Search results for ""author manus"

Cet ouvrage, édité par Henryk Drawnel, contient l'édition posthume et le commentaire du Testament araméen de Lévi par Józef Tadeusz Milik. La composition de Lévi présente au lecteur le récit autobiographique de la vie de Lévi, le patriarche de la tribu sacerdotale éponyme dans l'ancien Israël. Sur la base des manuscrits disponibles de Qumran (4Q21 ; 4Q213 ; 4Q214 ; 4Q540 ; 4Q548), du Mont Athos et de la Genizah du Caire, l'auteur de la monographie reconstruit la forme araméenne du texte, en y incluant certaines parties du Testament grec de Lévi (Test. 12 Patr.), des Jubilés et des extraits de littérature patristique. Le premier chapitre, rédigé par Henryk Drawnel, introduit le lecteur à la monographie et présente une vue d'ensemble de l'utilisation que Milik fait des manuscrits dans le texte reconstruit ainsi que le plan général d'une entreprise plus vaste : l'édition des livres des patriarches de Qumran.

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"Sir Isumbras," "Octavian," "Sir Eglamour of Artois," and "Sir Tryamour" are important works in a major literary development of the fourteenth century: the flourishing of Middle English popular romance. These four narratives were among the most popular; all survive in multiple manuscripts and continued to circulate in prints through the sixteenth century. All were composed in the northeast Midlands in the fifty years between 1325 and 1375, and they appear together in several manuscripts. The tale the romances tell—of exiled queens, orphaned children, and penitent fathers—was one of the most prevalent medieval stories. Sometimes called the Constance/Eustace legend (after two well-known pious versions), its influence can be seen in numerous romances.

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Building on the strength of Keith Walker’s acclaimed The Poems of John Wilmot, Earl of Rochester (1984), leading scholar Nicholas Fisher presents a thoroughly revised and updated edition of the work of one the greatest Restoration wits. Includes the text of Lucina’s Rape, Rochester’s adaptation of Fletcher’s revenge tragedy Valentinian, in a text that readily identifies Rochester’s revisions Presents the poems in versions that were current during Rochester’s lifetime, allowing the reader to experience the poems as Rochester’s contemporaries did Incorporates insights and discoveries made over the last twenty-five years and texts of manuscripts that previously were unavailable for study

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This richly illustrated book surveys representations of the stage and acting from manuscript illuminations, stained glass, sculpture, woodcarving, wall paintings, and the woodcuts that appear in playbooks produced by the first English printers.

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Ce petit livre pourrait être une introduction à la pharmacopée orientale. Il comprend une cinquantaine de lignes, tirées du début d'un manuscrit syriaque entré à la BNF (Paris) il y a quelques années sous le numéro syr. 423, dont l'auteur (Ph. Gignoux) a pu faire une édition critique grâce au même texte provenant de la collection des mss Mingana, syr. no 594. La nouveauté de ce texte réside dans le fait qu'il ne semble pas être une traduction d'un ouvrage grec, alors que la suite du même manuscrit provient pour l'essentiel de Galien. Ce texte nous apporte une quantité de noms de plantes médicinales et de produits animaux et minéraux. L'originalité réside aussi dans le fait que ces noms sont souvent glosés dans des langues comme le grec, l'arabe, l'arabo-persan, dont Gignoux a expliqué l'origine dans des articles préliminaires. Le texte syriaque et la traduction française ont été mis en face à face pour permettre aux botanistes de retrouver facilement tel ou tel passage. Cela devrait aussi entraîner les chercheurs à travailler davantage sur les plantes médicinales qui ont donné lieu à une littérature très abondante et passionnante.

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This tenth, and final, volume in the series of The Variorum Edition of the Poetry of John Donne presents newly edited critical texts of 32 love lyrics. Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, Volume 4.3 details the genealogical history of each poem, accompanied by a thorough prose discussion. The volume also presents a comprehensive digest of the commentary on these Songs and Sonets from Donne's time through 1999. Arranged chronologically within sections, the material for each poem is organized under various headings that complement the volume's companions, Volume 4.1 and Volume 4.2.

