Search results for ""counterpoint""

Hove, west of its immediate neighbour Brighton, was a small fishing village on the Sussex coast until its development in the early nineteenth century as a fashionable seaside resort for wealthy Londoners following the patronage of the prince regent, later George IV. Elegant Regency estates and large Victorian mansions were built in Hove, most of which survive today, albeit as flats, and the town is also characterised by the wide boulevards and avenues laid down in that era. Sussex Cricket Club made Hove its home, as did Brighton & Hove Albion FC until it relocated in the 1990s. Hove has always retained its separate identity to Brighton, and today is proud to be a counterpoint to its neighbour. Hove: The Postcard Collection takes the reader on an evocative journey into Hove’s past through a selection of old postcards that offer a fascinating window into the history of this historic town in east Sussex.

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The subject of this book is the social and political meaning of constitutional texts to the detriment of their legal concretization. Focusing on the discrepancy between the hypertrophically symbolic function of constitutions and their insufficient legal concretization, it offers a critical counterpoint to constitutional theory that treats constitutional texts as a panacea to solving political, legal, and social problems. In contrast to the premises of Niklas Luhmann's systems theory regarding law and constitution in world's society, symbolic constitutionalization is approached here in both a comprehensive and far-reaching perspective. Chapter 1 sets out the debate about symbolic legislation. Chapter 2 explains the notion of symbolic constitutionalization as a problem embracing the whole legal system. Chapter 3 approaches the issue in terms of allopoiesis of law, characterizing it primarily as a problem in peripheral modernity and referring to the Brazilian experience. The final chapter discusses the tendency to a symbolic constitutionalization of world society in the scope of a paradoxical peripheralization of the centre.

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Apparently innocuous, sugar is a substance which brings with it a profound disquiet, not least because of its direct links with the histories of slavery in the New World. These links have long been a source of critical fascination, generating several landmark analyses, ranging from Fernando Ortis’s Cuban Counterpoint: Tobacco and Sugar (1940) and Noël Deerr’s monumental two-volume The History of Sugar (1949-50) to Sidney Mintz’s Sweetness and Power: The Place of Sugar in Modern History (1985). Unlike previous texts, Plasa’s meticulously researched book not only examines the traditional classic studies but also the hitherto largely ignored work produced by a number of expatriate Caribbean authors, both male and female, from the 1980s onwards. As a result Slaves to Sweetness provides the most comprehensive account to date of the historical transformations which sugar’s representation has undergone, providing a rich resource for scholars in Slavery, Caribbean, Black Atlantic, Postcolonial and Literary Studies.

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Discovering Exile analyzes American Yiddish culture and its development during the European Holocaust and shows how our understanding of American Jewish culture has been utterly distorted by the omission of this context. It explores responses to some of the most intense cultural controversies of the period, examining texts in various genres written by the most important Yiddish writers and critics and placing them at the center of discussions of literary modernism and cultural modernity. Anglo-Jewish writers of the period provide a counterpoint to and commentary on this Yiddish story. Norich seeks to demythologize Yiddish as mame-loshn (mother tongue)—as merely the language of the home and the past—by returning to a time of great, if ironic, vibrancy, when Yiddish writers confronted the very nature of their existence in unprecedented ways. Under increasing pressure of news from the war front and silence from home, these writers re-imagined modernism, the Enlightenment, political engagement, literary conventions, and symbolic language.

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Emile Durkheim, along with Karl Marx and Max Weber, is one of the three 'founding fathers of sociology'. This is the first book to situate his sociology in the context of his republican politics, freeing his ideas from more conventional studies and allowing the reader to see his ideas afresh. This critical introduction argues that Durkheim's defence of Republican France in the 1890s had a considerable influence on his sociology, which cannot be fully understood when removed from its historical and political context. His dismissal of economic factors in suicide rates, the influence of his anti-feminist position on his findings on marriage rates, and the idealism behind his claim that religion is the key determinant in shaping society are all discussed. Through analysing his writings, including The Division of Labour in Society, Suicide and The Elementary Forms of Religious Life, this book provides a fascinating, critical counterpoint to the existing works on this key figure of sociology.

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Scott Thorson, a poor boy from a succession of foster homes, met Liberace when he was just 16 years old. Liberace, aged 57, took Scott under his wing as 'the son he'd never had'. By the time Scott was 17, he was also Liberace's lover. Liberace lived life by his credo 'too much of a good thing is wonderful' and Scott shared in it: the fur coats, the Rolls-Royces, the jewellery, the celebrity friends, the 26 lap dogs. A more opulent lifestyle is hard to imagine but it came at a price: Liberace sent Scott to his plastic surgeon to have his face remodeled in Liberace's own image. By turns bizarre, shocking and touchingly intimate, Behind the Candelabra is a compulsive insight in to Liberace, the man behind the flamboyant performer whose successes provide a bright counterpoint to a darker tale of a man hungry for power, a man given to every excess.

