Search results for ""counterpoint""

Recreate your favorite Korean recipes and discover new dishes with this easy-to-follow cookbook!Flavorful and satisfying, Korean cuisine is a tantalizing balance of tastes and textures—fiery peppers are a counterpoint to mild rice, fragrant sesame oil adds a hint of sweetness to meat and vegetables, and pickled kimchi adds zest with its tanginess and crunch. And, best of all, Korean food emphasizes vegetables and grains, making it as healthy as it is delicious.This Korean cookbook features more than 60 recipes, created by the celebrated chefs at the Shilla Hotel, Seoul. Discover popular favorites—beef bulgogi, Bibimbap (steamed rice with vegetables and red chili bean paste) and stuffed cucumber kimchi—as well as other delicious and easy-to-prepare dishes such as Guljeolpan (nine-sectioned royal platter), Shinseolo and Korean Festive Cakes.Stunning photography, detailed information on ingredients, and insights into the culture of this fascinating country make The Food of Korea the perfect companion for your adventure into Korean cuisine.Recipes include: Classic Chinese Cabbage Kimchi Traditional Rice Flour Pancake Rolls Mushroom Casserole Stewed Beef Ribs Grilled Red Snapper Ginger Cookies Dipped in Honey

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North in the World presents 121 poems by Rolf Jacobsen (1907-1994), one of Norway's greatest modern poets. Garnering the highest praise of critics, Jacobsen won many of Norway's and Sweden's most prestigious literary awards, including the Swedish Academy's Dobloug Prize and the Grand Nordic Prize, also known as the "Little Nobel." But he also has earned a wide popular audience, because ordinary readers can understand and enjoy the way he explores the complex counterpoint of nature and technology, progress and self-destruction, daily life and cosmic wonder. Drawing from all twelve of his books, and including one poem collected posthumously, North in the World offers award-winning English translations of Jacobsen's poems, accompanied by the original Norwegian texts. The translator, the American poet Roger Greenwald, worked with Jacobsen himself to correct errors that had crept into the Norwegian texts over the years. An in-depth introduction by Greenwald highlights the main features of Jacobsen's poetry, and extensive endnotes, as well as indexes to titles and first lines in both languages, enhance the usefulness of the book for general readers and scholars alike. The result is the definitive bilingual edition of Jacobsen's marvelous poetry.

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"Of all the exhilarating slogans that galvanised women in the 1970s, determined to change ourselves and the world, the one that really inspired me was: 'Be the most that you can!' Even as a small girl, I was eager to be the most I possibly could. This desire drove my life."Raised in an aspirational Australian working-class family of Christian Scientists, in the 1960s Dale Kent embarked on a lifelong struggle to fulfil the desire of many women of her generation-to be the most she could be. Despite discrimination and self-doubt, she escaped her controlling family and established an international career as a historian of the Florentine Renaissance. But she failed to liberate herself from the crippling views of women, love and sex she had internalised in childhood. Craving independence and sexual fulfilment, Kent left her child with her husband and started afresh in the United States on an academic road trip that took in Berkeley, Harvard, Princeton and the National Gallery of Art. Her story, both poignant and darkly comical, traces a counterpoint between increasing professional success, a desperate search for a sexual soulmate and a way back to her daughter.

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During the National Post's first year of publication, it claimed that Canada's supposedly exorbitant taxes were causing great damage to the economy and had produced a form of "tax rage" among the middle class. In contrast, Larry Patriquin suggests that the paper's writers were engaged in a dubious form of "reasoning" in order to promote an ideology that mostly benefits the wealthy. This involved presenting the Post's aspiration for tax cuts as the "agenda of the people" when, as this book demonstrates, the vast majority of citizens receive little or no benefit from low levels of taxation. In advancing its case, the Post published a stunning collection of factual and logical errors that were incessantly repeated in editorials and columns. Yet in 2000, the federal Liberal Party surrendered completely to the bogus "tax rage" invented by the Post and, as a result, the Liberal's fiscal policy became inseparable from right-wing platforms. Patriquin categorizes these errors to better illustrate why the arguments are flawed. He structures the chapters in a point-counterpoint format to serve as a guide for readers on how to, and how not to, develop and defend an argument.

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In 1991, a loose-knit collective released a record called Blue Lines under the name Massive Attack, splicing together American hip-hop and soul with the sounds of the British underground. With its marauding bass lines, angular guitars, and psychedelic effects, Blue Lines built on the Caribbean soundsystems and nascent rave scene of the 1980s while also looking ahead to the group’s signature blend of epic cinematics and lush downtempo. In the process, Blue Lines invented an entirely new genre called trip hop and launched the career of a rapper named Tricky. Ultimately, Blue Lines created the sonic playbook for an emerging future: hybrid, digital, cosmopolitan, and rooted in the black and immigrant communities who animated the urban wreckage of the postindustrial city. Massive Attack envisioned an alternate future in sharp counterpoint to the glossy triumphalism of Brit Pop. And while the group would go on to bigger things, this record was both a warning shot and a definitive statement that sounds as otherworldy today as on the day of its release. As Blue Lines’s iconic flame logo spun on turntables the world over, Massive Attack and their spaced-out urban blues reimagined music for the 1990s and beyond.

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In Giving Birth in Canada, the first historical study of childbirth in Canada, Wendy Mitchinson has written a fascinating account of childbirth rituals in the first half of the twentieth century. Thorough and comprehensive, the work is based on a rich variety of sources, including medical textbooks, the medical periodical press, popular medical advice books, literature published in women's magazines, patient records, and interviews with women who gave birth and physicians who practiced during the period. Mitchinson follows the birthing experience, from the initial diagnosis of pregnancy, through prenatal care, childbirth - who was present, and where it took place - to obstetrical intervention, postnatal care and the definition of what constituted a normal birth, much of which changed significantly through those years. She explores physicians' responses to the needs of pregnant women, developments in medical practices, and the increasing medicalization of childbirth. While the book focuses on conventional medical practices, the author's survey of midwifery and Aboriginal birthing practices provides a counterpoint to the approach taken by western medicine and permits valuable discussion about the dynamics of gender and race as they relate to childbirth and, more broadly, to early twentieth-century Canada.

