Search results for ""Author Ross"

'Captivating, intimate, dazzling epic and revelatory' SIMON SEBAG-MONTEFIORE The story of the family who rose from the Frankfurt ghetto to become synonymous with wealth and power has been much mythologized. Yet half the Rothschilds, the women, remain virtually unknown. From the East End of London to the Eastern seaboard of the United States, from Spitalfields to Scottish castles, from Bletchley Park to Buchenwald, and from the Vatican to Palestine, Natalie Livingstone follows the extraordinary lives of the English branch of the Rothschild women from the dawn of the nineteenth century to the early years of the twenty first. As Jews in a Christian society and women in a deeply patriarchal family, they were outsiders. Determined to challenge and subvert expectations, they supported each other, building on the legacies of their mothers and aunts. They became influential hostesses and talented diplomats, choreographing electoral campaigns, advising prime ministers, advocating for social reform and trading on the stock exchange. Misfits and conformists, conservatives and idealists, performers and introverts, they mixed with Rossini and Mendelssohn, Disraeli, Gladstone and Chaim Weizmann, amphetamine-dealers, temperance campaigners, Queen Victoria, and Albert Einstein. They broke code, played a pioneering role in the environmental movement, scandalised the world of women's tennis by introducing the overarm serve and drag-raced with Miles Davies in Manhattan.Absorbing and compulsive THE WOMEN OF ROTHSCHILD gives voice to the complicated, privileged and gifted women whose vision and tenacity shaped history.

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'Captivating, intimate, dazzling epic and revelatory' SIMON SEBAG-MONTEFIORE The story of the family who rose from the Frankfurt ghetto to become synonymous with wealth and power has been much mythologized. Yet half the Rothschilds, the women, remain virtually unknown. From the East End of London to the Eastern seaboard of the United States, from Spitalfields to Scottish castles, from Bletchley Park to Buchenwald, and from the Vatican to Palestine, Natalie Livingstone follows the extraordinary lives of the English branch of the Rothschild women from the dawn of the nineteenth century to the early years of the twenty first. As Jews in a Christian society and women in a deeply patriarchal family, they were outsiders. Determined to challenge and subvert expectations, they supported each other, building on the legacies of their mothers and aunts. They became influential hostesses and talented diplomats, choreographing electoral campaigns, advising prime ministers, advocating for social reform and trading on the stock exchange. Misfits and conformists, conservatives and idealists, performers and introverts, they mixed with Rossini and Mendelssohn, Disraeli, Gladstone and Chaim Weizmann, amphetamine-dealers, temperance campaigners, Queen Victoria, and Albert Einstein. They broke code, played a pioneering role in the environmental movement, scandalised the world of women's tennis by introducing the overarm serve and drag-raced with Miles Davies in Manhattan.Absorbing and compulsive THE WOMEN OF ROTHSCHILD gives voice to the complicated, privileged and gifted women whose vision and tenacity shaped history.

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With the rise of museums in the 19th century, including the formation in 1824 of the National Gallery in London, as well as the proliferation of widely available published reproductions, the art of the past became visible and accessible in Victorian England as never before. Inspired by the work of Sandro Botticelli, Jan van Eyck, Diego Velázquez, and others, British artists elevated contemporary art to new heights through a creative process that emphasized imitation and emulation. Elizabeth Prettejohn analyzes the ways in which the Old Masters were interpreted by critics, curators, and scholars, and argues that Victorian artists were, paradoxically, at their most original when they imitated the Old Masters most faithfully. Covering the arc of Victorian art from the Pre-Raphaelites through to the early modernists, this volume traces the ways in which artists such as Dante Gabriel Rossetti, Edward Burne-Jones, and William Orpen engaged with the art of the past and produced some of the greatest art of the later 19th century. Published in association with the Paul Mellon Centre for Studies in British Art

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From traditional verses by Christina Rossetti and Henry Wadsworth Longfellow to modern classics by Carol Ann Duffy, Steve Turner and Benjamin Zephaniah, this dazzling anthology of Christmas poems will delight children and adults of all ages. All the wonders of the season are captured in 100 Best Christmas Poems for Children. Perfect for reading aloud with all the family, there are verses that will encourage children to reflect on the Christmas themes of joy, hope and peace for all the world, while also savouring the festive fun of everything else that Christmas brings - from the opening of the first Advent window to the tidying away of all the decorations on Twelfth Night. Edited and introduced by beloved poet Roger McGough, this enchanting children's poetry book make a wonderful gift and keepsake and will be cherished by all who read it. Children will gain an appreciation for language and storytelling as the magic of Christmas is brought to life by this anthology that they'll return to over and over again each year.

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Within the pages of Allie Esiri's gorgeous poetry collection, A Poem for Every Autumn Day you will find verse that will transport you to vibrant autumnal scenes, from harvest festival to Remembrance Day.The poems are selected from Allie Esiri’s bestselling poetry anthologies A Poem for Every Day of the Year and A Poem for Every Night of the Year.Perfect for reading aloud and sharing with all the family, this book dazzles with an array of familiar favourites and remarkable new discoveries. These seasonal poems – together with introductory paragraphs – have a link to the date on which they appear.Includes poems by Robert Louis Stevenson, John Betjeman, Amy Lowell, Paul Laurence Dunbar, William Shakespeare and Christina Rossetti who sit alongside Seamus Heaney, John Agard, Simon Armitage, Patience Agbabi and Imtiaz Dharker.This soul-enhancing book will keep you company for every day of Autumn. Enjoy more seasonal poetry collections with A Poem for Every Summer Day and A Poem for Every Winter Day.

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This Elgar Research Agenda showcases insights from leading researchers on the charged issues and questions that lie ahead in the multidisciplinary field of digital politics. Covering the political implications of the Internet, social media, datafication and computational analytics, it looks to the future of how research might address the political challenges of the digital age and maps the key emerging trends in this field. Contributors outline and engage with major questions related to the transformation of campaigns, elections and political partisanship through digital media, and identify the methodological pathways and problems that impact the field. Exploring the implications of digitisation for governance, democracy, privacy, surveillance, advocacy, activism, and political talk, this book highlights the emergent ethical issues that will shape the future of this burgeoning focus of research. Featuring crucial insights into an increasingly pertinent subject, this Research Agenda will be key reading for researchers and graduate students of Internet studies, new media studies and political science. Policy makers, political consultants and anyone with a serious interest in research into digital politics will also benefit from this book's forward-looking approach. Contributors include: N. Anstead, J.G. Blumler, A. Chadwick, S. Coleman, A. Drew, E. Dubois, W.H. Dutton, L. Fernandez, H. Ford, M.I. Franklin, P. Gerbaudo, D. Karpf, L. Lievrouw, W.-Y. Lin, F. Martin-Bariteau, D. McDowell-Naylor, G. Moss, B. O'Loughlin, P. Rossini, V. Schneider, L. Sorenson, S. Wright, X. Zhang

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In Poetry, Pictures, and Popular Publishing eminent Rossetti scholar Lorraine Janzen Kooistra demonstrates the cultural centrality of a neglected artifact: the Victorian illustrated gift book. Turning a critical lens on “drawing-room books” as both material objects and historical events, Kooistra reveals how the gift book’s visual/verbal form mediated “high” and popular art as well as book and periodical publication. A composite text produced by many makers, the poetic gift book was designed for domestic space and a female audience; its mode of publication marks a significant moment in the history of authorship, reading, and publishing. With rigorous attention to the gift book’s aesthetic and ideological features, Kooistra analyzes the contributions of poets, artists, engravers, publishers, and readers and shows how its material form moved poetry into popular culture. Drawing on archival and periodical research, she offers new readings of Eliza Cook, Adelaide Procter, and Jean Ingelow and shows the transatlantic reach of their verses. Boldly resituating Tennyson’s works within the gift-book economy he dominated, Kooistra demonstrates how the conditions of corporate authorship shaped the production and receptionof the laureate’s verses at the peak of his popularity. Poetry, Pictures, and Popular Publishing changes the map of poetry’s place—in all its senses—in Victorian everyday life and consumer culture.

