Search results for ""counterpoint""

New to Penguin Classics, the remarkable, devastating collected stories by the author of Wide Sargasso Sea.Some of Jean Rhys's most powerful writing is to be found in this rich, dark collection of her collected stories. Her fictional world is haunted by her own, painful memories: of cheap hotels and drab Parisian cafés; of devastating love affairs; of her childhood in Dominica; of drifting through European cities, always on the periphery and always perilously close to the abyss. Rendered in extraordinarily vivid, honest prose, these stories show Rhys at the height of her literary powers and offer a fascinating counterpoint to her most famous novel, Wide Sargasso Sea. This volume includes all the stories from her three collections,The Left Bank (1927), Tigers Are Better-Looking (1968) and Sleep It Off, Lady (1976).

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The introduction by Merold Westphal sets the scene: "Two books, two visions of philosophy, two friends and sometimes colleagues...". Modernity and Its Discontents is a debate between Caputo and Marsh in which each upheld their opposing philosphical positions by critical modernism and post-modernism. The book opens with a critique of each debater of the other's previous work. With its passionate point-counterpoint form, the book recalls the philosphical dialogues of classical times, but the writing style remains lucid and uncluttered. Taking the failure of Englightenment ideals as their common ground, the debaters challenge each other's ideas on the nature of post-foundationalist critique. At the core of the argument lies the timely question of the role that each person can play in creating a truly humane society.

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W. A. Mathieu, an accomplished author and recording artist, presents a way of learning music that reconnects modern-day musicians with the source from which music was originally generated. As the author states, ""The rules of music--including counterpoint and harmony--were not formed in our brains but in the resonance chambers of our bodies."" His theory of music reconciles the ancient harmonic system of just intonation with the modern system of twelve-tone temperament. Saying that the way we think music is far from the way we do music, Mathieu explains why certain combinations of sounds are experienced by the listener as harmonious. His prose often resembles the rhythms and cadences of music itself, and his many musical examples allow readers to discover their own musical responses.

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What if Beethoven had travelled to the United States? Taking up a commission to write a Biblical oratorio for Boston's Handel and Haydn Society?As Mr. Beethoven wrestles with his librettist and his muse, he comes to rely on two women. Thankful, who conducts his conversations using Martha's Vineyard sign language, and a kindred spirit: Mrs. Hill. Meanwhile all Boston waits in anxious expectation of a first performance Mr. Beethoven will never hear. Variously admonishing the amateur music society and laughing in the company of his hosts' children, the immortal composer is brought back to the fullness of life. Griffiths invents only what is strictly possible. His historiography weaves through the text in counterpoint, making this also a story about the fragility of the past and the remaining traces of the man: Mr. Beethoven.

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Describes the development of one of the first cohousing communities in the U.S. offering a social understanding of its commons. Cohousing, a form of communal living that clusters around shared common space, began about a half century ago in Denmark. We Built a Village describes the process of planning and building of an early cohousing community in Cambridge, Massachusetts, and the way the people involved simultaneously built their homes and their social structure. As both a memoir and a sociological analysis that probes the differences between commons and markets, it is unique among books about cohousing. When this group of people began in the late 1990s to construct their cohousing community, they set in motion a counterpoint between the physical spaces and the social configurations that would guide their lives together, even up to creative responses to the recent pandemic.

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One of the greatest French novelists, Balzac was also an accomplished writer of shorter fiction. This volume includes twelve of his finest short stories - many of which feature characters from his epic series of novels the Comédie Humaine. Compelling tales of acute social and psychological insight, they fully demonstrate the mastery of suspense and revelation that were the hallmarks of Balzac's genius. In The Atheist's Mass, we learn the true reason for a distinguished atheist surgeon's attendance at religious services; La Grande Breteche describes the horrific truth behind the locked doors of a decaying country mansion, while The Red Inn relates a brutal tale of murder and betrayal. A fascinating counterpoint to the renowned novels, all the stories collected here stand by themselves as mesmerizing works by one of the finest writers of nineteenth-century France.

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Describes the development of one of the first cohousing communities in the U.S. offering a social understanding of its commons. Cohousing, a form of communal living that clusters around shared common space, began about a half century ago in Denmark. We Built a Village describes the process of planning and building of an early cohousing community in Cambridge, Massachusetts, and the way the people involved simultaneously built their homes and their social structure. As both a memoir and a sociological analysis that probes the differences between commons and markets, it is unique among books about cohousing. When this group of people began in the late 1990s to construct their cohousing community, they set in motion a counterpoint between the physical spaces and the social configurations that would guide their lives together, even up to creative responses to the recent pandemic.

