

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Accurate and literally faithful, the Donaldson translation conveys the full meaning and spirit of the original. "Backgrounds and Contexts" provides readers with the historical, linguistic, and literary settings of Beowulf, including Robert C. Hughes on the origins of the Old English language, E. Talbot Donaldson’s presentation of the major features of Old English poetry, new material on Beowulf’s tribes and genealogies, three maps, and a facsimile illustration of the manuscript. "Criticism" collects seven new and wide-ranging interpretations of Beowulf by Fred C. Robinson, Roberta Frank, John D. Niles, Michael Lapidge, Joyce Hill, Helen Bennett, and Nicholas Howe. A Glossary of Proper Names and a Selected Bibliography are included.

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This volume contains the end of Marx's economic manuscripts of 1861-63 which concludes his analysis of the production process of capital, concentrating on problems of the reproduction and circulation of the aggregate social capital. The book is part of a definitive English-language edition, prepared in collabo ration with the Institute of Marxism-Leninism in Moscow, which contains all the works of Marx and Engels, whether published in their lifetimes or since. The series includes their complete correspondence and newly discovered works.

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Edad/ Nivel: 4-7 añosJuegos de naipes con letra manuscrita y de imprenta y dibujos modernos infantiles forman familias dentro de los principales centros de interés que se estudian en primaria.Sirven para enriquecer el vocabulario, para leer, para ejercitar la motricidad fina...

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Cet ouvrage, édité par Henryk Drawnel, contient l'édition posthume et le commentaire du Testament araméen de Lévi par Józef Tadeusz Milik. La composition de Lévi présente au lecteur le récit autobiographique de la vie de Lévi, le patriarche de la tribu sacerdotale éponyme dans l'ancien Israël. Sur la base des manuscrits disponibles de Qumran (4Q21 ; 4Q213 ; 4Q214 ; 4Q540 ; 4Q548), du Mont Athos et de la Genizah du Caire, l'auteur de la monographie reconstruit la forme araméenne du texte, en y incluant certaines parties du Testament grec de Lévi (Test. 12 Patr.), des Jubilés et des extraits de littérature patristique. Le premier chapitre, rédigé par Henryk Drawnel, introduit le lecteur à la monographie et présente une vue d'ensemble de l'utilisation que Milik fait des manuscrits dans le texte reconstruit ainsi que le plan général d'une entreprise plus vaste : l'édition des livres des patriarches de Qumran.

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"Sir Isumbras," "Octavian," "Sir Eglamour of Artois," and "Sir Tryamour" are important works in a major literary development of the fourteenth century: the flourishing of Middle English popular romance. These four narratives were among the most popular; all survive in multiple manuscripts and continued to circulate in prints through the sixteenth century. All were composed in the northeast Midlands in the fifty years between 1325 and 1375, and they appear together in several manuscripts. The tale the romances tell—of exiled queens, orphaned children, and penitent fathers—was one of the most prevalent medieval stories. Sometimes called the Constance/Eustace legend (after two well-known pious versions), its influence can be seen in numerous romances.

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Theodore Low De Vinne (1828–1914) was the leading commercial printer of his day and is one of the most important figures in the book world of the nineteenth-century United States. Illustrating De Vinne's life and accomplishments, and published to coincide with the centenary of his death, this catalogue accompanied a Grolier Club exhibition. It contains books, manuscripts, letters, photographs, and other objects, many drawn from the Club's own collections. A detailed checklist and a foreword by the award-winning type designer Matthew Carter enhance the volume’s usefulness for anyone interested in the history of the book.

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The thirteenth-century cookbook Fiḍālat al-khiwān fī ṭayyibāt al-ṭaʿām wa-l-alwān by the Andalusi scholar Ibn Razīn al-Tujībī showcases 475 exquisite recipes. This edition was meticulously translated into English based on a newly discovered manuscript containing the complete text. It includes an introduction, glossary, 218 color illustrations, and 24 modernized recipes.