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A fearsome young woman stormsinger and pirate hunter join forces against a deathless pirate lord in this swashbuckling Jacobean adventure on the high-seas. Launching the Winter Sea series, full of magic, betrayal and redemption, for readers of Adrienne Young, R. J. Barker and Naomi Novik Mary Firth is a Stormsinger: a woman whose voice can still hurricanes and shatter armadas. Faced with servitude to pirate lord Silvanus Lirr, Mary offers her skills to his arch-rival in exchange for protection - and, more importantly, his help sending Lirr to a watery grave. But her new ally has a vendetta of his own, and Mary's dreams are dark and full of ghistings, spectral creatures who inhabit the ancient forests of her homeland and the figureheads of ships. Samuel Rosser is a disgraced naval officer serving aboard The Hart, an infamous privateer commissioned to bring Lirr to justice. He will stop at nothing to capture Lirr, restore his good name and reclaim the only thing that stands between himself and madness: a talisman stolen by Mary. Finally, driven into the eternal ice at the limits of their world, Mary and Samuel must choose their loyalties and battle forces older and more powerful than the pirates who would make them slaves. Come sail the Winter Sea, for action-packed, high-stakes adventures, rich characterisation and epic plots full of intrigue and betrayal.

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Italy's economic expansion after World War Two triggered significant social and cultural change. Secularization accompanied this development and triggered alarm bells across the nation's immense Catholic community. The Devil and the 'Dolce Vita' is the story of that community – the church of Popes Pius XII, John XXIII and Paul VI, the lay Catholic Action association, and the Christian Democratic Party – and their efforts in a series of culture wars to preserve a traditional way of life and to engage and tame the challenges of a rapidly modernizing society. Roy Domenico begins this study during the heady days of the April 1948 Christian Democratic electoral triumph and ends when pro-divorce forces dealt the Catholics a defeat in the referendum of May 1974 where their hopes crashed and probably ended. Between those two dates Catholics engaged secularists in a number of battles – many over film and television censorship, encountering such figures as Roberto Rossellini, Luchino Visconti, Federico Fellini, and Pier Paolo Pasolini. The Venice Film Festival became a locus in the fight as did places like Pozzonovo, near Padua, where the Catholics directed their energies against a Communist youth organization; and Prato in Tuscany where the bishop led a fight to preserve church weddings. Concern with proper decorum led to more skirmishes on beaches and at resorts over modest attire and beauty pageants. By the 1960s and 1970s other issues, such as feminism, a new frankness about sexual relations, and the youth rebellion emerged to contribute to a perfect storm that led to the divorce referendum and widespread despair in the Catholic camp.

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The Grass Shall Grow is a succinct introduction to the work and world of Helen M. Post (1907–79), who took thousands of photographs of Native Americans. Although Post has been largely forgotten and even in her heyday never achieved the fame of her sister, Farm Security Administration photographer Marion Post Wolcott, Helen Post was a talented photographer who worked on Indian reservations throughout the West and captured images that are both striking and informative. Post produced the pictures for the novelist Oliver La Farge’s nonfiction book As Long As the Grass Shall Grow (1940), among other publications, and her output constitutes a powerful representation of Native American life at that time. Mick Gidley recounts Post’s career, from her coming of age in the turbulent 1930s to her training in Vienna and her work for the U.S. Indian Service, tracking the arc of her professional reputation. He treats her interactions with public figures, including La Farge and editor Edwin Rosskam, and describes her relationships with Native Americans, whether noted craftspeople such as the Sioux quilter Nellie Star Boy Menard, tribal leaders such as Crow superintendent Robert Yellowtail, or ordinary individuals like the people she photographed at work in the fields or laboring for federal projects, at school or in the hospital, cooking or dancing. The images reproduced here are analyzed both for their own sake and in order to understand their connection to broader national concerns, including the 1934 Indian Reorganization Act. The thoroughly researched and accessibly written text represents a serious reappraisal of a neglected artist.

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At the height of the Victorian era, a daring group of artists and thinkers defied the reigning obsession with propriety, testing the boundaries of sexual decorum in their lives and in their work. Dante Gabriel Rossetti exhumed his dead wife to pry his only copy of a manuscript of his poems from her coffin. Legendary explorer Richard Burton wrote how-to manuals on sex positions and livened up the drawing room with stories of eroticism in the Middle East. Algernon Charles Swinburne visited flagellation brothels and wrote pornography amid his poetry. By embracing and exploring the taboo, these iconoclasts produced some of the most captivating art, literature, and ideas of their day. As thought-provoking as it is electric, Pleasure Bound unearths the desires of the men and women who challenged buttoned-up Victorian mores to promote erotic freedom. These bohemians formed two loosely overlapping societies—the Cannibal Club and the Aesthetes—to explore their fascinations with sexual taboo, from homosexuality to the eroticization of death. Known as much for their flamboyant personal lives as for their controversial masterpieces, they created a scandal-provoking counterculture that paved the way for such later figures as Gustav Klimt, Virginia Woolf, and Jean Genet. In this stunning exposé of the Victorian London we thought we knew, Deborah Lutz takes us beyond the eyebrow-raising practices of these sex rebels, revealing how they uncovered troubles that ran beneath the surface of the larger social fabric: the struggle for women’s emancipation, the dissolution of formal religions, and the pressing need for new forms of sexual expression.

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Brideshead Revisited is Evelyn Waugh's stunning novel of duty and desire set amongst the decadent, faded glory of the English aristocracy in the run-up to the Second World War.The most nostalgic and reflective of Evelyn Waugh's novels, Brideshead Revisited looks back to the golden age before the Second World War. It tells the story of Charles Ryder's infatuation with the Marchmains and the rapidly disappearing world of privilege they inhabit. Enchanted first by Sebastian Flyte at Oxford, then by his doomed Catholic family, in particular his remote sister, Julia, Charles comes finally to recognise his spiritual and social distance from them.Evelyn Waugh (1903-66) was born in Hampstead, second son of Arthur Waugh, publisher and literary critic, and brother of Alec Waugh, the popular novelist. In 1928 he published his first work, a life of Dante Gabriel Rossetti, and his first novel, Decline and Fall, which was soon followed by Vile Bodies (1930), A Handful of Dust (1934) and Scoop (1938). In 1939 he was commissioned in the Royal Marines and later transferred to the Royal Horse Guards, serving in the Middle East and in Yugoslavia. In 1942 he published Put Out More Flags and then in 1945 Brideshead Revisited. Men at Arms (1952) was the first volume of 'The Sword of Honour' trilogy, and won the James Tait Black Memorial Prize; the other volumes, Officers and Gentlemen and Unconditional Surrender, followed in 1955 and 1961.If you enjoyed Brideshead Revisited, you might like Waugh's Vile Bodies, also available in Penguin Classics.'Lush and evocative ... Expresses at once the profundity of change and the indomitable endurance of the human spirit'The Times

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It is the first time that the different strategic advertising mechanisms are explained in a single book. And this is also the first time that a book has brought together the most important and transcendent (for its applicability to the advertising market) strategic advertising mechanisms. The text explains from classic mechanisms such as Rosser Reeves's USP or Procter & Gamble's copy strategy to modern mechanisms such as Kevin Roberts's Lovemarks or Douglas Holt's iconic brands. It also considers European mechanisms such as Jacques Séguéla’s star strategy or Henri Joannis’s psychological axis. The book has the most complete academic review. Strategic Advertising Mechanisms: From Copy Strategy to Iconic Brands, integrates the most important strategic advertising mechanisms developed throughout the time: USP, brand image, positioning, Lovemarks... This is the first and only book to date that compiles the most consolidated methods by advertisers or advertising agencies (P&G, Bates, Ogilvy or Euro) in the history of modern advertising. Primary readership will be among practitioners, researchers, scholars and students in a range of disciplines, including communication, advertising, business and economic, information and communication, sociology, psychology and humanities. There may also be appeal to the more general reader with an interest in how advertising strategic planning works.