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The most ambitious narrative of nineteenth-century realism, Middlemarch tells the story of an entire town in the years leading up to the Reform Bill of 1832, a time when modern methods were starting to challenge old orthodoxies. Eliot's sophisticated and acute characterization gives rich expression to every nuance of feeling, and vividly brings to life the town's inhabitants - including the young idealist Dorothea Brooke, the dry scholar Casaubon, the young, passionate reformist doctor Lydgate, the flighty young beauty Rosamond and the old, secretive banker Bulstrode - as they move in counterpoint to each other. Art, religion, politics, society, science, human relationships in all their complexity, nothing is left unexamined under the narrator's microscope. One of the greatest novels written in the English language, Middlemarch is a literary landmark in its groundbreaking approach, as well as a priceless document of its age.

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North of El Norte provides an important counterpoint to the attention given to Mexican migration to the United States by examining a lesser-known migration route: that taken by contemporary Mexican migrants to Canada.Paloma Villegas considers changing Canadian immigration policy and practice, and the implications of these changes for Mexican migrants without permanent resident status. Her analysis addresses the context in Mexico, the experience of border crossing, policies to restrict migration, and migrants'' options to achieve secure status. Villegas also provides an assessment of the barriers migrants encounter once in Canada, specifically in the labour market, in their creative pursuits, and in accessing health care.Drawing on interviews, policy documents, media accounts, and literature from local social service organizations, North of El Norte concludes that migration and by extension migrant illegalization is assembled, produced, and negotiate

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Short Preludes, Fugues and Fughettas is a new Urtext edition of this crucial educational keyboard repertoire by the renowned Bach scholar Christoph Wolff (former Director of the Bach Archive Leipzig). It contains 32 pieces, organized chronologically, mostly originating from the collections that Johann Sebastian Bach made for the instruction of his own children. They are ideal for elementary pianists to develop an understanding of counterpoint and musical form. Includes a new completion, by Robert Levin, of Praeludium in E minor. The edition extends, with nine additional pieces, and revises the classic Edition Peters publication of Bach's Short Preludes and Fugues.Mit den Kleinen Präludien, Fugen und Fughetten legt der renommierte Bach-Forscher Christoph Wolff (ehemaliger Direktor des Bach-Archivs Leipzig) eine neue Urtextausgabe dieses grundlegenden pädagogischen Repertoires für Klavier vor. Die 32 enthaltenen Stücke sind chronologisch

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Swim Until You Can’t See Land charts the relationship between two women born sixty years apart, whose chance encounter marks a watershed for the younger woman. In her early twenties, Hannah Wright is forced to give up a promising career as a professional swimmer, and is adjusting with difficulty to her narrowed horizons. She is in danger of becoming embittered, haunted by a lost future. Mariele may now be frail and old, but as her exploits during WW2 unfold, she is revealed as a woman of extraordinary spirit, unbroken by capture and interrogation as an agent in occupied France. Hannah’s delight in the medium of water and the rhythms of swimming are set in dramatic counterpoint to Mariele’s of torture by water, an ordeal that puts her in touch with her core strength – something Hannah starts to discover in herself.

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The use of instrumental neutron activation analysis (INAA) in ceramic research in the American Southwest has become widespread over the last ten years. This volume presents case studies of Southwestern ceramic production and distribution in which INAA is used as the primary analytical technique. These studies use provenance determination to explore such issues as exchange, migration, social identity, and economic organization. Case studies from the Southwestern periphery provide a comparative perspective from which to view the range of variation in Southwestern ceramic circulation patterns. Several of the case studies use mineralogical approaches to supplement chemical sourcing data. And, a case study using petrographic analyses provides a counterpoint to the emphasis on chemical approaches (INAA) in this volume. This volume documents the cumulative contribution of INAA-based ceramic characterization to knowledge of the prehistory of the Southwest.

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As seen in The Paris Review, The Art Newspaper, and Whitehot Magazine The most comprehensive survey of the celebrated Dutch artist Michael Raedecker’s work spanning his 30-year career Michael Raedecker, the acclaimed Dutch artist, records the memories held within spaces and objects in his enigmatic and dream-like paintings. Suburban homes, tree houses, and empty rooms and vacant chairs, all float in haunting isolation. Muted hues are penetrated with thread and needle where the artist hand-sews forms into textural materiality. Since the beginning of his career as a painter, Raedecker has incorporated embroidery into his works as a visual counterpoint to his washed-out paint application. This survey of his work, designed by the acclaimed Dutch graphic designer, Irma Boom, is the most comprehensive published to date, featuring essays by a unique and diverse group of critics, curators, artists, and academics.