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The fourteen essays of this volume engage in distinct ways with the matter of motion in early modern Spanish poetics. Los catorce ensayos de este volumen conectan de una manera perceptible con el tema del movimiento enla poesía española del siglo de oro The fourteen essays of this volume engage in distinct ways with the matter of motion in early modern Spanish poetics, without limiting the dialectic of stasis and movement to any single sphere or manifestation. Interrogation of the interdependence of tradition and innovation, poetry, power and politics, shifting signifiers, the intersection of topography and deviant temporalities, the movement between the secular and the sacred, tensions between centres and peripheries, issues of manuscript circulation and reception, poetic calls and echoes across continents and centuries, and between creative writing and reading subjects, all demonstrate that Helgerson's central notion of conspicuous movement is relevant beyond early sixteenth-century secular poetics, By opening it up we approximate a better understanding of poetry's flexible spatio-temporal co-ordinates in a period of extraordinary historical circumstances and conterminous radical cultural transformation. Los catorce ensayos de este volumen conectan de una manera perceptible con el tema del movimiento en la poesía española del siglo de oro, sin limitar la dialéctica de la estasis y movimiento a una sola esfera o manifestación única. Entre los multiples enfoques cabe destacar: el cuestionamiento de la interdependencia de la tradición e inovación, de la poesía, del poder y la política, de los sigantes que se transforman, de los espacios que conectan y cruzan con los tiempos 'desviados'; análisis de las tensiones entre lo sagrado y lo secular, del conflicto centro-periferia y del complejo sistema de producción, circulacióny recepción de los manuscritos; el diálogo con el eco poético a través de los siglos y de los continentes y la construcción creativa del sujeto escritor y/o lector. Al abrir la noción central de Helgerson del "movimiento cono" más allá de la poesía nueva secular, este libro propone un entendimiento más completo de las coordinadas espacio-temporales de la poesía en un periodo de circunstancias históricas extrao Jean Andrews is Associate Pssor in the Department of Spanish, Portuguese and Latin American Studies, University of Nottingham. Isabel Torres is Professor of Spanish Golden Age Literature at Queen's University, Belfast. Contributors: Jean Andrews,Dana Bultman, Noelia Cirnigliaro, Marsha Collins, Trevor J. Dadson, Aurora Egido, Verónica Grossi, Anne Holloway, Mark J. Mascia,Terence O'Reilly, Carmen Peraita, Amanda Powell, Colin Thompson, Isabel Torres

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A collection of tales from the Middle Ages that reveal voyages to Heaven and Hell, the realm of the Faery, mystical lands, and encounters with mythic beasts • Shares travelers’ accounts of voyages into the afterlife, alarming creatures of unparalleled strangeness, encounters with doppelgangers and angels, chivalric romantic misadventures, and legends of heroes • Explains how travelers’ tales from the Middle Ages drew on geographies, encyclopedias, travel accounts, bestiaries, and herbals for material to capture the imagination of their audiences • Includes rare illustrations from incunabula and medieval manuscripts Heading off to discover unknown lands was always a risky undertaking during the Middle Ages due to the countless dangers lying in wait for the traveler--if we can believe what the written accounts tell us. In the medieval age of intercontinental exploration, tales of sea monsters, strange hybrid beasts, trickster faeries, accidental trips to the afterlife, and peoples as fantastic and dangerous as the lands they inhabited abounded. In this curated collection of medieval travelers’ tales, editors Claude and Corinne Lecouteux explain how the Middle Ages were a melting pot of narrative traditions from the four corners of the then-known world. Tales from this period often drew on geographies, encyclopedias, travel accounts, bestiaries, and herbals for material to capture the imagination of their audiences, who were fascinated by the wonders being discovered by explorers of the time. Accompanied by rare illustrations from incunabula and medieval manuscripts, the stories in this collection include voyages into the afterlife, with guided tours of Hell and glimpses of Heaven, as well as journeys into other fantastic realms, such as the pagan land of the Faery. It also includes accounts from travelers such as Alexander the Great of alarming creatures of unparalleled strangeness, encounters with doppelgangers and angels, legends of heroes, and tales of chivalric romantic misadventures, with protagonists swept to exotic new places by fate or by quest. In each story, the marvelous is omnipresent, and each portrays the reactions of the protagonist when faced with the unknown. Offering an introduction to the medieval imaginings of a wondrous universe, these tales reflect the dreams and beliefs of the Middle Ages’ era of discovery and allow readers to survey mythic geography, meet people from the far ends of the earth, and experience the supernatural.

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There has in recent years been a lively debate among ANglo-Saxonists about the principles on which Old English verse should be edited. The present collection of essays, by the foremost living critic of Old English poetry, will move this debate on to a new plane. Robinson approaches editorial problems from a variety of perspectives: several essays show how insufficient attention to the manuscript context of a poem has led earlier scholars into error; on other occasions, scholars are shown to have resorted too quickly to emendation when a fresh combination of philological skill and intelligence can make a transmitted reading yield good sense; on yet other occasions, Robinson solves intractable textual problems by clean and elegant emendation. THe message of the book is one which no student of Old English literature can ignore: namely that the interpretation of Old English poems requires thorough familiarity with the manuscript context in which the poem is preserved, together with deep philological learning and penetrating common sense. No student of Old English poetry has these qualities in greater abundance than Fred C Robinson.

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Published to accompany the 2013 landmark exhibition at the Grolier Club, this catalogue explores the legacy of thirty-two remarkable women whose accomplishments in physics, chemistry, astronomy, mathematics, computing, and medicine contributed to the advancement of science. More than 150 original items are pictured and described, including books, manuscripts, periodicals, offprints, dissertations, and laboratory apparatus (such as that used by Marie Curie during her earliest work on radioactivity), providing a remarkable overview of the scientific contributions of this eminent group.

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The Waltharius, a medieval Latin epic poem of over 1400 lines, richly retells the story of a vigorous Germanic saga in the language and style of classical and Christian Latin poetry. Walter, its hero, is a pagan warrior ready to mock his enemies and mercilessly decapitate them, but also a pious Christian who refrains from premarital sex and stops to pray and ask for God's mercy in the middle of a battle. The poem varies remarkably in tone, providing both fervent moral commentary and bitter black comedy. The growing scholarship on the poem outside of Germany, where it has always been popular, no doubt results from its weird allure and eclectic nature. It has something for everyone. This new edition uses a fresh review of manuscripts - especially the recently discovered fragments at the University of Illinois at Urbana-Champaign - in order to provide a text and apparatus that will aid the reader in understanding the poem's tangled manuscript history. The notes are rather fuller than those of previous English-language editions, providing useful context to understand the complicated relationships among the Germanic, classical Latin, and Christian Latin traditions as well as tracking various themes and stylistic features that the poet employs.

