Search results for ""author catholic book publishing"

2023 College Theology Society Best Book Award 2023 Catholic Media Association Third Place Award, Theology – Morality, Ethics, Christology, Mariology, and Redemption2023 Association of Catholic Publishers Second Place Award, TheologyDust in the Blood considers the harrowing realities of life with depression from a Christian theological perspective. In conversation with popular Christian theologies of depression that justify why this suffering exists and prescribe how people ought to relate to it, Jessica Coblentz offers another Christian approach to this condition: she reflects on depression as a wilderness experience. Weaving first-person narratives of depression, contemporary theologies of suffering, and ancient biblical tales of the wilderness, especially the story of Hagar, Coblentz argues for and contributes to an expansion of Christian ideas about what depression is, how God relates to it, and how Christians should understand and respond to depression in turn.

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In the past two centuries hundreds of apparitions of the Virgin Mary have been reported, drawing crowds to the seers and the sites and constituting events of great religious significance for millions of people worldwide. Here Sandra Zimdars-Swartz provides a detective-like investigation of the experiences and interpretations of six major apparitions, including those at La Salette and Lourdes in France during the mid-nineteenth century; at Fatima, Portugal, in 1917; and the more recent ones at San Damiano, Italy; Garabandal, Spain; and Medjugorje, Yugoslavia, where the apparitions continue. Adopting a phenomenological approach to these "encounters with Mary"--one that is neither apologetic nor antagonistic--the author explores the tension between the personal meaning of the events for their subjects and the public appropriation of this meaning by a larger religious community. Along the way she examines the backgrounds of the seers, their willingness or reluctance to talk about the apparitions and their messages, the amount of emotional support they received from family and community as news of the apparitions spread, the reports of miracles at apparition sites, the reactions of local authorities, and the steps taken by the Roman Catholic Church in officially recognizing or rejecting the apparitions as worthy of belief. The author concludes with a survey of religious worldviews based on Marian apparitions, focusing especially on the now-popular transcultural apocalyptic nature of these messages to the modern world. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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An ALA 2014 Over the Rainbow Selection An Amazon.ca Best Book of 2013: Top 100/Editors' Pick A Vancouver Sun Favourite Read of 2013 "Reading Cullen ...is a little like drinking booze. Definitely not wine, because it's not all that genteel, and not beer, because it's not all that commonplace, but hard liquor because it's edgy, fast-acting, more than a little disorienting and frequently mixed with something sweet."--The Globe & Mail What has to die before you force yourself to change? That's the question facing the always quirky and often-queer characters of Canary. From the communal showers of a hot yoga studio to seedy pubs on Vancouver's East Side, from Catholic merchandise salesmen to hitchhiking teenage lesbians, the people and places of Nancy Jo Cullen's debut are asphyxiating slowly on ordinary life. Yet in this joint-smoking urban underground, we also glimpse the families, communities, friends and strangers from whom unexpected kindness comes as a breath of fresh air. Trashy but poignant, comic and profound, Canary hangs luminous above the coal-heap of fiction debuts--and proves Nancy Jo Cullen a writer of astonishing depths. "Cullen's prose is volcanic even when she's describing the most domestic situations possible--the language is full of subterranean rumbles that simultaneously disturb and delight. The writing is always surprising, always bright, even in the most somber moments. Moving and funny, these stories will break your heart in the very best way."--Suzette Mayr "Nancy Jo Cullen mines humanity's beautiful fault-lines. There is not one lousy story in this bunch, but there are plenty of lousy people, all of them gleaming with the shimmer of real. Cullen knows just where to find the funny in tragedy, and how to make words feel like life."--Kathryn Kuitenbrouwer Nancy Jo Cullen is the 4th recipient of the Writers' Trust Dayne Ogilvie Award for an Emerging Gay Writer. She holds an MFA in Creative Writing from the University of Guelph Humber. Her fiction has appeared in The Puritan, Grain, filling Station, Plenitude and Prairie Fire. Her short story "Ashes" was selected for the Journey Prize Anthology in 2012. Cullen is also the author of three critically acclaimed collections of poetry with Frontenac House Press. Her first collection, Science Fiction Saint, was shortlisted for the Gerald Lampert Award, the Writers Guild of Alberta's Stephan G. Stephansson Award and the Alberta Publishers Trade Book Award. Her second collection Pearl was shortlisted for the W.O. Mitchell Calgary Book Prize and won the Alberta Publishers Trade Book Award. A transplanted westerner, Cullen lives in Toronto with her partner and children. She is at work on a novel and a fourth collection of poetry.

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Excellence in Publishing Award, Association of Catholic Publishers Honorable Mention, Catholic Press Association Book Award Finalist, Washington State Book Award Pure Act tells the story of poet Robert Lax, whose quest to live a true life as both an artist and a spiritual seeker inspired Thomas Merton, Jack Kerouac, William Maxwell and a host of other writers, artists and ordinary people. Known in the U.S. primarily as Merton’s best friend and in Europe as a daringly original avant-garde poet, Lax left behind a promising New York writing career to travel with a circus, live among immigrants in post-war Marseilles and settle on a series of remote Greek islands where he learned and recorded the simple wisdom of the local people. Born a Jew, he became a Catholic and found the authentic community he sought in Greek Orthodox fishermen and sponge divers. In his early life, as he alternated working at The New Yorker, writing screenplays in Hollywood and editing a Paris literary journal with studying philosophy, serving the poor in Harlem and living in a sanctuary high in the French Alps, Lax pursued an approach to life he called pure act―a way of living in the moment that was both spontaneous and practiced, God-inspired and self-chosen. By devoting himself to simplicity, poverty and prayer, he expanded his capacity for peace, joy and love while producing distinctive poetry of such stark beauty critics called him “one of America’s greatest experimental poets” and “one of the new ‘saints’ of the avant-garde.” Written by a writer who met Lax in Greece when he was a young seeker himself and visited him regularly over fifteen years, Pure Act is an intimate look at an extraordinary but little-known life. Much more than just a biography, it’s a tale of adventure, an exploration of friendship, an anthology of wisdom, and a testament to the liberating power of living an uncommon life.

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First published in 1877, these three stories are dominated by questions of doubt, love, loneliness and religious experience, and together form a triumphant conclusion to Flaubert's literary career. With elegant simplicity, 'A Simple Heart' relates the story of Félicité - an uneducated serving-woman who retains her Catholic faith despite a life of desolation and loss. Inspired by a stained-glass window in Rouen cathedral, 'The Legend of Saint Julian Hospitator' describes the fate of Julian, a sadistic hunter destined to murder his own parents. The blend of faith and cruelty that dominates this story may also be found in 'Herodias' - a reworking of the tale of Salomé and John the Baptist.

