Search results for ""Twelve""

Enter the magical world of fairy tales retold through LEGO bricks! Filled with creative and whimsical settings built from this universally celebrated toy, this book presents an all-new retelling of the original Grimm’s fairy tales of Cinderella, Rapunzel, Snow White and the Seven Dwarfs, Hansel and Gretel, and more! With one thousand color photographs, this inspired adaptation uses intricately designed brick sets to present some of the most cherished and widely told stories of all time.Watch the clock strike twelve as Cinderella leaves her glass slipper behind at the ball, and see just how long brick Rapunzel’s hair can grow as she waits in her tower. Watch the seven dwarfs plot against the evil Queen and her brick looking glass, and try to find your way home with Hansel’s path of brick breadcrumbs.This imaginative take on these age-old fairy tales maintains the authentic text of the Grimm classics but shines a creative new light with fun brick construction! Fairy tales in brick will be a welcome addition to your picture book collection, bringing a creative twist to readers both young and old.Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

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After President Lincoln issued the final Emancipation Proclamation of January 1, 1863, Confederate slaves who could reach Union lines often made that perilous journey. A great many of the young and middle-aged among them, along with other black men in the free and border slave states, joined the Union army. These U.S. Colored Troops (USCT), as the War Department designated most black units, materially helped to win the Civil War - performing a variety of duties, fighting in some significant engagements, and proving to the Confederates that Northern manpower had practically no limits. Soldiering for Freedom explains how Lincoln's administration came to recognize the advantages of arming free blacks and former slaves and how doing so changed the purpose of the war. Bob Luke and John David Smith narrate and analyze how former slaves and free blacks found their way to recruiting centers and made the decision to muster in. As Union military forces recruited, trained, and equipped ex-slave and free black soldiers in the last two years of the Civil War, white civilian and military authorities often regarded the African American soldiers with contempt. They relegated the men of the USCT to second-class treatment compared to white volunteers. The authors show how the white commanders deployed the black troops, and how the courage of the African American soldiers gave hope for their full citizenship after the war. Including twelve evocative historical engravings and photographs, this engaging and meticulously researched book provides a fresh perspective on a fascinating topic. Appropriate for history students, scholars of African American history, or military history buffs, this compelling and informative account will provide answers to many intriguing questions about the U.S. Colored Troops, Union military strategy, and race relations during and after the tumultuous Civil War.

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A girl deals with friendship, family, and OCD in this classic-feeling, debut middle-grade novel by Elly Swartz. To twelve-year-old Molly Nathans, perfect is: -The number four -The tip of a newly sharpened No. 2 pencil -A crisp white pad of paper -Her neatly aligned glass animal figurines What's not perfect is Molly's mother leaving the family to take a faraway job with the promise to return in one year. Molly knows that promises are sometimes broken, so she hatches a plan to bring her mother home: Win the Lakeville Middle School Poetry Slam Contest. The winner is honored at a fancy banquet with white tablecloths. Molly is sure her mother would never miss that. Right.? But as time passes, writing and reciting slam poetry become harder. Actually, everything becomes harder as new habits appear, and counting, cleaning, and organizing are not enough to keep Molly's world from spinning out of control. In this fresh-voiced debut novel, one girl learns there is no such thing as perfect. Praise for Finding Perfect: "With middle school friendships and family relationships at its heart, this novel offers an empathetic guide to coping with a mental health issue. . .Swartz adds to the growing list of fiction titles that raise awareness of differences and promote acceptance; a strong purchase for most middle grade and middle school collections." -School Library Journal "Swartz renders Molly's decline into full-blown OCD visceral and sympathetic; readers with similar tendencies will relate while others, like her friends, will recognize the pain of seeing someone in need but not being able to help. . .This is one for preteens struggling with the desire for perfection in this imperfect life." -The Bulletin

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Now, William Hirsch's Amazon #1 Bestseller, Designing Your Perfect House: Lessons from an Architect , is in its 2nd Edition. The timeless advice in this essential guidebook for navigating the often mystifying process of house design, remodeling, and building, is forever valuable and is now better than ever with an all new Bonus Lesson, Building Green, Naturally . Master architect Hirsch draws on decades of experience and uses his enjoyable, easy to read writing style to convey sage advice guaranteed to help you design or remodel the perfect house for you , while controlling the process and saving money along the way. Presented in twelve understandable "lessons," this book explains in everyday language architectural concepts and design secrets that are essential to designing a dream home uniquely and perfectly your own. Beginning with an exploration of design philosophy, the grammar of architecture, concepts of spaces, and discussions of how to make spaces be appropriate and gratifying for the people living in them, these "lessons" explore issues of scale, daylight, making a house feel like a home, unifying a design, flow, and proportions. All concepts that are too often overlooked in today's homebuilding. Hirsch says, "A great house doesn't have to cost more. It just needs to be thought through properly." In this book, he shows you how to do it. Hirsch answers questions like: How do I get started? How do I select a building site? What kind of house can I afford within my budget? How do I make my dream house just right for me? Other topics include: site analysis and selection, programming, schematic design, style, room relationships, budget, working with professionals, selecting a builder, methods of contracting, and more. Numerous beautiful color photos and drawings illustrate the book's major points. This book will pay for itself many, many times over.

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Testimony for Tamir Rice, 2002-2014 Mr. President, After they shot me they tackled my sister. The sound of her knees hitting the sidewalk made my stomach ache. It was a bad pain. Like when you love someone and they lie to you. Or that time Mikaela cried all through science class and wouldn't tell anyone why. This isn't even my first letter to you, in the first one I told you about my room and my favorite basketball team and asked you to come visit me in Cleveland or send your autograph. In the second one I thanked you for your responsible citizenship. I hope you are proud of me too. Mom said you made being black beautiful again but that was before someone killed Trayvon. After that came a sadness so big it made everyone look the same. It was a long time before we could go outside again. Mr. President it took one whole day for me to die and even though I'm twelve and not afraid of the dark I didn't know there could be so much of it or so many other boys here. Dancing between lyric and narrative, Hafizah Geter's debut collection moves readers through the fraught internal and external landscapes - linguistic, cultural, racial, familial - of those whose lives are shaped and transformed by immigration. The daughter of a Nigerian Muslim woman and a former Southern Baptist black man, Geter charts the history of a black family of mixed citizenships through poems imbued by migration, racism, queerness, loss, and the heartbreak of trying to feel at home in a country that does not recognize you. Through her mother's death and her father's illnesses, Geter weaves the natural world into the discourse of grief, human interactions, and socio-political discord. This collection thrums with authenticity and heart.

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In a thrilling interconnected narrative, You're in the Wrong Place presents characters reaching for transcendence from a place they cannot escape. Charles Baxter stated that "Joseph Harris has a particular feeling for the Detroit suburbs and the slightly stunted lives of the young people there....You're in the Wrong Place isn't uniformly downbeat-there are all sorts of rays of hope that gleam toward the end".The book, composed of twelve stories, begins in the fall of 2008 with the shuttering of Dynamic Fabricating-a fictional industrial shop located in the Detroit suburb of Ferndale. Over the next seven years, the shop's former employees - as well as their friends and families-struggle to find money, purpose, and levity in a landscape suddenly devoid of work, faith, and love.In "Would You Rather", a young couple brought together by Dynamic Fabricating shares a blissful weekend in Northern Michigan, unaware of the catastrophe that awaits them upon their return home. In "Acolytes", a devout Catholic clings to her faith as her brothers descend into cultish soccer violence. In "Memorial", an ex-Dynamic worker scrapes money together for a tribute to his best friend, lost to the war in Afghanistan. In "Was It Good for You?" a cam girl deconstructs materialism with her ageng great aunt, a luxury sales associate, and an anxious, faceless client. And in the title story, simmering tensions come to a boil on a hot summer day for a hardscrabble landscaping crew, hired by the local bank to maintain the lawns of foreclosuresIn turns elegiac and harrowing, You're in the Wrong Place blends lyric intensity with philosophical eroticism to create a singular, powerful vision of contemporary American life. Readers of contemporary fiction grounded in place need to take up this collection.

