Search results for ""Author Ross"

Since the early days of film, critics and theorists have contested the value of formula, cliche, conventional imagery, and recurring narrative patterns of reduced complexity in cinema. Whether it's the high-noon showdown or the last-minute rescue, a lonely woman standing in the window or two lovers saying goodbye in the rain, many films rely on scenes of stereotype, and audiences have come to expect them. Outlining a comprehensive theory of film stereotype, a device as functionally important as it is problematic to a film's narrative, Jorg Schweinitz constructs a fascinating though overlooked critical history from the 1920s to today. Drawing on theories of stereotype in linguistics, literary analysis, art history, and psychology, Schweinitz identifies the major facets of film stereotype and articulates the positions of theorists in response to the challenges posed by stereotype. He reviews the writing of Susan Sontag, Roland Barthes, Theodor W. Adorno, Rudolf Arnheim, Robert Musil, Bela Balazs, Hugo Munsterberg, and Edgar Morin, and he revives the work of less-prominent writers, such as Rene Fulop-Miller and Gilbert Cohen-Seat, tracing the evolution of the discourse into a postmodern celebration of the device. Through detailed readings of specific films, Schweinitz also maps the development of models for adapting and reflecting stereotype, from early irony (Alexander Granowski) and conscious rejection (Robert Rossellini) to critical deconstruction (Robert Altman in the 1970s) and celebratory transfiguration (Sergio Leone and the Coen brothers). Altogether a provocative spectacle, Schweinitz's history reveals the role of film stereotype in shaping processes of communication and recognition, as well as its function in growing media competence in audiences beyond cinema.

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Advent is a season of waiting and anticipation in which the waiting itself is strangely rich and fulfilling. Poetry can help us fathom the depths of Advent's many paradoxes: dark and light, emptiness and fulfilment, ancient and ever new. For every day from Advent Sunday to Christmas Day and beyond, the bestselling poet Malcolm Guite chooses a favourite poem from across the Christian spiritual and English literary traditions and offers incisive seasonal reflections on it. In the spirit of the season, he blends the familiar and the new, ranging from from spiritual classics such as Edmund Spenser, John Donne, George Herbert and Christina Rossetti, to contemporary voices Luci Shaw and Scott Cairns. His own acclaimed sequence of sonnets for the great Advent antiphons are also included.

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SHORTLISTED FOR THE COSTA BIOGRAPHY AWARDMussolini was not only ruthless: he was subtle and manipulative. Black-shirted thugs did his dirty work for him: arson, murder, destruction of homes and offices, bribes and intimidation. His opponents – including editors, union representatives, lawyers and judges – were beaten into submission. But the tide turned in 1924 when his assassins went too far, horror spread across Italy, and antifascist resistance was born. Among those whose disgust hardened into bold and uncompromising resistance was a family from Florence: Amelia, Carlo and Nello Rosselli. Caroline Moorehead draws readers into the lives of this remarkable family – their loves, their loyalties, their laughter and their ultimate sacrifice.

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Take your bubbles to the next level with over 55 fantastic classic and contemporary Prosecco cocktail recipes.Whether you love a light and refreshing drink or prefer a sweet and fruity treat, The Little Book of Prosecco can help you transform your favourite bottle of Prosecco into something even more special.- Make drinks for every occasion with great cocktails for brunch, like the Rossini or the Primrose Fizz; sparkling delights for toasting special achievements, such as the Celebration Cocktail or the French 75; as well as a drink fit for every moment in between, from The French Afternoon to the party-starting tequila-spiked Los Altos.- Master well-known staples like the Bellini, Pink Sangria and Sbagliato and try new contemporary twists on your favourites with the Floral Bellini, the Mojito Royale and the Prosecco Julep.- Mix up punches and sangrias for the whole group to enjoy together, such as the Spice Route Punch, the La Rochelle Punch, and the Blush Sangria.- Discover your new favourite Prosecco-based drink along with tips and tricks for making it, right down to the type of glass it is traditionally served in.Enjoy Prosecco your way and delight the Prosecco-lovers in your life with this pocket-sized guide to cocktails for every occasion.

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In this truly beautiful book, Andrea Zanatelli combines his extraordinary artworks with a selection of classical love poetry by Anne Brontë, William Blake, Christina Rossetti, Emily Dickinson, Percy Shelley and many more.Drawing its inspiration from the past, Love is Enough references the decorative arts of a bygone era, and is a combination of romantic imagery, antique fabrics and allegorical illustrations, mixed with poems and mottos. Often mistaken for real embroidery pieces, the artworks are in fact very detailed and intricate digital collages, made to look and feel like handcrafted works.Zanatelli is strongly influenced by the Arts and Crafts movement and the Pre-Raphaelites as well as eighteenth-century collage artist and creator of the Flora Delanica, Mary Delany, among others. Recurring themes in his work are romantic love, magical symbols, Victorian era craftsmanship, historical nun’s work and relics. Details of paintings, ancient fabrics, antique jewellery and miniatures are also returning elements as they often become an integral part of the inspiration for the collages themselves.This stunning book is full of intricate detail and brimming with romance, so you can return to its pages again and again.

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Like its predecessor, Iona and Peter Opie's Oxford Book of Children's Verse, this is an anthology of poetry written for children. It begins in the eighteenth century and ends in 1995, with the emphasis on modern work, and the explosion of talent that has emerged on both sides of the Atlantic in the last 25 years. This is a book bursting with vitality and variety: over 350 poems by more than 200 poets, in which narrative poems, concrete verse and performance poetry with poems of the classroom and playground. Acute observation and language new-made inform all these poems, which represent the ethnic and cultural diversity of contemporary writing for children ranging from African American and Aborigine to Caribbean/Black British and New Zealand and Canadian. Familiar names such as Edward Lear, Christina Rossetti, Rudyard Kipling and A. A. Milne happily lead on to new generations: Charles Causley, Ted Hughes, Roger McGough, Allan Ahlberg, Jackie Kay and many more. The result is an exuberant anthology whose contents speak with humour, passion, and insight to the child reader: it is a pudding packed with plums.

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This survey of computability theory offers the techniques and tools that computer scientists (as well as mathematicians and philosophers studying the mathematical foundations of computing) need to mathematically analyze computational processes and investigate the theoretical limitations of computing. Beginning with an introduction to the mathematisation of “mechanical process” using URM programs, this textbook explains basic theory such as primitive recursive functions and predicates and sequence-coding, partial recursive functions and predicates, and loop programs. Advanced chapters cover the Ackerman function, Tarski’s theorem on the non-representability of truth, Goedel’s incompleteness and Rosser’s incompleteness theorems, two short proofs of the incompleteness theorem that are based on Lob's deliverability conditions, Church’s thesis, the second recursion theorem and applications, a provably recursive universal function for the primitive recursive functions, Oracle computations and various classes of computable functionals, the Arithmetical hierarchy, Turing reducibility and Turing degrees and the priority method, a thorough exposition of various versions of the first recursive theorem, Blum’s complexity, Hierarchies of primitive recursive functions, and a machine-independent characterisation of Cobham's feasibly computable functions.