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Daleside, in the Gauteng Province, once had a predominantly white population and is isolated in the industrial outer suburbs of Johannesburg. Its separation has resulted in Daleside’s residents becoming increasingly inward-facing, and in the space of a decade it has become an isolated ghost town with a dwindling population consisting of mostly mine workers and smallholders. Commissioned by Rubis Mécénat through their Of Soul and Joy programme, the resulting photographs provide a counterpoint—Clément-Delmas’s images show dignified figures whose dreams are at odds with reality whereas Sobekwa’s landscape portraits show no such escapism. Looking beyond the deep-seated Black/white binary, they depict the poverty afflicting Black and white residents alike as forgotten members of society stuck in a dead end. Contrary to his expectations of what he might find there, Sobekwa came face to face with the reality of Black and white residents experiencing the same poverty out of eyeshot of the tightly-guarded houses of the wealthy. In Daleside: Static Dreams, the images by each photographer are presented alongside each other in a foldout book so they can be read individually or as pairs.

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This volume offers a fresh translation of a generous selection of Lorca’s suites, a body of work that Federico García Lorca left largely unpublished upon his death in 1936. Composed between 1920 to 1923, these poems are closest in spirit and technique to Lorca’s Songs (1927) and his Poem of the Deep Song (1931). In 1926 the poet suggested they could be released together to form a ‘boxed set’, yet this plan, like other earlier efforts, fell through. Lorca’s suites reveal a poet who is interested in creating a modern style founded on popular oral lyric and fragmented narrative. But they also show a poet who explores his heart and his sexual orientation, and who may have hesitated too long about publication. Lorca achieved the fullest expression of a personal yearning in his long poem In the Garden of the Lunar Grapefruits. Out of an impossible contradiction between self-discovery and wariness of disclosure rises the blue world of the ideal—a timeless world that all readers of Lorca will want to take into account, inasmuch as it forms a counterpoint to the rest of his work.

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Reconstructs Bergson's philosophy of biology in dialogue with the life sciences of today Critically reappraises Bergson's evolutionary metaphysicsIncludes summaries, interpretations and evaluations of Bergson's various engagements with evolutionary theory Provides a counterpoint to the traditional understanding of Bergson as a phenomenologist Offers a critical rejoinder to Bergson's reputation as a metaphysical vitalist by bringing his work into dialogue with arguments and issues in the philosophy of scienceMakes a strong case for Bergson's interdisciplinary relevance outside of the typical fields of philosophy, literature and the arts We are in the midst of a return to Henri Bergson the French philosopher whose influence touches the fields of continental philosophy, literary theory and art theory. This revival of interest in his work could even be called a full-blown Bergson renaissance. Tano S. Posteraro contributes to this increasingly serious study of Bergson's philosophy with a tight focus on Bergson's theory of evolution. He presents an alternative Bergson: not a phenomenologist whose central concern is the conscious experience of lived time or the lived body in time, but a systematic philosopher of biology with a robust, prescient and largely workable evolutionary programme.

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A unique collection of five contemporary plays from 21st-century Hungary, translated into English for the first time. Written by some of Hungary’s most highly prolific and commercially successful dramatic voices, these plays are being produced in their native Hungary by theatres that do not adhere to Viktor Orbán's values and offer a counterpoint to the commercial Boulevard Theatre scene of Budapest. Translator and theatre-maker Szilvi Naray champions these unheard voices through her performable and dramatically engaging translations. The plays are aimed at micro-budget productions and offer a special opportunity for students and small theatre companies alike to engage with these witty, politically irreverent plays, finally in English. Each of the selected playwrights has been in direct conflict with the Hungarian government and has been demonised by the state-controlled press. The five plays are thematically threaded together by their common use of strong leading female protagonists with an overarching theme of the family unit. Through the edited introduction the themes and feminine translation strategy discusses how the plays offer a microcosmic lens for understanding the paradox that today’s Hungary exemplifies, making this a necessary study into the world of contemporary Hungary through drama.

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This book describes the constitutional law of foreign affairs, derived from the historical understanding of the Constitution's text. It examines timeless and recurring foreign affairs controversies--such as the role of the president and Congress, the power to enter armed conflict, and the power to make and break treaties--and shows how the words, structure, and context of the Constitution can resolve pivotal court cases and leading modern disputes. The book provides a counterpoint to much conventional discussion of constitutional foreign affairs law, which tends to assume that the Constitution's text and history cannot give much guidance, and which rests many of its arguments upon modern practice and policy considerations. Using a close focus on the text and a wide array of historical sources, Michael Ramsey argues that the Constitution's original design gives the president substantial independent powers in foreign affairs. But, contrary to what many presidents and presidential advisors contend, these powers are balanced by the independent powers given to Congress, the Senate, the states, and the courts. The Constitution, Ramsey concludes, does not make any branch of government the ultimate decision maker in foreign affairs, but rather divides authority among multiple independent power centers.

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Sartre and Foucault were two of the most prominent and at times mutually antagonistic philosophical figures of the twentieth century. And nowhere are the antithetical natures of their existentialist and poststructuralist philosophies more apparent than in their disparate approaches to historical understanding. In Volume One of this authoritative two-volume study, Thomas R. Flynn conducted a pivotal and comprehensive reconstruction of Sartrean historical theory. This long-awaited second volume offers a comprehensive and critical reading of the Foucauldian counterpoint.A history, theorized Foucault, should be a kind of map, a comprehensive charting of structural transformations and displacements over time. Contrary to other Foucault scholars, Flynn proposes an "axial" rather than a developmental reading of Foucault's work. This allows aspects of Foucault's famous triad of knowledge, power, and the subject to emerge in each of his major works. Flynn maps existentialist categories across Foucault's "quadrilateral," the model that Foucault proposes as defining modernist conceptions of knowledge. At stake is the degree to which Sartre's thought is fully captured by this mapping, whether he was, as Foucault claimed, "a man of the nineteenth century trying to think in the twentieth."

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‘Shoot for the moon. Even if you miss, you will land among the stars’ Norman Vincent Peale Tim Walker’s monograph Story Teller, published by Thames & Hudson, introduced audiences to this unique photographer’s fantastical, magical worlds, conjured anew with each shoot. But every point must have its counterpoint, day its night, light its dark; creativity is no different. Shoot for the Moon, Walker’s much anticipated followup, draws audiences close to reveal fantasy’s other, darker side. Delving deep into the art and mind of one of the most exciting and original fashion photographers working today, Shoot for the Moon showcases the gamut of Walker’s weird, wild Wonderlands. In images that demand to be read as art as much as fashion, his signature opulence and decadent eccentricity encroach ever further beyond the ‘real’, exploring the mysteries of imagination and inspiration, and where it is they come from. Dazzlingly designed to a lavish spec, with images featuring some of the biggest names in fashion and contemporary culture, and texts and commentary by a collection of noteworthy contributors as well as Walker himself, Shoot for the Moon is set to be an unmissable addition to the lexicon of fashion photography.