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Artist John Decker was born in Germany in 1895, but found his fame in Hollywood during the 1930s and '40s. At the age of 13, he was abandoned by his parents in London, where he found work painting scenery for the theatre circuit. Taken under the wing of a talented forger, Decker developed a remarkable ability to recreate works by the old Masters—a skill that helped land him in jail, but also brought him thousands of dollars throughout his life. After stowing away to America in 1921, Decker became a caricaturist for a New York paper. In 1928 he left for Hollywood and became friends with many of its biggest names, including John Barrymore, Errol Flynn, and W. C. Fields. Though Decker struggled to find film work as an artist and set designer, his drawings appeared in numerous publications from coast to coast. He was commissioned to do paintings of, among others, the Marx Brothers, Greta Garbo, Mickey Rooney, and Charlie Chaplin (who bought twelve of his portraits). Eventually, Decker's paintings were exhibited in Rome, New York, and Los Angeles, and his creations graced museum walls alongside many of the great artists, including Van Gogh, Rembrandt, and Daumier. Stories on Decker, his art, and his exhibitions, appeared in all the major newspapers, as well as such magazines as Esquire, Time, and Newsweek. With all of his amazing talent—and scandalous exploits—it's surprising that the name of John Decker isn't more familiar today. In Bohemian Rogue: The Life of Hollywood Artist John Decker, author Stephen C. Jordan seeks to resurrect this forgotten figure of 20th century art. Jordan delves into the mystery of a man who overcame a difficult childhood and notorious apprenticeship to become a respected artist (and outrageous party-giver) in Hollywood. Bohemian Rogue chronicles the relatively brief—but eccentric—life of this neglected painter, caricaturist, and sculptor.

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The Prophet: For a New Generation is a contemporary edition of the prose-poetry fables written in English by the Lebanese American poet and writer Kahlil Gibran. The original book, The Prophet, is undoubtedly Gibran's best-known work. It has been translated into over a hundred languages, making it one of the most translated books in history and one of the bestselling books of all time. The story focuses on the prophet Almustafa who has lived in the city of Orphalese for twelve years and is about to board a ship that will carry him home. He is stopped by a group of people with whom he discusses topics such as life and the human condition. This new and accessible edition is divided into fourteen chapters dealing with love, marriage, children, eating and drinking, work, joy and sorrow, freedom, self-knowledge, friendship, good and evil, prayer, pleasure, beauty, and death. Khalil Gibran (1883–1931) poet, philosopher, and artist, was born in Lebanon. The millions of Arabic-speaking people familiar with his writings in that language consider him the genius of his age. His poetry has been translated into more than twenty languages. In the United States, which he made his home during the last twenty years of his life, he began to write in English. The Prophet and his other books of poetry are known and loved by many Americans who find in them an expression of the deepest impulses of the human heart and mind. His writings in both languages, which deal with such themes as love, death, nature, and a longing for the homeland, are full of lyrical outpourings and are expressive of his deeply religious and mystic nature. †

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A searingly honest memoir of family and love, this is the unforgettable tale of two inspiring Australians - Connie and Samuel Johnson. Connie had a love/hate relationship with cancer. She hated cancer but cancer loved her. It sought her out at twelve, again at twenty-two and then, at thirty-three, as a mother of two young boys, she was diagnosed with breast cancer and told she would die. In the shadow of that terminal diagnosis, Connie came up with an insane dare for her brother, actor Samuel Johnson, to unicycle around the entire country in an effort to remind every young mum in the land to be breast aware.Who says no to a dying wish?When Samuel said the inescapable 'yes', Love Your Sister was born. Sam became the world's most determined unicyclist, covering almost 16,000 kilometres in 364 days. What started as a promise to his dying sister turned into a pledge to everyone suffering from cancer. After his turn as Molly Meldrum in the biopic Molly, Samuel promptly retired from acting to focus solely on raising $10 million towards cancer vanquishment. So far Love Your Sister has raised over $7 million ...Then, in September 2017, the woman who taught us all that every day is awesome took her last breath. But Connie always said 'It's not over when I die. It's over when mums stop dying from cancer'. So Sam, Em and the village aren't stopping.In this updated edition of the bestselling memoir, Sam and big sister Hilde share stories of Connie, the birth of The Stick and the Big Heart Project and remind us all yet again just how far people can go for the ones they love.

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Now beyond its eleventh printing and translated into twelve languages, Michael Porter’s The Competitive Advantage of Nations has changed completely our conception of how prosperity is created and sustained in the modern global economy. Porter’s groundbreaking study of international competitiveness has shaped national policy in countries around the world. It has also transformed thinking and action in states, cities, companies, and even entire regions such as Central America.Based on research in ten leading trading nations, The Competitive Advantage of Nations offers the first theory of competitiveness based on the causes of the productivity with which companies compete. Porter shows how traditional comparative advantages such as natural resources and pools of labor have been superseded as sources of prosperity, and how broad macroeconomic accounts of competitiveness are insufficient. The book introduces Porter’s “diamond,” a whole new way to understand the competitive position of a nation (or other locations) in global competition that is now an integral part of international business thinking. Porter's concept of “clusters,” or groups of interconnected firms, suppliers, related industries, and institutions that arise in particular locations, has become a new way for companies and governments to think about economies, assess the competitive advantage of locations, and set public policy. Even before publication of the book, Porter’s theory had guided national reassessments in New Zealand and elsewhere. His ideas and personal involvement have shaped strategy in countries as diverse as the Netherlands, Portugal, Taiwan, Costa Rica, and India, and regions such as Massachusetts, California, and the Basque country. Hundreds of cluster initiatives have flourished throughout the world. In an era of intensifying global competition, this pathbreaking book on the new wealth of nations has become the standard by which all future work must be measured.

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Key imperial and royal courts--in Han, Tang, and Song dynasty China; medieval and renaissance Europe; and Heian and Muromachi Japan--are examined in this comparative and interdisciplinary volume as loci of power and as entities that establish, influence, or counter the norms of a larger society. Contributions by twelve scholars are organized into sections on the rhetoric of persuasion, taste, communication, gender, and natural nobility. Writing from the perspectives of literature, history, and philosophy, the authors examine the use and purpose of rhetoric in their respective areas. In Rhetoric of Persuasion, we see that in both the third-century court of the last Han emperor and the fourteenth-century court of Edward II, rhetoric served to justify the deposition of a ruler and the establishment of a new regime. Rhetoric of Taste examines the court’s influence on aesthetic values in China and Japan, specifically literary tastes in ninth-century China, the melding of literary and historical texts into a sort of national history in fifteenth-century Japan, and the embrace of literati painting innovations in twelfth-century China during a time when the literati themselves were out of favor. Rhetoric of Communication considers official communications to the throne in third-century China, the importance of secret communications in Charlemagne’s court, and the implications of the use of classical Chinese in the Japanese court during the eighth and ninth centuries. Rhetoric of Gender offers the biography of a former Han emperor’s favorite consort and studies the metaphorical possibilities of Tang palace plaints. Rhetoric of Natural Nobility focuses on Dante’s efforts to confirm his nobility of soul as a poet, surmounting his non-noble ancestry, and the development of the texts that supported the political ideologies of the fifteenth-century Burgundian dukes Philip the Good and Charles the Bold.

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Leonard Bernstein was arguably the most highly esteemed, influential, and charismatic American classical music personality of the twentieth century. Conductor, composer, pianist, writer, educator, and human rights activist, Bernstein truly led a life of Byronic intensity--passionate, risk-taking, and convention-breaking. In November 1989, just a year before his death, Bernstein invited writer Jonathan Cott to his country home in Fairfield, Connecticut for what turned out to be his last major interview--an unprecedented and astonishingly frank twelve-hour conversation. Now, in Dinner with Lenny, Cott provides a complete account of this remarkable dialogue in which Bernstein discourses with disarming frankness, humor, and intensity on matters musical, pedagogical, political, psychological, spiritual, and the unabashedly personal. Bernstein comes alive again, with vodka glass in hand, singing, humming, and making pointed comments on a wide array of topics, from popular music ("the Beatles were the best songwriters since Gershwin"), to great composers ("Wagner was always in a psychotic frenzy. He was a madman, a megalomaniac"), and politics (lamenting "the brainlessness, the mindlessness, the carelessness, and the heedlessness of the Reagans of the world"). And of course, Bernstein talks of conducting, advising students "to look at the score and make it come alive as if they were the composer. If you can do that, you're a conductorand if you can't, you're not. If I don't become Brahms or Tchaikovsky or Stravinsky when I'm conducting their works, then it won't be a great performance." After Rolling Stone magazine published an abridged version of the conversation in 1990, the Chicago Tribune praised it as "an extraordinary interview" filled with "passion, wit, and acute analysis." Studs Terkel called the interview "astonishing and revelatory." Now, this full-length version provides the reader with a unique, you-are-there perspective on what it was like to converse with this gregarious, witty, candid, and inspiring American dynamo.

