Search results for ""author elizabeth"

Learn how to create historically accurate costumes for Elizabethan period productions with Elizabethan Costume Design and Construction! Extensive coverage of a variety of costumes for both men and women of all social classes will allow you to be prepared for any costuming need, and step-by-step instructions will ensure you have the know-how to design and construct your garments. Get inspired by stunning, hand-drawn renderings of costumes used in real life productions like Mary Stuart as you’re led through the design process. Detailed instructions will allow you to bring your designs to life and create a meticulously constructed costume.

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Captures the worldviews, concerns, joys, and experiences of people living through the cultural changes in the second half of the sixteenth century and the early seventeenth century, Shakespeare’s age. Elizabethans lived through a time of cultural collapse and rejuvenation as the impacts of globalization, the religious Reformation, economic and scientific revolutions, wars, and religious dissent forced them to reformulate their ideas of God, nation, society and self. This well-written, accessible book depicting how Elizabethans perceived reality and acted on their perceptions illustrates Elizabethan life, offering readers well-told stories about the Elizabethan people and the world around them. It defines the older ideas of pre-Elizabethan culture and shows how they were shattered and replaced by a new culture based on the emergence of individual conscience. The book posits that post-Reformation English culture, emphasizing the internalization of religious certainties, embraced skepticism in ways that valued individualism over older communal values. Being Elizabethan portrays how people’s lives were shaped and changed by the tension between a received belief in divine stability and new, destabilizing, ideas about physical and metaphysical truth. It begins with a chapter that examines how idealized virtues in a divinely governed universe were encapsulated in funeral sermons and epitaphs, exploring how they perceived the Divine Order. Other chapters discuss Elizabethan social stations, community, economics, self-expression, and more. Illustrates how early modern culture was born by exposing readers to events, artistic expressions, and personal experiences Provides an understanding of Elizabethan people by summarizing momentous events with which they grew up Appeals to students, scholars, and laymen interested in history and literature of the Elizabethan era Shows how a new cultural era, the age of Shakespeare, grew from collapsing late Medieval worldviews. Being Elizabethan is a captivating read for anyone interested in early modern English culture and society. It is an excellent source of information for those studying Tudor and early Stuart history and/or literature.

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Captures the worldviews, concerns, joys, and experiences of people living through the cultural changes in the second half of the sixteenth century and the early seventeenth century, Shakespeare’s age. Elizabethans lived through a time of cultural collapse and rejuvenation as the impacts of globalization, the religious Reformation, economic and scientific revolutions, wars, and religious dissent forced them to reformulate their ideas of God, nation, society and self. This well-written, accessible book depicting how Elizabethans perceived reality and acted on their perceptions illustrates Elizabethan life, offering readers well-told stories about the Elizabethan people and the world around them. It defines the older ideas of pre-Elizabethan culture and shows how they were shattered and replaced by a new culture based on the emergence of individual conscience. The book posits that post-Reformation English culture, emphasizing the internalization of religious certainties, embraced skepticism in ways that valued individualism over older communal values. Being Elizabethan portrays how people’s lives were shaped and changed by the tension between a received belief in divine stability and new, destabilizing, ideas about physical and metaphysical truth. It begins with a chapter that examines how idealized virtues in a divinely governed universe were encapsulated in funeral sermons and epitaphs, exploring how they perceived the Divine Order. Other chapters discuss Elizabethan social stations, community, economics, self-expression, and more. Illustrates how early modern culture was born by exposing readers to events, artistic expressions, and personal experiences Provides an understanding of Elizabethan people by summarizing momentous events with which they grew up Appeals to students, scholars, and laymen interested in history and literature of the Elizabethan era Shows how a new cultural era, the age of Shakespeare, grew from collapsing late Medieval worldviews. Being Elizabethan is a captivating read for anyone interested in early modern English culture and society. It is an excellent source of information for those studying Tudor and early Stuart history and/or literature.