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Italian architecture has long exerted a special influence on the evolution of architectural ideas elsewhere - from the Beaux-Arts academy’s veneration of Rome, to modernist and postmodern interest in Renaissance proportion, Baroque space, and Mannerist ambiguity. This book critically examines this enduring phenomenon, exploring the privileged position of Italian architects, architecture, and cities in the architectural culture of the past century. Questioning the deep-rooted myth of Italy within architectural history, the book presents case studies of Italy’s powerful yet problematic position in 20th-century architectural ideologies, at a time when established Eurocentric narratives are rightly being challenged. It reconciles the privileged position of Italian architecture and design with the imperative to write history across a more global, diverse, heterogenous cultural geography. Twenty chapters from distinguished international scholars cover subjects and architects ranging from Alberti to Gio Ponti, Aldo Rossi, Manfredo Tafuri, Vittorio Gregotti; cities from Rome and Venice to Milan; and an array of international architects, movements, and architectural ideas influenced by Italy. The chapters each question where, how, and why the disciplinary edifice of 20th-century architecture—its canon of built, visual, textual, and conceptual works—relied on Italian foundations, examining where and how those foundations have become insecure. Indispensable for students and scholars of both Italian and global architectural history, Italian Imprints on Twentieth-Century Architecture provides an opportunity to consider the architectural and urban landscape of Italy from substantially new points of view.

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This comprehensive and groundbreaking Handbook integrates economic and organization theories to help elucidate the design and evolution of economic organization.Economic organization is regarded both as a subject of inquiry and as an emerging disciplinary field in its own right, integrating insights from economics, organization theory, strategy and management, economic sociology and cognitive psychology. The contributors, who share this integrated approach, are distinguished scholars at the productive peak in their fields. Each original, state-of-the art chapter not only addresses foundational issues, but also identifies key issues for future research.This original and wide-ranging Handbook will be a useful and thought-provoking read for academics, students and researchers in the fields of organization, management and economics.Contributors: N. Argyres, M.M. Blair, G. Bonifati, R.M. Burton, M.G. Colombo, L. Feng, N.J. Foss, B.S. Frey, V.P. Goldberg, A. Grandori, G. Hendrikse, J.-F. Hennart, G.M. Hodgson, A. Holl, B.E. Kaufman, P.G. Klein, P.H. Kriss, K.R. Lakhani, J.-E. Lane, R. Leoni, H. Lifshitz-Assaf, S. Lindenberg, J.T. Mahoney, S.E. Masten, B. Obel, M. Osterloh, U. Pagano, J. Pencavel, P. Puranam, R. Rama, M. Raveendran, C. Rossi-Lamastra, L. Sacconi, R. Sanchez, M.L. Tushman, M. Villani, M. Warglien, R. Weber, J. Windsperger, T.R. Zenger

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After their initial inception as a schoolboy band named The Scorpions in 1962, and following a number of band name and personnel changes, Status Quo eventually hit the charts in 1968 with the massive hit single `Pictures of Matchstick Men’. However, it wasn’t until they ditched their psychedelic duds and took on the denim, accompanied by a radical gear-shift from teenage-friendly pop to out-and-out electric boogie that they came into their own, defining the rock music genre for many throughout the 1970s. A raft of hugely successful albums followed that are still held in awe by an army of loyal fans; the release of `Piledriver’ in 1972 heralded a purple patch in which twelve consecutive long-players charted in the UK top 10. The classic `Frantic Four’ lineup of Rossi, Parfitt, Lancaster and Coghlan started to disintegrate in 1981 and eventually imploded after Live Aid in 1985. Although Quo have gone on to post over sixty UK chart hits in no less than six separate decades, this publication focuses on those days of glory, song by song from their earliest recordings until the demise of the classic line-up.

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Over the past twenty-five years, Italy's film industry has produced a remarkable number of award-winning international art-house hits, among them Cinema Paradiso and Life Is Beautiful. Despite these successes, Italian cinema is in a state of crisis: ticket sales for domestic films, which plummeted in the l980's, are only now beginning to recover; television deregulation has engendered a popular culture largely dependent on American programming; and the passing of an entire generation of brilliant auteurs-Rossellini, Viscounti, Pasolini, Antonioni, and Fellini-extinguished the revolutionary impulse which had characterized Italian filmmaking since the Second World War. In After Fellini, Millicent Marcus contends that in the late 1980s and 1990s, a new wave of Italian filmmakers has transcended these obstacles and reasserted Italy's importance in world cinema. Through in-depth critiques of such acclaimed films as The Last Emperor, Caro Diario, and Stolen Children, as well as the immensely popular Cinema Paradiso and Life Is Beautiful, Marcus details how today's auteurs have both reflected and resisted Italy's shifting social, political, and cultural identity, and created a body of work that signals a new beginning for Italian cinema.

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Within the pages of Allie Esiri's gorgeous poetry collection, A Poem for Every Spring Day, you will find verse that will transport you to vivid spring-time scenes, taking you from the first sighting of blossoms to Easter.The poems are selected from Allie Esiri’s bestselling poetry anthologies A Poem for Every Day of the Year and A Poem for Every Night of the Year.Perfect for reading aloud and sharing with all the family, this book dazzles with an array of familiar favourites and remarkable new discoveries. These seasonal poems – together with introductory paragraphs – have a link to the date on which they appear.Includes poems by William Wordsworth, Christina Rossetti, John Donne and Emily Dickinson who sit alongside Ted Hughes, John Agard, Maya Angelou, Wendy Cope, John Cooper Clarke and Carol Ann Duffy.This soul-enhancing book will keep you company for every day and night of the Spring. Enjoy more seasonal poetry collections with A Poem for Every Summer Day and A Poem for Every Autumn Day.

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This comprehensive anthology celebrates four centuries of women’s poetry, covering over 100 poets from a wide range of social backgrounds across the English-speaking world. Familiar names – Anne Bradstreet, Aphra Behn, Elizabeth Barrett Browning, the Brontë sisters, Emily Dickinson, and Christina Rossetti – appear alongside other writers from America, Australia, Canada, India and New Zealand as well as the UK. The poets range from queens and ladies of the court to a religious martyr, a spy, a young slave, a milkmaid, labourers, servants, activists, invalids, émigrées and pioneers, a daring actor, and the daughter of a Native American chief. Whether writing out of injustice, religious or sexual passion, humour, or to celebrate their sex, their different cultures, environments, personal beliefs and relationships, these women have strong, independent spirits and voices we cannot ignore. In 1652, speaking of the poems she had published as her ‘babes’, a woman we know only as ‘Eliza’, answered ‘a Lady that bragged of her children’: Thine at their birth did pain thee bring, When mine are born, I sit and sing. Robyn Bolam’s helpfully annotated selection is illustrated with informative biographies. The texts are based on early editions or manuscripts but with modern spelling.