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Professor Marks has been a curator at the British Museum, Keeper of the Burrell Collection, Glasgow, and Director of the Royal Pavilion and Museums in Brighton. Subsequently he held a Personal Chair in the History of Art Department at the University of York, and is now Emeritus Professor; he also currently has an Honorary Professorship in the History of Art at Cambridge University. He has held honorary posts as Vice-President of The Society of Antiquaries of London and International President of the Corpus Vitrearum Medii Aevi project. He has worked on a number of major exhibitions, including Gothic. Art for England 1400–1547 (Victoria & Albert Museum, 2003–4), which he curated. Professor Marks’main interest is the religious imagery of medieval Europe, in all the visual arts. Much of his research has been on English stained glass, and, more recently, on the function and reception of devotional images. His works here include Stained Glass in England during the Middle Ages (1993), The Medieval Stained Glass of Northamptonshire (1998), The Golden Age of English Manuscript Painting 1200–1500 (1981) and Image and Devotion in Late Medieval England (2004). This volume brings together thirty-one of Professor Marks’ studies, encompassing historiography, stained glass, manuscript illumination, screen and wall painting, sculpture and funerary monuments.

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Whether you are a novice writer or a veteran who has already had your work published, rejection is often a frustrating reality. Literary agents and editors receive and reject hundreds of manuscripts each month. While it's the job of these publishing professionals to be discriminating, it's the job of the writer to produce a manuscript that immediately stands out among the vast competition. And those outstanding qualities, says New York literary agent Noah Lukeman, have to be apparent from the first five pages. The First Five Pages: A Writer's Guide to Staying Out of the Rejection Pile reveals the necessary elements of good writing, whether it be fiction, nonfiction, journalism, or poetry, and points out errors to be avoided, such as: - A weak opening hook - Overuse of adjectives and adverbs - Flat or forced metaphors or similes - Undeveloped characterizations and lifeless settings - Uneven pacing and lack of progression With exercises at the end of each chapter, this invaluable reference will allow novelists, journalists, poets, and screenwriters alike to improve their technique as they learn to eliminate even the most subtle mistakes that are cause for rejection. The First Five Pages will help writers at every stage take their art to a higher - and more successful - level.

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Repertorio Bibliográfico de los manuscritos del geógrafo Tomás López, que se conservan en la Biblioteca Nacional. Colecciones singulares n 7

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In print continuously since 1922, The Enormous Room is one of the classic American literary works to emerge from World War I, in a grouping that includes John Dos Passo's Three Soldiers and Hemingway's A Farewell to Arms. Drawing on his experiences in France as a volunteer ambulance driver, Cummings takes us through a series of mistakes that led to his being arrested for treason and sent to prison. Out of this episode Cummings produced a unique work—a story of oppression, injustice, and imprisonment presented in a high-spirited manner as if it were a lark, a work of new linguistic energy that celebrates the individual and opposes all structures that stifle him. This edition restores to the work much material that was deleted from the manuscript for the book's 1922 publication and is illustrated with drawings Cummings made while imprisoned in France.

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Painstakingly restored from Tolkien’s manuscripts and presented for the first time as a fully continuous and standalone story, the epic tale of The Children of Húrin will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, dragons and Dwarves, eagles and Orcs, and the rich landscape and characters unique to Tolkien. There are tales of Middle-earth from times long before The Lord of the Rings, and the story told in this book is set in the great country that lay beyond the Grey Havens in the West: lands where Treebeard once walked, but which were drowned in the great cataclysm that ended the First Age of the World. In that remote time Morgoth, the first Dark Lord, dwelt in the vast fortress of Angband, the Hells of Iron, in the North; and the tragedy of Túrin and his sister Nienor unfolded within the shadow of the fear of Angband and the war waged by Morgoth against the lands and secret cities of the Elves. Their brief and passionate lives were dominated by the elemental hatred that Morgoth bore them as the children of Húrin, the man who had dared to defy and to scorn him to his face. Against them he sent his most formidable servant, Glaurung, a powerful spirit in the form of a huge wingless dragon of fire. Into this story of brutal conquest and flight, of forest hiding-places and pursuit, of resistance with lessening hope, the Dark Lord and the Dragon enter in direly articulate form. Sardonic and mocking, Glaurung manipulated the fates of Túrin and Nienor by lies of diabolic cunning and guile, and the curse of Morgoth was fulfilled. The earliest versions of this story by J.R.R. Tolkien go back to the end of the First World War and the years that followed; but long afterwards, when The Lord of the Rings was finished, he wrote it anew and greatly enlarged it in complexities of motive and character: it became the dominant story in his later work on Middle-earth. But he could not bring it to a final and finished form. In this book Christopher Tolkien has constructed, after long study of the manuscripts, a coherent narrative without any editorial invention.

