Search results for ""author elizabeth"

Readers of Elizabeth Noble, Erica James and Amanda Prowse will devour this gripping novel about love and marriage - and the ties that bind us - from multi-million copy bestselling author Joanna Trollope. With the flawless depiction of rural, middle-class life and her incredibly astute characterisation, she effortlessly demonstrates how seductive and cosy the apparent safety of money, conformity and marriage can be - but also how fragile....'A story of seduction - not only sexual seduction but the irresistible appeal of money, beautiful objects, charming manners...excellent' - The Sunday Times'A richly textured and immensely readable novel' - The Sunday Times'Could not put this book down' - ***** Reader review'A must read' - ***** Reader review'An outstanding study of human relationships and conflicting loyalties' - ***** Reader review****************************************************************WOULD YOU TAKE A CHANCE AND SET SOMETHING IN MOTION THAT COULD CHANGE EVERYTHING?The Grey House is the final piece in the jigsaw of Alice Jordan's perfect life. It seems to be the ultimate achievement of her outwardly happy marriage - a loyal, if dull husband, three children, two cars and now the house. So why does she feel as if something is missing?As Alice and her family settle themselves into village life, the something missing becomes something huge and then breaks, scandalizing the village and opening up old wounds.But because of it, Alice begins to feel that there is hope and humour and understanding and compassion in the new life she must build for herself.

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Set in the last years of Elizabeth I's reign, Winston Graham's The Grove of Eagles seamlessly blends historical fact and fiction in a rich tale full of unforgettable characters.In 1588 the Spanish Armada had been defeated in the English Channel and the whole of Elizabethan England was alert for the revenge that surely had to follow. On the Cornish coast, men like John Killigrew - in charge of the castle at Pendennis - were vital to the survival of the country, and on their backs rested the trust of those defending the nation. His eldest but base-born son, Maugan, emerges in the novel, through his loneliness and his love, as a touchingly honest and believable character who is, above all things, a man of his word.

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The new paperback edition of Roy Strong's popular introduction to Elizabethan portraiture Written for the general reader, Roy Strong’s popular introduction to Elizabethan portraiture synthesizes scholarship and research on this subject into a concise introduction to the Elizabethan aesthetic. Strong surveysthe entirety of Elizabeth I’s reign from the Procession Picture to the Rainbow Portrait (1600–1602). A range of social aspects of Elizabethan portraiture are explored, such as patronage, symbolic self-fashioning, Elizabethan pageantry and melancholic humor. Strong reveals the Elizabethan approach to portraiture, while demonstrating a new way to look at these paintings. From celebrated portraits of the Queen and paintings of knights and courtiers, to works depicting an aspiring 'middle class’, Strong presents a detailed and authoritative examination of one of the most fascinating periods of British art.

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Amy Robsart was the wife of Queen Elizabeth I's favourite, Robert Dudley, later Earl of Leicester. In September 1560, she was found dead, her neck broken, at the bottom of a flight of stairs at Cumnor Place. Amy was twenty-eight when she died and her marriage to Dudley had been one of great absences and loneliness. Some said she was ill, others that she was desperate. More sinister rumours talked of murder. In this book we look at Amy's unsolved death and examine who had motive to commit such a dark deed. Was it an accident, suicide or murder? The Death of Amy Robsart is the first volume in an exciting new historical true crime series from Chronos Books.

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Oxford Revise Edexcel GCSE History: Early Elizabethan England, 1558-88 is a complete revision and practice book covering the full topic specification, containing everything you need to know to revise for this choice of British depth topic. All the key knowledge you need to know about Early Elizabethan England is clearly covered in one book. You will build your confidence for the exam for all topics, from Elizabeth's accession to everyday life. By working through the Knowledge - Retrieval - Practice sections, you will be using proven ways to revise, check and recall so that what you revise sticks. Knowledge Organisers arrange the information you need to revise helping you to make connections with what you already know. Timelines and charts are used so that key information is presented in a meaningful way. An online glossary helps you to learn the definitions to key terms. After the Knowledge Organisers, you can use the Retrieval questions to check that you have remembered what you have just revised before moving on to the exam practice. Regular retrieval questions help to combat the forgetting curve. Finally, exam-style Practice questions give you loads of experience of the type of question you will face in your exam. This will strengthen your ability to recall and apply knowledge in their exams. All the answers to the practice questions as well as a helpful mark scheme are provided online.

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An exploration of the importation of French political thought into England during the last decades of Elizabeth's reign. The French Religious Wars generated a large body of political propaganda from the Huguenots, the Politiques (a Huguenot-Catholic confederacy) and the Catholic League. Dr. Parmelee discusses how, in the last decades of the reign ofElizabeth I some 130 translated documents were imported into England, most of them - originating from the Politiques, written in support of the Protestant Henry of Navarre's accession to the French throne-advocating religious tolerance as a way to peace. She argues that while most English political thinkers did not openly embrace or articulate the absolutist ideas often expressed in these writings, they had a wide impact on political discourse in the lateElizabethan period. They were useful against foreign enemies, Catholic recusants and Presbyterians, but particularly, in a time of fear of civil war engendered by an unsettled succession, they helped to establish an intellectualclimate conducive to the later development of Stuart absolutism. Dr. Lisa Ferraro Parmelee teaches in the Department of History at Villanova University.

