Search results for ""fordham university press""

In 1996, with the publication of Southern Thought, Italian writer Franco Cassano became widely recognized as one of the most important voices in the contemporary Italian and European intellectual scene. In this engaging and provocative book, which ranges effortlessly between the fields of sociology, political science, philosophy, cultural anthropology, and literature, Cassano offers a critique of normative models of modernization derived from Eurocentric and North Atlantic paradigms, while claiming that autonomous paths to modernity exist in the Mediterranean and the so-called Global Souths. Cassano’s rethinking of the South seeks nothing less than to reverse the North-South relationship: “not to think of the South in light of modernity, but rather to think of modernity in light of the South.” In this work, the South is no longer a belated, imperfect, incomplete, and not-yet North but the space of a differential, autonomous identity to be recovered and rediscovered. Thus, Southern Thought not only exemplifies a brilliant critique of Occidentalism but represents a valiant attempt to restore agency and dignity to the heritage and legacies of Southern civilizations and cultures. Four additional essays supplement this English translation of the original Italian book.

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Paul Ricoeur's entire philosophical project narrates a "passion for the possible" expressed in the hope that in spite of death, closure, and sedimentation, life is opened by superabundance, by how the world gives us much more than is possible. Ricoeur's philosophical anthropology is a phenomenology of human capacity, which gives onto the groundless ground of human being, namely, God. Thus the story of the capable man, beginning with original goodness held captive by a servile will and ending with the possibility of liberation and regeneration of the heart, underpins his passion for the more than possible. The essays in this volume trace the fluid movement between phenomenological and religious descriptions of the capable self that emerges across Ricoeur's oeuvre and establish points of connection for future developments that might draw inspiration from this body of thought.

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Sunday dinners, basement kitchens, and backyard gardens are everyday cultural entities long associated with Italian Americans, yet the general perception of them remains superficial and stereotypical at best. For many people, these scenarios trigger ingrained assumptions about individuals’ beliefs, politics, aesthetics, values, and behaviors that leave little room for nuance and elaboration. This collection of essays explores local knowledge and aesthetic practices, often marked as “folklore,” as sources for creativity and meaning in Italian-American lives. As the contributors demonstrate, folklore provides contemporary scholars with occasions for observing and interpreting behaviors and objects as part of lived experiences. Its study provides new ways of understanding how individuals and groups reproduce and contest identities and ideologies through expressive means. Italian Folk offers an opportunity to reexamine and rethink what we know about Italian Americans. The contributors to this unique book discuss historic and contemporary cultural expressions and religious practices from various parts of the United States and Canada to examine how they operate at local, national, and transnational levels. The essays attest to people’s ability and willingness to create and reproduce certain cultural modes that connect them to social entities such as the family, the neighborhood, and the amorphous and fleeting communities that emerge in large-scale festivals and now on the Internet. Italian Americans abandon, reproduce, and/or revive various cultural elements in relationship to ever-shifting political, economic, and social conditions. The results are dynamic, hybrid cultural forms such as valtaro accordion music, Sicilian oral poetry, a Columbus Day parade, and witchcraft (stregheria). By taking a closer look and an ethnographic approach to expressive behavior, we see that Italian-American identity is far from being a linear path of assimilation from Italian immigrant to American of Italian descent but is instead fraught with conflict, negotiation, and creative solutions. Together, these essays illustrate how folklore is evoked in the continual process of identity revaluation and reformation.

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In the century between 1870 and 1970, about twenty-seven million migrants left Italy to work and live abroad. As a result, the worldwide Italian diaspora reportedly numbers more than sixty million people. Until now, however, there has not been an anthology devoted to the literature of the Italian diaspora that places it in a global context. This landmark volume presents a truly international selection of works by more than seventy Italian-language poets who are writing in countries from Australia to Venezuela. Their poetry is collected here into eleven geographical regions. The history and current state of Italian-language poetry in each region receives a critical overview by a knowledgeable scholar, who also introduces each poet and provides a bibliography of his or her work. All poems appear on facing pages in both Italian and English. Poets of the Italian Diaspora is part of a long-range project, by the editors and contributors, to expand the boundaries of the Italian literary canon.

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In dialogue with afro-caribbean philosophy, this book seeks in Cassirer’s philosophy of symbolic forms a new vocabulary for approaching central intellectual and political issues of our time. For Cassirer, what makes humans unique is that we are symbolizing creatures destined to come into a world through varied symbolic forms; we pluralistically work with and develop these forms as we struggle to come to terms with who we are and our place in the universe. This approach can be used as a powerful challenge to hegemonic modes of study that mistakenly place the Western world at the center of intellectual and political life. Indeed, the authors argue that the symbolic dimension of Cassirer’s thinking of possibility can be linked to a symbolic dimension in revolution via the ideas of Frantz Fanon, who argued that revolution must be a thoroughgoing cultural process, in which what is at stake is nothing less than how we symbolize a new humanity and bring into being a new set of social institutions worthy of that new humanity.

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Things That No Longer Delight Me is a collection of poems about family and memory. This book is filled with objects. The author writes: I like objects for company, to decorate the plainest spaces, decorum and I amass details, jade bracelet, her animal-print dresses, an oval coral cameo. How do objects counter loneliness, she asks, and speak to us of how to behave? In Things That No Longer Delight Me, lyric is driven by a compulsion or need to collect, in order to make sense of the past and stay connected to it. And what if that connection were to be lost? Confronting loss, the book pieces together a family history from stories fragmented and overheard. It asks: What is hearsay and what is history? It seeks to embody story, or historical detail, in lyric form. Resisting nostalgia, its poems respect what is diminished by grief or loss yet reveal details that hold sway over us and give us continuing pleasure.

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Ecumenical Patriarch Bartholomew speaks to a contemporary world about, human rights, religious tolerance, international peace, environmental protection, and more. In the World, Yet Not of the World represents a selection of major addresses and significant messages as well as public statements by His All Holiness Ecumenical Patriarch Bartholomew, "first among equals" and spiritual leader of the world's 300 million Orthodox Christians. The Patriarch is as comfortable preaching about the spiritual legacy of the Orthodox Church as he is promoting sociopolitical issues of his immediate cultural environment and praying for respect toward Islam or for global peace. As the documents reveal, the tenure of the Ecumenical Patriarch has been characterized by inter-Orthodox cooperation, inter-Christian dialogue and interreligious understanding. He has traveled more extensively than any other Orthodox Patriarch in history, exchanging official visitations with numerous ecclesiastical and state dignitaries. In particular, because he is a citizen of Turkey and the leader of a Christian minority in a predominantly Muslim nation, Ecumenical Patriarch Bartholomew's personal experience endows him with a unique perspective on religious tolerance and interfaith dialogue. These documents are drawn from his prominent leadership roles as primary spiritual leader of the Orthodox Christian world and transnational figure of global significance - influential roles that become more vital each day. Published together here for the first time, the writings reveal the Ecumenical Patriarch as a bridge builder and peacemaker. One of his catchphrases is "War in the name of religion is war against religion." Over the past eighteen years, Ecumenical Patriarch Bartholomew's inclination and intention have been to address the most difficult issues facing the world-the deep and increasing mistrust between East and West, the decay and widening destruction of the natural environment, as well as the sharp divisions among the various Christian confessions and diverse faith communities-whether on religious, racial, or cultural levels. He regards being a servant of reconciliation as a primary obligation of his spiritual ministry to. This book reveals the powerful influence of a spiritual institution from the unique perspective of a Christian leader in the world, and yet not of the world. Some of the topics covered: oFaith and freedom oRacism and fundamentalism oMutual respect and tolerance oEcology and poverty oHuman rights and freedom oRacial and religious discrimination oChurch and state oTerrorism and corruption oFreedom of conscience oEurope, Turkey and the world oReligion and politics oChristians and Muslims oChristians and Jews