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The field of religions of Indonesia is dominated by the sheer size of the population of Muslims, which represent 87 percent of the Indonesian population. Christians form the second largest religious group and represent the largest concentration of members of minority ethnic groups with 7 percent represented by Protestants, 3 percent by Catholics. Christianity in Indonesia is an understudied topic; comprehensive works on the topic were published over a decade ago and despite the growing importance of Christianity as a minority religion in the country, there has been little published work in English on the subject in the last decade. If Christianity in Indonesia has not been sufficiently considered, works published in English on Christianity among the ethnic Chinese in Indonesia are even scarcer, notwithstanding the fact that almost half of the Chinese minority are either Protestant or Catholic. This volume fills a scholarly gap by addressing three aspects of Christianity in urban Indonesia: ethnicity (focusing on the ethnic Chinese), education (on private Christian schools) and enterprise (on the capital and class featured in charismatic/ Pentecostal churches). The author addresses issues of state-religion relations and state policy on religion; contested religious space; elite Chinese philanthropy; evangelism and multiculturalism; citizenship education; and Christian faith aspirations. The thirteen essays, which include material previously published in journals, narrate the social reality of urban Christians in contemporary Indonesia, and is essential reading for Asian Studies scholars.

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After discussing 1 Timothy in the 19th Colloquium Oecumenicum Paulinum in 2006 (published as COP 18), the 21st Colloquium devoted itself to 2 Timothy and Titus. About 30 international Pauline scholars gathered in the Abbey of St. Paul Outside the Walls in Rome between 14 and 18 September 2010 for scholarly exchanges and discussion of seven scholarly papers on the chapters of 2 Timothy and Titus. In this volume (COP 20) these papers written in French, English and German by famous scholars from Orthodox, Protestant and Catholic traditions are edited and made available to the larger scholarly community. After a synthesis of the discussion presented in the book (Bieringer), four scholars each focus on one chapter of 2 Timothy (2 Tim 1: Wolter; 2 Tim 2: Gourgues; 2 Tim 3: Karakolis and 2 Tim 4: MacDonald). The Letter to Titus is divided into two parts which are each treated in one study (Tit 1-2: Flichy and Tit 3: Herzer). The book concludes with a thematic study on God’s philanthropy and human works touching on both letters (Penna). In this way the seven studies of this book treat 2 Timothy and Titus from beginning to end similar to a commentary. It is, however, a commentary that displays great diversity of approaches, methods, presuppositions. In the process of commenting on the texts, they also make a contribution to the highly significant recent discussion on the corpus theory and the question of authenticity.

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This fascinating book of over 200 old photographs depicts scenes, people and events from everyday life in and around Darwen, from a period of more than one hundred years. Many of the photographs, most of which come from the Darwen Library, have not been published before.In this book we see some of the town’s well-known features such as The Circus, through a period of change, plus former landmarks, like the gasholders in Vale Street and the pier at the top of Bury Street, that were both prominent features in the town. We also see images of the numerous mills that were once in business in the Darwen district including Woodfold, Belgrave and Barley Bank. The people feature just as prominently as the townscape, and we see a community enjoying many social events such as football matches, agricultural shows, drama productions, street parties and carnivals. We also see some of Darwen’s well-known individuals including Alderman Alex Carus JP, the town’s first Catholic mayor, Joseph Pomfret, Darwen’s Chief Librarian and George Nuttall, the town’s bellman for more than twenty-five years.The book depicts the town of Darwen at work, at school and at play. It will appeal to all who know and love this Lancashire town and to those who would enjoy a trip into its recent past, an age now vanished for ever.

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WITH AN INTRODUCTION BY ALI SMITHA classic of fantastic literature, Leonora Carrington's The Hearing Trumpet is the occult twin to Alice in Wonderland, published with an introduction by Ali Smith in Penguin Modern Classics.One of the first things ninety-two-year-old Marian Leatherby overhears when she is given an ornate hearing trumpet is her family plotting to commit her to an institution. Soon, she finds herself trapped in a sinister retirement home, where the elderly must inhabit buildings shaped like igloos and birthday cakes, endure twisted religious preaching and eat in a canteen overlooked by the mysterious portrait of a leering Abbess. But when another resident secretly hands Marian a book recounding the life of the Abbess, a joyous and brilliantly surreal adventure begins to unfold. Written in the early 1960s, The Hearing Trumpet remains one of the most original and inspirational of all fantastic novels.Leonora Carrington (1917-2011) was a British born Surrealist painter and writer described, alongside people such as Pablo Picasso and Joan Miro, as one of the leading lights of the Surrealist movement. Born in Lancashire to a strict Catholic family, she first came into contact with surrealism through her lover, Surrealist painter Max Ernst, before moving to Mexico in 1942. The Hearing Trumpet, her most famous piece of writing, was first published in France in 1974.If you enjoyed The Hearing Trumpet, you might like Fernando Pessoa's The Book of Disquiet, also available in Penguin Modern Classics.'Reading The Hearing Trumpet liberates us from the miserable reality of our days' Luis Buñuel'One of the most original, joyful, satisfying and quietly visionary novels of the twentieth century'Ali Smith'This book is so inspiring...I love its freedom, its humour and how it invents its own laws. What specifically do I take from her? Her wig'Björk

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In their day, the Anglo-Irish were the ascendant minority--Protestant, loyalist, privileged landholders in a recumbent, rural, and Catholic land. Their world is vanished, but shades of the Anglo-Irish linger in the big-house estates of Ireland and in the imaginative writings of this realm. In this first comprehensive study of their literature, Julian Moynahan rediscovers the unity of their greatest writings, from Maria Edgeworth's Castle Rackrent through Yeats's poetry to Bowen's The Last September and Samuel Beckett's Watt. Throughout he challenges postcolonial assumptions, arguing that the Anglo-Irish since 1800 were indelibly Irish, not mere colonial servants of Imperial Britain. Moynahan begins in 1800 with the Act of Union, when the Anglo-Irish become Irish. Just as the fortunes of this community begin to wane, its literary power unfolds. The Anglo-Irish produce a haunting, memorable body of writings that explore a unique yet always Irish identity and destiny. Moynahan's exploration of the literature reveals women writers--Maria Edgeworth, Edith Somerville, Martin Ross, and Elizabeth Bowen--as a generative and major force in the development of this literary imagination. Along the way, he attends closely to the Gothic and to the mystery writing of C. R. Maturin and J. S. Le Fanu, and provides in-depth revaluations of William Carleton and Charles Lever. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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This volume is a collection of five satires from the Reformation period, written between 1517 and 1526. In her Introduction to the work, Rummel explains that the battle between reformers and champions of the old faith was waged on many fronts, "not only by preachers thundering from the pulpits, theologians facing each other in acrimonious disputations, and church authorities issuing censures and condemnations." This collection focuses on the impact and importance of a supporting cast of satirists whose ad hoc productions reached a wider audience, in a more visceral manner, than the rational approach which typified scholarly theological arguments. Rummel explains: "Satire, a genre that requires finely honed language skills, was the preferred weapon of the humanists, who by and large sympathizes with the reformers." The humanists and reformers were often so closely associated in the reading public’s mind that the earliest phase of the Reformation was sometimes interpreted as a quarrel between philogists and theologians, a manifestation of professional jealousies. Thus Erasmus claimed that the debates of his time were the result of antagonism between the faculties of Arts and Theology. Three of the selections contained in the volume represent the Reformers, and two support the Catholics, the "Papists" of the title. These satirical essays, circulated widely among educated laypersons, use wit and biting humor to ridicule and discredit their adversaries and belong to a genre which was part of a larger body of sixteenth-century satire. The proliferation of satires became a concern of authorities who moved to suppress what they called "hate-mongering." Officials banned the publication of anonymously authored writings, effectively ending the publication of the satires, which were largely published either anonymously or carried only the name of the publisher. As a result, many of the pieces did not survive to the present day, many more are only known to us through obscure references in other literature. This volume brings to light five of these satiric pieces, written in the pivotal period when the Reformation ceased to be a protest and organized itself as a full-fledged movement. The topical issues featured in each satire are brought into historical context by a headnote explaining the circumstances surrounding its publication and giving bibliographical information about the satire’s author. The witty style makes this collection entertaining reading and the impact of these writings sheds new light on the history of the Reformation.

