Search results for ""Author Ross"

Fans of Suzanne Brockmann, Maya Banks, Christy Reece, Julie Ann Walker and Cindy Gerard will adore Pamela Clare's expertly plotted romantic suspense series, which sets the pages alight with sizzling chemistry. For tension, thrills, romance and passion take a spin with the I-Team.The day Navajo journalist Katherine James met Gabriel Rossiter, the earth literally moved beneath her feet when he saved her from a rockslide. So she is crushed when she recognizes her rescuer among the law enforcement officers throwing her and her friends off Mesa Butte, land they consider sacred. Gabe swore he would never again lose himself to a woman. But the attraction he feels to Kat is undeniable. And, appalled by his orders, he's determined to get to the bottom of events at Mesa Butte. But asking questions can be dangerous - almost as dangerous as risking one's heart. Soon Kat and Gabe's passion for the truth - and each other - makes them targets for those who would do anything, even kill, to keep Native Americans off their sacred land...Sexy. Thrilling. Unputdownable. Take a wildly romantic ride with Pamela Clare's I-Team: Extreme Exposure, Hard Evidence, Unlawful Contact, Naked Edge, Breaking Point, Striking Distance.

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It is unusual for styles in opera to carry over from one era into another. It would be even more unusual for one era's characteristics to linger two generations into the next. Yet this is precisely what happened during the first half of the nineteenth century, when the intricacies of the fleet bel canto style were combined with the Romantic era's heroic declamation and formidable orchestral emphasis resulting in the creation of the assoluta voice.This work traces the emergence of the impressive vocal writing that resulted from the marriage of the bel canto and Romantic eras. It also covers the uniquely versatile divas who were given the opportunities to make their mark on opera from the time of Cherubini to that of a young Verdi. Here, both the wide-ranging vocalism in the scores themselves and the artists capable of performing this style are referred to as assoluta. The chapters consider Luigi Cherubini's ""Medee"", Gioacchino Rossini's ""Armida"", Carl Maria von Weber's ""Oberon"", Gaetano Donizetti's ""Anna Bolena"", Vincenzo Bellini's ""Norma"", Donizetti's ""Gemma di Vergy"" and ""Roberto Devereux"", the time of transition in the late 1800s and early 1900s, and Giuseppe Verdi's ""Nabucco"" and ""Macbeth"".

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Nightmare Abbey is a novella by Thomas Love Peacock, first published in 1818, widely considered to be Peacock’s most enduringly popular work. The narrative centres on Christopher Glowry, a miserly widower, his son Scythrop and a host of dismal-sounding servants in his family pile, Nightmare Abbey. Recovering from an ill-fated love affair, Scythrop dreams up various schemes to reform and regenerate the human species, but misanthropy lurks around every corner, and everything changes when a mermaid is spotted and a strange woman appears in his chamber. Although fundamentally a Gothic novel, and rich in allusion – from Pope to Dante, Rossini to Mozart – Nightmare Abbey is, at heart, a satire, as Peacock makes clear in the preface to a later edition, in which he describes the characters – allusions to his friends – as ‘status-quo-ites’, ‘morbid visionaries’, ‘romantic enthusiasts’ and ‘lovers of good dinners’.

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This textbook on rotating fluid dynamics combines a pedagogical development of theoretical ideas with a description and analysis of many of the fascinating examples of rotating flows found in nature. The book is self-contained, starting in Part I with introductory chapters on fluid dynamics and waves. The largest section of the book is Part II, where a broad theoretical framework is developed for rotating flows, including Ekman layers, inertial waves, Taylor columns, Rossby waves, precession, instabilities, rotating convection, vortex breakdown, and rotating turbulence. The book ends, in Part III, with an analysis of some naturally occurring rotating flows, including tornadoes and dust devils, tidal vortices, tropical cyclones, convection in planetary cores, zonal winds in planetary atmospheres, and astrophysical accretion discs. Davidson presents a unique combination of a deep but broad theoretical framework with a detailed discussion of many naturally occurring flows. Moreover, the b

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Packed with riches yet highly accessible, The Heart's Time is at its core a series of short, resonant poems for each weekday of Lent and Easter. It will appeal to existing poetry lovers as well as those who want to start exploring how poems can be a resource for our spiritual lives, whether or not they are written with a consciously Christian intent. Poets often address subjects our culture seeks to avoid, and poetry demands that we 'slow down to the heart's time' in order to discover deeper levels of meaning than at first appear. Janet Morley offers her own skilful and reflective commentaries on a fascinating themed sequence of both familiar and unexpected poems, including works by Margaret Atwood, St Augustine, Charles Causley, E. E. Cummings, Emily Dickinson, Carol Ann Duffy, Ruth Fainlight, U. A. Fanthorpe, Robert Frost, Seamus Heaney, George Herbert, Elizabeth Jennings, Denise Levertov, Roger McGough, Adrienne Rich, Christina Rossetti, R. S. Thomas and Rowan Williams.

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Autumn 1958 marked the launching of the Bodensee-Wasserversorgung (Lake Constance water supply), an infrastructure project whose largest part is underground, hidden from view. Even in the first phase of the project, 2160 litres of water per second were taken from Lake Constance at a depth of roughly 60 m, treated on Sipplinger Berg and transported over hundreds of kilometres of pipeline through the Swabian Alb to the greater Stuttgart area. What is remarkable about this project, however, is not only the technological challenge of a combination of the lake-water treatment and the overland water pipeline, but particularly the special quality of the design of the visible parts of the waterworks, a result of the collaboration of engineers, architects, landscape designers and artists. Hermann Blomeier, who had settled in Constance in 1932 after graduating from the Bauhaus Dessau under Ludwig Mies van der Rohe, was commissioned with implementing the Sipplingen pumping station following a competition and, with functionally and transparently designed buildings, created a counterpoint to the expressive landscape of Lake Constance that was as restrained as it was confident. The treatment plants on Sipplinger Berg, built by a team comprising Blomeier and the architect and academic Günter Wilhelm, from the 'Quelltopf' (source pot) and the filter basins to the clean-water reservoir, exactly meet functional requirements and at the same time impressively illustrate the technical processes. The long distance travelled by the water is accompanied by seemingly subordinate buildings designed by architect Wolf Irion, subtly integrated in the landscape as a kind of wayside chapels, housing the pipe-rupture safety devices and line valves. The high quality of the design is evident not only in the buildings, but also in the work of landscape architect Walter Rossow and of visual artists Hans-Dieter Bohnet, Martin Matschinsky and Brigitte Matschinksy-Denninghof. Andreas Schwarting is professor of architectural history and architecture theory at the Hochschule Konstanz. His research has focussed particularly on 20th-century architecture, its reception and historiography, and on specific issues of conservation and maintenance. His publications include the monograph on Walter Gropius Dessau-Törten estate, and he was instrumental in the publication of the Stiftung Wüstenrot on the preservation of contemporary buildings. He was appointed by the International Council on Monuments and Sites (ICOMOS) to monitor the UNESCO world-heritage sites of the Bauhaus in Weimar and Dessau.