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BOOK OF THE YEAR - EVENING STANDARD, THE OBSERVER and THE TIMES ‘Beautifully written and completely convincing’ Observer ‘An excellent novel – riotous and abundant, full of vivid, dirty life’ Guardian 'Osman brings the underworld of Elizabethan London to life' Sandra Newman, author of Julia On a rooftop in Elizabethan London two worlds collide. Shay is a messenger-girl and trainer of hawks who sees the future in the patterns of birds. Nonesuch is the dark star of the city's fabled child theatre scene, as famous as royalty yet lowly as a beggar. Together they create The Ghost Theatre: a troupe staging magical plays in London's hidden corners. As their hallucinatory performances incite rebellion among the city's outcasts, the pair's relationship sparks and burns against a backdrop of the plague and a London in flames. Their growing fame sweeps them up into the black web of the Elizabethan court, where Shay and Nonesuch discover that if they fly too high, a fall is sure to come… Fantastical and captivating, The Ghost Theatre charts the rise and dramatic destruction of a dream born from love and torn apart by betrayal. 'Wildly inventive and full of fantastical elements jostling alongside gritty realism’ The Times 'Rich and evocative with shades of Angela Carter' Ever Dundas 'A story of rebellion and magic, of mysticism and broken love in the streets and theatres and rooftops of Elizabethan London. Beautifully written, delicate and sad. I'm still haunted by it' Mariana Enriquez 'Brings the underworld of Elizabethan London to life with its child theatres, rioting apprentices and anarchic world, its jumble of squalor and glamour... larger-than-life heroes raise child rebellions; pursue exalted, treacherous love affairs... Glorious!' Sandra Newman ‘Hauntingly beautiful … Thrilling and thought-provoking’ Independent

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BOOK OF THE YEAR - EVENING STANDARD, THE OBSERVER and THE TIMES ‘Beautifully written and completely convincing’ Observer ‘An excellent novel – riotous and abundant, full of vivid, dirty life’ Guardian 'Osman brings the underworld of Elizabethan London to life' Sandra Newman, author of Julia On a rooftop in Elizabethan London two worlds collide. Shay is a messenger-girl and trainer of hawks who sees the future in the patterns of birds. Nonesuch is the dark star of the city's fabled child theatre scene, as famous as royalty yet lowly as a beggar. Together they create The Ghost Theatre: a troupe staging magical plays in London's hidden corners. As their hallucinatory performances incite rebellion among the city's outcasts, the pair's relationship sparks and burns against a backdrop of the plague and a London in flames. Their growing fame sweeps them up into the black web of the Elizabethan court, where Shay and Nonesuch discover that if they fly too high, a fall is sure to come… Fantastical and captivating, The Ghost Theatre charts the rise and dramatic destruction of a dream born from love and torn apart by betrayal. 'Wildly inventive and full of fantastical elements jostling alongside gritty realism’ The Times 'Rich and evocative with shades of Angela Carter' Ever Dundas 'A story of rebellion and magic, of mysticism and broken love in the streets and theatres and rooftops of Elizabethan London. Beautifully written, delicate and sad. I'm still haunted by it' Mariana Enriquez 'Brings the underworld of Elizabethan London to life with its child theatres, rioting apprentices and anarchic world, its jumble of squalor and glamour... larger-than-life heroes raise child rebellions; pursue exalted, treacherous love affairs... Glorious!' Sandra Newman ‘Hauntingly beautiful … Thrilling and thought-provoking’ Independent