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''A welcome counterpoint to the technopanic that screen time is causing a mental health crisis'' Bruce Hood''A rare mix of trustworthy science, practical advice, and human stories ... I''m going to recommend it to all the parents I know, and keep it handy for reference next time I see a scary headline about how technology is ruining our lives'' Timandra Harkness''Punctures some of the most pernicious myths about our smartphone and screen-dominated lives, while offering good advice about how to improve the time we spend with screens ... a must-read'' New ScientistMost of us spend a significant part of the day in front of a screen. Our work and social lives play out through our computers, tablets and phones: on email, social media, video conference calls and gaming servers. But what is all this screen time doing to our health, our sleep, and our relationships?Professor Pete Etchells studies the way we use screens, and how the

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From the bestselling author of On Gratitude and On the Move.In this spirited volume, Oliver Sacks examines the many passions of his own life – both as a doctor engaged with the central questions of human existence, and as a polymath conversant in all the sciences. Why do humans need gardens? How, and when, does a physician tell his patient she has Alzheimer's? What is social media doing to our brains? In several of the compassionate case histories collected here, Sacks considers for the first time the enigmas of depression, psychosis, and schizophrenia, and in others he returns to conditions that have long fascinated him: Tourette’s syndrome, ageing, dementia, and hallucinations. In counterpoint to these elegant investigations of what makes us human, this volume also includes pieces that celebrate Sacks’s love of the natural world – and his last meditations on life in the twenty-first century. Everything in Its Place gives us an intimate portrait of a master writer and thinker at work.

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Lydia's Funeral Video is a one-woman play written and performed by Sam Chanse, a playwright and performer based in New York and California. In this apocalyptic satire, devout bank clerk Lydia Clark-Lin has 28 days to terminate an unplanned pregnancy, shoot her own funeral video and do some standup comedy. As the camera rolls and Lydia gamely sets about her grim task, a story emerges that is at once hilarious and unnerving. This publication unites the full theater script of Lydia's Funeral Video with a new counterpoint narrative and stream-of-consciousness illustrations that enhance this dynamic realization of a live theater experience in book form. Also included are notes and an essay about the origins and development of the piece, as well as a special mini-flipbook. Seamlessly weaving in questions of race, gender identity and more existential questions, Lydia's Funeral Video is bold, unpredictable storytelling at its inventive and unsettling best.

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In Of Lodz and Love, Chava Rosenfarb revisits her themes of the the shtetl and pre-Holocaust Poland, of economic and political oppression, and of the upheavals that would herald a new Jewish national and political awakening. The story takes Yacov, son of Hindele, and Binele, the daughter of the chalk vendor Yossele Abedale, to the industrial town of Lodz during the first years of Poland's independence, both before and after the country entered the war with the Bolsheviks.The would-be young lovers evolve separately against the backdrop of the city's own struggle for economic survival. In sometimes tragic turns, they make their way in the strange urban culture, rapidly acquiring the skills to survive. Translated from the original Yiddish, this book serves as prologue and as counterpoint to the urbanization of Jewish life in Poland. In its elegance and subtle wit, and overwhelming human dignity, it is not only the testimony of a vanished world, but a powerful love story.

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In 2021, Dyal passed by Riverside Baptist Church on a weekday afternoon, and after not being inside the building for over 50-years, spotted an open door and entered. He began to return regularly to document the interior and the many rooms and spaces which are no longer in use, without electricity and slowly deteriorating. His painterly photographs are devoid of people but heavy with the echoes of past human presence—chairs, toys, robes, furniture, artificial flowers and books— relics of an earlier time. Dyal’s background as an architect is evident in his portrayal of the building, its details and negative space. Multiple doorways lead the viewer through the book, and objects in the photographs often appear as sculptural inventions. A series of archival black and white photographs at the end of the book, show the church in its heyday offering a counterpoint to what remains. Although firmly rooted in one church, the images are representative of a wider pattern of diminishing church attendance across the US.

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A challenge to traditional male-centred accounts of the book world in 1820s' Buenos Aires. The woman question was a subject of discussion in post-independence Buenos Aires, reflected in the press and in the book world where writers contemplated the nature, role and status of women, linking the subject to topics such aspolitical transition, reform, modernisation, regional conflict and patriotic culture. This examination of a varied body of works dating from the 1820s, consisting of pamphlets, a history book, conduct literature and periodical literature, demonstrates the impact of transatlantic print networks such as the book trade, and translations from Britain, France, and Spain. Developing our understanding of the post-independence cultural landscape, the study investigates a hitherto unexamined debate that was at the heart of state building in Buenos Aires. It simultaneously challenges traditional male-centred accounts of the period and serves as a counterpoint to historic feministapproaches to print culture. IONA MACINTYRE lectures in Hispanic Studies at the University of Edinburgh.

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By showing how music intersected with wider cultural affairs, such as philosophy and criticism, this book connects music and the modern in eighteenth-century Spain within the context of Enlightenment thought.Histories of modern Europe often present late eighteenth-century Spain as a backward place struggling to keep pace with modernity. During the reign of Charles III (1759-1788), Spain pushed for economic and cultural modernization, but encountered resistance from members of the public and the elite alike. They viewed the modern as a passing fad that would, in time, show its fragility, and believed Spain would withstand the collapse thanks to its firm grounding in the pillars of monarchy, religion, and traditional forms of knowledge. One source of this solid foundation was the long-established musical knowledge based on the rules of counterpoint. In contrast, modernizers argued that Spain could be true to its essence, yet simultaneously modern and cosmopolitan: they favoured cosmopoli

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96 countries | 91 types of business | 100 ways to live your life The Other Hundred Entrepreneurs is a unique photo-book showcasing the stories of everyday entrepreneurs whose achievements deserve to be celebrated, part of a unique global initiative to provide a counterpoint to the mainstream media consensus about some of today’s most important issues. Instead of conventional success stories about tech billionaires and elite MBAs, the book contains 100 stories of everyday people who have started businesses, big and small, and taken control of their lives. These entrepreneurs run their own businesses without ever hiring an investment bank, planning an exit strategy, dreaming of an IPO or even receiving a loan. Together, these portraits from all over the world present a more representative picture of entrepreneurship than the one we get from the covers of Forbes, Fortune or SUCCESS Magazine. The first book in The Other Hundred initiative celebrated a richly diverse selection of ordinary people living extraordinary lives all over the world.

