Search results for ""Twelve""

BBC DYNASTIES CAMERAMAN'S ENTHRALLING STORY OF EMPEROR PENGUIN LIFE'Part adventure story, part evocation of the last untouched place on Earth, this is mesmerising.' Daily Mail - Books of the Year Chris Packham says:'A dramatic saga forged by passion, honesty and a rare skill as a naturalist and film-maker. Twelve men have walked on the moon. But how many have spent an entire season with the Emperors in Antarctica? Maybe more, likely less. Lindsay McCrae has - and this is his wonderful and frank story. There are lines of penguins and blizzards, but there's also the emotional turmoil of being separated from his home, his new wife and his unborn child. All his musings and observations combine to produce a compelling tale of the man, those extraordinary birds and that lonely place at the end of the earth. So turn off the heating, put on your gloves and head deep south into a frozen land of dreams and nightmares, all played out in the world of beautiful Emperors'~'[This] remarkable memoir is rich in the technological and logistical challenges of filming in extreme conditions. But most gripping are his fine-tuned observations of these beautiful metre-high birds, which must survive and raise their young in temperatures as low as -60?°C' - NatureWhen the BBC asked BAFTA-winning cameraman Lindsay McCrae to go to Antarctica to film emperor penguins he was thrilled. After discussing it with his wife Becky they agreed that, although it would mean him being away for 11 months, he should do it. But then she became pregnant and it seemed like the worst idea in the world - not just to miss the birth of his first child, but the first 7 months of his life. Weeks of anguished discussions followed before they decided he should go because it was his dream project and the chance might never come again. My Penguin Year recounts Lindsay's adventure to the end of the Earth, filming the most resilient creatures in nature, while coping with being over 15,000km away from Becky and all the comforts of home - something which almost proved too much. Out of that experience he has written an unprecedented portrait of Antarctica's most extraordinary residents, the emperor penguins. They march up to 100 miles over solid ice to reach their breeding grounds. They choose to breed in the depths of the worst winter on the planet; and in an unusual role reversal, the males incubate the eggs, fasting for over 100 days to ensure they introduce their chicks safely into their new frozen world. And they are uniquely vulnerable to the unprecedented melting of the polar ice cap.In weaving their story with his epic journey, Lindsay has created a masterpiece of natural observation - and a deeply moving tale of human endeavour in the harshest environment on the planet.

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A tweet by American actor and activist Alyssa Milano, sent on October 15, 2017, opened the floodgates to an outpouring of testimony and witnessing across the Twitterverse that reverberated throughout social media. Facebook status lines quickly began to read “Me too,” and #MeToo was trending. That tweet re-launched the ‘me too’ movement, which was started in 2006 by Tarana Burke. Performing #MeToo: How Not to Look Away does not attempt to deliver a comprehensive examination of how #MeToo is performed. What it does aim at presenting is a set of perspectives on the events identified as representative of the movement through a lens or lenses that are multinational, as well as work and analysis from a variety of time periods, written in a diversity of styles. By providing this means of engaging with examples of the many interpretations of and responses to the #MeToo movement, and by identifying these responses (and those of audiences) as provocations, of examples of how not to look away, the collected chapters are intended to invite reflection, discussion and, hopefully, incite action. It gives writers from diverse cultural and environmental contexts an opportunity to speak about this cultural moment in their own voices. There is a wide geographical range and variety of forms of performance addressed in this timely new book. The international group of contributors are based in the UK, USA, Australia, South Africa, Scotland, Canada, India, Italy and South Korea. The topics addressed by writers include socially engaged practice; celebrity feminism, archive and repertoire; rape/war; misogynistic speech; stage management and intimacy facilitation; key institutions’ responses; spatial practices as well as temporal ones; academic call-outs; caste/class; political contexts; adaptation of classic texts; activist events; bouffon (a clown technique) and audience response Forms of performance practice include applied theatre, performance protest, verbatim, solo performance, institutional practice, staging of plays, street responses, academic, adaptation of classic text, play reading events and the musical. Although there is much to read in the media and alternative media on the #MeToo movement, this is the first attempt to analyse the movement from and in such diverse contexts. Bringing together twelve writers to speak about works they have either performed, witnessed or studied gives the reader a nuanced way of looking at the movement and its impact. It is also an incredible archive of this moment in time that points to its importance. Suitable for use in several graduate and undergraduate courses, including performance studies, feminist studies, sociology, psychology, anthropology, environmental or liberal studies and social history. Essential reading for theatre workers, academics, students, and anyone with an interest in feminism, contemporary theatre or human rights. For artists considering projects that include the themes of #MeToo, and for producers and directors of such projects looking for good practices around how to create environments of safety in their organizations, as well as those who wish to organize communities of artists. For anyone interested in learning more about how to support the movement, or an interest in the specific social narratives told in each individual chapter. For women, feminists and anyone with an interest in the issues.