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New York Times #1 bestselling author Richard Eyre contends that the three things today's society desires most—control, ownership, and independence—are, paradoxically, what bring the most discouragement and unhappiness in our lives.Providing a mind-changing exploration of the inherent problems with our fixation on control over our lives, ownership of material possessions, and independence from others, Eyre responds with a unique and engaging counterpoint on how to switch to the joy-giving alternatives of serendipity, stewardship, and interdependence and thus live a more verdant and abundant life. Packaged in a unique "flip-over" format, the first half of The Happiness Paradox explores today's challenges to happiness. The second half of the book, when flipped over, explores The Happiness Paradigm: How A New View Can Turn Your Life Right-Side Up.Eyre, author of Teaching Your Children Values, The Entitlement Trap, and The Turning, uses his engaging and highly personal style to walk us through a mental paradigm shift that can change our perspectives and improve our lives. An impactful, illuminating, and pragmatic exploration of how what we seek impacts our well-being, The Happiness Paradox/The Happiness Paradigm is one of the most unique books ever written about our search for lasting joy.

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In As We See It, Suzanne Fricke invites readers to explore the work and careers of ten contemporary Native American photographers: Jamison Banks, Anna Hoover, Tom Jones, Larry McNeil, Shelley Niro, Wendy Red Star, Beverly Singer, Matika Wilber, William Wilson, and Tiffiney Yazzie. Inspired by "As We See It," an exhibition of these artists' work cocurated by Fricke in 2015, the book showcases the extraordinary achievements of these groundbreaking photographers. As We See It presents dialogues in which the artists share their unique perspectives about the history and current state of photography. Each chapter includes an overview of the photographer's career as well as examples of the artist's work. For added context, Fricke includes an introduction, a preface that explores the original exhibition of the same name, and an essay that challenges the ghost of Edward S. Curtis, whose work serves as a counterpoint to the photography of contemporary Native Americans. The text is designed to be read as a whole or in sections for anyone teaching Native American photography. As We See It is an invaluable addition to the library of anyone interested in Native American photography and will be the key source for teachers, researchers, and lovers of photography for years to come.

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Southwest Book Awards, Border Regional Library Association (BRLA) Uses key words and striking images to explore violence and everyday life in Juárez, Mexico. Juárez, Mexico, is known for violence. The femicides of the 1990s, and the cartel mayhem that followed, made it one of the world's most dangerous cities. Along with the violence came a new lexicon that traveled from person to person, across rivers and borders—wherever it was needed to explain the horrors taking place. From personal interviews, media accounts, and conversations on the street, Julián Cardona and Alice Leora Briggs have collected the words and slang that make up the brutal language of Juárez, creating a glossary that serves as a linguistic portrait of the city and its violence. Organized alphabetically, the entries consist of Spanish and Spanglish, accompanied by short English definitions. Some also feature a longer narrative drawn from interviews—stories that put the terms in context and provide a personal counterpoint to media reports of the same events. Letters, and many of the entries, are supplemented with Briggs’s evocative illustrations, which are reminiscent of Hans Holbein’s famous Alphabet of Death. Together, the words, drawings, and descriptions in ABCedario de Juárez both document and interpret the everyday violence of this vital border city.

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Paul is a top business executive hoping to be the next CEO of Ascendant—a New York-based tech giant. He neglects everything—his family and himself—in the race to the top. His fast-paced life is interrupted when he travels to Glastonbury, England, to visit friends in a village rich in history and mysticism. Glastonbury represents a complete counterpoint to Paul’s elite corporate day job. It compares to an amusement park, with shops and venues catering to spiritual seekers ranging from would-be witches, goddesses and druids, and burned-out hippies. Like many seekers before him, he is attracted to the energy of a nearby hill—Tor—said to be the mythical Isle of Avalon. Paul meets a beautiful soul reader, Christine, who reads his soul and plants the seeds that turn his life upside down. When he returns to New York, his wife, Mary, is skeptical. Is Paul having a spiritual awakening or is he falling in love with an attractive charlatan? His journey both scares and intrigues her as she watches him struggle to navigate between the business and spiritual worlds. A series of synchronistic events draws Paul closer to Glastonbury and Christine, compelling him and a reluctant Mary to return, unaware that their lives will never be the same.

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This unique textbook provides an accessible introduction to a fascinating subject area. Written with student needs at its heart, innovative features such as 'Counterpoint' and 'Pause for reflection' boxes highlight current debates and areas worthy of more detailed analysis, providing students with the tools they need to develop their knowledge and start thinking critically about the law. Learning outcomes open each chapter, and are complemented by closing summaries to further support student understanding. Structured in four parts, the book first sets out the key international law principles which assume special significance in relation to international criminal law before going on to consider international criminal tribunals, the prosecution of international crimes, and the 'core' international crimes which have been prosecuted to date. Finally, consideration is given to issues such as legal defences and immunities under international law. Written by an outstanding scholar and teacher, this user-friendly text offers a unique approach to the subject area, making it the ideal choice for those new to the subject area. Online Resource Centre This book is accompanied by a free Online Resource Centre hosting links to key international law documents, additional material on the victims of crime, and updates on important developments within the subject area.

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Constraint programming (CP) is a declarative programming paradigm with many academic and industrial applications (from n-queens to planning, vehicle routing, and optimization, among other fields). Music composition has been one of these applications since the earliest works on automatic harmonization, and it remains a very special and challenging one due to its artistic (and highly subjective) nature. The early works on CP in music were limited to classical music composition, as the harmonization and counterpoint rules naturally translate into constraints. However, when contemporary composers began to be interested in constraints, CP became an essential tool in computer-assisted composition systems. As several contemporary musical pieces have now been composed "with constraints", it is reasonable to ask why CP applies so naturally to music, and what the particular features of musical problems are. This book presents information about recently developed musical CP systems from both the scientist's and composer's point-of-view. It will therefore be of interest to students and researchers of music technology, composers in the computer music scene, and music software companies-especially those trying to model high level musical behaviors (i.e., intelligent arpeggiation/arrangement on synthesizers, "Band in a Box" software, etc.), perform music data mining, and execute music taste engineering for online music delivery.