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Not Even Past highlights references to nineteenth-century U.S. slavery and anti-Black racism in literary and photographic projects begun during the late 1920s and early 1930s, including novels by William Faulkner and Nella Larsen, and portraits by Carl Van Vechten. These texts share a representational crisis, in which distinctions between present, quotidian racism and a massive, fully racialized historical trauma disappear. All identify persistent historical traumatization with intense subjective states (including madness, religious ecstasy, narcissism, and fetishistic enjoyment), and each explores the conservative, even coercive social character of such links between psyche and history. When the past of enslavement is "not even past," narration freezes, black and white women lose their capacity to question or resist social and domestic violence, and racial politics fail. Anticipating contemporary trauma studies by decades, these disparate modernists' works constitute not an expounded or avowed but an interstitial trauma theory, which finds its shape in the spaces left by conventional public discourse. Their works parallel important essays by psychoanalytic thinkers of the same era, including Joan Riviere, Sigmund Freud, Melanie Klein, and Walter Benjamin, and their joint explication of relationships among psyche, history, and race offers important resources for psychoanalytic approaches to racial difference today. Despite their analytic acuity, however, Faulkner, Larsen, and Van Vechten also themselves carry the traumatic past forward into the future. Indeed, the two novelists' tragic depictions of a triumphant color line and the photographer's insistence on an idiom of black primitivism lent support to white supremacy in the twentieth century. Yet even in their very failure, three U.S. modernists tell us that it is not enough simply to exercise critical acuity on the marks of past violence. Reading, however masterly, cannot interrupt a history in the midst of repeating itself; it can only itself reiterate the disaster.

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Drawing together two critical moments in the history of European Jewry-its entrance as a participant in the Enlightenment project of religious and political reform and its involvement in the traumatic upheavals brought on by the Great War-this book offers a reappraisal of the intersection of culture, politics, theology, and philosophy in the modern world through the lens of two of the most important thinkers of their day, Moses Mendelssohn and Franz Rosenzweig. Their vision of the place of the Jewish people not only within German society but also within the unfolding history of humankind as a whole challenged the reigning cultural assumptions of the day and opened new ways of thinking about reason, language, politics, and the sources of ethical obligation. In making the "Jewish question" serve as a way of reflecting upon the "human question" of how we can live together in acknowledgment of our finitude, our otherness, and our shared hope for a more just future, Mendelssohn and Rosenzweig modeled a way of doing philosophy as an engaged intervention in the most pressing existential issues confronting us all. In the final chapters of the book, the path beyond Mendelssohn and Rosenzweig is traced out in the work of Hannah Arendt and Stanley Cavell. In light of Arendt's and Cavell's reflections about the foundations of democratic sociality, Rosenstock offers a portrait of an "immigrant Rosenzweig" joined in conversation with his American "cousins."

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Philosophers have largely ignored sleep, treating it as a useless negativity, mere repose for the body or at best a source for the production of unconscious signs out of the night of the soul. In an extraordinary theoretical investigation written with lyric intensity, The Fall of Sleep puts an end to this neglect by providing a deft yet rigorous philosophy of sleep. What does it mean to "fall" asleep? Might there exist something like a "reason" of sleep, a reason at work in its own form or modality, a modality of being in oneself, of return to oneself, without the waking "self" that distinguishes "I" from "you" and from the world? What reason might exist in that absence of ego, appearance, and intention, in an abandon thanks to which one is emptied out into a non-place shared by everyone? Sleep attests to something like an equality of all that exists in the rhythm of the world. With sleep, victory is constantly renewed over the fear of night, an a confidence that we will wake with the return of day, in a return to self, to us--though to a self, an us, that is each day different, unforeseen, without any warning given in advance. To seek anew the meaning stirring in the supposed loss of meaning, of consciousness, and of control that occurs in sleep is not to reclaim some meaning already familiar in philosophy, religion, progressivism, or any other -ism. It is instead to open anew a source that is not the source of a meaning but that makes up the nature proper to meaning, its truth: opening, gushing forth, infinity. This beautiful, profound meditation on sleep is a unique work in the history of phenomenology--a lyrical phenomenology of what can have no phenomenology, since sleep shows itself to the waking observer, the subject of phenomenology, only as disappearance and concealment.

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Musically Sublime rewrites musically the history and philosophy of the sublime. Music enables us to reconsider the traditional course of sublime feeling on a track from pain to pleasure. Resisting the notion that there is a single format for sublime feeling, Wurth shows how, from the mid eighteenth century onward, sublime feeling is, instead, constantly rearticulated in a complex interaction with musicality. Wurth takes as her point of departure Immanuel Kant's Critique of Judgment and Jean-François Lyotard's aesthetic writings of the 1980s and 1990s. Kant framed the sublime narratively as an epic of self-transcendence. By contrast, Lyotard sought to substitute open immanence for Kantian transcendence, yet he failed to deconstruct the Kantian epic. The book performs this deconstruction by juxtaposing eighteenth- and nineteenth-century conceptions of the infinite, Sehnsucht, the divided self, and unconscious drives with contemporary readings of instrumental music. Critically assessing Edmund Burke, James Usher, E.T.A. Hoffmann, Novalis, Friedrich Hölderlin, Arthur Schopenhauer, Richard Wagner, and Friedrich Nietzsche, this book re-presents the sublime as a feeling that defers resolution and hangs suspended between pain and pleasure. Musically Sublime rewrites the mathematical sublime as différance, while it redresses the dynamical sublime as trauma: unending, undetermined, unresolved. Whereas most musicological studies in this area have focused on traces of the Kantian sublime in Handel, Haydn, and Beethoven, this book calls on the nineteenth-century theorist Arthur Seidl to analyze the sublime of, rather than in, music. It does so by invoking Seidl's concept of formwidrigkeit ("form-contrariness") in juxtaposition with Romantic piano music, (post)modernist musical minimalisms, and Lyotard's postmodern sublime. It presents a sublime of matter, rather than form-performative rather than representational. In doing so, Musically Sublime shows that the binary distinction Lyotard posits between the postmodern and romantic sublime is finally untenable.

