Search results for ""Twelve""

“Fast-paced and full of wonder, this is a powerful, gripping must-read.”—Kirkus (starred review)“A lush and mysterious fable, full of beauty, full of wonder.”—Rebecca Stead, Newbery Medal–winning author of When You Reach MeNewbery Medalist Erin Entrada Kelly’s debut fantasy novel is a gorgeous, literary adventure about bravery, friendship, self-reliance, and the choice between accepting fate or forging your own path.When Lalani Sarita’s mother falls ill with an incurable disease, Lalani embarks on a dangerous journey across the sea in the hope of safeguarding her own future. Inspired by Filipino folklore, this engrossing fantasy is for readers who loved Grace Lin’s Where the Mountain Meets the Moon and Disney’s Moana. Life is difficult on the island of Sanlagita. To the west looms a vengeful mountain, one that threatens to collapse and bury the village at any moment. To the north, a dangerous fog swallows sailors who dare to venture out, looking for a more hospitable land. And what does the future hold for young girls? Chores and more chores. When Lalani Sarita’s mother falls gravely ill, twelve-year-old Lalani faces an impossible task—she must leave Sanlagita and find the riches of the legendary Mount Isa, which towers on an island to the north. But generations of men and boys have died on the same quest—how can an ordinary girl survive the epic tests of the archipelago? And how will she manage without Veyda, her best friend? Newbery Medalist and New York Times–bestselling author Erin Entrada Kelly’s debut fantasy novel is inspired by Filipino folklore and is an unforgettable coming-of-age story about friendship, courage, and identity. Perfect for fans of Lauren Wolk’s Beyond the Bright Sea and Kelly Barnhill’s The Girl Who Drank the Moon.

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These are strange times. Climate crises. Health crises. Collapsing systems. Influencers. And yes - Jordan Peterson.We are currently living in a (Post) Peterson Paradigm. This book – 12 Rules for (Academic) Life - explores what has happened to teaching, learning and politics through this odd and chaotic intervention. Deploying feminism, this lens and theory offers a glass-sharpened view of this moment in international higher education. It is organized through twelve mantras for higher education in this interregnum, and offers new, radical, edgy and passionate methodologies, epistemologies and ontologies for a University sector searching for a purpose. This is a feminist book which targets a feminist audience, both inside and outside higher education. It presents a clear focus on how this Peterson moment can be managed and challenged, when in future such academics deploy social media in this way. This book is also a part of higher education studies, exploring the role of the public / critical / dissenting / organic intellectual in debates about the political economy, identity/politics and leadership.A question of our time – through a climate emergency, a pandemic and polarized politics – is why Professor Jordan Peterson gained profile and notoriety. The Jordan Peterson moment commenced in September 2016 with his YouTube video, “Professor against political correctness,” and concluded with his debate with Slavoj Zizek on April 19, 2019. From this moment, his credibility was dented, if not destroyed.Jordan Peterson infused scholarly debates with Punch and Judy extremism and misunderstandings. Instead, this book offers research rather than certainty, interpretation rather than dogma, evidence rather than opinion, and theory rather than ‘moral truth.’ The goal is to recalibrate this (Post) Peterson Paradigm, to take stock of how this moment occurred, and how to create a revision of higher education.

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Susan Coolidge’s What Katy Did has captured the imaginations of readers since its first publication in 1872. A classic of American children’s literature, it tells the story of Katy Carr - twelve years old, free-spirited, perennially untidy, endearingly awkward and irrepressibly imaginative. Accompanied by her many siblings, Katy embarks on a series of playful misadventures - when she can escape the watchful eye of her fussy Aunt Izzie - until disaster strikes, and Katy has to learn a series of important lessons about life, happiness and growing up. In time for the 150th anniversary of its first publication, this is the first edition of What Katy Did to provide readers with a full introduction to the text, one which describes a context for both the challenges Katy faces in meeting the expectations of nineteenth-century young womanhood, and a consideration of her ongoing significance in the twenty-first century. A must read for fans of Little Women, this unique edition has been carefully designed to introduce a new generation to Katy and her escapades. Edited by specialists in the genre, it combines aesthetics, accessibility and academic rigour. Hilary Emmett and Thomas Ruys Smith, both based in the School of Art, Media and American Studies at the University of East Anglia, are experts in nineteenth century children's literature and the authors and editors of a variety of books including, most recently, The Oxford Handbook of Charles Brockden Brown (Emmett) and Deep Water: The Mississippi River in the Age of Mark Twain (Smith). Crucially, it has accessibility at its heart: the editors were passionate that this book should be approachable for those with visual impairments and dyslexia but without sacrificing the aesthetic beauty of the finished book for the general reader. This is a valuable edition to be treasured and handed on to future fans of Katy and her world.

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All Arto der Haroutunian’s twelve cookbooks written in the 1980s became classics; it was his belief that the rich culinary tradition of the Middle East is the main source of many of our Western cuisines and his books were intended as an introduction to that tradition. His Sweets & Desserts of the Middle East is regarded as the seminal work on the subject but it had been out of print for almost thirty years. At last here in a new edition is the Middle Eastern cookbook that everyone wants. In this book he takes us on a sumptuous and erudite tour of one of the delights of Middle Eastern cuisine. Sweets and desserts occupy a special place in those lands where natutal food resources can sometimes be limited. The people have made supreme the art of creating delights from very little and in doing do have enriched their world with wafer-thin pastries, luscious halvas, crunchy biscuits, exotic fruits and cool refreshing sorbets. Many Middle Eastern desserts are very sweet (literally soaked in honey or syrup) and yet their variety is infinite. It reflects the multifarious origins and races of the people of the region and combines ancient traditions and modern influences. One basic sweet may have been adapted in a dozen different ways. Tantalisingly fragrant, sweet and succulent or dry and spiced with the aroma of the East they transport us as if by magic carpet to the exotic lands of the orient. There are recipes for sesame and date baklavas, almond and pistachio coated biscuits, tempting stuffed fruits, rich mousses, delicate sorbets and syrups, jams and preserves, all of which may tempt you to conjure up these Middle Eastern delicacies in your own home.

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Inspired by a true story, a beautiful novel-in-verse about a child far from home. From award-winning poet Liz Berry.*SHORTLISTED FOR THE WRITERS' PRIZE FOR POETRY 2024*'A profound act of witness to a long injustice, and a beautifully crafted conjuring of a life lived as truly as possible' Guardian 'Book of the Day''Ground-breaking' Benjamin Zephaniah'Exquisite' Hannah Lowe, author of The Kids'Home's not a place, you must believe this,but one who names you and means beloved.'In 1908, Eliza Showell, twelve years old and newly orphaned, boards a ship that will carry her from the slums of the Black Country to rural Nova Scotia. She will never return to Britain or see her family again. She is a Home Child, one of thousands of British children sent to Canada to work as indentured farm labourers and domestic servants.In Nova Scotia, Eliza's world becomes a place where ordinary things are transfigured into treasures - a red ribbon, the feel of a foal's mane, the sound of her name on someone else's lips. With nothing to call her own, the wild beauty of Cape Breton is the only solace Eliza has - until another Home Child, a boy, comes to the farm and changes everything.Inspired by the true story of Liz Berry's great aunt, this spellbinding novel in verse is an exquisite portrait of a girl far from home.'Vivid, compassionate and makes Eliza Showell's voice heard at last' Financial Times *Best Poetry Books of summer 2023*'A haunting, deeply compelling narrative' Andrew McMillan, author of physical'Only Liz Berry could write such raw and staggeringly beautiful poems' Fiona Benson, author of Vertigo & Ghost

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Finalist for the 2021 PEN/Robert W. Bingham Prize for Debut Short Story Collection Finalist for the Los Angeles Times Art Seidenbaum Award for First Fiction“A House Is a Body will not simply be talked about as one of the greatest short story collections of the 2020s; it will change the way all stories—short and long—are told, written, and consumed. There is nothing, no emotion, no tiny morsel of memory, no touch, that this book does not take seriously. Yet, A House Is a Body might be the most fun I’ve ever had in a short story collection.” —Kiese Laymon, author of Heavy Dreams collide with reality, modernity with antiquity, and myth with identity in the twelve arresting stories of A House Is a Body. Set in the United States and India, Swamy’s characters grapple with motherhood, relationships, and their bodies to reveal small but intense internal moments of beauty, pain, and power that contain the world. In “Earthly Pleasures,” a young painter living alone in San Francisco begins a secret romance with one of India’s biggest celebrities, and desire and ego are laid bare. In “A Simple Composition,” a husband’s professional crisis leads to his wife’s discovery of a dark, ecstatic joy. And in the title story, an exhausted mother watches, hypnotized by fear, as a California wildfire approaches her home. Immersive and assured, provocative and probing, these are stories written with the edge and precision of a knife blade.A House Is a Body introduces a bold and original voice in fiction, from a writer at the start of a stellar career. Don't miss Shruti Swamy's debut novel, The Archer (available September 7, 2021), which has already been longlisted for the Center for Fiction First Novel Prize.

