Search results for ""fordham university press""

The biography of Carl Schurz is a story of an amazing life. At the age of 19, Schurz, a student at the University of Bonn, became involved in the Revolution of 1848. Participating in the revolutionary army, he managed to escape through a sewer during the siege of Rastatt, flee across the Rhine to France, and come back to rescue his professor, Gottfried Kinkel, from a jail near Berlin. This deed made him famous, and when he came to American in 1852, Schurz was nominated for lieutenant governor of Wisconsin on the Republican ticket. He quickly rose in the party and was the head of the Wisconsin delegation at the 1860 National Convention. He worked hard for the cause, and Lincoln rewarded him with the post of Minister to Spain. At the outbreak of war he returned to join the Union Army, became a Major General, and took part in several important battles. After the war, he moved to Missouri, was elected Senator from that State, and became a role model for his fellow German Americans. In 1871 he became one of the main figures in the Liberal Republican movement, and in 1877 President Rutherford B. Hayes appointed him Secretary of the Interior. After his retirement from the cabinet, Schurz became active in the politics of New York, as an advocate of municipal and civil service reform. He was a leading Mugwump who supported Grover Cleveland in 1884 and at the end of his life became a violent opponent of imperialism. He died in 1906. Carl Schurz, the man, his story, his ideals and his example, are particularly appropriate today because of the light his life sheds on the never-ending problems of immigration, assimilation, and the retention of ethnic identity. Carl Schurz’s career furnishes a model example for all of these.

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Robert Roth, among the first few Catholics to write favorably, even if critically, about American pragmatism, presents here a creative piece of comparative philosophy in which he achieves a long-term goal of attempting a reconciliation between pragmatism and a classical spiritual and religious perspective. The title, Radical Pragmatism, is an adaptation of William James’s "radical empiricism." James had argues that the classical empiricists, Locke and Hume, did not go far enough in their account of experience. They missed some of its most important aspects, namely connections and relations, and as a result they were left with discrete sense data and sense objects.

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The presidency is hazardous to your health. Fully two-thirds of our presidents have died before reaching their life-expectancy- despite being wealthier, better educated, and better cared for that most Americans. In Mortal Presidency, the first complete account of death and illness in the White House, Robert E. Gilbert looks at modern presidents including Coolidge, FDR, Eisenhower, Kennedy, and Reagan. He shows- in some cases, for the first time- that all suffered from debilitating medical problems, physical and/or psychological, which they frequently managed to conceal from the public but which, in important ways, affected their political lives. This edition is updated to include a brief look at Presidents Clinton and Bush, both of whom suffered sudden and unpleasant indispositions while in office which to some degree affected their presidencies.

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Christian Samito writes in his introduction: "In reading Guiney’s words, one can have a fuller appreciation of what motivated civilians to volunteer to fight a war and of the privations they suffered in service to their country." These are the collected Civil War letters of Patrick Robert Guiney, an Irish immigrant from Country Tipperary who relocated to Boston, Massachusetts. When the Civil War broke out, Guiney volunteered to defend the Union and, quickly rose from First Lieutenant to Colonel, to command the ninth Massachusetts regiment. A fervent supporter of Lincoln and passionately opposed to slavery, Guiney felt that, in his service to his new country, he was doing his part to gain freedom for the slaves. Being politically outspoken, Guiney was often criticized for his views by other Irish-Americans. His letters reveal not only the experiences and thoughts of an Irish Catholic soldier, but also the hidden tensions within his immigrant community. His views and observations not only illuminate his personal independence of thought, but also the political landscape which he tried to improve.

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Jurgen Habermas, particularly in his master work Theory of Communicative Action (1981), takes us several of the basic insights of the philosophical tradition of reflection initiated by Kant, and sets it on a new and highly original emancipative path. He claims that reflection not only can determine the limits of reasoning about thought and action, but also can grasp the limits that human agents face in freeing themselves form unjust social and economic structures. Human agents can engage in constructive and emancipative communication with others by determining the limits not of their own consciousness, but of the intersubjective structures shared in everyday communication. Reflection Revisited examines Habermas’ own two-stage development of this theory of emancipative reflection and explicates how he applies reflection specifically to the problems of personal identity development and ethics.

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Christian Zen is a ground breaking book for all Christians seeking to deepen and broaden their inner lives. Providing concrete guidelines for a way of Christian meditation that incorporates Eastern insights, it is a helpful book that can open new spiritual vistas and reveal profound, often undreamed-of dimensions of the Christian faith.

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The Inner Eye of Love offers a contemporary theology of mysticism that locates it at the very center of authentic religious experience. It provides as well a practical guide for meditation even as it maps out the oceanic experience toward which meditation points. Johnston begins with the mystical tradition itself, its roots and origins, its appearance and significance in the Gospels, the letters of Paul, and the early Church. He explains what mysticism is and is not, and how it is inextricably bound up with love. It is at the level of mysticism, he maintains, that the two traditions of East and West can at last understand one another and begin to work together to heal a broken world. The Inner Eye of Love escorts the reader through the stages of the mystical journey, from initial call to final enlightenment. Johnston compares and contrasts the Oriental and Christian experience, continually revealing new points of commonality The much discussed "dark night of the soul" is seen here in a positive way, as an emptying preliminary to the overbrimming of the soul with the knowledge and love of God. Finally, the author considers the often misunderstood relation between mysticism and practical action.

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Both/And is a new interpretation of Kierkegaard's writings which attempts to make sense of a very diverse authorship by offering a comprehensive interpretation of both Kierkegaard's so-called aesthetic and his religious writings. Soren Kierkegaard (1813-1855) stands for a turning point in philosophy from a systematic philosophy - which, with its focus on objectivity, attempts to place itself on the secure path of science - to a "philosophy" that focuses its attention in subjectivity and openly acknowledges itself as fragmentary and provisional. Strawser examines Kierkegaard's works as religious, aesthetic/poetic, and philosophical and argues that irony runs through both the aesthetic and the religious works - indeed, Kierkegaard referred to himself as the Magister of Irony. But Strawser goes beyond these boundaries to draw in the interpretation of Kierkegaard's writing not a line which cuts off the aesthetic from the religious, but connects them. This is what Strawser calls the line from irony to edification. This line is the line of both/and, the line of connection. Strawser addresses the problematic but natural relationship between Kierkegaard and postmodernism and offers exciting possibilities. Strawser believes that contemporary postmodern philosophical considerations aid a critical reading of Kierkegaard, but such a reading must not be overwhelmed by them. Such a comprehensive reading is what Strawser offers the reader in Both/And.