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At the beginning of the twentieth century, the Austrian Empire ranked third among the world's oil-producing states (surpassed only by the United States and Russia), and accounted for five percent of global oil production. By 1918, the Central Powers did not have enough oil to maintain a modern military. How and why did the promise of oil fail Galicia (the province producing the oil) and the Empire?In a brilliantly conceived work, Alison Frank traces the interaction of technology, nationalist rhetoric, social tensions, provincial politics, and entrepreneurial vision in shaping the Galician oil industry. She portrays this often overlooked oil boom's transformation of the environment, and its reorientation of religious and social divisions that had defined a previously agrarian population, as surprising alliances among traditional foes sprang up among workers and entrepreneurs, at the workplace, and in the pubs and brothels of new oiltowns.Frank sets this complex story in a context of international finance, technological exchange, and Habsburg history as a sobering counterpoint to traditional modernization narratives. As the oil ran out, the economy, the population, and the environment returned largely to their former state, reminding us that there is nothing ineluctable about the consequences of industrial development.

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A groundbreaking examination of the way Muslim thinkers have approached and responded to Jesus through the centuries Prophet or messiah, the figure of Jesus serves as both the bridge and the barrier between Christianity and Islam. In this accessible and thoughtful book, Muslim scholar and popular commentator Mona Siddiqui takes her reader on a personal, theological journey exploring the centrality of Jesus in Christian-Muslim relations. Christian and Muslim scholars have used Jesus and Christological themes for polemical and dialogical conversations from the earliest days to modern times. The author concludes with her own reflections on the cross and its possible meaning in her Muslim faith. Through a careful analysis of selected works by major Christian and Muslim theologians during the formative, medieval, and modern periods of both religions, Siddiqui focuses on themes including revelation, prophecy, salvation, redemption, sin, eschatology, law, and love. How did some doctrines become the defining characteristics of one faith and not the other? What is the nature of the theological chasm between Christianity and Islam? With a nuanced and carefully considered analysis of critical doctrines the author provides a refreshingly honest counterpoint to contemporary polemical arguments and makes a compelling contribution to reasoned interfaith conversation.

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An exploration of the creative process in four classic works: Death in Venice, Treasure Island, The Rubáiyát of Mar Khayyám, and War and Peace. Creating Literature Out of Life examines four very dissimilar masterpieces and their authors in search of evidence that will answer some of the many questions in the great mystery of creativity. Crossing boundaries of period, nation, and genre, the study looks into the "why" and "how" of the creation of Thomas Mann's Death in Venice, Robert Louis Stevenson's Treasure Island, Edward FitzGerald's The Rubáiyát of Mar Khayyám, and Lev Tolstoy's War and Peace. Doris Alexander finds that each of these works was compelled by an urgent life problem of its author, some of them partly conscious, others completely unconscious, which worked in harmony and counterpoint with the author's conscious theme to shape his work. She traces an interconnected nexus of memories—personal experiences, ideas, readings—that came alive in response to the author's problem and served as a reservoir out of which his characters, his images, his story line, and the emotional tone of his work emerged. Creating Literature Out of Life tells the exciting story of how Mann, Stevenson, FitzGerald, and Tolstoy fought out their major life battles in their works.

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Not Out of Hate—published in Burmese in 1955 and set in 1939–42—was Ma Ma Lay’s fifth novel and one that further cemented her status as one of twentieth-century Burma’s foremost writers and voices for change. A journalist by trade, Lay applied her straightforward observational style with compassion and purpose to the story of Way Way, a teenage village girl whose quiet life assisting her father in his rice-brokerage business is disrupted by the arrival of U Saw Han, the cosmopolitan Burmese rice trader twenty years her senior. When she first encounters him, Way Way is entranced by his Western furnishings, servants, and mannerisms. The two marry, but before long, it becomes clear that U Saw Han’s love is a stifling one that seeks to obliterate her traditional ways. Not Out of Hate was enormously popular in Burma and went through several editions in the 1950s and 1960s. When Ohio University Press published its English translation, in 1991, it became the first significant fictional account of prewar Burma available in English since George Orwell’s Burmese Days, and provided a Burmese counterpoint to Orwell’s novel. Translated into English here for the first time, the novel is an engaging drama, finely observed work of social realism, and stirring rejection of Western cultural dominance.

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Emilie Davis was a free African American woman who lived in Philadelphia during the Civil War. She worked as a seamstress, attended the Institute for Colored Youth, and was an active member of her community. She lived an average life in her day, but what sets her apart is that she kept a diary. Her daily entries from 1863 to 1865 touch on the momentous and the mundane: she discusses her own and her community’s reactions to events of the war, such as the Battle of Gettysburg, the Emancipation Proclamation, and the assassination of President Lincoln, as well as the minutiae of social life in Philadelphia’s black community. Her diaries allow the reader to experience the Civil War in “real time” and are a counterpoint to more widely known diaries of the period. Judith Giesberg has written an accessible introduction, situating Davis and her diaries within the historical, cultural, and political context of wartime Philadelphia. In addition to furnishing a new window through which to view the war’s major events, Davis’s diaries give us a rare look at how the war was experienced as a part of everyday life—how its dramatic turns and lulls and its pervasive, agonizing uncertainty affected a northern city with a vibrant black community.

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In a world where women and girls are constantly under attack from the media with photoshopped, airbrushed images and pop-stars that tell them all they need to do is party all the time, kiss a lot of boys, be a “mean girl” to gain popularity, max their credit cards to buy designer clothes, etc., The Lost Art of Ladyhood communicates the counterpoint to those of our teen pop stars. Happiness does not come from revealing all your skin, going clubbing every weekend where you get so drunk you don’t remember who you kissed, or maxing your credit cards just so you can buy the latest designer jeans. Happiness comes from living a life of character.Teaching girls how to be ladylike has little to do with crossing your ankles and sipping tea correctly; it’s about giving them tools and skills they can use to serve others, to be grateful, to think positively, to set powerful goals, to protect themselves from toxic relationships, and to learn to love themselves enough to where they learn to love others. The Lost Art of Ladyhood is a road map for navigate your way to confidence, classy-ness, character, and learning the lost art of being a lady.