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When the full abolition of slavery appeared on the political agenda in the Atlantic world the institutional arrangements that underpinned the peculiar institution changed dramatically. Although many have studied these transformations, their urban dimension has remained underappreciated. The contributions to this volume offer an in-depth look at cities in the British and French Caribbean, the United States, West-Central Africa, Brazil, and South Africa. Rather than treating urban slavery as a more benign counterpoint to the brutal plantation complex, the articles explore how cities were part and parcel of slave societies and demonstrate how methods of control as well as routes to emancipation changed in the century before emancipation. Urban slavery has greatly impacted urban landscapes and its legacy as well as practices of remembrance and memorialization can be found in many former slave societies.

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"Spiegelman's drawings are like demonic woodcuts: every angle, line, and curve jumps out at you. Stylishness and brutishness are in perfect accord." - The New York Times Art Spiegelman's sinister and witty black-and-white drawings give charged new life to Joseph Moncure March's Wild Party, a lost classic from 1928. The inventive and varied page designs offer perfect counterpoint to the staccato tempo of this hard-boiled jazz-age tragedy told in syncopated rhyming couplets. Here is a poem that can make even readers with no time for poetry stop dead in their tracks. Once read, large shards of this story of one night of debauchery will become permanently lodged in the brain. When The Wild Party was first published, Louis Untermeyer declared: "It is repulsive and fascinating, vicious and vivacious, uncompromising, unashamed . . . and unremittingly powerful. It is an amazing tour de force."

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Asian Economies in Transition analyses and evaluates the experience of the eleven Asian economies undertaking the transition from central planning to a more market-oriented approach.China, Indochina, Mongolia, Azerbaijan and the Central Asian Republics are the focus of Richard Pomfret's book which begins with a detailed discussion of the Chinese model of transition highlighting its failures as well as its successes. Vietnam's experience, while offering the closest parallel to China's reform strategy, is shown by the author to contain more explicit macroeconomic policy reforms and greater practical attention to the problem of inefficient state enterprises. Dr Pomfret also discusses the less happy experience of the Asian republics of the former Soviet Union, the break-up of the rouble zone, and the interesting counterpoint provided by the Mongolian economy. The Tumen River project is also examined as an example of cooperation between reformed and non-reformed Socialist economies.

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Focusing on the 1990 Iraqi invasion of Kuwait, Hamdi Hassan offers a balanced examination of the motivation of the Iraqi polity and the conditions which accelerated and facilitated the decision to invade. Critical of the traditional approach of most Middle East studies, The Iraqi Invasion of Kuwait offers a counterpoint to Western interpretations of this key event in the contemporary history of the Middle East. Hassan examines how Saddam Hussein assessed and responded to American and Israeli intentions after the invasion, the reaction of other Arab states, and the unprecedented grassroots support for the Iraqi leadership. In this context, the author examines the social structure of Iraqi society - families, clans and regional alliances - and the importance of Ba'athism. Hassan also examines the political structure of the country, relating the identity of Arabism - the religion and language which is associated closely with the Pan Arabist ideals - to Iraqi foreign policy.

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" . . . one of those rare publications which succeeds equally as a scholarly edition for study and as a practical edition for performance." —Musick" . . . a clear, easily grasped transcription of this work, suitable for performance or study." —Notes" . . . a clear rendition of the original notation into its modern counterpart. . . . Houle has produced an edition that is a model of scholarship and performance clarity and is of value to any musician, scholar or performer, who wishes to acquire familiarity and experience with 15th-century contrapuntal style." —American RecorderThis is the first comprehensive edition of Ockeghem's "mass in any mode," which has fascinated musicians, historians, and theorists since the fifteenth century. Missa cuiusvis toni offers singers brilliant counterpoint, a masterful exercise in solmization, and experience in musica ficta. The singers' parts appear in mensural notation, but Houle also provides full scores and parts in modern notation for the Phrygian, Mixolydian, Lydian, and Dorian modes.

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A 2nd Edition of this incredibly popular revision guide, this portable-sized book is ideal for consolidating knowledge both at home for revision, and at school as a lesson-by-lesson summary as the course progresses. // AO1 Description on the left-hand page: content divided into six points for six AO1 marks in extended writing questions. // AO3 Evaluation is on the right-hand page: three AO3 points plus counterpoint and extra evaluation (discussion) point. // Exam practice questions, including AO2 application questions, are on every spread providing lots of practice. // Research studies have been simplified to help revise and recall the information. // Detailed exam advice section is included, with hints and tips offered throughout the book. // Lots of illustrations and the odd corny joke help make it very user-friendly! // It combines brilliantly with the 'Green-hair Girl' 2nd Edition Flashbook as well as the original (and still completely relevant) Revision App.