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Conducting Opera discusses operas in the standard repertory from the perspective of a conductor with a lifetime of experience performing them. It focuses on Joseph Rescigno's approach to preparing and performing these masterworks in order to realize what opera can uniquely achieve: a fusion of music and drama resulting in a whole that is greater than the sum of its parts.Opening with a chapter discussing his performance philosophy, Rescigno then covers Mozart's most-performed operas, standards of the bel canto school including Rossini's Il barbiere di Siviglia, five of Verdi's works including La traviata, a selection of Wagner's compositions followed by French Romantic operas such as Bizet's Carmen, Puccini's major works, and finally four operas by Richard Strauss. A useful appendix contains a convenient guide to the scores available online.Conducting Opera includes practical advice about propelling a story forward and bringing out the drama that the music is meant to supply, as well as how to support singers in their most difficult moments. Rescigno identifies particularly problematic passages and supplies suggestions about how to navigate them. In addition, he provides advice on staying true to the several styles under discussion.

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Text and facing English translation of a version of the Tristan story from north-east Italy. The Tristano Corsiniano is preserved in a unique manuscript of the Biblioteca Corsiniana housed at the Accademia Nazionale dei Lincei in Rome (MS 55.K.5; formerly Rossi 2593). Written in a mixture of northeastern Italian dialects, the manuscript was probably copied in the third quarter of the fourteenth century. The contents are a much abbreviated descendent of the noted French prose Roman de Tristan; opening with Dinadan's amusing discoursesand misadventures, the majority of the story concerns the famous three-day Tournament at Loverzep, and concludes with King Arthur and Lancelot visiting Tristan, Yseut and their companions. The manuscript, although not luxurious,is heavily decorated with designs that perfectly reflect the vigorous and spirited narrative style. This volume presents a new edition of the text, accompanied by the first ever translation into English, thereby making this important version of the Tristan story available more widely. It also includes an introduction, listing of illuminations, bibliography and explanatory notes. Gloria Allaire is Assistant Professor of Italian at theUniversity of Kentucky.

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With Reading the Obscene, Jordan Carroll reveals new insights about the editors who fought the most famous anti-censorship battles of the twentieth century. While many critics have interpreted obscenity as a form of populist protest, Reading the Obscene shows that the editors who worked to dismantle censorship often catered to elite audiences composed primarily of white men in the professional-managerial class. As Carroll argues, transgressive editors, such as H. L. Mencken at the Smart Set and the American Mercury, William Gaines and Al Feldstein at EC Comics, Hugh Hefner at Playboy, Lawrence Ferlinghetti at City Lights Books, and Barney Rosset at Grove Press, taught their readers to approach even the most scandalizing texts with the same cold calculation and professional reserve they employed in their occupations. Along the way, these editors kicked off a middle-class sexual revolution in which white-collar professionals imagined they could control sexuality through management science. Obscenity is often presented as self-shattering and subversive, but with this provocative work Carroll calls into question some of the most sensational claims about obscenity, suggesting that when transgression becomes a sign of class distinction, we must abandon the idea that obscenity always overturns hierarchies and disrupts social order. Winner of the 2022 MLA Prize for Independent Scholars, sponsored by the Modern Language Association

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In 1960, when World War II might seem to have been receding into history, a number of artists and writers instead turned back to it. They chose to confront the unprecedented horror and mass killing of the war, searching for new creative and political possibilities after the conservatism of the 1950s in the long shadow of genocide.Al Filreis recasts 1960 as a turning point to offer a groundbreaking account of postwar culture. He examines an eclectic group of artistic, literary, and intellectual figures who strove to create a new language to reckon with the trauma of World War II and to imagine a new world. Filreis reflects on the belatedness of this response to the war and the Holocaust and shows how key works linked the legacies of fascism and antisemitism with American racism. In grappling with the memory of the war, he demonstrates, artists reclaimed the radical elements of modernism and brought forth original ideas about testimony to traumatic history.1960 interweaves the lives and works of figures across high and popular culture—including Chinua Achebe, Hannah Arendt, James Baldwin, Amiri Baraka, Paul Celan, John Coltrane, Frantz Fanon, Roberto Rossellini, Muriel Rukeyser, Rod Serling, and Louis Zukofsky—and considers art forms spanning poetry, fiction, memoir, film, painting, sculpture, teleplays, musical theater, and jazz. A deeply interdisciplinary cultural, literary, and intellectual history, this book also offers fresh perspective on the beginning of the 1960s.

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Ara bé, més enllà de l'acció concreta que desenvolupen, totes dues ens proposen temàtiques i reflexions universals. Quant a l'escriptura, som davant obres que responen a models molt diferents, tot i que tenen en comú un treball amb el subministrament de la informació que les fa esdevenir molt atractives, de la mà d'un joc constant d'enganys i de sorpreses.Rodolf Sirera és un dels grans autors vius en llengua catalana, amb una producció ja molt extensa iniciada a finals dels anys seixanta del segle passat. Aquestes dues obres editades s'inscriuen en un moment en què Sirera assaja amb diferents gèneres i formes teatrals, de manera que són una bona mostra d'una de les seues constants com a creador: la voluntat d'experimentar amb el llenguatge teatral i amb els seus límits.A l'edició en paper: Estudi preliminar, propostes de treball i comentaris de text a cura de Ramon X. Rosselló, professor de la Universitat de València, especialista en teatre contemporani en llengua catalana.

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For far too long the male protagonists of the Pre-Raphaelite movement have dominated accounts of this revolution in British art. This book aims to redress the balance in showing just how engaged and central women were to the endeavour as the subjects of the images themselves, certainly, but also in their production. When the Pre-Raphaelite Brotherhood (the PRB') exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the Young Painters of England' this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colours and compositions. Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes painted in glowing colours. Who were these women?

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Alfred Gilbert's Aestheticism presents the first sustained re-evaluation of the life and work of one of the most acclaimed sculptors of the late-Victorian period. Drawing on important new archival sources, this ground-breaking study challenges the customary assumption that Aestheticism was primarily a literary, painterly or architectural phenomena. Jason Edwards reveals both the diverse ways in which Gilbert's sculptures operated within the context of Aestheticism and also how these works provided a unique and provocative commentary on the history of masculine friendship and eroticism in the period leading up to and beyond the Wilde trials in 1895. Detailed readings are offered of the relationship of Gilbert's work to essays by Pater and Swinburne, poems, plays, and novels by Wilde and W. S. Gilbert, and paintings by Burne-Jones, Leighton, Rossetti, Solomon, Whistler, and Watts. With over 90 illustrations, including key contemporary photographs showing Gilbert's works in their original contexts, this book makes a major contribution to the field of Victorian sculpture studies.