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The first book of legal advice for the hip hop generation, Covering areas ranging from how to secure the best public defender to what to do when driving DWB, this is a step-by-step guide to the criminal system for those who need it most written by a criminal defense attorney who knows this world from the inside out.A counterpoint to the Law and Order justice the public sees and believes in. This is the real criminal justice system, as told from someone inside, someone fights it ever day. This is not a manual for how to get off, how to be a better criminal. It is proof that the system will eat you up and spit you out if you dare to become involved or think you can beat it. Raw Law authoritatively addresses the legal issues faced by the hip hop generation, and offers a simple guide on how to avoid certain situations and how to learn and respond to others. Here readers will learn the truths and untruths of the justice system and how they can protect themselves from the worst of it. But most of all, they will learn how to follow the first rule of the criminal justice system: AVOID IT AT ALL COSTS.

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A Sunday Times must read book of 2019 'An out-of-this-world read ... brilliant and compelling. Morton is a high-octane British science journalist, and every chapter is littered with material that strikes, amazes or haunts ... this is a book filled not just with a lifetime's knowledge of its subject but with a lifetime's suppressed excitement.' James McConnachie, Sunday Times Every generation has looked up from the Earth and wondered at the beauty of the Moon. 50 years ago, a few Americans became the first to do the reverse - with the whole world watching through their eyes. In this short but wide-ranging book, Oliver Morton explores the history and future of humankind's relationship with the Moon. A counterpoint in the sky, it has shaped our understanding of the Earth from Galileo to Apollo. Its gentle light has spoken of love and loneliness; its battered surface of death and the cosmic. For some, it is a future on which humankind has turned its back. For others, an adventure yet to begin. Advanced technologies, new ambitions and old dreams mean that men, women and robots now seem certain to return to the Moon. What will they learn there about the universe, the Earth-and themselves? And, this time, will they stay?

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Barack Obama’s political ascendancy has focused considerable global attention on the history of Kenya generally and the history of the Luo community particularly. From politicos populating the blogosphere and bookshelves in the U.S and Kenya, to tourists traipsing through Obama’s ancestral home, a variety of groups have mobilized new readings of Kenya’s past in service of their own ends. Through narratives placing Obama into a simplified, sweeping narrative of anticolonial barbarism and postcolonial “tribal” violence, the story of the United States president’s nuanced relationship to Kenya has been lost amid stereotypical portrayals of Africa. At the same time, Kenyan state officials have aimed to weave Obama into the contested narrative of Kenyan nationhood. Matthew Carotenuto and Katherine Luongo argue that efforts to cast Obama as a “son of the soil” of the Lake Victoria basin invite insights into the politicized uses of Kenya’s past. Ideal for classroom use and directed at a general readership interested in global affairs, Obama and Kenya offers an important counterpoint to the many popular but inaccurate texts about Kenya’s history and Obama’s place in it as well as focused, thematic analyses of contemporary debates about ethnic politics, “tribal” identities, postcolonial governance, and U.S. African relations.

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This JPS ethics series deals with some of the most critical moral issues of our time.What are our obligations and rights to our own bodies? What does Judaism say about tattoos? Piercings? About our obligations to exercise and eat properly? What about smoking? Alcohol? Recreational drugs? Who owns our organs? What about our eggs and sperm? If resources are limited, whose body comes first and how do we decide? Why do so many young Jews suffer from eating disorders? Each volume in this series presents traditional and contemporary sources on specific topics, followed by hypothetical cases and study questions to provoke discussion. Supplementing these are brief essays written by a diverse group—political figures and journalists, business professionals and authors, scholars and artists, young voices and old, traditional believers and iconoclasts. As a conclusion, Dorff and Newman present their own reflections, providing a counterpoint to the contributors' perspectives. These voices from the Jewish tradition and today’s Jewish community give us new questions and perspectives to think about and encourage us to consider our moral choices in a new light. Jewish Choices, Jewish Voices takes a hard look at important and controversial topics of our time. Future volumes include Power; War and National Security; Sexual Relations; and The Internet.

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Emilie Davis was a free African American woman who lived in Philadelphia during the Civil War. She worked as a seamstress, attended the Institute for Colored Youth, and was an active member of her community. She lived an average life in her day, but what sets her apart is that she kept a diary. Her daily entries from 1863 to 1865 touch on the momentous and the mundane: she discusses her own and her community’s reactions to events of the war, such as the Battle of Gettysburg, the Emancipation Proclamation, and the assassination of President Lincoln, as well as the minutiae of social life in Philadelphia’s black community. Her diaries allow the reader to experience the Civil War in “real time” and are a counterpoint to more widely known diaries of the period. Judith Giesberg has written an accessible introduction, situating Davis and her diaries within the historical, cultural, and political context of wartime Philadelphia. In addition to furnishing a new window through which to view the war’s major events, Davis’s diaries give us a rare look at how the war was experienced as a part of everyday life—how its dramatic turns and lulls and its pervasive, agonizing uncertainty affected a northern city with a vibrant black community.

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The Art of Possibility offers a set of breakthrough practices for creativity in all human enterprises. This inspirational book is a synthesis of Rosamund Stone Zander's knowledge of cutting-edge psychology and Benjamin Zander's experiences as the conductor of the Boston Philharmonic Orchestra. Infused with the energy of their dynamic partnership, the book joins together Ben's extraordinary talent as a mover and shaker, teacher, and communicator with Rosamund's genius for creating innovative paradigms for personal and professional fulfillment. In lively counterpoint, the authors provide us with a deep sense of the powerful role that the notion of possibility can play in every aspect of our lives. The Zanders' deceptively simple practices are based on two premises: that life is composed as a story ("it's all invented") and that, with new definitions, much more is possible than people ordinarily think. The book shifts our perspective with uplifting stories, parables, and anecdotes. From "Giving an A" to the mysterious "Rule Number 6" to "Leading from Any Chair"--the account of Ben's stunning realization that the conductor/leader's power is directly linked to how much greatness he is willing to grant to others--each practice offers an opportunity for personal and organizational transformation.