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WINNER OF THE THE CILIP CARNEGIE MEDAL 2019 SHORTLISTED FOR THE WATERSTONES CHILDREN'S BOOK PRIZE 2019 THE WINNER OF THE 2018 NATIONAL BOOK AWARD THE WINNER OF THE MICHAEL L.PRINTZ AWARD THE WINNER OF THE PURA BELPRÉ AWARD THE WINNER OF THE BOSTON GLOBE-HORNBOOK AWARD 'I fell in love at slam poetry. This one will stay with you a long time.' – Angie Thomas, bestselling author of The Hate U Give 'This was the type of book where "I'll just do 50 pages" turned into finishing it in 2 reads. I felt very emotional, not just because the story and the words themselves were so beautiful but because I knew it was going to make so many teens who felt like no one cares about them or listens to them feel seen.' – Tomi Adeyemi, bestselling author of The Children of Blood and Bone THE POET X – THE WINNER OF THE CILIP CARNEGIE MEDAL. A stunning New York Times bestseller with a powerful and unforgettable YA voice. Perfect for fans of Tomi Adeyemi's The Children of Blood and Bone, Angie Thomas's The Hate U Give and Sarah Crossan's One. Xiomara has always kept her words to herself. When it comes to standing her ground in her Harlem neighbourhood, she lets her fists and her fierceness do the talking. But X has secrets – her feelings for a boy in her bio class, and the notebook full of poems that she keeps under her bed. And a slam poetry club that will pull those secrets into the spotlight. Because in spite of a world that might not want to hear her, Xiomara refuses to stay silent. A novel about finding your voice and standing up for what you believe in, no matter how hard it is to say. Brave, bold and beautifully written – dealing with issues of race, feminism and faith. “Crackles with energy and snaps with authenticity and voice.… Justina Ireland, author of Dread Nation “An incredibly potent debut.… Jason Reynolds, author of the National Book Award Finalist Ghost “Acevedo has amplified the voices of girls en el barrio who are equal parts goddess, saint, warrior, and hero.… Ibi Zoboi, author of American Street 'A story that will slam the power of poetry and love back into your heart.' – Laurie Halse Anderson, author of Speak and Chains 'Acevedo breathes words instead of air' – Lisa Heathfield, author of award-winning Paper Butterflies ‘Powerful, finely crafted verse … Readers will yearn to finish this verse novel in a single sitting, but its echoes will remain with them much longer’ Guardian ELIZABETH ACEVEDO was born and raised in New York City and her poetry is infused with Dominican bolero and her beloved city’s tough grit. The Poet X is her debut novel and a National Book Award winner. With over twelve years of performance experience, Acevedo has been a featured performer on BET and Mun2, as well as delivered several TED Talks. She has performed internationally and her poetry has been featured in Cosmopolitan, The Huffington Post and Teen Vogue. Acevedo is a National Slam Champion, Beltway Grand Slam Champion, and the 2016 Women of the World Poetry Slam representative for Washington, D.C, where she lives and works.