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An essential book for scholars and students of renaissance music, as well as the history of music publishing and print. The Renaissance composer and organist Thomas Morley (c.1557-1602) is best known as a leading member of the English Madrigal School, but he also built a significant business as a music publisher. This book looks at Morley's pioneering contribution to music publishing in England, inspired by an established music printing culture in continental Europe. A student of William Byrd, Morley had a conventional education and early career as a cathedral musician both in Norwich and at St Paul's cathedral. Morley lived amongst the traders, artisans and gentry of England's major cities at a time when a market for recreational music was beginning to emerge. His entrepreneurial drive combinedwith an astute assessment of his market resulted in a successful and influential publishing business. The turning point came with a visit to the Low Countries in 1591, which gave him the opportunity to see a thriving music printpublication business at first hand. Contemporary records provide a detailed picture of the processes involved in early modern music publishing and enable the construction of a financial model of Morley's business. Morley died too young to reap the full rewards of his enterprise, but his success inspired the publication by his contemporaries of a significant corpus of readily available recreational music for the public. Critical to Morley's successwas his identification of the sort of music, notably the Italianate lighter style of madrigal, that would appeal to amateur musicians. Surviving copies of the original prints show that this music continued to be used for severalgenerations: new editions in modern notation started to appear from the mid eighteenth century onwards, suggesting that Morley truly had the measure of the market for recreational music. Thomas Morley: Elizabethan Music Publisher will be of particular interest to scholars and students of renaissance music, as well as the history of music publishing and print. Tessa Murray is an honorary research fellow at the University of Birmingham.

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This is not your average revision guide. It doesn't just tell you what to revise. It teaches you how to revise, too, which is the key to exam success.Based on the latest cognitive science principles and illustrated by lots of visual memory aids, this book makes it much easier to remember everything you need to know and avoid feeling overwhelmed.> Start revising the right way. Testing yourself is proven to boost memory, so you will start each chapter by answering a Knowledge Test, to see what you know and where you have gaps.> Spend time on what matters. Having completed the Knowledge Tests, you can plan a really efficient revision programme, which focuses on your weaker topics and will make the biggest difference to your grade.> Close the gaps. The 'Core Content' pages improve your knowledge of the topics that you need to revise. Research proves that we remember something better if it's presented through text and images, so these pages use bullet points and cartoon memory aids to summarise the important knowledge 'takeaways'.> Show what you know. The 'Exam Practice' pages explain what to do with the knowledge you have gained and how to apply it in the exams. Practice questions and exam tips help you to feel confident answering each question type. Compare your answers to the model answers provided, which highlight the features of excellent responses.> Trust the Dale Banham method. Dale is a highly creative History author and a teacher with over 30 years' experience. Building upon the thinking behind his popular 'Engaging with AQA GCSE History' textbooks, the 'steps to success' in this book give students more support than any other revision guide.

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The Elizabethan settlement, and the Church of England that emerged from it, made way for a theological reformation, an institutional reformation, and a high political reformation. It was a reformation that changed history, birthed an Anglican communion, and would eventually launch new wars, new language, and even a new national identity. A People’s Reformation offers a fundamental reinterpretation of the English Reformation and the roots of the Church of England. Drawing on archival material from across the United States and Britain, Lucy Kaufman examines the growing influence of state authority and the slow building of a robust state church from the bottom up in post-Reformation England. Situating the people of England at the heart of this story, the book argues that while the Reformation shaped everyday lives, it was also profoundly shaped by them in turn. England became a Protestant nation not in spite of its people but through their active social, political, and religious participation in creating a new church in England.A People’s Reformation explores this world from the pews, reimagining the lived experience and fierce negotiation of church and state in the parishes of Elizabethan England. It places ordinary people at the centre of the local, cultural, and political history of the Reformation and its remarkable, transformative effect on the world.