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How were the genres of literature changed by new methods of serialization and publishing? How did a widespread culture of performance emerge in the period to shape as well as to be shaped by the novel and poetry? David Amigoni draws on the most recent critical approaches to the novel, Victorian melodrama and poetry to answer these and other questions. The work of Charles Dickens, George Eliot, Oscar Wilde, Alfred Tennyson, Robert Browning, Christina Rossetti, Thomas Hardy, Thomas Carlyle and Mathew Arnold are explored in relation to ideas about fiction, journalism, drama, poetry, the New Woman, gothic, horror and the Victorian sage. Key Features *Detailed readings of key texts provide models of how to read critically *Demonstrates the interaction between genres to help think through modes of artistic experimentation and innovation in the period *Examines Neo-Victorian fiction, a popular genre today *Student resources include electronic and reference sources, further reading and an extensive glossary of key critical terms and historical issues

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A fully illustrated biography of Max Verstappen, from karting in the junior races at age 10 to his third time winning the world championship at the end of 2023. Max’s journey to Formula 1 stardom was not a typical one. His parents are both motorsport talents. He was born in Belgium to mum Sophie Kumpen, a champion karter, while dad Jos Verstappen was Benetton team-mate to Michael Schumacher and survived perhaps the scariest F1 pitlane incident when his car caught fire during a refuelling stop. As well as being good team-mates, his dad and Michael Schumacher became great friends over the years. Max grew up going on family holidays with Schumacher and his son, fellow F1 star Mick. Max broke all the records for youngest driver after he made his official debut in 2015, including youngest ever driver to win an F1 race after he transferred from Red Bull’s junior team Toro Rosso to Red Bull in 2016. Howeve

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The Match is the tale of one of the most iconic games in World Cup history: Italy v Brazil at Spain '82. Piero Trellini delves into the stories of the great characters who lit up that unforgettable match - from Paolo Rossi to Sócrates, from Enzo Bearzot to Zico - as well as some forgotten figures who all played their part. The book takes us on a fascinating journey through the 1982 Mundial, exploring the football scene of the day and dishing out fascinating anecdotes on the various historical and sporting links between the two countries. Italy, a nation historically at the forefront of football, did not arrive in Spain as favourites, with widespread doubts about their chances, even in the Italian press. This is one of the reasons why their triumph that summer is still celebrated in Italy above other historic victories by the Azzurri. Following that momentous win, Italy would become the favourite destination for Europe and South America's greatest players.

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This book provides an introduction into the diversity of the environmental movement through great characters in the green sector. The book describes inspiring personal achievements, and at the same time it provides readers with information regarding the history, the main directions and the ethical principles of the environmental movement. Some of the most important characters of the movement from all around the world, are included in the book. As well as the title characters, Buddha and Leonardo DiCaprio, other famous environmentalists like Albert Schweitzer, David Attenborough and Jane Goodall are discussed. Some of the less well-known but equally important environmentalists such as Chico Mendes, Bruno Manser, Henry Spira, Tom Regan or Rossano Ercolini are highlighted in the various chapters. The selection of characters represents all major branches within the green sector, ranging from medieval saints to Hollywood celebrities, from university professors to field activists, from politicians to philosophers, from ecofeminists to radicals.

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The Honey Gatherers takes its title from a phrase in Michael Ondaatje’s The Cinnamon Peeler, a poem which describes the need to be marked, and marked out, by love. The search, the sweetness, the sting and the death of love, are all to be found in this anthology. Wide-ranging in its inclusiveness, The Honey Gatherers celebrates the great passions of John Donne, Christina Rossetti, Shakespeare, Keats, Sir Thomas Wyatt and the beloved Anon, whilst con?rming the extraordinary gift to this headlong debate of 20th century poets. Pablo Neruda, Lorna Goodison, Brian Patten, Adrienne Rich, Tess Gallagher, W.H. Auden, Stevie Smith, Dorothy Parker, John Montague, Thom Gunn, Carol Ann Duffy and Sharon Olds are just some of those who meet in these pages. Here are poems about romantic love, the ideal of love, the hurt of love, lost or unrequited love and parting – all you might expect to ?nd in such a gathering – but here too are poems of friendship, surprise, celebration and consolation. This is a book which explores Raymond Carver’s big question ‘And what did you want?’ and offers some answers: ‘To call myself beloved, to feel myself beloved on the earth.’ – Raymond Carver: ‘Late Fragment’ Most love poetry anthologies only cover the classics. This one includes modern poets and erotic poetry as well.

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The story of how a group of precocious young artists shook up the British art establishment, told through their works, letters and diaries. An illustrated history of the linked lives and loves of a group of supremely talented artists of late Victorian Britain through their passionate writings. It features the painters, poets, critics and designers: Ford Madox Brown, Edward Burne-Jones, Fanny Cornforth, William Holman Hunt, John Everett Millais, William and Janey Morris, Christina, Dante Gabriel, and William Rossetti, John Ruskin, William Bell Scott and Lizzie Siddal. The artistic aspirations and achievements of the Pre-Raphaelite Brotherhood are revealed alongside the interwoven dramas of their personal lives, in letters, diaries and reminiscences, while their genius is displayed in vivid paintings, drawings, designs and poems. The Pre-Raphaelites was a charmed circles of love, friendship and art. Within an ever-changing flow of affections, and intimacies as richly patterned as a tapestry, they worked together as companions, lovers and partners. They shared tragedy as well as happiness, critical hostility as well as success, even the griefs of infidelity and discord. These creative partnerships, which also created the firm William Morris and Co, revitalised Victorian art and design. The new edition publishes in time for the start of the Burne Jones Exhibition at Tate Britain, starting in October 18. It is a vital book in understanding the Pre-Raphaelite art, which remains as popular and moving as ever.

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With Reading the Obscene, Jordan Carroll reveals new insights about the editors who fought the most famous anti-censorship battles of the twentieth century. While many critics have interpreted obscenity as a form of populist protest, Reading the Obscene shows that the editors who worked to dismantle censorship often catered to elite audiences composed primarily of white men in the professional-managerial class. As Carroll argues, transgressive editors, such as H. L. Mencken at the Smart Set and the American Mercury, William Gaines and Al Feldstein at EC Comics, Hugh Hefner at Playboy, Lawrence Ferlinghetti at City Lights Books, and Barney Rosset at Grove Press, taught their readers to approach even the most scandalizing texts with the same cold calculation and professional reserve they employed in their occupations. Along the way, these editors kicked off a middle-class sexual revolution in which white-collar professionals imagined they could control sexuality through management science. Obscenity is often presented as self-shattering and subversive, but with this provocative work Carroll calls into question some of the most sensational claims about obscenity, suggesting that when transgression becomes a sign of class distinction, we must abandon the idea that obscenity always overturns hierarchies and disrupts social order. Winner of the 2022 MLA Prize for Independent Scholars, sponsored by the Modern Language Association

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The end of the Second World War saw the emergence of neorealist film in Italy. In Italian Neorealist Cinema, Christopher Wagstaff analyses three neorealist films that have had significant influence on filmmakers around the world. Wagstaff treats these films as assemblies of sounds and images rather than as representations of historical reality. If Roberto Rossellini's Roma citt aperta and Pais , and Vittorio De Sica's Ladri di biciclette are still, half a century after they were made, among the most highly valued artefacts in the history of cinema, Wagstaff suggests that this could be due to the aesthetic and rhetorical qualities of their assembled narratives, performances, locations, lighting, sound, mise en sc ne, and montage. This volume begins by situating neorealist cinema in its historical, industrial, commercial and cultural context, and makes available for the first time a large amount of data on post-war Italian cinema. Wagstaff offers a theoretical discussion of what it means to treat realist films as aesthetic artefacts before moving on to the core of the book, which consists of three studies of the films under discussion. Italian Neorealist Cinema not only offers readers in Film Studies and Italian Studies a radically new perspective on neorealist cinema and the Italian art cinema that followed it, but theorises and applies a method of close analysis of film texts for those interested in aesthetics and rhetoric, as well as cinema in general.