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Sartre and Foucault were two of the most prominent and at times mutually antagonistic philosophical figures of the twentieth century. And nowhere are the antithetical natures of their existentialist and poststructuralist philosophies more apparent than in their disparate approaches to historical understanding. A history, thought Foucault, should be a kind of map, a comparative charting of structural transformations and displacements. But for Sartre, authentic historical understanding demanded a much more personal and committed narrative, a kind of interpretive diary of moral choices and risks compelled by critical necessity and an exacting reality. Sartre's history, a rational history of individual lives and their intrinsic social worlds, was in essence immersed in biography. In Volume One of this authoritative two-volume work, Thomas R. Flynn conducts a pivotal and comprehensive reconstruction of Sartrean historical theory, and provocatively anticipates the Foucauldian counterpoint to come in Volume Two.

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The publication of "Short Stories 1895-1926" celebrates the fiftieth anniversary of Walter de la Mare's death. It is also the culmination of a major literary enterprise. For many people Walter de la Mare (1873-1956) is as great a writer of fiction as of poetry. But the majority of his short stories, of which there are a hundred, have long been unavailable. "Short Stories" brings them all together in three volumes in the first comprehensive collection to be published. De la Mare's earliest published works were stories, and he continued writing and rewriting stories throughout the rest of his life. There was always a creative counterpoint between the themes and imagery of his prose and his poetry - such as the dream, childhood, the house, night, love lost and regained, solitude and the traveller. A full understanding of either is impossible without knowledge of both.

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From the outwash plains of Brooklyn to Indiana''s drifted diamonds and gold In Suspect Terrain is a narrative of the earth, told in four sections of equal length, each in a different way reflecting the three othersa biography; a set piece about a fragment of Appalachian landscape in illuminating counterpoint to the human history there; a modern collision of ideas about the origins of the mountain range; and, in contrast, a century-old collision of ideas about the existence of the Ice Age. The central figure is Anita Harris, an internationally celebrated geologist who went into her profession to get out of a Brooklyn ghetto. The unifying theme is plate tectonicshere concentrating on the acceptance that all aspects of the theory do not universally enjoy. As such, In Suspect Terrain is a report from the rough spots at the front edge of a science.

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A significant contribution to our understanding of the varied experience of women in the Islamic Middle East, Tournaments of Value gives a careful description of a world of female socializing, and the velocity, energy, and elaborateness of this remarkable female social world. Meneley's data challenges assumptions about the cross-cultural validity of a division between household and community, between domestic and public domains. She demonstrates the fluidity of social life, the shifting nature of community organization, and in doing so provides a welcome counterpoint to more rigid formulations of Middle Eastern social structure usually expressed in ethnographies. Tournaments of Value incorporates vignettes to illustrate more analytical points and to enliven the text, allowing the reader to enter fully into the rich world of Zabid in Yemen. This expanded 20th anniversary edition introduces this seminal work on Middle Eastern ethnography and women's studies to a new generation of readers.

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Available in English for the first time, Prosdocimo's Tractatus plane musice (1412) and Tractatus musice speculative (1425) are exemplary texts for understanding the high sophistication of music theory in the early fifteenth century. Known for considering music as a science based on demonstrable mathematical principles, Prosdocimo praises Marchetto for his theory of plainchant but criticizes his influential Lucidarium for its heterodox mathematics. In dismissing Marchetto as a “mere performer,” Prosdocimo takes up matters as broad as the nature and definition of music and as precise as counterpoint, tuning, and ecclesiastical modes. The treatises also reveal much about Prosdocimo’s understanding of plainchant; his work with Euclid's Elementa; and his familiarity with the music theory of Boethius, Macrobius, and Johannes de Muris. A foremost authority on Italian music theory of the Middle Ages and early Renaissance, Jan Herlinger consults manuscripts from Bologna, Cremona, and Lucca in preparing these valuable first critical editions.

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Friedrich Nietzsche was immensely influential and, counter to most expectations, also very well read. An essential new reference tool for those interested in his thinking, Nietzsche’s Philosophical Context identifies the chronology and huge range of philosophical books that engaged him. Rigorously examining the scope of this reading, Thomas H. Brobjer consulted over two thousand volumes in Nietzsche’s personal library, as well as his book bills, library records, journals, letters, and publications. This meticulous investigation also considers many of the annotations in his books. In arguing that Nietzsche’s reading often constituted the starting point for, or counterpoint to, much of his own thinking and writing, Brobjer’s study provides scholars with fresh insight into how Nietzsche worked and thought; to which questions and thinkers he responded; and by which of them he was influenced. The result is a new and much more contextual understanding of Nietzsche's life and thinking.