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The writings of two influential Elizabethan thinkers testify to the influence of Old English law and literature on Tudor society and self-image. Full of fresh and illuminating insights into a way of looking at the English past in the sixteenth century... a book with the potential to deepen and transform our understanding of Tudor attitudes to ethnic identity and the national past. Philip Schwyzer, University of Exeter. Laurence Nowell (1530-c.1570), author of the first dictionary of Old English, and William Lambarde (1536-1601), Nowell's protégé and eventually the first editor of theOld English Laws, are key figures in Elizabethan historical discourses and in its political and literary society; through their work the period between the Germanic migrations and the Norman Conquest came to be regarded as a foundational time for Elizabethan England, overlapping with and contributing to contemporary debates on the shape of Elizabethan English language. Their studies took different strategies in demonstrating the role of early medieval history in Elizabethan national -- even imperial -- identity, while in Lambarde's legal writings Old English law codes become identical with the "ancient laws" that underpinned contemporary common law. Their efforts contradict the assumption that Anglo-Saxon studies did not effectively participate in Tudor nationalism outside of Protestant polemic; instead, it was a vital part of making history "English". Their work furthers our understanding of both the history of medieval studies and the importance of early Anglo-Saxon studies to Tudor nationalism. Rebecca Brackmann is Assistant Professor of English, Lincoln Memorial University.

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The Elizabethan court was a vibrant and colourful place, where the inherited traditions and technological skill that had characterised the Middle Ages came face to face with the decorative techniques of the Renaissance. The book includes fascinating background about the court, government and armies of the age (including the main protagonists of the Spanish Armada) together with information about the individual owners of many pieces. It features beautiful photographs of key objects from the Royal Armouries’ collection including the Lion Armour, the ‘Forget-me-not’ Gun and the Burgonet of Smyth armour.

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While the dissolution of the monasteries in the 1530s resulted in the destruction of much of England’s built fabric, it was also a time in which many new initiatives emerged. In the following century, former monasteries were eventually adapted to a variety of uses: royal palaces and country houses, town halls and schools, almshouses and re-fashioned parish churches. In this beautiful and elegantly argued book, Maurice Howard reveals that changes of style in architecture emerged from the practical needs of construction and the self-image of major patrons in the revolutionary century between Reformation and Civil War. Published for the Paul Mellon Centre for Studies in British Art

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When fire destroys their London theatre, Lord Westfield's players must seek out humbler venues in the countryside. But company manager Nicholas Bracewell is distracted by a shocking tragedy: a mysterious messenger from his native Devon is murdered by poison. Though the messenger is silenced, Nicholas understands what he must do: return to his birthplace and reconcile some unfinished business of the past. The rest of Westfield's Men, penniless and dejected, ride forth with him on a nightmare tour that will perhaps become their valedictory, dogged as they are by plague, poverty, rogues, and thieves. And among the sinister shadows that glide silently with them toward Devon is one who means Nicholas never to arrive . . .

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He had the power to assume a pleasing shape, but would he take to the stage . . . ? The audience was merry indeed when a third devilish imp bounded onstage to join the two that had been written into the script. But backstage all was uproar. The third demon seemed too much like the real thing. Even Nicholas Bracewell, the company mainstay, was shaken when, next time the play was given, only one devil appeared. The second, poor fellow, was now only a little red heap backstage. Murdered. Before the curtain rose again, Lord Westfield's Men would suffer the sermons of a puritan fanatic, the enchantment of passion, the terror of a London madhouse, prophecies of a famous alchemist, and danger as they'd never known it before . . .

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Oxford Revise AQA GCSE History: Elizabethan England, c1568-1603 is a complete revision and practice book covering the full topic specification, containing everything you need to revise for this choice of British depth study. All key knowledge is clearly covered, from the ''Golden Age'' to the conflict with Spain, including the Historic Environment. You will build your confidence for the exam across the topic. By working through the Knowledge - Retrieval - Practice sections, you will be using proven ways to revise, check and recall so that what you revise sticks. Knowledge Organisers arrange the information you need to revise helping you to make connections with what you already know. Timelines and charts are used to present key information in a meaningful way. An online glossary helps you to learn the definitions of key terms. Use Retrieval questions to check that you have remembered what you have just revised before moving on to the exam practice. Regular retrieval questions help

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Treats, through excerpts from contemporary opinion and official documents, various aspects of the little world of theatre in the full context of Elizabethan-Jacobean life and times.