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In Selfish Libertarians and Socialist Conservatives?, Nathan W. Schlueter and Nikolai G. Wenzel present a lively debate over the essential questions that divide two competing political philosophies. Wenzel—a libertarian who believes the state should be restricted to protecting life, liberty, and property—and Schlueter—a conservative who thinks the state has a larger role to play in protecting public welfare, safety, and morals—explore the fundamental similarities and differences between their respective positions. Over a series of point-counterpoint chapters, they lay out the essential tenets of their own stances, critiquing the other. This engaging dialogue introduces readers to the foundations of each political philosophy. To vividly illustrate the diverging principles underlying conservatism and libertarianism, the authors explore three different hot-button case studies: marriage, immigration, and education. Compact, accessible, and complete with suggestions for further reading, Selfish Libertarians and Socialist Conservatives? is an ideal teaching tool that places these two political perspectives in fruitful dialogue with one another.

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Acclaimed composer, sought-after conductor, esteemed educator, tireless advocate for the arts--Tania León’s achievements encompass but also stretch far beyond contemporary classical music. Alejandro L. Madrid draws on oral history, archival work, and ethnography to offer the first in-depth biography of the artist. Breaking from a chronological account, Madrid looks at León through the issues that have informed and defined moments in her life and her professional works. León’s words become a starting ground--but also a counterpoint--to the accounts of the people in her orbit. What emerges is more than an extraordinary portrait of an artist's journey. It is a story of how a human being reacts to the challenges thrown at her by history itself, be it the Cuban revolution or the struggle for civil and individual rights. Nuanced and multifaceted, Tania León's Stride looks at the life, legacy, and milieu that created and sustained one of the most important figures in American classical music.

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This Shooting for the Stars book is a celebration of timeless design. In its 248 colourful pages, there are countless award-winning, successful design programs and projects which have stood the test of time. Over six decades of global corporate clients (like AT&T and DuPont) to smaller not-for-profit organisations (like F.I.T. and Third Street Music School); Huge budgets to tiny, but all with strong concepts and enduring design solutions.Each design example is dated so one can appreciate the longevity of the work. In addition, the book contains many stories of how the projects evolved, some in unique and surprising ways. i.e.: NASA where only one logo solution was presented, but with multiple supporting applications; Or the author being stranded after a presentation in Saudi Arabia, with a full lock-down of airspace. Other stories have a decided teaching role and offer counterpoint to the diverse design presentations.There is also much about R

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The initial volume in a series of American Bach Society Guides, Bach's Art of Fugue and Musical Offering is a comprehensive study of two closely related masterworks of the late Baroque fugal style. This compact guide, intended for practitioners, music scholars, and a general readership, summarizes a considerable body of knowledge about these famously cerebral collections in an engaging and accessible style. Bach specialist and keyboard player Matthew Dirst explains the Art of Fugue and Musical Offering's idiosyncratic musical language while reviewing how both projects took shape during Bach's final decade. They reflect Bach's lifelong fascination with learned counterpoint, as demonstrated in elaborate series of fugues and canons in both and in an unusually intricate trio sonata in the latter. Dirst provides commentary on individual movements and groups of pieces and on the historical reception of this music, including its impact on other disciplines. Recurring themes include Bach's diligent exploration of contrapuntal types and techniques, his embrace of musical games, and his creative assimilation of diverse musical styles.

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Improvising Fugue: A Method for Keyboard Artists is a guide for those who aspire to the highest levels of fluency as inventors of spontaneous music at the piano, fortepiano, harpsichord, organ, or digital keyboard. Written for professional performers, conservatory students, and devoted amateurs, this book leads the reader along the arduous journey from score dependency to improvisational freedom. Improvising Fugue begins with a comprehensive course in 18th century Italian partimento, the system of musicianship training that simultaneously strengthens improvisation, counterpoint, harmony, keyboard skills, and audiation. The reader then encounters fugue improvisation in a gradual, methodical, and rigorous manner. Every concept is accompanied by extensive and clear explanation, examples from music literature, and practical exercises. The book covers every aspect of fugue improvisation in depth, including subjects, countersubjects, tonal and real answers, episodes, presentations, pedal points, and stretti. Author John J. Mortensen draws on experience as a concert improviser on the international stage; the book's pragmatic, real-world instruction comes from a seasoned performer who knows firsthand exactly what is required to improvise fugues in the presence of a live audience.