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This Norton Critical Edition presents selections from eighteen of Christine’s major works in fresh, contemporary translations. Each text is fully annotated and is accompanied by an introduction placing it in the context of Christine’s oeuvre and tracing the literary developments and the historical situation of the period. The Book of Fortune’s Transformation and The Book of the City of Ladies include manuscript illuminations. "Criticism" collects seven important interpretations of the literary and historical aspects of Christine’s work, by Jacqueline Cerquiglini, Beatrice Gottlieb, Renate Blumenfeld-Kosinski, Sheila Delany, Patricia A. Phillippy, Joel Blanchard, and Kevin Brownlee. A Selected Bibliography is included.

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The Ciris is a small scale epic poem which relates the myth of Scylla, daughter of king Nisus of Megara, who betrayed her homeland for love, and was transformed into a sea-bird. It is one of the poems in the Appendix Vergiliana, a collection that has been ascribed to Virgil as his carmina minora. Earlier scholarship has mostly been concerned to prove that the Ciris is not by Virgil, and then to demonstrate that it is a late and derivative composition of little intrinsic merit. The present book argues that Ciris was composed by a contemporary of Virgil, a product of the golden age of Latin poetry. It aims to bring the poem to the attention of modern readers and to rescue it from ill-deserved neglect. The introduction presents detailed linguistic, literary and historical arguments in support of this early composition date and offers a state-of-the-art account of the textual witnesses and the manuscript tradition. The critical text and apparatus are based on a systematic, first-hand analysis of manuscript evidence as well as the rigorous application of text-critical methods. The new text, as close to the original Ciris as can be achieved, includes over one-hundred and fifty changes from previous editions. By engaging with textual scholarship on the poem from the fifteenth to the twenty-first century, the line-by-line commentary provides a comprehensive guide to the numerous textual problems, and is an important contribution to the stylistic and linguistic analysis of golden-age Latin poetry.

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First modern scholarly edition of a number of late medieval Scottish poems, in the comic tradition. This volume contains eleven Scottish examples of particular kinds of humorous writing - comic, parodic, and satiric - of the late fifteenth and sixteenth centuries. Previously unavailable in modern scholarly editions, these worksare freshly established from diverse sources, including the manuscript that is the earliest extant of John Knox's "Historie of the Reformatioun of Religioun". A manuscript owned by the Campbell of Glenorchy family is the source ofthe volume's most substantial work, Duncane Laideus Testament; the poem's bicultural outlook provides an important reference point for historians, as well as scholars of early Scottish and Gaelic literature. Other texts include David Lyndsay's The Complaint of Bagsche and the anonymous "My gudame wes a gay wif". To assist study of the development of early Scottish writing, and to chart historical, especially religious, change, the poems are arranged in their probable order of composition. Each is introduced separately, with consideration of witnesses; evidence for date of composition and authorship; title, metre, and genre; and full apparatus. Explanatory notesexamine matters of interest or potential difficulty, including the sense of contemporary expressions, wordplay, legal and Latin terms, and debts to earlier writers.The volume also includes a full Bibliography, Glossary, and Indexof Names and Places. Dr Janet Hadley Williams is Honorary Visiting Fellow, School of Literature, Languages, and Linguistics, College of Arts and Social Sciences, The Australian National University.

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Longtime manuscript editor and Chicago Manual of Style guru Carol Fisher Saller has negotiated many a standoff between a writer and editor refusing to compromise on the “rights” and “wrongs” of prose styling. Saller realized that when these sides squared off, it was often the reader who lost. In her search for practical strategies for keeping the peace, The Subversive Copy Editor was born. Saller’s ideas struck a chord, and the little book with big advice quickly became a must-have reference for copy editors everywhere. In this second edition, Saller adds new chapters, on the dangers of allegiance to outdated grammar and style rules and on ways to stay current in language and technology. She expands her advice for writers on formatting manuscripts for publication, on self-editing, and on how not to be “difficult.” Saller’s own gaffes provide firsthand (and sometimes humorous) examples of exactly what not to do. The revised content reflects today’s publishing practices while retaining the self-deprecating tone and sharp humor that helped make the first edition so popular. Saller maintains that through carefulness, transparency, and flexibility, editors can build trust and cooperation with writers.The Subversive Copy Editor brings a refreshingly levelheaded approach to the classic battle between writers and editors. This sage advice will prove useful and entertaining to anyone charged with the sometimes perilous task of improving the writing of others.