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This book explores the significance of human animality in the philosophy of Friedrich Nietzsche and provides the first systematic treatment of the animal theme in Nietzsche's corpus as a whole Lemm argues that the animal is neither a random theme nor a metaphorical device in Nietzsche's thought. Instead, it stands at the center of his renewal of the practice and meaning of philosophy itself. Lemm provides an original contribution to on-going debates on the essence of humanism and its future. At the center of this new interpretation stands Nietzsche's thesis that animal life and its potential for truth, history, and morality depends on a continuous antagonism between forgetfulness (animality) and memory (humanity). This relationship accounts for the emergence of humanity out of animality as a function of the antagonism between civilization and culture. By taking the antagonism of culture and civilization to be fundamental for Nietzsche's conception of humanity and its becoming, Lemm gives a new entry point into the political significance of Nietzsche's thought. The opposition between civilization and culture allows for the possibility that politics is more than a set of civilizational techniques that seek to manipulate, dominate, and exclude the animality of the human animal. By seeing the deep-seated connections of politics with culture, Nietzsche orients politics beyond the domination over life and, instead, offers the animality of the human being a positive, creative role in the organization of life. Lemm's book presents Nietzsche as the thinker of an emancipatory and affirmative biopolitics. This book will appeal not only to readers interested in Nietzsche, but also to anyone interested in the theme of the animal in philosophy, literature, cultural studies and the arts, as well as those interested in the relation between biological life and politics.

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The 2009 quadricentennial celebrations commemorating the discovery of the Hudson River by Henry Hudson will also spotlight one of our deepest and most enduring national legacies—the Dutch presence that has shaped not just the Hudson Valley but four centuries of American life. This lavishly illustrated book, a companion to the exhibition opening in June 2009 at the Hudson River Museum, takes needed stock of the remarkable past created by the settlers of New Netherlands. Although the Dutch controlled the Hudson Valley only until ceding it to the British in 1664, the Dutch established the towns and cities that today define the region—from New Amsterdam upriver to Fort Orange, today’s Albany. The Dutch heritage lives on, not only in historic estates or Dutch-named places like the Bronx or Yonkers but also in commerce, law, politics, religion, art, and culture. In thirteen original essays, this book traverses those four centuries to enrich and expand our understanding of America’s origins. The essays, written by a superb team of distinguished scholars, are grouped into five chronological frames—1609, 1709, 1809, 1909, and 2009—each marking a key point in the history of the Dutch in the valley. The topics range widely, from patterns of settlement and the Dutch encounter with slavery and Native America to Dutch influences in everything from architecture and religion to material culture, language, and literature. Based on fresh research, this book is at once a fascinating introduction to a remarkable past and a much-needed new look at the Dutch role in the region, in the story of America’s origins, and in creating the habits, styles, and practices identified as quintessentially New York’s.

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Musical understanding has evolved dramatically in recent years, principally through a heightened appreciation of musical meaning in its social, cultural, and philosophical dimensions. This collection of essays by leading scholars addresses an aspect of meaning that has not yet received its due: the relation of meaning in this broad humanistic sense to the shaping of fundamental values. The volume examines the open and active circle between the values and valuations placed on music by both individuals and societies, and the discovery, through music, of what and how to value. With a combination of cultural criticism and close readings of musical works, the contributors demonstrate repeatedly that to make music is also to make value, in every sense. They give particular attention to values that have historically enabled music to assume a formative role in human societies: to foster practices of contemplation, fantasy, and irony; to explore sexuality, subjectivity, and the uncanny; and to articulate longings for unity with nature and for moral certainty. Each essay in the collection shows, in its own way, how music may provoke transformative reflection in its listeners and thus help guide humanity to its own essential embodiment in the world. The range of topics is broad and developed with an eye both to the historical specificity of values and to the variety of their possible incarnations. The music is both canonical and noncanonical, old and new. Although all of it is “classical,” the contributors’ treatment of it yields conclusions that apply well beyond the classical sphere. The composers discussed include Gabrieli, Marenzio, Haydn, Beethoven, Mendelssohn, Brahms, Wagner, Puccini, Hindemith, Schreker, and Henze. Anyone interested in music as it is studied today will find this volume essential reading.

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Maurice Blanchot is a towering yet enigmatic figure in twentieth-century French thought. A lifelong friend of Levinas, he had a major influence on Foucault, Derrida, Nancy, and many others. Both his fiction and his criticism played a determining role in how postwar French philosophy was written, especially in its intense concern with the question of writing as such. Never an academic, he published most of his critical work in periodicals and led a highly private life. Yet his writing included an often underestimated public and political dimension. This posthumously published volume collects his political writings from 1953 to 1993, from the French-Algerian War and the mass movements of May 1968 to postwar debates about the Shoah and beyond. A large number of the essays, letters, and fragments it contains were written anonymously and signed collectively, often in response to current events. The extensive editorial work done for the original French edition makes a major contribution to our understanding of Blanchot’s work. The political stances Blanchot adopts are always complicated by the possibility that political thought remains forever to be discovered. He reminds us throughout his writings both how facile and how hard it is to refuse established forms of authority. The topics he addresses range from the right to insubordination in the French-Algerian War to the construction of the Berlin Wall and repression in Eastern Europe; from the mass movements of 1968 to personal responses to revelations about Heidegger, Levinas, and Robert Antelme, among others. When read together, these pieces form a testament to what political writing could be: not merely writing about the political or politicizing the written word, but unalterably transforming the singular authority of the writer and his signature. Cet ouvrage, publié dans le cadre d'un programme d'aide à la publication bénéficie du soutien financier du ministère des Affaires étrangès et du Service culturel de l'ambassade de France aux Etats-Unis, ainsi que de l'appui de FACE (French American Cultural Exchange). This work, published as part of a program providing publication assistance, received financial support from the Cultural Services of the French Embassy in the United States and FACE (French American Cultural Exchange).

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Recent neuroscience, in replacing the old model of the brain as a single centralized source of control, has emphasized “plasticity,” the quality by which our brains develop and change throughout the course of our lives. Our brains exist as historical products, developing in interaction with themselves and with their surroundings. Hence there is a thin line between the organization of the nervous system and the political and social organization that both conditions and is conditioned by human experience. Looking carefully at contemporary neuroscience, it is hard not to notice that the new way of talking about the brain mirrors the management discourse of the neo-liberal capitalist world in which we now live, with its talk of decentralization, networks, and flexibility. Consciously or unconsciously, science cannot but echo the world in which it takes place. In the neo-liberal world, “plasticity” can be equated with “flexibility”—a term that has become a buzzword in economics and management theory. The plastic brain would thus represent just another style of power, which, although less centralized, is still a means of control. In this book, Catherine Malabou develops a second, more radical meaning for plasticity. Not only does plasticity allow our brains to adapt to existing circumstances, it opens a margin of freedom to intervene, to change those very circumstances. Such an understanding opens up a newly transformative aspect of the neurosciences. In insisting on this proximity between the neurosciences and the social sciences, Malabou applies to the brain Marx’s well-known phrase about history: people make their own brains, but they do not know it. This book is a summons to such knowledge.