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The impending 1997 mandate to place before the voters the question on whether to convene a convention to revise and amend the New York Constitution becomes increasingly important and deserving of careful attention. Ordered Liberty provides a comprehensive chronicle of the constitutional history of New York state. There exists no single or multi-volumed work in print which examines this crucial history. This volume, bringing all previously published studies up to date, uses as its organizational frame the nine constitutional conventions in New York history and the constitutions each produced. Each convention is placed in its political, legal, and economic context- the work of the convention is examined, and the political theory reflected in each is explained. Finally, an assessment of each convention's accomplishments is presented. Subsequent sections of the volume examine appropriate methods to achieve that reform. An extensive bibliographical essay of primary and secondary sources on the state's constitutional history is provided.

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A re-issue of this classic study of President Roosevelt's adminstrative policy toward monopoly during the period of the New Deal, updated with a new introduction by the author.

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Many biographies of John D. Rockefeller and John D. Rockefeller, Jr. have been compiled- some have used bits of the original correspondence presented here and tried to show opposing interests between John D. Rockefeller and his son. Still others were written without correspondence at all. This collection of never-before-published letters traces the history of the transfer of the Rockefeller fortune over the course of fifty years. It illustrates how the endowment was bestowed from Senior to Junior with respect, sound advice, and with a mutual trust between father and son. The letters also reveal far more than the business side of entrusting the Rockefeller fortune to the younger generation. The misives are filled with news of family matters and personal wishes constituting a record of the Rockefeller family values which, in turn, sponsored the philantrophies of Junior. Outlined in these letters is the conception for the Rockefeller Foundation, the Rockefeller Institute for Medical Research, and the General Education Board. Later would follow the realization of the Fort Tryon Park, the Rockefeller Center, Riverside Church, and the restoration of Colonial Williamsburg. Junior's holdings peaked in 1928 at 5 million and his dedication to public parks, and institutions around the world absorbed a considerable portion of his wealth. Ernst's introduction reflects on five themes which run continuously throughout the letters: the respect and love among the members of the family, a father's precautions to his maturing son, the son's willingness to accept his father's precepts and examples, the son's conscious assumption of the responsibilities of the bequeathed fortune, and overriding faith in a benevolent God. These themes continually come together to form the outline of a philosophy of life behind the Rockefeller legacy, as when Senior writes: "I am indeed blessed beyond measure in having a son whom I can trust to do this most particular and most important work. Go carefully. Be conservative. Be sure you are right- and then do not be afraid to give out, as your heart prompts you, and as the Lord inspires you."

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The portrait Bowen paints of this controversial man, Francis Bacon (1561-1626), balances the outward life and actions of Bacon with the seemingly contradictory aspects of his refined philosophical reflections. When Bacon's more notorious attributes are set in historical context, his actions seem less personally vindictive against the backdrop of an entire age seemingly devoted to the very vanity and ingenuousness with which he is so often accused. As Lord Chancellor of England, Bacon was impeached by Parliament for taking bribes in office, convicted, and banished from London an the law courts. In a prayer Bacon composed during the interval following his punishment, he reveals that the dichotomy of his existence was no more deeply felt than by himself, and he readily admits that his obligations to society were not as suited to his nature as the study of philosophy, science and law. Modem scholars hold Bacon's philosophical works, "Novum Organum", "Advancement of Learning" and "New Atlantis" as his greatest achievements. Bowen's story reveals a man whose genius it was not to immerse himself in the rigour of scientific experimentation, but to realise what questions science should ask, and thereby reach beyond the status quo and appeal to the wider imagination of his generation. In his writings, Bacon challenged established social and religious orders, raised questions about mind/body relation and the role of dreams, and foresaw the day when scientists at colleges and universities would share experimentation. It is Bacon's legacy to have gone beyond his age and, out of pure intuition, anticipate the concerns of future generations.

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This volume is a collection of five satires from the Reformation period, written between 1517 and 1526. In her Introduction to the work, Rummel explains that the battle between reformers and champions of the old faith was waged on many fronts, "not only by preachers thundering from the pulpits, theologians facing each other in acrimonious disputations, and church authorities issuing censures and condemnations." This collection focuses on the impact and importance of a supporting cast of satirists whose ad hoc productions reached a wider audience, in a more visceral manner, than the rational approach which typified scholarly theological arguments. Rummel explains: "Satire, a genre that requires finely honed language skills, was the preferred weapon of the humanists, who by and large sympathizes with the reformers." The humanists and reformers were often so closely associated in the reading public’s mind that the earliest phase of the Reformation was sometimes interpreted as a quarrel between philogists and theologians, a manifestation of professional jealousies. Thus Erasmus claimed that the debates of his time were the result of antagonism between the faculties of Arts and Theology. Three of the selections contained in the volume represent the Reformers, and two support the Catholics, the "Papists" of the title. These satirical essays, circulated widely among educated laypersons, use wit and biting humor to ridicule and discredit their adversaries and belong to a genre which was part of a larger body of sixteenth-century satire. The proliferation of satires became a concern of authorities who moved to suppress what they called "hate-mongering." Officials banned the publication of anonymously authored writings, effectively ending the publication of the satires, which were largely published either anonymously or carried only the name of the publisher. As a result, many of the pieces did not survive to the present day, many more are only known to us through obscure references in other literature. This volume brings to light five of these satiric pieces, written in the pivotal period when the Reformation ceased to be a protest and organized itself as a full-fledged movement. The topical issues featured in each satire are brought into historical context by a headnote explaining the circumstances surrounding its publication and giving bibliographical information about the satire’s author. The witty style makes this collection entertaining reading and the impact of these writings sheds new light on the history of the Reformation.