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In the period from 1965 to 1980, seven concepts and two alternative concepts of a fundamental church law "Lex Ecclesiae Fundamentalis" circulated. However, this fundamental church law was never promulgated. Two alternative concepts were prepared by the Evangelist study group at Heidelberg and by the Institute for Canon Law at the University of Munich. They show clearly the sensitive points for the Evangelist canon lawyers, in comparison to the seven concepts by catholic canon lawyers. By publishing these nine concepts side by side, this Synopsis wants to be an essential tool in understanding the constitutional law thinking within the Church in the 20th Century.

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Between 1926 and 1929, thousands of Mexicans fought and died in an attempt to overthrow the government of their country. They were the Cristeros, so called because of their battle cry, ¡Viva Cristo Rey!—Long Live Christ the King! The Cristero rebellion and the church-state conflict remain one of the most controversial subjects in Mexican history, and much of the writing on it is emotional polemic. David C. Bailey, basing his study on the most important published and unpublished sources available, strikes a balance between objective reporting and analysis. This book depicts a national calamity in which sincere people followed their convictions to often tragic ends. The Cristero rebellion climaxed a century of animosity between the Catholic church and the Mexican state, and this background is briefly summarized here. With the coming of the 1910 revolution the hostility intensified. The revolutionists sought to impose severe limitations on the Church, and Catholic anti-revolutionary militancy grew apace. When the government in 1926 decreed strict enforcement of anticlerical legislation, matters reached a crisis. Church authorities suspended public worship throughout Mexico, and Catholics in various parts of the country rose up in arms. There followed almost three years of indecisive guerrilla warfare marked by brutal excesses on both sides. Bailey describes the armed struggle in broad outline but concentrates on the political and diplomatic maneuvering that ultimately decided the issue. A de facto settlement was brought about in 1929, based on the government’s pledge to allow the Church to perform its spiritual offices under its own internal discipline. The pact was arranged mainly through the intercession of U.S. Ambassador Dwight Morrow. His role in the conflict, as well as that of other Americans who decisively influenced the course of events, receives detailed attention in the study. The position of the Vatican during the conflict and its role in the settlement are also examined in detail. With the 1929 settlement the clergy returned to the churches, whereupon the Cristeros lost public support and the rebellion collapsed. The spirit of the settlement soon evaporated, more strife followed, and only after another decade did permanent religious peace come to Mexico.

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Though often unnoticed by scholars of literature and history, Polish American women have for decades been fighting back against the patriarchy they encountered in America and the patriarchy that followed them from Poland. Through close readings of several Polish American and Polish Canadian novels and short stories published over the last seven decades, Writing the Polish American Woman in Postwar Ethnic Fiction traces the evolution of this struggle and women’s efforts to construct gendered and classed ethnicity. Focusing predominantly on work by North American born and immigrant authors that represents the Polish American Catholic tradition, Grażyna J. Kozaczka puts texts in conversation with other American ethnic literatures. She positions ethnic gender construction and performance at an intersection of social class, race, and sex. She explores the marginalization of ethnic female characters in terms of migration studies, theories of whiteness, and the history of feminist discourse. Writing the Polish American Woman in Postwar Ethnic Fiction tells the complex story of how Polish American women writers have shown a strong awareness of their oppression and sought empowerment through resistive and transgressive behaviors.

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This first English translation represents Sergius Bulgakov’s final, fully developed word on the Eucharist. The debate around the controversial doctrine of the Eucharist as sacrifice has dogged relations between Catholic, Orthodox, and Protestant churches since the Reformation. In The Eucharistic Sacrifice, the famous Russian theologian Sergius Bulgakov cuts through long-standing polemics surrounding the notion of the Eucharist as sacrifice and offers a stunningly original intervention rooted in his distinctive theological vision. This work, written in 1940, belongs to Bulgakov’s late period and is his last, and most discerning, word on eucharistic theology. His primary thesis is that the Eucharist is an extension of the sacrificial, self-giving love of God in the Trinity, or what he famously refers to as kenosis. Throughout the book, Bulgakov points to the fact that, although the eucharistic sacrifice at the Last Supper took place in time before the actual crucifixion of Christ, both events are part of a single act that occurs outside of time. This is Bulgakov’s concluding volume of three works on the Eucharist. The other two, The Eucharistic Dogma and The Holy Grail, were translated and published together in 1997. This third volume was only first published in the original Russian version in 2005 and has remained unavailable in English until now. The introduction provides a brief history of Bulgakov’s theological career and a description of the structure of The Eucharistic Sacrifice. This clear and accessible translation will appeal to scholars and students of theology, ecumenism, and Russian religious thought.

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Nicholas Rademacher’s book is meticulously researched and clearly written, shedding new light on Monsignor Paul Hanly Furfey’s life by drawing on Furfey’s copious published material and substantial archival deposit. Paul Hanly Furfey (1896–1992) is one of U.S. Catholicism’s greatest champions of peace and social justice. He and his colleagues at The Catholic University of America offered a revolutionary view of the university as a center for social transformation, not only in training students to be agents for social change but also in establishing structures which would empower and transform the communities that surrounded the university. In part a response to the Great Depression, their social settlement model drew on the latest social scientific research and technique while at the same time incorporating principles they learned from radical Catholics like Dorothy Day and Catherine de Hueck Doherty. Likewise, through his academic scholarship and popular writings, Furfey offered an alternative vision of the social order and identified concrete steps to achieve that vision. Indeed, Furfey remains a compelling exemplar for anyone who pursues truth, beauty, and justice, especially within the context of higher education and the academy. Leaving behind an important legacy for Catholic sociology, Furfey demonstrated how to balance liberal, radical, and revolutionary social thought and practice to elicit new approaches to social reform.

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2023 Nebraska Book Award During the 1930s the Federal Writers’ Project described Omaha as a “man’s town,” and histories of the city have all but ignored women. However, women have played major roles in education, health, culture, social services, and other fields since the city’s founding in 1854. In The Women Who Built Omaha Eileen Wirth tells the stories of groundbreaking women who built Omaha, including Susette “Bright Eyes” LaFlesche, who translated at the trial of Chief Standing Bear; Mildred Brown, an African American newspaper publisher; Sarah Joslyn, who personally paid for Joslyn Art Museum; Mrs. B of Nebraska Furniture Mart; and the Sisters of Mercy, who started Omaha’s Catholic schools. Omaha women have been champion athletes and suffragists as well as madams and bootleggers. They transformed the city’s parks, co-founded Creighton University, helped run Boys Town, and so much more, in ways that continue today.