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Looking at the newspaper clipping from 1870 to 1930 in art and science, this study examines knowledge production and its visual and material background, combining the perspectives of media history with art history and the history of science. It traces the biography of a newspaper clipping in different fields, ranging from highly sophisticated ordering systems in the sciences, to bureaucratic archives, to their appearance in the collages of the Dadaists. Te Heesen emphasises the materiality of paper and analyses the practices connected with it, placing them and their instruments and tools within a theoretical framework. This history also sheds light on the handling of information, information overload and the generation of knowledge, drawing parallels with the internet. Te Heesen offers a counterpoint to existing works on the iconographic meaning of materials by opening up an interdisciplinary framework through the use of different case studies.

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Through a radical rereading of Aristotle, Seneca, Thomas Hobbes, Sarah Fielding, and Judith Butler, among others, Daniel Gross' "The Secret History of Emotion" reveals a persistent intellectual current that considers emotions as psychosocial phenomena. The Roman Stoics, for instance, offer insight into the reasons why political passions are distributed to some people but not to others. Contemporary theorists such as Judith Butler, meanwhile, explain to us how psyches are shaped by power. To supplement his argument, Gross also provides a history and critique of the dominant modern view of emotions, expressed in Darwinism and neurobiology, in which they are considered organic, personal feelings independent of social circumstances. The result is a convincing work that rescues the study of the passions from science and returns it to the humanities and the art of rhetoric. "The Secret History of Emotion" offers a counterpoint to the way we generally understand emotions today.

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Shifts across the corpus of international law have brought the international legal system into a closer alignment with the interests of the individual. This has led to a great and growing interest in the roles and status of individuals in international law, and provided new impulses for debate. The Individual in International Law is an exploration of what is described as the humanisation of international law. It examines how international law has accommodated individuals, and how individual status, rights, and obligations have become denser and more important in the international legal system. Split into two parts, the book analyses the humanisation of international law in different historical periods and from various theoretical perspectives. The first part focuses on the historical evolution of international law, exploring how the interests of individuals have shaped the development of the legal system from antiquity to 1945, providing a counterpoint to State-centric readings of inte

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"When I get old, I hope to have friends as awesome as these. This is an absolutely feel good novel. Naturally, our intrepid characters, wattles and all, undergo all sorts of trials, but it's the compassion and generosity they exhibit that endears the reader." —Sam Sanders, via NetGalley Zany families, eccentric friends, and ne-er-do-well neighbors inhabit the labyrinthine lives of three women friends as they grapple with real world events in one "Golden Year." An unwelcome visit from local law enforcement, a younger friend's romantic chaos, and the death of a parent combine with daily mundanities—laundry, scones, and senior sex—to create a walloping, raucous read. Opinionated pets—critics and alter egos—offer a rich counterpoint to the human dramas affecting their lives. Unfiltered and compelling, this entertaining sago provides readers of all ages with a new and positive view of growing older.

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What did Jesus really say about divorce and remarriage? Challenging the evangelical near-consensus that Jesus permitted divorce and remarriage in certain circumstances, Gordon Wenham argues that while Jesus permitted separation in cases of sexual immorality, he did not permit divorce and remarriage. Presenting a revisitation and expansion of several decades of thought and debate on the topic, Wenham builds his case from a close reading of Jesus' teaching in the Gospels, showing how his teaching pushed against the culture of his day. In addition, Wenham brings in insights from ancient Near Eastern marriage laws, the Old Testament, the writings of Paul, and the earliest Christian interpreters of the Gospel divorce texts. Readers will be challenged by a careful biblical argument that provides a counterpoint to the majority view. No study on divorce and remarriage will be complete without considering Jesus, Divorce, and Remarriage.

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In this book, faith leaders, scholars and activists from around the globe provide their perspective on faith and abortion. They reflect on examples of faith organisations which have provided leadership on the issue as well as examining religious approaches from Buddhist, Christian, Jewish, Muslim and interfaith perspectives. Challenging the assumption that all people of faith are anti-abortion, this book provides a counterpoint to right-wing faith perspectives and outlines how faith communities reimagine abortion as an issue of social, pastoral and theological concern. Providing perspectives from the global North and South, it includes settings where abortion is legal, and where it is restricted, and settings where abortion stigma is ever-present to settings where abortion is normalised. It also demonstrates the complex connections between faith and abortion, how women and pregnant people are positioned in society and how morality is claimed and challenged.