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The Leipzig Mahzor is one of the most lavish Hebrew illuminated manuscripts of all time. A prayer book used during Jewish holidays, it was produced in the Middle Ages for the Jewish community of Worms in the German Rhineland. Though Worms was a vibrant center of Judaism in the eleventh and twelfth centuries and drew celebrated rabbis, little is known about the city’s Jews in the later Middle Ages. In the pages of its famous book, Katrin Kogman-Appel discovers a portal into the life of this fourteenth-century community.Medieval mahzorim were used only for special services in the synagogue and “belonged” to the whole congregation, so their visual imagery reflected the local cultural associations and beliefs. The Leipzig Mahzor pays homage to one of Worms’s most illustrious scholars, Eleazar ben Judah. Its imagery reveals how his Ashkenazi Pietist worldview and involvement in mysticism shaped the community’s religious practice. Kogman-Appel draws attention to the Mahzor’s innovations, including its strategy for avoiding visual representation of God and its depiction of customs such as the washing of dishes before Passover, something less common in other mahzorim. In addition to decoding its iconography, Kogman-Appel approaches the manuscript as a ritual object that preserved a sense of identity and cohesion within a community facing a wide range of threats to its stability and security.This book was published with the support of the Israel Science Foundation.

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Transcription of Public Record Office manuscripts E.179/144/120 and E.179/251/16.

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El arte románico surgió en los distintos reinos europeos que se formaron a partir de la caída del Imperio romano en el siglo V. Entonces se abrió un nuevo periodo caracterizado por innovaciones políticas y sociales. En este libro se muestran y describen los más hermosos templos, monasterios, mosaicos, frescos, orfebrería o manuscritos románicos que se pueden encontrar desde los países escandinavos o Inglaterra, a Italia y España.

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A dazzling collection of rare art and documents illuminate the life of Sherlock Holmes beyond the page. As one of the most beloved characters in the English language, Sherlock Holmes sometimes seems to have a life of his own, one that leaps beyond the pages of Sir Arthur Conan Doyle’s mystery stories. Sherlock Holmes in 221 Objects aims its magnifying glass toward a host of overlooked extra-literary objects that tell the story of the famed detective’s publication history outside of Doyle’s original canon. ​ Drawing on their extensive collection of Holmes-related bibliographic material, Cathy and Glen S. Miranker brings to light exhibits ranging from original manuscripts, handwritten letters, business correspondence, vintage book art, pirated editions, and more, all presented in thematic clusters that highlight their significance to the case at hand. Throughout, the Mirankers invite readers to share in the collector’s enthusiasm for the kinds of rarities and oddities that help decipher the appeal of Sherlock Holmes in ways that transcend what can be found on the page.

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Published to accompany the 2013 landmark exhibition at the Grolier Club, this catalogue explores the legacy of thirty-two remarkable women whose accomplishments in physics, chemistry, astronomy, mathematics, computing, and medicine contributed to the advancement of science. More than 150 original items are pictured and described, including books, manuscripts, periodicals, offprints, dissertations, and laboratory apparatus (such as that used by Marie Curie during her earliest work on radioactivity), providing a remarkable overview of the scientific contributions of this eminent group.