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One of the most remarkable trends in the humanities and social sciences in recent decades has been the resurgence of interest in the history, theory, and practice of rhetoric: in an age of global media networks and viral communication, rhetoric is once again "contagious" and "communicable" (Friedrich Nietzsche). Featuring sixty commissioned chapters by eminent scholars of rhetoric from twelve countries, The Oxford Handbook of Rhetorical Studies offers students and teachers an engaging and sophisticated introduction to the multidisciplinary field of rhetorical studies. The Handbook traces the history of Western rhetoric from ancient Greece and Rome to the present and surveys the role of rhetoric in more than thirty academic disciplines and fields of social practice. This combination of historical and topical approaches allows readers to chart the metamorphoses of rhetoric over the centuries while mapping the connections between rhetoric and law, politics, science, education, literature, feminism, poetry, composition, philosophy, drama, criticism, digital media, art, semiotics, architecture, and other fields. Chapters provide the information expected of a handbook-discussion of key concepts, texts, authors, problems, and critical debates-while also posing challenging questions and advancing new arguments. In addition to offering an accessible and comprehensive introduction to rhetoric in the European and North American context, the Handbook includes a timeline of major works of rhetorical theory, translations of all Greek and Latin passages, extensive cross-referencing between chapters, and a glossary of more than three hundred rhetorical terms. These features will make this volume a valuable scholarly resource for students and teachers in rhetoric, English, classics, comparative literature, media studies, communication, and adjacent fields. As a whole, the Handbook demonstrates that rhetoric is not merely a form of stylish communication but a pragmatic, inventive, and critical art that operates in myriad social contexts and academic disciplines.

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“Fast-paced and full of wonder, this is a powerful, gripping must-read.”—Kirkus (starred review)“A lush and mysterious fable, full of beauty, full of wonder.”—Rebecca Stead, Newbery Medal–winning author of When You Reach MeNewbery Medalist Erin Entrada Kelly’s debut fantasy novel is a gorgeous, literary adventure about bravery, friendship, self-reliance, and the choice between accepting fate or forging your own path.When Lalani Sarita’s mother falls ill with an incurable disease, Lalani embarks on a dangerous journey across the sea in the hope of safeguarding her own future. Inspired by Filipino folklore, this engrossing fantasy is for readers who loved Grace Lin’s Where the Mountain Meets the Moon and Disney’s Moana. Life is difficult on the island of Sanlagita. To the west looms a vengeful mountain, one that threatens to collapse and bury the village at any moment. To the north, a dangerous fog swallows sailors who dare to venture out, looking for a more hospitable land. And what does the future hold for young girls? Chores and more chores. When Lalani Sarita’s mother falls gravely ill, twelve-year-old Lalani faces an impossible task—she must leave Sanlagita and find the riches of the legendary Mount Isa, which towers on an island to the north. But generations of men and boys have died on the same quest—how can an ordinary girl survive the epic tests of the archipelago? And how will she manage without Veyda, her best friend? Newbery Medalist and New York Times–bestselling author Erin Entrada Kelly’s debut fantasy novel is inspired by Filipino folklore and is an unforgettable coming-of-age story about friendship, courage, and identity. Perfect for fans of Lauren Wolk’s Beyond the Bright Sea and Kelly Barnhill’s The Girl Who Drank the Moon.

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These are strange times. Climate crises. Health crises. Collapsing systems. Influencers. And yes - Jordan Peterson.We are currently living in a (Post) Peterson Paradigm. This book – 12 Rules for (Academic) Life - explores what has happened to teaching, learning and politics through this odd and chaotic intervention. Deploying feminism, this lens and theory offers a glass-sharpened view of this moment in international higher education. It is organized through twelve mantras for higher education in this interregnum, and offers new, radical, edgy and passionate methodologies, epistemologies and ontologies for a University sector searching for a purpose. This is a feminist book which targets a feminist audience, both inside and outside higher education. It presents a clear focus on how this Peterson moment can be managed and challenged, when in future such academics deploy social media in this way. This book is also a part of higher education studies, exploring the role of the public / critical / dissenting / organic intellectual in debates about the political economy, identity/politics and leadership.A question of our time – through a climate emergency, a pandemic and polarized politics – is why Professor Jordan Peterson gained profile and notoriety. The Jordan Peterson moment commenced in September 2016 with his YouTube video, “Professor against political correctness,” and concluded with his debate with Slavoj Zizek on April 19, 2019. From this moment, his credibility was dented, if not destroyed.Jordan Peterson infused scholarly debates with Punch and Judy extremism and misunderstandings. Instead, this book offers research rather than certainty, interpretation rather than dogma, evidence rather than opinion, and theory rather than ‘moral truth.’ The goal is to recalibrate this (Post) Peterson Paradigm, to take stock of how this moment occurred, and how to create a revision of higher education.

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Susan Coolidge’s What Katy Did has captured the imaginations of readers since its first publication in 1872. A classic of American children’s literature, it tells the story of Katy Carr - twelve years old, free-spirited, perennially untidy, endearingly awkward and irrepressibly imaginative. Accompanied by her many siblings, Katy embarks on a series of playful misadventures - when she can escape the watchful eye of her fussy Aunt Izzie - until disaster strikes, and Katy has to learn a series of important lessons about life, happiness and growing up. In time for the 150th anniversary of its first publication, this is the first edition of What Katy Did to provide readers with a full introduction to the text, one which describes a context for both the challenges Katy faces in meeting the expectations of nineteenth-century young womanhood, and a consideration of her ongoing significance in the twenty-first century. A must read for fans of Little Women, this unique edition has been carefully designed to introduce a new generation to Katy and her escapades. Edited by specialists in the genre, it combines aesthetics, accessibility and academic rigour. Hilary Emmett and Thomas Ruys Smith, both based in the School of Art, Media and American Studies at the University of East Anglia, are experts in nineteenth century children's literature and the authors and editors of a variety of books including, most recently, The Oxford Handbook of Charles Brockden Brown (Emmett) and Deep Water: The Mississippi River in the Age of Mark Twain (Smith). Crucially, it has accessibility at its heart: the editors were passionate that this book should be approachable for those with visual impairments and dyslexia but without sacrificing the aesthetic beauty of the finished book for the general reader. This is a valuable edition to be treasured and handed on to future fans of Katy and her world.

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All Arto der Haroutunian’s twelve cookbooks written in the 1980s became classics; it was his belief that the rich culinary tradition of the Middle East is the main source of many of our Western cuisines and his books were intended as an introduction to that tradition. His Sweets & Desserts of the Middle East is regarded as the seminal work on the subject but it had been out of print for almost thirty years. At last here in a new edition is the Middle Eastern cookbook that everyone wants. In this book he takes us on a sumptuous and erudite tour of one of the delights of Middle Eastern cuisine. Sweets and desserts occupy a special place in those lands where natutal food resources can sometimes be limited. The people have made supreme the art of creating delights from very little and in doing do have enriched their world with wafer-thin pastries, luscious halvas, crunchy biscuits, exotic fruits and cool refreshing sorbets. Many Middle Eastern desserts are very sweet (literally soaked in honey or syrup) and yet their variety is infinite. It reflects the multifarious origins and races of the people of the region and combines ancient traditions and modern influences. One basic sweet may have been adapted in a dozen different ways. Tantalisingly fragrant, sweet and succulent or dry and spiced with the aroma of the East they transport us as if by magic carpet to the exotic lands of the orient. There are recipes for sesame and date baklavas, almond and pistachio coated biscuits, tempting stuffed fruits, rich mousses, delicate sorbets and syrups, jams and preserves, all of which may tempt you to conjure up these Middle Eastern delicacies in your own home.

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Inspired by a true story, a beautiful novel-in-verse about a child far from home. From award-winning poet Liz Berry.*SHORTLISTED FOR THE WRITERS' PRIZE FOR POETRY 2024*'A profound act of witness to a long injustice, and a beautifully crafted conjuring of a life lived as truly as possible' Guardian 'Book of the Day''Ground-breaking' Benjamin Zephaniah'Exquisite' Hannah Lowe, author of The Kids'Home's not a place, you must believe this,but one who names you and means beloved.'In 1908, Eliza Showell, twelve years old and newly orphaned, boards a ship that will carry her from the slums of the Black Country to rural Nova Scotia. She will never return to Britain or see her family again. She is a Home Child, one of thousands of British children sent to Canada to work as indentured farm labourers and domestic servants.In Nova Scotia, Eliza's world becomes a place where ordinary things are transfigured into treasures - a red ribbon, the feel of a foal's mane, the sound of her name on someone else's lips. With nothing to call her own, the wild beauty of Cape Breton is the only solace Eliza has - until another Home Child, a boy, comes to the farm and changes everything.Inspired by the true story of Liz Berry's great aunt, this spellbinding novel in verse is an exquisite portrait of a girl far from home.'Vivid, compassionate and makes Eliza Showell's voice heard at last' Financial Times *Best Poetry Books of summer 2023*'A haunting, deeply compelling narrative' Andrew McMillan, author of physical'Only Liz Berry could write such raw and staggeringly beautiful poems' Fiona Benson, author of Vertigo & Ghost

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Finalist for the 2021 PEN/Robert W. Bingham Prize for Debut Short Story Collection Finalist for the Los Angeles Times Art Seidenbaum Award for First Fiction“A House Is a Body will not simply be talked about as one of the greatest short story collections of the 2020s; it will change the way all stories—short and long—are told, written, and consumed. There is nothing, no emotion, no tiny morsel of memory, no touch, that this book does not take seriously. Yet, A House Is a Body might be the most fun I’ve ever had in a short story collection.” —Kiese Laymon, author of Heavy Dreams collide with reality, modernity with antiquity, and myth with identity in the twelve arresting stories of A House Is a Body. Set in the United States and India, Swamy’s characters grapple with motherhood, relationships, and their bodies to reveal small but intense internal moments of beauty, pain, and power that contain the world. In “Earthly Pleasures,” a young painter living alone in San Francisco begins a secret romance with one of India’s biggest celebrities, and desire and ego are laid bare. In “A Simple Composition,” a husband’s professional crisis leads to his wife’s discovery of a dark, ecstatic joy. And in the title story, an exhausted mother watches, hypnotized by fear, as a California wildfire approaches her home. Immersive and assured, provocative and probing, these are stories written with the edge and precision of a knife blade.A House Is a Body introduces a bold and original voice in fiction, from a writer at the start of a stellar career. Don't miss Shruti Swamy's debut novel, The Archer (available September 7, 2021), which has already been longlisted for the Center for Fiction First Novel Prize.