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Winner of the Margaret W. Rossiter History of Women in Science PrizeA new history uncovers the crucial role women played in the great transformations of medical science and health care that accompanied the Italian Renaissance.In Renaissance Italy women played a more central role in providing health care than historians have thus far acknowledged. Women from all walks of life—from household caregivers and nurses to nuns working as apothecaries—drove the Italian medical economy. In convent pharmacies, pox hospitals, girls’ shelters, and homes, women were practitioners and purveyors of knowledge about health and healing, making significant contributions to early modern medicine.Sharon Strocchia offers a wealth of new evidence about how illness was diagnosed and treated, whether by noblewomen living at court or poor nurses living in hospitals. She finds that women expanded on their roles as health care providers by participating in empirical work and the development of scientific knowledge. Nuns, in particular, were among the most prominent manufacturers and vendors of pharmaceutical products. Their experiments with materials and techniques added greatly to the era’s understanding of medical care. Thanks to their excellence in medicine urban Italian women had greater access to commerce than perhaps any other women in Europe.Forgotten Healers provides a more accurate picture of the pursuit of health in Renaissance Italy. More broadly, by emphasizing that the frontlines of medical care are often found in the household and other spaces thought of as female, Strocchia encourages us to rethink the history of medicine.

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It was only a forty-minute foreign film, but it sparked a legal confrontation that has left its mark on America for more than half a century. Roberto Rossellini's ""Il Miracolo"" (""The Miracle"") is deceptively simple: a demented peasant woman is seduced by a stranger she believes to be Saint Joseph, is socially ostracized for becoming pregnant out of wedlock, but is finally redeemed through motherhood.Although initially approved by state censors for screening in New York, the film was attacked as sacrilegious by the Catholic establishment, which convinced state officials to revoke distributor Joseph Burstyn's license. In response, Burstyn fought back through the courts and won.Laura Wittern-Keller and Raymond Haberski show how the Supreme Court's unanimous 1952 ruling in Burstyn's favor sparked a chain of litigation that eventually brought filmmaking under the protective umbrella of the First Amendment, overturning its long-outdated decision in Mutual v. Ohio (1915). Their story features a more formidable cast than did the film itself, with the charismatic Francis Cardinal Spellman decrying the film as a Communist plot, while outspoken film critic Bosley Crowther vigorously advocated ""freedom of the screen."" Meanwhile, movie producers stood by silently for fear of alienating the Church and its large movie-going membership, leaving Burstyn to muster his own defense.More than the inside story of one case, this book explores the unique place that the movies occupy in American culture and the way that culture continues to be shaped by anxiety over the social power of movies. The Burstyn decision weakened the ability of state censorship boards and the Catholic Church to influence the types of films Americans were allowed to see. Consequently, the case signaled the rise of a new era in which films would be more mature and more controversial than ever before.Focusing on this single most important case in the jurisprudence surrounding motion picture expression, Wittern-Keller and Haberski add a significant new dimension to the story of cinema, censorship, and the history of First Amendment protections.

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Fourteen-year-old Azar Rossi’s first year of high school has mostly been silent, and intentionally so. After a bad case of colic as a baby, Azar’s vocal folds are shredded - full of nodules that give her a rasp the envy of a chain-smoking bullfrog. Her classmates might just think she’s quiet, but Azar is saving her voice for when it really counts and talking to her classmates is not medically advisable or even high on her list. When she hears about a local Battle of the Bands contest, it’s something she can’t resist. Azar loves music, loves songwriting, but with her vocal folds the way they are, there's no way she can sing her songs on stage. Then she hears lacrosse hottie, Ebenezer Lloyd Hollins the Fifth, aka Eben, singing from the locker room. She’s transfixed. He's just the person she needs. His voice plus her lyrics = Battle of the Bands magic. But getting a band together means Azar has a lot of talking to do and new friends to make. For the chance to stand on stage with Eben it might all just be worth it.

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This handsome volume is the first authoritative survey of one of the most intriguing periods of British art—the radically innovative decade of the 1860s. The book explores new developments in English painting of this period, focusing on the early work of Edward Burne-Jones, Frederic Leighton, Albert Moore, Edward Poynter, Simeon Solomon, and James McNeill Whistler, as well as on paintings by Frederick Sandys and the older G. F. Watts, and by Dante Gabriel Rossetti and his Pre-Raphaelite colleagues Holman Hunt and John Everett Millais. Allen Staley argues that engagement in the decorative arts, particularly by Burne-Jones, Moore, and Poynter at the outset of their careers, led to a transcending of traditional expectations of painting, making abstract formal qualities, or beauty for beauty's sake, the main goal. Rather than being about what it depicts, the painting itself becomes its own subject. The New Painting of the 1860s examines the interplay among the artists and the shared ambitions underlying their works, giving impetus to what would soon come to be known as the Aesthetic Movement.Published for the Paul Mellon Centre for Studies in British Art

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Abraham Polonsky (1910-1999), screenwriter and filmmaker of the mid-twentieth-century Left, recognized his writerly mission to reveal the aspirations of his characters in a material society structured to undermine their hopes. In the process, he ennobled their struggle. His auspicious beginning in Hollywood reached a zenith with his Oscar-nominated screenplay for Robert Rossen's boxing noir, Body and Soul (1947), and his inaugural film as writer and director, Force of Evil (1948), before he was blacklisted during the McCarthy witch hunt. Polonsky envisioned cinema as a modern artist. His aesthetic appreciation for each technical component of the screen aroused him to create voiceovers of urban cadences--poetic monologues spoken by the city's everyman, embodied by the actor who played his heroes best, John Garfield. His use of David Raksin's score in Force of Evil, against the backdrop of the grandeur of New York City's landscape and the conflict between the brothers Joe and Leo Morse, elevated film noir into classical family tragedy. Like Garfield, Polonsky faced persecution and an aborted career during the blacklist. But unlike Garfield, Polonsky survived to resume his career in Hollywood during the ferment of the late sixties. Then his vision of a changing society found allegorical expression in Tell Them Willie Boy Is Here, his impressive anti-Western showing the destruction of the Paiute rebel outsider, Willie Boy, and cementing Polonsky as a moral voice in cinema.

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Choice Outstanding Academic Title 2023 From The Passion of the Christ to Life of Brian, and from The Ten Commandments to Last Temptation of Christ, filmmakers have been adapting the stories of the Bible for over 120 years, from the first time the Höritz Passion Play was filmed in the Czech Republic back in 1897. Ever since, these stories have inspired musicals, comedies, sci-fi, surrealist visions and the avant-garde not to mention spawning their own genre, the biblical epic. Filmmakers across six continents and from all kinds of religious perspectives (or none at all), have adapted the greatest stories ever told, delighting some and infuriating others. 100 Bible Films is the indispensable guide to this wide and varied output, providing an authoritative but accessible history of biblical adaptations through one hundred of the most interesting and significant biblical films. Richly illustrated with film stills, this book depicts how such films have undertaken a complex negotiation between art, commerce, entertainment and religion. Matthew Page traces the screen history of the biblical stories from the very earliest silent passion plays, via the golden ages of the biblical epic, through to more innovative and controversial later films as well as covering significant TV adaptations. He discusses films made not only by some of our greatest filmmakers, artists such as Martin Scorsese, Jean Luc Godard, Alice Guy, Roberto Rossellini, Pier Paolo Pasolini, Lotte Reiniger, Carl Dreyer and Luis Buñuel, but also those looking to explore their faith or share it with lovers of cinema the world over.