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Complicating Articulation in Art Cinema argues that art cinema draws attention to its disjointed, multi-parted form, but that criticism has too frequently sought to explain this complexity away by stitching the parts together in totalizing readings. This stitching together has often relied on the assumption that the solution to art cinema's puzzles lies in interpreting each film as the expression of a focalizing character's internal disturbance. This book challenges this assumption. It argues that the attempt to explain formal complexity through this character-centric approach reduces formal achievements and enigmatic characters to inadequate approximations of one another. Reference to character cannot fully tame unschematic and unpredictable combinations of - and collisions between - contradictory levels of narration, clashing styles, discontinuously edited shots, jarring allusions, dislocated genre signifiers, and intermedial elements. Through close analyses of films by Roberto Rossellini, Robert Bresson, Luis Buñuel, Terence Davies, Peter Greenaway, and Kelly Reichardt, Complicating Articulation in Art Cinema offers an ethics of criticism that suggests that the politics of art cinema's eccentric form are limited by character-centred readings. Each of the featured films presents inarticulate characters, whose emotional and intellectual lives are unknowable, further complicating the relationship between character and form. This book argues that, by acknowledging this resistance to interpretation, critics can think in new ways about art cinema's interrogation of the possibilities of knowledge.

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This comprehensive and groundbreaking Handbook integrates economic and organization theories to help elucidate the design and evolution of economic organization.Economic organization is regarded both as a subject of inquiry and as an emerging disciplinary field in its own right, integrating insights from economics, organization theory, strategy and management, economic sociology and cognitive psychology. The contributors, who share this integrated approach, are distinguished scholars at the productive peak in their fields. Each original, state-of-the art chapter not only addresses foundational issues, but also identifies key issues for future research.This original and wide-ranging Handbook will be a useful and thought-provoking read for academics, students and researchers in the fields of organization, management and economics.Contributors: N. Argyres, M.M. Blair, G. Bonifati, R.M. Burton, M.G. Colombo, L. Feng, N.J. Foss, B.S. Frey, V.P. Goldberg, A. Grandori, G. Hendrikse, J.-F. Hennart, G.M. Hodgson, A. Holl, B.E. Kaufman, P.G. Klein, P.H. Kriss, K.R. Lakhani, J.-E. Lane, R. Leoni, H. Lifshitz-Assaf, S. Lindenberg, J.T. Mahoney, S.E. Masten, B. Obel, M. Osterloh, U. Pagano, J. Pencavel, P. Puranam, R. Rama, M. Raveendran, C. Rossi-Lamastra, L. Sacconi, R. Sanchez, M.L. Tushman, M. Villani, M. Warglien, R. Weber, J. Windsperger, T.R. Zenger

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The making of shadows is an act as old as architecture itself. From the gloom of the medieval hearth through to the masterworks of modernism, shadows have been an essential yet neglected presence in architectural history. Shadow-Makers tells for the first time the history of shadows in architecture. It weaves together a rich narrative – combining close readings of significant buildings both ancient and modern with architectural theory and art history – to reveal the key places and moments where shadows shaped architecture in distinctive and dynamic ways. It shows how shadows are used as an architectural instrument of form, composition, and visual effect, while also exploring the deeper cultural context – tracing differing conceptions of their meaning and symbolism, whether as places of refuge, devotion, terror, occult practice, sublime experience or as metaphors of the unconscious. Within a chronological framework encompassing medieval, baroque, enlightenment, sublime, picturesque, and modernist movements, a wide range of topics are explored, from Hawksmoor’s London churches, Japanese temple complexes and the shade-patterns of Islamic cities, to Ruskin in Venice and Aldo Rossi and Louis Kahn in the 20th century. This beautifully-illustrated study seeks to understand the work of these shadow-makers through their drawings, their writings, and through the masterpieces they built.

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Hay lectores, como el ensayista mexicano Alejandro Rossi y tantos otros, a quienes les atraen los libros que reúnen ingredientes diversos: ensayos breves, diálogos, aforismos, reflexiones sobre escritores, confesiones inesperadas, el borrador de un poema, una broma o la explicación apasionada de una preferencia, unido todo inextricablemente por la personalidad inconfundible de su autor. Para ellos se han escrito los Ensayos de Montaigne, el Diario de Renard, la Anatomía de la melancolía de Robert Burton. Para ellos se ha escrito este libro. José Luis García Martín. Nacido en Aldeanueva del Camino (Cáceres), en 1950, es poeta, crítico literario, profesor de literatura en la Universidad de Oviedo, director de Clarín. Revista de nueva literatura y colaborador habitual en diversos suplementos culturales. Suyos son algunas de las antologías y estudios más influyentes sobre la poesía española contemporánea. Entre las primeras, se encuentran Las voces y los ecos, La generación de los ochenta,

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Padua, Italy. An unremarkable man, a husband and father, disappears without a trace. After a few months of searching, the police send his file to the cold cases department to be thrown in with the files of other missing persons. One woman knows the truth about his disappearance, but, being the daughter of a prominent and wealthy Swiss industrialist she fears coming forward with what she knows: that she was his lover and that there is more to his disappearance than another bored suburban husband running out on his. Stricken by guilt, she finally confides in a lawyer who advises her to turn to Marco Buratti, aka The Alligator, for help. Buratti agrees to assist the woman. Initially, the case of the woman's missing lover seems like a lost cause, but a clue puts the Alligator and his trusted associates, Max the Memory and Beniamino Rossini, on the trail of the unscrupulous and brilliant criminal, Giorgio Pellegrini, protagonist of The Goodbye Kiss and At the End of a

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At the International Conference Centre in Geneva, Hannah Rossier, formerly Annie Price, comes face to face with Neville Weir, someone from her childhood whom she never expected, or wanted, to meet again. As Neville’s reasons for attending the conference become clear, the dark waters of Hannah’s past start to rise. Hannah is a psychotherapist, with a specialist interest in memory and how connections are made between past and present. She has reinvented herself successfully, moving from a small northern town in England to Lucerne, Switzerland, with her husband, Thibaut. Nobody, not even Hannah, knows the full truth about herself. Her ‘memories’ consist of glimpses of the place where she played in childhood, known simply as ‘The Wild’. Over the three days of the conference she has to decide whether she can avoid Neville, or whether she should submit to an encounter with him and with her past. And in her keynote lecture about the neuroscience of memory, how much to conceal or reveal. But can her specialism save her from drowning?