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A Breach of Impunity is an account of one of the most consequential trials in recent history and one which has lasting implications for the establishment of human rights in El Salvador. It is an account of the trial of the nine member s of the El Salvadoran military accused of the assassination of six Jesuits priests, their cook, and her 15-year-old daughter at the Central American University in San Salvador, November 16, 1989. Although the Jesuits are not the first religious victims of the Salvadoran Civil War, which has claimed the lives of 75,000, the assassinations have touched off world-wide concern over the issue of the government’s response to military terrorism.

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The man in the street would not, perhaps, recognize all the names of the brilliant scientists whose careers and personalities animate this book, but doctors know them. Morgan, who founded the first medical school in American and, fighting beside Washington, was ruined b the petty politics of the Revolution; McDowell, who, although on the fringe of the wilderness, dared the operation that prepared the way for all abdominal surgery; Rush, the equivocal personality who, for better or worse, dominated American medicine for more than fifty years; Beaumont, who, saving a life, won a living laboratory; Drake, who brought modern medicine to the New West; Long and Morton, who banished pain from surgery and earned it for themselves – these men are honored in their profession today.

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The first edition of this title was much acclaimed as the leading interpretation and exposition of Hegel's "Phenomenology of Spirit." This revision, based on continuing research, keeps this book in the forefront of Hegelian scholarship. The author has made additions and corrections to his reading of this, Hegel's most important work, and he provides an excellent interpretation of Hegel's language, in all of its complexity. To scholars it will remain an indispensable study and students new to Hegelian philosophy will find it approachable and clear.

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The sixteenth century in Europe is characterized historically by the religious upheaval known as the Reformation, with attention generally focusing on Luther and the other Protestant reformers who broke from the established church. This development however, major as it was, is not the whole story of reform in the sixteenth century. Underlying and encompassing the Protestant Reformation was a broader search for religious renewal and reform that remained within the Catholic Church and is sometimes referred to was the Catholic Reformation. This volume focuses on this surprisingly neglected aspect of sixteenth-century religious reform, filling an important need in Reformation studies. John C. Olin, well known for his writings on Erasmus and the Reformation, shows how Catholic reform did not begin in opposition to Protestantism but as a parallel movement, springing out of the same context and responding to very similar needs for religious change and revival. The book opens with an introductory essay that views the course of Catholic reform from the initiatives of Cardinal Ximenes, who became archbishop of Toledo and primate of Spain in 1495, to the work of the Council of Trent in 1563 – years of crucial importance for the survival and revival of the Catholic faith. Following the essay are several key documents, including the preface to the Complutensian polyglot bible and decrees of the Council of Trent, that illustrate from contemporary sources the character of the movement of Catholic reform. There is also a brief study of St. Ignatius Loyola, as well as numerous illustrations and an extensive bibliography.

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The present volume is the product of several years of collaboration at a distance between two people who both knew Yres R. Simon personally and admired his work. The question raised by Simon more than half a century ago, when this book was first published, are still with us: What is the nature of knowledge? What kind of activity is it to know? What is involved in the development of human knowledge? If one had to describe Simon's accomplishment by reducing it to a single point, what he succeeded in showing was that an ontology of knowledge based on common experience disproves all idealism and leads to realism by strictest necessity.

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Aristotle, Rhetoric I: A Commentary begins the acclaimed work undertaken by the author, later completed in the second (1988) volume on Aristotle's Rhetoric. The first Commentary on the Rhetoric in more than a century, it is not likely to be superseded for at least another hundred years.

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This volume comprises four previously published Erasmian studies and two new works. All are attempts at understanding Erasmus' aims, his influence, and his historical image. Professor Olin's earlier essays have generated enthusiastic responses form the community of Erasmian scholars, and this convenient gathering is bound to be a welcome collection. It also provides the first translation into English of the preface to Erasmus' edition of Hilary. A major statement of his position as a humanist and reformer, it is one of Erasmus' most important contributions. This translation in particular makes this volume a useful complement to Professor Olin's other Erasmian collection listed below.

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From the Foreward by Mortimer J. Adler “Of all the question or issues concerning human freedom, none is more fundamental in itself and in its consequences than the problem of free choice; and none has been the subject of more persistent and, at the same time, apparently irresolvable controversy…This book…is the perfect antidote for the errors, the misunderstandings – or worse, the ignorances – that beset the modern discussion of free choice. Even the reader who comes to this book with little or no knowledge of the philosophical literature on the subjects that it treats cannot fail to appreciate its remarkable clarity, its felicitous combination of detailed concreteness with abstract precision, its exploration of common experience and its elucidation of common sense, and, above all, the intelligibility, reasonableness, and fairness of its exposition of free choice…”

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Working from the Bible to contemporary art, Shibboleth surveys the linguistic performances behind the politics of border crossings and the policing of identities. In the Book of Judges, the Gileadites use the word shibboleth to target and kill members of a closely related tribe, the Ephraimites, who cannot pronounce the initial shin phoneme. In modern European languages, shibboleth has come to mean a hard-to-falsify sign that winnows identities and establishes and confirms borders. It has also acquired the ancillary meanings of slogan or cliché. The semantic field of shibboleth thus seems keyed to the waning of the logos in an era of technical reproducibility—to the proliferation of technologies and practices of encryption, decryption, exclusion and inclusion that saturate modern life. The various phenomena we sum up as neoliberalism and globalization are unimaginable in the absence of shibboleth-technologies. In the context of an unending refugee crisis and a general displacement, monitoring and quarantining of populations within a global regime of technics, Paul Celan’s subtle yet fierce reorientation of shibboleth merits scrupulous reading. This book interprets the episode in Judges together with Celan’s poems and Jacques Derrida’s reading of them, as well as passages from William Faulkner’s Absalom, Absalom! and Doris Salcedo’s 2007 installation Shibboleth at the Tate Modern. Redfield pursues the track of shibboleth: a word to which no language can properly lay claim—a word that is both less and more than a word, that signifies both the epitome and the ruin of border control technology, and that thus, despite its violent role in the Biblical story, offers a locus of poetico-political affirmation.