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A new critical assessment of the works of the Austrian-Jewish author, in whom there has been a recent resurgence of interest, from the perspective of world literature. The twenty-first century has seen a renewed surge of cultural and critical interest in the works of the Austrian-Jewish author Stefan Zweig (1881-1942), who was among the most-read and -acclaimed authors worldwide in the 1920s and1930s but after 1945 fell into critical disfavor and relative obscurity. The resurgence in interest in Zweig and his works is attested to by, among other things, new English translations and editions of his works; a Brazilian motion picture and a best-selling French novel about his final days; and a renewed debate surrounding the literary quality of his work in the London Review of Books. This global return to Zweig calls for a critical reassessment of his legacy and works, which the current collection of essays provides by approaching them from a global perspective as opposed to the narrow European focus through which they have been traditionally approached. Together, theintroduction and twelve essays engage the totality of Zweig's published and unpublished works from his drama and his fiction to his letters and his biographies, and from his literary and art criticism to his autobiography. Contributors: Richard V. Benson, Jeffrey B. Berlin, Darién J. Davis, Marlen Eckl, Mark H. Gelber, Robert Kelz, Klemens Renoldner, Birger Vanwesenbeeck, John Warren, Klaus Weissenberger, Robert Weldon Whalen, Geoffrey Winthrop-Young. Birger Vanwesenbeeck is Associate Professor of English at the State University of New York at Fredonia. Mark H. Gelber is Senior Professor of Comparative Literature and German-Jewish Studies at Ben-Gurion University of the Negev, Israel.

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When the eleven- and twelve-year-olds on the Cannon Street YMCA All-Star team registered for a baseball tournament in Charleston, South Carolina, in June 1955, it put the team and the forces of integration on a collision course with segregation, bigotry, and the southern way of life. White teams refused to take the field with the Cannon Street All-Stars, the first Black Little League team in South Carolina. The Cannon Street team won the tournament by forfeit and advanced to the state tournament. When all the white teams withdrew in protest, the Cannon Street team won the state tournament. If the team had won the regional tournament in Rome, Georgia, it would have advanced to the Little League World Series. But Little League officials ruled the team ineligible to play in the tournament because it had advanced by winning on forfeit and not on the field, denying the boys their dream of playing in the Little League World Series. Little League Baseball invited the Cannon Street All-Stars to be the organization’s guests at the World Series, where they heard spectators yell, “Let them play! Let them play!” when the ballplayers were introduced. This became a national story for a few weeks but then faded and disappeared as Americans read of other civil rights stories, including the torture and murder of fourteen-year-old Emmett Till.Stolen Dreams is the story of the Cannon Street YMCA All-Stars and of the early civil rights movement. It’s also the story of centuries of bigotry in Charleston, South Carolina—where millions of enslaved people were brought to this country and where the Civil War began, where segregation remained for a century after the war ended and anyone who challenged it did so at their own risk.

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Booklist starred reviewBlack activist Opal Lee had a vision of Juneteenth as a holiday for everyone. This true story celebrates Black joy and inspires children to see their dreams blossom. Growing up in Texas, Opal knew the history of Juneteenth, but she soon discovered that many Americans had never heard of the holiday. Join Opal on her historic journey to recognize and celebrate "freedom for all."Every year, Opal looked forward to the Juneteenth picnic—a drumming, dancing, delicious party. She knew from Granddaddy Zak's stories that Juneteenth celebrated the day the freedom news of President Lincoln's Emancipation Proclamation finally sailed into Texas in 1865—over two years after the president had declared it! But Opal didn't always see freedom in her Texas town. Then one Juneteenth day when Opal was twelve years old, an angry crowd burned down her brand-new home. This wasn't freedom at all. She had to do something! But could one person’s voice make a difference? Could Opal bring about national recognition of Juneteenth? Follow Opal Lee as she fights to improve the future by honoring the past.Through the story of Opal Lee's determination and persistence, children ages 4 to 8 will learn: all people are created equal the power of bravery and using your voice for change the history of Juneteenth, or Freedom Day, and what it means today no one is free unless everyone is free fighting for a dream is worth the difficulty experienced along the way Featuring the illustrations of New York Times bestselling illustrator Keturah A. Bobo (I am Enough), Opal Lee and What It Means to Be Free by Alice Faye Duncan celebrates the life and legacy of a modern-day Black leader while sharing a message of hope, unity, joy, and strength.

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Shuri and T'Challa set out to remove a curse from Wakanda in this action-packed, totally original graphic novel! Twelve-year-old Shuri is a lot of things. Scientist. Princess. All around cooler person than her pain-in-the-butt big brother T'Challa. Shuri knows she could do so much more to help Wakanda, but everyone is obsessed with the prince because he's the next Black Panther. That is, until Soul Washing Day, one of the most important rituals of Wakandan society. When an argument between T'Challa and Shuri leads to one of Shuri's inventions accidentally destroying the sacred ceremony site, chaos reigns instead of prosperity. Suddenly the people of Wakanda, including her mother the queen, are becoming sick! Could this be a curse from the ancestors? Desperate to save her mother, Shuri dives into research and finds an answer hidden deep in an ancient children's myth. It may be nothing more than a fantasy, but with the sickness spreading each day, the young princess must trust her instincts and travel deep into the mysterious Heartlands to save her family and her kingdom. Joining Shuri on her journey is none other than a meddling T'Challa. If Shuri and T'Challa can set aside their jealousy and resentment of each other long enough to survive this journey, they might just discover that they are far more powerful together than they could ever be apart. But if they can't face their fears in the Heartlands and lift the so-called curse, it may not be just the end for their family, but the end of Wakanda as they know it. No pressure, right? Vivid full-colour art An Original Black Panther Graphic Novel An action-packed adventure, perfect for 8+

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A unique and engaging account of local urban decision-making within the globalizing world High Point, North Carolina, is known as the “Furniture Capital of the World.” Once a manufacturing stronghold, most of its furniture factories have closed over the past forty years, with production shipped off to low-wage countries. Yet as manufacturing left, the city tightened its hold on a biannual global exposition that serves as the world’s furniture fashion runway. At the High Point Market, visitors from more than one hundred nations traverse twelve million square feet of meticulous design. Downtown buildings—once courthouses, movie theaters, post offices, and gas stations—are now chic showroom spaces, even as many sit empty between each exposition.In Showroom City, John Joe Schlichtman applies an ethnographic lens to the global exposition’s relationship with High Point after it defeated rival Chicago in the 1960s and established itself as the world’s dominant furniture center. In recent decades, following trends in global finance, private equity firms were increasingly behind downtown High Point’s real estate transactions, coordinated by buyers far removed from the region. Then, in one massive transaction in 2011, a firm funded by Bain Capital purchased every major showroom building, and the majority of downtown real estate was under one owner. Showroom City is a story of exclusionary growth and unchecked development, of a city flailing to fill the void left by its dwindling factories. But beyond that Schlichtman engages the general lessons behind both High Point’s deindustrialization and its stunning reinvention as a furniture fashion, merchandising, and design node. With great nuance, he delves deeply to reveal how power operates locally and how citizens may affirm, exploit, influence, and resist the takeover of their community.

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Did you hear the one about the Mother Superior who was so busy casting the first stone that she got caught in flagrante delicto with her lover? What about the drunk with a Savior complex who was fool enough to believe himself to be the Second Coming? And that's nothing compared to what happens when comedy gets its grubby paws on the confessional. Enter fifteenth- and sixteenth-century French farce, the "bestseller" of a world that stands to tell us a lot about the enduring influence of a Shakespeare or a Molière. It's the sacrilegious world of Immaculate Deception, the third volume in a series of stage-friendly translations from the Middle French. Brought to you through the wonders of Open Access, these twelve engagingly funny satires target religious hypocrisy in that in-your-face way that only true slapstick can muster. There is literally nothing sacred. Why this repertoire and why now? The current political climate has had dire consequences for the pleasures of satire at a cultural moment when we have never needed it more. It turns out that the proverbial Dark Ages had a lighter side; and France's over 200 rollicking, frolicking, singing, and dancing comedies—more extant than in any other vernacular—have waited long enough for their moment in the spotlight. They are seriously funny: funny enough to reclaim their place in cultural history, and serious enough to participate in the larger conversation about what it means to be a social influencer, then and now. Rather than relegate medieval texts to the dustbin of history, an unabashedly feminist translation can reframe and reject the sexism of bygone days by doing what theater always invites us to do: interpret, inflect, and adapt.