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The Body Work Trilogy comes to a sizzling, scorching-hot and thrilling conclusion - that will blow away fans of Maya Banks, Rhyannon Byrd, Liliana Hart and Lisa Marie Rice.Anna Rossi walked away from Alec Flynn to keep her family and friends safe. But no matter how hard she tries, she can't protect her heart from him...Time has done nothing to quell Anna's desperate desire for Alec. She knows she did the right thing leaving. She knows how dangerous he is. And she knows that her connection to him threatens everything. But she can't seem to stay away.In the vicious, public legal battle Alec's been fighting, things have come to breaking point. He could lose everything, and lose Anna once and for all. With her life in jeopardy again, and after so much damage has been done, will they ever have a chance of true happiness? Find out where the breathless, addictive story began in The Masseuse.

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Twelve essays in literary theory, philosophy, and religion – about atheism, freedom, and "the Jesus thought experiment" – connect, but don't conclude. A recurring theme is the "nothing" at the heart of the deep atheism of George Eliot, Walter Pater, Oscar Wilde, Rudyard Kipling, and Thomas Hardy, who approach "nothing" with a directness lacking in their English-speaking philosophical contemporaries. How does being in the world – Thomas Nagel's "what-it's-likeness" – and how do values – Alasdair MacIntyre's justice and misericordia – fare in the face of the mindless "It" that hardy finds at the heart of things? A pivotal essay compares the theism of Paul Ricoeur and the atheism of Daniel Dennett – the subtitle is a response to the latter's latest book.Writing and Freedom defends (a strong version of) free will as necessarily interpersonal: my freedom is nothing but my acceptance of yours. This is how Milton, Rossetti, and Dickinson treat their readers, and how scientists and philosophers ideally treat each other. Moreover, both "nothing" and "freedom" are fundamental to biblical and religious narratives (Mark and Newman). God, being "out of all relation" with the finite, cannot be known from the text of the world. Yet as "nothing," God may be said to grant unconditional autonomy to his creatures, and therefore to be present in his absence. It is round "nothing," therefore, that atheists and theists endlessly circulate. But that is what the deep atheism of European thinkers – Nietzsche, Freud, Lacan, and Zizek – say we all do anyway, however excitedly we pretend to ourselves that we don't.

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Winner of the Wolfson History Prize, and described by A.S.Byatt as 'one of the finest biographies ever published', this is Fiona MacCarthy's magisterial biography of William Morris, legendary designer and father of the Victorian Arts and Crafts movement. 'Thrilling, absorbing and majestic.' Independent'Wonderfully ambitious ... The definitive Morris biography.' Sunday Times 'Delicious and intelligent, full of shining detail and mysteries respected.' Daily Telegraph'Oh, the careful detail of this marvellous book! . . . A model of scholarly biography'. New StatesmanSince his death in 1896, William Morris has been celebrated as a giant of the Victorian era. But his genius was so multifaceted and so profound that its full extent has rarely been grasped. Many people may find it hard to believe that the greatest English designer of his time - possibly of all time - could also be internationally renowned as a founder of the socialist movement, and ranked as a poet with Tennyson and Browning.In her definitive biography - insightful, comprehensive, addictively readable - the award-winning Fiona MacCarthy gives us a richly detailed portrait of Morris's complex character for the first time, shedding light on his immense creative powers as artist and designer of furniture, fabrics, wallpaper, stained glass, tapestry, and books; his role as a poet, novelist and translator; on his psychology and his emotional life; his frenetic activities as polemicist and reformer; and his remarkable circle of friends, literary, artistic and political, including Dante Gabriel Rossetti and Edward Burne-Jones. It is a masterpiece of biographical art.

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'Captivating, intimate, dazzling epic and revelatory' SIMON SEBAG-MONTEFIORE The story of the family who rose from the Frankfurt ghetto to become synonymous with wealth and power has been much mythologized. Yet half the Rothschilds, the women, remain virtually unknown. From the East End of London to the Eastern seaboard of the United States, from Spitalfields to Scottish castles, from Bletchley Park to Buchenwald, and from the Vatican to Palestine, Natalie Livingstone follows the extraordinary lives of the English branch of the Rothschild women from the dawn of the nineteenth century to the early years of the twenty first. As Jews in a Christian society and women in a deeply patriarchal family, they were outsiders. Determined to challenge and subvert expectations, they supported each other, building on the legacies of their mothers and aunts. They became influential hostesses and talented diplomats, choreographing electoral campaigns, advising prime ministers, advocating for social reform and trading on the stock exchange. Misfits and conformists, conservatives and idealists, performers and introverts, they mixed with Rossini and Mendelssohn, Disraeli, Gladstone and Chaim Weizmann, amphetamine-dealers, temperance campaigners, Queen Victoria, and Albert Einstein. They broke code, played a pioneering role in the environmental movement, scandalised the world of women's tennis by introducing the overarm serve and drag-raced with Miles Davies in Manhattan.Absorbing and compulsive THE WOMEN OF ROTHSCHILD gives voice to the complicated, privileged and gifted women whose vision and tenacity shaped history.

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'Captivating, intimate, dazzling epic and revelatory' SIMON SEBAG-MONTEFIORE The story of the family who rose from the Frankfurt ghetto to become synonymous with wealth and power has been much mythologized. Yet half the Rothschilds, the women, remain virtually unknown. From the East End of London to the Eastern seaboard of the United States, from Spitalfields to Scottish castles, from Bletchley Park to Buchenwald, and from the Vatican to Palestine, Natalie Livingstone follows the extraordinary lives of the English branch of the Rothschild women from the dawn of the nineteenth century to the early years of the twenty first. As Jews in a Christian society and women in a deeply patriarchal family, they were outsiders. Determined to challenge and subvert expectations, they supported each other, building on the legacies of their mothers and aunts. They became influential hostesses and talented diplomats, choreographing electoral campaigns, advising prime ministers, advocating for social reform and trading on the stock exchange. Misfits and conformists, conservatives and idealists, performers and introverts, they mixed with Rossini and Mendelssohn, Disraeli, Gladstone and Chaim Weizmann, amphetamine-dealers, temperance campaigners, Queen Victoria, and Albert Einstein. They broke code, played a pioneering role in the environmental movement, scandalised the world of women's tennis by introducing the overarm serve and drag-raced with Miles Davies in Manhattan.Absorbing and compulsive THE WOMEN OF ROTHSCHILD gives voice to the complicated, privileged and gifted women whose vision and tenacity shaped history.

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Discover how scenes of daily life and delicate dabs of color shocked the art world establishment. In this TASCHEN Basic Art introduction to Impressionism, we explore the artists, subjects, and techniques that first brought the easel out of the studio and shifted artistic attention from history, religion, or portraiture to the evanescent ebb and flow of modern life. As we tour the theaters, bars, and parks of Paris and beyond, we take in the movement’s radical innovations in style and subject, from the principle of plein air painting to the rapid, broken brushwork that allowed the Impressionists to emphasize spontaneity, movement, and the changing qualities of light. We take a close look at their unusual new perspectives and their fresh palette of pure, unblended colors, including many vividly bright shades that brought a whole new level of chromatic intensity to the canvas. Along the way, we recognize Impressionism’s established greats, such as Edgar Degas, Claude Monet, Berthe Morisot, and Camille Pissarro, as well as many associated artists worthy of closer attention, including Marie Bracquemond, Medardo Rosso, and Fritz von Uhde.