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Most people have always been interested in sex, love and marriage. Now, this entertaining and informative book explores the surprisingly varied and energetic sex and love lives of the women and men of Queen Elizabeth's England. A range of writers, from the famous, such as Shakespeare, John Donne and Ben Jonson, and lesser-known figures popular in their time, provide, in their witty stories, poems and plays, vivid pictures of Elizabethan sexual attitudes and experiences, while sober reports from the church courts tell of seductions, adulteries and rapes. Here we also encounter private journals and scenes from ordinary marriages, with complaints of women's fashions, bossy wives and domineering husbands. Besides this, there are accounts of the busy whores of London brothels, homosexual activity and the Court's amorous carousel of predatory aristocrats, promiscuous ladies and hopeful maids of honour. We conclude with the frustrations of The Virgin Queen herself. This lively review of Elizabethan sexuality, in its various forms, much of it brought together for the first time, should intrigue and amuse anyone with an interest in history, and how love used to be lived, 'in good Queen Bess's golden days'.

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In Paper Monsters, Samuel Fallon charts the striking rise, at the turn to the seventeenth century, of a new species of textual being: the serial, semifictional persona. When Thomas Nashe introduced his charismatic alter ego Pierce Penilesse in a 1592 text, he described the figure as a "paper monster," not fashioned but "begotten" into something curiously like life. The next decade bore this description out, as Pierce took on a life of his own, inspiring other writers to insert him into their own works. And Pierce was hardly alone: such figures as the polemicist Martin Marprelate, the lovers Philisides and Astrophil, the shepherd-laureate Colin Clout, the prodigal wit Euphues, and, in an odd twist, the historical author Robert Greene all outgrew their fictional origins, moving from text to text and author to author, purporting to speak their own words, even surviving their creators' deaths, and installing themselves in the process as agents at large in the real world of writing, publication, and reception. In seeking to understand these "paper monsters" as a historically specific and rather short-lived phenomenon, Fallon looks to the rapid expansion of the London book trade in the years of their ascendancy. Personae were products of print, the medium that rendered them portable, free-floating figures. But they were also the central fictions of a burgeoning literary field: they embodied that field's negotiations between manuscript and print, and they forged a new form of public, textual selfhood. Sustained by the appropriative rewritings they inspired, personae came to seem like autonomous citizens of the literary public. Fallon argues that their status as collective fictions, passed among writers, publishers, and readers, positioned personae as the animating figures of what we have come to call "print culture."

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This volume presents the first printed edition of a late sixteenth-century poetic miscellany and provides invaluable insight into understanding the literature of the period. Its owner and principal scribe, Humfrey Coningsby, drew on texts circulating in manuscript , predominantly by contemporary writers of the time—including Philip Sidney, Edward Dyer, Arthur Gorges, Walter Ralegh, Elizabeth I, the Earl of Oxford, Nicholas Breton, George Peele, and Thomas Watson. Coningsby also added at least two of his own compositions, along with anonymous poems not found in any other manuscripts or printed books. This edition preserves the appearance, spelling, and punctuation of the original manuscript while expanding antiquated contractions to provide an easily readable text. Textual notes appear on the page, and in-depth contextual notes and word glosses are provided in the commentary section. The analyses add to our knowledge of early modern manuscript culture and literary manuscript transmission, and a substantial introduction provides context for the compilation of the anthology.

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Longlisted for the Crime Writers' Association Historical Fiction Dagger, 2019A Walter Scott Prize Academy Recommended Read 2019'Rich, intelligent and dark in equal measure, leaving you wrung out with terror. Historical fiction at its most sumptuous.' Rory Clements________________________Heresy. Conspiracy. Murder...London, 1590: Amidst a tumultuous backdrop of Spanish plotters, Catholic heretics and foreign wars, Queen Elizabeth I's control over her kingdom is wavering.And a killer is at work, preying on the weak and destitute of London... Idealistic physician Nicholas Shelby becomes determined to end these terrible murders. Joined in his investigations by Bianca, a beautiful but mysterious tavern keeper, the pair find themselves caught in the middle of a sinister plot. With the killer still at large, Bianca finds herself in terrible danger. Nicholas's choice seems impossible - to save Bianca, or save himself...'Wonderful! Perry's Elizabethan London is so skilfully evoked, so real that one can almost smell it.' Giles Kristian

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In the late sixteenth and early seventeenth centuries there was one art form in which English artists excelled above all their continental European counterparts: the painting of miniatures. This fascinating book explores the genre with special reference to two of its most accomplished practitioners, Nicholas Hilliard and Isaac Oliver, whose astounding skill brought them international fame and admiration. Four centuries ago, England was famous primarily for its literary culture – the dram a of Shakespeare and Ben Jonson and the works of the great lyrical and metaphysical poets. When it came to the production of visual art, the country was seen as something of a backwater. However, there was one art form for which English artists of this period were renowned: portrait miniature painting, or as it was known at the time, limning. Growing from roots in manuscript illumination, it was brought to astonishing heights of skill by two artists in particular: Nicholas Hilliard (1547–1619) and Isaac Oliver (c .1565–1617). In addition to exhibiting the exquisite technique of the artists, portrait miniatures express in a unique way many of the most distinctive and fascinating aspects of court life in this period: ostentatious secrecy, games of courtly love, arcane symbolism, a love of intricacy and decoration. Bedecked in elaborate lace, encrusted in jewellery and sprinkled with flowers, court ladies smile enigmatically at the viewer; their male counterparts rest on grassy banks or lean against trees, sighing over thwarted love, or more modestly express their hopes in Latin epigrams inscribed around their heads. Often set in richly enamelled and jewelled gold lockets, or beautifully turned ivory or ebony boxes, such miniatures could be concealed or revealed, exchanged or kept, as part of elaborate processes of friendship, love, patronage and diplomacy at the courts of Elizabeth I and James I /VI. This richly illustrated book, like the exhibition it accompanies, explores what the portrait miniature reveals about identity, society and visual culture in Elizabethan and Jacobean England.