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A new critical assessment of the works of the Austrian-Jewish author, in whom there has been a recent resurgence of interest, from the perspective of world literature. The twenty-first century has seen a renewed surge of cultural and critical interest in the works of the Austrian-Jewish author Stefan Zweig (1881-1942), who was among the most-read and -acclaimed authors worldwide in the 1920s and1930s but after 1945 fell into critical disfavor and relative obscurity. The resurgence in interest in Zweig and his works is attested to by, among other things, new English translations and editions of his works; a Brazilian motion picture and a best-selling French novel about his final days; and a renewed debate surrounding the literary quality of his work in the London Review of Books. This global return to Zweig calls for a critical reassessment of his legacy and works, which the current collection of essays provides by approaching them from a global perspective as opposed to the narrow European focus through which they have been traditionally approached. Together, theintroduction and twelve essays engage the totality of Zweig's published and unpublished works from his drama and his fiction to his letters and his biographies, and from his literary and art criticism to his autobiography. Contributors: Richard V. Benson, Jeffrey B. Berlin, Darién J. Davis, Marlen Eckl, Mark H. Gelber, Robert Kelz, Klemens Renoldner, Birger Vanwesenbeeck, John Warren, Klaus Weissenberger, Robert Weldon Whalen, Geoffrey Winthrop-Young. Birger Vanwesenbeeck is Associate Professor of English at the State University of New York at Fredonia. Mark H. Gelber is Senior Professor of Comparative Literature and German-Jewish Studies at Ben-Gurion University of the Negev, Israel.

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When the eleven- and twelve-year-olds on the Cannon Street YMCA All-Star team registered for a baseball tournament in Charleston, South Carolina, in June 1955, it put the team and the forces of integration on a collision course with segregation, bigotry, and the southern way of life. White teams refused to take the field with the Cannon Street All-Stars, the first Black Little League team in South Carolina. The Cannon Street team won the tournament by forfeit and advanced to the state tournament. When all the white teams withdrew in protest, the Cannon Street team won the state tournament. If the team had won the regional tournament in Rome, Georgia, it would have advanced to the Little League World Series. But Little League officials ruled the team ineligible to play in the tournament because it had advanced by winning on forfeit and not on the field, denying the boys their dream of playing in the Little League World Series. Little League Baseball invited the Cannon Street All-Stars to be the organization’s guests at the World Series, where they heard spectators yell, “Let them play! Let them play!” when the ballplayers were introduced. This became a national story for a few weeks but then faded and disappeared as Americans read of other civil rights stories, including the torture and murder of fourteen-year-old Emmett Till.Stolen Dreams is the story of the Cannon Street YMCA All-Stars and of the early civil rights movement. It’s also the story of centuries of bigotry in Charleston, South Carolina—where millions of enslaved people were brought to this country and where the Civil War began, where segregation remained for a century after the war ended and anyone who challenged it did so at their own risk.

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Booklist starred reviewBlack activist Opal Lee had a vision of Juneteenth as a holiday for everyone. This true story celebrates Black joy and inspires children to see their dreams blossom. Growing up in Texas, Opal knew the history of Juneteenth, but she soon discovered that many Americans had never heard of the holiday. Join Opal on her historic journey to recognize and celebrate "freedom for all."Every year, Opal looked forward to the Juneteenth picnic—a drumming, dancing, delicious party. She knew from Granddaddy Zak's stories that Juneteenth celebrated the day the freedom news of President Lincoln's Emancipation Proclamation finally sailed into Texas in 1865—over two years after the president had declared it! But Opal didn't always see freedom in her Texas town. Then one Juneteenth day when Opal was twelve years old, an angry crowd burned down her brand-new home. This wasn't freedom at all. She had to do something! But could one person’s voice make a difference? Could Opal bring about national recognition of Juneteenth? Follow Opal Lee as she fights to improve the future by honoring the past.Through the story of Opal Lee's determination and persistence, children ages 4 to 8 will learn: all people are created equal the power of bravery and using your voice for change the history of Juneteenth, or Freedom Day, and what it means today no one is free unless everyone is free fighting for a dream is worth the difficulty experienced along the way Featuring the illustrations of New York Times bestselling illustrator Keturah A. Bobo (I am Enough), Opal Lee and What It Means to Be Free by Alice Faye Duncan celebrates the life and legacy of a modern-day Black leader while sharing a message of hope, unity, joy, and strength.

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Shuri and T'Challa set out to remove a curse from Wakanda in this action-packed, totally original graphic novel! Twelve-year-old Shuri is a lot of things. Scientist. Princess. All around cooler person than her pain-in-the-butt big brother T'Challa. Shuri knows she could do so much more to help Wakanda, but everyone is obsessed with the prince because he's the next Black Panther. That is, until Soul Washing Day, one of the most important rituals of Wakandan society. When an argument between T'Challa and Shuri leads to one of Shuri's inventions accidentally destroying the sacred ceremony site, chaos reigns instead of prosperity. Suddenly the people of Wakanda, including her mother the queen, are becoming sick! Could this be a curse from the ancestors? Desperate to save her mother, Shuri dives into research and finds an answer hidden deep in an ancient children's myth. It may be nothing more than a fantasy, but with the sickness spreading each day, the young princess must trust her instincts and travel deep into the mysterious Heartlands to save her family and her kingdom. Joining Shuri on her journey is none other than a meddling T'Challa. If Shuri and T'Challa can set aside their jealousy and resentment of each other long enough to survive this journey, they might just discover that they are far more powerful together than they could ever be apart. But if they can't face their fears in the Heartlands and lift the so-called curse, it may not be just the end for their family, but the end of Wakanda as they know it. No pressure, right? Vivid full-colour art An Original Black Panther Graphic Novel An action-packed adventure, perfect for 8+

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A unique and engaging account of local urban decision-making within the globalizing world High Point, North Carolina, is known as the “Furniture Capital of the World.” Once a manufacturing stronghold, most of its furniture factories have closed over the past forty years, with production shipped off to low-wage countries. Yet as manufacturing left, the city tightened its hold on a biannual global exposition that serves as the world’s furniture fashion runway. At the High Point Market, visitors from more than one hundred nations traverse twelve million square feet of meticulous design. Downtown buildings—once courthouses, movie theaters, post offices, and gas stations—are now chic showroom spaces, even as many sit empty between each exposition.In Showroom City, John Joe Schlichtman applies an ethnographic lens to the global exposition’s relationship with High Point after it defeated rival Chicago in the 1960s and established itself as the world’s dominant furniture center. In recent decades, following trends in global finance, private equity firms were increasingly behind downtown High Point’s real estate transactions, coordinated by buyers far removed from the region. Then, in one massive transaction in 2011, a firm funded by Bain Capital purchased every major showroom building, and the majority of downtown real estate was under one owner. Showroom City is a story of exclusionary growth and unchecked development, of a city flailing to fill the void left by its dwindling factories. But beyond that Schlichtman engages the general lessons behind both High Point’s deindustrialization and its stunning reinvention as a furniture fashion, merchandising, and design node. With great nuance, he delves deeply to reveal how power operates locally and how citizens may affirm, exploit, influence, and resist the takeover of their community.