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This book investigates what a case study of a northern market town and its rural hinterland can tell us about village differentiation, exploring how and why rural communities developed in what was chiefly an industrial region and, notably, how the relationship between town and country influenced rural communities. It looks at six villages close to Doncaster - Sprotbrough, Warmsworth, Rossington, Fishlake, Stainforth and Braithwell - chosen to represent the diversity of landownership and land type of the Doncaster district. Rural communities, and more specifically the development of English villages, have proved fertile ground for historians. This book makes an original contribution to these debates. In particular, it engages with existing models of village typology, suggesting that not only are they too restrictive to account for nuanced differences, but also that they fail to acknowledge the importance of the relationships between rural communities and between town and country. Following Sarah Holland’s detailed research into different aspects of rural communities, the book offers new perspectives on how rural communities in close proximity developed, often differently, during the mid-nineteenth century. Themes looked at in detail include living and working conditions, agriculture and industry, religion and education, and through these Holland considers existing theories of village typology, before setting out her ideas regarding social hierarchies, spheres of influence and agency, which combine to create complex patterns of differentiation. Communities in Contrast will appeal to all those interested in rural life and economy in the nineteenth century, the relationship between town and country, as well as the history of Yorkshire.

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Bob Dawson has had a vast of experience, spanning over 35 years, with both the Spirit World, and the Spiritualist Movement and its periphery. During this time he has developed as a Healer and a Spiritualist Medium, and he has taken Spiritualist Church Services, workshops, and demonstrated Mediumship throughout the North West of England. In the past he was a committee member and former President of Rawtenstall Spiritualist Church, and is the Founder and Trustee of Rossendale Spiritualist Centre, which was established in 2003. During his life Bob has witnessed an array of what people would describe as paranormal events. Many would consider these magical, or even impossible, but in fact they are a reality, and adhere precisely to the Laws of Creation. He describes these events as life changing, in particular the physical phenomena that he has witnessed, and these are documented and critically examined within his book. In recounting these experiences Bob adds his own thought-provoking insight into the workings of Creation, and the function of the Spirit World through the evidence they have provided. He also explains the manifestation of our Spirit incarnation and reason for our progressive experiences in this world. This book provides the reader with an insight to what the Spirit World can achieve and demonstrate at our physical level, and points the way towards the self-discovery of who you truly are, which is not who you think you are. You Can’t Die for The Life In You is a fascinating account which will continue to stimulate the readers’ curiosity about the evidence, their identity, and life itself.

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MotoGP is enjoying a period of unprecedented popularity and Ring of Fire details the acclaim, the heroism and the pressures of riding motorbikes at speeds of more than 200mph. This is a world where manufacturers invest millions and the world champion celebrates by staging mock jail breaks and giving pillion rides to a blow-up doll. One rider warms up for major races by singing Hank Marvin songs on his karaoke machine and a rising Italian star sees the world in terms of black and white energy tubes. Another sees nothing strange in racing with two broken ankles.Ring of Fire covers the recent history of MotoGP, from American Nicky Hayden spectacularly overturning established champion Valentino Rossi in 2006, through the emergence of wild young Australian Casey Stoner as the new champion in 2007, to the fierce rivalry between them and Spaniards Dani Pedrosa and Jorge Lorenzo in what would prove to be one of the most closely-contested years of racing in 2008. It gives a behind the scenes look at World Superbike Champion James Toseland's attempts to break into this elite, and looks back at the tradition of reprobates, romance and debauchery in the paddock dating back to the 60s and stars like Mike Hailwood and Giacomo Agostino.Rick Broadbent introduces us not just to the stars and the multi-million pound contracts, but also to the officals, mechanics, doctors, team owners and fans who make up this white-knuckle ride of a sport. By turns funny, sad, shocking and uplifting, Ring of Fire brings us face to face with those who battle to emerge unscathed, or who just ignore the pain and ride to win against all odds.

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Brideshead Revisited is Evelyn Waugh's stunning novel of duty and desire set amongst the decadent, faded glory of the English aristocracy in the run-up to the Second World War.The most nostalgic and reflective of Evelyn Waugh's novels, Brideshead Revisited looks back to the golden age before the Second World War. It tells the story of Charles Ryder's infatuation with the Marchmains and the rapidly disappearing world of privilege they inhabit. Enchanted first by Sebastian Flyte at Oxford, then by his doomed Catholic family, in particular his remote sister, Julia, Charles comes finally to recognise his spiritual and social distance from them.Evelyn Waugh (1903-66) was born in Hampstead, second son of Arthur Waugh, publisher and literary critic, and brother of Alec Waugh, the popular novelist. In 1928 he published his first work, a life of Dante Gabriel Rossetti, and his first novel, Decline and Fall, which was soon followed by Vile Bodies (1930), A Handful of Dust (1934) and Scoop (1938). In 1939 he was commissioned in the Royal Marines and later transferred to the Royal Horse Guards, serving in the Middle East and in Yugoslavia. In 1942 he published Put Out More Flags and then in 1945 Brideshead Revisited. Men at Arms (1952) was the first volume of 'The Sword of Honour' trilogy, and won the James Tait Black Memorial Prize; the other volumes, Officers and Gentlemen and Unconditional Surrender, followed in 1955 and 1961.If you enjoyed Brideshead Revisited, you might like Waugh's Vile Bodies, also available in Penguin Classics.'Lush and evocative ... Expresses at once the profundity of change and the indomitable endurance of the human spirit'The Times

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Examines Liszt's piano arrangements of music originally created for other instruments, especially the symphony orchestra and the Hungarian Gypsy band. Liszt's adaptation of existing music is staggering in its quantity, scope, and variety of technique. He often viewed the model work as a source that he strove to improve, rival, and even surpass. Liszt's Representation of Instrumental Sounds on the Piano: Colors in Black and White provides a comprehensive survey of Liszt's reworking of instrumental music on the piano, particularly his emulation of tone colors and idiomatic gestures. The book relatesLiszt's sonic reproductions to the widespread nineteenth-century interest in visual-art reproduction. Hyun Joo Kim illustrates Liszt's diverse approaches to the integrity of the music in a detailed, vivid, and insightful manner through close study of his arrangements of Beethoven's symphonies and Rossini's Guillaume Tell Overture, his two-piano arrangements of his own symphonic poems such as Mazeppa and Hunnenschlacht, and his Hungarian Rhapsodies. By examining orchestral music and Hungarian Gypsy-style music as sources of Liszt's sound representations, this book reveals Liszt's musical discourse as straddling the musical, cultural, and aesthetic divides between mainstream and peripheral, art and folk, serious and popular. HYUN JOO KIM holds a PhD from Indiana University and is an independent scholar in Seoul, South Korea.

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Eleanor of Aquitaine was the wife of two kings, Louis VII of France and Henry II Plantagenet of England, and the mother of two others, Richard the Lionhearted and John Lackland. In her eventful, often stormy life, she not only influenced the course of events in the twelfth century but also encouraged remarkable advances in the literary and fine arts. In this book, experts in five disciplines—history, art history, music, French and English literature—evaluate the influence of Eleanor and her court on history and the arts. Elizabeth A. R. Brown views Eleanor as having played a significant role as parent and politician, but not as patron. Rebecca A. Baltzer takes a new look at the music of the period that was written by and for Eleanor, her court, and her family. Moshé Lazar reexamines her relationship to the courtly-love literature of the period. Eleanor S. Greenhill and Larry M. Ayres reassess her influence in the realm of art history. Rossell Hope Robbins traces the lines extending from the French courtly literature of Eleanor's period down into fourteenth-century Chaucerian England. The essays reflect divergent but generally complementary assessments of this remarkable woman's influence on her own era and on future times as well. This volume is the result of a symposium held at the University of Texas in 1973.