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This was the defining decade for the Le Mans 24 Hours. It started with six consecutive victories by Ferrari, overwhelming Aston Martin and Maserati. But then Ford threw its all-American dollars at the race and won it four times in a technically exciting period that also brought the competitive emergence of brands such as Alfa Romeo, Matra, Porsche and Renault. The participation of great automobile manufacturers spurred the development of many iconic racing cars: Ferrari Testa Rossa and GTO, Ford GT40 and Daytona Cobra, Porsche 904 and 917. The machines that were specially built for Le Mans evolved through the decade from front-engined brutes to mid-engined monsters. By the end of the period, many of them could achieve more than 200mph (300kph) on the awesome straights that defined the race, thrilling as many as 300,000 spectators at trackside. Almost 50 companies built cars that were raced at Le Mans in the 1960s. The 24 Hours became an annual cauldron of corporate rivalry and a high-speed proving ground for innovative automobile technologies.Above all, it became an incomparably arduous and complex challenge to man and machine that captured the imagination of the public the world over.

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We live in a secular world and cinema is part of that secular edifice. There is no expectation, in modern times, that filmmakers should be believers – any more than we would expect that to be the case of novelists, poets and painters. Yet for all that this is true, many of the greatest directors of classic European cinema (the period from the end of World War II to roughly the middle of the 1980s) were passionately interested not only in the spiritual life but in the complexities of religion itself. In his new book Mark Le Fanu examines religion, and specifically Christianity, not as the repository of theological dogma but rather as an energizing cultural force – an ‘inflexion’ – that has shaped the narrative of many of the most striking films of the twentieth century. Discussing the work of such cineastes as Eisenstein and Tarkovsky from Russia; Wajda, Zanussi and Kieslowski from Poland; France’s Rohmer and Bresson; Pasolini, Fellini and Rossellini from Italy; the Spanish masterpieces of Buñuel, and Bergman and Dreyer from Scandinavia, this book makes a singular contribution to both film and religious studies.

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Delving into Frederick Sandys's unconventional life, Betty Elzea's research reveals much about his complicated and often scandalous relationships. Born and educated in Norwich with an artisan background, Sandys was bohemian by nature, though from necessity, to the world at large, he appeared genteel and respectable. Unfortunately disorganised, un-businesslike and preferring to live alone as a bachelor in lodgings, he struggled to support two growing families of illegitimate children. From youth, developing skills as a draughtsman and painter, he moved to London, meeting Dante Gabriel Rossetti and the Pre-Raphaelites and their associates, while keeping a foothold in Norwich where he maintained friendships and enjoyed the support of the Norfolk gentry and several notable Norwich industrialists. Norfolk landscape painting and nature studies led to commissioned portraiture which became his main source of income. He is known for depictions of beautiful women in legendary disguises as well as meticulously-detailed portraits of elderly women. He also pioneered a new type of large-scale portrait drawing in chalks.

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In May of 1868, Elizabeth Bingham Young and her husband of only fivemonths, Egerton Ryerson Young, began a long journey from Hamilton,Ontario, to the Methodist mission of Rossville, at Norway House. Overthe next eight years, Elizabeth supported her husband’s work atRossville and then at the newly founded mission of Berens River, on theeast shore of Lake Winnipeg. In these remote outposts, she gave birthto four children, one of whom died in infancy, acted as a nurse anddoctor, and applied both perseverance and determination to learningCree, while also coping with poverty and a chronic shortage ofsupplies, both in the mission and in the community it served. WhenElizabeth died, in 1935, she left behind various reminiscences, notablyan extended account of her experiences at Norway House and BerensRiver, evidently written in 1927. Her memoirs offer an exceedingly rareportrait of mission life as seen through the eyes of a woman. Elizabeth’s first child and only surviving son, also namedEgerton Ryerson Young but known in his youth as “Eddie,”was born at Norway House in 1869. Cared for by a Cree woman almost frominfancy, Eddie spent his early childhood immersed in local Cree andOjibwe life, culture, and language, in many ways exemplifying theprocess of reverse acculturation often in evidence among the childrenof missionaries. He, too, left behind hitherto unpublishedreminiscences, one composed around 1935 and a second dictated shortlybefore his death. Like those of his mother, Eddie’s memoriescapture the sensory and emotional texture of mission life, a life inwhich the Christian faith is implicit rather than prominently ondisplay, while also providing an intriguing counterpoint to hismother’s recollections. Like all memoirs, these are refractedthrough the prism of time, and yet they remain startling in theirimmediacy. Together, the writings of mother and son—conjoinedhere with a selection of archival documents that supplement the mainnarratives, with the whole meticulously edited by Jennifer S. H.Brown—afford an all too uncommon opportunity to contemplatemission life from the ground up.

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Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in Anne C. McCarthy’s Awful Parenthesis. Examining various aesthetics of suspension in the works of poets such as Coleridge, Shelley, Tennyson, and Christina Rossetti, McCarthy shares important insights into the nineteenth-century fascination with the sublime. Attentive to differences between "Romantic" and "Victorian" articulations of suspension, Awful Parenthesis offers a critical alternative to assumptions about periodization. While investigating various conceptualizations of suspension, including the suspension of disbelief, suspended animation, trance, paralysis, pause, and dilatation, McCarthy provides historically-aware close readings of nineteenth-century poems in conversation with prose genres that include devotional works, philosophy, travel writing, and periodical fiction. Awful Parenthesis reveals the cultural obsession with the aesthetics of suspension as a response to an expanding, incoherent world in crisis, one where the audience is both active participant and passive onlooker.

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British literature of the Victorian period has always been celebrated for the quality, innovativeness, and sheer profusion of its love poetry. Every major Victorian poet produced notable poems about love. This includes not only canonical figures, such as Alfred Lord Tennyson, Robert and Elizabeth Barrett Browning, and Christina Rossetti, but also lesser-known poets whose works have only recently become widely recognized and studied, such as Augusta Webster and the many often anonymous working-class poets whose verses filled the pages of popular periodicals. Modern critics have claimed, convincingly, that love poetry is not just one strain of Victorian poetry among many; it is arguably its representative, even definitive, mode.This collection of essays reconsiders the Victorian poetry of love and, just as importantly, of intimacy—a more inclusive term that comprehends not only romance but love for family, for God, for animals, and for language itself. Together the essays

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An architect without being one, an anomalous designer, a gifted draftsman and collector of objects, Luca Meda (1936-1998) wrote one of the most important chapters in the history of 20th-century Italian design. The world of domestic interiors was his privileged field of action, and the very close, one-of-a-kind relationship with Molteni&C has provided, since the seventies, an example of perfect symbiosis between creativity and business, art and industry. Among the pieces of furniture that have become iconic are the Piroscafo bookcase designed together with Aldo Rossi, the Zim and Ho chairs, the Vivette armchair, the Primafila sofa and the modular systems 505 and Pass. This publication offers an exhaustive portrait of Luca Meda, at long last highlighting the importance and extent of his production - which includes furniture, installations, architectural projects and design objects of all sorts - in the context of a still pioneering season of Italian design, but to whom we nevertheless owe the subsequent success on the world stage. The historical-critical essays dedicated to his work are accompanied by a series of interviews with collaborators and friends who shared knowledge and practice in the realisation of his projects, as well as the re-edition of an interview with Meda himself, published on “Gap casa” in 1983. Bio-bibliographical appendix and a list of works complete the fascinating journey of the volume. Critical essays: Serena Maffioletti, Alberto Ferlenga, Sofia Meda, Nicola Braghieri, Beatrice Lampariello, Rosa Chiesa, Giampiero Bosoni e Chiara Lecce, Dario Scodeller, Mario Piazza. Interviews: Luca Meda, Romano Barchi, Mario Carrieri, Nicola Gallizia, Eliana Gerotto, Peter Hefti, Felix Humm, Laura Maifreni, Bruno Longoni, Carlo Molteni, Diego Peverelli, Richard Sapper, Filippo Zagni. Text in English and Italian.