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Did you hear the one about the Mother Superior who was so busy casting the first stone that she got caught in flagrante delicto with her lover? What about the drunk with a Savior complex who was fool enough to believe himself to be the Second Coming? And that's nothing compared to what happens when comedy gets its grubby paws on the confessional. Enter fifteenth- and sixteenth-century French farce, the "bestseller" of a world that stands to tell us a lot about the enduring influence of a Shakespeare or a Molière. It's the sacrilegious world of Immaculate Deception, the third volume in a series of stage-friendly translations from the Middle French. Brought to you through the wonders of Open Access, these twelve engagingly funny satires target religious hypocrisy in that in-your-face way that only true slapstick can muster. There is literally nothing sacred. Why this repertoire and why now? The current political climate has had dire consequences for the pleasures of satire at a cultural moment when we have never needed it more. It turns out that the proverbial Dark Ages had a lighter side; and France's over 200 rollicking, frolicking, singing, and dancing comedies—more extant than in any other vernacular—have waited long enough for their moment in the spotlight. They are seriously funny: funny enough to reclaim their place in cultural history, and serious enough to participate in the larger conversation about what it means to be a social influencer, then and now. Rather than relegate medieval texts to the dustbin of history, an unabashedly feminist translation can reframe and reject the sexism of bygone days by doing what theater always invites us to do: interpret, inflect, and adapt.

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For the average tourist, the history of Philadelphia can be like a leisurely carriage ride through Old City. The Liberty Bell. Independence Hall. Benjamin Franklin. The grooves in the cobblestone are so familiar, one barely notices the ride. Yet there are other paths to travel, and the ride can be bumpy. Beyond the famed founders, other Americans walked the streets of Philadelphia whose lives were, in their own ways, just as emblematic of the promises and perils of the new nation. Philadelphia Stories chronicles twelve of these lives to explore the city's people and places from the colonial era to the years before the Civil War. This collective portrait includes men and women, Black and white Americans, immigrants and native born. If mostly forgotten today, banker Stephen Girard was one of the wealthiest men ever to have lived, and his material legacy can be seen by visiting sites such as Girard College. In a different register, but equally impressive, were the accomplishments of Sarah Thorn Tyndale. In a few short years as a widow she made enough money on her porcelain business to retire to a life as a reformer. Others faced frustration. Take, for example, Grace Growden Galloway. Born to an important family, she saw her home invaded and her property confiscated by patriot forces. Or consider the life of Francis Johnson, a Black bandleader and composer who often performed at the Musical Fund Hall, which still stands today. And yet he was barred from joining its Society. Philadelphia Stories examines their rich lives, as well as those of others who shaped the city's past. Many of the places inhabited by these people survive to this day. In the pages of this book and on the streets of the city, one can visit both the people and places of Philadelphia's rich history.

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In the early modern period, the religious fervor of the Reformation and Counter-Reformation, social unrest, and millenarianism all seemed to foster greater anti-Judaism in Christian Europe, yet the increased intolerance was also accompanied by more intimate and complex forms of interaction between Christians and Jews. Printing, trade, and travel combined to bring those from both sides of the religious divide into closer contact than ever before, while growing interest in magic and the Kabbalah encouraged Christians to study Hebrew in addition to Latin and Greek. In Hebraica Veritas? Christian Hebraists and the Study of Judaism in Early Modern Europe, noted scholars trace how these early modern encounters played key roles in defining attitudes toward personal, national, and religious identity in Western culture. As Christians increasingly patronized Jewish scholars, in person and in print, Christian Hebraism flourished. The twelve essays assembled here address the important but often neglected subject of the early modern encounter between Christians and Jews. They illustrate how this envolvement shaped each group's self-perception and sense of otherness and contributed to the emergence of the modern study of cultural anthropology, comparative religion, and Jewish studies. But the chapters also reveal how the encounter challenged traditional religious beliefs, fostering the skepticism, toleration, and irreligion conventionally associated with the Enlightenment. Many of the Christian Hebraists described in these essays were linguists and textual critics, and their work highlights the ambiguous role played by language and texts in transmitting natural and divine truth. It was during the early modern period that numerous concepts underpinning modern Western secular society came into existence, and as Hebraica Veritas? shows, the subject of Christian Hebraism has direct relevance to understanding the intellectual changes and challenges characterizing the transition from the ancient to the modern world.

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In January 1890, journalist T. Thomas Fortune stood before a delegation of African American activists in Chicago and declared, "We know our rights and have the courage to defend them," as together they formed the Afro-American League, the nation's first national civil rights organization. Over the next two decades, Fortune and his fellow activists organized, agitated, and, in the process, created the foundation for the modern civil rights movement. An Army of Lions: The Civil Rights Struggle Before the NAACP traces the history of this first generation of activists and the organizations they formed to give the most comprehensive account of black America's struggle for civil rights from the end of Reconstruction to the formation of the National Association for the Advancement of Colored People in 1909. Here a host of leaders neglected by posterity—Bishop Alexander Walters, Mary Church Terrell, Jesse Lawson, Lewis G. Jordan, Kelly Miller, George H. White, Frederick McGhee, Archibald Grimké—worked alongside the more familiar figures of Ida B. Wells-Barnett, W. E. B. Du Bois, and Booker T. Washington, who are viewed through a fresh lens. As Jim Crow curtailed modes of political protest and legal redress, members of the Afro-American League and the organizations that formed in its wake—including the Afro-American Council, the Niagara Movement, the Constitution League, and the Committee of Twelve—used propaganda, moral suasion, boycotts, lobbying, electoral office, and the courts, as well as the call for self-defense, to end disfranchisement, segregation, and racial violence. In the process, the League and the organizations it spawned provided the ideological and strategic blueprint of the NAACP and the struggle for civil rights in the twentieth century, demonstrating that there was significant and effective agitation during "the age of accommodation."

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Five hundred years after Columbus's first voyage to the New World, the debate over the European impact on Native American civilization has grown more heated than ever. Among the first—and most insistent—voices raised in that debate was that of a Spanish priest, Bartolomé de Las Casas, acquintance of Cortes and Pizarro and shipmate of Velasquez on the voyage to conquer Cuba. In 1552, after forty years of witnessing—and opposing—countless acts of brutality in the new Spanish colonies, Las Casas returned to Seville, where he published a book that caused a storm of controversy that persists to the present day.The Devastation of the Indies is an eyewitness account of the first modern genocid, a story of greed, hypocrisy, and cruelties so grotesque as to rival the worst of our own century. Las Casas writes of men, women and children burned alive "thirteen at a time in memoery of Our Redeemer and his twelve apostles." He describes butcher shops that sold human flesh for dog food ("Give me a quarter of that rascal there," one customer says, "until I can kill some more of my own"). Slave ship captains navigate "without need if compass or charts," following instead the trail of floating corpes tossed overboard by the ship before them. Native kings are promised peace, then slaughted. Whole families hang themselves in despair. Once-fertile islands are turned to desert, the wealth of nations plundered, millions killed outright, whole peoples annihilated.In an introduction, historian Bill M. Donovan provides a brief biography of Las Casas and reviews the controversy his work produced among Europeans, whose indignation—and denials—lasted centuries. But the book itself is short. "Were I to describe all this," writes Las Casas of the four decades of suffering he witnessed, "no amount of time and paper could emcimpass this task."

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Rife with incest, adultery, rape, and murder, the biblical story of Jacob and his children must have troubled ancient readers. By any standard, this was a family with problems. Jacob's oldest son Reuben is said to have slept with his father's concubine Bilhah. The next two sons, Simeon and Levi, tricked the men of a nearby city into undergoing circumcision, and then murdered all of them as revenge for the rape of their sister. Judah, the fourth son, had sexual relations with his own daughter-in-law. Meanwhile, jealous of their younger sibling Joseph, the brothers conspired to kill him; they later relented and merely sold him into slavery. These stories presented a particular challenge for ancient biblical interpreters. After all, Jacob's sons were the founders of the nation of Israel and ought to have been models of virtue. In The Ladder of Jacob, renowned biblical scholar James Kugel retraces the steps of ancient biblical interpreters as they struggled with such problems. Kugel reveals how they often fixed on a little detail in the Bible's wording to "deduce" something not openly stated in the narrative. They concluded that Simeon and Levi were justified in killing all the men in a town to avenge the rape of their sister, and that Judah, who slept with his daughter-in-law, was the unfortunate victim of alcoholism. These are among the earliest examples of ancient biblical interpretation (midrash). They are found in retellings of biblical stories that appeared in the closing centuries BCE--in the Book of Jubilees, the Aramaic Levi Document, the Testaments of the Twelve Patriarchs, and other noncanonical works. Through careful analysis of these retellings, Kugel is able to reconstruct how ancient interpreters worked. The Ladder of Jacob is an artful, compelling account of the very beginnings of biblical interpretation.