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Moral Soundings takes a fresh new approach to introducing students and general readers to contemporary ethics. Rather than surveying the standard fare in a typical anthology format, Furrow collects diversified essays around a structured theme: does Western culture face a moral crisis of values? Prominent voices in the humanities and social sciences provide a range of perspectives on a concentrated set of ethical questions dealing with such topics as family values, the morality of capitalism, the benefits and dangers of new technologies, global conflict, and the role of religion. Unlike point/counterpoint books that often oversimplify the complexity of ethical questions, the readings in Moral Soundings provoke critical engagement and help students to recognize and emulate the logical development of arguments-all in engaging and easily accessible language. Readings are supplemented with helpful chapter introductions, study questions, and strategically placed editorial commentary to encourage further discussion and reflection. These features make Moral Soundings an ideal primary or supplementary text for undergraduate courses in ethics, contemporary moral issues, and social and political philosophy.

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Devotional texts in late medieval England were notable for their flamboyant piety and their preoccupation with the tortured body of Christ and the grief of the Virgin Mary. Generations of readers internalized and shaped the "cultures of piety" represented by these works. Anne Clark Bartlett and Thomas H. Bestul here gather seven examples of this literature, all written in the period 1350–1450, one in Anglo-Norman, the remainder in Middle English. (The volume includes an appendix containing the original texts of the latter six pieces.) The collection illustrates the polyglottal, conflicting, and often polemical nature of devotional culture in the Middle Ages. It provides a valuable context for and interesting counterpoint to the Canterbury Tales and other classic works of late medieval England. The introduction and the translators' headnotes discuss crucial aspects of the texts' histories and thematics, including the importance of the body in spiritual practices, the development of female patronage and of a wide audience for this literature, and the indivisibility of the political and the religious in medieval times.

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There is no more compelling and dramatic unfolding story, with more profound international ramifications, than the conflict in the Middle East. Sharing the Land of Canaan is a critical examination of the core issues of the conflict that dares to put forward a radical but logical solution: that a shared state is the best way to achieve justice and peace for Israelis and Palestinians. Mazin B. Qumsiyeh, offers an overview of the issues at stake, and outlines his vision for a lasting peace based on upholding the principles of human rights for all. Tackling taboo subjects, myths and obstacles, he argues convincingly that apartheid in the form of a two-state solution is no longer a feasible way to achieve enduring peace. At this critical time, when the 'road map' to peace looks more uncertain than ever, this book provides a refreshing counterpoint to the failed strategies of the past. It is a direct and accessible account of the history - and mythology - of the fabled 'Land of Canaan', which lays out hopeful ideas for the future of this truly multiethnic and multicultural region.

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Robert Louis Stevenson's classic, swashbuckling novel about a young boy who is forced to go to sea and who is then caught up in high drama, daring adventure and political intrigue. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by Louise Welsh and features black and white illustrations.Headstrong David Balfour, orphaned at seventeen, sets out from the Scottish Lowlands to seek his fortune in Edinburgh. Betrayed by his wealthy Uncle Ebenezer, he is carried away to sea to be sold into slavery in the Carolinas. On board, he secures a timely alliance with Jacobite adventurer Alan Breck, and together they make an epic escape across the western Highlands. Inspired by real events, Kidnapped is a swashbuckling adventure of bizarre encounters, political assassination and wild carousings with Robert Louis Stevenson’s unique counterpoint of low morals and high comedy threaded throughout.

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Out of the impoverished coal regions of Ukraine known as the Donbass, where Russian secret military intervention coexists with banditry and insurgency, the women of Yevgenia Belorusets’s captivating collection of stories emerge from the ruins of a war, still being waged on and off, ever since the 2014 Revolution of Dignity. Through a series of unexpected encounters, we are pulled into the ordinary lives of these anonymous women: a florist, a cosmetologist, card players, readers of horoscopes, the unemployed, and a witch who catches newborns with a mitt. One refugee tries unsuccessfully to leave her broken umbrella behind as if it were a sick relative; a private caregiver in a disputed zone saves her elderly charge from the angel of death; a woman sits down on International Women’s Day and can no longer stand up; a soldier decides to marry war. Belorusets threads these tales of ebullient survival with a mix of humor, verisimilitude, the undramatic, and a profound Gogolian irony. She also weaves in twenty-three photographs that, in lyrical and historical counterpoint, form their own remarkable visual narrative.

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The notion of the “impolitical” developed in this volume draws its meaning from the exhaustion of modernity’s political categories, which have become incapable of giving voice to any genuinely radical perspective. The impolitical is not the opposite of the political but rather its outer limit: the border from which we might glimpse a trajectory away from all forms of political theology and the depoliticizing tendencies of a completed modernity. The book’s reconstruction of the impolitical lineage—which is anything but uniform—begins with the extreme conclusions reached by Carl Schmitt and Romano Guardini in their reflections on the political and then moves through a series of encounters between several great twentieth-century texts: from Hannah Arendt’s On Revolution to Hermann Broch’s The Death of Virgil, to Elias Canetti’s Crowds and Power; from Simone Weil’s The Need for Roots to Georges Bataille’s Sovereignty to Ernst Junger’s An der Zeitmauer. The trail forged by this analysis offers a defiant counterpoint to the modern political lexicon, but at the same time a contribution to our understanding of its categories.