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A report relating to the project to bring to view unpublished manuscripts, notebooks, letters, diaries and papers that the academic writer and novelist Raymond Williams left in part discarded or neglected.

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The so-called Lectura Thomasina, a commentary on Peter Lombard’s Sentences, was composed by the Dominican William of Peter of Godin at the beginning of the 14th century. The manuscript tradition provides the text with the title ‘Thomasina’ because of the large number of verbatim quotations from Aquinas’ writings. This text is not a mere compilation of Aquinas’ dicta, but represents an attempt to outline the fundamental elements of Thomas’ doctrine, giving them both unity and coherence. For this reason, Godin’s commentary is an important witness to the reception of Aquinas’ texts during the period between his death and his canonization. The critical edition of the Lectura Thomasina, presented here for the first time, is based on an examination of the entire manuscript tradition and is accompanied by an historical and philological introduction. In this part of his Sentences commentary (prologue and book I, distinctions 1-27), Godin deals with some central themes of scholastic theology, such as the scientific nature of theology, the knowledge of God, divine attributes, the doctrine of the Trinity, divine relations, the doctrine of caritas, the omnipotence of God, and the predication of God’s names. In addition to these theological questions, the text contains a philosophical digression in distinction 8, where Godin examines the distinction between essence and existence both in God and in created beings.

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John Keats was a trained surgeon who studied at Guy’s Hospital, London while simultaneously making his way as a poet. This book focuses attention on an important but hitherto neglected Keats manuscript: the notebook he maintained during this period. Reconstructing the lively medical world that played a formative role in Keats’ intellectual and imaginative development, it seeks to show the intriguing connections between Keats’ medical knowledge and his greatest poetry. It offers new research on Keats’ medical career – including a new edition of his medical Notebook compiled from the manuscript – and recovers the various ways in which Keats’ creativity found expression in his two careers of medicine and poetry, enriching both. Topics explored include the ‘hospital poems’ Keats wrote at Guy’s; the medical milieu of his daily life; his methods of working as revealed by his medical Notebook and other archival sources; and the medical contexts that informed his composition of Endymion and the collection Lamia, Isabella, The Eve of St Agnes, and Other Poems (1820).John Keats’ Medical Notebook: Text, Context and Poems reveals how Keats’ visceral knowledge of human life, gained during his medical training at Guy’s, transformed him into ‘a mighty poet of the human heart’.

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This is an annotated critical edition of a newly discovered life of Scott by one of his contemporaries. John Macrone, who wrote this life of Scott in 1832-1833, was admirably suited to the task; for, while he had never met Scott, his friends and associates included Cunningham, Galt, and Hogg, who wrote his Anecdotes of Scott for publication in Macrone's book. A quarrel with Lockhart, however, put a stop to the project, and nothing more was heard of it until the recent discovery of an autograph manuscript, here edited and published for the first time. A well-written and carefully-researched narrative, it increases our knowledge of Scott's life and work as perceived by his contemporaries, as well as enabling us to read Hogg's Anecdotes in their original context. The editor's introduction draws extensively on uncollected and unpublished material to illuminate Macrone's career, in the course of which he became the friend and publisher of Dickens, Thackeray, and Moore. It is the first publication of a manuscript which was believed to be lost. It provides a hitherto unknown contemporary perspective on Sir Walter Scott's life and work. It includes an introduction by the editor and a specially commissioned essay by Gillian Hughes giving a detailed account of Macrone's career based largely on uncollected or unpublished material. It establishes a new context for James Hogg's Anecdotes of Scott.

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The celebrated mathematician and philosopher Pythagoras left no writings. But what if he had and the manuscript was never found? Where would it be located? And what information would it reveal? These questions are the inspiration for the mathematical mystery novel Pythagoras' Revenge. Suspenseful and instructive, Pythagoras' Revenge weaves fact, fiction, mathematics, computer science, and ancient history into a surprising and sophisticated thriller. The intrigue begins when Jule Davidson, a young American mathematician who trolls the internet for difficult math riddles and stumbles upon a neo-Pythagorean sect searching for the promised reincarnation of Pythagoras. Across the ocean, Elmer Galway, a professor of classical history at Oxford, discovers an Arabic manuscript hinting at the existence of an ancient scroll--possibly left by Pythagoras himself. Unknown to one another, Jule and Elmer each have information that the other requires and, as they race to solve the philosophical and mathematical puzzles set before them, their paths ultimately collide. Set in 1998 with flashbacks to classical Greece, Pythagoras' Revenge investigates the confrontation between opposing views of mathematics and reality, and explores ideas from both early and cutting-edge mathematics. From academic Oxford to suburban Chicago and historic Rome, Pythagoras' Revenge is a sophisticated thriller that will grip readers from beginning to surprising end.