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A 2nd Edition of this incredibly popular revision guide, this portable-sized book is ideal for consolidating knowledge both at home for revision, and at school as a lesson-by-lesson summary as the course progresses. // AO1 Description on the left-hand page: content divided into six points for six AO1 marks in extended writing questions. // AO3 Evaluation is on the right-hand page: three AO3 points plus counterpoint and extra evaluation (discussion) point. // Exam practice questions, including AO2 application questions, are on every spread providing lots of practice. // Research studies have been simplified to help revise and recall the information. // Detailed exam advice section is included, with hints and tips offered throughout the book. // Lots of illustrations and the odd corny joke help make it very user-friendly! // It combines brilliantly with the 'Pink-hair Girl' 2nd Edition Flashbook as well as the original (and still completely relevant) Revision App.

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This fascinating book begins with a new definition of the gangster film and a challenging exploration of the Hong Kong and Hollywood screen traditions. Illuminates the way gangster films deal with the ambiguities of modern life, correcting the notion that this genre is inconsequential sensationalism Contends that both American and Hong Kong gangster films are against-the-grain reactions to the central fable of modern democracies that promise immigrant (and other) outsiders that they can become social insiders Clarifies crucial and fascinating differences between American and Hong Kong approaches to enjoining the discussion of immigrant histories by placing them in counterpoint with each other Draws on a range of American films, ranging from Public Enemy and Scarface to Gangs of New York, Goodfellas, and The Godfather Explores a number of Hong Kong's 21st century gangster films, including Andrew Lau's great trilogy, Infernal Affairs, and Election and Election 2, directed by Hong Kong auteur Johnnie To Concludes with an exclusive interview with The Sopranos' creator, David Chase

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Paul Hoover’s The Novel is a booklength poem written in response to the author’s experience of having his first novel, Saigon, Illinois (Vintage, 1988), published after a mere six months in the making. Hoover examines the privilege of the novelist from the poet’s point of view, asking in both astonishment and disappointment: why is the novelist at once the most lordly and common of authors? A mosaic in organization, the poem’s thirty parts mix, among others, Shakespeare and deconstructionist “shoptalk” with an account of Graceland when Elvis was alive and a gloss of the mass-market paperback of James M. Cain’s The Enchanted Isle, whose heroine Mandy appears in the poem as the fictive author’s lover. The Novel presents no dichotomy between pop culture and the intensely literary, resisting closure by replicating the counterpoint speed of obsessive TV channel-changing. “The closer the look one takes at a world/the greater the distance from which it looks back.”

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The Chronicle of Ibn al-Athir (1160-1233 AD), entitled "al-Kamil fi'l-Ta'rikh", is one of the outstanding sources for the history of the mediaeval world. It covers the whole sweep of Islamic history almost up to the death of its author and, with the sources available to him, he attempted to embrace the widest geographical spread; events in Iraq, Iran and further East run in counterpoint with those involving North Africa and Spain. From the time of the arrival of the Crusaders in the Levant, their activities and the Muslim response become the focus of the work. While continuing with the aim of comprehensive coverage, the years in this part are dominated by the careers of Nur al-Din and Saladin, the champions of the Jihad, sometimes called the 'counter-crusade'. Of special interest is the historian's partiality for the House of the former, and his perceived hostility to Saladin.

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The Chronicle of Ibn al-Athir (1160-1233AD), entitled "al-Kamil fi'l-Ta'rikh", is one of the outstanding sources for the history of the mediaeval world. It covers the whole sweep of Islamic history almost up to the death of its author and, with the sources available to him, he attempted to embrace the widest geographical spread; events in Iraq, Iran and further East run in counterpoint with those involving North Africa and Spain. From the time of the arrival of the Crusaders in the Levant, their activities and the Muslim response become the focus of the work. A significant portion of this third part deals with the internal rivalries of the Ayyubid successors of Saladin, their changing relations with the Crusader states and in particular the events of the Damietta Crusade. As always, these events are portrayed against the wider background, with considerable emphasis on events in the eastern Islamic world, the fortunes of the Khwarazm Shahs and the first incursions of the Mongols.

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Emile Durkheim, along with Karl Marx and Max Weber, is one of the three 'founding fathers of sociology'. This is the first book to situate his sociology in the context of his republican politics, freeing his ideas from more conventional studies and allowing the reader to see his ideas afresh. This critical introduction argues that Durkheim's defence of Republican France in the 1890s had a considerable influence on his sociology, which cannot be fully understood when removed from its historical and political context. His dismissal of economic factors in suicide rates, the influence of his anti-feminist position on his findings on marriage rates, and the idealism behind his claim that religion is the key determinant in shaping society are all discussed. Through analysing his writings, including The Division of Labour in Society, Suicide and The Elementary Forms of Religious Life, this book provides a fascinating, critical counterpoint to the existing works on this key figure of sociology.