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Die ersten drei Bände der vorliegenden,vier Teilbände umfassenden Edition bieten eine umfangreiche Präsentation von Husserls deskriptiver Erforschung der intentionalen Strukturen des Bewusstseins in den drei Hauptklassen von intentionalen Akten, den Verstandes-, Gemüts- und Willensakten. Der größte Teil der wiedergegebenen Manuskripte entstand in den Jahren zwischen 1908 und 1915. Im Jahr 1925 hat Husserls Assistent Ludwig Landgrebe auf der Grundlage vieler der hier edierten Texte ein umfangreiches Typoskript mit dem Titel „Studien zur Struktur des Bewusstseins“ angefertigt. Husserls fragmentarischer Entwurf einer Einleitung zu diesem Typoskript wird im ersten Band der Edition wiedergegeben.Der vierte Teilband enthält den textkritischen Apparat.Dieser Band ist der vierte Teilband des vier Teilbände umfassenden Sets Husserliana 43. Er enthält den kritischen Apparat und Index zu den Texten in den ersten drei Teilbänden dieses Sets. This volume is the fourth part of the four-part set Husserliana 43. It is the Critical Apparatus and the Index for the edited texts available in the first three volumes of the set.

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Maggie está empeñada en no aprender a leer ni escribir en letra manuscrita. Para qué, si puede hacerlo en ordenador? Escribir a mano es anticuado!, proclama Maggie, que ya es la comidilla del colegio hasta que su tutora le encarga una tarea y la curiosidad de la niña puede más que su obstinación!

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Sebastien Cuvelier’s journey to Iran was inspired by a manuscript written on travels to Persepolis made by his late uncle in 1971. In this book, the photographs from Sebastien’s time in Iran are layered on top of his late uncle’s diary as a conversation between the two journeys.

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Vol. 20 of Antiguo Oriente for 2022. AntOr is the annual, peer-reviewed, scholarly journal published by the Center of Studies of Ancient Near Eastern History (CEHAO). The journal publishes manuscripts related to the history of societies of the Ancient Near East and the Eastern Mediterranean from the Paleolithic to the Early Islamic Period. Antiguo Oriente publishes articles and book reviews in Spanish, English and French.

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The Barnes Foundation, established by scientist, entrepreneur, and educator Dr. Albert C. Barnes in 1922, is home to a legendary art collection. Barnes assembled one of the world’s largest and finest groups of post-impressionist and early modern paintings, with holdings by such luminaries as Renoir, Cézanne, Matisse, Picasso, Rousseau, Modigliani, Soutine, Manet, Monet, Seurat, Degas, Van Gogh, and Gauguin.The Foundation’s collection also holds significant examples of American art, including works by Demuth, Glackens, and the Prendergasts; African sculpture; Native American ceramics, jewelry, and textiles; Asian paintings, prints, and sculptures; medieval manuscripts and sculptures; Old Master paintings by El Greco, Rubens, Titian, and others; ancient Egyptian, Greek, and Roman art; and American and European decorative arts and metalwork. The presentation of the collection reflects Barnes’s educational and aesthetic approach: symmetrical “ensembles,” or wall compositions, combine works of different periods, mediums, cultures, and styles for the purpose of comparison and study.Texts by Judith F. Dolkart and Martha Lucy explore the Barnes Foundation’s collection, educational mission, ensembles, and individual works. Large color plates, little-seen archival photographs, and numerous gatefolds illustrate 150 of the greatest hits of the collection and twenty gallery ensembles.

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Despite William Hunter's stature as one of the most important collectors and men of science of the eighteenth century, and the fact that his collection is the foundation of Scotland's oldest public museum, The Hunterian, until now there has been no comprehensive examination in a single volume of all his collections in their diversity. This volume restores Hunter to a rightful position of prominence among the medical men whose research and amassing of specimens transformed our understanding of the natural world and man's position within it. This volume comprises essays by international specialists and are as diverse as Hunter's collections themselves, dealing as they do with material that ranges from medical and scientific specimens, to painting, prints, books and manuscripts. The first sections focus upon Hunter's own collection and his response to it, while the final section contextualises Hunter within the wider sphere. A special feature of the volume is the inclusion of references to the Hunterian's web pages and on-line databases. These enable searches for items from Hunter's collections, both from his museum and library. Locating Hunter's collecting within the broader context of his age and environment, this book provides an original approach to a man and collection whose importance has yet to be comprehensively assessed.