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1528. A young Franciscan monk travels to Norway to collect a set of scalpels from a barber surgeon with whom he shares a dark and mysterious obsession with the dissection of human corpses. He travels north and settles in a remote village. His deadly legacy is a mysterious manuscript, the Book of John, bound in human skin.Nearly five hundred years later, it seems that the ancient practice is experiencing a revival.2010. Trondheim, Norway. Inspector Odd Singsaker leads the investigation into the flaying of the University librarian, Gunn Brita Dahle, and the theft of the priceless Book of John. The prime suspect is a security guard at the library who was once an academic high-flier, and now lives an isolated, almost twilight, existence following the unexplained disappearance of his wife and son some years back.2010. Richmond, Virginia. When the curator of the Edgar Allan Poe museum suffers the same fate as Dahle, US Detective Felicia Stone flies to Norway to join Singsaker in the hunt for a serial killer. The more they delve into the past, the more sinister their discoveries become. The key to the psychopath's next move is held in the manuscript. Can they work out the clue before another person has to die.

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Count Robert of Paris, condemned by Scott's printer as 'altogether a failure', was later prepared for publication by his son-in-law, J. G. Lockhart , and his publisher Robert Cadell. What appeared was a bowdlerised, tamed and tidied version of what Scott had written and dictated. This edition, the first to have returned to the manuscript and to the many surviving proofs, realises Scott's original intentions. Scott's last full novel has many roughnesses, but it also challenges the susceptibilities of his readers more directly than any other and in that lay its fault in the eyes of the lesser men who condemned it.

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In their 2004 article "Evolving to a new dominant logic for marketing," Vargo and Lusch established the related principles that value is always co-created and, thus, firms cannot deliver value, but only develop compelling value propositions. This perspective is now known as "service-dominant (S-D) logic." Subsequent S-D logic work has suggested that value is not only always co-created; it also requires the integration of resources from multiple sources and thus is contextually contingent, since each instance of value creation involves the availability, integration, and use of a different combination of resources. This repositioning of value, from a static concept of something embedded in the output of a "producer" to be "consumed," to a dynamic concept of a co-created outcome in ever-changing, networked systems, can be seen throughout the manuscripts in this volume.

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Latest volume in this series containing the best new work on Arthurian topics. The latest volume of Arthurian Literature includes an edition and study of the widely disseminated Latin translation of Des Grantz Geanz(`De origine gigantum') by James Carley and Julia Crick, with a feminist readingof the poem by Lesley Johnson. Claude Luttrell writes on Chrétien's Cligès; Corinne Saunders explores the issue of rape in Chaucer's Wife of Bath's Tale, Neil Wright offers a reconstruction of the Arthurian epitaphin Royal 20 B.XV, Frank Brandsma discusses the treatment of simultaneity in Yvain, Chanson de Roland and a section of the Lancelot en prose, Julia Crick updates the progress on the manuscripts of Geoffrey of Monmouth, and A.H.W. Smith contributes a supplement to the bibliography of twentieth-century Arthurian literature begun in earlier volumes.

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The Ormesby Psalter is perhaps the most magnificent yet enigmatic of the great Gothic psalters produced in East Anglia in the first half of the fourteenth century. Its pages boast a wealth of decoration picked out in rich colours and burnished gold, and its margins are inhabited by a vibrant crew of beasts, birds and insects. Fantastic imagery proliferates: musicians, mermaids, lovers and warriors are juxtaposed with scenes from everyday life, from chivalric legend, and from folk-tales, fables and riddles. The psalter takes its name from Robert of Ormesby, subprior at Norwich Cathedral Priory in the 1330s. He was not the first owner, however, and it has long been acknowledged that the writing, decoration and binding of the book took place in a series of distinct phases from the late thirteenth to the mid-fourteenth century. The final result was the work of four or five scribes and up to seven illuminators and its pages show a panorama of stylistic development. Unravelling its complexities has sometimes been thought to hold the key to understanding the ‘East Anglian School’, a group of large, luxury manuscripts connected with Norwich Cathedral and Norfolk churches and patrons. This book casts an entirely new light on its history, not only clarifying and dating the successive phases of production, but associating the main work on the manuscript with the patronage of John de Warenne, Earl of Surrey, one of the greatest magnates of the time. It is extensively illustrated with full-page colour reproductions of the manuscript’s main decorated folios, as well as many smaller initials and numerous comparative illustrations.

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The ‘knight in shining armour’ has become a staple figure in popular culture, and images of bloody battlefields, bustling feasting halls and courtly tournaments have been creatively interpreted many times in film and fiction. But what was the medieval knight truly like? In this fascinating title, former Senior Curator at the Royal Armouries Christopher Gravett describes how knights evolved over three centuries of English and European history, the wars they fought, their lives both in peacetime and on campaign, the weapons they fought with, the armour and clothing they wore and their fascinating code and mythology of chivalry. The text is richly illustrated with images ranging from manuscript illustrations to modern artwork reconstructions and many photographs of historic artefacts and sites.

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What makes the Book of Kells such an extraordinary example of illuminated manuscript? Why is Durer's self-portrait so iconic? How did Turner's Rain, Steam, Speed turn the art world on its head? What's so great about Jasper John's Flag? And who was Whistler's mother, anyway? Art history is filled with paintings that shocked, intrigued, enraged and mystified their audiences - paintings that exemplified the period in which they were created and forever changed the way we think. Here, one hundred examples of these icons of art are presented in beautiful, high-quality reproductions. Each double-page spread features lavish illustrations and details as well as engaging texts that explain why the painting belongs in the pantheon of world-changing art. Published in association with the Stadel Museum, Frankfurt.