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For the average tourist, the history of Philadelphia can be like a leisurely carriage ride through Old City. The Liberty Bell. Independence Hall. Benjamin Franklin. The grooves in the cobblestone are so familiar, one barely notices the ride. Yet there are other paths to travel, and the ride can be bumpy. Beyond the famed founders, other Americans walked the streets of Philadelphia whose lives were, in their own ways, just as emblematic of the promises and perils of the new nation. Philadelphia Stories chronicles twelve of these lives to explore the city's people and places from the colonial era to the years before the Civil War. This collective portrait includes men and women, Black and white Americans, immigrants and native born. If mostly forgotten today, banker Stephen Girard was one of the wealthiest men ever to have lived, and his material legacy can be seen by visiting sites such as Girard College. In a different register, but equally impressive, were the accomplishments of Sarah Thorn Tyndale. In a few short years as a widow she made enough money on her porcelain business to retire to a life as a reformer. Others faced frustration. Take, for example, Grace Growden Galloway. Born to an important family, she saw her home invaded and her property confiscated by patriot forces. Or consider the life of Francis Johnson, a Black bandleader and composer who often performed at the Musical Fund Hall, which still stands today. And yet he was barred from joining its Society. Philadelphia Stories examines their rich lives, as well as those of others who shaped the city's past. Many of the places inhabited by these people survive to this day. In the pages of this book and on the streets of the city, one can visit both the people and places of Philadelphia's rich history.

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In the early modern period, the religious fervor of the Reformation and Counter-Reformation, social unrest, and millenarianism all seemed to foster greater anti-Judaism in Christian Europe, yet the increased intolerance was also accompanied by more intimate and complex forms of interaction between Christians and Jews. Printing, trade, and travel combined to bring those from both sides of the religious divide into closer contact than ever before, while growing interest in magic and the Kabbalah encouraged Christians to study Hebrew in addition to Latin and Greek. In Hebraica Veritas? Christian Hebraists and the Study of Judaism in Early Modern Europe, noted scholars trace how these early modern encounters played key roles in defining attitudes toward personal, national, and religious identity in Western culture. As Christians increasingly patronized Jewish scholars, in person and in print, Christian Hebraism flourished. The twelve essays assembled here address the important but often neglected subject of the early modern encounter between Christians and Jews. They illustrate how this envolvement shaped each group's self-perception and sense of otherness and contributed to the emergence of the modern study of cultural anthropology, comparative religion, and Jewish studies. But the chapters also reveal how the encounter challenged traditional religious beliefs, fostering the skepticism, toleration, and irreligion conventionally associated with the Enlightenment. Many of the Christian Hebraists described in these essays were linguists and textual critics, and their work highlights the ambiguous role played by language and texts in transmitting natural and divine truth. It was during the early modern period that numerous concepts underpinning modern Western secular society came into existence, and as Hebraica Veritas? shows, the subject of Christian Hebraism has direct relevance to understanding the intellectual changes and challenges characterizing the transition from the ancient to the modern world.

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In January 1890, journalist T. Thomas Fortune stood before a delegation of African American activists in Chicago and declared, "We know our rights and have the courage to defend them," as together they formed the Afro-American League, the nation's first national civil rights organization. Over the next two decades, Fortune and his fellow activists organized, agitated, and, in the process, created the foundation for the modern civil rights movement. An Army of Lions: The Civil Rights Struggle Before the NAACP traces the history of this first generation of activists and the organizations they formed to give the most comprehensive account of black America's struggle for civil rights from the end of Reconstruction to the formation of the National Association for the Advancement of Colored People in 1909. Here a host of leaders neglected by posterity—Bishop Alexander Walters, Mary Church Terrell, Jesse Lawson, Lewis G. Jordan, Kelly Miller, George H. White, Frederick McGhee, Archibald Grimké—worked alongside the more familiar figures of Ida B. Wells-Barnett, W. E. B. Du Bois, and Booker T. Washington, who are viewed through a fresh lens. As Jim Crow curtailed modes of political protest and legal redress, members of the Afro-American League and the organizations that formed in its wake—including the Afro-American Council, the Niagara Movement, the Constitution League, and the Committee of Twelve—used propaganda, moral suasion, boycotts, lobbying, electoral office, and the courts, as well as the call for self-defense, to end disfranchisement, segregation, and racial violence. In the process, the League and the organizations it spawned provided the ideological and strategic blueprint of the NAACP and the struggle for civil rights in the twentieth century, demonstrating that there was significant and effective agitation during "the age of accommodation."

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Five hundred years after Columbus's first voyage to the New World, the debate over the European impact on Native American civilization has grown more heated than ever. Among the first—and most insistent—voices raised in that debate was that of a Spanish priest, Bartolomé de Las Casas, acquintance of Cortes and Pizarro and shipmate of Velasquez on the voyage to conquer Cuba. In 1552, after forty years of witnessing—and opposing—countless acts of brutality in the new Spanish colonies, Las Casas returned to Seville, where he published a book that caused a storm of controversy that persists to the present day.The Devastation of the Indies is an eyewitness account of the first modern genocid, a story of greed, hypocrisy, and cruelties so grotesque as to rival the worst of our own century. Las Casas writes of men, women and children burned alive "thirteen at a time in memoery of Our Redeemer and his twelve apostles." He describes butcher shops that sold human flesh for dog food ("Give me a quarter of that rascal there," one customer says, "until I can kill some more of my own"). Slave ship captains navigate "without need if compass or charts," following instead the trail of floating corpes tossed overboard by the ship before them. Native kings are promised peace, then slaughted. Whole families hang themselves in despair. Once-fertile islands are turned to desert, the wealth of nations plundered, millions killed outright, whole peoples annihilated.In an introduction, historian Bill M. Donovan provides a brief biography of Las Casas and reviews the controversy his work produced among Europeans, whose indignation—and denials—lasted centuries. But the book itself is short. "Were I to describe all this," writes Las Casas of the four decades of suffering he witnessed, "no amount of time and paper could emcimpass this task."

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Rife with incest, adultery, rape, and murder, the biblical story of Jacob and his children must have troubled ancient readers. By any standard, this was a family with problems. Jacob's oldest son Reuben is said to have slept with his father's concubine Bilhah. The next two sons, Simeon and Levi, tricked the men of a nearby city into undergoing circumcision, and then murdered all of them as revenge for the rape of their sister. Judah, the fourth son, had sexual relations with his own daughter-in-law. Meanwhile, jealous of their younger sibling Joseph, the brothers conspired to kill him; they later relented and merely sold him into slavery. These stories presented a particular challenge for ancient biblical interpreters. After all, Jacob's sons were the founders of the nation of Israel and ought to have been models of virtue. In The Ladder of Jacob, renowned biblical scholar James Kugel retraces the steps of ancient biblical interpreters as they struggled with such problems. Kugel reveals how they often fixed on a little detail in the Bible's wording to "deduce" something not openly stated in the narrative. They concluded that Simeon and Levi were justified in killing all the men in a town to avenge the rape of their sister, and that Judah, who slept with his daughter-in-law, was the unfortunate victim of alcoholism. These are among the earliest examples of ancient biblical interpretation (midrash). They are found in retellings of biblical stories that appeared in the closing centuries BCE--in the Book of Jubilees, the Aramaic Levi Document, the Testaments of the Twelve Patriarchs, and other noncanonical works. Through careful analysis of these retellings, Kugel is able to reconstruct how ancient interpreters worked. The Ladder of Jacob is an artful, compelling account of the very beginnings of biblical interpretation.

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Spirited verse.Prudentius (Aurelius Prudentius Clemens) was born in AD 348 probably at Caesaraugusta (Saragossa) and lived mostly in northeastern Spain, but visited Rome between 400 and 405. His parents, presumably Christian, had him educated in literature and rhetoric. He became a barrister and at least once later on an administrator; he afterwards received some high honor from Emperor Theodosius. Prudentius was a strong Christian who admired the old pagan literature and art, especially the great Latin poets whose forms he used. He looked on the Roman achievement in history as a preparation for the coming of Christ and the triumph of a spiritual empire. The Loeb Classical Library edition of the poems of Prudentius is in two volumes. Volume I presents: “Preface” (Praefatio); “The Daily Round” (Liber Cathemerinon); twelve literary and attractive hymns, parts of which have been included in the Breviary and in modern hymnals; “The Divinity of Christ” (Apotheosis), which maintains the Trinity and attacks those who denied the distinct personal being of Christ; “The Origin of Sin” (Hamartigenia) attacking the separation of the “strict” God of the Old Testament from the “good” God revealed by Christ; “Fight for Mansoul” (Psychomachia), which describes the struggle between (Christian) Virtues and (Pagan) Vices; and the first book of “Against the Address of Symmachus” (Contra Orationem Symmachi), in which pagan gods are assailed. The second volume contains the second book of “Against the Address of Symmachus,” opposing a petition for the replacement of an altar and statue of Victory; “Crowns of Martyrdom” (Peristephanon Liber), fourteen hymns to martyrs mostly of Spain; “Lines To Be Inscribed under Scenes from History” (Tituli Historiarum), forty-nine four-line stanzas that are inscriptions for scenes from the Bible depicted on the walls of a church; and an Epilogue.