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Husserl’s Missing Technologies looks at the early-twentieth-century “classical” phenomenology of Edmund Husserl, both in the light of the philosophy of science of his time, and retrospectively at his philosophy from a contemporary “postphenomenology.” Of central interest are his infrequent comments upon technologies and especially scientific instruments such as the telescope and microscope. Together with his analysis of Husserl, Don Ihde ventures through the recent history of technologies of science, reading and writing, and science praxis, calling for modifications to phenomenology by converging it with pragmatism. This fruitful hybridization emphasizes human–technology interrelationships, the role of embodiment and bodily skills, and the inherent multistability of technologies. In a radical argument, Ihde contends that philosophies, in the same way that various technologies contain an ever-shortening obsolescence, ought to have contingent use-lives.

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In 1991, Jean-Luc Nancy''s heart gave out. In one of the first such procedures in France, a stranger''s heart was grafted into his body. Numerous complications followed, including more surgeries and lymphatic cancer. The procedure and illnesses he endured revealed to him, in a more visceral way than most of us ever experience, the strangeness of bodily existence itself and surviving the stranger within him. During this same period, Europe began closing its borders to those seeking refuge from war and poverty. Alarmed at this trend and drawn to a highly intimate form of strangeness with which he had been living for years, Nancy set out in The Intruder to articulate how intrusionwhether of a body or a borderis not antithetical to one's identity but constitutive of it. In 2004, Claire Denis adapted The Intruder into a film already hailed among the most important of our century. This edition includes Nancy's and Denis's accounts of turning philosophy into film

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The Ruse of Techne offers a reappraisal of Heidegger's entire work by focusing on the forms of activity he regards as separate from instrumentality. Non-instrumental activities like authenticity, poetry, and thinkingin short, the ineffectualare critical for Heidegger as they offer the only path to the truth of being throughout his work.By unearthing the source of the conception of non-instrumental action in Heidegger's reading of Aristotle, Vardoulakis elaborates how it forms part of Heidegger's response to an old problem, namely, how to account for difference after positing a single and unified being that is not amenable to change. He further demonstrates that an action without ends and effects leads to an ethics and politics rife with difficulties and contradictions that only become starker when compared to other responses to the same problem that we find in the philosophical tradition and which rely on instrumentality.Heidegger's conception of an action without

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What imaginaries, tropes, and media have shaped how we theorize? The Mark of Theory argues that inscription constitutes one of the master metaphors of contemporary theory. As a trope that draws on a wide array of practices of marking, from tattooing to circumcision, from photographic imprints and phonographic grooves to marks on a page, inscription provides an imaginary that orients and irritates theoretical thought. Tracing inscriptive imaginaries from the late nineteenth century to today, The Mark of Theory offers a wide-ranging conceptual genealogy of contemporary thought. Navigating poststructuralism’s attention to figurative language as well as media theory’s attention to objects, phenomena, and practices of mediation, the book works through core questions for how we theorize. Across a range of disciplines and scholarly conversations—from literature and media to anthropology, race and gender, art, psychoanalysis, sound, and ultimately ethics—sites of inscription come to constitute the past legacy of a thought to come, a prehistory of our current moment. In focusing on materiality and mediation The Mark of Theory shows how inscriptive practices shape conceptual thought, as well as political and ethical choices. By contextualizing the fraught relationship between materiality and signification, The Mark of Theory lays the ground for a politics of theory that begins there where theory and politics are no longer conflated.

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On the Horizon of World Literature compares literary texts from asynchronous periods of incipient literary modernity in different parts of the world: Romantic England and Republican China. These moments were oriented alike by “world literature” as a discursive framework of classifications that connected and re-organized local articulations of literary histories and literary modernities. World literature thus provided—and continues to provide—a condition of possibility for conversation between cultures as well as for their mutual provincialization. The book offers readings of a selection of literary forms that serve also as textual sites for the enactment of new socio-political forms of life. The literary manifesto, the tale collection, the familiar essay, and the domestic novel function as testing grounds for questions of both literary-aesthetic and socio-political importance: What does it mean to attain a voice? What is a common reader? How does one dwell in the ordinary? What is a woman? In different languages and activating heterogeneous literary and philosophical traditions, works by Percy Bysshe Shelley, Lu Xun, Charles and Mary Lamb, Lin Shu, Zhou Zuoren, Jane Austen, and Eileen Chang explore the far-from-settled problem of what it means to be modern in different lifeworlds. Sun’s book brings to light the disciplinary-historical impact world literature has had in shaping literary traditions and practices around the world. The book renews the practice of close reading by offering the model of a deprovincialized close reading loosened from confinement within monocultural hermeneutic circles. By means of its own focus on England and China, the book provides methods useful for comparatists working between other Western and non-Western languages. It establishes the critical significance of Romanticism for the discipline of literary studies and opens up new paths of research in global Romanticism and global nineteenth-century studies. And it offers a new approach to analyzing the cosmopolitan character of the literary and cultural transformations of early twentieth-century China.

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Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital. In showing the cinematic consciousness of Mallarmé and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins. What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids.