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Following the death of her beloved mother Jennifer Worth in 2011, Suzannah Worth discovered amongst her manuscripts a folder simply labelled 'Fifth Book'. Imagine her excitement when she sat down to read and her mother's distinctive voice came flooding back. This enchanting new collection from Jennifer Worth's Call the Midwife takes you back to the East End of London in the 1950s. Heart-warming and funny, these never-before-seen stories feature all Worth's beloved characters, with a particular focus on Fred, the irresistible Poplar boiler man. A selection of Suzannah's favourites from the original memoirs, featuring Chummy and Sister Monica Joan, join the new stories to make a very special addition to the Call the Midwife family.

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These volumes make available a diplomatic text and an English translation, the first ever modern translation, of the Commentary on Genesis preserved in Armenian and attributed to the fourth century poet, Ephrem the Syrian. Heretofore this text was known only from a single Venice manuscript, V873, printed by the Mekhitarist Fathers in 1836. This diplomatic edition utilizes the two other known manuscripts: another from the Venice Mekhitarist library, V352; and one from the library at Bzommar, Bza437. A lengthy introduction, the first real study of this text, demonstrates that while this Commentary is clearly based on a Syriac original, it represents a text that cannot have been written by the fourth-century Ephrem, but rather one that stems from a Syrian-Armenian milieu of around the tenth or eleventh centuries. This Commentary displays no correspondence with the surviving genuine Syriac Commentary on Genesis by Ephrem the Syrian, and makes manifest use of the work of Severus of Edessa (d. 861). This Commentary also shows marked characteristics of the translation technique well-known to have been supplied by the Armenians of the tenth to twelfth centuries.

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Harold Cecil Edey (1913–2007) and his colleagues David Solomons (1912–1995) and William T. Baxter (1907–2006) at the London School of Economics and Political Science (LSE) were instrumental in the development of British accounting thought in the mid-1900s. These three influential scholars influenced a generation of students who came to populate the British accounting profession and academia to the point where, in the early 1970s, half of all full-time accounting professors in the United Kingdom were LSE alumni. Edey’s role in these developments, however, remains relatively underappreciated. This edited volume contains 13 of Edey’s unpublished manuscripts written during the heyday of the LSE Triumvirate. These manuscripts address issues of accounting education, measurements, and theory, and they are accompanied by editorial comments that put the material in its historical context. The volume also contains an aide-mémoire of Edey’s professional activities and a complete bibliography of his published work. The material offers new insight into Edey’s contribution to the British accounting profession, and developments at the LSE, during a critical period of academic expansion and struggle to address the problem of accounting for rising inflation. The material is of value to anyone interested in the development of accounting thought.

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No period in the intellectual history of North-Western Europe has been so formative as the early Middle Ages, when missionaries transferred the learning accumulated for centuries in the Mediterranean basin to recently founded centres of religious scholarship in the ever expanding Christian world. The aim of this scholarship focused, first and foremost, on a proper understanding of the Bible as God's Word and Nature as God's Creation. During this period the foundations of medieval learning were laid in the monasteries and schools by men from distant shores who considered it their calling to entrust this precious knowledge to future generations of indigenous scholars. In this process, Syrians ended up in England, Irishmen in Italy, and Anglo-Saxons in Frisia and Bavaria and thus helped build a common intellectual culture in Europe. Even though the memories of these missionaries were fed with vast amounts of reproducible knowledge far beyond the capacity of modern man, the most important means of storing and conveying knowledge was the written word stored in what was then modern technology: the parchment codex. The composition of these books reflect the extent and diversity of early medieval learning. Sometimes they contain a single work, but often enough they contain compilations of diverse material which at first sight shows little coherence to the modern reader, and rightly so. In a way such miscellanies are mini-libraries. Nevertheless, they are storehouses of wholesome learning in their own right; further study reveals a rationale in such collections that leads us to a monastic learning environment, in some cases even to the classroom. The present volume demonstrates how the study of texts and manuscripts combined opens up windows on the early medieval world of learning as represented by glossaries, proto-encyclopedias, biblical companions, hagiographical guides, didactic verse, or descriptions of the world in word and image. The essays demonstrate that scholars have too often concentrated on the study of single texts, but especially that the compilations of manuscripts and libraries reflect the kind of knowledge that was required of monks, ministers and missionaries for the contemplation, celebration and promulgation of the Christian message.