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One difficulty in writing a balanced history of the American Revolution arises in part from its success as a creator of our nation and our nationalistic sentiment. Unlike the Civil War, unlike the French Revolution, the American Revolution produced no lingering social trauma in the United States—it is a historic event widely applauded by Americans today as both necessary and desirable. But one consequence of this happy unanimity is that the chief losers of the War of Independence—the American Loyalists—have fared badly at the hands of historians. This explains, in part, why the account of the Revolution recorded by self-professed Loyalist and Chief Justice of the Superior Court of Massachusetts, Peter Oliver, has heretofore been so routinely overlooked. Oliver's manuscript, entitled "The Origins & Progress of the American Rebellion," written in 1781, challenges the motives of the founding fathers, and depicts the revolution as passion, plotting, and violence. His descriptions of the leaders of the patriot party, of their program and motives, are unforgiving, bitter, and inevitably partisan. But it records the impressions of one who had experienced these events, knew most of the combatants intimately, and saw the collapse of the society he had lived in. His history is a very important contemporary account of the origins of the revolution in Massachusetts, and is now presented here in it entirety for the first time.

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The twelve essays in this volume proceed from a modern fantasy-epic back in time to oral epics that have been transmitted through the technology of manuscripts, and central in the collection are two articles that address Chaucer's Middle English courtly epic, Troilus and Criseyde. Each, in its own way, presents a global perspective on its subject, whether by comparing texts, by considering textual transmission through translation, or by contrasting medieval issues with developing global movements. . . . These articles are presented as evidence of the international cooperation that has been fostered by the work of Paul Szarmach in the international community of medievalists and of the success of his vision in opening up the borders of a discipline that too long has been Eurocentric and not global in its perspective. - from the Introduction

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In the days leading up to Christmas, Dómhildur delivers her 1,922nd baby. Beginnings and endings are her family trade; she comes from a long line of midwives on her mother's side and a long line of undertakers on her father's. She even lives in the apartment that she inherited from her grandaunt, a midwife with a unique reputation for her unconventional methods. As a terrible storm races towards Reykjavik, Dómhildur discovers decades worth of letters and manuscripts hidden amongst her grandaunt's clutter. Fielding calls from her anxious meteorologist sister and visits from her curious new neighbour, Dómhildur escapes into her grandaunt's archive and discovers strange and beautiful reflections on birth, death and human nature. For even in the depths of an Icelandic winter, new life will find a way.

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The Exile’s Cookbook brings together 480 recipes, including roasts and stews, breads, condiments, preserves, sweetmeats, and even hand-washing soaps. It offers a fascinating insight into the cuisine of Muslim Spain and North Africa in the period – its regional characteristics and historical antecedents, but also its links to culinary traditions in other parts of the Muslim world. This elegant translation by Daniel L. Newman is based on all the manuscripts of the text that are known to have survived. It is accompanied by an introduction and extensive notes contextualising the recipes, ingredients, tableware and cooking practices.

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Ce petit livre pourrait être une introduction à la pharmacopée orientale. Il comprend une cinquantaine de lignes, tirées du début d'un manuscrit syriaque entré à la BNF (Paris) il y a quelques années sous le numéro syr. 423, dont l'auteur (Ph. Gignoux) a pu faire une édition critique grâce au même texte provenant de la collection des mss Mingana, syr. no 594. La nouveauté de ce texte réside dans le fait qu'il ne semble pas être une traduction d'un ouvrage grec, alors que la suite du même manuscrit provient pour l'essentiel de Galien. Ce texte nous apporte une quantité de noms de plantes médicinales et de produits animaux et minéraux. L'originalité réside aussi dans le fait que ces noms sont souvent glosés dans des langues comme le grec, l'arabe, l'arabo-persan, dont Gignoux a expliqué l'origine dans des articles préliminaires. Le texte syriaque et la traduction française ont été mis en face à face pour permettre aux botanistes de retrouver facilement tel ou tel passage. Cela devrait aussi entraîner les chercheurs à travailler davantage sur les plantes médicinales qui ont donné lieu à une littérature très abondante et passionnante.