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This Elgar Research Agenda showcases insights from leading researchers on the charged issues and questions that lie ahead in the multidisciplinary field of digital politics. Covering the political implications of the Internet, social media, datafication and computational analytics, it looks to the future of how research might address the political challenges of the digital age and maps the key emerging trends in this field. Contributors outline and engage with major questions related to the transformation of campaigns, elections and political partisanship through digital media, and identify the methodological pathways and problems that impact the field. Exploring the implications of digitisation for governance, democracy, privacy, surveillance, advocacy, activism, and political talk, this book highlights the emergent ethical issues that will shape the future of this burgeoning focus of research. Featuring crucial insights into an increasingly pertinent subject, this Research Agenda will be key reading for researchers and graduate students of Internet studies, new media studies and political science. Policy makers, political consultants and anyone with a serious interest in research into digital politics will also benefit from this book's forward-looking approach. Contributors include: N. Anstead, J.G. Blumler, A. Chadwick, S. Coleman, A. Drew, E. Dubois, W.H. Dutton, L. Fernandez, H. Ford, M.I. Franklin, P. Gerbaudo, D. Karpf, L. Lievrouw, W.-Y. Lin, F. Martin-Bariteau, D. McDowell-Naylor, G. Moss, B. O'Loughlin, P. Rossini, V. Schneider, L. Sorenson, S. Wright, X. Zhang

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In Poetry, Pictures, and Popular Publishing eminent Rossetti scholar Lorraine Janzen Kooistra demonstrates the cultural centrality of a neglected artifact: the Victorian illustrated gift book. Turning a critical lens on “drawing-room books” as both material objects and historical events, Kooistra reveals how the gift book’s visual/verbal form mediated “high” and popular art as well as book and periodical publication. A composite text produced by many makers, the poetic gift book was designed for domestic space and a female audience; its mode of publication marks a significant moment in the history of authorship, reading, and publishing. With rigorous attention to the gift book’s aesthetic and ideological features, Kooistra analyzes the contributions of poets, artists, engravers, publishers, and readers and shows how its material form moved poetry into popular culture. Drawing on archival and periodical research, she offers new readings of Eliza Cook, Adelaide Procter, and Jean Ingelow and shows the transatlantic reach of their verses. Boldly resituating Tennyson’s works within the gift-book economy he dominated, Kooistra demonstrates how the conditions of corporate authorship shaped the production and receptionof the laureate’s verses at the peak of his popularity. Poetry, Pictures, and Popular Publishing changes the map of poetry’s place—in all its senses—in Victorian everyday life and consumer culture.

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A fearsome young woman stormsinger and pirate hunter join forces against a deathless pirate lord in this swashbuckling Jacobean adventure on the high-seas. Launching the Winter Sea series, full of magic, betrayal and redemption, for readers of Adrienne Young, R. J. Barker and Naomi Novik Mary Firth is a Stormsinger: a woman whose voice can still hurricanes and shatter armadas. Faced with servitude to pirate lord Silvanus Lirr, Mary offers her skills to his arch-rival in exchange for protection - and, more importantly, his help sending Lirr to a watery grave. But her new ally has a vendetta of his own, and Mary's dreams are dark and full of ghistings, spectral creatures who inhabit the ancient forests of her homeland and the figureheads of ships. Samuel Rosser is a disgraced naval officer serving aboard The Hart, an infamous privateer commissioned to bring Lirr to justice. He will stop at nothing to capture Lirr, restore his good name and reclaim the only thing that stands between himself and madness: a talisman stolen by Mary. Finally, driven into the eternal ice at the limits of their world, Mary and Samuel must choose their loyalties and battle forces older and more powerful than the pirates who would make them slaves. Come sail the Winter Sea, for action-packed, high-stakes adventures, rich characterisation and epic plots full of intrigue and betrayal.

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Over recent years Complexity Science has revealed to us new limits to our possible knowledge and control in social, cultural and economic systems. Instead of supposing that past statistics and patterns will give us predictable outcomes for possible actions, we now know the world is, and will always be, creative and surprising. Continuous structural evolution within such systems may change the mechanisms, descriptors, problems and opportunities, often negating policy aims. We therefore need to redevelop our thinking about interventions, policies and policy making, moving perhaps to a humbler, more learning approach. In this Handbook, leading thinkers in multiple domains set out these new ideas and allow us to understand how these new ideas are changing policymaking and policies in this new era.'- Peter M Allen, Cranfield University, UK'Complexity Theory has come to the fore because the world we live in is complex and many of the issues which confront us cannot be handled by the conventional tools of science, including social science. In public policy and professional practice, we are well aware of wicked issues where simple interventions often make things worse instead of better. The chapters in this excellent Handbook put complexity to work where it matters in informing our thinking and action across governance and public policy.'- David Byrne, Durham University, UKThough its roots in the natural sciences go back to the early 20th century, complexity theory as a scientific framework has developed rapidly from the 1970s onwards. Since the 1990s, it has been increasingly integrated into the social sciences and public policy. The ground-breaking and wide-ranging Handbook on Complexity and Public Policy brings together the latest work from top academics, researchers and policy actors working with complexity and policy from Europe, North America, Brazil and China and organizes it into three clear and cohesive parts:- Theory and Tools- Methods and Modelling for Policy Research and Action- Applying Complexity to Local, National and International Policy.With its distinctive combination of theory, methods and policy applications, comprehensive coverage of the field and state of the art overview, this Handbook is an essential read for students, academics and policy practitioners.Contributors include: S. Astill, U.Bilge, T. Bovaird, P. Cairney, A. Caloffi, T. Carmichael, M. Darking, G. de Roo, B. Edmonds, C. Gershenson, R. Geyer, M. Givel, B. Gray, M. Hadzikadic, P. Haynes, C. Hobbs, M. Howlett, L. Johnson, R. Kenny, K.E. Lehmann, A. Little, Q. Liu, E. Mitleton-Kelly, G. Morçöl, D. Nohrstedt, S. Occelli, J. Price, J. Rayner, C. Ricaurte, G. Room, F. Rossi, M. Russo, F. Semboloni, K. Treadwell Shine, J. Stroud, T. Tenbensel, C. Warren-Adamson, T.E. Webb, A. Wellstead, J. Whitmeyer

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It is the first time that the different strategic advertising mechanisms are explained in a single book. And this is also the first time that a book has brought together the most important and transcendent (for its applicability to the advertising market) strategic advertising mechanisms. The text explains from classic mechanisms such as Rosser Reeves's USP or Procter & Gamble's copy strategy to modern mechanisms such as Kevin Roberts's Lovemarks or Douglas Holt's iconic brands. It also considers European mechanisms such as Jacques Séguéla’s star strategy or Henri Joannis’s psychological axis. The book has the most complete academic review. Strategic Advertising Mechanisms: From Copy Strategy to Iconic Brands, integrates the most important strategic advertising mechanisms developed throughout the time: USP, brand image, positioning, Lovemarks... This is the first and only book to date that compiles the most consolidated methods by advertisers or advertising agencies (P&G, Bates, Ogilvy or Euro) in the history of modern advertising. Primary readership will be among practitioners, researchers, scholars and students in a range of disciplines, including communication, advertising, business and economic, information and communication, sociology, psychology and humanities. There may also be appeal to the more general reader with an interest in how advertising strategic planning works.