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Spirited verse.Prudentius (Aurelius Prudentius Clemens) was born in AD 348 probably at Caesaraugusta (Saragossa) and lived mostly in northeastern Spain, but visited Rome between 400 and 405. His parents, presumably Christian, had him educated in literature and rhetoric. He became a barrister and at least once later on an administrator; he afterwards received some high honor from Emperor Theodosius. Prudentius was a strong Christian who admired the old pagan literature and art, especially the great Latin poets whose forms he used. He looked on the Roman achievement in history as a preparation for the coming of Christ and the triumph of a spiritual empire. The Loeb Classical Library edition of the poems of Prudentius is in two volumes. Volume I presents: “Preface” (Praefatio); “The Daily Round” (Liber Cathemerinon); twelve literary and attractive hymns, parts of which have been included in the Breviary and in modern hymnals; “The Divinity of Christ” (Apotheosis), which maintains the Trinity and attacks those who denied the distinct personal being of Christ; “The Origin of Sin” (Hamartigenia) attacking the separation of the “strict” God of the Old Testament from the “good” God revealed by Christ; “Fight for Mansoul” (Psychomachia), which describes the struggle between (Christian) Virtues and (Pagan) Vices; and the first book of “Against the Address of Symmachus” (Contra Orationem Symmachi), in which pagan gods are assailed. The second volume contains the second book of “Against the Address of Symmachus,” opposing a petition for the replacement of an altar and statue of Victory; “Crowns of Martyrdom” (Peristephanon Liber), fourteen hymns to martyrs mostly of Spain; “Lines To Be Inscribed under Scenes from History” (Tituli Historiarum), forty-nine four-line stanzas that are inscriptions for scenes from the Bible depicted on the walls of a church; and an Epilogue.

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Samuel Heilman's eloquent account of the traditional customs that are put into practice when a Jewish person dies provides both an informative anthropological perspective on Jewish rites of mourning and a moving chronicle of the loss of his own father. This unique narrative crosses and recrosses the boundary between the academic and the religious, the personal and the general, reflecting Heilman's changing roles as social scientist, bereaved son, and observant Jew. Not only describing but explaining the cultural meaning behind Jewish practices and traditions, this extraordinary book shows what is particular and what is universal about Jewish experiences of death, bereavement, mourning, and their aftermath. Heilman describes the many phases of death: the moment between life and death, the transitional period when the dead have not yet been laid to rest, the preparation of the body (tahara), the Jewish funeral, the early seven-day period of mourning (shivah), the nearly twelve months during which the kaddish is recited, and the annual commemorations of bereavement. The richly informative ethnography that surrounds Heilman's personal account deepens our understanding of the customs and traditions that inform the Jewish cultural response to death. "When a Jew Dies" concludes by revealing the rhythm that lies beneath the Jewish experience with death. It finds that however much death has thrown life into disequilibrium, the Jewish response is to follow a precisely timed series of steps during which the dead are sent on their way and the living are reintegrated into the group and into life. Filled with absorbing detail and insightful interpretations that draw from social science as well as Jewish sources, this book offers new insight into one of the most profound and often difficult situations that almost everyone must face. It offers cover illustration by Max Ferguson.

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As a child, Solveig Torvik heard stories of a lost, mysterious great-grandfather who left Finland for America to make his fortune - leaving Torvik’s great-grandmother and his unborn daughter behind. As a reporter, Torvik determined to discover the fate of the man who followed his dreams to Oregon. She uncovered not only the story of one man, but also the saga of an entire family. In Nikolai’s Fortune, a tale of Scandinavian women, the journalist turns fact into fiction and shares the tales of her ancestors as she imagines they would have told them. Nikolai's Fortune is a heartbreaking, multigenerational epic, chronicling family secrets and sufferings against the backdrop of Scandinavian history and culture. Blending memoir and historical fiction, grandmother, mother, and daughter each share their own story: Kaisa, of her mother’s love for Nikolai and her own 500-mile trek at the age of twelve from impoverished Finland across the snowy mountains of Lapland; Berit, of child slavery and an obsession with seeking out her grandfather’s fortune for her mother; and Hannah, the voice of Torvik, of her childhood during the Nazi occupation of Norway and her family’s emigration to Idaho. Through detailed historical research into census, church, and weather records, as well as academic and museum sources, Torvik recaptures a dramatic story nearly lost to memory and inherits something worth more than a fortune in riches – a sense of her family history, ethnic background, and the generations of remarkable women who came before her. Norwegian-born Solveig Torvik was a reporter, editor, and columnist at the Seattle Post-Intelligencer for thirty years. She was also a reporter for United Press International in Salt Lake City and for the San Francisco Chronicle, and an editor at the San Jose Mercury News.

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The effect of Western influence on the later Ottoman Empire and on the development of the modern Turkish nation-state links these twelve essays by a prominent American scholar. Roderic Davison draws from his extensive knowledge of Western diplomatic history and Turkish history to describe a period in which the actions of the Great Powers, incipient and rising nationalisms, and Westernizing reforms shaped the destiny of the Ottoman Empire and the creation of the new Turkish Republic.Eleven of the essays were previously published in widely scattered journals and multi-authored volumes. The first of these provides a general survey of Turkish and Ottoman history, from early Turkish times to the end of the Empire. The following essays continue chronologically from 1774, detailing some of the changes in the nineteenth-century Empire. Several themes recur. One is the impact of Western ideas and institutions and the resistance to that influence by some elements in the Empire. Another concerns the diplomatic pressure exerted by the Great Powers of Europe on the Empire, which amounted at times to direct intervention in Ottoman domestic affairs. Taken together, the essays portray a confluence of civilizations as well as a clash of cultures.Professor Davison has written an interpretive introduction that sets out the historical trends running throughout the book. In addition, he includes a previously unpublished article on the advent of the electric telegraph in the Ottoman Empire to show how the adoption of a Western technological advance could affect many areas of life.Of particular interest to students of Ottoman and Middle East history, these essays will also be valuable for everyone concerned with modernization in developing nations. Davison's interpretations and keen methodological sense also shed new light on several aspects of European diplomatic history.

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When Dave Hickey was twelve, he rode the surfer's dream: the perfect wave. And, like so many things in life we long for, it didn't quite turn out----he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which just about killed him. Fortunately, for Hickey and for us, he survived, and continues to battle, decades into a career as one of America's foremost critical iconoclasts, a trusted, even cherished no-nonsense voice commenting on the all-too-often nonsensical worlds of art and culture. Perfect Wave brings together essays on a wide range of subjects from throughout Hickey's career, displaying his usual breadth of interest and powerful insight into what makes art work, or not, and why we care. With Hickey as our guide, we travel to Disneyland and Vegas, London and Venice. We discover the genius of Karen Carpenter and Waylon Jennings, learn why Robert Mitchum matters more than Jimmy Stewart, and see how the stillness of Antonioni speaks to us today. Never slow to judge or to surprise us in doing so Hickey powerfully relates his wincing disappointment in the later career of his early hero Susan Sontag, and shows us the appeal to our commonality that we've been missing in Norman Rockwell. With each essay, the doing is as important as what's done; the pleasure of reading Dave Hickey lies nearly as much in spending time in his company as in being surprised to find yourself agreeing with his conclusions. Bookended by previously unpublished personal essays that offer a new glimpse into Hickey's own life including the aforementioned slam-bang conclusion to his youthful surfing career Perfect Wave is not a perfect book. But it's a damn good one, and a welcome addition to the Hickey canon.

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Author Deborah Ellis travels across the continent, interviewing more than forty Native American kids and letting them tell their own stories. They come from all over the continent — from Iqaluit to Texas, Haida Gwaii to North Carolina. Their stories are sometimes heartbreaking; more often full of pride and hope. You’ll meet Tingo, who has spent most of his young life living in foster homes and motels, and is now thriving after becoming involved with a Native Friendship Center; Myleka and Tulane, young Navajo artists; Eagleson, who started drinking at age twelve but now continues his family tradition working as a carver in Seattle; Nena, whose Seminole ancestors remained behind in Florida during the Indian Removals, and who is heading to New Mexico as winner of her local science fair; Isabella, who defines herself more as Native than American; Destiny, with a family history of alcoholism and suicide, who is now a writer and pow-wow dancer. Deborah briefly introduces each child and then steps back, letting the kids speak directly to the reader. The result is a collection of frank and often surprising interviews with kids aged nine to eighteen, as they talk about their daily lives, about the things that interest them, and about how being Indigenous has affected who they are and how they see the world. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RI.6.3 Analyze in detail how a key individual, event, or idea is introduced, illustrated, and elaborated in a text (e.g., through examples or anecdotes). CCSS.ELA-LITERACY.RI.6.6 Determine an author's point of view or purpose in a text and explain how it is conveyed in the text. CCSS.ELA-LITERACY.RI.6.9 Compare and contrast one author's presentation of events with that of another (e.g., a memoir written by and a biography on the same person).