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Reading is good for us. The reading of literature, we are told, enlarges our horizons, extends our experience beyond our own lives. But the moral and political dangers that attend the association of reading with experience have long been understood. And is that association even valid? What if precisely our most important literary texts are constructed so as to challenge or disrupt it? This book is a radical criticism of the concept of "reading," especially of the concept of "the" reader, as commonly used in literary criticism. Bennett starts with the point that "reading" does not name a single, identifiable type of experience or class of experiences. Her then sketches in broad terms the historical provenance of "the" reader, in an argument that includes discussions of Dante, Boccaccio, Cervantes, Marlowe, and German idealist philosophy. In two concluding chapters on modern German novellas, he suggests that most major European literary works since the eighteenth century are written in direct opposition to the central concepts by which criticism has sought to lay hold of them.

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As the work of thinkers such as Michel Foucault, François Jacob, Louis Althusser, and Pierre Bourdieu demonstrates, Georges Canguilhem has exerted tremendous influence on the philosophy of science and French philosophy more generally. In Knowledge of Life, a book that spans twenty years of his essays and lectures, Canguilhem offers a series of epistemological histories that seek to establish and clarify the stakes, ambiguities, and emergence of philosophical and biological concepts that defined the rise of modern biology. How do transformations in biology and modern medicine shape conceptions of life? How do philosophical concepts feed into biological ideas and experimental practices, and how are they themselves transformed? How does knowledge "undo the experience of life so as to help man remake what life has made without him, in him or outside of him?" Knowledge of Life is Canguilhem's effort to explain how the movements of knowledge and life come to rest upon each other. Published at the dawn of the genetic revolution and still pertinent today, the book tackles the history of cell theory, the conceptual moves toward and away from mechanical understandings of the organism, the persistence of vitalism, and the nature of normality in science and its objects.

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The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new political parties. The question of how to represent these new masses fascinated and plagued politicians and filmmakers alike. Movies seemed to speak directly to the masses, via a form of crowd psychology that bypassed individual personality. Many political commentators believed that movies were inherently aligned with the new forms of collectivist mass politics—indeed, government control of the movie industry became a cornerstone of Communist and Fascist regimes, new political movements that embraced the crowd as the basis of social order. Michael Tratner examines the representations of masses—the crowd scenes—in Hollywood films from The Birth of a Nation through such popular love stories as Gone with the Wind, The Sound of Music, and Dr. Zhivago. He then contrasts these with similar scenes in early Soviet and Nazi films. What emerges is a political debate being carried out in filmic style. In both sets of films, the crowd is represented as a seething cauldron of emotions. In Hollywood films, this is depicted as molding private loves, while collectivist movies present it as turning into organized mass movements. Crowd scenes do more than provide backgrounds for stories, that is: they also function as models for the crowd in the theater. The book concludes with an examination of the films of Fritz Lang, who first in pre-Nazi Germany, then in Hollywood, created movies that can be seen as meditations on both these ways of using the crowd.

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In The Visible and the Revealed, Jean-Luc Marion brings together his most significant papers dealing with the relationship between philosophy and theology. Covering the ground from some of his earliest writings on this topic to very recent reflections, they are particularly useful for understanding the progression of Marion’s thought on such topics as the saturated phenomenon and the possibility of something like “Christian Philosophy.” The book contains his seminal pieces on the saturated phenomenon and on the gift, although the essays also explore more recent developments of his thought on these topics. Several chapters explicitly explore the boundary line between philosophy and theology or their mutual enrichment and influence. In one of the final pieces, “The Banality of Saturation,” Marion considers some of the most recent objections brought against his notion of the saturated phenomenon and responds to them in detail, suggesting that saturated phenomena are neither as rare nor as inflexible as often assumed. The work contains two chapters not previously available in English and brings together several other pieces previously translated but now difficult to find. For readers interested in the relation between the two disciplines, this is indispensable reading.

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Judith H. Anderson conceives the intertext as a relation between or among texts that encompasses both Kristevan intertextuality and traditional relationships of influence, imitation, allusion, and citation. Like the Internet, the intertext is a state, or place, of potential expressed in ways ranging from deliberate emulation to linguistic free play. Relatedly, the intertext is also a convenient fiction that enables examination of individual agency and sociocultural determinism. Anderson’s intertext is allegorical because Spenser’s Faerie Queene is pivotal to her study and because allegory, understood as continued or moving metaphor, encapsulates, even as it magnifies, the process of signification. Her title signals the variousness of an intertext extending from Chaucer through Shakespeare to Milton and the breadth of allegory itself. Literary allegory, in Anderson’s view, is at once a mimetic form and a psychic one—a process thinking that combines mind with matter, emblem with narrative, abstraction with history. Anderson’s first section focuses on relations between Chaucer’s Canterbury Tales and Spenser’s The Faerie Queene, including the role of the narrator, the nature of the textual source, the dynamics of influence, and the bearing of allegorical narrative on lyric vision. The second centers on agency and cultural influence in a variety of Spenserian and medieval texts. Allegorical form, a recurrent concern throughout, becomes the pressing issue of section three. This section treats plays and poems of Shakespeare and Milton and includes two intertextually relevant essays on Spenser. How Paradise Lost or Shakespeare’s plays participate in allegorical form is controversial. Spenser’s experiments with allegory revise its form, and this intervention is largely what Shakespeare and Milton find in his poetry and develop. Anderson’s book, the result of decades of teaching and writing about allegory, especially Spenserian allegory, will reorient thinking about fundamental critical issues and the landmark texts in which they play themselves out.

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The author of an acclaimed account of the lives of children in the Civil War, Marten here provides a more comprehensive introduction to the civilian history of the Civil War. Concise, vividly written chapters describe the home front through the lives of individuals and the histories of events and institutions in the North and South. The stories are organized around five broad themes: the Northern home front, the Southern home front, children, African Americans, and the war’s aftermath. The case studies feature voices of the famous, like Edmund Riffin and Booker T. Washington, but more often they offer the testimony of ordinary men, women, and children. A superb blend of traditional narrative, case studies, and individual stories, Civil War America is a valuable resource for students and their teachers seeking to understand the many ways in which the Civil War was truly a people’s war.