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Despite its apparent throwaway status, the stock image comprises the primary commodity of a billion-dollar global industry with far-reaching effects in the marketplace and the public sphere. Taking this overlooked facet of contemporary life as a point of departure, Ordinary Pictures explores the photographic apparatuses and commercial interests that have given rise to our generic image culture through the conceptual image-based work of some 40 artists, including John Baldessari, Steven Baldi, Sarah Charlesworth, Anne Collier, Liz Deschenes, John Divola, Aleksandra Domanovi´c, Hans-Peter Feldmann, Morgan Fisher, Hollis Frampton, Jack Goldstein, Rachel Harrison, Robert Heinecken, Leslie Hewitt, Elad Lassry, Louise Lawler, Sherrie Levine, Steve McQueen, Jack Pierson, Peter Piller, Seth Price, Amanda Rossotto, Ed Ruscha, Steven Shore, Sturtevant, Mungo Thomson, Wolfgang Tillmans, Tseng Kwong Chi, Julia Wachtel and Christopher Williams. Spanning generations, movements and artistic strategies from the 1960s to the present day, this publication brings together works by artists who have probed, mimicked and critiqued this aspect of our visual environment as well as its industrial modes of production and distribution. Through the work of these artists and a series of scholarly essays, the catalogue aims to examine different operations of the generic image in culture, namely its anonymous circulation and editorial uses, its adaptability and reproducibility, its technical processes of production, its claim to copyright and artistic license and its tendency toward abstraction. Featuring a unique, coil-bound design reminiscent of stock photo catalogues and a flexidisc recording by the artist Jack Goldstein, this highly collectible book ultimately reflects on contemporary art’s own complicit function as an expanding industrial image economy.

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Encuadernación: RústicaChiara Ridolfi acaba de salir del colegio inglés en el que ha pasado toda su infancia. Viaja a Florencia a vivir con su padre y su tia, descendientes de una noble familia donde se enamorará perdidamente del doctor Salvatore Rossi, un hombre recio, hecho a sí mismo y con una inmensa conciencia de clase. Pero las cosas se complican en su primer encuentro, en un concierto para violín de Brahms, donde el mundo parece confabularse para que sientan que todo se interpone en su camino. Las personalidades de ambos, insegura ella e inflexible él, ayuda a hacer de su vida algo insoportable. Hasta que alguien decide adoptar una medida sorprendente y extrema, fruto de una peculiaridad ancestral del temperamento familiar.Penelope Fitzgerald, autora de La librería y El inicio de la primavera, nos sumerge en una nueva novela tremendamente seductora, creando un universo real y completo, casi tangible, en el que es posible encontrar un auténtico prodigio tras cada esquina.

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A stunning gift book featuring 130 poems about wanderlust, freedom and escape written by women. With poems from classic, well loved poets as well as innovative and bold modern voices, She Will Soar is a stunning collection and an essential addition to any bookshelf. From the ancient world right up to the present day, it includes poems on wanderlust, travel, daydreams, flights of fancy, escaping into books, tranquillity, courage, hope and resilience. From frustrated housewives to passionate activists, from servants and suffragettes to some of today’s most gifted writers, here is a bold choir of voices demanding independence and celebrating their hard-won power.Immerse yourself in poems by Carol Ann Duffy, Christina Rossetti, Stevie Smith, Sarah Crossan, Emily Dickinson, Salena Godden, Mary Jean Chan, Charly Cox, Nikita Gill, Fiona Benson, Hollie McNish and Grace Nichols to name but a few

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The Conquerors charts the rise, fall and resurgence of AC Milan across one of the club's most legendary eras. Fresh from a coaching baptism of fire at either end of the top Italian divisions, former club favourite Carlo Ancelotti returned to a then-disjointed Rossoneri dressing room as first-team manager in 2001. Out of sorts, out of form and out of touch with the standards set by the side in Ancelotti's day, AC Milan found a much-needed stabilising influence in the new coach, who helped them through a phase of transition. Though his impact wasn't immediate, nor without its share of dissenters, Ancelotti would ultimately return the team to its former glory. The Conquerors is a homage to one of the greatest club sides in football history. It's a story of incredible talent, iconic moments and the kind of improbable redemption usually reserved for Hollywood movie scripts.

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This guide is a starting point for exploring the geology of the Pennines between the southern Yorkshire Dales and Nidderdale in the north and the southern part of the Derbyshire Peak District in the south. The book concentrates on the main Pennine range, but also takes in higher ground to the west, including Rossendale, the Forest of Bowland and the Staffordshire Moorlands. While the guide is aimed primarily at undergraduate level, it is written and illustrated to also appeal to visitors to the area. The greater part of the guide deals with sedimentary rocks of Carboniferous age (360-300 Ma). It discusses the changing tectonic regime and its influence on the development of sedimentary basins and their sedimentation. It describes the depositional environments, the subsequent tectonic deformation of the sediments and the controls on present-day outcrop patterns. The older visible geology consists mostly of limestones, deposited in a tropical setting during the Dinantian (360-330 Ma) on shallow-water carbonate platforms, on ramps and in deeper settings. Mound-shaped reef-like structures, that occur in many limestone areas, consist mostly of carbonate mudstone and formed under the influence of micro-organisms. On the Derbyshire Platform, carbonate deposition was disrupted by basaltic magma around several volcanic centres. Limestone deposition was followed by accumulation of a complex series of sandstones and mudstones comprising the Millstone Grit, deposited throughout the Namurian (330-318 Ma), when the Dinantian sea-floor topography was eliminated by the advance of large deltas, creating a vast plain across which Westphalian (318-308 Ma) Coal Measures were deposited. Introductory chapters explain the tectonic, stratigraphic and sedimentological factors that governed deposition, later deformation and mineralisation. The interaction of fluctuating sea-level in response to southern hemisphere glaciation and ongoing tectonic activity are emphasised. The field guide proper is in six chapters, each devoted to a particular area, where individual localities are described and illustrated. While some itineraries are suggested, the format allows users to plan trips to match their interests. An extensive glossary should help non-geologists with technical terms.