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Roger Ebert wrote the foreword to this collection of 35 in-depth interviews with the world's leading filmmakers and critics, from Fonda to Fassbinder, from Canby to Costa-Gavras, from Sarris to Sayles. Cineaste, America's leading magazine on the art and politics of the cinema, has become known for its in-depth interviews with filmmakers and film critics of international stature. The best of these interviews are now collected in this volume. The interviews: Constantin Costa-Gavras, Glauber Rocha, Miguel Littin, Bernardo Bertolucci, Ousmane Sembene, Elio Petri, Dusan Makavejev; Gillo Pontecorvo; Alain Tanner, Jane Fonda, Francesco Rosi, Lina Wertmuller, Roberto Rossellini, Tomas Gutierrez Alea, Gordon Parks, Rainer Werner Fassbinder, John Howard Lawson, Paul Schrader, Agnes Varda, Bertrand Tavernier, Andrew Sarris, Bruce Gilbert, Jorge Semprun, Vincent Canby, John Berger, Andrzej Wajda, John Sayles, Krzysztof Zanussi, Molly Haskell, Budd Schulberg, Satyajit Ray. The unique value of these interviews will be the comments by the filmmakers on the crucial artistic and political decisions confronted in the making of their films, many of which have become classics of their kind. The filmmakers and critics talk about their own development, films which influenced their work, and the continuing controversies and alternative approaches in filmmaking. They take on their critics and their own previous positions with a clarity and forcefulness to be expected from some of the leading practitioners of their art. The interviews are introduced with a foreword by Roger Ebert, television commentator and critic for the Chicago Sun-Times. Mr. Ebert discusses the relation of art and politics and some of the common perspectives which unite filmmakers of different cultures and of diverse artistic and political temperaments. Among the subjects of these wide-ranging talks are: the choice between popular and experimental forms of narrative; the filmmaker's responsibility to society; blacks and women in the movies; the rise of third world filmmaking; Hollywood's left and progressives; the conditions of filmmaking in different societies; the challenges of independent production; different forms of censorship, from the U.S. to Poland; trends in criticism and auteur theory to feminism; the power of the reviewer.

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The fastest, funniest page-turner on the planet! This is the ultimate book for kids who love slick supercars, powerful monster trucks, and record-smashing speed machines.Buckle up — the only thing more exciting than reading this book about big and fast cars is sitting behind the wheel of one crossing the finish line at the Indy 500! Inside you’ll find amazing color photos, mind-blowing facts, and answers to some very urgent questions, like: Do you know why the van was embarrassed around its friends? Because it had a little gas! Since the invention of the wheel, people have been building machines that go faster and faster and look cooler and cooler. The first cars went about 10 mph, now they easily break 200 mph — and some even drive themselves! Speaking of which, ever wonder whose fault it is if two self-driving cars get in an accident? Pick up this book and find out! Under the hood you’ll discover: Incredible auto-related facts like record setting rides (check out the 763 mph ThrustSSC rocket car!) and answers to seriously silly questions (How do race car drivers pee during a race?)Many S.T.E.A.M. learning opportunities such as the science of how cars work and the history of cars from the Model T to electric cars to a Tesla in space!Behind-the-scenes stories of people with great car-related jobs such as a Hot Wheels designer, the guy who created the Batmobile, a scientist who controls rovers on Mars, and of course, record-setting drivers like Danica Patrick, Alexander Rossi, Dale Earnhardt, Jr. and teen sensation Chloe Chambers.Fun activities such as drawing lessons (create your own car cartoon character!) matching games, quizzes, plus tons of jokes.Sneak peeks inside the garages of your favorite famous car-collection celebs like The Rock, Lady Gaga, Guy Fieri and other car-obsessives!The only thing readers need to drive Road & Track Crew Big & Fast Cars is a license for fun. So turn the key, step on the gas and let’s go!

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In this very personal book, Stirling Moss guides the reader through his motor racing life with a fascinating, insightful and often amusing commentary to an unrivalled collection of over 300 photographs, many of which will be unfamiliar to even his most ardent fans. He takes us from his childhood to the height of his fame as 'Mr Motor Racing' and then to the sudden end of his career with that crash at Goodwood in 1962. Along the way we dwell on his finest moments as well as the setbacks, and delight in the sheer variety of machinery - almost 100 different cars - in which he competed during his rollercoaster racing life. This is a book that all motor racing enthusiasts will treasure. Starting in 1948, he made his name in little 500cc Coopers, moving towards stardom in HWM, ERA and Cooper F2 cars, then his own F1 Maserati 250F. The 1955 Mercedes season and its twin highlights a winning the Mille Miglia and the British Grand Prix. His longing to win in British cars was rewarded with two fine F1 seasons at Vanwall (1957a 58), with whom he came very close to winning the F1 World Championship, and sports car successes with Aston Martin.- Rear-engined Cooper and Lotus F1 cars with Rob Walker (1958a 62), including two celebrated Monaco GP wins.- Two-seater variety: the amazing range of sports cars he drove included Jaguars (XK120, C-type and D-type), Maseratis (150S to 450S), Ferraris (250 GT SWB and Testa Rossa) and Porsches (550 Spyder to RS61), plus Frazer Nash Le Mans Replica, Osca, Healey 100S, Cooper 'Bobtail' and more. Ever busy and versatile: rallying with Sunbeams, trialling a Harford special, Bonneville record-breaking with MG EX181, saloon car racing in a humble Standard Ten a and even a kart race. Published to mark the 60th anniversary of Moss' famous win in the 1955 Mille Miglia road race in a Mercedes 300SLR.Foreword by 2014 Formula One World Champion Lewis Hamilton."

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A collection of 40 delicious cocktail recipes featuring the hugely popular Italian sparkling wine that has taken social drinking by a storm – Prosecco! Ah, Prosecco, how we love it! With its crisp, zesty bubbles and light, fruity flavour, Champagne’s perkier younger cousin is our favourite sparkling wine, hands-down. But what many of us don’t realize is that those easy-drinking qualities we love so much are exactly what makes it a fantastic base for cocktails, too. Prosecco’s sprightly bubbles combine brilliantly with all kinds of liqueurs and spirits, so it’s time to open the drinks cabinet and start experimenting – and Prosecco Cocktails is the perfect companion to get you started. There are Prosecco-led twists on the classics, like the Kir Royale or Prosecco Mojito; sophisticated apéritifs like the classic Spritz or the strawberry-infused Rossini; absolute party barnstormers like the Sangria Blanca, infused with white peach and basil; and intriguing sweet treats like the Wild Berry Cheesecake or Sparkling Parma Violet. Everyone enjoys the magical sound of well-chilled fizz cascading into a sparkling clean glass, adding its special cheer to any occasion. Now let’s take it to a whole new level! Whether you’re hosting an action-packed hen party or a dainty baby shower, a sunny beachside barbecue or a festive Christmas drinks gathering, an intimate meal à deux or a gossip-fuelled get-together, a fun family celebration or a soignée dinner party, the true joy of Prosecco is that it’s ideal for any occasion.