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A practical manual for building musical understanding and physical skills, intended for conductors at all stages of development. This book is a practical manual for anyone who stands on a podium helping an ensemble make music. The four main chapters address the major obligations of the conductor: (1) bringing the musical tones to life in the most beautiful,most moving way possible; (2) freeing the mind to fully absorb all the tones; (3) freeing the body of unnecessary tension; and (4) effectively using the freed mind and body to influence the sounds. Each chapter begins with a summary of the underlying principles, presents real-life applications, and offers exercises for developing skills. Video demonstrations of the exercises as well as downloadable scores and parts are available on a companion website. The parts, in multiple transpositions, allow for hands-on experience where standard instrumental complements are unavailable. Markand Thakar, music director of the Baltimore Chamber Orchestra, is an internationally renowned pedagogue of conducting. A protégé of the legendary Sergiu Celibidache and former assistant conductor of the New York Philharmonic, Thakar is author of Looking for the "Harp" Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011) and Counterpoint: Fundamentals of Music Making (Yale University Press, 1990).

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Wim Klooster and Gert Oostindie present a fresh look at the Dutch Atlantic in the period following the imperial moment of the seventeenth century. This epoch (1680–1815), the authors argue, marked a distinct and significant era in which Dutch military power declined and Dutch colonies began to chart a more autonomous path. The loss of Brazil and New Netherland were twin blows to Dutch imperial pretensions. Yet the Dutch Atlantic hardly faded into insignificance. Instead, the influence of the Dutch remained, as they were increasingly drawn into the imperial systems of Britain, Spain, and France. In their synthetic and comparative history, Klooster and Oostindie reveal the fragmented identity and interconnectedness of the Dutch in three Atlantic theaters: West Africa, Guiana, and the insular Caribbean. They show that the colonies and trading posts were heterogeneous in their governance, religious profiles, and ethnic compositions and were marked by creolization. Even as colonial control weakened, the imprint of Dutch political, economic, and cultural authority would mark territories around the Atlantic for decades to come. Realm between Empires is a powerful revisionist history of the eighteenth-century Atlantic world and provides a much-needed counterpoint to the more widely known British and French Atlantic histories.

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Neil Ansell's THE LAST WILDERNESS is a mesmerising book on nature and solitude by a writer who has spent his lifetime taking solitary ventures into the wild. For any readers of the author's previous book, DEEP COUNTRY, Robert Macfarlane's THE OLD WAYS or William Atkins THE MOOR.Shortlisted for the 2018 Wainwright Golden Beer Book PrizeShortlisted for the 2018 Highland Book Prize 'Ansell has the rare skill of combining vividly the intimacy of detail and the astonishing grandeur of this North West coastline of Scotland. Through his keen eyes we look again at the familiar with a sense of wondrous revelation' Madeleine Bunting 'Beautiful...a testimony to reticent courage' Daily MailThe experience of being in nature alone is here set within the context of a series of walks that Neil Ansell takes into the most remote parts of Britain, the rough bounds in the Scottish Highlands. He illustrates the impact of being alone as part of nature, rather than outside it.As a counterpoint, Neil Ansell also writes of the changes in the landscape, and how his hearing loss affects his relationship with nature as the calls of the birds he knows so well become silent to him.

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Examines the cultural significance of the werewolf film Provides the first academic monograph dedicated to developing a cultural understanding of the werewolf film Reconsiders the psychoanalytic paradigms that have dominated scholarly discussion of werewolves in pop culture Includes over 40 individual case studies to illustrate how werewolf films can be understood as products of their cultural moment Identifies the cinematic werewolf's most common metaphorical dimensions Horror monsters such as the vampire, the zombie and Frankenstein's creature have long been the subjects of in-depth cultural studies, but the cinematic werewolf has often been considered little more than the 'beast within' a psychoanalytic analogue for the bestial side of man. This book, the first scholarly study of the werewolf in cinema, redresses the balance by exploring over 100 years of werewolf films, from The Werewolf (1913) to Wildling (2018) via The Wolf Man (1941), The Curse of the Werewolf (1961), The Howling (1981) and WolfCop (2014). Revealing the significance of she-wolves and wolf-men as evolving metaphors for the cultural fears and anxieties of their times, Phases of the Moon serves as a companion and a counterpoint to existing scholarship on the werewolf in popular culture, and illustrates how we can begin to understand one of our oldest mythical monsters as a rich and diverse cultural metaphor.

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Young Nour is a North African desert tribesman. It is 1909, and as the First World War looms Nour's tribe - the Blue Men - are forced from their lands by French colonial invaders. Spurred on by thirst, hunger, suffering, they seek guidance from a great spiritual leader. The holy man sends them even further from home, on an epic journey northward, in the hope of finding a land in which they can again be free. Decades later, an orphaned descendant of the Blue Men - a girl called Lalla - is living in a shantytown on the coast of Morocco. Lalla has inherited both the pride and the resilience of her tribe - and she will need them, as she makes a bid to escape her forced marriage to a wealthy older man. She flees to Marseilles, where she experiences both the hardships of immigrant life - as a hotel maid - and the material prosperity of those who succeed - when she becomes a successful model. And yet Lalla does not betray the legacy of her ancestors.In these two narratives set in counterpoint, Nobel Prize-winning novelist J. M. G. Le Clézio tells - powerfully and movingly - the story of the 'last free men' and of Europe's colonial legacy - a story of war and exile and of the endurance of the human spirit.

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The remarkable story of how Greek-speaking writers and thinkers sustained and developed the intellectual legacy of Classical Greece under the rule of Rome. In 146 BC, Greece yielded to the military might of the Roman Republic; some sixty years later, when Athens and other Greek city-states rebelled against Rome, the general Lucius Cornelius Sulla destroyed the city of Socrates and Plato, laying waste the famous Academy where Aristotle had studied. However, the traditions of Greek cultural life would continue to flourish – across the eastern Mediterranean world and beyond – during the centuries of Roman rule that followed, in the lives and work of a distinguished array of philosophers, rhetoricians, historians, doctors, scientists, geographers and theologians. Charles Freeman's accounts of such luminaries as the polymathic physician Galen, the soldier-botanist Dioscorides, the Alexandrian geographer and astronomer Ptolemy and the Neoplatonic philosopher Plotinus are interwoven with 'interludes' that counterpoint and contextualise a sequence of unjustly neglected and richly influential lives. This is the story of a vibrant, constantly evolving tradition of intellectual inquiry across a period of more than five hundred years, from the second century BC to the start of the fifth century ad – one that would help shape the intellectual landscape of the Middle Ages and long after. The Children of Athena is a cultural history on an epic scale.