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"These Things Have Been Written" calls to mind the fashion in which the Fourth Gospel was written, with particular emphasis upon Johannine characterization. In various ways it elucidates many facets of the evangelist's notion of faith. The final chapters focus on the incarnation of the Word and the new commandment of love. Raymond F. Collins is professor of New Testament Studies at the Catholic University of Leuven, Belgium, and former rector of The American College affiliated with the university. A specialist in the New Testament's Johannine and Pauline literature, he has published a number of significant books on the New Testament including an "Introduction to the New Testament" (1983), "Studies on the First Letter to the Thessalonians" (1984), and the "Letters That Paul Did not Write" (1988).

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This eloquent memoir provides an unrivalled insight into the life of a child reared in a working-class Irish Catholic community in late nineteenth-century Britain. No other author succeeds in depicting so vividly the texture of a life delimited by manual work, home and community ties as experienced by Irish migrants of the period. At the same time, it charts the tortuous route by which a young man struggled to free himself from a life of manual labour by using his literary talents to become a journalist and a popular novelist. Published in 1916, it reflects the world and assumptions of an emigre community between the failure of the Fenian movement and the Easter Rising, and it includes a telling vignette of the aged Fenian Jeremiah O'Donovan Rossa. An insightful picture of the world of those Home Rule supporters who lived outside Ireland emerges from this book.

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Through the centuries, at the heart of Catholic moral theology is a fundamental question: How do we behave responsibly in the face of moral uncertainty? Attempts to resolve problems of everyday life led to the growth of a variety of moral systems, one of which emerged in the early 17th century and was known as "probabilism." This method of solving difficult moral cases allowed the believer to rely upon a view that was judged defensible in terms of its arguments or the authorities behind it, even if the opposite opinion was supported by stronger arguments or more authorities. The theologian Juan Caramuel, a Spanish Cistercian monk whom Alphonso Liguori famously characterized as "the prince of laxists," has been regarded as one of the more extreme - and notorious - proponents of probabilism. As the only full-length English study of Caramuel's theological method, "Defending Probabilism" seeks to reappraise Caramuel's legacy, claiming that his model of moral thinking, if better understood, can actually be of help to the Church today. Considered one of the most erudite theologians of his age, a scientist and scholar who published works on everything from astronomy and architecture to printing and Gregorian chant, Caramuel strove throughout his life to understand probabilism's theological and philosophical foundations as part of his broader analysis of the nature of human knowledge. In applying Caramuel's legacy to our own time, "Defending Probabilism" calls for a reconsideration of the value of provisional moral knowledge. Fleming's study shows that history matters, and that to attain any position on moral certitude is a difficult and painstaking process.

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James Joyce, the great and bold literary innovator of our time, was also a rebel in life, a self-exile from family, nation, and religion. Criticism of Joyce, when it has not been purely technical, has sought in Joyce's work ideas as radical as his techniques and as rebellious as his life. Mr. O'Brien discovers that Joyce was neither morally revolutionary nor morally neutral. Instead, Joyce emerges as an Irishman clinging to a conception of human nature largely derived from the Irish Catholic background he so vehemently denounced. In this study of Joyce's work, from his early poems through Ulysses and Finnegans Wake, Mr. O'Brien argues that Joyce eventually achieved, in his books, a comic perspective on the follies of mankind. Originally published in 1968. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Fighting the Antichrist analyzes the discourse against Catholicism from the breach from Rome in 1534 until the death of Elizabeth I in 1603. Cultural representations of Catholicism were decisive in creating and moulding the perceptions that many Englishmen had of the new Anglican Church and its alleged enemies. Such perceptions were essential not only in promoting policies against English Catholics, but in shaping English national identity. Anti-Catholic propaganda elaborated a stereotype of the Catholic that converged with other negative cultural types common in the period, such as that of the lazy, lecherous monk, the cruel Spaniard, the seductive and deceitful Jesuit and the Machiavellian schemer (the last three enjoying special popularity in the second half of the Elizabethan period). These stereotypes allowed anti-Catholics to send a clear message to their Protestant countrymen: that Catholicism was a devilish, corrupt foreign power that could undermine the most basic pillars of English society their Church and State. Dr Alvarez-Recio explores a wide number of texts of different genres in order to determine their contribution to the aforementioned cultural image of the Roman Catholic Church in England. Special attention is paid to political and doctrinal plays and pamphlets, given their appeal to different social groups and their role in creating a new public opinion. Other kinds of material that are also considered include chronicles and private letters, fragments of royal proclamations, and descriptions of royal entries and coronations. All these texts offer a wide spectrum of responses to the Catholic question and assist in understanding the role of anti-Catholic discourse in royal iconography. Originally published in Spanish by Ediciones Universidad de Salamanca, the volume provides an inter-disciplinary approach, addressing issues such as the formation of public opinion, the influence of imperial discourse, and the overriding role of religion in nationalist issues.

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Clement Killeaton transforms his father's gambling, his mother's piety, his fellow pupils' cruelty and the mysterious but forbidden attractions of sex into an imagined world centred on horse-racing and played out in the dusty backyard of his home, across the landscapes of the district, and the continent of Australia. An unsparing evocation of a Catholic childhood in a country town in the late 1940s, Tamarisk Row's lyrical prose is charged with the yearning, boredom, fear and fascination of boyhood. First published in Australia in 1974, and previously unpublished in the UK, Tamarisk Row is Gerald Murnane's debut novel, and in many respects his masterpiece.

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George Borrow - brilliant linguist, expert on gypsy culture and author of "Wild Wales" (1862) - remains an enigmatic character whose fiction and travel writing mix autobiography and invention. From 1835 to 1840, he worked as an agent of the British and Foreign Bible Society, attempting to distribute Protestant Testaments in fiercely Catholic Spain. The outcome of this controversial and risky enterprise is - though not the one that his employers expected - as "The Bible in Spain", an account of his wanderings published in 1843. The book, a classic of travel and observation, has been in print ever since. A century and a half later, Borrow enthusiast Guy Arnold followed in the footsteps of the restless and eccentric Bible salesman, tracing his route through Spain and Portugal. Visiting the same places, staying where possible in the same inns, and taking the same roads, Arnold explored the varied landscapes and cities of the Iberian Peninsula in a journey that took him through Madrid, Lisbon, Toledo, Seville, Cadiz, Salamanca and Segovia as well as many small towns and villages. Braving blisters, angry dogs and over-inquisitive hoteliers, Arnold walked over a thousand kilometres, taking buses and trains where Borrow had used horses, mules and carriages. In the course of his journey, he looked at cathedrals and churches, palaces and convents, castles and ruins. He also encountered a broad cross section of humanity, Spanish and foreign, on the long road. "In the Footsteps of George Borrow" brings to life the scenery and culture of Spain as well as the complex personality of the man who described it in the 1830s. In the course of his travels, Guy Arnold considers Borrow's ambiguous religious beliefs, his avowed taste for the social lowlife and his mysterious liaison with a widow from Norfolk. He also compares modern Spain with that of Borrow's time and finds - civil war and brigandage apart - that much remains surprisingly the same.