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In The Plague in Print, Rebecca Totaro takes the reader into the world of plague-riddled Elizabethan England, documenting the development of distinct subgenres related to the plague and providing unprecedented access to important original sources of early modern plague writing. Totaro elucidates the interdisciplinary nature of plague writing, which raises religious, medical, civic, social, and individual concerns in early modern England. Each of the primary texts in the collection offers a glimpse into a particular subgenre of plague writing, beginning with Thomas Moulton’s plague remedy and prayers published by the Church of England and devoted to the issue of the plague. William Bullein’s A Dialogue, both pleasant and pietyful, a work that both addresses concerns related to the plague and offers humorous literary entertainment, exemplifies the multilayered nature of plague literature. The plague orders of Queen Elizabeth I highlight the community-wide attempts to combat the plague and deal with its manifold dilemmas. And after a plague bill from the Corporation of London, the collection ends with Thomas Dekker’s The Wonderful Year, which illustrates plague literature as it was fully formed, combining attitudes toward the plague from both the Elizabethan and Stuart periods.These writings offer a vivid picture of important themes particular to plague literature in England, providing valuable insight into the beliefs and fears of those who suffered through bubonic plague while illuminating the cultural significance of references to the plague in the more familiar early modern literature by Spenser, Donne, Milton, Shakespeare, and others. As a result, The Plague in Print will be of interest to students and scholars in a number of fields, including sixteenth- and seventeenth-century English literature, cultural studies, medical humanities, and the history of medicine.

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'Dramatic and colourful' SUNDAY TIMES'Beautiful writing' GILES KRISTIAN Treason, heresy and revolt in Queen Elizabeth's England . . . The year is 1600. With a dying queen on the throne, war raging on the high seas and famine on the rise, England is on the brink of chaos. And in London's dark alleyways, a conspiracy is brewing. In the court's desperate bid to silence it, an innocent man is found guilty - the father of Nicholas Shelby, physician and spy. As Nicholas races against time to save his father, he and his wife Bianca are drawn into the centre of a treacherous plot against the queen.When one of Shakespeare's boy actors goes missing, and Bianca discovers a disturbing painting that could be a clue, she embarks on her own investigation. Meanwhile, as Nicholas comes closer to unveiling the real conspirator, the men who wish to silence him are multiplying. When he stumbles on a plan to overthrow the state and replace it with a terrifying new order, he may be forced to make a decision between his country and his heart . . .

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‘The definitive biography’ Roy StrongThe remarkable story of Bess of Hardwick, her ascent through Elizabethan society and the houses she built that shaped British architectural history.Born in 1521, Bess of Hardwick, businesswoman, money-lender and property tycoon, lived an astonishing eighty-seven years. Through canny choices, four husbands and a will of steel she rose from country squire’s daughter to Dowager Countess, establishing herself as one of the richest and most powerful women in England, second only to Queen Elizabeth.Bess forged her way not merely by judicious marriage, but by shrewd exploitation of whatever assets each marriage brought. Wealth took concrete form in her passion for building and she oversaw every stage of the construction of her four houses including Hardwick New Hall, her sole surviving building, which stands as a celebration of one woman’s triumphant progress through Elizabethan England.‘A dynamic portrait of Bess's life...’ BBC History Magazine

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Exam Board: Pearson EdexcelLevel: GCSESubject: HistoryFirst teaching: September 2016First exams: June 2018Endorsed for EdexcelEnable students to achieve their full potential while ensuring pace, enjoyment and motivation with this popular series from the leading History publisher for secondary schools.> Blends in-depth coverage of topics with activities and strategies to help students to acquire, retain and revise core subject knowledge > Uses an exciting mix of clear narrative, visual stimulus materials and a rich collection of contemporary sources to capture students' interest> Helps students to maximise their grade potential and develop their exam skills through structured guidance on answering every question type successfully> Builds on our experience publishing popular GCSE History resources, providing you with accurate, authoritative content written by experienced teachers who understand the content and assessment requirementsEarly Elizabethan England, 1558-88 covers all three key topics in the specification: 'Queen, government and religion, 1558-69'; 'Challenges to Elizabeth at home and abroad, 1569-88'; 'Elizabethan society in the Age of Exploration, 1558-88.'