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A profound and genre-defying work of literature about love, death, and illness from one of Portugal’s most celebrated writers “One of the essential writers of our tormented times.”—Alberto Manguel, Times Literary Supplement “Little prepares one for this extraordinary book, in which each chapter, covering a single day, and lasting a single sentence, offers a teeming stream of consciousness. . . . Even pain is alive, and alive is the word for this book, alive and enduring.”— Michael Autrey, Booklist Incapacitated after the removal of a malignant tumor, the narrator, António, spends his days in a Lisbon hospital enduring the humiliations of severe illness. As he drifts in and out of consciousness, he revisits fragments of his life and the people who passed through it. He recalls the village where he lived as a child near the Mondego River amid the eucalyptus and pines, his parents and grandparents and their tight-knit community of potato farmers and tungsten miners, and the woman he loved—an unexpected polyphony of voices and places sounding in sharp counterpoint to debilitating pain. By the Rivers of Babylon conjures the past and the present all at once, revealing the power of memory to embolden us in the face of extraordinary suffering. This is António Lobo Antunes’s homage to the beauty of a cherished life in its confrontation with imminent death.

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Fairy tales are supposed to be magical, surprising, and exhilarating, an enchanting counterpoint to everyday life that nonetheless helps us understand and deal with the anxieties of that life. Today, however, fairy tales are far from marvelous - in the hands of Hollywood, they have been stripped of their power, offering little but formulaic narratives and tame surprises. If we want to rediscover the power of fairy tales - as Armando Maggi thinks we should - we need to discover a new mythic lens, a new way of approaching and understanding, and thus re-creating, the transformative potential of these stories. In Preserving the Spell, Maggi argues that the first step is to understand the history of the various traditions of oral and written narrative that together created the fairy tales we know today. He begins his exploration with the ur-text of European fairy tales, Giambattista Basile's The Tale of Tales, then traces its path through later Italian, French, English, and German traditions, with particular emphasis on the Grimm Brothers' adaptations of the tales, which are included in the first-ever English translation in an appendix. Carrying his story into the twentieth century, Maggi mounts a powerful argument for freeing fairy tales from their bland contemporary forms, and reinvigorating our belief that we still can find new, powerfully transformative ways of telling these stories.

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'Fans of Alexander McCall Smith will love Scotty Elliott's Sibanda series' Sunday Times (SA)Detective Sibanda and Sergeant Ncube are back!Two bodies are discovered near Gubu, one burning at the base of a tree struck by lightning and, on the banks of the Zambezi, a second killing which threatens to tear Detective Sibanda's life apart. The victims are not connected as one is a foreign wildlife researcher and the other a local driver, but Sibanda's intuition tells him the murders are linked. The only clues are a fragment of material found in the brain of one victim, a puncture wound in the thigh of the other, and a diary full of coded names.As the men investigate further, they find links to an ivory smuggling gang and in their pursuit of the killer, Sibanda and Ncube not only have to cope with their temperamental Landrover, their chief inspector's lack of cooperation, but a rough and remote landscape full of wild and dangerous adventure.Praise for C. M. Elliott:"C.M. Elliott has created a lively cast of characters and an intricate, clever plot..." - Margaret von Klemperer, The Witness"A thrilling detective yarn and a finely-drawn picture of the counterpoint between the gentle music of the bush and the harsher notes of poachers' deadly gunfire - The Citizen

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Identity Politics and the Third World revisits the theories of identification in challenging existing methods of ascertaining developing world identities on the grounds of objectivity and universality. The construction of postcolonial identities refers to the creation of systems of identification. This construction is undertaken at two levels: by the colonizer, in the form of myths about the subject races and a simultaneous belief in the notion that the subject cannot represent him/herself; and subsequently, by the colonized in an attempt to resist colonization and establish a sense of solidarity against the rulers. In the global context, the third world becomes a market place where identities are framed by the laws of consumer dynamics. Identities are again constructed here on two levels: by the forces of multinational economics, in the form of essentially hybrid, homogenously differentiated communities, and, in counterpoint, by the myths of unique national cultures.This book is designed to describe and critically analyse the structuring of identity and culture and the politics that informs them. Centering on the concepts of ‘polarity’ and ‘in-betweenness’, the idea of cosmopolitan or global identity is deconstructed in the wake of capitalist consumerism and multinational politics using the theories of identity construction and representation as formulated by Edward Said and Homi Bhabha for understanding colonialist politics and the postcolonial condition.

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The OfficeUS Agenda, the catalogue for the U.S. Pavilion, serves simultaneously as a guide and counterpoint to the exhibition. Organized into stories of expertise, exchange, and export, the Agenda frames the narratives that have projected the organizational structures and branded identity of U.S. architecture firms internationally from 1914-2014. The Agenda includes thirteen essays of original scholarship, including Barry Bergdoll, Beatriz Colomina, Jorge Otero-Pailos and Keller Easterling. OfficeUS, the U.S. Pavilion for the 2014 International Architecture Exhibition - la Biennale di Venezia, reframes the history of U.S. architecture through the lens of export in two interrelated constructs: "The Office" and "The Repository." The Repository presents 1000 projects designed by 200 US offices working abroad in a chronological archive of the last 100 years. Collectively these projects tell multiple, imbricated stories of U.S. firms, typologies, and technologies, as well as a broader narrative of modernization and its global reach. The Office engages these projects, revisiting their premises and conclusions over the course of the Biennale. It functions as a laboratory staffed by a diverse group of resident design partners collaborating with outpost offices and a rotating cast of visiting experts. Together, these two halves of OfficeUS create both an historical record of the U.S. contribution to global architectural thought, and a petri dish in which that record is submitted to contemporary agents of disruption and critique.