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Samuel Heilman's eloquent account of the traditional customs that are put into practice when a Jewish person dies provides both an informative anthropological perspective on Jewish rites of mourning and a moving chronicle of the loss of his own father. This unique narrative crosses and recrosses the boundary between the academic and the religious, the personal and the general, reflecting Heilman's changing roles as social scientist, bereaved son, and observant Jew. Not only describing but explaining the cultural meaning behind Jewish practices and traditions, this extraordinary book shows what is particular and what is universal about Jewish experiences of death, bereavement, mourning, and their aftermath. Heilman describes the many phases of death: the moment between life and death, the transitional period when the dead have not yet been laid to rest, the preparation of the body (tahara), the Jewish funeral, the early seven-day period of mourning (shivah), the nearly twelve months during which the kaddish is recited, and the annual commemorations of bereavement. The richly informative ethnography that surrounds Heilman's personal account deepens our understanding of the customs and traditions that inform the Jewish cultural response to death. "When a Jew Dies" concludes by revealing the rhythm that lies beneath the Jewish experience with death. It finds that however much death has thrown life into disequilibrium, the Jewish response is to follow a precisely timed series of steps during which the dead are sent on their way and the living are reintegrated into the group and into life. Filled with absorbing detail and insightful interpretations that draw from social science as well as Jewish sources, this book offers new insight into one of the most profound and often difficult situations that almost everyone must face. It offers cover illustration by Max Ferguson.

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As a child, Solveig Torvik heard stories of a lost, mysterious great-grandfather who left Finland for America to make his fortune - leaving Torvik’s great-grandmother and his unborn daughter behind. As a reporter, Torvik determined to discover the fate of the man who followed his dreams to Oregon. She uncovered not only the story of one man, but also the saga of an entire family. In Nikolai’s Fortune, a tale of Scandinavian women, the journalist turns fact into fiction and shares the tales of her ancestors as she imagines they would have told them. Nikolai's Fortune is a heartbreaking, multigenerational epic, chronicling family secrets and sufferings against the backdrop of Scandinavian history and culture. Blending memoir and historical fiction, grandmother, mother, and daughter each share their own story: Kaisa, of her mother’s love for Nikolai and her own 500-mile trek at the age of twelve from impoverished Finland across the snowy mountains of Lapland; Berit, of child slavery and an obsession with seeking out her grandfather’s fortune for her mother; and Hannah, the voice of Torvik, of her childhood during the Nazi occupation of Norway and her family’s emigration to Idaho. Through detailed historical research into census, church, and weather records, as well as academic and museum sources, Torvik recaptures a dramatic story nearly lost to memory and inherits something worth more than a fortune in riches – a sense of her family history, ethnic background, and the generations of remarkable women who came before her. Norwegian-born Solveig Torvik was a reporter, editor, and columnist at the Seattle Post-Intelligencer for thirty years. She was also a reporter for United Press International in Salt Lake City and for the San Francisco Chronicle, and an editor at the San Jose Mercury News.

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The effect of Western influence on the later Ottoman Empire and on the development of the modern Turkish nation-state links these twelve essays by a prominent American scholar. Roderic Davison draws from his extensive knowledge of Western diplomatic history and Turkish history to describe a period in which the actions of the Great Powers, incipient and rising nationalisms, and Westernizing reforms shaped the destiny of the Ottoman Empire and the creation of the new Turkish Republic.Eleven of the essays were previously published in widely scattered journals and multi-authored volumes. The first of these provides a general survey of Turkish and Ottoman history, from early Turkish times to the end of the Empire. The following essays continue chronologically from 1774, detailing some of the changes in the nineteenth-century Empire. Several themes recur. One is the impact of Western ideas and institutions and the resistance to that influence by some elements in the Empire. Another concerns the diplomatic pressure exerted by the Great Powers of Europe on the Empire, which amounted at times to direct intervention in Ottoman domestic affairs. Taken together, the essays portray a confluence of civilizations as well as a clash of cultures.Professor Davison has written an interpretive introduction that sets out the historical trends running throughout the book. In addition, he includes a previously unpublished article on the advent of the electric telegraph in the Ottoman Empire to show how the adoption of a Western technological advance could affect many areas of life.Of particular interest to students of Ottoman and Middle East history, these essays will also be valuable for everyone concerned with modernization in developing nations. Davison's interpretations and keen methodological sense also shed new light on several aspects of European diplomatic history.

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When Dave Hickey was twelve, he rode the surfer's dream: the perfect wave. And, like so many things in life we long for, it didn't quite turn out----he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which just about killed him. Fortunately, for Hickey and for us, he survived, and continues to battle, decades into a career as one of America's foremost critical iconoclasts, a trusted, even cherished no-nonsense voice commenting on the all-too-often nonsensical worlds of art and culture. Perfect Wave brings together essays on a wide range of subjects from throughout Hickey's career, displaying his usual breadth of interest and powerful insight into what makes art work, or not, and why we care. With Hickey as our guide, we travel to Disneyland and Vegas, London and Venice. We discover the genius of Karen Carpenter and Waylon Jennings, learn why Robert Mitchum matters more than Jimmy Stewart, and see how the stillness of Antonioni speaks to us today. Never slow to judge or to surprise us in doing so Hickey powerfully relates his wincing disappointment in the later career of his early hero Susan Sontag, and shows us the appeal to our commonality that we've been missing in Norman Rockwell. With each essay, the doing is as important as what's done; the pleasure of reading Dave Hickey lies nearly as much in spending time in his company as in being surprised to find yourself agreeing with his conclusions. Bookended by previously unpublished personal essays that offer a new glimpse into Hickey's own life including the aforementioned slam-bang conclusion to his youthful surfing career Perfect Wave is not a perfect book. But it's a damn good one, and a welcome addition to the Hickey canon.

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Author Deborah Ellis travels across the continent, interviewing more than forty Native American kids and letting them tell their own stories. They come from all over the continent — from Iqaluit to Texas, Haida Gwaii to North Carolina. Their stories are sometimes heartbreaking; more often full of pride and hope. You’ll meet Tingo, who has spent most of his young life living in foster homes and motels, and is now thriving after becoming involved with a Native Friendship Center; Myleka and Tulane, young Navajo artists; Eagleson, who started drinking at age twelve but now continues his family tradition working as a carver in Seattle; Nena, whose Seminole ancestors remained behind in Florida during the Indian Removals, and who is heading to New Mexico as winner of her local science fair; Isabella, who defines herself more as Native than American; Destiny, with a family history of alcoholism and suicide, who is now a writer and pow-wow dancer. Deborah briefly introduces each child and then steps back, letting the kids speak directly to the reader. The result is a collection of frank and often surprising interviews with kids aged nine to eighteen, as they talk about their daily lives, about the things that interest them, and about how being Indigenous has affected who they are and how they see the world. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RI.6.3 Analyze in detail how a key individual, event, or idea is introduced, illustrated, and elaborated in a text (e.g., through examples or anecdotes). CCSS.ELA-LITERACY.RI.6.6 Determine an author's point of view or purpose in a text and explain how it is conveyed in the text. CCSS.ELA-LITERACY.RI.6.9 Compare and contrast one author's presentation of events with that of another (e.g., a memoir written by and a biography on the same person).

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Migrants cuts through the toxic debates to tell the rich and collective stories of humankind's urge to move.'Fascinating... Miller's perspective may be just what we need' Daily Telegraph'Enjoyable, provocative and timely' Spectator'Timely and empathetic: a rare combination on this most controversial issue' Remi Adekoya, author of Biracial Britain'Tremendous: blends the personal and the panoramic to great effect' Robert Winder, author of Bloody ForeignersHumans are, in fundamental ways, a migratory species, more so than any other land mammal. For most of our existence , we were all nomads, and some of us still are. Houses and permanent settlements are a relatively late development - dating back little more than twelve thousand years. Borders and passports are much more recent. From the Neanderthals, Alexander the Great, Christopher Columbus and Pocahontas to the African slave trade, Fu Manchu, and Barack Obama, Migrants shows us that it is only by understanding how migration and migrants have been viewed in the past, that we can re-set the terms of the modern-day debate about migration.Migrants presents us with an alternative history of the world, in which migration is restored to the heart of the human story. And in which humans migrate for a wide range of reasons: not just because of civil war, or poverty or climate change but also out of curiosity and a sense of adventure. On arrival, migrants are expected both to assimilate and encouraged to remain distinctive; to defend their heritage and adopt a new one. They are sub-human and super-human; romanticised and castigated, admired and abhorred. Migrants tells us that this is not a new narrative; this is the history of us all, part of everybody's backstory - for those who consider themselves migrants and those who do not.

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A New Yorker writer’s intimate, revealing account of Tupac Shakur’s life and legacy, timed to the fiftieth anniversary of his birth and twenty-fifth anniversary of his death.In the summer of 2020, Tupac Shakur’s single “Changes” became an anthem for the worldwide protests against the murder of George Floyd. The song became so popular, in fact, it was vaulted back onto the iTunes charts more than twenty years after its release—making it clear that Tupac’s music and the way it addresses systemic racism, police brutality, mass incarceration, income inequality, and a failing education system is just as important now as it was back then. In Changes, published to coincide with the fiftieth anniversary of Tupac’s birth and twenty-fifth anniversary of his death, Sheldon Pearce offers one of the most thoughtful and comprehensive accounts yet of the artist’s life and legacy. Pearce, an editor and writer at The New Yorker, interviews dozens who knew Tupac throughout various phases of his life. While there are plenty of bold-faced names, the book focuses on the individuals who are lesser known and offer fresh stories and rare insight. Among these are the actor who costarred with him in a Harlem production of A Raisin in the Sun when he was twelve years old, the high school drama teacher who recognized and nurtured his talent, the music industry veteran who helped him develop a nonprofit devoted to helping young artists, the Death Row Records executive who has never before spoken on the record, and dozens of others. Meticulously woven together by Pearce, their voices combine to portray Tupac in all his complexity and contradiction. This remarkable book illustrates not only how he changed during his brief twenty-five years on this planet, but how he forever changed the world.