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An animated account of the launching of Yale’s Elizabethan Club, and the life of its founder and his intriguing wife A millionaire carpet manufacturer, noted philanthropist, and avid yachtsman, Alexander Smith Cochran, Yale Class of 1896, gathered a superb collection of original editions of plays and related works from the reign of Queen Elizabeth. In 1911, with the help of William Lyon Phelps, Cochran launched Yale’s Elizabethan Club as a place to house his collection and offer a congenial environment for social and intellectual interaction between Yale undergraduates, graduates, and faculty concerned with literature and the arts. Cochran’s creation “changed the tone and atmosphere of modern Yale” until the colleges arrived. Drawing on extensive sources, Walter Goffart surveys Cochran’s life and many occupations, notably his founding of the “Lizzie.” He also takes a close look at Cochran’s intriguing wife of two years, Ganna Walska—the aspiring opera singer celebrated for developing the Lotusland gardens in Montecito, California.Distributed for the Elizabethan Club, Yale University

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In this first biography of Theodore Paleologus, new documentary evidence exposes him as a hardened mercenary and killer in the pay of the wicked Earl of Lincoln but also supports his imperial pretensions – long dismissed by historians. Yet despite his black record, memorial services are still conducted with imperial honours at Theodore’s grave in Cornwall and he now enjoys a new lease of life in fantasy fiction. Award-winning author John Hall traces the extraordinary real lives of Theodore Paleologus and his three sons – from contract killings throughout Europe to fighting one another in the English Civil War, and from buccaneering on the Spanish Main to a pioneering role in the Caribbean slave trade. Their true story is contrasted with parallel lives on the wilder shores of literature which link Theodore to the bloodline of Christ, the biblical End of Days, and a claim to the throne of England. Here, Hall finally separates fact from fable in the patchy history of this legendary but elusive villain.

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For more than two centuries the group of early modern English manuscripts presented in this volume sat mostly ignored on the shelves of the British Library, known only to the librarians who catalogued them. Six of them, for four different elaborate allegorical paintings, appear in the manuscript catalog of the Sloane Collection as “Instructions to painters.” A seventh, from the Harley collection in the same library, has more recently been added to the group. On art historical, iconographic, and historical grounds the manuscripts add significantly to our knowledge of Elizabethan visual allegory, and reveal a provocative new contribution to the evolution of English political thought. And the development across three of the programs of a warm personal relationship between the patron and the artist opens a unique window into early modern relationships of this kind. Unlike most other surviving artistic programs, this one reveals its author’s personality and interests in a rich and beguiling way, and although as a writer he is no Sidney or Nashe, the naïve yet widely informed enthusiasm with which he addresses his readers has considerable force and charm.

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This volume brings together a diverse group of Reformation scholars to examine the life, work, and enduring significance of John Jewel, bishop of Salisbury from 1560 to 1571.A theologian and scholar who worked with early reformers in England such as Peter Martyr Vermigli, Martin Bucer, and Thomas Cranmer, Jewel had a long-lasting influence over religious culture and identity. The essays included in this book shed light on often-neglected aspects of Jewel’s work, as well as his standing in Elizabethan culture not only as a priest but as a leader whose work as a polemicist and apologist played an important role in establishing the authority and legitimacy of the Elizabethan Church of England. The contributors also place Jewel in the wider context of gender studies, material culture, and social history. With its inclusion of a short biography of Jewel’s early life and a complete list of his works published between 1560 and 1640, Defending the Faith is a fresh and robust look at an important Reformation figure who was recognized as a champion of the English Church, both by his enemies and by his fellow reformers.In addition to the editors, contributors to this volume are Andrew Atherstone, Ian Atherton, Paul Dominiak, Alice Ferron, Paul A. Hartog, Torrance Kirby, W. Bradford Littlejohn, Aislinn Muller, Joshua Rodda, and Lucy Wooding.

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Gentry Rhetoric examines the full range of influences on the Elizabethan and Jacobean genteel classes’ practice of English rhetoric in daily life. Daniel Ellis surveys how the gentry of late sixteenth- and early seventeenth-century Norfolk wrote to and negotiated with each other by employing Renaissance humanist rhetoric, both to solidify their identity and authority in resisting absolutism and authoritarianism, and to transform the political and social state. The rhetorical training that formed the basis of their formal education was one obvious influence. Yet to focus on this training exclusively allows only a limited understanding of the way this class developed the strategies that enabled them to negotiate, argue, and conciliate with one another to such an extent that they could both form themselves as a coherent entity and become the primary shapers of written English’s style, arrangement, and invention.Gentry Rhetoric deeply and inductively examines archival materials in which members of the gentry discuss, debate, and negotiate matters relating to their class interests and political aspirations. Humanist rhetoric provided the bedrock of address, argumentation, and negotiation that allowed the gentry to instigate a political and educational revolution in seventeenth- and eighteenth-century England.

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Not just a few elite scientists, but Londoners from all walks of life--lawyers, prisoners, midwives, merchants--participated in the scientific community of Elizabethan times Bestselling author Deborah Harkness (A Discovery of Witches, Shadow of Night) explores the streets, shops, back alleys, and gardens of Elizabethan London, where a boisterous and diverse group of men and women shared a keen interest in the study of nature. These assorted merchants, gardeners, barber-surgeons, midwives, instrument makers, mathematics teachers, engineers, alchemists, and other experimenters, she contends, formed a patchwork scientific community whose practices set the stage for the Scientific Revolution. While Francis Bacon has been widely regarded as the father of modern science, scores of his London contemporaries also deserve a share in this distinction. It was their collaborative, yet often contentious, ethos that helped to develop the ideals of modern scientific research.The book examines six particularly fascinating episodes of scientific inquiry and dispute in sixteenth-century London, bringing to life the individuals involved and the challenges they faced. These men and women experimented and invented, argued and competed, waged wars in the press, and struggled to understand the complexities of the natural world. Together their stories illuminate the blind alleys and surprising twists and turns taken as medieval philosophy gave way to the empirical, experimental culture that became a hallmark of the Scientific Revolution.