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Who is Jesus? This is the fundamental question for christology. The earliest Christians used various titles, most of them drawn from the Old Testament or Hebrew Scriptures, to express their faith in Jesus. They called him prophet, teacher, Messiah, Son of David, Son of Man, Lord, Son of God, Word of God, and occasionally even God. In Who Is Jesus? Thomas Rausch, S.J., focuses on the New Testament's rich variety of christologies.Who Is Jesus? covers the three quests for the historical Jesus, the methods for retrieving the historical Jesus, the Jewish background, the Jesus movement, his preaching and ministry, death and resurrection, the various New Testament christologies, and the development of christological doctrine from the New Testament period to the Council of Chalcedon.Chapters are "The Three Quests for the Historical Jesus," "Methodological Considerations," "The Jewish Background," "Jesus and His Movement," " The Preaching and Ministry of Jesus," "The Death of Jesus," "God Raised Him from the Dead," "New Testament Christologies," "From the New Testament to Chalcedon," "Sin and Salvation," and "A Contemporary Approach to Soteriology."Thomas P. Rausch, SJ, PhD, is the T. Marie Chilton Professor of Catholic Theology at Loyola Marymount University in Los Angeles. A specialist in ecclesiology, ecumenism, and the theology of the priesthood, he has published eight books including the award-winning Catholicism at the Dawn of the Third Millennium, The College Student's Introduction to Theology, and Reconciling Faith and Reason: Apologists, Evangelists, and Theologians in a Divided Church, published by Liturgical Press.

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When the young priest Francesco Vela becomes the incumbent of the parish of Soana, a small village in Ticino, he is tasked with bringing back into the Catholic fold a family of shepherds, the Scarabotas, who are accused of indecency and incest. Yet, after visiting them among the grandiose scenery of the alpine mountains and meeting their beautiful daughter Agata, Francesco experiences a spiritual and sensual awakening that throws his world and his beliefs upside down, forcing him to choose between his faith and his desire to connect with nature. This multi-layered tale, first published in 1918, is widely regarded as the crowning achievement of Gerhart Hauptmann, the recipient of the 1912 Nobel Prize in Literature and one of the most important exponents of German Naturalism.

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"The story told by Edward Flannery…calls not only for reform but for profound and meaningful repentance." —David W. Tracy "A major contribution to Jewish-Christian relations." —Marc Tanenbaum "It will bring the Catholic community an entirely new development in their thinking about the people of the Jewish faith." —Robert F. Drinan "It comes from the heart of an honest priest who is deeply moved by the poisonous horror of anti-Semitism, and who appeals to his people to remember that…it is a denial of Christian faith, a failure of Christian hope, and a malady of Christian love." —Abram Sachar "A definitive work." —Benjamin Epstein This revised and updated edition of THE ANGUISH OF THE JEWS - a classic history of anti-Semitism written by a Roman Catholic priest and now with a foreword by Philip Cunningham is as relevant today as when it was first published in 1964. Hailed by Jews and Christians alike as a groundbreaking book that did much to expose the reality of historical anti-Semitism in the United States and around the world, it includes material covering the last two decades; it considers developments in the Middle East, and it explores the impact that Judaic studies have had on Christian thought. †

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Pietro Bembo (1470–1547), a Venetian nobleman, later a cardinal of the Roman Catholic Church, was the most celebrated Latin stylist of his day and was widely admired for his writings in Italian as well. His early dialogue on the subject of love greatly influenced the development of the literary vernacular, as did his Prose della volgar lingua (1525). From 1513 to 1521 he served Pope Leo X as Latin secretary and became known as the leading advocate of Ciceronian Latin in Europe and of the Tuscan dialect within Italy. He was named official historian of Venice in 1529 and began to compose in Latin his continuation of the city’s history in twelve books, covering the years from 1487 to 1513. Although the work chronicles internal politics and events, much of it is devoted to the external affairs of Venice, principally conflicts with other European states (France, Spain, the Holy Roman Empire, Milan, and the papacy) and with the Turks in the East. The History of Venice was published after Bembo’s death, in Latin and in his own Italian version. This edition, in a projected three volumes, makes it available for the first time in English translation.

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Pietro Bembo (1470–1547), a Venetian nobleman, later a cardinal of the Roman Catholic Church, was the most celebrated Latin stylist of his day and was widely admired for his writings in Italian as well. His early dialogue on the subject of love greatly influenced the development of the literary vernacular, as did his Prose della volgar lingua (1525). From 1513 to 1521 he served Pope Leo X as Latin secretary and became known as the leading advocate of Ciceronian Latin in Europe and of the Tuscan dialect within Italy. He was named official historian of Venice in 1529 and began to compose in Latin his continuation of the city's history in twelve books, covering the years from 1487 to 1513. Although the work chronicles internal politics and events, much of it is devoted to the external affairs of Venice, principally conflicts with other European states (France, Spain, the Holy Roman Empire, Milan, and the papacy) and with the Turks in the East. The History of Venice was published after Bembo's death, in Latin and in his own Italian version. This edition, in a projected three volumes, makes it available for the first time in English translation.

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Contributing to the ongoing excavation of the spiritual lifeworld of Dorothy Day—“the most significant, interesting, and influential person in the history of American Catholicism”—The Bread of the Strong offers compelling new insight into the history of the Catholic Worker movement, including the cross-pollination between American and Quebecois Catholicism and discourse about Christian antimodernism and radicalism. The considerable perseverance in the heroic Christian maximalism that became the hallmark of the Catholic Worker’s personalism owes a great debt to the influence of Lacouturisme, largely under the stewardship of John Hugo, along with Peter Maurin and myriad other critical interventions in Day’s spiritual development. Day made the retreat regularly for some thirty-five years and promoted it vigorously both in person and publicly in the pages of The Catholic Worker. Exploring the influence of the controversial North American revivalist movement on the spiritual formation of Dorothy Day, author Jack Lee Downey investigates the extremist intersection between Roman Catholic contemplative tradition and modern political radicalism. Well grounded in an abundance of lesser-known primary sources, including unpublished letters, retreat notes, privately published and long-out-of-print archival material, and the French-language papers of Fr. Lacouture, The Bread of the Strong opens up an entirely new arena of scholarship on the transnational lineages of American Catholic social justice activism. Downey also reveals riveting new insights into the movement’s founder and namesake, Quebecois Jesuit Onesime Lacouture. Downey also frames a more reciprocal depiction of Day and Hugo’s relationship and influence, including the importance of Day’s evangelical pacifism on Hugo, particularly in shaping his understanding of conscientious objection and Christian antiwar work, and how Hugo’s ascetical theology animated Day’s interior life and spiritually sustained her apostolate. A fascinating investigation into the retreat movement Day loved so dearly, and which she claimed was integral to her spiritual formation, The Bread of the Strong explores the relationship between contemplative theology, asceticism, and radical activism. More than a study of Lacouture, Hugo, and Day, this fresh look at Dorothy Day and the complexities and challenges of her spiritual and social expression presents an outward exploration of the early- to mid–twentieth century dilemmas facing second- and third-generation American Catholics.