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Migrants cuts through the toxic debates to tell the rich and collective stories of humankind's urge to move.'Fascinating... Miller's perspective may be just what we need' Daily Telegraph'Enjoyable, provocative and timely' Spectator'Timely and empathetic: a rare combination on this most controversial issue' Remi Adekoya, author of Biracial Britain'Tremendous: blends the personal and the panoramic to great effect' Robert Winder, author of Bloody ForeignersHumans are, in fundamental ways, a migratory species, more so than any other land mammal. For most of our existence , we were all nomads, and some of us still are. Houses and permanent settlements are a relatively late development - dating back little more than twelve thousand years. Borders and passports are much more recent. From the Neanderthals, Alexander the Great, Christopher Columbus and Pocahontas to the African slave trade, Fu Manchu, and Barack Obama, Migrants shows us that it is only by understanding how migration and migrants have been viewed in the past, that we can re-set the terms of the modern-day debate about migration.Migrants presents us with an alternative history of the world, in which migration is restored to the heart of the human story. And in which humans migrate for a wide range of reasons: not just because of civil war, or poverty or climate change but also out of curiosity and a sense of adventure. On arrival, migrants are expected both to assimilate and encouraged to remain distinctive; to defend their heritage and adopt a new one. They are sub-human and super-human; romanticised and castigated, admired and abhorred. Migrants tells us that this is not a new narrative; this is the history of us all, part of everybody's backstory - for those who consider themselves migrants and those who do not.

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A New Yorker writer’s intimate, revealing account of Tupac Shakur’s life and legacy, timed to the fiftieth anniversary of his birth and twenty-fifth anniversary of his death.In the summer of 2020, Tupac Shakur’s single “Changes” became an anthem for the worldwide protests against the murder of George Floyd. The song became so popular, in fact, it was vaulted back onto the iTunes charts more than twenty years after its release—making it clear that Tupac’s music and the way it addresses systemic racism, police brutality, mass incarceration, income inequality, and a failing education system is just as important now as it was back then. In Changes, published to coincide with the fiftieth anniversary of Tupac’s birth and twenty-fifth anniversary of his death, Sheldon Pearce offers one of the most thoughtful and comprehensive accounts yet of the artist’s life and legacy. Pearce, an editor and writer at The New Yorker, interviews dozens who knew Tupac throughout various phases of his life. While there are plenty of bold-faced names, the book focuses on the individuals who are lesser known and offer fresh stories and rare insight. Among these are the actor who costarred with him in a Harlem production of A Raisin in the Sun when he was twelve years old, the high school drama teacher who recognized and nurtured his talent, the music industry veteran who helped him develop a nonprofit devoted to helping young artists, the Death Row Records executive who has never before spoken on the record, and dozens of others. Meticulously woven together by Pearce, their voices combine to portray Tupac in all his complexity and contradiction. This remarkable book illustrates not only how he changed during his brief twenty-five years on this planet, but how he forever changed the world.

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This biography of Jacques Derrida (1930–2004) tells the story of a Jewish boy from Algiers, excluded from school at the age of twelve, who went on to become the most widely translated French philosopher in the world – a vulnerable, tormented man who, throughout his life, continued to see himself as unwelcome in the French university system. We are plunged into the different worlds in which Derrida lived and worked: pre-independence Algeria, the microcosm of the École Normale Supérieure, the cluster of structuralist thinkers, and the turbulent events of 1968 and after. We meet the remarkable series of leading writers and philosophers with whom Derrida struck up a friendship: Louis Althusser, Emmanuel Levinas, Jean Genet, and Hélène Cixous, among others. We also witness an equally long series of often brutal polemics fought over crucial issues with thinkers such as Michel Foucault, Jacques Lacan, John R. Searle, and Jürgen Habermas, as well as several controversies that went far beyond academia, the best known of which concerned Heidegger and Paul de Man. We follow a series of courageous political commitments in support of Nelson Mandela, illegal immigrants, and gay marriage. And we watch as a concept – deconstruction – takes wing and exerts an extraordinary influence way beyond the philosophical world, on literary studies, architecture, law, theology, feminism, queer theory, and postcolonial studies. In writing this compelling and authoritative biography, Benoît Peeters talked to over a hundred individuals who knew and worked with Derrida. He is also the first person to make use of the huge personal archive built up by Derrida throughout his life and of his extensive correspondence. Peeters’ book gives us a new and deeper understanding of the man who will perhaps be seen as the major philosopher of the second half of the twentieth century.

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Box Set: 12 Books Ages: 4 to 6 Stage 2: Emerging Readers The books in Bob Books Set 2 provide your new reader with more material at the beginning level. These twelve stories in three- and four-letter words will build confidence through practice. Simple text combined with slightly longer stories build reading stamina. Elements of humour and surprise keep children's interest high. Add Bob Books Set 2 to your collection for invaluable beginning reading practice. Reading this foundation set ensures children have mastered basic phonics before they advance to consonant blends. Inside the box you'll find: 12 easy-to-read books, 16 pages each Mostly two and three letter words (C-V-C words) Can be 'sounded out' (phonics based) Limited sight words 20 to 30 words per book ABOUT BOBS BOOKS Bob Books is a true first reader series, designed to make helping children learn to read simple and straightforward. The clean layout, short words, and simple phonics make learning to read a fun and natural step for a child that knows the alphabet. Bob Books is designed to give young children the tools to cross from learning letters to reading words. Our award-winning beginning reader book sets start slowly and progress from books with three letter words, to books with more than one sentence per page. Because we meet children at the right level, parents are often amazed at how quickly their child is able to sound out words when reading their first Bob Book. Bob Books covers four reading stages... Pre-Readings Skills Recognize shapes, patterns, and other pre-reading skills Stage 1: Starting to Read From learning the alphabet to sounding out your first words Stage 2: Emerging Readers Sentences become longer and sight words are introduced Stage 3: Developing Readers Words and sentences become longer, and new rules are introduced

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When Phyllis Tickle's marvelous devotional trilogy The Divine Hours™ appeared, readers responded with gratitude, praise, and a great many requests for an edition of hourly prayers that they could easily carry with them--an edition that would make this ancient form of Christian worship compatible with the pace and mobility of modern life. Now, in The Divine Hours Pocket Edition™, Tickle has gathered one full week of fixed-hour prayers, providing an ideal companion for travellers, office-workers, people on retreat or pilgrimage, as well as newcomers to this age-old spiritual practice. As Tickle writes in her introduction, "prayer is always a place as well as an action, and the daily offices are like small chapels or wayside stations within the day's courses." Seven of these daily offices are offered for each day of the week, and each office contains the Call to Prayer, the Request for Presence, the Greeting, the Reading, the Gloria, the Psalm, the Small Verse, the Lord's Prayer, the Petition, and the Final Thanksgiving. Tickle draws her texts primarily from the Book of Common Prayer and the writings of the Church Fathers, and includes memorable devotional and meditative poems by Cleland McAfee, Charles Wesley, Phos Hilaron, and others. Tickle also provides a chapter of "Traditional, Seasonal, and Occasional Prayers" in order to accommodate special dates like Advent, Christmas, Easter, and Thanksgiving; major life-changes such as marriage, birth, death, and illness; and moments of special petition or thanksgiving. For all those who want to carry a "small chapel" of prayers with them, The Divine Hours Pocket Edition™ offers a convenient, easy-to-use, and deeply spiritual guide to a devotional practice that extends all the way back to Christ and the twelve Apostles.

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Ready to go beyond the basics? Expand the limits of what’s possible with the Pathfinder Advanced Player’s Guide! This 272-page Pathfinder Second Edition rulebook contains exciting new rules options for player characters, adding even more depth of choice to your Pathfinder game! Inside you will find brand new ancestries, heritages, and four new classes: the shrewd investigator, the mysterious oracle, the daring swashbuckler, and the hex-slinging witch! The must-have Advanced Player’s Guide also includes exciting new options for all your favorite Core Rulebook classes and tons of new backgrounds, general feats, spells, items, and 40 flexible archetypes to customize your play experience even further! This deluxe special edition is bound in faux leather with metallic deboss cover elements and a bound-in ribbon bookmark. The perfect way to commemorate Pathfinder's new edition! (Cover color and design subject to change.) The Pathfinder Advanced Player’s Guide includes: • Four new classes: the investigator, oracle, swashbuckler, and witch! • Five new ancestries and five heritages for any ancestry: celestial aasimars, curious catfolk, hagspawned changelings, vampiric dhampirs, fate-touched duskwalkers, scaled kobolds, fierce orcs, fiendish tieflings, industrious ratfolk, and feathered tengu! • 40 new archetypes including multiclass archetypes for the four new classes, Pathfinder favorites like the cavalier, dragon disciple, shadowdancer, and vigilante, and brand-new archetypes like the familiar master and the shield-bearing iron wall! • New class options for all twelve classes from the Pathfinder Core Rulebook including champions of evil, genie and shadow sorcerers, zen archer monks, rogue masterminds, spellcasting rangers, and more! • Even more exciting new rules, from rare and unique backgrounds to investigative skill feats, from spells and rituals like reincarnate and create demiplane to new items including special wands with unusual effects and exciting potions worthy of a witch’s cauldron.