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The proliferation of virtual and augmented reality technologies into society raise significant questions for judges, legal institutions, and policy makers. For example, when should activities that occur in virtual worlds, or virtual images that are projected into real space (that is, augmented reality), count as protected First Amendment 'speech'? When should they instead count as a nuisance or trespass? Under what circumstances would the copying of virtual images infringe intellectual property laws, or the output of intelligent virtual avatars be patentable inventions or works of authorship eligible for copyright? And when should a person (or computer) face legal consequences for allegedly harmful virtual acts?The Research Handbook on the Law of Virtual and Augmented Reality addresses these questions and others, drawing upon free speech doctrine, criminal law, the law of data protection and privacy, and of jurisdiction, as well as upon potential legal rights for increasingly intelligent virtual avatars in VR worlds. The Handbook offers a comprehensive look at challenges to various legal doctrines raised by the emergence - and increasing use of - virtual and augmented reality worlds, and at how existing law in the USA, Europe, and other jurisdictions might apply to these emerging technologies, or evolve to address them. It also considers what legal questions about virtual and augmented reality are likely to be important, not just for judges and legal scholars, but also for the established businesses and start-ups that wish to make use of, and help shape, these important new technologies.This comprehensive Research Handbook will be an invaluable reference to those looking to keep pace with the dynamic field of virtual and augmented reality, including students and researchers studying intellectual property law as well as legal practitioners, computer scientists, engineers, game designers, and business owners.Contributors include: W. Barfield, P.S. Berman, M.J. Blitz, S.J. Blodgett-Ford, J. Danaher, W. Erlank, J.A.T. Fairfield, J. Garon, G. Hallevy, B. Lewis, H.Y.F. Lim, C. Nwaneri, S.R. Peppet, M. Risch, A.L. Rossow, J. Russo, M. Supponen, A.M. Underhill, B.D. Wassom, A. Williams, G. Yadin

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Word Guild 2012 Canadian Christian Writing Award Honorable Mention, The Grace Irwin Prize (2013) 2012 Book of the Year Award, Foreword Magazine The history of women interpreters of the Bible is a neglected area of study. Marion Taylor presents a one-volume reference tool that introduces readers to a wide array of women interpreters of the Bible from the entire history of Christianity. Her research has implications for understanding biblical interpretation--especially the history of interpretation--and influencing contemporary study of women and the Bible. Contributions by 130 top scholars introduce foremothers of the faith who address issues of interpretation that continue to be relevant to faith communities today, such as women's roles in the church and synagogue and the idea of religious feminism. Women's interpretations also raise awareness about differences in the ways women and men may read the Scriptures in light of differences in their life experiences. This handbook will prove useful to ministers as well as to students of the Bible, who will be inspired, provoked, and challenged by the women introduced here. The volume will also provide a foundation for further detailed research and analysis. Interpreters include Elizabeth Rice Achtemeier, Saint Birgitta of Sweden, Catherine Mumford Booth, Anne Bradstreet, Catherine of Siena, Clare of Assisi, Egeria, Elizabeth I, Hildegard, Julian of Norwich, Thérèse of Lisieux, Marcella, Henrietta C. Mears, Florence Nightingale, Phoebe Palmer, Faltonia Betitia Proba, Pandita Ramabai, Christina Georgina Rossetti, Dorothy Leigh Sayers, Elizabeth Cady Stanton, Harriet Beecher Stowe, St. Teresa of Avila, Sojourner Truth, and Susanna Wesley.

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This unique troika of Handbooks provide indispensable coverage of the history of economic analysis. Edited by two of the foremost academics in the field, they gather together insightful and original contributions from scholars across the world. The encyclopaedic breadth and scope of the original entries will make these Handbooks an invaluable source of knowledge for all serious students and scholars of the history of economic thought.Each Handbook can be read individually and acts as a self-contained volume in its own right. They can be purchased separately or as part of a three-volume set.Volume III contains entries on the development of major fields in economics from the inception of systematic analysis until modern times. The reader is provided with succinct summary accounts of the main problems, the methods used and the results obtained across time. The emphasis is on both the continuity and major changes that have occurred in the economic analysis of problematic issues such as economic growth, income distribution, employment, inflation, business cycles and financial instability.Contributors: M. Assous, A. Baccini, Jr., A. Baujard, É. Bertrand, M. Boumans, J.L. Cardoso, M. Dal Pont-Legrand, J. De Boyer Des Roches, M. De Vroey, S. Di Rizzello, S. Diatkine, K. Dopfer, A.K. Dutt, R. Ege, G. Erreygers, D. Foley, R. Gómez Betancourt, D. Haas, H. Hagemann, E. Hosoda, H. Igersheim, A. Kirman, J. Kleinert, H. Kliemt, H.D. Kurz, R. Leonard, P. Malgrange, A. Maneschi, P. Mehrling, S. Mohun, M. Mosca, S. Noto, A. Opocher, N. Palan, F. Petri, A. Rainer, S. Rizzello, J.B. Rosser, M. Salles, N. Salvadori, M. Schütz, R. Signorino, A. Spada, P. Steiner, A. Stirati, R. Strohmaier, R. Sturn, C. Sunna, J.-F. Thisse, P. Tubaro, K. Watarai

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Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the ways filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films as well as other forms of nontheatrical filmmaking. From filmic depictions of Native Americans and films by 1920s African American religious leaders to a government educational film about the unequal treatment of Latin American immigrants, these films portrayed—for various purposes and intentions—the lives of those who were mostly excluded from the commercial films being produced in Hollywood. This volume is more than an examination of a broad swath of neglected twentieth-century filmmaking; it is a reevaluation of basic assumptions about American film culture and the place of race within it. Contributors. Crystal Mun-hye Baik, Jasmyn R. Castro, Nadine Chan, Mark Garrett Cooper, Dino Everett, Allyson Nadia Field, Walter Forsberg, Joshua Glick, Tanya Goldman, Marsha Gordon, Noelle Griffis, Colin Gunckel, Michelle Kelley, Todd Kushigemachi, Martin L. Johnson, Caitlin McGrath, Elena Rossi-Snook, Laura Isabel Serna, Jacqueline Najuma Stewart, Dan Streible, Lauren Tilton, Noah Tsika, Travis L. Wagner, Colin Williamson

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The second volume of the Annals of Entrepreneurship Education and Pedagogy provides entirely new insights into a number of the leading issues surrounding the teaching of entrepreneurship and the building of entrepreneurship programs. Prepared under the auspices of the United States Association for Small Business and Entrepreneurship (USASBE), this book features fifteen scholarly perspectives on a range of entrepreneurship education issues.This 2016 edition spans topics ranging from methods for teaching creatively and the value of the lean startup methodology to empirical insights into whether or not entrepreneurship education changes minds. Five premier universities and the key aspects of their superlative entrepreneurship programs are reviewed. In addition, contributors highlight a number of individual innovations that have changed the way entrepreneurship is taught and the manner in which entrepreneurial behavior is facilitated. This book offers an introduction to innovative practices in facilitating entrepreneurial learning both inside and outside the classroom as it investigates critical issues in designing, implementing and assessing experiential learning techniques within entrepreneurship.This timely book uncovers new horizons in the development of entrepreneurship education for students, university campuses, communities and economies. Annals of Entrepreneurship Education and Pedagogy - 2016 is a must-have book for any entrepreneurship professor, scholar or program director across the US.Contributors include: C. Albornoz, K.R. Allen, J. Amoros, J. Aniello, K. Artz, A. Bruton, A. Caetano, M. Cichosz-Grzyb, R.W. Clouse, S.L. Cochran, S.F. Costa, B. Cowden, M. Croteau, C. Dibrell, D. Dill, T.N. Duening, N. Duval-Couetil, J.S. Engel, E. Fine, V. Fox, T. Goodin, E. Grossman, R.J. Gentry, E. Hamilton, J. Hart, J. Heacock, D.M. Hechevaria, G. Hertz, A. Ingram, K. Kern, E. Liguori, A. Markvoort, E. Markin, A. McKelvie, M.M. Metzger, S. Miller, K. Moore, L. Morland, M.H. Morris, H.M. Neck, X. Neumeyer, G. Poor, C. Pryor, D.W. Rosenthal, B. Rossi, M. Schindehutte, S.C. Santos, S. Scherreik, F. Schlosser, S.A. Schulman, R. Smilor, J. Stamp, K. Taylor, J. Thompson, J.M. Torrens, E.E. Troudt, J. Vanevenhoven, R. White, D. Winkel, C. Winkler