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This ambitious and generously illustrated study is an in-depth account of the architectural character of a vast range of eighteenth-century ecclesiastical buildings, including the Anglican parish churches, medieval cathedrals repaired and modified during the period, and Dissenting and Catholic chapels and mausoleums. The first substantial study of the subject to appear in over half a century, Terry Friedman's work explores not only the physical aspects of these buildings but church-going activities of Britons from the cradle to the grave. In addition, fully documented, chronologically sequenced design and construction histories of 272 key ecclesiastical buildings are presented on an accompanying CD-ROM.Published for the Paul Mellon Centre for Studies in British Art

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Explores the transformation of religious orthodoxy in the age of modernism Provides a historical and theoretically informed account of mysticism in the late nineteenth and early twentieth century. Details the significance of a range of religious practices to modernism, including communal worship, conversion, and retreat. Reads modernism through the lens of recent postsecular theory. Offers close readings of major works by David Jones, T. S. Eliot, and H.D., including the first extended discussion of Jones's recently published The Grail Mass, informed by extensive work in the personal archives and libraries of individual authors. Outlines an expanded understanding of religious poetry. Modernism and Religion argues that modernism participated in broader processes of religious change in the twentieth century. The new prominence accorded to immanence and immediacy in religious discourse is carried over into the modernist epiphany. Modernism became mystical. The emergence of Catholic theological modernism, human rights, Christian sociology, and philosophical personalism, which are explored here in relation to the work of David Jones, T. S. Eliot, and H.D., represented a strategic attempt on the part of diverse religious authorities to meet the challenge posed by new mysticism. Orthodoxy was itself made new in ways that resisted the secular demand that religion remain a private undertaking. Modernism and Religion presents the mechanical form and clashing registers of long poems by each of the aforementioned writers as an alternative to epiphanic modernism. Their wavering orthodoxy brings matters from which the secular had previously separated religion back once more into its purview.

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The five-year period following the proclamation of the Republic in April 1931 was marked by physical assaults upon the property and public ritual of the Spanish Catholic Church. These attacks were generally carried out by rural and urban anticlerical workers who were frustrated by the Republic's practical inability to tackle the Church's vast power. On 17- 18 July 1936, a right-wing military rebellion divided Spain geographically, provoking the radical fragmentation of power in territory which remained under Republican authority. The coup marked the beginning of a conflict which developed into a full-scale civil war. Anticlerical protagonists, with the reconfigured structure of political opportunities working in their favour, participated in an unprecedented wave of iconoclasm and violence against the clergy. During the first six months of the conflict, innumerable religious buildings were destroyed and almost 7,000 religious personnel were killed. To date, scholarly interpretations of these violent acts were linked to irrationality, criminality and primitiveness. However, the reasons for these outbursts are more complex and deep-rooted: Spanish popular anti-clericalism was undergoing a radical process of reconfiguration during the first three decades of the twentieth century. During a period of rapid social, cultural and political change, anticlerical acts took on new -- explicitly political -- meanings, becoming both a catalyst and a symptom of social change. After 17--18 July 1936, anticlerical violence became a constructive force for many of its protagonists: an instrument with which to build a new society. This book explores the motives, mentalities and collective identities of the groups involved in anti-clericalism during the pre-war Spanish Second Republic and the Spanish Civil War, and is essential reading for all those interested in twentieth-century Spanish history. Published in association with the Canada Blanch Centre for Contemporary Spanish Studies.

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The essays in Parnell and His Island caused outrage in Ireland when first published in the French newspaper Le Figaro in 1886. They were published in English in book form the following year and represent Moore's interpretation of life in Ireland in the early 1880s, written in his combative and naturalistic style. In some respects the work addresses similar themes and can be seen as a companion piece to his famous novel, A Drama in Muslin. Moore, the eldest son of a Catholic landlord and Home Rule MP, spares neither landlords nor tenants, priests or nationalists in his narrative. Yet his depictions of the Irish landscape are often lyrical and memorable and he gives a vivid impression of the atmosphere of the country in the short period between the Land War and the Plan of Campaign. Until the publication of this edition Parnell and His Island was a rare book. Some sections included in the original French version, but expurgated by the English publisher, have been restored here, with translations, in the notes.

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The five-year period following the proclamation of the Republic in April 1931 was marked by physical assaults upon the property and public ritual of the Spanish Catholic Church. These attacks were generally carried out by rural and urban anticlerical workers who were frustrated by the Republic's practical inability to tackle the Church's vast power. On 17- 18 July 1936, a right-wing military rebellion divided Spain geographically, provoking the radical fragmentation of power in territory which remained under Republican authority. The coup marked the beginning of a conflict which developed into a full-scale civil war. Anticlerical protagonists, with the reconfigured structure of political opportunities working in their favour, participated in an unprecedented wave of iconoclasm and violence against the clergy. During the first six months of the conflict, innumerable religious buildings were destroyed and almost 7,000 religious personnel were killed. To date, scholarly interpretations of these violent acts were linked to irrationality, criminality and primitiveness. However, the reasons for these outbursts are more complex and deep-rooted: Spanish popular anti-clericalism was undergoing a radical process of reconfiguration during the first three decades of the twentieth century. During a period of rapid social, cultural and political change, anticlerical acts took on new -- explicitly political -- meanings, becoming both a catalyst and a symptom of social change. After 17--18 July 1936, anticlerical violence became a constructive force for many of its protagonists: an instrument with which to build a new society. This book explores the motives, mentalities and collective identities of the groups involved in anti-clericalism during the pre-war Spanish Second Republic and the Spanish Civil War, and is essential reading for all those interested in twentieth-century Spanish history. Published in association with the Canada Blanch Centre for Contemporary Spanish Studies.

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When vigilante justice-seeker Claymore Straker is witness to the murders of a family he has befriended, and his lover’s husband and son disappear, his investigations take him to the darkest places he could ever have imagined … The stunning fourth instalment in the critically acclaimed Claymore Straker series. ‘A stormer of a thriller – vividly written, utterly tropical, totally gripping’ Peter James ‘A fast-paced action thriller, beautifully written’ Tim Marshall, author of Prisoners of Geography ‘Hardisty is a fine writer and Straker is a great lead character’ Lee Child _____________________ It’s 1997, and eight months since vigilante justice-seeker Claymore Straker fled South Africa after his explosive testimony to Desmond Tutu’s Truth and Reconciliation Commission. In Paris, Rania LaTour, Claymore’s former lover, comes home to find that her son and her husband, a celebrated human rights lawyer, have disappeared. On an isolated island off the coast of East Africa, the family that Clay has befriended is murdered as he watches. So begins the fourth instalment in the Claymore Straker series, a breakneck journey through the darkest reaches of the human soul, as Clay and Rania fight to uncover the mystery behind the disappearances and murders, and find those responsible. At times brutal, often lyrical, but always gripping, Absolution is a thriller that will leave you breathless and questioning the very basis of how we live and why we love. ____________________ Praise for Paul E. Hardisty ‘A trenchant and engaging thriller that unravels this mysterious land in cool, precise sentences’ Stav Sherez, Catholic Herald ‘This is a remarkably well-written, sophisticated novel in which the people and places, as well as frequent scenes of violent action, all come alive on the page...’ Literary Review ‘Gripping and exciting … the quality of Hardisty’s writing and the underlying truth of his plots sets this above many other thrillers’ West Australian ‘Searing … at times achieves the level of genuine poetry’ Publishers Weekly ‘Beautifully written, blisteringly authentic, heart-stoppingly tense and unusually moving’ Paul Johnston ‘The plot burns through petrol, with multiple twists and turns’ Vicky Newham