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This biography of Jacques Derrida (1930–2004) tells the story of a Jewish boy from Algiers, excluded from school at the age of twelve, who went on to become the most widely translated French philosopher in the world – a vulnerable, tormented man who, throughout his life, continued to see himself as unwelcome in the French university system. We are plunged into the different worlds in which Derrida lived and worked: pre-independence Algeria, the microcosm of the École Normale Supérieure, the cluster of structuralist thinkers, and the turbulent events of 1968 and after. We meet the remarkable series of leading writers and philosophers with whom Derrida struck up a friendship: Louis Althusser, Emmanuel Levinas, Jean Genet, and Hélène Cixous, among others. We also witness an equally long series of often brutal polemics fought over crucial issues with thinkers such as Michel Foucault, Jacques Lacan, John R. Searle, and Jürgen Habermas, as well as several controversies that went far beyond academia, the best known of which concerned Heidegger and Paul de Man. We follow a series of courageous political commitments in support of Nelson Mandela, illegal immigrants, and gay marriage. And we watch as a concept – deconstruction – takes wing and exerts an extraordinary influence way beyond the philosophical world, on literary studies, architecture, law, theology, feminism, queer theory, and postcolonial studies. In writing this compelling and authoritative biography, Benoît Peeters talked to over a hundred individuals who knew and worked with Derrida. He is also the first person to make use of the huge personal archive built up by Derrida throughout his life and of his extensive correspondence. Peeters’ book gives us a new and deeper understanding of the man who will perhaps be seen as the major philosopher of the second half of the twentieth century.

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Box Set: 12 Books Ages: 4 to 6 Stage 2: Emerging Readers The books in Bob Books Set 2 provide your new reader with more material at the beginning level. These twelve stories in three- and four-letter words will build confidence through practice. Simple text combined with slightly longer stories build reading stamina. Elements of humour and surprise keep children's interest high. Add Bob Books Set 2 to your collection for invaluable beginning reading practice. Reading this foundation set ensures children have mastered basic phonics before they advance to consonant blends. Inside the box you'll find: 12 easy-to-read books, 16 pages each Mostly two and three letter words (C-V-C words) Can be 'sounded out' (phonics based) Limited sight words 20 to 30 words per book ABOUT BOBS BOOKS Bob Books is a true first reader series, designed to make helping children learn to read simple and straightforward. The clean layout, short words, and simple phonics make learning to read a fun and natural step for a child that knows the alphabet. Bob Books is designed to give young children the tools to cross from learning letters to reading words. Our award-winning beginning reader book sets start slowly and progress from books with three letter words, to books with more than one sentence per page. Because we meet children at the right level, parents are often amazed at how quickly their child is able to sound out words when reading their first Bob Book. Bob Books covers four reading stages... Pre-Readings Skills Recognize shapes, patterns, and other pre-reading skills Stage 1: Starting to Read From learning the alphabet to sounding out your first words Stage 2: Emerging Readers Sentences become longer and sight words are introduced Stage 3: Developing Readers Words and sentences become longer, and new rules are introduced

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When Phyllis Tickle's marvelous devotional trilogy The Divine Hours™ appeared, readers responded with gratitude, praise, and a great many requests for an edition of hourly prayers that they could easily carry with them--an edition that would make this ancient form of Christian worship compatible with the pace and mobility of modern life. Now, in The Divine Hours Pocket Edition™, Tickle has gathered one full week of fixed-hour prayers, providing an ideal companion for travellers, office-workers, people on retreat or pilgrimage, as well as newcomers to this age-old spiritual practice. As Tickle writes in her introduction, "prayer is always a place as well as an action, and the daily offices are like small chapels or wayside stations within the day's courses." Seven of these daily offices are offered for each day of the week, and each office contains the Call to Prayer, the Request for Presence, the Greeting, the Reading, the Gloria, the Psalm, the Small Verse, the Lord's Prayer, the Petition, and the Final Thanksgiving. Tickle draws her texts primarily from the Book of Common Prayer and the writings of the Church Fathers, and includes memorable devotional and meditative poems by Cleland McAfee, Charles Wesley, Phos Hilaron, and others. Tickle also provides a chapter of "Traditional, Seasonal, and Occasional Prayers" in order to accommodate special dates like Advent, Christmas, Easter, and Thanksgiving; major life-changes such as marriage, birth, death, and illness; and moments of special petition or thanksgiving. For all those who want to carry a "small chapel" of prayers with them, The Divine Hours Pocket Edition™ offers a convenient, easy-to-use, and deeply spiritual guide to a devotional practice that extends all the way back to Christ and the twelve Apostles.

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Ready to go beyond the basics? Expand the limits of what’s possible with the Pathfinder Advanced Player’s Guide! This 272-page Pathfinder Second Edition rulebook contains exciting new rules options for player characters, adding even more depth of choice to your Pathfinder game! Inside you will find brand new ancestries, heritages, and four new classes: the shrewd investigator, the mysterious oracle, the daring swashbuckler, and the hex-slinging witch! The must-have Advanced Player’s Guide also includes exciting new options for all your favorite Core Rulebook classes and tons of new backgrounds, general feats, spells, items, and 40 flexible archetypes to customize your play experience even further! This deluxe special edition is bound in faux leather with metallic deboss cover elements and a bound-in ribbon bookmark. The perfect way to commemorate Pathfinder's new edition! (Cover color and design subject to change.) The Pathfinder Advanced Player’s Guide includes: • Four new classes: the investigator, oracle, swashbuckler, and witch! • Five new ancestries and five heritages for any ancestry: celestial aasimars, curious catfolk, hagspawned changelings, vampiric dhampirs, fate-touched duskwalkers, scaled kobolds, fierce orcs, fiendish tieflings, industrious ratfolk, and feathered tengu! • 40 new archetypes including multiclass archetypes for the four new classes, Pathfinder favorites like the cavalier, dragon disciple, shadowdancer, and vigilante, and brand-new archetypes like the familiar master and the shield-bearing iron wall! • New class options for all twelve classes from the Pathfinder Core Rulebook including champions of evil, genie and shadow sorcerers, zen archer monks, rogue masterminds, spellcasting rangers, and more! • Even more exciting new rules, from rare and unique backgrounds to investigative skill feats, from spells and rituals like reincarnate and create demiplane to new items including special wands with unusual effects and exciting potions worthy of a witch’s cauldron.

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A NEW YORK TIMES BESTSELLERWINNER OF THE NATIONAL BOOK AWARD FOR NONFICTION'A major book that I suspect will come to be considered among the essential memoirs of this vexing decade' New York Times Book ReviewIn 1961, Sarah M. Broom's mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. It was the height of the Space Race and the neighborhood was home to a major NASA plant - the postwar optimism seemed assured. Widowed, Ivory Mae remarried Sarah's father Simon Broom; their combined family would eventually number twelve children. But after Simon died, six months after Sarah's birth, the house would become Ivory Mae's thirteenth and most unruly child.A book of great ambition, Sarah M. Broom's The Yellow House tells a hundred years of her family and their relationship to home in a neglected area of one of America's most mythologized cities. This is the story of a mother's struggle against a house's entropy, and that of a prodigal daughter who left home only to reckon with the pull that home exerts, even after the Yellow House was wiped off the map after Hurricane Katrina. The Yellow House expands the map of New Orleans to include the stories of its lesser known natives, guided deftly by one of its native daughters, to demonstrate how enduring drives of clan, pride, and familial love resist and defy erasure. Located in the gap between the 'Big Easy' of tourist guides and the New Orleans in which Broom was raised, The Yellow House is a brilliant memoir of place, class, race, the seeping rot of inequality, and the internalized shame that often follows. It is a transformative, deeply moving story from an unparalleled new voice of startling clarity, authority and power.

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A NEW YORK TIMES BESTSELLERWINNER OF THE NATIONAL BOOK AWARD FOR NONFICTION'A major book that I suspect will come to be considered among the essential memoirs of this vexing decade' New York Times Book ReviewIn 1961, Sarah M. Broom's mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. It was the height of the Space Race and the neighborhood was home to a major NASA plant - the postwar optimism seemed assured. Widowed, Ivory Mae remarried Sarah's father Simon Broom; their combined family would eventually number twelve children. But after Simon died, six months after Sarah's birth, the house would become Ivory Mae's thirteenth and most unruly child.A book of great ambition, Sarah M. Broom's The Yellow House tells a hundred years of her family and their relationship to home in a neglected area of one of America's most mythologized cities. This is the story of a mother's struggle against a house's entropy, and that of a prodigal daughter who left home only to reckon with the pull that home exerts, even after the Yellow House was wiped off the map after Hurricane Katrina. The Yellow House expands the map of New Orleans to include the stories of its lesser known natives, guided deftly by one of its native daughters, to demonstrate how enduring drives of clan, pride, and familial love resist and defy erasure. Located in the gap between the 'Big Easy' of tourist guides and the New Orleans in which Broom was raised, The Yellow House is a brilliant memoir of place, class, race, the seeping rot of inequality, and the internalized shame that often follows. It is a transformative, deeply moving story from an unparalleled new voice of startling clarity, authority and power.