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The second volume of the Annals of Entrepreneurship Education and Pedagogy provides entirely new insights into a number of the leading issues surrounding the teaching of entrepreneurship and the building of entrepreneurship programs. Prepared under the auspices of the United States Association for Small Business and Entrepreneurship (USASBE), this book features fifteen scholarly perspectives on a range of entrepreneurship education issues.This 2016 edition spans topics ranging from methods for teaching creatively and the value of the lean startup methodology to empirical insights into whether or not entrepreneurship education changes minds. Five premier universities and the key aspects of their superlative entrepreneurship programs are reviewed. In addition, contributors highlight a number of individual innovations that have changed the way entrepreneurship is taught and the manner in which entrepreneurial behavior is facilitated. This book offers an introduction to innovative practices in facilitating entrepreneurial learning both inside and outside the classroom as it investigates critical issues in designing, implementing and assessing experiential learning techniques within entrepreneurship.This timely book uncovers new horizons in the development of entrepreneurship education for students, university campuses, communities and economies. Annals of Entrepreneurship Education and Pedagogy - 2016 is a must-have book for any entrepreneurship professor, scholar or program director across the US.Contributors include: C. Albornoz, K.R. Allen, J. Amoros, J. Aniello, K. Artz, A. Bruton, A. Caetano, M. Cichosz-Grzyb, R.W. Clouse, S.L. Cochran, S.F. Costa, B. Cowden, M. Croteau, C. Dibrell, D. Dill, T.N. Duening, N. Duval-Couetil, J.S. Engel, E. Fine, V. Fox, T. Goodin, E. Grossman, R.J. Gentry, E. Hamilton, J. Hart, J. Heacock, D.M. Hechevaria, G. Hertz, A. Ingram, K. Kern, E. Liguori, A. Markvoort, E. Markin, A. McKelvie, M.M. Metzger, S. Miller, K. Moore, L. Morland, M.H. Morris, H.M. Neck, X. Neumeyer, G. Poor, C. Pryor, D.W. Rosenthal, B. Rossi, M. Schindehutte, S.C. Santos, S. Scherreik, F. Schlosser, S.A. Schulman, R. Smilor, J. Stamp, K. Taylor, J. Thompson, J.M. Torrens, E.E. Troudt, J. Vanevenhoven, R. White, D. Winkel, C. Winkler

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Mapping the possibilities of photofilmic images. This book explores the different ways in which art, cinema, and other forms of visual culture respond to a digitized and networked world. Traditional discourses on medium specificity, developed in distinct disciplines, often fail to provide an adequate description of the transformations that photography and film have undergone. The essays, written by internationally renowned scholars, encompass a broad range of different media such as video, documentary film, cinema, photography, and the Internet, as well as different disciplines such as art history, film studies, photography theory, visual culture studies, and media theory. In this way they deal with various practices or techniques ranging from panoramas, drone surveillance, tableau vivant, press coverage, computer-based editing, digitized financial markets, and various concepts such as temporality and contemporaneity, eco-aesthetics and forensic practice, countervisuality, human rights and political imagination, social transparency and control, thus mapping the possibilities of the continuous border-crossing movement between photographic and filmic images within contemporary art and visual culture. This volume also contains, as an artist’s contribution, a substantial and richly illustrated interview with Eric Baudelaire. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors: Eric Baudelaire (Paris), Brianne Cohen (Amherst College), Stefanie Diekmann (University of Hildesheim), Evgenia Giannouri (Paris 3 Sorbonne Nouvelle), Lilian Haberer (University of Cologne), Jana J. Haeckel (UCL), Ágnes Pethö (Sapientia University of Transylvania, Romania), Eivind Rossaak (National Library of Norway), Linda Schädler (ETH Zurich), Terry Smith (University of Pittsburgh), Alexander Streitberger (UCL), Hilde Van Gelder (KU Leuven).

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Elegant and graceful, glass bells are favored by many bell collectors as well as collectors and admirers of fine glass. This stunning book showcases over 750 glass bells dating from the eighteenth century to the twenty-first century, with over 29 countries represented. Included are cut glass bells, blown and pressed glass bells, engraved bells, and the magnificent, highly desirable glass wedding bells. Among the companies and artists represented are Dorflinger, Hawkes, Pairpoint, Seneca, Sinclaire, Fenton, Fostoria, Val St. Lambert, Goebel, Rossi, Moser, Hofbauer, Wedgwood, Pepi Herrmann, Glen Jones, and many others. The bell type, country of origin, maker, and date (if known) are identified for each bell, along with a general description, size, color, pattern or decoration, and current value. Background information on the history of glass bells and special chapters discussing manufacturer attribution and the various owners of bell molds are also included. A splendid addition to the libraries of bell collectors, glass enthusiasts, and all who appreciate beautiful artistry.

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Fans of Suzanne Brockmann, Maya Banks, Christy Reece, Julie Ann Walker and Cindy Gerard will adore Pamela Clare's expertly plotted romantic suspense series, which sets the pages alight with sizzling chemistry. For tension, thrills, romance and passion take a spin with the I-Team.The day Navajo journalist Katherine James met Gabriel Rossiter, the earth literally moved beneath her feet when he saved her from a rockslide. So she is crushed when she recognizes her rescuer among the law enforcement officers throwing her and her friends off Mesa Butte, land they consider sacred. Gabe swore he would never again lose himself to a woman. But the attraction he feels to Kat is undeniable. And, appalled by his orders, he's determined to get to the bottom of events at Mesa Butte. But asking questions can be dangerous - almost as dangerous as risking one's heart. Soon Kat and Gabe's passion for the truth - and each other - makes them targets for those who would do anything, even kill, to keep Native Americans off their sacred land...Sexy. Thrilling. Unputdownable. Take a wildly romantic ride with Pamela Clare's I-Team: Extreme Exposure, Hard Evidence, Unlawful Contact, Naked Edge, Breaking Point, Striking Distance.