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Repertorio Bibliográfico de los manuscritos del geógrafo Tomás López, que se conservan en la Biblioteca Nacional. Colecciones singulares n 7

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The 120 Days of Sodom is the Marquis de Sade's masterpiece. A still unsurpassed catalogue of sexual perversions and the first systematic exploration of the psychopathology of sex, it was written during Sade's lengthy imprisonment for sexual deviancy and blasphemy and then lost after the storming of the Bastille during the French Revolution in 1789. Later rediscovered, the manuscript remained unpublished until 1936 and is now introduced by Simone de Beauvoir's landmark essay, 'Must We Burn Sade?' Unique in its enduring capacity to shock and provoke, The 120 Days of Sodom must stand as one of the most controversial books ever written, and a fine example of the Libertine novel, a genre inspired by eroticism and anti-establishmentarianism, that effectively ended with the French Revolution.

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The abbey was part of a network of Cistercian houses that played a key part in safeguarding manuscripts of old Welsh literature. This book tells the story of that venture with examples of the work of poets and poems about the abbey. It also provides an overview of the continuity of the tradition in the modern world in the works of local and national bards in English and Welsh.

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The poem, which survives only in the Auchinleck Manuscript, deals with the later years of Guy's life, beginning with his return to Warwick after having established himself on the Continent as a pre-eminent model of knighthood. After his marriage, however, he is stricken by remorse for the very actions that have brought him fame, and he sets out anonymously on a series of pilgrimages of atonement.

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From 1837 to 1861 Thoreau kept a Journal that began as a conventional record of ideas, grew into a writer's notebook, and eventually became the principal imaginative work of his career. The source of much of his published writing, the Journal is also a record of both his interior life and his monumental studies of the natural history of his native Concord, Massachusetts. In contrast to earlier editions, the Princeton Edition reproduces the Journal in its original and complete form, in a reading text that is free of editorial interpolations but keyed to a comprehensive scholarly apparatus. Despite activities as time-consuming and varied as urveying for the town of Concord and helping a fugitive slave escape to Canada, Thoreau wrote nearly eight hundred manuscript pages in his Journal during the eight months covered by this volume. Confirmed in his vocation as a natural historian, he began to compile the richly detailed records of Concord's woods, fields, and streams that would occupy him for the rest of his life, and he consciously shaped the Journal to reflect his new aims as a writer. He also began major revisions of his Walden that would lead to its publication in 1854.

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This first complete history of Dr Williams's Trust and Library, deriving from the will of the nonconformist minister Daniel Williams (c.1643-1716) reveals rare examples of private philanthropy and dissenting enterprise. The library contains the fullest collection of material relating to English Protestant Dissent. Opening in the City of London in 1730, it moved to Bloomsbury in the 1860s. Williams and his first trustees had a vision for Protestant Dissent which included maintaining connections with Protestants overseas. The charities espoused by the trust extended that vision by funding an Irish preacher, founding schools in Wales, sending missionaries to native Americans, and giving support to Harvard College. By the mid-eighteenth century, the trustees had embraced unitarian beliefs and had established several charities and enlarged the unique collection of books, manuscripts and portraits known as Dr Williams's Library. The manuscript and rare book collection offers material from the sixteenth to the twentieth centuries, with strengths in the early modern period, including the papers of Richard Baxter, Roger Morrice, and Owen Stockton. The eighteenth-century archive includes the correspondence of the scientist and theologian Joseph Priestley. The library also holds several collections of importance for women's history and English literature. The story of the trust and library reveals a rare example of private philanthropy over more than three centuries, and a case study in dissenting enterprise. Alan Argent illuminates key themes in the history of nonconformity; the changing status of non-established religions; the voluntary principle; philanthropy; and a lively concern for society as a whole.