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***PERFECT FOR FANS OF WHERE THE CRAWDADS SING AND SOON TO BE MAJOR FILM STARRING DAISY RIDLEY***You'd recognise my mother's name if I told it to you. You'd wonder, briefly, where is she now? And didn't she have a daughter while she was missing?And whatever happened to the little girl? Helena's home is like anyone else's, with a husband, two daughters and a job she enjoys. But no one knows the truth about her dark and twisted childhood. Born into captivity and brought up in an isolated cabin until she was twelve, Helena was raised by her terrified, broken mother and the man who held them both prisoner - Helena's own father.Now with news that he has escaped from prison, Helena instinctively knows that her father is coming for her and if she wants to keep her family safe, she must find him - before he finds her. Even if that means returning to the darkest parts of her past, the scariest place imaginable, home.An unforgettable, read-in-one-sitting thriller packed with gripping suspense._________'If you only read one thriller this year, make it this' CLARE MACKINTOSH'Emotionally and intellectually thrilling, tremendously exciting' SUNDAY EXPRESS'Unlike anything else I've read. Haunting and unputdownable' LAURA MARSHALL, number one bestselling author of Friend Request'Sensationally good, I loved this book' LEE CHILD 'Gorgeously written eerie suspense' KARIN SLAUGHTER 'SO GOOD' LAURA MARSHALL 'You won't be able to stop turning the pages' MEGAN ABBOTT 'A wonderful book... Mesmerising' ALEX MARWOOD 'A nail-biter' COSMOPOLITAN 'A knockout' SARAH HILARY 'I was absolutely gripped' GILLY MACMILLAN 'Eerie and breathtaking, terrific and terrifying' TÉA OBREHT 'Original and exciting, with a thrilling ending' MARK EDWARDS

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Combining military theory and raw accounts of its practice, Carl von Clausewitz's treatise On War has had a profound influence on subsequent thinking on warfare. This Penguin Classics edition is edited with an introduction by Anatol Rapoport.Writing at the time of Napoleon's greatest campaigns, Prussian soldier and writer Carl von Clausewitz created this landmark treatise on the art of warfare, which presented war as part of a coherent system of political thought. In line with Napoleon's own military actions, he illustrated the need to annihilate the enemy and make a strong display of one's power in an 'absolute war' without compromise. But he was also careful to distinguish between war and politics, arguing that war could only be justified when debate was no longer adequate, and that if undertaken, its aim should ultimately be to improve the wellbeing of the nation, pioneering the notion of war as 'politics by other means'.This edition contains a detailed introduction, examining von Clausewitz's skill and reputation as a writer, philosopher and political thinker, as well as a bibliography, notes and a glossary.Carl von Clausewitz (1780-1831) was a Prussian soldier and writer who entered the Prussian Military at the age of twelve with the rank of Lance-Corporal, serving in the Rhine campaign from 1793 to 1794. In 1801 he joined the Berlin Military Academy, where he studied Kant and attracted the attention of General Gerhard von Scharnhorst, whom he later helped to reform the Prussian army. More a philosopher than a soldier, Clausewitz's fame rests on the enduring success of On War (Vom Kriege), unfinished at the time of his death and published posthumously by his wife, in 1832.If you enjoyed On War, you might like Sun-Tzu's The Art of War, also available in Penguin Classics.

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The ultimate front-row seat to the rise, fall, and rebirth of a band that was—for a time—the biggest in the world, Hootie & the Blowish, and Jim Sonefeld’s shattering and redeeming spiritual path from addiction to recovery and a more fruitful life For a time, there was no bigger band in the world than Hootie & the Blowfish—rock & roll’s unexpected foil to the grunge music that dominated the early ’90s airwaves. In Swimming with the Blowfish, Jim Sonefeld, drummer and one of the band’s principal songwriters, reveals the inside story of the band’s humble beginnings, meteoric rise, sudden fall, and ultimate rebirth—and in the telling he opens his heart to readers about addiction, recovery, and faith. Hootie became ubiquitous in the ’90s—their debut album Cracked Rear View was one of the best-selling in the history of rock music; they won two Grammy Awards; their live performances were played alongside the Dave Matthews Band, R.E.M., and even Willie Nelson and Neil Young; and they appeared at the biggest venues in the world. Though Jim enjoyed the perks that came with fame—the parties, the relationships, the money, the drugs and alcohol—eventually it all became a camouflage that hid a deeper spiritual malady. As his life was careening toward disaster, he reached out his hands to seek relief in twelve-step recovery, eventually settling into a loving, but by no means uncomplicated, homelife.  A book that encapsulates a band still beloved by legions of fans, Swimming with the Blowfish is much more—an unpretentious, emotional story of one man’s spiritual path to a more fruitful life. Jim’s journey is shattering, redeeming, and ultimately as comforting as your favorite flannel shirt.

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An inside look at the foundational sacred text of one of the world's youngest and fastest growing religions The Book of Mormon stands alongside the Bible as the keystone of The Church of Jesus Christ of Latter-day Saints (LDS Church/Mormonism). Translated by the prophet Joseph Smith from ancient writings inscribed on golden plates, the Book of Mormon is an account of people living in the Western Hemisphere in a timeline that parallels that of the Bible. It covers a thousand years of loss, discovery, war, peace and spiritual principles that focus on the teachings of Jesus Christ, outlining a plan for salvation and the responsibilities we must assume to attain it. The Book of Mormon: Selections Annotated & Explained explores this sacred epic that is cherished by more than twelve million members of the LDS church as the keystone of their faith. Probing the principal themes and historical foundation of this controversial and provocative narrative, Jana Riess focuses on key selections that offer insight into contemporary Mormon beliefs and scriptural emphases, such as the atonement of Christ, the nature of human freedom, the purpose of baptism and the need for repentance from sin. She clarifies the religious, political and historical events that take place in the ancient communities of the Book of Mormon and their underlying contemporary teachings that serve as the framework for spiritual practices that lie at the core of Mormon life. Now you can experience this foundational sacred text even if you have no previous knowledge of Mormonism. This SkyLight Illuminations edition presents the key teachings and essential concepts of the Mormon faith tradition with insightful yet unobtrusive commentary that helps to dispel many of the misconceptions that have surrounded the Book of Mormon since its publication in 1830.

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For kids who want to learn about what life was like on the Oregon and California Trails between 1840 and 1869, this fascinating history book features beautiful papercut illustrations to reveal the true experiences of real children who had traveled west. The book shows how these children's courage, determination, perseverance, and hope defined the West for what it represents today. Between 1841 and 1884, more than 300,000 people—40,000 of whom were children—moved over land across North America in search for a new start and better life. The journey presented challenges at every turn, from the initial preparations to the months-long trip, and even after when the travelers reached their final destinations. Young emigrants played large roles throughout it all, with responsibilities ranging from hunting animals to gathering buffalo dung, or even caring for babies. Relying on real letters and memoirs of actual children on the trail, My Way West offers a fresh perspective so that readers, too, can smell the campfire smoke and see the dust kicked up by the wagon wheels. Learn about seven-year-old Benjamin Bonney from Illinois who was introduced to a new type of bread by Native Americans he met on the trail; how thirteen-year-old Heber McBride and his family from England were able to keep up with their traveling group; what ten-year-old Thocmetony of the Northern Paiute in Nevada thought of the travelers passing by her home; what the difficulties twelve-year-old Owen Bush met when his family, including his free African American father, finally reached Oregon; and more. Including a bibliography and gorgeously illustrated in vibrant, masterful papercut art, this book presents true stories plus quotes so that young readers can share the emigrant kids’ triumphs and tragedies as they make their journey west.

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A Kirkus Reviews Best Middle Grade Book of 2019 A Japanese-American family, reeling from their ill treatment in the Japanese internment camps, gives up their American citizenship to move back to Hiroshima, unaware of the devastation wreaked by the atomic bomb in this piercing look at the aftermath of World War II by Newbery Medalist Cynthia Kadohata.World War II has ended, but while America has won the war, twelve-year-old Hanako feels lost. To her, the world, and her world, seems irrevocably broken. America, the only home she’s ever known, imprisoned then rejected her and her family—and thousands of other innocent Americans—because of their Japanese heritage, because Japan had bombed Pearl Harbor, Hawaii. Japan, the country they’ve been forced to move to, the country they hope will be the family’s saving grace, where they were supposed to start new and better lives, is in shambles because America dropped bombs of their own—one on Hiroshima unlike any other in history. And Hanako’s grandparents live in a small village just outside the ravaged city. The country is starving, the black markets run rampant, and countless orphans beg for food on the streets, but how can Hanako help them when there is not even enough food for her own brother? Hanako feels she could crack under the pressure, but just because something is broken doesn’t mean it can’t be fixed. Cracks can make room for gold, her grandfather explains when he tells her about the tradition of kintsukuroi—fixing broken objects with gold lacquer, making them stronger and more beautiful than ever. As she struggles to adjust to find her place in a new world, Hanako will find that the gold can come in many forms, and family may be hers.