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Clementina, Viscountess Hawarden (1822–1865) produced over eight hundred photographs during her all-too-brief life. Most of these were portraits of her adolescent daughters. By whisking away the furniture and bric-a-brac common in scenes of upper-class homes of the Victorian period, Lady Hawarden transformed the sitting room of her London residence into a photographic studio—a private space for taking surprising photos of her daughters in fancy dress. In Carol Mavor’s hands, these pictures become windows into Victorian culture, eroticism, mother-daughter relationships, and intimacy.With drama, wit, and verve, Lady Hawarden’s girls, becoming women, entwine each other, their mirrored reflections and select feminine objects (an Indian traveling cabinet, a Gothic-style desk, a shell-covered box) as homoerotic partners. The resulting mise-en-scène is secretive, private, delicious, and arguably queer—a girltopia ripe with maternality and adolescent flirtation, as touching as it is erotic. Luxuriating in the photographs’ interpretive possibilities, Mavor makes illuminating connections between Hawarden and other artists and writers, including Vermeer, Christina Rossetti, George Eliot, Lewis Carroll, and twentieth-century photographers Sally Mann and Francesca Woodman. Weaving psychoanalytic theory and other photographic analyses into her work, Mavor contemplates the experience of the photograph and considers the relationship of Hawarden’s works to the concept of the female fetish, to voyeurism, mirrors and lenses, and twins and doubling. Under the spell of Roland Barthes, Mavor’s voice unveils the peculiarities of the erotic in Lady Hawarden’s images through a writerly approach that remembers and rewrites adolescence as sustained desire. In turn autobiographical, theoretical, historical, and analytical, Mavor’s study caresses these mysteriously ripped and scissored images into fables of sapphic love and the real magic of photography.

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Let Secret Lisbon guide you around the unusual and unfamiliar. Step off the beaten track with this fascinating Lisbon guide book and let our local experts show you the well-hidden treasures of this amazing city. Ideal for local inhabitants, curious visitors and armchair travellers alike. The places included in our guides are unusual and unfamiliar, allowing one to step off the beaten track. Now in it's third edition, Secret Lisbon features 160 secret and unusual locations. Inside Secret Lisbon : The most beautiful hidden tiles of the city, the head of the serial killer Lisbon preserved in formalin, the Kabbalistic principles of the south portal of the Jeronimos Monastery or the theory of the fifth Portuguese empire of which we find so many traces in the geography of the city, charming forgotten dead ends, the outstanding panoptic architecture of a former hospital, the impressive wax masks from the Dermatology Museum, a secret passage at the hotel Avenida Palace, the mysterious abbey below Palacio Foz, the reason why the coat of arms of the Portugal is inclined at 17 Degrees on the facade of the Rossio station ... Don't miss - Each chapter of this Secret Lisbon travel guide book corresponds to a different neighbourhood of the city so that one can always find a hidden or secret place to discover. Perfectly planned walks - Make sure that you do not miss any Secret location, by discovering each one featured in this guide by planning a walking tour of each neighbourhood.

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The proliferation of virtual and augmented reality technologies into society raise significant questions for judges, legal institutions, and policy makers. For example, when should activities that occur in virtual worlds, or virtual images that are projected into real space (that is, augmented reality), count as protected First Amendment 'speech'? When should they instead count as a nuisance or trespass? Under what circumstances would the copying of virtual images infringe intellectual property laws, or the output of intelligent virtual avatars be patentable inventions or works of authorship eligible for copyright? And when should a person (or computer) face legal consequences for allegedly harmful virtual acts?The Research Handbook on the Law of Virtual and Augmented Reality addresses these questions and others, drawing upon free speech doctrine, criminal law, the law of data protection and privacy, and of jurisdiction, as well as upon potential legal rights for increasingly intelligent virtual avatars in VR worlds. The Handbook offers a comprehensive look at challenges to various legal doctrines raised by the emergence - and increasing use of - virtual and augmented reality worlds, and at how existing law in the USA, Europe, and other jurisdictions might apply to these emerging technologies, or evolve to address them. It also considers what legal questions about virtual and augmented reality are likely to be important, not just for judges and legal scholars, but also for the established businesses and start-ups that wish to make use of, and help shape, these important new technologies.This comprehensive Research Handbook will be an invaluable reference to those looking to keep pace with the dynamic field of virtual and augmented reality, including students and researchers studying intellectual property law as well as legal practitioners, computer scientists, engineers, game designers, and business owners.Contributors include: W. Barfield, P.S. Berman, M.J. Blitz, S.J. Blodgett-Ford, J. Danaher, W. Erlank, J.A.T. Fairfield, J. Garon, G. Hallevy, B. Lewis, H.Y.F. Lim, C. Nwaneri, S.R. Peppet, M. Risch, A.L. Rossow, J. Russo, M. Supponen, A.M. Underhill, B.D. Wassom, A. Williams, G. Yadin

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Now a Netflix original film starring Will Forte, Domhnall Gleeson, and Emmy Rossum. Comic genius Doug Kenney cofounded National Lampoon, cowrote Animal House and Caddyshack, and changed the face of American comedy before mysteriously falling to his death at the age of 33. This is the first-ever biography of Kenney--the heart and soul of National Lampoon—reconstructing the history of that magazine as it redefined American humor, complete with all its brilliant and eccentric characters. Filled with vivid stories from New York, Harvard Yard, Hollywood, and Middle America, this chronicle shares how the magazine spawned a comedy revolution with the radio shows, stage productions, and film projects that launched the careers of John Belushi, Bill Murray, Chevy Chase, and Gilda Radner, while inspiring Saturday Night Live and everything else funny that’s happened since 1970. Based on more than 130 interviews conducted with key players including Chevy Chase, Harold Ramis, P. J. O’Rourke, John Landis, and others and boasting behind-the-scenes stories of how Animal House and Caddyshack were made, this book helps capture the nostalgia, humor, and enduring legacy that Doug Kenney instilled in National Lampoon--America’s greatest humor magazine.

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A cosy Dandy Gilver mystery set in 1920s Scotland. For fans of PG Wodehouse, Dorothy L Sayers and Agatha Christie.1st May 1926 - Dear Alec, Just when those who should be working are all downing tools for this wretched strike (and I still can't believe it - I mean to say: riots, Alec - in Edinburgh of all places) guess who is setting her virgin shoulder to its very first wheel? I am dressed in serge and sensible footwear, sleeping in an iron bed and dining off pickled tongue at six o'clock each day. I am, in short, that nice young Mrs Balfour's new maid. But don't worry, Alec dear: things haven't got as bad as all that. It's just that that nice young Mr Balfour is going to kill his wife. At least, she thinks so, and the more I hear about him from butler, cook and bootboy the more I'm inclined to agree. So I'm undercover, in disguise, bent upon foiling. And jolly hard work it is too - tomorrow is my half-day free if you'd care take me out for a restorative bun. (Every maid needs a beau to buy buns for her.) Yours, Dandy xx p.s. Ask for Miss Rossiter: below stairs I am she.Catriona McPherson's latest novel in the series, Dandy Gilver and a Spot of Toil and Trouble is now available for pre-order.

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Richly illustrated volume exploring the inseparable histories of modernist abstraction and twentieth-century textiles. Published on the occasion of an exhibition curated by Lynne Cooke, Woven Histories offers a fresh and authoritative look at textiles—particularly weaving—as a major force in the evolution of abstraction. This richly illustrated volume features more than fifty creators whose work crosses divisions and hierarchies formerly segregating the fine arts from the applied arts and handicrafts. Woven Histories begins in the early twentieth century, rooting the abstract art of Sophie Taeuber-Arp in the applied arts and handicrafts, then features the interdisciplinary practices of Anni Albers, Sonia Delaunay, Liubov Popova, Varvara Stepanova, and others who sought to effect social change through fabrics for furnishings and apparel. Over the century, the intersection of textiles and abstraction engaged artists from Ed Rossbach, Kay Sekimachi, Ruth Asawa, Lenore Tawney, and Sheila Hicks to Rosemarie Trockel, Ellen Lesperance, Jeffrey Gibson, Igshaan Adams, and Liz Collins, whose textile-based works continue to shape this discourse. Including essays by distinguished art historians as well as reflections from contemporary artists, this ambitious project traces the intertwined histories of textiles and abstraction as vehicles through which artists probe urgent issues of our time.