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Some of the most acclaimed books of the twenty-first century are autobiographical comics by women. Aline Kominsky-Crumb is a pioneer of the autobiographical form, showing women's everyday lives, especially through the lens of the body. Phoebe Gloeckner places teenage sexuality at the center of her work, while Lynda Barry uses collage and the empty spaces between frames to capture the process of memory. Marjane Satrapi's Persepolis experiments with visual witness to frame her personal and historical narrative, and Alison Bechdel's Fun Home meticulously incorporates family documents by hand to re-present the author's past. These five cartoonists move the art of autobiography and graphic storytelling in new directions, particularly through the depiction of sex, gender, and lived experience. Hillary L. Chute explores their verbal and visual techniques, which have transformed autobiographical narrative and contemporary comics. Through the interplay of words and images, and the counterpoint of presence and absence, they express difficult, even traumatic stories while engaging with the workings of memory. Intertwining aesthetics and politics, these women both rewrite and redesign the parameters of acceptable discourse.

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How does an Aboriginal community see itself, its work and its place on the land? Elizabeth Povinelli went to the Belyuen community of northern Australia to show how it draws identity from deep connections between labour, language and the landscape. Her findings challenge Western notions of "productive labour" and long-standing ideas about the role of culture in subsistence economies. In "Labor's Lot", Povinelli shows how everyday activities shape Aboriginal identity and provide cultural meaning. She focuses on the Belyuen women's interactions with the countryside and on Belyuen conflicts with the Australian government over control of local land. Her analysis raises serious questions about the validity of Western theories about labour and culture and their impact on Aboriginal society. Povinelli's focus on women's activities provides an important counterpoint to recent works centering on male roles in hunter-gatherer societies. Her "cultural economy" approach overcomes the dichotomy between the two standard approaches to these studies. "Labor's Lot" should engage anyone interested in indigenous peoples or in the relationship between culture and economy in contemporary social practice.

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This volume provides a comprehensive analysis of the many different facets of the Swiss political system and of the major developments in modern Swiss politics. It brings together a diverse set of more than 50 leading experts in their respective areas, who explore Switzerland's distinctive and sometimes intriguing politics at all levels and across multiple themes. In placing the topics in an international and comparative context and in conversation with the broader scholarly literature, the contributors provide a much-needed counterpoint to the rather idealized and sometimes outdated perception of Swiss politics. The work is divided into thematic sections that represent the inherent diversity of the Swiss political sphere: following a detailed introduction from the editors, the parts of the volume explore foundations, institutions, cantons and municipalities, actors, elections and votes, decision-making processes, and public policies, with a three-chapter epilogue. Throughout, The Oxford Handbook of Swiss Politics presents new arguments, insights, and data, and offers analyses relevant not only to political science but also to international relations, European studies, history, sociology, law, and economics.

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Written by a leading contract lawyer with extensive teaching experience, Contract Law takes a unique approach to a complex subject. Chen-Wishart combines academic rigour with an innovative visual approach, presenting the law with diagrams, flowcharts and tables to provide students with a stimulating account of key principles and an engaging analysis of the complexities of contract law. Thought-provoking analytical features, such as the 'Pause for reflection' and 'Counterpoint' boxes, encourage active and critical engagement with the topics. Digital formats and resources The seventh edition is available for students and institutions to purchase in a variety of formats, and is supported by online resources. · The e-book offers a mobile experience and convenient access along with functionality tools, navigation features and links that offer extra learning support: www.oxfordtextbooks.co.uk/ebooks · The online resources include: animated diagrams; chapters in essence; guidance on answering the questions in the book; bi-annual updates on the latest key developments in contract law; and self-test questions on key topics, with feedback, providing an opportunity for students to test and consolidate their learning.

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More than a century passed after Johann Sebastian Bach's death in 1750 before his music found an audience in the United States. Volume Five in the Bach Perspectives series tracks the composer's reputation in America from obscure artist to a cultural mainstay whose music has spread to all parts of the country. Barbara Owen surveys Bach's early reception in America. Matthew Dirst focuses on John Sullivan Dwight's role in advocating Bach's work. Michael Broyles considers Bach's early impact in Boston while Mary J. Greer offers a counterpoint in her study of Bach's reception in New York. Hans-Joachim Schulze's essay links the American descendants of August Reinhold Bach to the composer. Christoph Wolff also focuses on Bach's descendants in America, particularly Friederica Sophia Bach, the daughter of Bach's eldest son. Peter Wollny evaluates manuscripts not included in Gerhard Herz's study of Bach Sources in America. The volume concludes with Carol K. Baron's comparison of Bach with Charles Ives while Stephen A. Crist measures Bach's influence on the jazz icon Dave Brubeck.

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John Agard has been broadening the canvas of British poetry for the past 40 years with his mischievous, satirical fables which overturn all our expectations. In this new symphonic collection, Travel Light Travel Dark, Agard casts his unique spin on the intermingling strands of British history, and leads us into metaphysical and political waters. Cross-cultural connections are played out in a variety of voices and cadences. Prospero and Caliban have a cricket match encounter, recounted in calypso-inspired rhythms, and in the long poem, Water Music of a Different Kind, the incantatory orchestration of the Atlantic's middle passage becomes a moving counterpoint to Handel's Water Music. Travel Light Travel Dark brings a mythic dimension to the contemporary and opens with a meditation on the enigma of colour. Water often appears as a metaphoric riff within the fabric of the collection, as sugar cane tells its own story in 'Sugar Cane's Saga' and water speaks for itself in a witty debate with wine, inspired by the satirical tradition of the goliards, wandering clerics of the Middle Ages.