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A napping volcano blinked awake in March 1980. Two months later, when that mountain roared, Jim Scymanky was about twelve miles northwest, logging a north slope above Hoffstadt Creek. "Rocks zinged through the woods, bouncing off trees, then the tops of trees snapped off… Suddenly I could see nothing…it got hot right away, then scorching hot and impossible to breathe. The air had no oxygen, like being trapped underwater…I was being cremated, the pain unbearable."Steve Malone, at the University of Washington Seismology Laboratory, was inconsolable. "We'd failed. For two months we'd counted and located thousands of earthquakes, looked for changes to anticipate an eruption. Then it just happened. It killed many people. It killed David Johnston. We could hardly work."Author Richard Waitt was part of a U.S. Geological Survey team doing volcano research in the Cascades, and was one of the first to arrive following the mountain's early rumblings. His journey collecting eyewitness accounts began with a conversation in a bar the third week after Mount St. Helens erupted. The couple he met barely outraced a searing ash cloud, and Waitt realized their experiences could inform geologic studies. He eventually conducted hundreds of interviews--sometimes two and three decades later--often making multiple visits to gather additional details, correct errors, and resolve discrepancies.A meticulous scientist with intimate knowledge of Mount St. Helens, Waitt delivers a detailed and accurate chronicle of events. He tapped numerous primary sources--interviews, legal depositions, personal diaries, geologists' field notes, radio logs, and police records. Newspaper stories and even sun shadows on photographs revealed additional intricacies. In the Path of Destruction's eruption story unfolds through unforgettable, riveting narratives--the heart of a masterful chronology that also delivers engrossing science, history, and journalism.

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"The Classics of Western Spirituality™ Series promises to be one of the most important and valuable tools for the teaching of western spiritual traditions in coming years." Bernard McGinn Professor of Historical Theology and History of Christianity, The University of Chicago Divinity School, Chicago, Illinois Richard of St. Victor: The Book of the Patriarchs, The Mystical Ark, Book Three of the Trinity translation and introduction by Grover A. Zinn, preface by Jean Chatillon "Contemplation is free and clear vision of the mind fixed upon the manifestation of wisdom in suspended wonder...." Richard of St. Victor (?—1173) One of the great mystics of the Christian Tradition, Richard is the link between the early tradition of Pseudo-Dionysius and the great mystical awakening in Medieval Europe. For his genius in bringing together both the Latin and Greek Traditions all contemplatives owe him a great debt. Born in twelfth century Scotland, he joined the Abbey of St. Victor in Paris where he became Superior and Prior. The Twelve Patriarchs (or Benjamin Minor) is his preparation of the soul for contemplation. The framework is a scriptural allegory based on the story of Jacob. Richard uses the meaning of the names and the elements of the story to illustrate a unified view of the person and the relationship between contemplation and action. His Mystical Ark ( or Benjamin Major) completes this study. In his Book Three of the Trinity we see Richard's doctrinal basis for the spiritual conclusions of his earlier work. Richard can teach us about the discipline and the dangers of the mystical quest. He can enlighten us concerning the relevance of symbols and symbolic structures as modes of communication. Jean Chatillon, of the University of Paris, who wrote the preface, is the world's Victorine scholar. †

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Contents: HISTORICAL OBSERVATIONS; Chapter One: Desperate Pleas: Excerpts from the Nordwind Correspondence of the Boston Committee for Refugees, Nicholas J. Meyerhofer; Chapter Two: Victims and Perpetrators in the Yugoslav Genocide, 1941-1945: Some Preliminary Observations, Damir Mirkovic; Chapter Three: THe Nazi Attack on the Polish Nation: Towards a New Understanding, John T. Pawlikowski; Chapter Four: The Contribution of British-Israelism to Antisemitism with Conservative Protestantism, Richard V. Pierard; PHILOSOPHICAL REFLECTIONS; Chapter FIve: Insiders and Outsiders: For Whom Do We Toil?, Zev Garber; Chapter Six: Responding Without Transcendental Warrants, James R. Watson; THE ARTS; Chapter Seven: Art, Music and the Holocaust, Ben Arnold; Chapter Eight: Christianity, Tragedy and Holocaust Literature, Michael R. Steele; EDUCATION; Chapter Nine: Some Implications of the Wannsee Conference for the Essence of Higher Education, David Patterson; CHURCH STRUGGLE; Chapter Ten: The German Church Struggle and the Oxford Conference, Kenneth C. Barnes; Chapter Eleven: Problems of Protestant Cooperation: the Church World Service, the World Council of Churches and Post-War Relief in Germany, Haim Genizi; Chapter Twelve: Kairos Again? The Church Struggle: Their Contribution to the Ordination of Women, Theodore N. Thomas; JEWISH-CHRISTIAN RELATIONS; Chapter Fourteen: Yom HaShoah for Jews and Christians, Steven M. Bob; Chapter Fifteen: The Shoah-Israel Link: Christian Theology Facing Up to the Post-Shoah Era, James F. Moore; SURVIVOR TESTIMONY; Chapter Sixteen: Sinai or Cyanide? Late Twentieth Century Reflections on a Post-Shoah Jewish Theology by the Child of a Survivor, Steven L. Jacobs; Chapter Seventeen: Hiding During and After the War: The Fate of Children Who Survived the Holocaust, Robert Krell; Chapter Seventeen: Lea Fleischmann's Gas: Tagebucheiner Bedrohung: Germany and the Gulf War, Susan Lee Pentlin; A NEW BEGINNING; Chapter Nineteen: The Burden of the Holocaust, 1945-1992: Horror, Mourning, Attemp

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The Digital Metrics Field Guide is the definitive reference for brands of any size that advertise, market or engage with their customers and prospects through email, the Web, mobile or social. Every brand gets performance reports through their providers, which furnish a stunning array of metrics on just about anything that happens on or through the platforms they measure. Yet many brands are unsure about their measurement and want to become more confident. They want to know what metrics are available, what is known about them, how to select them, and how to analyze and report them in ways that help them understand the impact of their digital initiatives. The Digital Metrics Field Guide published in association with the American Advertising Research Foundation, does just that. This unique, comprehensive resource was intended for those of us who use metrics and need straightforward, authoritative, non-technical guidance. To produce the book the author reduced a list of about 350 metrics to 197 and backed these up by referring to almost 150 studies, which illustrates the claim that online is the most measurable medium. To make things easier he has organized the information in three ways, Alphabetical, Category, and Marketing Stage- to deal with different tastes and preferences. Stephen Rappaport coined the term Humetrics to describe the big shift from the media industry’s ageold preoccupation with measurement to understanding people by gauging and interpreting their digital lives. Because digital measurement captures what people are saying, doing and feeling, metrics become a way to understand people as people living their lives. Measures are no longer impersonal counts or percentages, but insights into human beings. Twelve experts contributed essays to this book on measurement today and how to take it forward in the Humetrics era.

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Delivering two 38-year-old Mississippi river tugboats halfway around the world from Bahrain to Trinidad would not be every ship master's dream employment. However, for Captain David Creamer, the seven-week voyage of the Justine and Martha was not only unique, but a memorable experience he was unlikely ever to forget or repeat. As the author relates the day-to-day problems that the twelve crewmen encountered while living onboard, the reader is drawn into their world. The discovery of a plague of rats, steering problems, running out of fresh water and running aground in the middle of Sitra port, Bahrain are just some of the difficulties the two old boats encountered on their way to the Caribbean. Rusty water, fuel oil in a toilet, and a fire onboard in the Gulf of Suez were some of the setbacks experienced on the first leg of the voyage.Designed principally for river work and not as ocean-going or deep-sea vessels, the hapless Justine and Martha encountered a short but violent Mediteranean storm on the passage from Port Said to Malta rendering conditions onboard extremely uncomfortable.On the leg of the journey from Malta to Trinidad, they hit more bad weather, partially flooding the Martha. It also became apparent that the fuel taken onboard by both vessels was biologically contaminated. Forced to stop at Gibraltar to clean the fuel tanks, the author and Chief Engineer visited Nerja in Spain, which coincided with the start of the Mardi Gras. Although blessed with good weather for their crossing of the Atlantic, this epic voyage almost ended in disaster just a few meters from the final destination. An explosion from the engine-room, followed by a high-pitched mechanical whining, signalled the end of both engines, leaving the Justine to drift helplessly towards the jagged edges of a ramshackle concrete pier.