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Based for the most part on Ovid's Metamorphoses, epyllia retell stories of the dalliances of gods and mortals, most often concerning the transformation of beautiful youths. This short-lived genre flourished and died in England in the 1590s. It was produced mainly by and for the young men of the Inns of Court, where the ambitious came to study law and to sample the pleasures London had to offer. Jim Ellis provides detailed readings of fifteen examples of the epyllion, considering the poems in their cultural milieu and arguing that these myths of the transformations of young men are at the same time stories of sexual, social, and political metamorphoses. Examining both the most famous (Shakespeare's Venus and Adonis and Marlowe's Hero and Leander) and some of the more obscure examples of the genre (Hiren, the Fair Greek and The Metamorphosis of Tabacco), Ellis moves from considering fantasies of selfhood, through erotic relations with others, to literary affiliation, political relations, and finally to international issues such as exploration, settlement, and trade. Offering a revisionist account of the genre of the epyllion, Ellis transforms theories of sexuality, literature, and politics of the Elizabethan age, making an erudite and intriguing contribution to the field.

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A calendar of the 1567/8 London Port Book, detailing imports in London, plus related documents.

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Clear Revise illustrated revision and practice for Edexcel GCSE History 1HI0.Absolute clarity is the aim with a new generation of GCSE History revision guides. This clear study guide has been expertly compiled and edited by successful teachers of History, highly experienced examiners.

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For Lord Westfield's Men, every high road leads to death. When the deathly horrors of the Black Plague decimate the audiences in London's theatres, the acclaimed troupe of players called Lord Westfield's Men take to the high road to seek out fresh audiences. But wherever they go, they are thwarted by misfortune, and are baffled by mysteries. Their scripts are stolen, their players abducted. A dead man walks, and a beautiful woman hears the voice of God. Only one man is clever enough to match swords with the troupe's burgeoning troubles. Upon Nicholas Bracewell, the company's bookholder and mainstay, falls the burden that may cost him his life - as they head for an ancient inn called the Trip to Jerusalem, where the last act of a bloody drama is about to begin.

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What have poems and maps, law books and plays, ecclesiastical polemics and narratives of overseas exploration to do with one another? By most accounts, very little. They belong to different genres and have been appropriated by scholars in different disciplines. But, as Richard Helgerson shows in this ambitious and wide-ranging study, all were part of an extraordinary sixteenth- and seventeenth-century enterprise: the project of making England.

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Exam Board: WJECLevel: GCSESubject: HistoryFirst teaching: September 2017First exams: Summer 2019Endorsed by WJECHelp every student to develop the in-depth knowledge and historical skills they need to achieve their best with the market-leading series for WJEC GCSE History.> Guides you through the key questions and content in the specification, with thorough and reliable course coverage from a team of expert examiners, teachers and authors> Builds understanding of Welsh, British and wider-world history through a clear, detailed narrative that is accessible to all students> Enables students to practise and improve their enquiry, analytical and evaluative skills as they progress through carefully-designed activities in each chapter> Enhances subject knowledge and interest by including a range of stimulating source materials for discussion and reflection> Prepares students for assessment with practice questions, sample responses and step-by-step guidance on approaching questions

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A fascinating addition to the magical literature of the Elizabethan era, this unique grimoire is a must-have for magic aficionados and historians. Dating from the time of Shakespeare (c. 1580), The Book of Oberon is a meticulous transcription and translation of a magic book recently rediscovered by the Folger Shakespearean Library. Unlike the more theoretical magic books of the era, this is a compilation of practical spells, secrets, and summonings. The Book of Oberon includes rituals for summoning spirits and faeries (including Oberon); original drawings; talismans and charms for toothaches, bleeding, the capture of thieves, and other practical matters; one of the oldest known copies of the magical manual The Enchiridion; and much more.