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It is unusual for styles in opera to carry over from one era into another. It would be even more unusual for one era's characteristics to linger two generations into the next. Yet this is precisely what happened during the first half of the nineteenth century, when the intricacies of the fleet bel canto style were combined with the Romantic era's heroic declamation and formidable orchestral emphasis resulting in the creation of the assoluta voice.This work traces the emergence of the impressive vocal writing that resulted from the marriage of the bel canto and Romantic eras. It also covers the uniquely versatile divas who were given the opportunities to make their mark on opera from the time of Cherubini to that of a young Verdi. Here, both the wide-ranging vocalism in the scores themselves and the artists capable of performing this style are referred to as assoluta. The chapters consider Luigi Cherubini's ""Medee"", Gioacchino Rossini's ""Armida"", Carl Maria von Weber's ""Oberon"", Gaetano Donizetti's ""Anna Bolena"", Vincenzo Bellini's ""Norma"", Donizetti's ""Gemma di Vergy"" and ""Roberto Devereux"", the time of transition in the late 1800s and early 1900s, and Giuseppe Verdi's ""Nabucco"" and ""Macbeth"".

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The ebook edition of this novel is published under the title LOSE YOURSELF (The Desires Unlocked Trilogy Part Two). 2012. Photographer Valentina Rosselli has been invited to participate in a show of erotic photography in London, an opportunity she finds impossible to turn down. Yet London is where her ex-lover Theo Steen now lives. Deep down Valentina knows that Theo is the only man she's ever loved. Is it possible that they could rekindle their passion, or has she lost him forever? 1948. Maria leaves Italy to study contemporary dance in London, where she falls passionately in love for the first time - but when she follows her lover to post-war France, with its hidden underworld of latent desire, she finds that love induces her to behave in ways she never thought possible. As Valentina uncovers Maria's story, and its ties to her own, she begins to question how much one should change for love. Is she brave enough to risk her heart and step over the edge?

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Secretly we all want to be beautiful. And while we may not aspire to look like a waif-like model, few of us would turn down the genes that make Isabella Rossellini the icon of beauty that she is. Most of us would be happy simply to make the best of ourselves, to look more beautiful without losing the essence of what makes us individually attractive. Fortunately there are a few tricks that can help us achieve this, and this little book has them all. Packed with practical tips, inspirational photography, and fascinating facts, this stylish new edition of Things a Woman Should Know About Beauty can help you discover ways to make yourself more beautiful. Through cosmetics, treatments and a little attention to inside as well as out, you might be the only one to notice more than a subtle difference, but in the words of a woman who knows all there is about looking good..."Nothing makes a woman more beautiful than the belief that she is beautiful". (Sophie Loren).

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Nightmare Abbey is a novella by Thomas Love Peacock, first published in 1818, widely considered to be Peacock’s most enduringly popular work. The narrative centres on Christopher Glowry, a miserly widower, his son Scythrop and a host of dismal-sounding servants in his family pile, Nightmare Abbey. Recovering from an ill-fated love affair, Scythrop dreams up various schemes to reform and regenerate the human species, but misanthropy lurks around every corner, and everything changes when a mermaid is spotted and a strange woman appears in his chamber. Although fundamentally a Gothic novel, and rich in allusion – from Pope to Dante, Rossini to Mozart – Nightmare Abbey is, at heart, a satire, as Peacock makes clear in the preface to a later edition, in which he describes the characters – allusions to his friends – as ‘status-quo-ites’, ‘morbid visionaries’, ‘romantic enthusiasts’ and ‘lovers of good dinners’.

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Packed with riches yet highly accessible, The Heart's Time is at its core a series of short, resonant poems for each weekday of Lent and Easter. It will appeal to existing poetry lovers as well as those who want to start exploring how poems can be a resource for our spiritual lives, whether or not they are written with a consciously Christian intent. Poets often address subjects our culture seeks to avoid, and poetry demands that we 'slow down to the heart's time' in order to discover deeper levels of meaning than at first appear. Janet Morley offers her own skilful and reflective commentaries on a fascinating themed sequence of both familiar and unexpected poems, including works by Margaret Atwood, St Augustine, Charles Causley, E. E. Cummings, Emily Dickinson, Carol Ann Duffy, Ruth Fainlight, U. A. Fanthorpe, Robert Frost, Seamus Heaney, George Herbert, Elizabeth Jennings, Denise Levertov, Roger McGough, Adrienne Rich, Christina Rossetti, R. S. Thomas and Rowan Williams.

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To many vintage guitar fans it seems inconceivable that Gibson dumped the Sunburst Les Paul in 1960 and during the following year introduced a completely new design the one that we know now as the SG ( solid guitar ).ÞAt the time however it made good business sense. Sales of the Les Paul were faltering and Gibson decided to blow a breath of fresh air through its solidbody electric guitar line. The company described the result as an ultra-thin hand-contoured double-cutaway body. The modernistic amalgam of bevels and points and angles was a radical departure and this new book tells the story of all the SG models that followed: the Junior Special Standard Custom and more.ÞThere are interviews with and stories about Gibson personnel through the years and all the major SG players including Pete Townshend Frank Zappa Eric Clapton Angus Young George Harrison Gary Rossington Tony Iommi and Derek Trucks.ÞIn the tradition of Tony Bacon's bestselling series of guitar books ÊThe SG Guitar BookÊ is three great volumes in one package: a collection of drool-worthy pictures of the coolest guitars; a gripping story from the earliest prototypes to the latest exploits; and a detailed collector's database of every production SG model ever made.

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A Cinema of Poetry brings Italian film studies into dialogue with fields outside its usual purview by showing how films can contribute to our understanding of aesthetic questions that stretch back to Homer. Joseph Luzzi considers the relation between film and literature, especially the cinematic adaptation of literary sources and, more generally, the fields of rhetoric, media studies, and modern Italian culture. The book balances theoretical inquiry with close readings of films by the masters of Italian cinema: Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Michelangelo Antonioni, Federico Fellini, Pier Paolo Pasolini, Bernardo Bertolucci, and others. Luzzi's study is the first to show how Italian filmmakers address such crucial aesthetic issues as the nature of the chorus, the relation between symbol and allegory, the literary prehistory of montage, and the place of poetry in cinematic expression-what Pasolini called the "cinema of poetry." While Luzzi establishes how certain qualities of film-its link with technological processes, capacity for mass distribution, synthetic virtues (and vices) as the so-called total art-have reshaped centuries-long debates, A Cinema of Poetry also explores what is specific to the Italian art film and, more broadly, Italian cinematic history. In other words, what makes this version of the art film recognizably "Italian"?

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Smell loomed large in cultural discourse in the late nineteenth century, thanks to the midcentury fear of miasma, the drive for sanitation reform, and the rise in artificial perfumery. Meanwhile, the science of olfaction remained largely mysterious, prompting an impulse to “see smell” and inspiring some artists to picture scent in order to better know and control it. This book recovers the substantive role of the olfactory in Pre-Raphaelite art and Aestheticism.Christina Bradstreet examines the iconography and symbolism of scent in nineteenth-century art and visual culture. Fragrant imagery in the work of John Everett Millais, Dante Gabriel Rossetti, Simeon Solomon, George Frederic Watts, Edward Burne-Jones, and others set the trend for the preoccupation with scent that informed swaths of British, European, and American art and design. Bradstreet’s rich analyses of paintings, perfume posters, and other works of visual culture demonstrate how artworks mirrored the “period nose” and intersected with the most clamorous debates of the day, including evolution, civilization, race, urban morality, mental health, faith, and the “woman question.”Beautifully illustrated and grounded in current practices in sensory history, Scented Visions presents both fresh readings of major works of art and a deeper understanding of the cultural history of nineteenth-century scent.