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Jurists and Jurisprudence in Medieval Italy is an original collection of texts exemplifying medieval Italian jurisprudence, known as the ius commune. Translated for the first time into English, many of the texts exist only in early printed editions and manuscripts. Featuring commentaries by leading medieval civil law jurists, notably Azo Portius, Accursius, Albertus Gandinus, Bartolus of Sassoferrato, and Baldus de Ubaldis, this book covers a wide range of topics, including how to teach and study law, the production of legal texts, the ethical norms guiding practitioners, civil and criminal procedures, and family matters. The translations, together with context-setting introductions, highlight fundamental legal concepts and practices and the milieu in which jurists operated. They offer entry points for exploring perennial subjects such as the professionalization of lawyers, the tangled relationship between law and morality, the role of gender in the socio-legal order, and the extent to which the ius commune can be considered an autonomous system of law.

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The Distaff Gospels (Les Évangiles des Quenouilles), a fascinating fifteenth-century collection of more than 250 popular beliefs, constitutes a kind of encyclopedia of late medieval women’s wisdom. The women’s beliefs and experiences are recounted within the narrative frame of traditional gatherings where women meet with their spindles and distaffs to spin. They share advice on such important matters as how to control errant husbands, how to predict the gender of future offspring, how to cure common diseases, and ways to deal with evil spirits, providing a rare look into the intimate lives of medieval peasant women.This edition includes a facing-page translation (the first in English since 1510) of the two Old French manuscripts of the text. The critical introduction discusses the literary context, textual history, and cultural significance of The Distaff Gospels, while the rich selection of appendices includes translations of the names of the women storytellers and excerpts from works by Giovanni Boccaccio, Jean de Meun, François Villon, and Christine de Pizan.

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This open access volume focuses on the cultural background of the pivotal transformations of scientific knowledge in the early modern period. It investigates the rich edition history of Johannes de Sacrobosco’s Tractatus de sphaera, by far the most widely disseminated textbook on geocentric cosmology, from the unique standpoint of the many printers, publishers, and booksellers who steered this text from manuscript to print culture, and in doing so transformed it into an established platform of scientific learning. The corpus, constituted of 359 different editions featuring Sacrobosco’s treatise on cosmology and astronomy printed between 1472 and 1650, represents the scientific European shared knowledge concerned with the cosmological worldview of the early modern period until far after the publication of Copernicus’ De revolutionibus orbium coelestium in 1543. The contributions to this volume show how the academic book trade influenced the process of homogenization of scientific knowledge. They also describe the material infrastructure through which such knowledge was disseminated, and thus define the premises for the foundation of modern scientific communities.

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Dentro de los textos filosóficos del marxismo, entre lo que se pueden contar los "Manuscritos de economía y filosofía" y "El dieciocho Brumario de Luis Bonaparte" -ya en esta colección-, ocupa un lugar destacado "La ideología alemana" (1845-1847, aunque publicada por primera vez en 1932), obra en la que Karl Marx y Friedrich Engels sientan las bases del materialismo histórico en oposición a la filosofía de los jóvenes hegelianos. La presente antología, que ha podido contar con la reciente edición de los manuscritos originales en MEGA (2017), reúne el imprescindible primer capítulo de la obra en su integridad, una selección de los textos aún relevantes del resto de ella (buena parte de la cual ha quedado obsoleta por centrarse específicamente en las polémicas de la época) y las Tesis sobre Feuerbach, relacionadas intrínsecamente con los planteamientos que desarrolla.Selección y traducción de César Ruiz Sanjuán

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" . . . a critical edition based on the three known manuscripts, and translation of a gnomologium entitled Mukhtar min kalam al-hukama' al-arba`a, which contains sayings ascribed to Pythgagoras, Socrates, Plato and Aristotle. Parallel versions from closely related gnomologia have been collated and noted in the apparatus. In the next section, a commentary on each individual saying and parallel versions in a large number of Arabic texts, both published and manuscript, are noted and discussed. [ . . . ] The Greek originals are, as far as they could be found, quoted and discussed within the tradition of Greek gnomologia." (from a review in Journal of Near Eastern Studies, volume 37, no.2) The book includes the Arabic text of the gnomologium, and an English translation, on facing pages. A paperback reprint of the original 1975 book, with a new Foreword, and with errata and corrections.