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Through a symptomatic reading of Freud’s corpus, from his letters to Fliess through the case of Little Hans to Moses and Montheism, this book demonstrates how “circumcision”—the fetishized signifier of Jewish difference and source of knowledge about Jewish identity—is central to Freud’s construction of psychoanalysis. Jay Geller depicts Freud as an ordinary Viennese Jew making extraordinary attempts to mitigate the trauma of everyday antisemitism. He situates Freud at the nexus of antisemitic, misogynistic, colonialist, and homophobic discourses, both scientific and popular. These held in place the double bind of post-Emancipation and pre-Shoah Viennese Jewish life: the demand for complete assimilation into the dominant culture, accompanied by the assumption that Jews were constitutionally incapable of eliminating their difference. Incarnate in the figure of the circumcised (male) Jew, this difference haunted the Central European cultural imagination and helped create, maintain, and confirm Central European identities and hierarchies. Exploring overlapping layers of gender, sexuality, ethnicity, and race in identity construction, theories of trauma, fetishism, and writing, Geller looks at Freud’s representations of the Jewish body—especially circumcised penises and their displacements onto noses. He shows how Freud reinscribed the virile masculine norm and the at once hypervirile and effeminate Jewish other into the discourse of psychoanalysis.

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In the 1930s, Georges Bataille proclaimed a "ferociously religious" sensibility characterized by simultaneous ecstasy and horror. Ecce Monstrum investigates the content and implications of this religious sensibility by examining Bataille's insistent linking of monstrosity and the sacred. Extending and sometimes challenging major interpretations of Bataille by thinkers like Denis Hollier and Rosalind Krauss the book reveals how his writings betray the monstrous marks of the affective and intellectual contradictions he seeks to produce in his readers. Charting a new approach to recent debates concerning Bataille's formulation of the informe ("formless"), the author demonstrates that the motif of monstrosity is keyed to Bataille's notion of sacrifice--an operation that ruptures the integrality of the individual form. Bataille enacts a "monstrous" mode of reading and writing in his approaches to other thinkers and artists--a mode that is at once agonistic and intimate. Ecce Monstrum examines this monstrous mode of reading and writing through investigations of Bataille's "sacrificial" interpretations of Kojève's Hegel and Friedrich Nietzsche; his contentious relationship with Simone Weil and its implications for his mystical and writing practices; his fraught affiliation with surrealist André Breton and his attempt to displace surrealism with "hyperchristianity"; and his peculiar relations to artist Hans Bellmer, whose work evokes Bataille's "religious sensibility." With its wide-ranging analyses, this book offers insights of interest to scholars of religion, philosophers, art historians, and students of French intellectual history and early modernism.

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This book is an extended inquiry into the dimension of exteriority constructed by philosophical systems and literary works. Literature has, since its inception, depended on a rogue’s gallery of outsiders—the more outlandish the better, with human attributes optional—as the impetus to its events and the motive for its developments. Philosophers have also vacillated between safeguarding the purity and consistency of their systematic projects and embracing contamination by alien and intransigent elements. The unsettling encounter between interiority and exteriority is a philosophical and literary sideshow not nearly as frivolous as it might seem. Building upon Nietzsche’s fatal confrontation “The Wanderer and His Shadow” and Jacques Derrida’s initiation of the current era in critical theory with the formulation “The outside is the inside,” the author pursues the vicussitudes of the dimensional frontier in a wide range of artifacts and authors. Among these are James Joyce, Walter Benjamin, James Baldwin, and William Faulkner. A welcome is further extended to the peculiar sublime introduced in the Zohar and in the texts of Georg Büchner, Franz Kafka, Bruno Schulz, and Paul Celan.

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This book weaves together three themes at the intersection of Jacques Lacan and the philosophical tradition. The first is the question of time and memory. How do these problems call for a revision of Lacan’s purported “ahistoricism,” and how does the temporality of the subject in Lacan intersect with the questions of temporality initiated by Heidegger and then developed by contemporary French philosophy? The second question concerns the status of the body in Lacanian theory, especially in connection with emotion and affect, which Lacanian theory is commonly thought to ignore, but which the concept of jouissance was developed to address. Finally, it aims to explore, beyond the strict limits of Lacanian theory, possible points of intersection between psychoanalysis and other domains, including questions of race, biology, and evolutionary theory. By stressing the question of affect, the book shows how Lacan’s position cannot be reduced to the structuralist models he nevertheless draws upon, and thus how the problem of the body may be understood as a formation that marks the limits of language. Exploring the anthropological category of “race” within a broadly evolutionary perspective, it shows how Lacan’s elaboration of the “imaginary” and the “symbolic” might allow us to explain human physiological diversity without reducing it to a cultural or linguistic construction or allowing “race” to remain as a traditional biological category. Here again the questions of history and temporality are paramount, and open the possibility for a genuine dialogue between psychoanalysis and biology. Finally, the book engages literary texts. Antigone, Ovid’s Metamorphoses, Hamlet, and even Wordsworth become the muses who oblige psychoanalysis and philosophy to listen once again to the provocations of poetry, which always disrupts our familiar notions of time and memory, of history and bodily or affective experience, and of subjectivity itself.

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This book weaves together three themes at the intersection of Jacques Lacan and the philosophical tradition. The first is the question of time and memory. How do these problems call for a revision of Lacan’s purported “ahistoricism,” and how does the temporality of the subject in Lacan intersect with the questions of temporality initiated by Heidegger and then developed by contemporary French philosophy? The second question concerns the status of the body in Lacanian theory, especially in connection with emotion and affect, which Lacanian theory is commonly thought to ignore, but which the concept of jouissance was developed to address. Finally, it aims to explore, beyond the strict limits of Lacanian theory, possible points of intersection between psychoanalysis and other domains, including questions of race, biology, and evolutionary theory. By stressing the question of affect, the book shows how Lacan’s position cannot be reduced to the structuralist models he nevertheless draws upon, and thus how the problem of the body may be understood as a formation that marks the limits of language. Exploring the anthropological category of “race” within a broadly evolutionary perspective, it shows how Lacan’s elaboration of the “imaginary” and the “symbolic” might allow us to explain human physiological diversity without reducing it to a cultural or linguistic construction or allowing “race” to remain as a traditional biological category. Here again the questions of history and temporality are paramount, and open the possibility for a genuine dialogue between psychoanalysis and biology. Finally, the book engages literary texts. Antigone, Ovid’s Metamorphoses, Hamlet, and even Wordsworth become the muses who oblige psychoanalysis and philosophy to listen once again to the provocations of poetry, which always disrupts our familiar notions of time and memory, of history and bodily or affective experience, and of subjectivity itself.