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This concise, up-to-date, and accessible discussion of the existence of God is presented as a point/counterpoint debate: Craig argues for God's existence and Sinnott-Armstrong argues against it. Employing common language and concrete examples, the authors formulate their arguments in light of recent developments in science, religion, and philosophy. Avoiding overly esoteric arguments, they directly address the issues that concern non-specialists who are wondering about God, such as religious experience, the Bible, evil, eternity, the origin of the universe, design, and the supposed connection between morality and the existence of God. By assuming a traditional concept of God in their discussion, the authors ensure that they are truly addressing each other's viewpoints and engaging in a disagreement over a unified issue. The book is composed of six chapters that alternate between Craig and Sinnott-Armstrong, so that each separate point can be discussed as it arises. This lively and direct dialogue will stimulate students regardless of whether or not they believe in God.

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Inside an apartment building on the outskirts of Milan, the working-class residents gossip, quarrel, and conspire against each other. Viewed through the eyes of Chino, an impressionable thirteen-year-old boy whose mother is the doorwoman of the building, the world contained within these walls is tiny, hypocritical, and mean-spirited: a constant struggle. Chino finds escape in reading.One day, a new resident, Amelia Lynd, moves in and quickly becomes an unlikely companion and a formative influence on Chino. Ms. Lynd—an elderly, erudite British woman—comes to nurture his taste in literature, introduces him to the life of the mind, and offers a counterpoint to the only version of reality that he’s known. On one level, Lost Words is an engrossing coming-of-age tale set in the seventies, when Italy was going through tumultuous social changes, and on another, it is a powerful meditation on language, literature, and culture.

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In Modernity and Its Other Robert Woods Sayre examines eighteenth-century North America through discussion of texts drawn from the period. He focuses on this unique historical moment when early capitalist civilization (modernity) in colonial societies, especially the British, interacted closely with Indigenous communities (the “Other”) before the balance of power shifted definitively toward the colonizers. Sayre considers a variety of French perspectives as a counterpoint to the Anglo-American lens, including J. Hector St. John de Crèvecoeur and Philip Freneau, as well as both Anglo-American and French or French Canadian travelers in “Indian territory,” including William Bartram, Jonathan Carver, John Lawson, Alexander Mackenzie, Baron de Lahontan, Pierre Charlevoix, and Jean-Baptiste Trudeau. Modernity and Its Other is an important addition to any North American historian’s bookshelf, for it brings together the social history of the European colonies and the ethnohistory of the American Indian peoples who interacted with the colonizers.

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North of El Norte provides an important counterpoint to the attention given to Mexican migration to the United States by examining a lesser-known migration route: that taken by contemporary Mexican migrants to Canada.Paloma Villegas considers changing Canadian immigration policy and practice, and the implications of these changes for Mexican migrants without permanent resident status. Her analysis addresses the context in Mexico, the experience of border crossing, policies to restrict migration, and migrants' options to achieve secure status. Villegas also provides an assessment of the barriers migrants encounter once in Canada, specifically in the labour market, in their creative pursuits, and in accessing health care.Drawing on interviews, policy documents, media accounts, and literature from local social service organizations, North of El Norte concludes that migration – and by extension migrant illegalization – is assembled, produced, and negotiated. The comprehensive research in this book sheds light on how individuals and institutions work to illegalize migrants and on migrants' active resistance to these efforts.

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Digital technologies are a key feature of contemporary education. Schools, colleges and universities operate along high-tech lines, while alternate forms of online education have emerged to challenge the dominance of traditional institutions. According to many experts, the rapid digitization of education over the past ten years has undoubtedly been a ‘good thing’. Is Technology Good For Education? offers a critical counterpoint to this received wisdom, challenging some of the central ways in which digital technology is presumed to be positively affecting education. Instead Neil Selwyn considers what is being lost as digital technologies become ever more integral to education provision and engagement. Crucially, he questions the values, agendas and interests that stand to gain most from the rise of digital education. This concise, up-to-the-minute analysis concludes by considering alternate approaches that might be capable of rescuing and perhaps revitalizing the ideals of public education, while not denying the possibilities of digital technology altogether.