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A lively, inspiring account of the pioneers who sought toaccurately predict the weather Benjamin Franklin . . . James P. Espy . . . Cleveland Abbe . . .Carl-Gustaf Rossby . . . Jule G. Charney . . . just a few of theremarkable individuals who struggled against formidable odds tounderstand the atmosphere and predict the weather. Where they sawpatterns and processes, others saw randomness and tumult-and yetthey strove to make their voices heard, often saving lives in theprocess. Storm Watchers takes you on a fascinating journey through time thatcaptures the evolution of weather forecasting. From the age whenmeteorology was considered one step removed from sorcery to themodern-day wizardry of supercomputers, John Cox introduces you tothe pioneering scientists whose work fulfilled an ancient dream andmade it possible to foretell the future. He tells the little-knownstories of these weathermen, such as Ptolemy's weather predictionsbased on astrology, John Finley's breakthrough research inidentifying tornadoes, and Tor Bergeron's new techniques of weatherforecasting, which contributed to its final worldwideacceptance. Filled with extraordinary tales of bravery and sacrifice, StormWatchers will make you think twice the next time you turn on thelocal news to catch the weather report.

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The grid often hides in plain sight, from notepads and spreadsheets to halftone photographic reproductions. It dominates the organisation, perception, and representation of the modern world, especially in print. Deeply embedded in a Western worldview, the grid visualises control, mastery, and order. As an invisible framing device, it has become so pervasive that we habitually ignore it. Yet when artists call our attention to the grid, its layered meanings come fully into view. On the Grid: Ways of Seeing in Print surveys photographs, prints, artist’s books, and printed sculptures from the dynamic permanent collection of the Frances Lehman Loeb Art Center at Vassar College. From 19th-century scientific and portrait photography to avant-garde and conceptual photography; from mid- 20th-century Minimalist, Pop Art, and Op Art printmaking to experimental bookmaking and photography in the 21st century, this richly illustrated volume explores how artists have embraced, rejected, and reclaimed the grid. By altering and challenging perception, they offer new ways of seeing the world. With contributions by Jared Bark, Jessica D. Brier, Lukas Felzmann, Stephen Frailey, John P. Murphy, Werner Pfeiffer, Alison Rossiter, Stephanie Syjuco, Rhiannon Skye Tafoya, Massimo Tarrida.

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A compelling and persuasive account of how the Romantic Movement permanently changed the way we see things and express ourselves.Three great revolutions rocked the world around 1800. The first two - the French Revolution and the Industrial Revolution - have inspired the greatest volume of literature. But the third - the romantic revolution - was perhaps the most fundamental and far-reaching. From Byron, Wordsworth, Coleridge and Burns, to Beethoven, Wagner, Berlioz, Rossini and Liszt, to Goya, Turner, Delacroix and Blake, the romantics brought about nothing less than a revolution when they tore up the artistic rule book of the old regime. This was the period in which art acquired its modern meaning; for the first time the creator, rather than the created, took centre-stage. Artists became the high priests of a new religion, and as the concert hall and gallery came to take the place of the church, the public found a new subject worthy of veneration in paintings, poetry and music. Tim Blanning's sparkling, wide-ranging survey traces the roots and evolution of a cultural revolution whose reverberations continue to be felt today.

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Rotating Thermal Flows in Natural and Industrial Processes provides the reader with a systematic description of the different types of thermal convection and flow instabilities in rotating systems, as present in materials, crystal growth, thermal engineering, meteorology, oceanography, geophysics and astrophysics. It expressly shows how the isomorphism between small and large scale phenomena becomes beneficial to the definition and ensuing development of an integrated comprehensive framework. This allows the reader to understand and assimilate the underlying, quintessential mechanisms without requiring familiarity with specific literature on the subject. Topics treated in the first part of the book include: Thermogravitational convection in rotating fluids (from laminar to turbulent states); Stably stratified and unstratified shear flows; Barotropic and baroclinic instabilities; Rossby waves and Centrifugally-driven convection; Potential Vorticity, Quasi-Geostrophic Theory and related theorems; The dynamics of interacting vortices, interacting waves and mixed (hybrid) vortex-wave states; Geostrophic Turbulence and planetary patterns. The second part is entirely devoted to phenomena of practical interest, i.e. subjects relevant to the realms of industry and technology, among them: Surface-tension-driven convection in rotating fluids; Differential-rotation-driven (forced) flows; Crystal Growth from the melt of oxide or semiconductor materials; Directional solidification; Rotating Machinery; Flow control by Rotating magnetic fields; Angular Vibrations and Rocking motions; Covering a truly prodigious range of scales, from atmospheric and oceanic processes and fluid motion in "other solar-system bodies", to convection in its myriad manifestations in a variety of applications of technological relevance, this unifying text is an ideal reference for physicists and engineers, as well as an important resource for advanced students taking courses on the physics of fluids, fluid mechanics, thermal, mechanical and materials engineering, environmental phenomena, meteorology and geophysics.

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Do you suffer through the same old salads because you want to eat more veggies? Are you trying to use less processed junk when you cook but find yourself thinking, "I don't have time for that"? If you're hungry for good food and a good time in the kitchen, chef Roberto Martin has the answers,and he's here to demonstrate that cooking delicious meals with whole foods doesn't have to take a whole day.When he was personal chef to Ellen DeGeneres and Portia de Rossi, Roberto created basic meals that turned their favourite meaty dishes into tasty vegan feasts. Roberto's cooking continues to evolve, using fewer faux meats and more healthful, plant-based ingredients. Not only does he make seriously amazing food for others, he has a hungry family at home,so whether he's whipping up a Sunday brunch, after-school snacks, or a cozy dinner for two, the food's got to be easy, satisfying, and delicious.Based on both Roberto's Mexican-American family favourites (check out the recipes for albondigas soup and jackfruit tacos) and his classical French culinary training (cassoulet? Every day), these new recipes use simple basics (think beans, beets, and avocado) while also introducing less common but easy-to-use ingredients (celeriac? It has an amazing meaty texture). The result? Finger-licking dishes that'll please everyone from your fussy kid to your need-to-impress in-laws. With tips for outfitting your kitchen and techniques to save you time, as well as a chapter devoted to homemade staples that will truly make your cooking life easier and tastier, you'll be able to make fresh, healthy meals in a snap,big flavors, no fussin'.

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Ninety percent of the indigenous population in the Americas lives in the Andean and Mesoamerican nations of Bolivia, Ecuador, Mexico, Peru, and Guatemala. Recently indigenous social movements in these countries have intensified debate about racism and drawn attention to the connections between present-day discrimination and centuries of colonialism and violence. In Histories of Race and Racism, anthropologists, historians, and sociologists consider the experiences and representations of Andean and Mesoamerican indigenous peoples from the early colonial era to the present. Many of the essays focus on Bolivia, where the election of the country’s first indigenous president, Evo Morales, sparked fierce disputes over political power, ethnic rights, and visions of the nation. The contributors compare the interplay of race and racism with class, gender, nationality, and regionalism in Bolivia, Ecuador, Guatemala, Mexico, and Peru. In the process, they engage issues including labor, education, census taking, cultural appropriation and performance, mestizaje, social mobilization, and antiracist legislation. Their essays shed new light on the present by describing how race and racism have mattered in particular Andean and Mesoamerican societies at specific moments in time.ContributorsRossana Barragán Kathryn BurnsAndrés CallaPamela CallaRudi Colloredo-MansfeldMaría Elena GarcíaLaura GotkowitzCharles R. HaleBrooke LarsonClaudio LomnitzJosé Antonio LuceroFlorencia E. MallonKhantuta MuruchiDeborah PooleSeemin QayumArturo Taracena ArriolaSinclair ThomsonEsteban Ticona Alejo

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Over the last five years, corporations and individuals have given more money, more often, to charitable organizations than ever before. What could possibly be the downside to inhabiting a golden age of gift-giving? That question lies at the heart of Timothy Campbell’s account of contemporary giving and its social forms. In a milieu where gift-giving dominates, nearly everything given and received becomes the subject of a calculus—gifts from God, from benefactors, from those who have. Is there another way to conceive of generosity? What would giving and receiving without gifts look like? A lucid and imaginative intervention in both European philosophy and film theory, The Techne of Giving investigates how we hold the objects of daily life—indeed, how we hold ourselves—in relation to neoliberal forms of gift-giving. Even as instrumentalism permeates giving, Campbell articulates a resistant techne locatable in forms of generosity that fail to coincide with biopower’s assertion that the only gifts that count are those given and received. Moving between visual studies, Winnicottian psychoanalysis, Foucauldian biopower, and apparatus theory, Campbell makes a case for how to give and receive without giving gifts. In the conversation between political philosophy and classic Italian films by Visconti, Rossellini, and Antonioni, the potential emerges of a generous form of life that can cross between the visible and invisible, the fated and the free.