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The #1 Sunday Times bestselling Seven Faceless Saints duology concludes. Romance, revolution and mystery intertwine as a young rebel and palace guard hunt a murderer in this gripping YA set in a world inspired by Florence, Italy. Perfect for fans of Leigh Bardugo and Kerri Maniscalco. Damian Venturi isn't aware of it yet. But as small shifts start to crack the foundations of the Ombrazian power structure after the Rebellion's attack, cracks are beginning to show in Damian's own facade. Uncontrollable anger is bubbling to the surface and can't always be pushed down. Can he keep everyone safe, even from himself? Rossana Lacertosa should feel victorious. She accomplished everything she set out to do, and more. The Rebellion's attack set countless prisoners free and brought attention to the unfairness in the Palazzo's structure. And Damian is back by her side where he belongs. Yet the war with Brechaat rages on and government officials are hellbent on keeping the status quo. Then an Ombrazian general arrives from the front lines, and orders dozens of arrests, shipping Roz and Damian's friends up north. Determined to free those who matter most, Roz and Damian set their sights on Brechaat. But on their journey to hell on earth, Roz will need to face the fact that Damian is not just shifting further from the boy she used to know, but down a dark path into chaos. The complications of love, magic, faith, and war will keep readers eagerly turning the pages as they head towards the gripping conclusion in the Seven Faceless Saints duology.

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With the rise of museums in the 19th century, including the formation in 1824 of the National Gallery in London, as well as the proliferation of widely available published reproductions, the art of the past became visible and accessible in Victorian England as never before. Inspired by the work of Sandro Botticelli, Jan van Eyck, Diego Velázquez, and others, British artists elevated contemporary art to new heights through a creative process that emphasized imitation and emulation. Elizabeth Prettejohn analyzes the ways in which the Old Masters were interpreted by critics, curators, and scholars, and argues that Victorian artists were, paradoxically, at their most original when they imitated the Old Masters most faithfully. Covering the arc of Victorian art from the Pre-Raphaelites through to the early modernists, this volume traces the ways in which artists such as Dante Gabriel Rossetti, Edward Burne-Jones, and William Orpen engaged with the art of the past and produced some of the greatest art of the later 19th century. Published in association with the Paul Mellon Centre for Studies in British Art

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From traditional verses by Christina Rossetti and Henry Wadsworth Longfellow to modern classics by Carol Ann Duffy, Steve Turner and Benjamin Zephaniah, this dazzling anthology of Christmas poems will delight children and adults of all ages. All the wonders of the season are captured in 100 Best Christmas Poems for Children. Perfect for reading aloud with all the family, there are verses that will encourage children to reflect on the Christmas themes of joy, hope and peace for all the world, while also savouring the festive fun of everything else that Christmas brings - from the opening of the first Advent window to the tidying away of all the decorations on Twelfth Night. Edited and introduced by beloved poet Roger McGough, this enchanting children's poetry book make a wonderful gift and keepsake and will be cherished by all who read it. Children will gain an appreciation for language and storytelling as the magic of Christmas is brought to life by this anthology that they'll return to over and over again each year.

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Within the pages of Allie Esiri's gorgeous poetry collection, A Poem for Every Autumn Day you will find verse that will transport you to vibrant autumnal scenes, from harvest festival to Remembrance Day.The poems are selected from Allie Esiri’s bestselling poetry anthologies A Poem for Every Day of the Year and A Poem for Every Night of the Year.Perfect for reading aloud and sharing with all the family, this book dazzles with an array of familiar favourites and remarkable new discoveries. These seasonal poems – together with introductory paragraphs – have a link to the date on which they appear.Includes poems by Robert Louis Stevenson, John Betjeman, Amy Lowell, Paul Laurence Dunbar, William Shakespeare and Christina Rossetti who sit alongside Seamus Heaney, John Agard, Simon Armitage, Patience Agbabi and Imtiaz Dharker.This soul-enhancing book will keep you company for every day of Autumn. Enjoy more seasonal poetry collections with A Poem for Every Summer Day and A Poem for Every Winter Day.

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Nach Erschließung der hebräischen Textbasis durch die Edition der Geniza-Fragmente (2003) und die Synopse der Handschriften beider Versionen von Avot de-Rabbi Natan (2006) legt Hans-Jürgen Becker mit diesem Band eine Übersetzung von Version B vor, die auf dem aktuellen Stand der Textforschung diese für Geschichtsdeutung und Weisheit des antik-rabbinischen Judentums zentrale Quelle auch den Interessierten angrenzender Disziplinen zugänglich macht.Das Werk enthält unter anderem die älteste Fassung der rabbinischen Legenden zu den Umständen der Zerstörung Jerusalems im Jahre 70 n. Chr., Sentenzen und Rätselworte der Weisen des ersten und zweiten Jahrhunderts, Geschehnisse aus ihrem Leben und Schilderungen ihres Alltags mit viel Zeitkolorit, zahlreiche Gleichnisse sowie auch längere schriftauslegende Passagen, etwa zur Erschaffung des Menschen nach dem Bericht der Genesis. Fiktive Gespräche mit Kaisern, Matronen und Philosophen zeugen zusammen mit einer Vielzahl griechischer und lateinischer Lehnwörter von der Verbundenheit der Rabbinen mit der sie umgebenden Kultur.Grundlage dieser ersten Übersetzung ins Deutsche ist die älteste und vollständigste erhaltene Handschrift MS Parma 2785 (= de Rossi 327, Spanien 1289), ergänzt durch MS Vatikan 303 (Italien, 15. Jh.). Übersetzungsrelevante Varianten sämtlicher Textzeugen werden anmerkungsweise oder durch synoptische Darstellung dokumentiert. Die Übersetzung ist um größtmögliche Wörtlichkeit bemüht - schwierige Stellen werden sprachlich nicht geglättet. Die Anmerkungen geben Hinweise zum möglichen Textverständnis, ohne der Interpretation vorzugreifen.

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Over the last five years, corporations and individuals have given more money, more often, to charitable organizations than ever before. What could possibly be the downside to inhabiting a golden age of gift-giving? That question lies at the heart of Timothy Campbell’s account of contemporary giving and its social forms. In a milieu where gift-giving dominates, nearly everything given and received becomes the subject of a calculus—gifts from God, from benefactors, from those who have. Is there another way to conceive of generosity? What would giving and receiving without gifts look like? A lucid and imaginative intervention in both European philosophy and film theory, The Techne of Giving investigates how we hold the objects of daily life—indeed, how we hold ourselves—in relation to neoliberal forms of gift-giving. Even as instrumentalism permeates giving, Campbell articulates a resistant techne locatable in forms of generosity that fail to coincide with biopower’s assertion that the only gifts that count are those given and received. Moving between visual studies, Winnicottian psychoanalysis, Foucauldian biopower, and apparatus theory, Campbell makes a case for how to give and receive without giving gifts. In the conversation between political philosophy and classic Italian films by Visconti, Rossellini, and Antonioni, the potential emerges of a generous form of life that can cross between the visible and invisible, the fated and the free.

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