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For fans of Julia Quinn, Eloisa James and Sarah MacLean, comes Isabella Bradford's enthralling new trilogy of London's most scandalous rakes, the Breconridge Brothers, who are about to lose their hearts...Though charming and handsome, Lord Rivers Fitzroy, the youngest Breconridge brother, is more inclined to dusty books than brazen women. But when his father insists he marries, he vows to make the most of his last days as a bachelor.And what better way than in the company of a troupe of Italian dancers, where he's challenged to a wager he can't resist: turn the players' meek and mousy cousin into the first lady of the London stage.But he gets more than he bargained for with Lucia di Rossi. She has her own past to overcome and her own starlit aspirations. As the lines between performance and passion become blurred will finding the spotlight mean losing their hearts?Catch the rest of the dazzling series! Don't miss A Wicked Pursuit and A Sinful Decption. Before the Breconridge Brothers, came the Wylder sisters. Don't miss a moment of the romantic and captivating debut trilogy from Isabella Bradford: When You Wish Upon a Duke, When The Duchess Said Yes and When The Duke Found Love.

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"Five thousand years have now elapsed since the creation of the world, and still it is undecided whether or not there has even been an instance of the spirit of any person appearing after death. All argument is against it; but all belief is for it." --Samuel Johnson Ghosts are woven into the very fabric of life. In Britain, every town, village, and great house has a spectral resident, and their enduring popularity in literature, art, folklore, and film attests to their continuing power to fascinate, terrify, and inspire. Our conceptions of ghosts--the fears they provoke, the forms they take--are connected to the conventions and beliefs of each particular era, from the marauding undead of the Middle Ages to the psychologically charged presences of our own age. The ghost is no less than the mirror of the times. Organized chronologically, this new cultural history features a dazzling range of artists and writers, including William Hogarth, William Blake, Henry Fuseli, Dante Gabriel Rossetti, John Everett Millais, Susan Hiller and Jeremy Deller; John Donne, William Shakespeare, Samuel Pepys, Daniel Defoe, Percy and Mary Shelley, Emily Bronte, Charles Dickens, Wilkie Collins, Henry James, Thomas Hardy, Muriel Spark, Hilary Mantel, and Sarah Waters.

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This textbook on rotating fluid dynamics combines a pedagogical development of theoretical ideas with a description and analysis of many of the fascinating examples of rotating flows found in nature. The book is self-contained, starting in Part I with introductory chapters on fluid dynamics and waves. The largest section of the book is Part II, where a broad theoretical framework is developed for rotating flows, including Ekman layers, inertial waves, Taylor columns, Rossby waves, precession, instabilities, rotating convection, vortex breakdown, and rotating turbulence. The book ends, in Part III, with an analysis of some naturally occurring rotating flows, including tornadoes and dust devils, tidal vortices, tropical cyclones, convection in planetary cores, zonal winds in planetary atmospheres, and astrophysical accretion discs. Davidson presents a unique combination of a deep but broad theoretical framework with a detailed discussion of many naturally occurring flows. Moreover, the b

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Beginning with the simple question, 'Why did audiences grow silent?' "Listening in Paris" gives a spectator's-eye view of opera and concert life from the Old Regime to the Romantic era, describing the transformation in musical experience from social event to profound aesthetic encounter. James H. Johnson recreates the experience of audiences during these rich decades with brio and wit. Woven into the narrative is an analysis of the political, musical, and aesthetic factors that produced more engaged listening. Johnson shows the gradual pacification of audiences from loud and unruly listeners to the attentive public we know today. Drawing from a wide range of sources - novels, memoirs, police files, personal correspondence, newspaper reviews, architectural plans, and the like - Johnson brings the performances to life: the hubbub of eighteenth-century opera, the exuberance of Revolutionary audiences, Napoleon's musical authoritarianism, the bourgeoisie's polite consideration. He singles out the music of Gluck, Haydn, Rossini, and Beethoven as especially important in forging new ways of hearing. This book's theoretical edge will appeal to cultural and intellectual historians in many fields and periods.

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In Giovanni le apparizioni del Risorto occupano i capitoli 20 e 21. L’ultimo è a volte considerato un’appendice o un’aggiunta. Come possono creare un insieme ben composto? Il libro affronta la sfida di presentare la composizione di Gv 20–21 come un insieme ben strutturato. L’applicazione dell’analisi retorica biblica illustra come la composizione fornisca la chiave per aprire la porta del messaggio del testo. Lo studio è organizzato in quattro rubriche: Testo, Composizione, Contesto e Interpretazione. Nella prima vengono considerate le questioni di critica testuale, grammatica e lessicografia. La seconda evidenzia la composizione del testo con i suoi rapporti interni. La terza contempla i rapporti esterni con altri testi simili che illuminano il testo studiato. Il percorso esegetico è completato dall’interpretazione, il frutto delle tappe precedenti. Come sono legati gli ultimi due capitoli di Giovanni? Uno dei fili rossi nella trama del testo è quello del credere. Se la questione chiave di Gv 20 è la fede dei discepoli nella risurrezione del Maestro, ossia Fratello (cf. 20,17), necessaria per ricevere la missione, la chiave di Gv 21 è la fede nel Figlio tornato al Padre ma rimasto nel suo Spirito, per accompagnare la loro missione. Se Gv 20 racconta il tramonto della storia terrena di Gesù, Gv 21 segna già l’alba della storia della Chiesa. I due racconti sono diversi, come due giorni separati da una notte, però molto simili, perché illuminati ugualmente dalla medesima luce divina che, se vista dall’alto, non cessa mai di brillare.

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This is an enchanting collection of art, verse and prose. It is a delightful celebration of the power, agony and ecstasy of love, including poignant and evocative works of art, poetry and prose. It includes the immortal verse of classical poets such as Sappho, Shakespeare, Dante and Marlowe as well as the great romantics: John Keats, Lord Bryon, William Blake, Christina Rossetti, Edgar Allen Poe and Emily Dickinson. It works of art by Frank Dicksee, Holman Hunt, Alma-Tadema, JW Waterhouse, Jean-Honore Fragonard, and many more, capture the yearning and rapture of love. With chapters on discovery and rapture, loves lost and unrequited, love's stratagems, and undying love, this little book covers all the great aspects of love. Using the familiar and poignant words of Shakespeare's famous sonnets as well as less well-known passages such as the witty and cajoling "To Celia" by Ben Jonson, all the moods and expressions of falling in love are portrayed. Wise words from Ovid, a passionate appeal from Andrew Marvell, the coldhearted observations of Choderlos de Laclos from Les Liasons Dangereuses, the haunting verses of "La Belle Dame Sans Merci" by John Keats, all bear witness to the exquisite symptoms of being transported by love, while sumptuous, poignant or joyous fine art paintings perfectly illustrate the extracts. It is a delightful tribute to this very human emotion.

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