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Dibia was educated in Africa, stolen across the sea and sold into slavery. He spent the rest of his life on a sugar plantation, where he worked with Agoüya, drank Aboré’s rum, married Izabelle and had a son named Paul. This book tells the story of the community he lived in with a hundred others in a colonial outpost of the Caribbean. It depicts the everyday life of enslaved Africans and Native Americans in remarkable detail, showing their names, relationships, skills, health and interactions, as they contended with and resisted their enslavement. Most studies of plantation life examine well-established colonies in the century before abolition. This work provides a counterpoint by depicting the founding population of an African-American community in the early years of the industrial sugar plantation complex. Drawing on a planter’s manuscript, shipping records, missionary accounts and seventeenth-century scraps of paper, Dibia’s World will appeal to specialists as well as general readers interested in the early Atlantic world, Creole societies, slavery and African-American history.

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The notion of the “impolitical” developed in this volume draws its meaning from the exhaustion of modernity’s political categories, which have become incapable of giving voice to any genuinely radical perspective. The impolitical is not the opposite of the political but rather its outer limit: the border from which we might glimpse a trajectory away from all forms of political theology and the depoliticizing tendencies of a completed modernity. The book’s reconstruction of the impolitical lineage—which is anything but uniform—begins with the extreme conclusions reached by Carl Schmitt and Romano Guardini in their reflections on the political and then moves through a series of encounters between several great twentieth-century texts: from Hannah Arendt’s On Revolution to Hermann Broch’s The Death of Virgil, to Elias Canetti’s Crowds and Power; from Simone Weil’s The Need for Roots to Georges Bataille’s Sovereignty to Ernst Junger’s An der Zeitmauer. The trail forged by this analysis offers a defiant counterpoint to the modern political lexicon, but at the same time a contribution to our understanding of its categories.

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Passed in 1965 during the height of the Civil Rights movement, the Voting Rights Act (VRA) changed the face of the American electorate, dramatically increasing minority voting, especially in the South. While portions of the Act are permanent, certain provisions were set to expire in 2007. Reauthorization of these provisions passed by a wide margin in the House, and unanimously in the Senate, but the lopsided tally hid a deep and growing conflict. The Most Fundamental Right is an effort to understand the debate over the Act and its role in contemporary American democracy. Is the VRA the cornerstone of civil rights law that prevents unfair voting practices, or is it an anachronism that no longer serves American democracy? Divided into three sections, the book utilizes a point/counterpoint approach. Section 1 explains the legal and political context of the Act, providing important background for what follows; Section 2 pairs three debates concerning specific provisions or applications of the Act; while Section 3 offers commentaries on the previous chapters from attorneys with widely divergent viewpoints.

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How does an Aboriginal community see itself, its work and its place on the land? Elizabeth Povinelli went to the Belyuen community of northern Australia to show how it draws identity from deep connections between labour, language and the landscape. Her findings challenge Western notions of "productive labour" and long-standing ideas about the role of culture in subsistence economies. In "Labor's Lot", Povinelli shows how everyday activities shape Aboriginal identity and provide cultural meaning. She focuses on the Belyuen women's interactions with the countryside and on Belyuen conflicts with the Australian government over control of local land. Her analysis raises serious questions about the validity of Western theories about labour and culture and their impact on Aboriginal society. Povinelli's focus on women's activities provides an important counterpoint to recent works centering on male roles in hunter-gatherer societies. Her "cultural economy" approach overcomes the dichotomy between the two standard approaches to these studies. "Labor's Lot" should engage anyone interested in indigenous peoples or in the relationship between culture and economy in contemporary social practice.

Read more less

Edward Hopper (1882–1967) is something of an American success story, if only his success had come swifter. At the age of 40, he was a failing artist who struggled to sell a single painting. As he approached 80, Time magazine featured him on its cover. Today, Hopper is considered a giant of modern expression, with an uncanny, unforgettable, and utterly distinct sense for mood and place. Much of Hopper's work excavates modern city experience. In canvas after canvas, he depicts diners, cafes, shopfronts, street lights, gas stations, rail stations, and hotel rooms. The scenes are marked by vivid color juxtapositions and stark, theatrical lighting, as well as by harshly contoured figures, who appear at once part of, and alien to, their surroundings. The ambiance throughout his repertoire is of an eerie disquiet, alienation, loneliness and psychological tension, although his rural or coastal scenes can offer a counterpoint of tranquility or optimism. This book presents major works from Hopper's œuvre to introduce a key player not only in American art history but also in the American psyche.

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This JPS ethics series deals with some of the most critical moral issues of our time. Is it OK to be wealthy? How do we know when we have too much? Enough? Is wealth relative? Are those born into wealth entitled to accumulate more money than those born in poorer circumstances? What are we obligated to do with our money? How much are we supposed to give to charity? Can Jewish charitable institutions accept money that may be “tainted”? How big a role should income play in our identity, in our life plan, in our pursuit of happiness? Each volume in this series presents traditional and contemporary sources on specific topics, followed by hypothetical cases and study questions to provoke discussion. Supplementing these are brief essays written by a diverse group—political figures and journalists, business professionals and authors, scholars and artists, young voices and old, traditional believers and iconoclasts. As a conclusion, Dorff and Newman present their own reflections, providing a counterpoint to the contributors’ perspectives. These voices from the Jewish tradition and today's Jewish community give us new questions and perspectives to think about and encourage us to consider our moral choices in a new light.