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Almost all twentieth-century philosophy stresses the immanence of death in human life—as drive (Freud), as the context of Being (Heidegger), as the essence of our defining ethics (Levinas), or as language (de Man, Blanchot). In Death’s Following, John Limon makes use of literary analysis (of Sebald, Bernhard, and Stoppard), cultural analysis, and autobiography to argue that death is best conceived as always transcendentally beyond ourselves, neither immanent nor imminent. Adapting Kierkegaard’s variations on the theme of Abraham’s near-sacrifice of Isaac while refocusing the emphasis onto Isaac, Limon argues that death should be imagined as if hiding at the end of an inexplicable journey to Moriah. The point is not to evade or ignore death but to conceive it more truly, repulsively, and pervasively in its camouflage: for example, in jokes, in logical puzzles, in bowdlerized folk songs. The first of Limon’s two key concepts is adulthood: the prolonged anti-ritual for experiencing the full distance on the look of death. His second is dirtiness, as theorized in a Jewish joke, a logical exemplum, and T. S. Eliot’s “Ash Wednesday”: In each case, unseen dirt on foreheads suggests the invisibility of inferred death. Not recognizing death immediately or admitting its immanence and imminence is for Heidegger the defining characteristic of the “they,” humanity in its inauthentic social escapism. But Limon vouches throughout for the mediocrity of the “they” in its dirty and ludicrous adulthood. Mediocrity is the privileged position for previewing death, in Limon’s opinion: practice for being forgotten. In refusing the call of twentieth-century philosophy to face death courageously, Limon urges the ethical and aesthetic value of mediocre anti-heroism.

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Access to a broad range of different political views and cultural expressions is often regarded as a self-evident value in both theoretical and political debates on media and democracy. Pluralism is commonly accepted as a guiding principle of media policy in addressing media concentration, the role of public service media, or more recently such questions as how to respond to search engines, social networking sites, and citizen media. However, opinions on the meaning and nature of media pluralism as a concept vary widely, and definitions of it can easily be adjusted to suit different political purposes. Rethinking Media Pluralism contends that the notions of media pluralism and diversity have been reduced to empty catchphrases or conflated with consumer choice and market competition. In this narrow logic, key questions about social and political values, democracy, and citizenship are left unexamined. In this provocative new book, Kari Karppinen argues that media pluralism needs to be rescued from its depoliticized uses and re-imagined more broadly as a normative value that refers to the distribution of communicative power in the public sphere. Instead of something that could simply be measured through the number of media outlets available, media pluralism should be understood in terms of its ability to challenge inequalities and create a more democratic public sphere.

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Exploring the subject of Jewish philosophy as a controversial construction site of the project of modernity, this book examines the implications of the different and often conflicting notions that drive the debate on the question of what Jewish philosophy is or could be. The idea of Jewish philosophy begs the question of philosophy as such. But “Jewish philosophy” does not just reflect what “philosophy” lacks. Rather, it challenges the project of philosophy itself. Examining the thought of Spinoza, Moses Mendelssohn, Heinrich Heine, Hermann Cohen Franz Rosenzweig, Martin Buber, Margarete Susman, Hermann Levin Goldschmidt, and others, the book highlights how the most philosophic moments of their works are those in which specific concerns of their “Jewish questions” inform the rethinking of philosophy’s disciplinarity in principal terms. The long overdue recognition of the modernity that informs the critical trajectories of Jewish philosophers from Spinoza and Mendelssohn to the present emancipates not just “Jewish philosophy” from an infelicitous pigeonhole these philosophers so pointedly sought to reject but, more important, emancipates philosophy from its false claims to universalism.

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This volume explores the three normative sciences that Peirce distinguished (aesthetics, ethics, and logic) and their relation to phenomenology and metaphysics. The essays approach this topic from a variety of angles, ranging from questions concerning the normativity of logic to an application of Peirce’s semiotics to John Coltrane’s “A Love Supreme.” A recurrent question throughout is whether a moral theory can be grounded in Peirce’s work, despite his rather vehement denial that this can be done. Some essays ask whether a dichotomy exists between theoretical and practical ethics. Other essays show that Peirce’s philosophy embraces meliorism, examine the role played by self-control, seek to ground communication theory in Peirce’s speculative rhetoric, or examine the normative aspect of the notion of truth.

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The port of New York, Manhattan Harbor, is always bustling; any resident of or visitor to New York is quick to recognize the integral part the port plays in the life of the city, but the vessels that keep it alive are rarely focused on. In these six stories, Brian Cudahy provides us with a unique and wonderful tour of the port of New York through the 20th century. From the Iron Steamboat Company to the Norwiegan Cruise lines, Around Manhattan Island is a treasure for all with an interest in maritime history, and for all who love New York.

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Through Narcissus' Glass Darkly presents a genealogy and critique of the ideal of conscience in modern philosophical theology, particularly in the writings of Hobbes, Rousseau, and Kant. It shows why the apparently emancipatory rejection of heteronomy compromised the ideal of self-legislated freedom. David Pacini argues that, despite its advocacy of the popular political value of common understanding, the modern religion of conscience has become the Achilles' heel of both Kantian and Freudian thought. It is doomed to succumb to its own fundamentally narcissistic or self-relating orientation. Avoiding the tenacious cliché that the luminaries of modern philosophy simply replaced God with the self, David Pacini argues that the modern religion of conscience emerges out of a far more radical kind of disenchantment, one in which both God and self are de-divinized. Bereft of divinity, the God of modernity becomes empty; the self of modernity, in its autonomy, becomes hopelessly tied to dissociation from origins and to loss of a world. Left only to itself, the conscientious individual has only the world it legitimates through self-relating. But given that any other world is inconceivable, the conscientious individual can never know whether its world is just or merely the expression of self-interest. Paradoxically, Pacini argues, the most formidable proponents of the modern religion of conscience share with their critics a common problem: the self-legislating self has become both indispensable and impossible within much of modern philosophy and theology. This unique and interdisciplinary interpretation of conscience makes an important contribution for scholars and students of modern philosophy, Christian theology, psychoanalytic theory, and literary criticism.