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Let us hope that this book, poorly written and disjointed, but sincere, will help to clear up our relationship with our dear, dead friend Lee."" Thus concludes a largely forgotten manuscript appended to Volume XII of the House Select Committee on Assassinations. ""Lee,"" of course, was Lee Harvey Oswald, the man accused of having assassinated President John F. Kennedy in Dallas on November 22, 1963--and whose closest friend, many have argued, was Dallas resident George de Mohrenschildt. For years following Kennedy's assassination there were rumors and assumptions--some started by de Mohrenschildt himself--that this colorful, larger-than-life European émigré possessed a key to understanding Oswald's alleged actions. The reflections presented here, recorded between 1969 and his death in 1977, was de Mohrenschildt's attempt to recover the humanity of a friend he believed had been demonized as simply an ""insane killer."" In a series of recollections about his brief friendship with Oswald and his wife Marina between the fall of 1962 and the spring of 1963, de Mohrenschildt recalls conversations about Lee's time in Minsk, about political issues of the day, particularly Latin America, and the Oswalds' turbulent and troubled marriage. He discusses the assassination and its aftermath, including his lengthy 1964 Warren Commission testimony, appearance on NBC television, and concludes with his own speculations about the possibility of a conspiracy to assassinate Kennedy and the question of Oswald's involvement. Threaded throughout are de Mohrenschildt's reflections on the corrosive effects of his friendship with the Oswalds on his and his wife Jeanne's personal and professional lives, first in 1964 and then echoing right up to the completion of this manuscript in 1976. Deftly edited and annotated by Michael Rinella, whose introduction also supplies critical background information and context, this once unwieldy, grammatically quirky, and eccentrically organized text can now be seen for the valuable biographical, social, and historical document it actually is.

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Iran was home to some of the greatest civilizations of both the ancient and medieval worlds, but these achievements are now little known outside the country. Epic Iran brings together 250 fascinating objects and images to cast a rare light on 5,000 years of history, showing how civilized life emerged in Iran around 3,200 BC, and how a distinctive Iranian identity, formed 2,500 years ago, has survived until today, expressed through artistic continuities, religious affiliations and the Persian language. Lavishly illustrated, this magnificent and important book encompasses metalwork, ceramics, glass, illustrated manuscripts, textiles, carpets, oil paintings, drawings and photographs from collections around the world. It brings treasures from the ancient and Islamic worlds together with the work of contemporary artists and makers, demonstrating the rich legacy that still influences many modern-day practitioners.

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Conceived of as a set of fragmentary manuscripts from an unpublished Joseph Roth novel, Mario Bellatin’s Jacob the Mutant is a novella in a perpetual state of transformation — a story about a man named Jacob, an ersatz rabbi and owner of a roadside tavern. But when reality shifts, so does Jacob, mutating into another person entirely, while the novella mutates into another story. Cleverly translated by Jacob Steinberg, this Phoneme Media edition of a new novel by one of Mexico’s most notorious and celebrated writers includes a translator’s afterword and explanatory maps by illustrator Zsu Szkurka.

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The Royal College of Physicians celebrates its 500th anniversary in 2018, and to observe this landmark is publishing this series of ten books. Each of the books focuses on fifty themed elements that have contributed to making the RCP what it is today, together adding up to 500 reflections on 500 years. Some of the people, ideas, objects and manuscripts featured are directly connected to the College, while others have had an influence that can still be felt in its work.This, the seventh book in the series looks at the history of the Royal College.

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Complex, urgent, and fascinating, this novel about walking, memory, and writing has earned comparisons from Virginia Woolf to Karl Ove Knausgård. The narrator walks from Glebe to a central Sydney, Australia café to return a manuscript by a recently deceased writer. While she walks, the reader enters the narrator's entire world: life with family and neighbors, narrow misses with cars, her singular friendships, dinner conversations, and work. We learn of her adolescent desire for maturity and acceptance, and her struggle with religion and anorexia. Photos are provided by Bettina Kaiser. Jen Craig's first novel is Since the Accident (2009). Panthers and the Museum of Fire was long-listed for the 2016 Stella Prize.

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A fully annotated Research Edition volume of James Boswell's journalsThe journals covered by the volume record much of Boswell's life as a young advocate during the first few years of his practice at the Scottish bar. The journals also record much information about Boswell's composition and publication of his instant best-seller, Account of Corsica, his involvement as a volunteer for the Douglas camp in the great Douglas Cause and his search for a wife. During Boswell's visits to London and Oxford in 1768, he produced some of his finest journal-writing, including details of memorable and significant conversations with Samuel Johnson. The manuscript journals in the volume have been printed to correspond to the originals as closely as is feasible in the medium of print.

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John Rae is best known today as the first European to reveal the fate of the Franklin Expedition, yet the range of Rae’s accomplishments is much greater. Over five expeditions, Rae mapped some 1,550 miles (2,494 kilometres) of Arctic coastline; he is undoubtedly one of the Arctic’s greatest explorers, yet today his significance is all but lost. John Rae, Arctic Explorer is an annotated version of Rae’s unfinished autobiography. William Barr has extended Rae’s previously unpublished manuscript and completed his story based on Rae’s reports and correspondence—including reaction to his revelations about the Franklin Expedition. Barr’s meticulously researched, long overdue presentation of Rae’s life and legacy is an immensely valuable addition to the literature of Arctic exploration.

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Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, the fifth volume in the series of The Variorum Edition of the Poetry of John Donne presents newly edited critical texts of the five canonical satires and "Metempsychosis" and details the genealogical history of each accompanied by a thorough prose discussion. The analysis contained in the volume shows that Donne revised each of the poems and explains how readings from the competing versions were intermingled in the early editions and transmitted to subsequent generations. The volume also presents a comprehensive organized digest of the critical-scholarly commentary on these poems from Donne's time through 2001.