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Open Secrets identifies an ethos of affirmative reticence and recessive action in Mme de Lafayette's La Princesse de Clèves (1678), Jane Austen's Mansfield Park (1814), and poems by William Wordsworth, Emily Dickinson, and Thomas Hardy. The author argues that these works locate fulfillment not in narrative fruition, but in grace understood both as a simplicity of formal means and a freedom from work, in particular that of self-concealment and self-presentation. Declining the twin pressures of self-actualization and self-denial defining modernity's call to make good on one's talents, the subjects of the "literature of uncounted experience" do nothing so heroic as renounce ambitions of self-expression; they simply set aside the fantasy of the all-responsible subject. The originality of Open Secrets is thus to imagine the non-instrumental without casting it as a heavy ethical burden. Non-appropriation emerges not as what is difficult to do but as the path of least resistance. The book offers a valuable counterpoint to recent anti-Enlightenment revaluations of passivity that have made non-mastery and non-appropriation the fundamental task of the ethical subject.

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This collection of fourteen connected stories and a novella, From the Secret History of Human Abdel Hafez, takes us deep into upper Egypt and the village of Dayrut al-Sharif, in which Mohamed Mustagab was born. To depict a world renowned for its poverty, ignorance, vendettas, and implacable code of honor, Mustagab deploys the black humour and Swiftian sarcasm of the insider who knows his society only too well. When the stillness of a day's end is shattered by a single gunshot, poignant beauty merges seamlessly into horror, and when a police officer seeking to unravel a murder finds himself with more body parts than he knows what to do with, violence tips as easily into farce. In counterpoint, the author's ofte surrealist imagination explores the myserties of a landscape where seductive women haunt dusty paths and a man may find himself crushed like a worm beneath another's foot. Elsewhere, the horizons of 'my village' expand to include other countries (the author worked in the Arabian Peninsula for a number of years), where equally disastrous consequences follow on folly and self-delusion. Previously almost unknown in English, Mustagab's voice is both original and disturbing.

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Stunning photography by acclaimed photographer Michael Clinton Michael Clinton's travels are ones to which many people today aspire, making Globetrotter Diaries an inspiring, informative, and entertaining guide to world travel today After publishing five previous photography books with Glitterati, this is the author's first foray into text-based book publishing and promises to be an excellent counterpoint to his image-based work In an era when the earth is our oyster, Michael Clinton is the premier globetrotter in search of its pearls. Over the course of more than 35 years, Clinton has traveled the seven continents documenting his experiences in photographs. Now, for the first time, Clinton tells it like it is. In Globetrotter Diaries, the author shares with us his adventures, his knowledge, and his witty reminiscences of his life on the road.As the author of five photography books with Glitterati, Clinton is well-versed in the native customs, rituals, and landscapes of the most popular and remote places around the world. This book provides the perfect companion piece to his photographic work. Here Clinton reveals himself as he learns the nature of humanity from its billions of inhabitants who make travel one of life's greatest pastimes.

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Of profound importance in late antiquity, the Sasanian Empire is virtually unknown today, except as a counterpoint to the Roman Empire. In this highly readable history, Touraj Daryaee fills a significant gap in our knowledge of world history. He examines the Sasanians' complex and colourful narrative and demonstrates their unique significance, not only for development of Iranian civilization but also for Roman and Islamic history. The Sasanians were the last of the ancient Persian dynasties and are best known as the pre-eminent practitioners of the Zoroastrian religion. Founded by Ardashir l in 224 CE, the Sasanian Empire was the dominant force in the Middle East for several centuries until its last king, Yazdgerd lll, was defeated by the Muslim Arabs in the seventh century. In this concise yet comprehensive book, Touraj Daryaee provides an unrivalled account of Sasanian Persia. Drawing on extensive new sources, he paints a vivid portrait of Sasanian life and unravels the divergent strands that contributed to the making of this great empire. This new edition includes updated economic and political histories as well as several inscriptions that have been found in recent years.

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As a baby, Simon Gray discovered that he could move his pram while still nestling inside it. 'It was a complete mystery to the adult intelligences, how had he done it, if it was he who had done it, but if not he, who then and why? So the next afternoon they (Mummy and Nanny) planted the pram in the usual spot, and stood over it, watching - the baby lay there smiling or snivelling up at them, until it struck them that they should try observing the baby when unobserved by the baby, and they withdrew behind bushes and trees etc.; and thus witnessed the swaying of the pram, then the juddering of the pram, then its slow, unsteady progress along the path, the movement accompanied by a low humming and keening sound from within that reminded them more of a dog than a human ... "jouncing" was the word they used for it. I was a jouncer therefore.' In the second book of his chronicles of triumph and disaster which started with The Smoking Diaries, Gray intertwined scenes from his adult and his childish self to produce a brilliant and moving counterpoint of life's unsteady progress.

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In The Beekeeper of Sinjar, the acclaimed poet and journalist Dunya Mikhail tells the harrowing stories of women from across Iraq who have managed to escape the clutches of ISIS. Since 2014, ISIS has been persecuting the Yazidi people, killing or enslaving those who won't convert to Islam. These women have lost their families and loved ones, along with everything they've ever known. Dunya Mikhail weaves together the women's tales of endurance and near-impossible escape with the story of her own exile and her dreams for the future of Iraq. In the midst of ISIS's reign of terror and hatred, an unlikely hero has emerged: the Beekeeper. Once a trader selling his mountain honey across the region, when ISIS came to Sinjar he turned his knowledge of the local terrain to another, more dangerous use. Along with a secret network of transporters, helpers, and former bootleggers, Abdullah Shrem smuggles brutalised Yazidi women to safety through the war-torn landscapes of Iraq, Syria, and Eastern Turkey. This powerful work of literary nonfiction offers a counterpoint to ISIS's genocidal extremism: hope, as ordinary people risk torture and death to save the lives of others.