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The culmination of cultural and literary achievements in the final decade of Elizabeth I's reign coincided with some of Tudor England's worst years economically which were exacerbated by plague, successive harvest failure, and belligerence at home and abroad. This critical edition of the scribal publication 'Reformed Government' c. 1594 provides a unique point of entry into the 1590s. Recovering a pivotal moment in the history of puritan radicalism, it represents the most extensive reformed response to the onslaught of anti-puritan literature in the late sixteenth century, including Richard Hooker's ^iLaws of Ecclesiastical Polity^r. In addition to mounting an epistemological and ecclesiastical defence of reformed presbyterian government, it sheds light on new appropriations of Renaissance ideas about historical contingency, and introduces a dynamic reading of Christian antiquity. The edition also provides a wider context for later developments in the seventeenth century. Exploiting the instability of the period, the 'Reformed Government' seized the opportunity to re-imagine society and even anticipated the idea of altering civil and religious constitutions which theorists later developed in Revolutionary Britain. By expanding and reconfiguring the relationship between civil and ecclesiastical government, it imaginatively stretched the implications of historical change to entertain new possibilities. This recovery of an alternative vision of a reformed society in the late sixteenth century offers an alternative model for reading church history. Based on maximal visions and proposals of reform, the 'Reformed Government' is essential reading for the study of ecclesiastical tradition alongside confessional documents and summative statements.

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Sir Thomas Smith was one of the most important politicians and intellectuals of the day; a brilliant academic career at Cambridge was followed by his active participation in politics under Edward VI, Mary, and Elizabeth. He played a leading role in the controversial reform of Greek pronunciation; he introduced a new style of continental architecture to England; and he wrote analyses of the politics of his day, including his views on the relations between the monarch and parliament, views which were to be seized on in the crisis of the 17th century in a way which would no doubt have startled Smith, had he lived to see it. For this reason the publication of the ORWF is accompanied by Richard Simpson's personal and intellectual biography of this most important of the missing persons' of the 16th century. The biography is intended partly to remedy some of the misconceptions about Smith, but, more importantly to set OWRF and his other writings in a coherent biographical framework Deborah T

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This volume brings together a diverse group of Reformation scholars to examine the life, work, and enduring significance of John Jewel, bishop of Salisbury from 1560 to 1571.A theologian and scholar who worked with early reformers in England such as Peter Martyr Vermigli, Martin Bucer, and Thomas Cranmer, Jewel had a long-lasting influence over religious culture and identity. The essays included in this book shed light on often-neglected aspects of Jewel’s work, as well as his standing in Elizabethan culture not only as a priest but as a leader whose work as a polemicist and apologist played an important role in establishing the authority and legitimacy of the Elizabethan Church of England. The contributors also place Jewel in the wider context of gender studies, material culture, and social history. With its inclusion of a short biography of Jewel’s early life and a complete list of his works published between 1560 and 1640, Defending the Faith is a fresh and robust look at an important Reformation figure who was recognized as a champion of the English Church, both by his enemies and by his fellow reformers.In addition to the editors, contributors to this volume are Andrew Atherstone, Ian Atherton, Paul Dominiak, Alice Ferron, Paul A. Hartog, Torrance Kirby, W. Bradford Littlejohn, Aislinn Muller, Joshua Rodda, and Lucy Wooding.

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Trust the power of cognitive science to help students to understand more, remember more and feel more confident about their exams.This textbook is guaranteed to make learning more effective. The approach was created by author and teacher Dale Banham, who has amazing knowledge of the best teaching methods and over 30 years'' classroom experience.> Simplify each topic. The text is broken down into bullet points and boxes. Tasks are structured around the ''steps to success'', teaching students how to Connect & Engage, Research & Record, Summarise, Apply and Review their learning> Make learning stick. Cognitive science techniques such as ''interleaving'', ''retrieval practice'' and ''spaced practice'' support students with processing and remembering the course content> Strengthen memory through ''dual coding''. The book contains memory aids that visually summarise key knowledge. Research proves that we remember something better

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Part of a larger project to examine the Elizabethan politics of representation, this work refigures the social and cultural context within which Elizabethan drama was created. The author first locates the public and professional theatre within the ideological and material framework of Elizabethan culture. He considers the role of the professional theatre and theatricality in the cultural transformation that was concurrent with religious and socio-political change, and then concentrates upon the formal means by which Shakespeare's Elizabethan plays called into question the absolutist assertions of the Elizabethan state. Drawing dramatic examples from the genres of tragedy and history, Montrose finally focuses his cultural-historical perspective on "A Midsummer Night's Dream". The book demonstrates how language and literary imagination shape cultural value, belief and understanding including social distinction and interaction, and political control and contestation.