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For AQA 9-1 GCSE History exam success, don't miss CGP's fantastic Topic Guide covering Elizabethan England (c1568-1603). It's packed with crystal-clear revision notes, heaps of activities, interpretations and exam-style questions (with answers) - perfect for helping students test their understanding of the topic and master the skills they'll need for the exam. Our handy worked answers and exam advice mean students can walk into the exam feeling confident that they're fully prepared.

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This book reassesses Renaissance English literature and its place in Elizabethan society. It examines, in particular, the role of Italianate literary imitation in addressing the ethical and political issues of the sixteenth century.

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A vicious rivalry threatens to cause chaos for Lord Westfield's Men when the onstage duels between Owen Elias and Sebastian Carrick become ever more realistic. However, it is an axe that splits open Sebastian's head one night in a Clerkenwell alley. Company book holder Nicholas Bracewell, accustomed to damage control, begins to investigate the victim's death and learns that in life, he was prone to make enemies from his weakness for women and his unwillingness to settle his debts. A web of deception has in fact been spun that stretches from lowly to high ranking courtesans, all the way to the Virgin Queen.

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In late Victorian England, even as the sword was being rendered useless on the battlefield, swordsmanship was experiencing a unique revival. Captain Alfred Hutton and Egerton Castle, both devoted fencers and amateur historians, led a systematic study and reconstruction of combat with all the weapons of the Elizabethan arsenal - the elegant rapier, deadly sword and buckler, and the massive two-handed sword. Their work found practical expression in classes, exhibitions, academic lectures and theatrical combat, for audiences as diverse as school children, soldiers and the Prince of Wales. Yet for all of their efforts, Hutton and Castle did not establish a tradition of historical swordsmanship that survived their own generation. Instead, their books and essays were largely forgotten until the second revival of ancient swordplay in the late 20th century, and today's researchers often view these early efforts with a cavalier or dismissive eye. In Ancient Swordplay: the Revival of Elizabethan Swordplay in Victorian England, 19th-century martial arts scholar, theatrical fight director and martial artist Tony Wolf reexamines Hutton and Castle's work, both through their own words and those of their enthusiasts, students and critics. Rather than earnest but misguided amateur scholars, they are revealed to be the inventors of a systematic study and practice of lost fighting arts that has only been exceeded in recent years, worthy of being celebrated as the true pioneers in the field.

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A new account of playgoing in Elizabethan England, in which audiences participated as much as performers. What if going to a play in Elizabethan England was more like attending a football match than a Broadway show—or playing in one? In Common Understandings, Poetic Confusion, William N. West proposes a new account of the kind of participatory entertainment expected by the actors and the audience during the careers of Shakespeare and his contemporaries. West finds surprising descriptions of these theatrical experiences in the figurative language of early modern players and playgoers—including understanding, confusion, occupation, eating, and fighting. Such words and ways of speaking are still in use today, but their earlier meanings, like that of theater itself, are subtly, importantly different from our own. Playing was not confined to the actors on the stage but filled the playhouse, embracing audiences and performers in collaborative experiences that did not belong to any one alone but to the assembled, various crowd. What emerged in playing was a kind of thinking and feeling distributed across persons and times that were otherwise distinct. Thrown apples, smashed bottles of beer, and lumbering bears—these and more gave verbal shape to the physical interactions between players and playgoers, creating circuits of exchange, production, and consumption.

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The purpose of this absorbing collection is to illuminate the world of the theatre by setting it squarely in its historical context. To that end, Professor Evans draws on the whole spectrum of Elizabethan-Jacobean writing, from official documents to diaries and letters. Part I, The Theatre and the World, deals, through contemporary writings, with the drama itself, the audiences and their responses, theatrical companies, acting and actors, and buildings and technical matters. Part II, The Worlds and the Theatre, illustrates how the problems of everyday life, complicated as they were by moral, religious, social, political, and economic issues, provided an ever-fruitful source of materials to the dramatists who practiced their craft during this extraordinarily creative period.