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A fascinating account of what it was like to live in a Victorian body from best-selling historian and critic Kathryn Hughes.In Victorians Undone, renowned British historian Kathryn Hughes follows five iconic figures of the nineteenth century as they encounter the world not through their imaginations or intellects but through their bodies. Or rather, through their body parts. Using the vivid language of admiring glances, cruel sniggers, and implacably turned backs, Hughes crafts a narrative of cinematic quality by combining a series of truly eye-opening and deeply intelligent accounts of life in Victorian England.Lady Flora Hastings is an unmarried lady-in-waiting at young Queen Victoria's court whose swollen stomach ignites a scandal that almost brings the new reign crashing down. Darwin's iconic beard provides important new clues to the roles that men and women play in the great dance of natural selection. George Eliot brags that her right hand is larger than her left, but her descendants are strangely desperate to keep the information secret. The poet-painter Dante Gabriel Rossetti, meanwhile, takes his art and his personal life in a new direction thanks to the bee-stung lips of his secret mistress, Fanny Cornforth. Finally, we meet Fanny Adams, an eight-year-old working-class girl whose tragic evisceration tells us much about the currents of desire and violence at large in the mid-Victorian countryside. While 'bio-graphy' parses as 'the writing of a life,' the genre itself has often seemed willfully indifferent to the vital signs of that life—to breath, movement, touch, and taste. Nowhere is this truer than when writing about the Victorians, who often figure in their own life stories as curiously disembodied. In lively, accessible prose, Victorians Undone fills the space where the body ought to be, proposing new ways of thinking and writing about flesh in the nineteenth century.

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Pizza is simple: dough, sauce, cheese, toppings. But inside these ordinary ingredients lies a world of extraordinary possibility. With The Joy of Pizza, you'll make the best pizza of your life. Dan Richer has devoted his career to discovering the secrets to a transcendent pie. The pizza at his restaurant, Razza, is among the best one can eat in the United States, if not the world. Now, Richer shares all he has learned about baking pizza with a crisp, caramelized rim; a delicate, floral-scented crumb; and a luscious combination of sauce, cheese, and toppings that gets as close to perfection as any mortal may dare.You'll learn how to make Razza specialties such as:*Jersey Margherita, a new classic improving on Neapolitan tradition with * Meatball Pizza, the first time Richer has shared the recipe for Razza's legendary meatballs* Project Hazelnut, pairing the rich flavor of the nuts with honey and mozzarella* Santo, topped with caramelized fennel sausage and drizzled with chile oil * Pumpkin Pie, a cold-weather pie with roasted pumpkin, ricotta salata, and caramelized onions* And many more inventive and seasonal pizzas, from Funghi (mushroom) and Montagna (arugula and speck) to Bianca (white pizza) and Rossa (vegan tomato pie)Suited to beginning home bakers and professionals alike, these crusts begin with store-bought yeast as well as sourdough starter. Richer shows how to achieve top results in ordinary home ovens as well as high-temperature ovens such as the Ooni and Roccbox, and even wood-fired outdoor pizza ovens. The Joy of Pizza is rich with step-by-step photography, links to instructional videos, and portraits of every pizza before and after it meets the heat of the oven-so you'll know exactly what to do to create superior results.The ingredients are simple. The methods are straightforward. And the results are deliriously delicious.

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The first and only “virtual gallery” with all or almost all the models produced by the Maranello firm from 1947 to the present day, drawn by an artist of the calibre of Giorgio Alisi. Detailed technical files and texts by Leonardo Acerbi, an established historian of the marque, complete this unique overview of the Prancing Horse and its history. First published in the mid-2000s and reprinted on a number of occasions, Ferrari All the cars reviews, model by model, all the most significant cars produced by the Maranello firm from 1947 to the present day. From the Auto Avio Costruzioni of 1940, the Ferrari precursor, to the 125 S, the first car to carry the Prancing Horse badge and the Ferrari name, through to the latest Portofino, the reader explores unforgettable icons of automotive history. Among them, to mention but a few, are models such as the 250 GTs, the Testa Rossa, the 250 GTO, the 250 Le Mans and the 275 GTB , through to the latest creations, the FF, 488 GTB, California and GTC4 Lusso, by way of the 365 GTB/4 “Daytona”, 512 BB, 308 GTB and many others. Then, naturally, there are all the F1 single-seaters from 1950 to the present day, those that have permitted the Prancing Horse to win 15 World Driver’s Championships and 16 Constructors’ titles, and the unforgettable Sports cars and Prototypes, undisputed protagonists for years in the enthralling endurance classics such as the Le Mans 24 Hours and the Targa Florio. The files on each model are complemented by an accompanying image, brief but pertinent contextual texts and detailed technical specifications. Ferrari All the cars is a unique book allowing you to have a complete history of Ferrari and its unforgettable cars always to hand, an authentic vademecum of the Maranello firm.

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Biography of three artists closely associated with the Pre-Raphaelites whose letters give a vivid insight into the dramas of their personal life. Joanna, George and Henry tells the story of the intertwined lives of three young artists in the 1850s. When the transcript of the material on which this group portrait is based came to light ten years ago, no one could haveimagined the drama within. They were family letters: letters from a young woman to her brother and later to her suitor - of interest chiefly because all three were painters, and all were active participants in the youthful Pre-Raphaelite revolution that swept England in the 1850s. They turned out to be a revelation - giving not only a comprehensive picture of what it was like to be an artist in the mid-19th century, but containing within them a powerful family drama and a most unusual love story. It is a love story, moreover, told largely from a woman's point of view. Joanna Boyce's dedication to her art was absolute: she studied in Paris under Thomas Couture and had her first painting exhibited at the Academy when she was only 24. She was headstrong, self-critical, opinionated and teasing - "an artist with her pen as well as her brush". She died tragically young. Between them, Joanna, her brother George and suitor Henry Wells knew all the artistic luminaries of the day, among them Ruskin, Millais and Rossetti (with whom George shared a great deal, including mistresses). They wrote to each other not just about art, butabout their friends, their favourite books, their travels, their illnesses, their passions and their quarrels. In this book, they tell their story in their own vivid words - a story which portrays the age in which they lived andthe powerful drama of their emotional and professional lives.

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In the 25 years of its existence, Studies in Spirituality has been an attentive observer of the significant changes that have taken place in the field of spirituality. During this period, research in spirituality shifted not only towards the centre of theological reflection, it has also responded to a culture that sought to go beyond the boundaries of theology, on the one hand, and to the experience of globalisation on the other. In this volume, Rossano Zas Friz De Col S.l., Professor of Spirituality at the Institute of Spirituality of the Pontifical Gregorian University (Rome), presents a list of thirty-one articles previously published in Studies in Spirituality, which, from his perspective, merit reprinting. The reader will find a collection revolving around spiritual transformation as their center. The reprinted articles are preceded by a reflection on twenty-five years of Studies in Spirituality, in which professor Zas Friz decribes how Studies in Spirituality brings spiritual transformation into focus today, and how to understand that transformation in the present globalized world.