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Many contemporary constructivists are particularly attuned to Dewey's penetrating criticism of traditional epistemology, which offers rich alternatives for understanding processes of learning and education, knowledge and truth, and experience and culture. This book, the result of cooperation between the Center for Dewey Studies at Southern Illinois University Carbondale, and the Dewey Center at the University of Cologne, provides an excellent example of the international character of pragmatist studies against the backdrop of constructivist concerns. As a part of their exploration of the many points of contact between classical pragmatism and contemporary constructivism, its contributors turn their attention to theories of interaction and transaction, communication and culture, learning and education, community and democracy, theory and practice, and inquiry and methods. Part One is a basic survey of Dewey's pragmatism and its implications for contemporary constructivism. Part Two examines the implications of the connections between Deweyan pragmatism and contemporary constructivism. Part Three presents a lively exchange among the contributors, as they challenge one another and defend their positions and perspectives. As they seek common ground, they articulate concepts such as power, truth, relativism, inquiry, and democracy from pragmatist and interactive constructivist vantage points in ways that are designed to render the preceding essays even more accessible. This concluding discussion demonstrates both the enduring relevance of classical pragmatism and the challenge of its reconstruction from the perspective of the Cologne program of interactive constructivism.

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A New Birth of Freedom: The Republican Party and Freedmen’s Rights, 1861–1866, is an account of how laws, policies and constitutional amendments defining and protecting the personal liberty and civil rights of the country’s African American population were adopted during the Civil War. A study in legal and constitutional history, it complements and forms a necessary predicate to the social history of emancipation that is the principal focus of contemporary Civil War scholarship. The relevance of the legal dimension in the struggle for black freedom is attested by the observation that many slaves "learned the letter of the law so they could seemingly recite from memory" passages from congressional measures prohibiting the return of escaped slaves to disloyal owners and guaranteeing their personal liberty.

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This volume is a collection of five satires from the Reformation period, written between 1517 and 1526. In her Introduction to the work, Rummel explains that the battle between reformers and champions of the old faith was waged on many fronts, "not only by preachers thundering from the pulpits, theologians facing each other in acrimonious disputations, and church authorities issuing censures and condemnations." This collection focuses on the impact and importance of a supporting cast of satirists whose ad hoc productions reached a wider audience, in a more visceral manner, than the rational approach which typified scholarly theological arguments. Rummel explains: "Satire, a genre that requires finely honed language skills, was the preferred weapon of the humanists, who by and large sympathizes with the reformers." The humanists and reformers were often so closely associated in the reading public’s mind that the earliest phase of the Reformation was sometimes interpreted as a quarrel between philogists and theologians, a manifestation of professional jealousies. Thus Erasmus claimed that the debates of his time were the result of antagonism between the faculties of Arts and Theology. Three of the selections contained in the volume represent the Reformers, and two support the Catholics, the "Papists" of the title. These satirical essays, circulated widely among educated laypersons, use wit and biting humor to ridicule and discredit their adversaries and belong to a genre which was part of a larger body of sixteenth-century satire. The proliferation of satires became a concern of authorities who moved to suppress what they called "hate-mongering." Officials banned the publication of anonymously authored writings, effectively ending the publication of the satires, which were largely published either anonymously or carried only the name of the publisher. As a result, many of the pieces did not survive to the present day, many more are only known to us through obscure references in other literature. This volume brings to light five of these satiric pieces, written in the pivotal period when the Reformation ceased to be a protest and organized itself as a full-fledged movement. The topical issues featured in each satire are brought into historical context by a headnote explaining the circumstances surrounding its publication and giving bibliographical information about the satire’s author. The witty style makes this collection entertaining reading and the impact of these writings sheds new light on the history of the Reformation.

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This volume directs attention to the teaching of Jesus; it introduces the question of how the imagination has to work in order to retrieve the teaching of Jesus and apply it to actual life in our day. Teachers and preachers are engaged in this work all the time, but upon examination it involves a process that bears reflection. We live in a world that is so different from the world in which Jesus taught that many ask about its practicability relative to our complex everyday lives. The volume turns to three authors who work at this, have thought through present-day theory of interpretation, and respond to basic questions that explain the adjustments that allow us to apply Jesus’ teaching to our dilemmas with interpretation that remain faithful to the content that he proposed. Sandra Schneiders turns to modern hermeneutics, the theory of interpretation, and explains what is going on in the human mind that allows us to say that present-day interpretation, while different from Jesus because our “worlds” are different, corresponds to what Jesus communicated in the past relative to his world. William Spohn pushes the same idea further to concrete examples of how analogy, sameness and difference together, both binds the imagination to Jesus and frees us to see new relevance for Jesus’ actual teaching. And Lisa Sowle Cahill takes the spirit of the other two into the social order to show how Jesus’ teaching has a real relevance for the highly complex societies in which we live today. The logics of these three authors offer models for what is going on in all of the Past Light on Present Life volumes as they represent different historical periods and distinct themes in Western Christian spirituality.

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The Mother, the Politician, and the Guerrilla intervenes in discussions on decolonialism and feminism by introducing the example of the Kurdish Women’s Freedom Movement. Üstündağ shows how the practices and the concepts of the movement contribute to debates on how the past, present, and future can be critically rethought in revolutionary ways. In the movement’s images, figures, voices, bodies, and their reverberations Üstündağ elaborates a new political imagination that has emerged in Kurdistan through women’s acts and speech. This political imagination unfolds between flesh, body, voice, language. It is the result of Kurdish women’s desire to find new ways of being and becoming, between the necessary and the possible. Focusing on the figures of the mother, the woman politician and woman guerilla, Üstündağ argues that the Kurdish Women’s Freedom Movement changes what politics consists of, including its matter, relationality, temporality, and spatiality. Although anchored in the specific Kurdish experiences, the book puts the movement into conversation with feminist political theory, psychoanalysis, Black Studies, Queer Studies, and Decolonial Studies. In solidarity with the Kurdish Movement’s tradition of resistance to History with a capital H that Kurds have built through reiterated performance, the book seeks to establish what new entanglements with wide-ranging thought the movement offers as a provocation for contemporary politics.