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Charles Burnett's 1977 film, Killer of Sheep is one of the towering classics of African American cinema. As a deliberate counterpoint to popular blaxploitation films of the period, it combines harsh images of the banality of everyday oppression with scenes of lyrical beauty, and depictions of stark realism with flights of comic fancy. From Street to Screen: Charles Burnett's Killer of Sheep is the first book-length collection dedicated to the film and designed to introduce viewers to this still relatively unknown masterpiece. Beginning life as Burnett's master's thesis project in 1973, and shot on a budget of $10,000, Killer of Sheep immediately became a cornerstone of the burgeoning movement in African American film that came to be known variously as the LA School or LA Rebellion. By bringing together a wide variety of material, this volume covers both the politics and aesthetics of the film as well as its deeper social and contextual histories. This expansive and incisive critical companion will serve equally as the perfect starting point and standard reference for all viewers, whether they are already familiar with the film or coming to it for the first time.

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In this influential book on the subject of rhythm, the authors develop a theoretical framework based essentially on a Gestalt approach, viewing rhythmic experience in terms of pattern perception or groupings. Musical examples of increasing complexity are used to provide training in the analysis, performance, and writing of rhythm, with exercises for the student's own work."This is a path-breaking work, important alike to music students and teachers, but it will make profitable reading for performers, too."—New York Times Book Review"When at some future time theories of rhythm . . . are . . . as well understood, and as much discussed as theories of harmony and counterpoint . . . they will rest in no small measure on the foundations laid by Cooper and Meyer in this provocative dissertation on the rhythmic structure of music."—Notes". . . . a significant, courageous and, on the whole, successful attempt to deal with a very controversial and neglected subject. Certainly no one who takes the time to read it will emerge from the experience unchanged or unmoved."—Journal of Music TheoryThe late GROSVENOR W. COOPER, author of Learning to Listen, was professor of music at the University of California at Santa Cruz.

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This best-selling undergraduate textbook from renowned authors Kirsty Horsey & Erika Rackley offers a lively, accessible and thoughtful treatment of all key topics taught on tort law courses, and includes carefully chosen learning features to help students become engaged and critical thinkers. The problem questions in each chapter help students to understand how the law works in its practical context. Carefully chosen features such as 'counterpoint' and 'pause for reflection' boxes enable students to think more deeply and critically about the law. Digital formats and resources: The seventh edition is available for students and institutions to purchase in a variety of formats, and is supported by online resources. The e-book offers a mobile experience and convenient access along with functionality tools, navigation features and links that offer extra learning support: www.oxfordtextbooks.co.uk/ebooks A selection of online resources accompany this text, including: - Outline answers to questions in the book - Annotated links to external web resources and videos - Downloadable annotated case judgments, statutes, and problem questions - Guidance on answering problem and essay questions - Additional content on elements of a claim in the tort of negligence and on product liability

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While we know of Ahriman from Persian mythology, Rudolf Steiner spoke of him as an actual, living spiritual entity. This being, he said, works to embed people firmly into physicality, encouraging dull, materialistic attitudes and a philistine, dry intellect. In these extraordinary lectures Steiner, in rare prophetic mode, talks about an actual incarnation of Ahriman on the earth and the potential consequences. Just as Christ incarnated in a physical body, so would Ahriman incarnate in the Western world - before 'a part' of the third millennium had passed. Steiner places this incarnation in the context of a 'cosmic triad' - Lucifer, Christ and Ahriman. Ahriman will incarnate as a counterpoint to the physical incarnation of Lucifer in the East in the third millennium BC, with the incarnation of Jesus Christ in Palestine as the balancing point between the two. Over the period during which Steiner developed anthroposophy - a speaking career that spanned two decades and more than six thousand lectures - he referred to the idea of Ahriman's incarnation only six times. These six lectures, together with an additional supporting excerpt, are reproduced in their entirety, and under one cover, for the first time.

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Buzzie and the Bull chronicles a baseball year in the lives of two lifelong friends who couldn’t be more different: Buzzie Bavasi, the legendary general manager of the Brooklyn and Los Angeles Dodgers, and Al “the Bull” Ferrara, bon vivant and bench player. Their 1965 baseball journey encompassed a thrilling pennant race settled on the final day of the season, a city engulfed in flames, a perfect game, and a GM who extolled his friend the Bull as a hero in May and then banished him from the team in July. Over seventeen years, Bavasi’s teams won eight pennants and four World Series titles. His approach deserves review, and his friendship with Ferrara illustrates the ground on which he staked his baseball career. The summer of 1965 proved Bavasi’s thesis that champions are built on players with one core characteristic: nerves of steel. A look at the partnership of a general manager who valued fearlessness above all else and a player who loved living on the edge, Buzzie and the Bull offers a counterpoint to today’s focus on advanced statistical analysis that may be crowding out the important work of discovering a player’s unique human qualities: the intangibles.

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