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A NEW YORK TIMES BESTSELLERWINNER OF THE NATIONAL BOOK AWARD FOR NONFICTION'A major book that I suspect will come to be considered among the essential memoirs of this vexing decade' New York Times Book ReviewIn 1961, Sarah M. Broom's mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. It was the height of the Space Race and the neighborhood was home to a major NASA plant - the postwar optimism seemed assured. Widowed, Ivory Mae remarried Sarah's father Simon Broom; their combined family would eventually number twelve children. But after Simon died, six months after Sarah's birth, the house would become Ivory Mae's thirteenth and most unruly child.A book of great ambition, Sarah M. Broom's The Yellow House tells a hundred years of her family and their relationship to home in a neglected area of one of America's most mythologized cities. This is the story of a mother's struggle against a house's entropy, and that of a prodigal daughter who left home only to reckon with the pull that home exerts, even after the Yellow House was wiped off the map after Hurricane Katrina. The Yellow House expands the map of New Orleans to include the stories of its lesser known natives, guided deftly by one of its native daughters, to demonstrate how enduring drives of clan, pride, and familial love resist and defy erasure. Located in the gap between the 'Big Easy' of tourist guides and the New Orleans in which Broom was raised, The Yellow House is a brilliant memoir of place, class, race, the seeping rot of inequality, and the internalized shame that often follows. It is a transformative, deeply moving story from an unparalleled new voice of startling clarity, authority and power.

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A NEW YORK TIMES BESTSELLERWINNER OF THE NATIONAL BOOK AWARD FOR NONFICTION'A major book that I suspect will come to be considered among the essential memoirs of this vexing decade' New York Times Book ReviewIn 1961, Sarah M. Broom's mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. It was the height of the Space Race and the neighborhood was home to a major NASA plant - the postwar optimism seemed assured. Widowed, Ivory Mae remarried Sarah's father Simon Broom; their combined family would eventually number twelve children. But after Simon died, six months after Sarah's birth, the house would become Ivory Mae's thirteenth and most unruly child.A book of great ambition, Sarah M. Broom's The Yellow House tells a hundred years of her family and their relationship to home in a neglected area of one of America's most mythologized cities. This is the story of a mother's struggle against a house's entropy, and that of a prodigal daughter who left home only to reckon with the pull that home exerts, even after the Yellow House was wiped off the map after Hurricane Katrina. The Yellow House expands the map of New Orleans to include the stories of its lesser known natives, guided deftly by one of its native daughters, to demonstrate how enduring drives of clan, pride, and familial love resist and defy erasure. Located in the gap between the 'Big Easy' of tourist guides and the New Orleans in which Broom was raised, The Yellow House is a brilliant memoir of place, class, race, the seeping rot of inequality, and the internalized shame that often follows. It is a transformative, deeply moving story from an unparalleled new voice of startling clarity, authority and power.

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***PERFECT FOR FANS OF WHERE THE CRAWDADS SING AND SOON TO BE MAJOR FILM STARRING DAISY RIDLEY***You'd recognise my mother's name if I told it to you. You'd wonder, briefly, where is she now? And didn't she have a daughter while she was missing?And whatever happened to the little girl? Helena's home is like anyone else's, with a husband, two daughters and a job she enjoys. But no one knows the truth about her dark and twisted childhood. Born into captivity and brought up in an isolated cabin until she was twelve, Helena was raised by her terrified, broken mother and the man who held them both prisoner - Helena's own father.Now with news that he has escaped from prison, Helena instinctively knows that her father is coming for her and if she wants to keep her family safe, she must find him - before he finds her. Even if that means returning to the darkest parts of her past, the scariest place imaginable, home.An unforgettable, read-in-one-sitting thriller packed with gripping suspense._________'If you only read one thriller this year, make it this' CLARE MACKINTOSH'Emotionally and intellectually thrilling, tremendously exciting' SUNDAY EXPRESS'Unlike anything else I've read. Haunting and unputdownable' LAURA MARSHALL, number one bestselling author of Friend Request'Sensationally good, I loved this book' LEE CHILD 'Gorgeously written eerie suspense' KARIN SLAUGHTER 'SO GOOD' LAURA MARSHALL 'You won't be able to stop turning the pages' MEGAN ABBOTT 'A wonderful book... Mesmerising' ALEX MARWOOD 'A nail-biter' COSMOPOLITAN 'A knockout' SARAH HILARY 'I was absolutely gripped' GILLY MACMILLAN 'Eerie and breathtaking, terrific and terrifying' TÉA OBREHT 'Original and exciting, with a thrilling ending' MARK EDWARDS

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Combining military theory and raw accounts of its practice, Carl von Clausewitz's treatise On War has had a profound influence on subsequent thinking on warfare. This Penguin Classics edition is edited with an introduction by Anatol Rapoport.Writing at the time of Napoleon's greatest campaigns, Prussian soldier and writer Carl von Clausewitz created this landmark treatise on the art of warfare, which presented war as part of a coherent system of political thought. In line with Napoleon's own military actions, he illustrated the need to annihilate the enemy and make a strong display of one's power in an 'absolute war' without compromise. But he was also careful to distinguish between war and politics, arguing that war could only be justified when debate was no longer adequate, and that if undertaken, its aim should ultimately be to improve the wellbeing of the nation, pioneering the notion of war as 'politics by other means'.This edition contains a detailed introduction, examining von Clausewitz's skill and reputation as a writer, philosopher and political thinker, as well as a bibliography, notes and a glossary.Carl von Clausewitz (1780-1831) was a Prussian soldier and writer who entered the Prussian Military at the age of twelve with the rank of Lance-Corporal, serving in the Rhine campaign from 1793 to 1794. In 1801 he joined the Berlin Military Academy, where he studied Kant and attracted the attention of General Gerhard von Scharnhorst, whom he later helped to reform the Prussian army. More a philosopher than a soldier, Clausewitz's fame rests on the enduring success of On War (Vom Kriege), unfinished at the time of his death and published posthumously by his wife, in 1832.If you enjoyed On War, you might like Sun-Tzu's The Art of War, also available in Penguin Classics.

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Equal parts muckraking novel, transnational love story, and socially engaged panorama, Cho Chongnae's The Human Jungle portrays China on the verge of becoming the world's dominant economic force. Against a backdrop of rapidly morphing urban landscapes, readers meet migrant workers, Korean manufacturers out to save a few bucks, high-flying venture capitalists, street thugs, and shakedown artists. The picture of China that emerges is at turns unsettling, awe-inspiring, and heart-breaking. Chongnae deftly portrays a giant awakening to its own raw, volatile, and often uncontrollable power. Translators Bruce Fulton and Ju-Chan Fulton have condensed three of Chongnae's Korean novels, each of which sold more than one million copies in South Korea, into this single English-language edition. Cho Chongnae is one of Korea's most important living writers. He is best known for a trio of massive historical novels: the ten-volume T'aebaek Mountains (1989), the twelve-volume Arirang (1995), and the ten-volume Han River (2002). Cho lives in Seoul, South Korea. Bruce Fulton and Ju-Chan Fulton are the translators of numerous volumes of modern Korean fiction, including the award-winning women's anthologies Words of Farewell and Wayfarer, and, with Marshall R. Pihl, Land of Exile: Contemporary Korean Fiction. They have received two National Endowment for the Arts Translation Fellowships, including the first ever given for a translation from the Korean language, and the first residency at the Banff International Literary Translation Centre awarded to translators from any Asian language. Bruce Fulton is the inaugural holder of the Young-Bin Min Chair in Korean Literature and Literary Translation at the University of British Columbia.

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In 1997, Daniel Trush, a bright, active, outgoing twelve-year-old, collapsed on the basketball court and fell into a deep coma. Rushed to the hospital, he was found to have five previously undetected aneurysms in his brain. One had burst, causing a massive cerebral hemorrhage.While Daniel remained comatose, the uncontrolled pressure inside his skull caused him to suffer multiple strokes. Tests showed that his brain functions had flat-lined, and doctors would soon tell his parents his chances of survival were slim to none—or that he'd likely remain in a vegetative state.But the doctors were wrong.Daniel’s traumatic injury did not bring his life to a premature end. Thirty days after lapsing into a coma, he would return to consciousness, barely able to blink or smile. Two years later, he took his first extraordinary steps out of a wheelchair. A decade after being sped to the emergency room, Daniel Trush completed the New York Marathon.But his incredible journey into the future had just begun. With music having played a crucial role in his recovery, Danny and his family launched Daniel’s Music Foundation, a groundbreaking nonprofit organization for people with disabilities. In time DMF would be honored on a Broadway stage by the New York Yankees, gaining notoriety and admiration across America.Daniel’s Music is the gripping story of Daniel’s recovery against odds experts said were insurmountable; of medical science, faith, and perseverance combining for a miracle; and of an average family turning their personal trials into a force that brings joy, inspiration, and a powerful sense of belonging to all those whose lives they touch.

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