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Acclaimed composer, sought-after conductor, esteemed educator, tireless advocate for the arts--Tania León’s achievements encompass but also stretch far beyond contemporary classical music. Alejandro L. Madrid draws on oral history, archival work, and ethnography to offer the first in-depth biography of the artist. Breaking from a chronological account, Madrid looks at León through the issues that have informed and defined moments in her life and her professional works. León’s words become a starting ground--but also a counterpoint--to the accounts of the people in her orbit. What emerges is more than an extraordinary portrait of an artist's journey. It is a story of how a human being reacts to the challenges thrown at her by history itself, be it the Cuban revolution or the struggle for civil and individual rights. Nuanced and multifaceted, Tania León's Stride looks at the life, legacy, and milieu that created and sustained one of the most important figures in American classical music.

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Hove, west of its immediate neighbour Brighton, was a small fishing village on the Sussex coast until its development in the early nineteenth century as a fashionable seaside resort for wealthy Londoners following the patronage of the prince regent, later George IV. Elegant Regency estates and large Victorian mansions were built in Hove, most of which survive today, albeit as flats, and the town is also characterised by the wide boulevards and avenues laid down in that era. Sussex Cricket Club made Hove its home, as did Brighton & Hove Albion FC until it relocated in the 1990s. Hove has always retained its separate identity to Brighton, and today is proud to be a counterpoint to its neighbour. Hove: The Postcard Collection takes the reader on an evocative journey into Hove’s past through a selection of old postcards that offer a fascinating window into the history of this historic town in east Sussex.

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Paul Ricoeur's reception in Old Testament biblical studies is eclectic to this day. Martina Weingärtner sets a counterpoint to this and works out the application of his hermeneutics in dialogue with Old Testament exegesis. The achievement of the synthesis consists in bundling the reflections of Ricur and translating them into a methodology of text comprehension that recognizes the proprium of biblical texts. The analysis (explanation) of the episode of the lentil dish (Gen 25.29-34) forms the starting point of the study. In a constructive expansion of historical-critical methodology, the interpretation (understanding) aims to perceive this narrative as a meaningful story and its existential function. In this way, the author can present new findings compared to previous exegeses, which refrain from an Esau concentration and its negative assessment. Reading the sales episode as a guilty tale opens up a deeper theological interpretation of a text that has been neglected in this regard.

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With an introduction by Virginia Nicholson Saturday 2 February 1918. The first walk we've had for ever so long. Damp, mild vaporous day. Funeral bells tolling as we went out, & marriage as we came in. The streets lined with people waiting their meat. Aeroplanes droning invisible. Our usual evening, alone happily, knee deep in papers. This diary begins in January 1915. Virginia Woolf was about to publish her first novel, The Voyage Out. By the end of 1919 she had published many essays and reviews, as well as a second novel, Night and Day. Her diary was the counterpoint to that public writing: here she could record details of daily life, think about friends and reading, writing and her state of mind. This diary offers a unique insight into the life and mind of one of Britain's most influential writers, and the circle she was part of which came to be known as Bloomsbury. This new Granta edition includes Woolf's 'Asheham Diary' for the first time.

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In Selfish Libertarians and Socialist Conservatives?, Nathan W. Schlueter and Nikolai G. Wenzel present a lively debate over the essential questions that divide two competing political philosophies. Wenzel—a libertarian who believes the state should be restricted to protecting life, liberty, and property—and Schlueter—a conservative who thinks the state has a larger role to play in protecting public welfare, safety, and morals—explore the fundamental similarities and differences between their respective positions. Over a series of point-counterpoint chapters, they lay out the essential tenets of their own stances, critiquing the other. This engaging dialogue introduces readers to the foundations of each political philosophy. To vividly illustrate the diverging principles underlying conservatism and libertarianism, the authors explore three different hot-button case studies: marriage, immigration, and education. Compact, accessible, and complete with suggestions for further reading, Selfish Libertarians and Socialist Conservatives? is an ideal teaching tool that places these two political perspectives in fruitful dialogue with one another.

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Digital technologies are a key feature of contemporary education. Schools, colleges and universities operate along high-tech lines, while alternate forms of online education have emerged to challenge the dominance of traditional institutions. According to many experts, the rapid digitization of education over the past ten years has undoubtedly been a ‘good thing’. Is Technology Good For Education? offers a critical counterpoint to this received wisdom, challenging some of the central ways in which digital technology is presumed to be positively affecting education. Instead Neil Selwyn considers what is being lost as digital technologies become ever more integral to education provision and engagement. Crucially, he questions the values, agendas and interests that stand to gain most from the rise of digital education. This concise, up-to-the-minute analysis concludes by considering alternate approaches that might be capable of rescuing and perhaps revitalizing the ideals of public education, while not denying the possibilities of digital technology altogether.

Read more less