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Exam Board: AQALevel: GCSESubject: HistoryFirst Teaching: September 2016First Exam: June 2018AQA approvedCreate a stimulating, well-paced teaching route through the 2016 GCSE History specification using this tailor-made series that draws on a legacy of market-leading history textbooks and the individual subject specialisms of the author team to inspire student success.- Motivate your students to deepen their subject knowledge through an engaging and thought-provoking narrative that makes historical concepts accessible and interesting to today's learners- Embed progressive skills development in every lesson with carefully designed Focus Tasks that encourage students to question, analyse and interpret key topics- Take students' historical understanding to the next level by using a wealth of original contemporary source material to encourage wider reflection on different periods- Help your students achieve their potential at GCSE with revision tips and practice questions geared towards the changed assessment model, plus useful advice to aid exam preparation- Confidently navigate the new AQA specification using the expert insight of experienced authors and teachers with examining experience

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Essays - collected in honour of Margaret Bent - examining how medieval and Renaissance composers responded to the tradition in which they worked through a process of citation of and commentary on earlier authors. Essays in honour of Margaret Bent. The chapters of this book probe the varied functions of citation and allusion in medieval and renaissance musical culture. At its most fundamental level musical culture relied on shared models for musical practice, used by singers and composers as they learned their craft. Several contributors to this volume investigate general models, which often drew on earlier musical works, internalized in the process of composers' own training as singers. In written theoretical musical pedagogy, conversely, citation of authority is deliberate and intentional. The adaptation of accepted wisdom in theoretical treatises was the means by which newer authors stamped their own authority. Further kinds of citation occur in specific musical texts, either within the words set to music or in the music itself. The diverse functions of citation and allusion for the creator, reader, scribe, performer and listener are here given due consideration. In doing so, this volume is a fitting tribute to Margaret Bent, whose pedagogy, publications, and presence are honoured in this Festschrift. Contributors: SUSAN RANKIN, GILLES RICO, CHRISTIAN THOMAS LEITMEIR, BARBARA HAGGH, LEOFRANC HOLFORD-STREVENS, ANDREW WATHEY, KEVIN BROWNLEE, ALICE V. CLARK, LAWRENCE M. EARP, VIRGINIA NEWES, JOHN MILSOM, DAVID HOWLETT, REINHARD STROHM, THEODOR DUMITRESCU, CRISTLE COLLINS JUDD, BONNIE J. BLACKBURN

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A critical biography of one of the most celebrated prose stylists in early modern English.This book provides an overview of the life and work of the scandalous Renaissance writer Thomas Nashe (1567–c.1600), whose writings led to the closure of theaters and widespread book bans. Famous for his scurrilous novel, The Unfortunate Traveller (1594), Nashe also played a central role in early English theater, collaborating with Ben Jonson, Christopher Marlowe, and William Shakespeare. Through religious controversies, pornographic poetry, and the bubonic plague, Andrew Hadfield traces the uproarious history of this celebrated English writer. 'Thomas Nashe was a bright, fierce light in Elizabethan literature, whose work was banned by the church authorities. From secretly circulated pornography to the herrings of East Anglia, and from Puritan propaganda to the first English novel, Nashe is always productive and provocative. Andrew Hadfield’s lucid new life opens up these funny, savage, deeply topical works for a new readership, emphasizing their range, verve, and specificity. Hadfield’s skill is in contextualizing without overshadowing the literary brio of the writing, and in recovering the Nashe whom all his contemporaries — including Shakespeare — wanted to emulate.' — Emma Smith, Hertford College, Oxford (UK)

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The Elizabethan settlement, and the Church of England that emerged from it, made way for a theological reformation, an institutional reformation, and a high political reformation. It was a reformation that changed history, birthed an Anglican communion, and would eventually launch new wars, new language, and even a new national identity. A People’s Reformation offers a fundamental reinterpretation of the English Reformation and the roots of the Church of England. Drawing on archival material from across the United States and Britain, Lucy Kaufman examines the growing influence of state authority and the slow building of a robust state church from the bottom up in post-Reformation England. Situating the people of England at the heart of this story, the book argues that while the Reformation shaped everyday lives, it was also profoundly shaped by them in turn. England became a Protestant nation not in spite of its people but through their active social, political, and religious participation in creating a new church in England.A People’s Reformation explores this world from the pews, reimagining the lived experience and fierce negotiation of church and state in the parishes of Elizabethan England. It places ordinary people at the centre of the local, cultural, and political history of the Reformation and its remarkable, transformative effect on the world.

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An account of the development of the English navy showing how the formidable force which beat the Spanish Armada was created. When Henry VIII came to the throne in 1509 the English Navy was rather ad hoc: there were no warships as such, rather just merchant ships, hired when needed by the king, and converted for military purposes, which involved mostly the transport of troops and the support of land armies. There were no permanent dockyards and no admiralty or other standing institutions to organise naval affairs. Throughout the reigns of Henry VIII, Edward VI and Mary, and theearly part of the reign of Elizabeth, all this changed, so that by the 1580s England had permanent dockyards, and permanent naval administrative institutions, and was able to send warships capable of fighting at sea to attack theSpanish in the Caribbean and in Spain itself, and able to confront the Spanish Armada with a formidable fleet. This book provides a thorough account of the development of the English navy in this period, showing how the formidableforce which beat the Spanish Armada was created. It covers technological, administrative and operational developments, in peace and war, and provides full accounts of the various battles and other naval actions. David Loadesis Honorary Research Professor, University of Sheffield, Professor Emeritus, University of Wales, Bangor, and a member of the Centre for British and Irish Studies, University of Oxford. He has published over 20 books, including"The Tudor Navy" (1992).