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This unique book offers a Catholic view of the Holy Land in the debate that rages among Jews, Christians, and Muslims. Alain Marchadour and David Neuhaus, two biblical scholars and priests living in Jerusalem, clearly analyze the Promised Land—as concept, history, and contested terrain—in Catholic teaching and doctrine. They offer an analytical reading of the entire Christian Bible (Old and New Testaments) with reference to the idea of the Land promised by God. They explore early and medieval attitudes, especially with regard to the Holy Places and the Jewish people. Moving carefully to the present day, they focus on anti-Semitism, the tragedy of the Shoah, Western colonialism in the Middle East, the creation of the State of Israel, and the birth of the Palestinian refugee problem as they examine Catholic reactions to the tumultuous events of the nineteenth and twentieth centuries, particularly the renewal of Catholic thought in the aftermath of the Second Vatican Council. Studying the most recent Church documents, Marchadour and Neuhaus confront the ongoing struggle for peace, justice, and reconciliation in the Middle East. This illuminating book is an essential tool for all those struggling to understand the links between the Bible, the Church, and contemporary Middle Eastern realities, especially in Israel and Palestine.

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What does theology have to say about the place of eroticism in the salvific transformation of men and women, even of the cosmos itself? How, in turn, does eros infuse theological practice and transfigure doctrinal tropes? Avoiding the well-worn path of sexual moralizing while also departing decisively from Anders Nygren’s influential insistence that Christian agape must have nothing to do with worldly eros, this book explores what is still largely uncharted territory in the realm of theological erotics. The ascetic, the mystical, the seductive, the ecstatic—these are the places where the divine and the erotic may be seen to converge and love and desire to commingle. Inviting and performing a mutual seduction of disciplines, the volume brings philosophers, historians, biblical scholars, and theologians into a spirited conversation that traverses the limits of conventional orthodoxies, whether doctrinal or disciplinary. It seeks new openings for the emergence of desire, love, and pleasure, while challenging common understandings of these terms. It engages risk at the point where the hope for salvation paradoxically endangers the safety of subjects—in particular, of theological subjects—by opening them to those transgressions of eros in which boundaries, once exceeded, become places of emerging possibility. The eighteen chapters, arranged in thematic clusters, move fluidly among and between premodern and postmodern textual traditions—from Plato to Emerson, Augustine to Kristeva, Mechthild to Mattoso, the Shulammite to Molly Bloom, the Zohar to the Da Vinci Code. In so doing, they link the sublime reaches of theory with the gritty realities of politics, the boundless transcendence of God with the poignant transience of materiality.

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Fifty years ago—on April 26, 1956—the freighter Ideal X steamed from Berth 26 in Port Newark, New Jersey. Flying the flag of the Pan-Atlantic Steamship Company, she set out for Houston with an unusual cargo: 58 trailer trucks lashed to her top deck. But they weren’t trucks—they were steel containers removed from their running gear, waiting to be lifted onto empty truck beds when Ideal X reached Texas. She docked safely, and a revolution was launched—not only in shipping, but in the way the world trades. Today, the more than 200 million containers shipped every year are the lifeblood of the new global economy. They sit stacked on thousands of “box boats” that grow more massive every year. In this fascinating book, transportation expert Brian Cudahy provides a vivid, fast-paced account of the container-ship revolution—from the maiden voyage of the Ideal X to the entrepreneurial vision and technological breakthroughs that make it possible to ship more goods more cheaply than every before. Cudahy tells this complex story easily, starting with Malcom McLean, Pan-Atlantic’s owner who first thought about loading his trucks on board. His line grew into the container giant Sea-Land Services, and Cudahy charts its dramatic evolution into Maersk Sealand, the largest container line in the world. Along the way, he provides a concise, colorful history of world shipping—from freighter types to the fortunes of steamship lines—and explores the spectacular growth of global trade fueled by the mammoth ships and new seaborne lifelines connecting Asia, Europe, and the Americas. Masterful maritime history, Box Boats shows how fleets of these ungainly ships make the modern world possible—with both positive and negative effects. It’s also a tale of an historic home port, New York, where old piers lie silent while 40-foot steel boxes of toys and televisions come ashore by the thousands, across the bay in New Jersey.

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A study of the theory and practice of seventeenth-century Dutch group portraits, Manhood, Marriage, and Mischief offers an account of the genre’s comic and ironic features, which it treats as comments on the social context of portrait sitters who are husbands and householders as well as members of civic and proto-military organizations. The introduction picks out anomalous touches with which Rembrandt problematizes standard group-portrait motifs in The Night Watch: a shooter who fires his musket into the company; two girls who appear to be moving through the company in the wrong direction; guardsmen who appear to be paying little or no attention to their leader’s enthusiastic gesture of command. Were the patrons and sitters aware of or even complicit in staging the anomalies? If not, did the painter get away with a subversive parody of militia portrait conventions at the sitters’ expense? Parts One and Two respond to these questions at several levels: first, by analyzing the aesthetic structure of group portraiture as a genre; second, by reviewing the conflicting accounts modern scholars give of the civic guard company as an institution; third, by marking the effect on civic guardsmen of a mercantile economy that relied heavily on wives and mothers to keep the homefires burning. Two phenomena persistently recur in the portraits under discussion: competitive posing and performance anxiety. Part Three studies these phenomena in portraits of married couples and families. Finally, Part Four examines them in The Night Watch in the light of the first three parts. The result is an interpretation that reads Rembrandt’s painting both as a deliberate parody by the sitters and as the artist’s covert parody of the sitters.

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In the name of efficiency, the practice of education has come to be dominated by neoliberal ideology and procedures of standardization and quantification. Such attempts to make all aspects of practice transparent and subject to systematic accounting lack sensitivity to the invisible and the silent, to something in the human condition that cannot readily be expressed in an either-or form. Seeking alternatives to such trends, Saito reads Dewey’s idea of progressive education through the lens of Emersonian moral perfectionism (to borrow a term coined by Stanley Cavell). She elucidates a spiritual and aesthetic dimension to Dewey’s notion of growth, one considerably richer than what Dewey alone presents in his typically scientific terminology. The Gleam of Light: Moral Perfectionism and Education in Dewey and Emerson is available from the publisher on an open-access basis.

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When The Search for Major Plagge was published last spring, the world finally learned about a unique hero—and about one American doctor’s extraordinary journey to tell Karl Plagge’s story. Part detective story, part personal quest, Michael Good’s book is the story of the German commander of a Lithuanian work camp who saved hundreds of Jewish lives in the Vilna ghetto —including the life of Good’s mother, Pearl. Who was this enigmatic officer Pearl Good had spoken of so often? After five years of research—interviewing survivors, assembling a team that could work to open German files untouched for fifty years, following every lead he could, Good was able to uncover the amazing tale of one man’s remarkable courage. And in April 2005 Karl Plagge joined Oskar Schindler and 380 other Germans as a “Righteous among Nations,” honored by the State of Israel for protecting and saving Jewish lives during the Holocaust. This expanded edition features new photographs and a new epilogue on the impact of the discovery of Karl Plagge—especially the story of 83-year-old Alfons von Deschwanden, who, after fifty years of silence, came forward as a veteran of Plagge’s unit. His testimony is now part of this growing witness to truth.