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Uncovers the history of creative adaptation and transformation through a close analysis of the creation of the Sefer Hasidim book. In 1538, a partnership of Jewish silk makers in the city of Bologna published a book entitled Sefer Hasidim, a compendium of rituals, stories, and religious instruction that primarily originated in medieval Franco-Germany. How these men, of Italian and Spanish descent, came to produce a book that would come to shape Ashkenazic culture, and Jewish culture more broadly, over the next four centuries is the basis of this kaleidoscopic study of the history of Hebrew printing in the sixteenth century. During these early years of printing, the classic works of ancient and medieval Hebrew and Jewish literature became widely available to Jewish (and non-Jewish) readers for the first time. Printing, though, was not merely the duplication and distribution of pre-existing manuscripts, it was the creative adaptation and transformation of those manuscripts by printers. Ranging from Catholic Bologna to Protestant Basel to the Jewish heartland of the Polish-Lithuanian Commonwealth, Joseph A. Skloot uncovers the history of that creativity by examining the first two print editions of Sefer Hasidim. Along the way, he demonstrates how volumes that were long thought to be eternal and unchanging were in fact artifacts of historical agency and contingency, created by and for human beings.

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The Tragedy of Pious Antigone (1580) is the first English-language translation of Robert Garnier’s Antigone, ou la Pieté. Written by France’s earliest career tragedian, who also worked in the Paris Parliament and as a counselor at a judicial tribunal in the town of Le Mans, the play draws on various classical sources (especially Seneca, Statius, and Sophocles) to retell the well-known story of a family torn apart by war: as brothers Eteocles and Polynices fight to the death, their sister Antigone and mother Jocasta make repeated calls for peace. Originally published at the height of the French Wars of Religion (1562–1598) that pitted Catholics and Protestants against each other, the five acts of Garnier’s play would have had immediate resonance. Neither extolling nor defending one side or the other, this humanist tragedy, which also anticipates the style of Corneille and Racine, could have been appreciated not only by members of one religious community or the other, but by both as a seemingly non-partisan and earnest lamentation about, and reflection upon, troubled times. This famous story, re-imagined by countless authors including Bertolt Brecht, Jean Anouilh, Griselda Gambaro, Athol Fugard, and many others, is here re-told to emphasize empowered female voices in times of political division.

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In this volume the proceedings of the 24th Colloqium Oecumenicum Paulinum, which gathered from September 12-17 2016 in the Abbazia di San Paolo fuori le mura to study the first five chapters of Paul’s Letter to the Romans, are published. In eight essays leading Pauline scholars from Catholic, Protestant and Orthodox tradition discuss all sections of the text of Romans 1,1-5,11 in great detail. Reconstructing Paul’s arguments on human sin, God’s gift of redemption and justification for those who trust in his power to save them through the death and resurrection of Christ, the scholars present the current state of research on the first part of Paul’s Letter to the Romans.

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The variety of gay life in Chicago is too abundant and too diverse, to be contained in a single place. But since 1981, the Gerbert/Hart Library & Archives on the city's North Side has strived to do just that, amassing and cataloging a wealth of records related to gay, lesbian, bisexual, transgender, and queer-identified people and organizations in the city. In Queer Legacies, John D'Emilio--a pioneering scholar of gay and lesbian studies--digs deep into the collection at the Gerbert/Hart Library to unearth a kaleidoscopic look at the community built by generations of gay men and women in Chicago. Excavated from one of the country's most important, yet overlooked, LGBTQ archives, the stories included in his book are populated by athletes, lawyers, publishers, artists, performers, and organizers, each offering their own fascinating contribution to Chicago's historically vibrant scene . The breezy and enthusiastic essays that make up Queer Legacies range in focus from politics, culture, social life, and the history of institutions like Dignity--the foremost organization for LGBTQ Catholics--and the Gay Academic Union. Though the book is anchored in Chicago, many of the essays reach farther revealing the connections to events and issues of national import. Queer Legacies illuminates how archives can be more than musty spaces far from the urgent concerns of the present day, and shows that institutions like the Gerbert/Hart are a life-giving resource for the historically marginalized communities they serve. This book gives readers an inclusive and personal look at fifty years of a national fight for visibility, recognition, and equality led by LGBTQ Americans who, quite literally, made history. In these troubled times, it will surely inspire a new generation of scholars and activists.

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'Ought to become a classic. It is an enshrinement of [Meades's] intense baroque and catholic cleverness' Roger Lewis, The Times'One of the foremost prose stylists of his age in any register . . . Probably we don’t deserve Meades, a man who apparently has never composed a dull paragraph' Steven Poole, Guardian'There are more gems in this wonderful book than I could cram into a dozen of these columns' Simon Heffer, Daily Telegraph'Such a useful and important critic . . . He is very much on the reader’s side, bringing his full wit to bear on every single thing he writes' Nicholas Lezard, SpectatorThis landmark publication collects three decades of writing from one of the most original, provocative and consistently entertaining voices of our time. Anyone who cares about language and culture should have this book in their life.Thirty years ago, Jonathan Meades published a volume of reportorial journalism, essays, criticism, squibs and fictions called Peter Knows What Dick Likes. The critic James Wood was moved to write: ‘When journalism is like this, journalism and literature become one.’Pedro and Ricky Come Again is every bit as rich and catholic as its predecessor. It is bigger, darker, funnier and just as impervious to taste and manners. It bristles with wit and pin-sharp eloquence, whether Meades is contemplating northernness in a German forest or hymning the virtues of slang.From the indefensibility of nationalism and the ubiquitous abuse of the word ‘iconic’, to John Lennon’s shopping lists and the wine they call Black Tower, the work assembled here demonstrates Meades's unparalleled range and erudition, with pieces on cities, artists, sex, England, France, concrete, faith, politics, food, history and much, much more.

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Examines the most successful institution of social discipline in Reformation Europe: the Consistory of Geneva during the time of John Calvin Created by John Calvin, the Consistory of Geneva was a quasi-tribunal entrusted with enforcing Reformed morality. Comprised of pastors and elders, this body met weekly and summoned people for a wide range of "sinful" behavior, such as drunkenness, dancing, blasphemy, or simply quarrels, and was a far more intrusive institution than the Catholic Inquisition. Among the thousands summoned during Calvin's ministry were a pair of women who were allegedly prophets, boys who skipped catechism to practice martial arts, and a good number of people begging for forgiveness for having renounced Protestantism out of fear of death. This superbly researched book, reflecting author Jeffrey Watt's career-long involvement in the ongoing project of transcribing, editing, and publishing the Consistory records, is the first comprehensive examination of this morals court and provides a window into the reception of the Reformation in the so-called Protestant Rome. Watt examines the role of the Consistory in upholding patriarchy, showing that while Genevan authorities did not have a double standard in prosecuting illicit sexuality, the Consistory exhorted women to obey even violently abusive husbands. He finds also that Calvin and his colleagues vigorously promoted a strong work ethic by censuring people, mostly men, for laziness, and showed a surprising degree of skepticism toward accusations of witchcraft. Finally, Watt demonstrates convincingly that, while the Consistory encountered some resistance, Genevans by and large shared the ideals it promoted and that it enjoyed considerable success in fostering discipline in Genevan society. This book is openly available in digital formats, under Creative Commons license CC BY-NC, thanks to a generous grant from the Andrew W. Mellon Foundation.