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As part of the Property Development Programme for Kenilworth Castle in Warwickshire, English Heritage created an ambitious reconstruction of the Elizabethan garden which formerly stood on the north side of the castle keep. In order to achieve a reliable representation of the original garden, a programme of archaeological trenching, open area excavation and watching brief was carried out by Northamptonshire Archaeology (now MOLA) from 2004 to 2008. This report discusses the results of the excavations which uncovered for the first time the foundation and culverts of an octagonal fountain basin, described by Robert Langham in a contemporary letter relating to Queen Elizabeth I’s visit in 1575. The results of the excavation also clarified to some extent the original dimensions of the garden and the foundation level upon which the fine surfacing detail would have been applied. Contributions to understanding the geometry of the garden’s architectural features are made by the identification of a series of rubble-and-mortar-filled pits, which probably formed bases for plinths for structures or other structural elements. The terrace which formed a viewing promenade over the garden was shown to have undergone substantial alteration. The impact of Civil War defences and slighting on the north of the keep and outer bailey wall were investigated. Following this, the area was subsequently cultivated as a kitchen garden and orchard from at least the beginning of the eighteenth century. Twentieth-century activity included consolidation of the castle fabric, the construction of paths and the remodelling of the terrace, and the remains of an ornamental knotwork garden created in 1975. The archaeology of the garden and its surroundings are discussed from the remnants of medieval features through to the present day.

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To know Shakespeare is to know his plays, not just one by one but all together—or what T. S. Eliot calls ""the pattern in his carpet”.

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Exam Board: Pearson EdexcelLevel: GCSESubject: HistoryFirst teaching: September 2016First exams: Summer 2018Endorsed for EdexcelTarget success in Edexcel GCSE (9-1) History with this proven formula for effective, structured revision.Key content coverage is combined with exam-style questions, revision tasks and practical tips to create a revision guide that students can rely on to review, strengthen and test their knowledge.With My Revision Notes every student can:> Plan and manage a successful revision programme using the topic-by-topic planner> Enjoy an interactive approach to revision, with clear topic summaries that consolidate knowledge and related activities that put the content into context> Build, practise and enhance exam skills by progressing through activities set at different levels> Improve exam technique through exam-style questions and model answers with commentary from expert authors and teachers> Get exam ready with extra quick quizzes and answers to the activities available online

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Elizabethan and Jacobean architecture— the uniquely strange and exciting buildings built by the great and powerful, ranging from huge houses to gem-like pavilions and lodges designed for feasting and hunting—is a phenomenon as remarkable as the literature that accompanied it, the literature of Shakespeare, Spenser, Sidney, Marlow, and others. In this beautiful and fascinating book, Mark Girouard discusses social structure and the way of life behind it, the evolution of the house plan, the excitement of English patrons and craftsmen as they learned not only about the classic Five Orders and the buildings of Ancient Rome, the surprising wealth of architectural drawings that survive from the period, the inroads of foreign craftsmen who brought new fashions in ornament, but also the strength of the native tradition that was creatively integrated with the “antique” style. Behind the book is a vivid consciousness of the European scene: Italy, France, central Europe and above all the Low Countries and their influence on England. But the principal argument of the book is the unique individuality of the English achievement. The result of new research and fieldwork, as well as a lifetime’s observation and scholarship, this remarkable book displays Girouard’s unique sense of style and his enduring excitement for the architecture of the period.Published for the Paul Mellon Centre for Studies in British Art

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Part of the Pitkin History of Britain series (linked to key stages 3 and 4 of the National Curriculum), this book draws on eye-witness accounts and contemporary documents to bring alive the personalities and events of the time. It also takes a fresh look at this glorious period. Look out for more Pitkin Guides on the very best of British history, heritage and travel, specially further titles in this series.

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Insight into the minds and methods of 'godly' ministers - early nonconformists - who sought to modify the Elizabethan settlement of religion. At the heart of Elizabeth I's reign, a secret conference of clergymen met in and around Dedham, Essex, on a monthly basis in order to discuss matters of local and national interest. Their collected papers, a unique survival from the clandestine world of early English nonconformity, are here printed in full for the first time, together with a hitherto unpublished narrative by the Suffolk minister, Thomas Rogers, which throws a flood of light on similar, ifmore public, clerical activity in and around Bury St Edmunds, Suffolk, during the same period. Taken together, the two texts provide an unrivalled insight into the minds and the methods of that network of 'godly' ministers whose professed aim was to modify the strict provisions of the Elizabethan settlement of religion, both by ceaseless lobbying and by practical example. The editors' introduction accordingly emphasizes the complex nature of the English protestant tradition between the Tudor mid-century and the accession of James I, as well as attempting to plot the politico-ecclesiastical developments of the 1580s in some detail. A comprehensive biographical register of the members of the Dedham conference, of the Bury St Edmunds lecturers, and of many other important names mentioned in the texts, completes the volume. PATRICK COLLINSON is Regius Professor of Modern History, University of Cambridge;JOHN CRAIG is associate professor at Simon Fraser University; BRETT USHER is an expert on Elizabethan clergy.