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Originally untrained in military science, Francis Channing Barlow ended the Civil War as one of the North's premier combat generals. He played decisive roles in historic campaigns throughout the War and his letters are classic accounts of courage combat, and the burdens of command as experienced by one of the Union's fiercest officers. Born in Brooklyn, New York, Barlow enlisted in April 1861 at the age of twenty six, commanded the 61st New York Infantry regiment by April 1862, and found himself a general in command of a division by 1863. He played a key role at Fair Oaks, Antietam, the Wilderness, Spotsylvania, and Petersburg, suffered two serious wounds in combat, and was left for dead at Gettysburg, where part of the battlefield is named after him. Barlow's war correspondence not only provides a rich description of his experiences in these actions but also offers insight into a civilian learning the realities of war. As a young intellectual, Barlow was also well connected with many eminent figures of his time. He spent part of his youth at Brook Farm, graduated first in his Harvard College class, and became a successful New York City lawyer by the time he enlisted. Among his friends he counted Ralph Waldo Emerson, Charles Russell Lowell, Jr., and Winslow Homer's family. Transformed by his experiences in the War, Barlow entered politics and served as New York's Secretary of State and Attorney General. Superbly edited by Christian G. Samito, Barlow's letters not only illuminate the life of a talented battlefield commander; they also fill a gap in Civil War scholarship by providing a valuable window into Northern intellectual responses to the War.

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A leading philosopher and theologian, Jean-Louis Chrétien uses poetry and painting to explore a theme that runs through all of his work: how human life is shaped by the experience of call and response. For Chrétien, we live by responding to the call of experience with words, gestures, expressions, and silence. In luminous meditations on Rembrandt, Delacroix, Manet, Verlaine, Keats, and other artists, Chrétien shows how “talking hands of painters” and the “secretly lucid” voices of poets confront the finitude of the human body. Hand to Hand is a deeply cultured renewal of art in all its provocative, transforming, spiritual presence.

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Medievalists have long considered topics of cultural contact such as antagonism or exchange between western Europe and the Islamic world, the west’s debts to Byzantium, European expansion during the Crusades, and Mediterranean trade. Medieval Cultures in Contact grows out of such traditional themes of European identity and its relations with others, but its essays pose new questions and view the topic from different perspectives. In recent generations, the study of non-European cultures for their effects on the west has changed to consideration of diverse medieval cultures as separate and worth studying on their own. The change is due in part to the influences of other disciplines, such as comparative literature, the social sciences, and subaltern studies. With the increased interest in such groups, cultures in contact is no longer necessarily European contact with one group or another, with Europeans the common ground in each encounter; it now extends to a much wider range of cultures and their interactions. The approach to cultures in contact running through many essays of this volume is that the meeting of cultures promotes historical change in the original societies and creates new societies at the point of contact. The medieval world was rich in the meeting of cultures that created new circumstances and results, some based on borders between cultures, others on internal reactions to contact. The essays in Medieval Cultures in Contact consider many diverse locales, periods, and protagonists in which or on whom the meeting of cultures was formative. The topics include the origin of western Christian culture in Bede’s England, the contact of east and west in the Islamic and Asian worlds, the western perceptions of the east in German literature, and cross-cultural influences in several Mediterranean regions. The relations between the Christian majority and the culture of the Jewish minority in northwestern Europe, and the interaction between the occupational cultures of minstrels and clerics are related issues. The second section of the volume presents two models for teaching cultural contacts in the middle ages: one discusses the need to recognize such interactions as part of medieval history, and two linked essays show how literary diversity has been treated in practice.

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In this first English translation of an important work, a leading phenomenologist unfolds the ideas of memory and loss, of the immemorable, and of hope, as he opens a phenomenological path to the heart of classical thought. He stands with Levinas, Marion, and Henry in attempting to join philosophy and religion after Kant, Nietzsche, and Heidegger.

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Peter Spader has written a magisterial study on Max Scheler, one of phenomenology’s earliest and greatest figures, whose theory of ethical personalism has become a major voice in the formulation of phenomenological ethics today. Spader follows Scheler’s use of the classic phenomenological approach, by means of which he presented a fresh view of values, feelings, and the person, and thereby staked out a new approach in ethics. Spader recreates the logic of Scheler’s quest, revealing the basis of his thought and the reasons for his dramatic changes of direction. This remarkable study provides a framework that allows us to understand Scheler’s insights in the context of their dynamic evolution of his thought. It corrects imbalances in the presentation of his ideas and defends Scheler against key misunderstandings and criticisms. In short, Spader’s work continues the process of developing Scheler’s pioneering theory of ethical personalism.

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Rails Under the Mighty Hudson tells a story that begins in the final years of the nineteenth century and reaches fulfillment in the first decade of the twentieth: namely, the building of rail tunnels under the Hudson River linking New Jersey and New York. These tunnels remain in service today-although one is temporarily out of service since its Manhattan terminal was under the World Trade Center-and are the only rail crossings of the Hudson in the metropolitan area. Two of the tunnels were built by the Hudson and Manhattan Railroad, a company headed by William Gibbs McAdoo, a man who later served as U.S. Secretary of the Treasury and even mounted a campaign for the Democratic presidential nomination at one point. McAdoo's H&M remains in service today as the PATH System of the Port Authority of New York and New Jersey. The other tunnel was opened in 1910 by the Pennsylvania Railroad, led to the magnificent Penn Station on Eighth Avenue and 33rd Street, and remains in daily service today for both Amtrak and New Jersey Transit. The author has updated this new edition with additional photographs, a concluding chapter on recent developments, and a Preface that recounts the last trains of September to the World Trade Center Terminal.

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This selection of essays, articles, lectures, and other writings by Erik Barnouw, dean of American media scholars, chronicles “the phenomenon of old media giving way to new, and then being replaced by them, as the ghosts of old media rise in new forms.” In Media Lost and Found, the sixteenth century will introduce us to early stirrings of photography, as well as the rise of “black lists,” which have a too-familiar ring within our own lifetime. The collection begins with an article on documentary film pioneer Robert Flaherty. Barnouw then moves to a discussion of his Dutch heritage and its role in Western civilization. This is followed by fascinating accounts of ingenious pioneers of camera obscura and magic lantern phantasmagoria, precursors of the magic of motion pictures. There are lively accounts of Barnouw’s own experiences, an informative brief history of communications breakthroughs, and an examination of the foibles of media censorship. The final articles discuss the importance of Indian filmmaker Satyajit Ray and cinematographer Boris Kaufman, brother of Soviet filmmakers Djiga Vertov and Mikhail Kaufman. In his writing and in his life, Erik Barnouw has been consistently elegant, self-deprecating, affectionate, and redolent of great depths, encouraging us to look for and foster them in our own lives.