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Acclaimed for their dramatic rendering of the personalities and forces that shaped Elizabethan politics, Wallace T. MacCaffrey's three volumes thoroughly chronicle the Queen's decision making throughout her reign in a way that combines pleasurable reading with subtle analysis. Together in paperback for the first time, these books will find a wide readership among those interested in debunking Elizabeth's many mythic images and in following the steps of Elizabethan policy-makers as they grapple with the most crucial political problems of their day. To determine how policy evolved from the interaction between Elizabeth and her councillors from 1572 to the Armada in 1588, MacCaffrey begins with domestic affairs, focusing on the central problem of religious dissent, both Protestant and Catholic. Turning to foreign affairs, he then examines England's external relations with the Continental monarchies and Scotland. Lastly, he analyzes the two focuses of decision making, the Court and Parliament. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Known for his orchestral, operatic and choral works, James MacMillan (b. 1959) appeals across the spectrum of contemporary music making. James MacMillan appeals across the spectrum of contemporary music making and is particularly celebrated for his orchestral, operatic and choral pieces. This book, published in time to mark the composer's sixtieth birthday, is thefirst in-depth look at his life, work and aesthetic. From his beginnings in rural Ayrshire and his early work with Sir Peter Maxwell Davies, through the international breakthrough success of The Confession of Isobel Gowdie,the continuing success of works such as the percussion concerto Veni, Veni, Emmaneul and his choral pieces, to his current position as one of the most prominent British composers of his generation, the book explores MacMillan's compositional influences over time. It looks closely at his most significant works and sets them in a wider context defined by contemporary composition, culture and the arts in general. The book also considers MacMillan's strong Catholic faith and how this has influenced his work, along with his politics and his on-going relationship with Scottish nationalism. With the support of the composer and his publisher and unprecedented access to interviews and previously unpublished materials, the book not only provides an appraisal of MacMillan's work but also insights into what it means to be a prominent composer and artist in the twenty-first century. PHILLIP A. COOKE is a Composer and Senior Lecturer and Head of Music at the University of Aberdeen. He has previously co-edited The Music of Herbert Howells for Boydell.

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This volume is part of the Complete Works of Evelyn Waugh critical edition, which brings together all Waugh's published and previously unpublished writings for the first time with comprehensive introductions and annotation, and a full account of each text's manuscript development and textual variants. The edition's General Editor is Alexander Waugh, Evelyn Waugh's grandson and editor of the twelve-volume Personal Writings sequence. This is the first fully annotated critical edition of Waugh's book on Mexico, Robbery Under Law: The Mexican Object-Lesson (1939), based on three months' research by Waugh in the country in 1938 and rarely included in later reprints of Waugh's travel writings. Waugh insisted in its opening words: 'This is a political book'; it traced the expropriation of British and American oil interests in Mexico by its repressive Marxist government. It described the current political and social inequities suffered by both its Mexican citizens and foreign companies trading there and also provided a powerful account of the history of Catholic persecution in the country. Its narratives offered an implicit but potent warning about the barbarity of totalitarian regimes as war in Western Europe grew increasingly likely.

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A new critical edition of Henry VIII's 1526 public letter to Martin Luther, enabling readers to examine how Henry VIII wanted his subjects to regard the German heresiarch. A modern critical edition of Henry VIII's second published work against Martin Luther. This open letter to Luther, printed at the king's command in December 1526, was in reply to a private letter addressed to him by Luther the previous year. Its particular interest lies in the fact that, unlike his better known Assertion of the Seven Sacraments, published five years before, Henry's open letter was released not only in Latin but also in an official Englishtranslation, with a special English preface added by the king for the edification of his subjects. This edition thus enables modern readers to hear what Henry had to say about Luther in his own words, and how he wanted his subjects to regard the German heresiarch. This critical edition is based on a previously unrecognised presentation manuscript which furnishes the earliest surviving text of both letters. In addition, it offers editions and newtranslations of a range of related texts, including Luther's reply to Henry and further contributions to the burgeoning controversy from several of the most prominent Catholic opponents of Luther in Europe. For Henry's letter, like his earlier book, became for a while a European sensation, reprinted in towns and cities from Cologne to Cracow. This fully annotated edition includes a substantial introduction which for the first time tells the full history of Henry's second controversy with Luther, and which sets that story in the broader context of the lengthy and fractious relationship between the two men from the time of Luther's emergence in 1517 until his death in 1546.

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'Ought to become a classic. It is an enshrinement of [Meades's] intense baroque and catholic cleverness' Roger Lewis, The Times'One of the foremost prose stylists of his age in any register . . . Probably we don’t deserve Meades, a man who apparently has never composed a dull paragraph' Steven Poole, Guardian'There are more gems in this wonderful book than I could cram into a dozen of these columns' Simon Heffer, Daily Telegraph'Such a useful and important critic . . . He is very much on the reader’s side, bringing his full wit to bear on every single thing he writes' Nicholas Lezard, SpectatorThis landmark publication collects three decades of writing from one of the most original, provocative and consistently entertaining voices of our time. Anyone who cares about language and culture should have this book in their life.Thirty years ago, Jonathan Meades published a volume of reportorial journalism, essays, criticism, squibs and fictions called Peter Knows What Dick Likes. The critic James Wood was moved to write: ‘When journalism is like this, journalism and literature become one.’Pedro and Ricky Come Again is every bit as rich and catholic as its predecessor. It is bigger, darker, funnier and just as impervious to taste and manners. It bristles with wit and pin-sharp eloquence, whether Meades is contemplating northernness in a German forest or hymning the virtues of slang.From the indefensibility of nationalism and the ubiquitous abuse of the word ‘iconic’, to John Lennon’s shopping lists and the wine they call Black Tower, the work assembled here demonstrates Meades's unparalleled range and erudition, with pieces on cities, artists, sex, England, France, concrete, faith, politics, food, history and much, much more.

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Spain's first democracy was announced to popular jubilation in April 1931, a new dawn ushered in without a single shot being fired. Yet just over five years later the country was plunged into a brutal civil war that bequeathed hundreds of thousands of deaths and an authoritarian dictatorship under General Francisco Franco that lasted almost forty years. This book analyses Spain's dramatic political shift, reassessing the role of the right as it mobilised against the Second Republic, swinging from ostensibly "moderate" Catholic conservatism to fascist violence. By providing the first detailed study of the uniformed, paramilitary Juventud de Accion Popular (JAP), Sid Lowe challenges the historiographical orthodoxy on Spanish fascism and assumptions about the role of the hegemonic right-wing party during the Republican years, Jose Maria Gil Robles's CEDA. Drawing on a wide range of previously uncovered primary material, he demonstrates that much of the parliamentary right, its leadership included, abandoned the legal road to power when it could no longer use democracy as a Trojan Horse with which to conquer the state. It throws vital new light on the conspiracy to destroy the Republic, the Nationalist war effort, the creation of the new state, and the true social and political origins of the Franco regime. Published in association with the Canada Blanch Centre for Contemporary Spanish Studies.

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