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World-renowned experts debate key topics in pediatric neurosurgery In Controversies in Pediatric Neurosurgery, leading clinicians from around the globe present concrete advice and frank commentary on alternative options for the treatment and management of specific cranial and spinal disorders. Each succinct, easily accessible chapter addresses a different condition in a point/counterpoint format that discusses the pros and cons of the various treatment options, including surgical approaches and techniques. This highly practical, balanced coverage equips readers to make well-informed choices when selecting the most appropriate treatment modality for a particular diagnosis. Features: Lessons Learned at the end of each chapter, in which the authors summarize the debate with multiple viewpoints and carefully considered recommendations based on published evidence and their own clinical experience Incisive dialogue on twenty hot topics in the field, including how to manage arachnoid cysts, craniosynostosis, tethered cord, hydrocephalus, chiari malformations, epilepsy, aneurysms, and more Clinical and personal insights from international contributors on the variability of surgical training, experience, and available resources in different parts of the world Guidance on how to discuss treatment options and strategies to patients and their families This book is essential reading for every clinician, resident, or fellow who needs a firm understanding of the most controversial issues in pediatric neurosurgery to be able to make the best decision for the appropriate treatment option for patients in their care.

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In this original study, Christopher Alan Reynolds examines the influence of Beethoven's Ninth Symphony on two major nineteenth-century composers, Richard Wagner and Robert Schumann. During 1845 46 the compositional styles of Schumann and Wagner changed in a common direction, toward a style that was more contrapuntal, more densely motivic, and engaged in processes of thematic transformation. Reynolds shows that the stylistic advances that both composers made in Dresden in 1845 46 stemmed from a deepened understanding of Beethoven's techniques and strategies in the Ninth Symphony. The evidence provided by their compositions from this pivotal year and the surrounding years suggests that they discussed Beethoven's Ninth with each other in the months leading up to the performance of this work, which Wagner conducted on Palm Sunday in 1846. Two primary aspects that appear to have interested them both are Beethoven's use of counterpoint involving contrary motion and his gradual development of the Ode to Joy" melody through the preceding movements. Combining a novel examination of the historical record with careful readings of the music, Reynolds adds further layers to this argument, speculating that Wagner and Schumann may not have come to these discoveries entirely independently of each other. The trail of influences that Reynolds explores extends back to the music of Bach and ahead to Tristan and Isolde, as well as to Brahms's First Symphony.

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Contesting Conquest presents an important set of indigenous and Spanish accounts that document Spain’s efforts to establish control over western Mexico during the first half of the sixteenth century.Though the 1521 defeat of the Mexica of Tenochtitlan signaled the downfall of the Aztec empire, large areas outside of central Mexico still remained beyond the Spaniards’ control. Home to groups such as the Maya of present-day Yucatan and Guatemala and the diverse peoples of western Mexico, these regions were remarkably resilient in the face of Spanish conquest. Ida Altman provides the first English translations of a set of accounts that directly reflect the perspectives of these indigenous peoples. These include a chronicle of Mendoza’s campaign during the Mixton War, a letter from the exiled rebel leader Tenamaztle, and an account written by or on behalf of the rulers of the indigenous community of Xalisco. The narratives are supplemented by translations from Spanish sources that shed light on indigenous-Spanish interaction and conflict. Together these accounts provide insights into indigenous struggles and illuminate the resistance met by their would-be conquerors.Providing multiple perspectives on Spanish campaigns to conquer modern-day Mexico and giving indigenous voices equal weight to that of the conquistadores, this book is an essential counterpoint to standard narratives of the Spanish conquest. It will be especially useful to students and scholars of Latin American colonial history.

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Appalachia has played a complex and often contradictory role in the unfolding of American history. Created by urban journalists in the years following the Civil War, the idea of Appalachia provided a counterpoint to emerging definitions of progress. Early-twentieth-century critics of modernity saw the region as a remnant of frontier life, a reflection of simpler times that should be preserved and protected. However, supporters of development and of the growth of material production, consumption, and technology decried what they perceived as the isolation and backwardness of the place and sought to "uplift" the mountain people through education and industrialization. Ronald D Eller has worked with local leaders, state policymakers, and national planners to translate the lessons of private industrial-development history into public policy affecting the region.In Uneven Ground: Appalachia since 1945, Eller examines the politics of development in Appalachia since World War II with an eye toward exploring the idea of progress as it has evolved in modern America. Appalachia's struggle to overcome poverty, to live in harmony with the land, and to respect the diversity of cultures and the value of community is also an American story. In the end, Eller concludes, "Appalachia was not different from the rest of America; it was in fact a mirror of what the nation was becoming."

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If readers of the twentieth century feel overwhelmed by the proliferation of writing and information, they can find in Samuel Johnson a sympathetic companion. Johnson's career coincided with the rapid expansion of publishing in England-not only in English, but in Latin and Greek; not only in books, but in reviews, journals, broadsides, pamphlets, and books about books. In 1753 Johnson imagined a time when "writers will, perhaps, be multiplied, till no readers will be found." Three years later, he wrote that England had become "a nation of authors" in which "every man must be content to read his book to himself." In Samuel Johnson and the Life of Reading, Robert DeMaria considers the surprising influence of one of the greatest readers in English literature. Johnson's relationship to books not only reveals much about his life and times, DeMaria contends, but also provides a dramatic counterpoint to modern reading habits. As a superior practitioner of the craft, Johnson provides a compelling model for how to read-indeed, he provides different models for different kinds of reading. DeMaria shows how Johnson recognized early that not all reading was alike-some requiring intense concentration, some suited for cursory glances, some requiring silence, some best appreciated amid the chatter of a coffeehouse. Considering the remarkable range of Johnson's reading, DeMaria discovers in one extraordinary career a synoptic view of the subject of reading.

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In 1907, in a quiet English village, Theodora Bosanquet answered Henry James’s call for someone to transcribe his edits and additions to his formidable body of work. The aging James had agreed to revise his novels and tales into the twenty-four-volume New York Edition. Enter Bosanquet, a budding writer who would record the dictated revisions and the prefaces that would become a lynchpin of his legacy. Embracing the role of amanuensis and creative counterpoint cautiously at first, Bosanquet kept a daily diary over the nine years that she worked with James, as their extraordinary partnership evolved. Bosanquet became the first audience for James’s compositions and his closest literary associate—and their relationship ultimately resulted in James’s famed “deathbed dictations.” At the same time, the homosexuality of each was an unspoken but important influence on their mutual support and companionship. Susan Herron Sibbet’s posthumous novel gifts us with the voice of a young woman writer drawn into the intimate circle of an aging master, and is a moving addition to previous literary treatments of James and Bosanquet, even as it hews closer to fact than other works do. The Constant Listener is itself the work of an accomplished poet, and will speak to fans of James, historical fiction, and themes of art, love, sexuality, and identity.

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