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In 2011 the Government of Trinidad & Tobago declared a state of emergency to counter the violent crime associated with the drugs trade. Ground Level confronts the roots of the madness and chaos seething under the surface of this "crude season of curfew from ourselves" when the state becomes a jail. For Rahim, her country is a place "blind to what is going on, hooked on carnival and hedonism/ trivia in the press", where "No-one hears the measure of shadow in any rhythm". It is a place where the air is "made less fresh each year/as forests disappear". It is a place where "poets hurt enough to die". In this dread season, Rahim finds hope and consolation in the word and in those places where it is possible to find salvation in "this landscape of ever-opening doorways", such as Grand Riviere, the subject of a long, twelve-part reflection on the values that can still be found in rural Trinidad. Elsewhere she engages in dialogue with those writers who confronted the Janus face of Caribbean creativity and nihilism: poets such as Eric Roach, Victor Questel, Walcott, Brathwaite and Martin Carter, praying of the last "let his words drop on the conscience of a nation". To the late Jamaican poet Tony McNeill she confides that "The Ungod of things has not changed". This is an ambitious collection that speaks in both a prophetic and a highly literary, intertextual voice, which combines the personal and the public in mutually enriching ways. Rahim knows that it is "craft keeps every story true", that "language playing dead only/ to ambush change." This is Jennifer Rahim's fourth collection of poetry; it shows the assurance of a poet who has constantly worked at her craft, but who also takes formal risks to capture the reality of desperate times.

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The global financial crisis had a dramatic short-term effect on federal relations and, as the twelve case studies in this illuminating book show, set in place a new set of socio-political factors that are shaping the longer-run process of institutional change in federal systems. The Future of Federalism illustrates how an understanding of these complex dynamics is crucial to the development of policies needed for effective and sustainable federal governance in the 21st century. The book finds that growing fiscal pressures are interacting with domestic political variables to produce country specific federal dynamics. Arguably the first detailed study of the medium term impact of the financial crisis and its aftermath on federal governance, this volume highlights how growing budget pressures are contributing to increased centralisation in many federations, while in others national governments are devolving power to appease regional grievances and preserve the federal union. Contributions from leading federalism and public finance scholars test recent theoretical explanations of change in federal systems against the experiences of a diverse cross-section of federal jurisdictions. The case studies include both established federations and 'federalizing' jurisdictions, such as the UK and China, and highlights the complex dynamics which shape the evolution of federal governance Comprehensive and interdisciplinary, this timely book will appeal to students and scholars - from political science, economics and law - studying federalism, governance studies and comparative political economy. It is essential reading for public officials and policy makers interested in intergovernmental relations, public finance and budgeting and tax policy.Contributors include: J.R. Afonso, D.M. Brown, C. Colino, T.J. Conlan, L. de Mello, E. del Pino, R. Eccleston, R. Hortle, R. Jha, R. Krever, S. Lee, R. Mabugu, E. Massetti, P. Mellor, J. Schnellenbach, N. Soguel, C. Wong

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A new critical assessment of the works of the Austrian-Jewish author, in whom there has been a recent resurgence of interest, from the perspective of world literature. The twenty-first century has seen a renewed surge of cultural and critical interest in the works of the Austrian-Jewish author Stefan Zweig (1881-1942), who was among the most-read and -acclaimed authors worldwide in the 1920s and1930s but after 1945 fell into critical disfavor and relative obscurity. The resurgence in interest in Zweig and his works is attested to by, among other things, new English translations and editions of his works; a Brazilian motion picture and a best-selling French novel about his final days; and a renewed debate surrounding the literary quality of his work in the London Review of Books. This global return to Zweig calls for a critical reassessment of his legacy and works, which the current collection of essays provides by approaching them from a global perspective as opposed to the narrow European focus through which they have been traditionally approached. Together, theintroduction and twelve essays engage the totality of Zweig's published and unpublished works from his drama and his fiction to his letters and his biographies, and from his literary and art criticism to his autobiography. Contributors: Richard V. Benson, Jeffrey B. Berlin, Darién J. Davis, Marlen Eckl, Mark H. Gelber, Robert Kelz, Klemens Renoldner, Birger Vanwesenbeeck, John Warren, Klaus Weissenberger, Robert Weldon Whalen, Geoffrey Winthrop-Young. Birger Vanwesenbeeck is Associate Professor of English at the State University of New York at Fredonia. Mark H. Gelber is Senior Professor of Comparative Literature and German-Jewish Studies at Ben-Gurion University of the Negev, Israel.

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An immersive photographic tour of the legendary Chelsea Hotel, whose residents share their stories and reveal the delirious history of this landmark. Jackson Pollock, Robert Mapplethorpe, Patti Smith, Dylan Thomas, Arthur Miller, Bob Dylan, Arthur C. Clarke, Andy Warhol, William S. Burroughs, Janis Joplin, Eugene O'Neill, Rufus Wainwright, Betsey Johnson, R. Crumb, Thomas Wolfe, Jasper Johns - these are just a few of the figures who at one time occupied one of the most alluring and storied residences ever: the Chelsea Hotel. Born during the Gilded Age and once the tallest building in New York, the twelve-story landmark has long been a magnet for artists, writers, musicians, and cultural provocateurs of all stripes. In this book, photographer Colin Miller and writer Ray Mock intimately portray the enduring bohemian spirit of the Chelsea Hotel through interviews with nearly two dozen current residents and richly detailed photographs of their unique spaces. As documented in Miller's abundant photographs, these apartments project the quirky decorating sensibilities of urban aesthetes who largely work in film, theater, and the visual arts, resulting in deliriously ornamental spaces with a kitschy edge. Weathering the overall homogenization of New York and the rapid transformation of the hotel itself - amid recent ownership changeovers and tenant lawsuits - residents remain in about seventy apartments while the rest of the units are converted to rentals (and revert to a hotel-stay basis, which had ceased in 2011). For the community of artists and intellectuals who remain, the uncertain status of the hotel is just another stage in a roller-coaster history. A fascinating portrait of a strand of resilient bohemian New Yorkers and their creative, deeply idiosyncratic homes, Hotel Chelsea is a rich visual and narrative document of a cultural destination as complicated as it is mythical.

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When the Pioneer Press Building opened its doors in 1889, it was news. The twelve-story skyscraper, the tallest at the time in the heart of St. Paul—featuring the first glass elevator in the country—merited a forty-page special edition of the Pioneer Press, whose editors modestly proclaimed it “the greatest newspaper building mother earth carries.” A year later, another architectural monument, the Endicott Complex—which wraps around the Pioneer Building—opened its doors. Designed by rising St. Paul architect Cass Gilbert, the Endicott included two office buildings linked by a one-story L-shaped shopping arcade crowned by a stained-glass ceiling. Journalist and architectural historian Larry Millett tells the story of these two icons of downtown St. Paul from conception through numerous alterations to their present incarnation as vibrant cultural and living spaces in the city’s center. He describes how the Pioneer came to be designed by noted Chicago architect Solon Beman, who in 1910 added four floors to create a sixteen-story light court that remains one of Minnesota’s great architectural spaces. Millett also describes Gilbert’s meticulous work in designing the Endicott complex, which was inspired by the Renaissance palaces of Florence. Gilbert would later go on to produce such masterpieces as the Minnesota State Capitol and the Woolworth Building in New York. As entertaining as it is edifying, Heart of St. Paul combines architectural history with the rich human story behind two buildings that have played a prominent role in the life of the city for over a century. The book includes an introduction by Kristin Makholm, Director of the Minnesota Museum of American Art, which has found a new home in the buildings.

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Jewish and Christian authors of the High Middle Ages not infrequently came into dialogue or conflict with each other over traditions drawn from ancient writings outside of the bible. Circulating in Latin and Hebrew adaptations and translations, these included the two independent versions of the Testament of Naphtali in which the patriarch has a vision of the Diaspora, a shipwreck that scatters the twelve tribes. The Christian narrative is linear and ends in salvation; the Jewish narrative is circular and pessimistic. For Ruth Nisse, this is an emblematic text that illuminates relationships between interpretation, translation, and survival. In Nisse’s account, extrabiblical literature encompasses not only the historical works of Flavius Josephus but also, in some of the more ingenious medieval Hebrew imaginative texts, Aesop’s fables and the Aeneid. While Christian-Jewish relations in medieval England and Northern France are most often associated with Christian polemics against Judaism and persecutions of Jews in the wake of the Crusades, the period also saw a growing interest in language study and translation in both communities. These noncanonical texts and their afterlives provided Jews and Christians alike with resources of fiction that they used to reconsider boundaries of doctrine and interpretation. Among the works that Nisse takes as exemplary of this intersection are the Book of Yosippon, a tenth-century Hebrew adaptation of Josephus with a wide circulation and influence in the later middle ages, and the second-century romance of Aseneth about the religious conversion of Joseph’s Egyptian wife. Yosippon gave Jews a new discourse of martyrdom in its narrative of the fall of Jerusalem, and at the same time it offered access to the classical historical models being used by their Christian contemporaries. Aseneth provided its new audience of medieval monks with a way to reimagine the troubling consequences of unwilling Jewish converts.

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