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In the timber plantations in northeastern South Africa, laborers work long hours among tall, swaying lines of eucalypts, on land once theirs. In 2008, at the height of the HIV/AIDS crisis, timber corporations distributed hot cooked meals as a nutrition intervention to bolster falling productivity and profits. But life and sustenance are about much more than calories and machinic bodies. What is at stake is the nurturing of capacity across all domains of life—physical, relational, cosmological—in the form of amandla. An Nguni word meaning power, strength or capacity, amandla organizes ordinary concerns with one’s abilities to earn a wage, to strengthen one’s body, and to take care of others; it describes the potency of medicines and sexual vitality; and it captures a history of anti-colonial and anti-apartheid struggle for freedom. The ordinary actions coordinated by and directed at amandla do not obscure the wounding effects of plantation labor or the long history of racial oppression, but rather form the basis of what the Algerian artist Kader Attia calls repair. In this captivating ethnography, Cousins examines how amandla, as the primary material of the work of repair, anchors ordinary scenes of living and working in and around the plantations. As a space of exploitation that enables the global paper and packaging industry to extract labor power, the plantation depends on the availability of creative action in ordinary life to capitalize on bodily capacity. The Work of Repair is a fine-grained exploration of the relationships between laborers in the timber plantations of KwaZulu-Natal, and the historical decompositions and reinventions of the milieu of those livelihoods and lives. Offering a fresh approach to the existential, ethical and political stakes of ethnography from and of late liberal South Africa, the book attends to urgent questions of postapartheid life: the fate of employment; the role of the state in providing welfare and access to treatment; the regulation of popular curatives; the queering of kinship; and the future of custom and its territories. Through detailed descriptions, Cousins explicates the important and fragile techniques that constitute the work of repair: the effort to augment one’s capacity in a way that draws on, acknowledges, and reimagines the wounds of history, keeping open the possibility of a future through and with others.

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This book informs the public for the first time about the impact of American psychiatry on soldiers during World War II. Breaking Point is the first in-depth history of American psychiatry in World War II. Drawn from unpublished primary documents, oral histories, and the author’s personal interviews and correspondence over years with key psychiatric and military policymakers, it begins with Franklin Roosevelt’s endorsement of a universal Selective Service psychiatric examination followed by Army and Navy pre- and post-induction examinations. Ultimately, 2.5 million men and women were rejected or discharged from military service on neuropsychiatric grounds. Never before or since has the United States engaged in such a program. In designing Selective Service Medical Circular No. 1, psychiatrist Harry Stack Sullivan assumed psychiatrists could predict who might break down or falter in military service or even in civilian life thereafter. While many American and European psychiatrists questioned this belief, and huge numbers of American psychiatric casualties soon raised questions about screening’s validity, psychiatric and military leaders persisted in 1942 and 1943 in endorsing ever tougher screening and little else. Soon, families complained of fathers and teens being drafted instead of being identified as psychiatric 4Fs, and Blacks and Native Americans, among others, complained of bias. A frustrated General George S. Patton famously slapped two “malingering” neuropsychiatric patients in Sicily (a sentiment shared by Marshall and Eisenhower, though they favored a tamer style). Yet psychiatric rejections, evacuations, and discharges mounted. While psychiatrist Roy Grinker and a few others treated soldiers close to the front in Tunisia in early 1943, this was the exception. But as demand for manpower soared and psychiatrists finally went to the field and saw that combat itself, not “predisposition,” precipitated breakdown, leading military psychiatrists switched their emphasis from screening to prevention and treatment. But this switch was too little too late and slowed by a year-long series of Inspector General investigations even while numbers of psychiatric casualties soared. Ironically, despite and even partly because of psychiatrists’ wartime performance, plus the emotional toll of war, postwar America soon witnessed a dramatic growth in numbers, popularity, and influence of the profession, culminating in the National Mental Health Act (1946). But veterans with “PTSD,” not recognized until 1980, were largely neglected.

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Over the last few decades, vibrant debates regarding post-secularism have found inspiration and provocation in the works of Sigmund Freud. A new interest in psychoanalysis's relation to society has emerged, allowing Freud’s account of the interdependence of religion, ethics, and violence to gain currency in recent debates on modernity. In that context, the pivotal role of Freud’s masterpiece, Moses and Monotheism, is widely recognized. Freud and Monotheism critically examines a range of discourses surrounding Freud and Moses, taking as its entry point Freud’s relations to Judaism, his conception of tradition and history, his theory of the mind, and his model of transgenerational inheritance. Highlighting the broad impact of Moses and Monotheism across the humanities, contributors from philosophy, comparative literature, cultural studies, Jewish studies, psychoanalysis, and Egyptology come together to illuminate Freud’s book and the modern world with which it grapples.

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Comparing the radical aesthetic and social experiments undertaken by two exile intellectuals, Experiments in Exile charts a desire in their work to formulate alternative theories of citizenship, wherein common reception of popular cultural forms is linked to a potentially expanded, non-exclusive polity. By carefully analyzing the materiality of the multiply-lined, multiply voiced writing of the “undocuments” that record these social experiments and relay their prophetic descriptions of and instructions for the new social worlds they wished to forge and inhabit, however, it argues that their projects ultimately challenge rather than seek to rehabilitate normative conceptions of citizens and polities as well as authors and artworks. James and Oiticica’s experiments recall the insurgent sociality of “the motley crew” historians Peter Linebaugh and Marcus Rediker describe in The Many-Headed Hydra, their study of the trans-Atlantic, cross-gendered, multi-racial working class of the seventeenth and eighteenth centuries. Reading James’s and Oiticica’s projects against the grain of Linebaugh and Rediker’s inability to find evidence of that sociality’s persistence or futurity, it shows how James and Oiticica gravitate toward and seek to relay the ongoing renewal of dissident, dissonant social forms, which are for them always also aesthetic forms, in the barrack-yards of Port-of-Spain and the favelas of Rio de Janeiro, the assembly lines of Detroit and the streets of the New York. The formal openness and performative multiplicity that manifests itself at the place where writing and organizing converge invokes that sociality and provokes its ongoing re-invention. Their writing extends a radical, collective Afro-diasporic intellectuality, an aesthetic sociality of blackness, where blackness is understood not as the eclipse, but the ongoing transformative conservation of the motley crew’s multi-raciality. Blackness is further instantiated in the interracial and queer sexual relations, and in a new sexual metaphorics of production and reproduction, whose disruption and reconfiguration of gender structures the collaborations from which James’s and Oiticica’s undocuments emerge, orienting them towards new forms of social, aesthetic and intellectual life.