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The best of a thousand imagistic stories, grouped under 'Follies and Vices' and 'Quest for the One' (the two aspects of the fundamental theme of world literature).

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Anthony Sherley (1565-1633) was one of three brothers from a Sussex gentry family, whose adventures abroad fascinated their contemporaries. Their doings were celebrated and exaggerated in printed pamphlets and a play on the London stage, but are scarcely known today. Anthony was a soldier fighting in France and the Netherlands, and then an unsuccessful privateer, before his patron, the earl of Essex, chose him to lead a group on a mission to Ferrara, which proved abortive. Sherley then undertook on his own initiative to take his followers on a highly risky journey across Turkey to Persia. He hoped to persuade the Shah to ally with the West against their mutual enemy, Ottoman Turkey. Surprisingly, Shah Abbas the Great (1587-1629) approved the plan, and sent Sherley back to Europe as his ambassador. But after that things went badly wrong. Essex lost all influence at court, and was eventually executed for treason. Sherley was refused permission to return to England. He was on his own, and had to find new ways of living and earning. After various episodes in Venice and Morocco he ended up in the pay of Spain, and was chosen to command a fleet created to stop pirates from attacking Spanish possessions. After the failure of this project he was forced to retire to Granada, and lived the rest of his life on a meagre royal pension. But he continued trying to give advice, based on his past experiences, to the king of Spain and his ministers. The book will concentrate on Sherley's career, but will broaden the theme by including chapters on his father and his two brothers, and in particular on Persia and Shah Abbas, the Persian king whom he met. Anthony was an irascible, complex character, often derided and disliked. This biography is more sympathetic than previous ones, and discusses his self-fashioning and his belief in his personal honour, both of which might account for some of his misdemeanours, especially after the death of his patron.

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This is the first of a new series of books that will tell the history of early modern England from the perspective of those living at the time. Norman Jones' fascinating account details both the individual preoccupations (such as illness and famine) and the larger historical changes (such as fears over the succession and the establishment of Protestantism) which dominated life during the 1560s.

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The fiery star of the company of players called Lord Westfield's Men, Laurence Firethorn, is hot for a lady, wife of the Lord Mayor elect. A tryst at London's Nine Giants Inn is arranged. Meanwhile, the lugubrious landlord of the actors' home base is laid even lower by a plot to take over ownership of the inn. A young apprentice actor is subjected to a horrible assault and a waterman pulls a mangled corpse from the Thames. The drama comes to a climax at the annual Lord Mayor's show as his barge moves grandly down the river....

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This volume and Volume 57 present the Elizabethan wills and inventories collected by the Exeter Orphans' Court between 1560 and c.1602. The court administered the estates of all 'orphans' (the children of wealthy freemen whose fathers were deceased) within the city. They form the most important series of documents relating to the houses, material culture and social history of people living in Exeter during the latter half of the sixteenth century, including the number of rooms in their homes, their furniture, clothes and kitchen equipment, and the pattern of their debts. They are thus an invaluable resource for anyone interested in everyday life and the household in Elizabethan England.

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Practise and perfect the knowledge and skills that students need to achieve their best grade in the Edexcel GCSE (9-1) History exams.Packed full of consolidation activities and exam-style questions, this time-saving Workbook makes it easier to reinforce understanding throughout the course and prepare for examination.- Apply, embed and recap knowledge using tried-and-tested consolidation activities that put the large amount of content into context- Develop the exam skills required for the 9-1 examinations with a bank of practice questions that covers every question type and includes mark allocations to indicate how much time students should spend on an answer- Help students identify their revision needs and understand how to improve their responses by consulting the online answers/answer guidance for each activity and question- Use flexibly for homework or classwork, during the course or for revision and exam practice- Feel confident about exam preparation, knowing that the activities and questions have been carefully created by a team of experienced examiners and practising teachers

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