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This book is a window into the Flathead Indian Reservation of western Montana in the twentieth century. The manuscript has been taken from the transcripts of a series of thirteen audio and video interviews conducted with Charles Duncan McDonald between 1982 and 1991. He tells much about his life, experiences, and the Flathead Reservation ordeal during the twentieth century. McDonald was a widely respected elder of the Confederated Salish and Kootenai Tribes. During his long life (1897–1995), he was an eyewitness to almost a century of economic and political change on the reservation. He experienced the loss of his allotment and the hard times of the second decade of the last century and the Depression years in the 1920s and the 1930s. As a tribal councilman and later as a tribal employee, he witnessed the slow growth of the economic and political power of the Confederated Salish and Kootenai Tribes between 1935 and the end of the twentieth century. In his later years his excellent memory and willingness to share his experiences made him a frequent source of reservation history.

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According to Harold Bloom, "The best of Alvin Feinman's poetry is as good as anything by a twentieth-century American. His work achieves the greatness of the American sublime." Yet, in part because he published so sparsely, Feinman remained little-read and largely unknown when he died in 2008. This definitive edition of Feinman's complete work, which includes fifty-seven previously published poems and thirty-nine unpublished poems discovered among his manuscripts, introduces a new generation of readers to the lyrical intensity and philosophical ambition of this major American poet. Harold Bloom, a lifelong friend of Feinman, provides a preface in which he examines Feinman's work in the context of the strongest poets of his generation--John Ashbery, James Merrill, and A. R. Ammons--while the introduction by James Geary, who studied with Feinman at Bennington College, presents a biographical and critical sketch of this remarkable poet and teacher. Corrupted into Song restores Feinman's work to its rightful place alongside that of poets like Hart Crane and Wallace Stevens, with whom his poetry and poetics have so much in common.

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Dieser Band der Weber-Studienausgabe bietet zwei zum Grundrissbeitrag Webers gehörige Manuskripte, die der rechtlichen Sphäre gewidmet sind: ein als "Die Wirtschaft und die Ordnungen" überschriebener Text sowie ein nicht betiteltes längeres Textkonvolut, das als sog. "Rechtssoziologie" überliefert ist. Beide Texte stehen in einem genetischen Zusammenhang, der einerseits "Wirtschaft und Recht" in seinem "prinzipiellen Verhältnis" sowie die "Epochen der Entwicklung des heutigen Zustandes", ausweislich des Stoffverteilungsplanes, behandeln soll."Ein Glanzstück."Stefan Breuer in Neue Zürcher Zeitung 12. Februar 2011"Erst jetzt lassen sich werkgeschichtliche Zusammenhänge erkennen, Tiefenschichten treten hervor und bisher versperrte Deutungsmöglichkeiten tun sich auf, zumal der beigegebene Erläuterungsapparat äußerst reichhaltig ist und für sich selbst schon eine hervorragende Leistung darstellt. Webers Beitrag zur genetischen Rekonstruktion der abendländischen Rechtskultur ist mit diesem Band noch einmal neu zu entdecken."Matthias Wolfes in Das historisch-politische Buch 60 (2012), S. 77-78

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Ludovico Ariosto (1474–1533), one of Italy’s greatest poets, was a leading figure of sixteenth-century Italian humanism. After some years working in the household of Cardinal Ippolito d’Este, to whom he dedicated his dazzling romance epic Orlando Furioso (1516), Ariosto settled in Ferrara under the patronage of Ippolito’s brother Alfonso. He continued to write throughout his life, publishing 214 letters, five plays, seven satires in verse, and dozens of lyric poems in Italian and Latin. Ariosto’s Latin poems, translated into English for the first time in this volume, are remarkable for their erudition, technical virtuosity, and playfulness. This edition provides a new Latin text, the first to be based on a collation of the autograph manuscript and editio princeps, and offers a unique insight into the Latin formation of one of the Renaissance’s foremost vernacular writers.

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The first newspaper arrived in England in 1620 and sparked a huge demand for up-to-the minute reports on domestic and world events. Men and women in Renaissance England were addicted to news, whether from the battlefields of Europe, or the scandal-filled salons of its courtiers. Newspapers commented on politics, crime, omens, bad weather, natural disasters, and strange apparitions.Breaking News traces the development of the newspaper in England, from its origins in manuscript letters and imported corantos in Shakespeare’s England, to the introduction of daily newspapers, regional journals, and specialist magazines around 1700, as well as the first stirrings of American journalism. The examples of early journalism illustrated here reveal the indelible mark the early English newspaper has left on modern news culture.

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Composed for King Henry VI in the middle of the Wars of the Roses, Of Knyghthode and Bataile adapts the most widely used military manual in the Middle Ages into English verse. That work is here edited by Michael Livingston and Trevor Russell Smith from all four surviving manuscripts, and presented with a contextualizing introduction and copious notes and glosses. Responding to both the evolution of warfare and the historical background of his own time, its anonymous poet produced what one critic has called "one of the most brilliant military poems of the fifteenth century."

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A reprint of the Harvard University Press edition of 1961. Includes a new preface and a new appendix with footnotes keyed to the manuscript classifications by Max Fisch.

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This volume includes many of the papers given at the 1997 conference of the British Archaeological Association. It focuses on aspects of patronage, the wider architectural context of the cathedral, and on the Romaneque sculpture and manuscripts with the diocese.

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