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What does it mean to be nude? What does the nude do? In a series of constantly surprising reflections, Jean-Luc Nancy and Federico Ferrari encounter the nude as an opportunity for thinking in a way that is stripped bare of all received meanings and preconceived forms. In the course of engagements with twenty-six separate images, the authors show how the nudes produced by painters and photographers expose this bareness of thought and leave us naked on the verge of a sense that is always nascent, always fleeting, on the surface of the skin, on the surface of the image. While the nude is a symbol of truth in philosophy and art alike, what the nude definitively and uniquely reveals is unclear. In Being Nude: The Skin of Images, the authors argue that the nude is always presented as both vulnerable in its exposure and shy of conceptualization, giving a sense of the ultimate ineffability of the meaning of being. Although the nude represents the revealed nature of truth, nude figures hold a part of themselves back, keeping in reserve the reality of their history, parts of their present selves, and also their future possibilities for change, development, and demise. Skin is itself a type of clothing, and stripping away exterior layers of fabric does not necessarily lead to grasping the truth. In this way, the difference between being clothed and being nude is diminished. The images that inspire the authors to contemplate the nudity of being show many ways in which one can and cannot be nude, and many ways of being in relation to oneself and to others, clothed and unclothed.

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The Singularity of Being presents a Lacanian vision of what makes each of us an inimitable and irreplaceable creature. It argues that, unlike the “subject” (who comes into existence as a result of symbolic prohibition) or the “person” (who is aligned with the narcissistic conceits of the imaginary), the singular self emerges in response to a galvanizing directive arising from the real. This directive carries the force of an obligation that cannot be resisted and that summons the individual to a “character” beyond his or her social investments. Consequently, singularity expresses something about the individual’s non-negotiable distinctiveness, eccentricity, or idiosyncrasy at the same time it prevents both symbolic and imaginary closure. It opens to layers of rebelliousness, indicating that there are components of human life exceeding the realm of normative sociality. Written with an unusual blend of rigor and clarity, The Singularity of Being combines incisive readings of Lacan with the best insights of recent Lacanian theory to reach beyond the dogmas of the field. Moving from what, thanks in part to Slavoj Žižek, has come to be known as the “ethics of the act” to a nuanced interpretation of Lacan’s “ethics of sublimation,” the book offers a sweeping overview of Lacan’s thought while making an original contribution to contemporary theory and ethics. Aimed at specialists and nonspecialists alike, the book manages to educate at the same time as it intervenes in current debates about subjectivity, agency, resistance, creativity, the self–other relationship, and effective political and ethical action. By focusing on the Lacanian real, Ruti honors the uniqueness of subjective experience without losing sight of the social and intersubjective components of human life.

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Athens, Still Remains is an extended commentary on a series of photographs of contemporary Athens by the French photographer Jean-François Bonhomme. But in Derrida’s hands commentary always has a way of unfolding or, better, developing in several unexpected and mutually illuminating directions. First published in French and Greek in 1996, Athens, Still Remains is Derrida’s most sustained analysis of the photographic medium in relationship to the history of philosophy and his most personal reflection on that medium. At once photographic analysis, philosophical essay, and autobiographical narrative, Athens, Still Remains presents an original theory of photography and throws a fascinating light on Derrida’s life and work. The book begins with a sort of verbal snapshot or aphorism that haunts the entire book: “we owe ourselves to death.” Reading this phrase through Bonhomme’s photographs of both the ruins of ancient Athens and contemporary scenes of a still-living Athens that is also on its way to ruin and death, Derrida interrogates a philosophical tradition that runs from Socrates to Heidegger in which the human—and especially the philosopher—is thought to owe himself to death, to a certain thought of death or comportment with regard to death. Combining philosophical speculations on mourning and death, event and repetition, and time and difference with incisive commentary on Bonhomme’s photographs and a narrative of Derrida’s 1995 trip to Greece, Athens, Still Remains is one of Derrida’s most accessible, personal, and moving works without being, for all that, any less philosophical. As Derrida reminds us, the word photography—an eminently Greek word—means “the writing of light,” and it brings together today into a single frame contemporary questions about the work of art in the age of mechanical reproduction and much older questions about the relationship between light, revelation, and truth—in other words, an entire philosophical tradition that first came to light in the shadow of the Acropolis.

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How do communities consent to difference? How do they recognize and create the space and time necessary for the differences and disabilities of those who constitute them? Christian congregations often make assumptions about the shared abilities, practices, and experiences that are necessary for communal worship. The author of this provocative new book takes a hard look at these assumptions through a detailed ethnographic study of an unusual religious community where more than half the congregants live with diagnoses of mental illness, many coming to the church from personal care homes or independent living facilities. Here, people’s participation in worship disrupts and extends the formal orders of worship. Whenever one worships God at Sacred Family Church, there is someone who is doing it differently. Here, the author argues, the central elements and the participation in the symbols of Christian worship raise questions rather than supply clear markers of unity, prompting the question, What do you need in order to have a church that assumes difference at its heart? Based on three years of ethnographic research, The Disabled Church describes how the Sacred Family community, comprising people with very different mental abilities, backgrounds, and resources, sustains and embodies a common religious identity. It explores how an ethic of difference is both helped and hindered by a church’s embodied theology. Paying careful attention to how these congregants improvise forms of access to a common liturgy, this book offers a groundbreaking theology of worship that engages both the fragility and beauty revealed by difference within the church. As liturgy requires consent to difference rather than coercion, an aesthetic approach to differences within Christian liturgy provides a frame for congregations and Christian liturgists to pay attention to the differences and disabilities of worshippers. This book creates a distinctive conversation between critical disability studies, liturgical aesthetics, and ethnographic theology, offering an original perspective on the relationship between beauty and disability within Christian communities. Here is a transformational theological aesthetics of Christian liturgy that prioritizes human difference and argues for the importance of the Disabled Church.

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