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Our federal campaign finance system is in a state of disarray. The current regulatory scheme is not curbing, and may be abetting, the enormous increase in campaign contributions and expenditures. The enormous influence of major campaign donors on the process of government is a growing cause of national concern. The Special Commission of The Association of the Bar of the City of New York has spent the past two years studying the current system and developing a blueprint for reform. Composed of members with diverse political views and extensive legal and government experience, the Commission takes a fresh look at how to limit the undue influence of private money in federal elections. The result is a highly readable report that tells how the current system, established in the wake of the Watergate scandal, is being manipulated by monied special interests, and how the system can be reformed. The report addresses: how to develop a level playing field for candidates; how to limit the amount of money flowing into campaigns while allowing candidates to mount effective races; how to curb the use of soft money and issue advocacy while preserving the role of political parties; and how to structure a system that will restore public confidence in government. This account is must reading on an issue that is moving to the center of the national stage.

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“A Free Ballot and a Fair Count” examines the efforts by the Department of Justice to implement the federal legislation passed by Congress in 1870–71 known as the Enforcement Acts. These laws were designed to enforce the voting rights guarantees for African-Americans under the recently ratified Fifteenth Amendment. The Enforcement Acts set forth a range of federally enforceable crimes aimed at combating white southerners’ attempts to deny or restrict black suffrage. There are several aspects of this work that distinguish it from other, earlier works in this area. Contrary to older interpretative studies, Goldman’s primary thesis is that, the federal government’s attempts to protect black voting rights in the South did not cease with the Supreme Court’s hostile rulings in U.S. v. Reese and U.S. v. Cruikshank in 1875. Nor, it is argued, did enforcement efforts cease at the end of Reconstruction and the so-called Compromise of 1877. Rather, federal enforcement efforts after 1877 reflected the continued commitment of Republican Party leaders, for both humanitarian and partisan reasons, to what came to be called “the free ballot and a fair count.” Another unique aspect of this book is its focus on the role of the federal Department of Justice and its officials in the South in the continued enforcement effort. Created as a cabinet-level executive department in 1870, the Justice Department proved ill-equipped to respond to the widespread legal and extra-legal resistance to black suffrage by white southern Democrats in the years during and after Reconstruction. The Department faced a variety of internal problems such as insufficient resources, poor communications, and local personnel often appointed more for their political acceptability than their prosecutorial or legal skills. By the early 1890s, when the election laws were finally repealed by Congress, enforcement efforts were sporadic at best and largely unsuccessful. The end of federal involvement, coupled with the wave of southern state constitution revisions, resulted in the disfranchisement of the vast majority of African-American voters in the South by the beginning of the Twentieth Century. It would not be until the 1960s and the “Second Reconstruction” that the federal government, and the Justice Department, would once again attempt to ensure the “free ballot and a fair count”.

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Taylor (humanities and religion, Williams College, Massachusetts) reconsiders the two philosophers based on the notion that all modern philosophy lies between the poles of their thought. He has added a new introduction to the 1980 original edition.

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The guiding pedagogical document for Jesuit education worldwide was definitively set out in a 1599 tome entitled Ratio Atque Instituto Studiorum Societatis Jesu, "The Plan and Methodology of Jesuit Education." This plan has been praised by scholars from Francis Bacon in the seventeenth century to Harry Broudy and Paul Shore in our day. Some scholars and educators, upon learning of this tradition for the first time, have called it a "best-kept secret." And so it was timely that, at the dawn of the new millennium, an invitational 400th anniversary celebration of the Ratio Studiorum would be held at Fordham University in October of 1999. The fruit of the scholarly papers presented there make up the substance of this book. In addition, two key documents of the late-twentieth-century renewal of Jesuit education are included in the appendixes of this volume. Both The Characteristics of Jesuit Education (1986) and Ignatian Pedagogy: A Practical Approach (1993) have been out of print in English and are provided here in full.

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Contemporary continental philosophy approaches metaphysics with great reservation. A point of criticism concerns traditional philosophical speaking about God. Whereas Nietzsche, with his question “God is dead; who killed Him?” was, in his time, highly ‘unzeitgemäß’ and shocking, the twentieth century by contrast, saw Heidegger’s concept of ‘onto-theology’ and its implied problematization of the God of the metaphysicians quickly become a famous term. In Heidegger’s words, to a philosophical concept or ‘being’ we can neither pray, nor kneel. Heidegger did not, however, return to the God of Christian faith. He tried to initiate a new way of speaking about God—a way that reveals the limits of philosophical discourse. Derrida, Marion, Bataille, Adorno, Taubes and Bakhtin, each in their own way, continue this exploration begun by Nietzsche and Heidegger. This book takes a fresh look at these developments. The ‘death of God’ as the editors say in an introductory study, announces not so much the death of the ‘old God’—the God of philosophers, theologians and believers—but rather the death of the god who put himself on His throne: autonomous human reason. In listening to the reactions to this dethronement of autonomous reason, the editors believe they hear the echoes of an experience of an embarrassment rooted partly in an old medieval tradition: negative theology. With the death of this ‘new god’, might a sensitivity reappear for transcendence? Here the editors want to offer a platform where contemporary philosophers of culture can again pose the question of speaking about God.

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Edith Wyschogrod presents the first full-length study in English of the important contemporary French philosopher Emmanuel Levinas. It is a revision of the author’s earlier study and includes discussions of his recent writings as well as current scholarship. Dr. Wyschogrod’s extensive discussion of Levinas's relation to Judaism, especially his use of literature from the Torah and other religious writings, will be of interest to religious scholars. The author compares Levinas’s thought with that of his contemporaries, most notably Jacques Derrida and Husserl.

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In New Deal Fat Cats, Michael Webber offers a fresh perspective on the New Deal. The author analyzes the role of various segments of society in party politics during the political change brought on by the Great Depression. Webber uses analysis of campaign contribution as a major method of evaluating the 1936 presidential election. Today’s readers may be surprised at the statistical breakdown of the group that reelected FDR. These groups ranged from southern Democrats and organized labor, to Catholics, Jews, and small businesses. A considerable portion of the author’s analysis rests on interpretive literature about the politics of the New Deal and specifically about the role of business in the construction of those politics. The emphasis of this work is on the coalition of what seem to be disparate elements in society suggesting that large and monolithic power blocks are not necessarily the road to major political change in U.S. society. The reader will begin to sense the seemingly divisive pressures from different groups that made the New Deal not only a paradox, but an effective social reality.

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In Impeachment of a President, Hans L. Trefousse focuses on the causes of the failure to convict, the consequences of the acquittal, and the relationship of the impeachment to the ill success of Reconstruction. Drawing on a wealth of material, some only recently made available, Professor Trefousse sheds new light on the President's objectives and character.

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