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We are often told that Shakespeare is our contemporary, yet we insist just as often on the Elizabethan quality of his work as it reflects a culture remote from our own. Beginning with this paradox, Howard Felperin explores the question of modernity in literature. He directs his attention toward several older poets and examines Shakespeare in particular to show how literary modernity depends, not on chronological considerations, but on the process of mimesis, or imitation, that art has traditionally claimed for itself. In analyzing Shakespeare's major tragedies, Professor Felperin notes that each carries within it a model of its dramatic prototypes, and therefore requires a conservative response from its interpreters. In the interest of being truer to life than its model, however, each play departs from that model and so requires a Romantic or modernist response as well. The author contends that Shakespeare's meaning arises from this ambivalent relation to the forms of the past. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Designed to introduce the student or general reader to a largely unfamiliar area of Elizabethan theatrical activity, Five Elizabethan progress entertainments focuses on a group of entertainments mounted for the monarch in the closing years of her reign. Richly annotated, and prefaced by a substantial introduction, the texts enable an understanding of the motives underlying not only the progress itself, but the choice of locations the monarch elected to visit and the personal and political preoccupations of those with whom she determined to stay. Selected for their diversity, the entertainments exhibit the tensions underlying some royal visits, the lavish expenditure entailed for the monarch’s hosts and the overlap in terms of both material and authorship between the progress entertainments and the more widely studied products of the sixteenth-century stage.

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Exam Board: EduqasLevel: GCSESubject: HistoryFirst teaching: September 2016First exams: Summer 2018Endorsed by EduqasBring out the best in every student, enabling them to develop in-depth subject knowledge and historical skills with the market-leading series for Eduqas, fully updated to help you navigate the content and assessment requirements for the 9-1 GCSE.> Maps the content against the key questions in the 2016 specification, with thorough and reliable course coverage written by a team of experienced authors, teachers and examiners> Motivates students to increase their subject knowledge by following a clear, detailed narrative that leads learners topic by topic through the important issues, events and concepts> Progressively builds historical understanding and skills as students work through a range of engaging classroom activities with structured support at every stage> Boosts students' confidence approaching assessment, providing numerous opportunities to practise different types of exam-style questions> Captures learners' interest by offering a rich variety of source material that brings historical periods to life, enhancing understanding and enjoyment throughout the course

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BOOK OF THE YEAR - EVENING STANDARD, THE OBSERVER and THE TIMES ‘Beautifully written and completely convincing’ Observer ‘An excellent novel – riotous and abundant, full of vivid, dirty life’ Guardian 'Osman brings the underworld of Elizabethan London to life' Sandra Newman, author of Julia On a rooftop in Elizabethan London two worlds collide. Shay is a messenger-girl and trainer of hawks who sees the future in the patterns of birds. Nonesuch is the dark star of the city's fabled child theatre scene, as famous as royalty yet lowly as a beggar. Together they create The Ghost Theatre: a troupe staging magical plays in London's hidden corners. As their hallucinatory performances incite rebellion among the city's outcasts, the pair's relationship sparks and burns against a backdrop of the plague and a London in flames. Their growing fame sweeps them up into the black web of the Elizabethan court, where Shay and Nonesuch discover that if they fly too high, a fall is sure to come… Fantastical and captivating, The Ghost Theatre charts the rise and dramatic destruction of a dream born from love and torn apart by betrayal. 'Wildly inventive and full of fantastical elements jostling alongside gritty realism’ The Times 'Rich and evocative with shades of Angela Carter' Ever Dundas 'A story of rebellion and magic, of mysticism and broken love in the streets and theatres and rooftops of Elizabethan London. Beautifully written, delicate and sad. I'm still haunted by it' Mariana Enriquez 'Brings the underworld of Elizabethan London to life with its child theatres, rioting apprentices and anarchic world, its jumble of squalor and glamour... larger-than-life heroes raise child rebellions; pursue exalted, treacherous love affairs... Glorious!' Sandra Newman ‘Hauntingly beautiful … Thrilling and thought-provoking’ Independent

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BOOK OF THE YEAR - EVENING STANDARD, THE OBSERVER and THE TIMES ‘Beautifully written and completely convincing’ Observer ‘An excellent novel – riotous and abundant, full of vivid, dirty life’ Guardian 'Osman brings the underworld of Elizabethan London to life' Sandra Newman, author of Julia On a rooftop in Elizabethan London two worlds collide. Shay is a messenger-girl and trainer of hawks who sees the future in the patterns of birds. Nonesuch is the dark star of the city's fabled child theatre scene, as famous as royalty yet lowly as a beggar. Together they create The Ghost Theatre: a troupe staging magical plays in London's hidden corners. As their hallucinatory performances incite rebellion among the city's outcasts, the pair's relationship sparks and burns against a backdrop of the plague and a London in flames. Their growing fame sweeps them up into the black web of the Elizabethan court, where Shay and Nonesuch discover that if they fly too high, a fall is sure to come… Fantastical and captivating, The Ghost Theatre charts the rise and dramatic destruction of a dream born from love and torn apart by betrayal. 'Wildly inventive and full of fantastical elements jostling alongside gritty realism’ The Times 'Rich and evocative with shades of Angela Carter' Ever Dundas 'A story of rebellion and magic, of mysticism and broken love in the streets and theatres and rooftops of Elizabethan London. Beautifully written, delicate and sad. I'm still haunted by it' Mariana Enriquez 'Brings the underworld of Elizabethan London to life with its child theatres, rioting apprentices and anarchic world, its jumble of squalor and glamour... larger-than-life heroes raise child rebellions; pursue exalted, treacherous love affairs... Glorious!' Sandra Newman ‘Hauntingly beautiful … Thrilling and thought-provoking’ Independent

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