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In the sequel to the first volume, which introduced the long sword, Herbert Schmidt explains single-handed sword fighting techniques with a buckler, or small shield. “Single-handed sword” here refers to the sword wielded in one hand, as used throughout almost the entire Middle Ages. This book analyzes historical evidence, taken mainly from the 13th-century German combat manual Manuscript I:33, or “Tower Manuscript,” the oldest and most widely trusted European sword fighting manual in existence. Find information on binds, posture, footwork, free fighting, and individual plays taken from the writings of fencing masters Hans Talhoffer, Andre Lignitzer, and Paulus Kal in this modern textbook that allows anyone interested—whether beginner or advanced—to work and improve his single-handed sword fighting skills.

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In the sequel to the first volume, which introduced the long sword, Herbert Schmidt explains single-handed sword fighting techniques with a buckler, or small shield. “Single-handed sword” here refers to the sword wielded in one hand, as used throughout almost the entire Middle Ages. This book analyzes historical evidence, taken mainly from the 13th-century German combat manual Manuscript I:33, or “Tower Manuscript,” the oldest and most widely trusted European sword fighting manual in existence. Find information on binds, posture, footwork, free fighting, and individual plays taken from the writings of fencing masters Hans Talhoffer, Andre Lignitzer, and Paulus Kal in this modern textbook that allows anyone interested—whether beginner or advanced—to work and improve his single-handed sword fighting skills.

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Análisis y edición crítica de un manuscrito anónimo del siglo XVIII. Podríamos estar hablando de la testiganza más antigua del euskera de la zona de Hazparne.

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The Actus Vercellenses, a Latin text preserved in only one manuscript copy, is published widely in translation under the title Acts of Peter. The Acts of Peter is thought to be the title of an ancient work, originally in Greek, which is usually said to have been composed in the second-century in Asia Minor. Accordingly, the Vercelli Acts are often treated simply as evidence for second-century Christian discourse. However, many issues relating to the study of the Actus Vercellenses qua Acts of Peter have hitherto been inadequately established, especially: the character, extent, and original time of composition of the ancient Acts of Peter ; the antiquity of the manuscript copy and the Latin version; and the proximity of the Latin Actus Vercellenses to extant Greek parallels in the Martyrium Petri, the Vita Abercii, and the Oxyrhynchus fragment. Through a detailed examination of the external evidence for ancient Petrine acta writings, through a thorough paleographical and philological investigation of manuscript Vercelli Bib. Cap. CLVIII and the Latin text of the Actus, and through an extensive synoptic comparison of all the extant Greek parallels to the Actus Vercellenses, Matthew C. Baldwin investigates and settles all of these issues. Ultimately, the results show that the Actus Vercellenses is probably best understood as evidence for fourth century Christianity in the west. In its current form, this Acts of the Apostle Peter is effectively that of a later, Latin speaking scriptor from the west.

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This book provides a unique visual history of the Qur'ān using fifty-five rare, beautiful and significant Qur'an manuscripts. A general introduction guides the reader through the Qur'ān's entry into the world of late near eastern antiquity, a world where books of scripture were inextricably bound to the political and religious identities of empires. Books of scripture, as well as being visible statements of divine majesty, personal piety and religious identity, were viewed as providing a point of contact with the divine. In this setting the Qur'ān came to be viewed by Muslims as the point of divine contact without peer, and the calligraphy of its text became the foundation of Islamic visual culture for centuries to come. From this beginning, the development of the Qur'ān in book form is followed chronologically and geographically, and the themes of textual development, art, identity and divine presence are highlighted in each chapter. This book draws mainly from the collection of Qur'āns in the Bodleian Library, one of the oldest collections in the English-speaking world and one of the finest collections internationally. Manuscripts are featured from every major chronological period of the Qur'ān's history, and most of the Qur'āns pictured have never appeared in print before. 'Qur'āns: Books of Divine Encounter' brings together in one volume a magnificent range of Qur'ānic manuscripts, providing a lavishly illustrated historical overview of one of the most influential, most memorized and enduring sacred books in our world.

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