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Lonely Planet’s Pocket Lisbon is your guide to the city’s best experiences and local life - neighbourhood by neighbourhood. Ride the scenic Tram 28E, take in the beauty of the fairy-tale Mosteiro dos Jeronimos, and sample the famous pasteis de nata; all with your trusted travel companion. Uncover the best of Lisbon and make the most of your trip!Inside Lonely Planet’s Pocket Lisbon: Full-colour maps and travel photography throughoutHighlights and itineraries help you tailor a trip to your personal needs and interestsInsider tips to save time and money and get around like a local, avoiding crowds and trouble spotsEssential info at your fingertips - hours of operation, phone numbers, websites, transit tips, pricesHonest reviews for all budgets - eating, sightseeing, going out, shopping, hidden gems that most guidebooks missConvenient pull-out Lisbon map (included in print version), plus over 16 colour neighbourhood mapsUser-friendly layout with helpful icons, and organised by neighbourhood to help you pick the best spots to spend your timeCovers Bairro Alto & Chiado, Baixa & Rossio, Alfama, Castelo & Graça, Belém, Parque das Nações, Marquês de Pombal, Rato & Saldanha, Estrela, Lapa & Alcântara and moreThe Perfect Choice: Lonely Planet’s Pocket Lisbon, an easy-to-use guide filled with top experiences - neighbourhood by neighbourhood - that literally fits in your pocket. Make the most of a quick trip to Lisbon with trusted travel advice to get you straight to the heart of the city. Looking for more extensive coverage? Check out Lonely Planet’s Portugal guide or the Experience Portugal guide for a comprehensive look at all that the country has to offer.eBook Features: (Best viewed on tablet devices and smartphones)Downloadable PDF and offline maps prevent roaming and data chargesEffortlessly navigate and jump between maps and reviewsAdd notes to personalise your guidebook experienceSeamlessly flip between pagesBookmarks and speedy search capabilities get you to key pages in a flashEmbedded links to recommendations' websitesZoom-in maps and photos Inbuilt dictionary for quick referencingAbout Lonely Planet: Lonely Planet is a leading travel media company, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and phrasebooks for 120 languages, and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, videos, 14 languages, armchair and lifestyle books, ebooks, and more, enabling you to explore every day. 'Lonely Planet guides are, quite simply, like no other.' – New York Times'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' – Fairfax Media (Australia)

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In 1960, when World War II might seem to have been receding into history, a number of artists and writers instead turned back to it. They chose to confront the unprecedented horror and mass killing of the war, searching for new creative and political possibilities after the conservatism of the 1950s in the long shadow of genocide.Al Filreis recasts 1960 as a turning point to offer a groundbreaking account of postwar culture. He examines an eclectic group of artistic, literary, and intellectual figures who strove to create a new language to reckon with the trauma of World War II and to imagine a new world. Filreis reflects on the belatedness of this response to the war and the Holocaust and shows how key works linked the legacies of fascism and antisemitism with American racism. In grappling with the memory of the war, he demonstrates, artists reclaimed the radical elements of modernism and brought forth original ideas about testimony to traumatic history.1960 interweaves the lives and works of figures across high and popular culture—including Chinua Achebe, Hannah Arendt, James Baldwin, Amiri Baraka, Paul Celan, John Coltrane, Frantz Fanon, Roberto Rossellini, Muriel Rukeyser, Rod Serling, and Louis Zukofsky—and considers art forms spanning poetry, fiction, memoir, film, painting, sculpture, teleplays, musical theater, and jazz. A deeply interdisciplinary cultural, literary, and intellectual history, this book also offers fresh perspective on the beginning of the 1960s.

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A fresh twist on 24 classic poems, these visual interpretations by comic artist Julian Peters will change the way you see the world.This stunning anthology of favorite poems visually interpreted by comic artist Julian Peters breathes new life into some of the greatest English-language poets of the nineteenth and twentieth centuries.These are poems that can change the way we see the world, and encountering them in graphic form promises to change the way we read the poems. In an age of increasingly visual communication, this format helps unlock the world of poetry and literature for a new generation of reluctant readers and visual learners.Grouping unexpected pairings of poems around themes such as family, identity, creativity, time, mortality, and nature, Poems to See By will also help young readers see themselves differently. A valuable teaching aid appropriate for middle school, high school, and college use, the collection includes favorites from the Western canon already taught in countless English classes.Includes poems by Emily Dickinson, Langston Hughes, Carl Sandburg, Maya Angelou, Seamus Heaney, e. e. cummings, Robert Frost, Dylan Thomas, Christina Rossetti, William Wordsworth, William Ernest Henley, Robert Hayden, Edgar Allan Poe, W. H. Auden, Thomas Hardy, Percy Bysshe Shelley, John Philip Johnson, W. B. Yeats, Gerard Manley Hopkins, Edna St. Vincent Millay, Tess Gallagher, Ezra Pound, and Siegfried Sassoon.

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Il fuoco di Sant’Antonio è una malattia, certo! Ma quale? Per noi Italiani è sicuramente l’Herpes zoster; ma è sempre stato così? Ebbene, no! Sant’Antonio Abate aveva la fama di taumaturgo e guaritore già in vita, nonostante si fosse ritirato in un remoto deserto. Così, quando le sue spoglie arrivarono in Europa dopo l’anno Mille, tutti coloro che soffrivano di malattie dolorose e urenti, imploravano Sant’Antonio che li guarisse da quel "fuoco" che li tormentava. Ma quali erano queste malattie così dolorose? Le antiche cronache sono spesso troppo succinte o troppo romanzate per orientarci nella diagnosi ma erisipela, sifilide, ergotismo hanno fatto certamente buona compagnia allo zoster. L’ergotismo, soprattutto, era una malattia terrorizzante perché compariva ad ondate imprevedibili e, come la peste, colpiva i virtuosi come i viziosi, scardinando l’interpretazione allora dominante, del dolore come conseguenza del peccato. Come se non bastasse, l’ergotismo non solo provocava terribili sofferenze ma spesso anche stati di confusione mentale e di delirio che erano (questi sì!) sicuramente attribuiti al demonio. Bisogna aspettare il XVIII secolo e l’età dei Lumi per mandare in soffitta le superstizioni che infestavano la medicina ed allora l’ergotismo si rivela essere non più una maledizione ma una solo una malattia, un effetto del consumo di pane nero alloiato Lo studio degli allucinogeni e la scoperta dell’LSD nel XX secolo, mettono la parola fine all’interpretazione mistico-religiosa di alcune patologie e gettano inaspettatamente nuova luce su quello che fu il segreto meglio custodito dell’Antichità: il culto dei Misteri Eleusini. In questo libro, la storia del fuoco di Sant’Antonio di dipana dai racconti medioevali sino all’odierna virologia e suggerisce che la curiosità e la scienza sono l’unico antidoto contro la superstizione e il mistero. Un filo rosso unisce i Misteri Eleusini al Fuoco di Sant’Antonio: questo filo è l’LSD. La molecola è la stessa ma il contorno è molto diverso e, di sicuro, molto appassionante.

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‘You haunt me everywhere.’ So wrote Edward Burne-Jones to Frances Graham, his muse for the last 25 triumphant years of his life: ‘I haven’t a corner of my life or my thoughts where you are not’. He drew her obsessively, included her in some of his most famous paintings, and showered her with gifts. Even when she betrayed him to marry, he would return to her. To him ’all the romance and beauty of my life means you.’ This is the first biography of his muse. In a discreet, subtle, human way, her life is a study in power – artistic, social, political, familial, local – and all the more fascinating for being played out from a perennial position of weakness. What makes a muse? The word conjures up for the artist a human cocoon of sexual allure and worship: part inspiration, part lover and protector. Yet however beguiling, demanding and volatile a muse could be, it remained a life surrendered to the art of another. In Victorian England, this was especially so with the hierarchies between the sexes so firmly entrenched. The life of a muse to a Pre-Raphaelite artist was no different: Ruskin and Effie Gray, Rossetti and Lizzie Siddal, both powerfully destructive relationships that ended respectively in divorce and death. The one who survived was Frances Graham. She had a restless, irrepressible intelligence, able to mix at her small dinners politicians and aristocrats with writers, artists and the up and coming, be they Oscar Wilde or Albert Einstein. In time, she became the confidante of three government ministers, including Asquith, the Liberal leader. 'The Portrait of a Muse' is the tale of a remarkable woman living in an age on the cusp of modernity.

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