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For the 250th anniversary of the start of the American Revolution, acclaimed historian Gordon S. Wood presents a landmark collection of British and American pamphlets from the political debate that divided an empire and created a nation: In 1764, in the wake of its triumph in the Seven Years War, Great Britain possessed the largest and most powerful empire the world had seen since the fall of Rome and its North American colonists were justly proud of their vital place within this global colossus. Just twelve short years later the empire was in tatters, and the thirteen colonies proclaimed themselves the free and independent United States of America. Now, for the 250th anniversary of the Stamp Act Crisis, the momentous upheaval that marked the beginning of the American Revolution, Pulitzer Prize–winning historian Gordon S. Wood presents a landmark two-volume edition of the political debate that led to the Declaration of Independence. This unprecedented collection gathers in two authoritative Library of America volumes the complete texts of thirty-nine of the most fascinating and influential British and American pamphlets of the period: inexpensive, widely circulated works that were the instant media of their day, ideal for the rapid exchange of ideas. In the first volume a controversy about the origin and function of colonies quickly becomes a deeper dispute over the nature of political liberty itself, in which Massachusetts lawyer James Otis boldly asserts the colonists’ natural rights; Benjamin Franklin gives dramatic testimony against the Stamp Act before the House of Commons; John Dickinson calls for collective action in the famous Letters from a Farmer in Pennsylvania; and the so-called “Boston Pamphlet,” written by Samuel Adams and others, turns the focus of debate to the question of sovereignty, setting the stage for the final crisis to come. In the second volume Thomas Jefferson advances a vision of a radically new kind of empire in the work that first made him famous; Joseph Galloway presents an ingenious but ill-fated plan for preserving union with Great Britain; Samuel Johnson gives vent to his deep animus for the Americans and their pretensions to liberty; Edmund Burke makes an eloquent case for reconciliation before it’s too late; and Thomas Paine, in the truly revolutionary Common Sense, proclaims that the “birthday of a new world is at hand.” Prepared by the nation’s leading historian of the American Revolution, each volume includes an introduction, headnotes, biographical notes about the writers, a chronology charting the rise and fall of the first British empire, a textual essay describing the production, reception, and influence of each work, and detailed explanatory notes. As a special feature, the set also features typographic reproductions of the pamphlets’ original title pages. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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A set of 12 non-fiction decodable reading books perfect for very early readers. 100% matched to Little Wandle Letters & Sounds (2021): Phase 5 These expertly levelled books are engaging with the focus sounds clearly shown on the front covers. Each book also contains parent's notes with guidance on how to help your child to read, including practicing the focus sounds, highhlighting any tricky words they may need assistance with and what to do before, during and after reading the book. The artwork and photographs are detailed so as not to provide picture cues and prompting and a 'talk about it' task supports children's oracy, vocabulary and comprehension skills. This starter pack contains the books in Scholastic Set 11, Scholastic Set 12 and Scholastic Set 13 of the Phonics Book Bag Readers Non-fiction series (twelve books in total). SCHOLASTIC BOOK BAG READERS - SERIES INFORMATION A collection of over 100 fiction and non-fiction phonically decodable reading books perfect for very early readers and exactly matched to Little Wandle Letters & Sounds Revised, used in schools across the UK. There are thirteen sets of four fiction and four non-fiction books, covering groups of sounds to allow for progression. They cover: Pink Book Band Phase 2 Set 1: s a t p i n m d Phase 2 Set 2: g o c k ck e u r h b f l Red Book Band Phase 2 Set 3: ff ll ss j v w x y z zz Phase 2 Set 4: qu ch sh th ng nk Phase 3 Set 5: ai ee igh oa oo Phase 3 Set 6: ar or ur ow oi ear air er Yellow Book Band Phase 4 Set 7: Adjacent consonants with short vowels Blue Book Band Phase 4 Set 8: Adjacent consonants with Phase 3 long vowels Green Book Band Phase 5 Set 9: ay (play), ou (cloud), oy (boy), ea (each), ir (bird), ie (pie), ue (blue), u (unicorn) Phase 5 Set 10: o (go), i (tiger), a (paper), e (he), a-e (snake), i-e (time), o-e (home), u-e (cute), e-e (these), ew (new), ie (shield), aw (claw) Orange Book Band Phase 5 Set 11: y (funny), ea (head), wh (wheel), oe (toe), ou (shoulder), y (fly), ow (snow), g (giant), ph (phone), le (apple), al (metal), c (ice), ve (give), o-e (some), o (mother), ou (young), se (cheese), se (mouse), ce (fence), ey (donkey), ui (fruit), ou (soup) Phase 5 Set 12: or (word), u (full), oul (could), are (share), ear (bear), ere (there), au (author), aur (dinosaur), oor (floor), al (walk), tch (match), ture (adventure), al (half), a (father), a (water), a (want), ear (learn), wr (wrist), st (whistle), sc (science), ch (school), ch (chef), ze (freeze), schwa at the end of words (actor) Turquoise Book Band Phase 5 Set 13: eigh (eight), aigh (straight), ey (grey), ea (break), gn (gnaw), kn (knee), mb (thumb), ere (here), eer (deer), su (treasure), si (vision), dge (bridge), ge (large), y (crystal), ti (potion), ssi (mission), si (mansion), ci (delicious), augh (daughter), our (pour), oar (oar), ore (more) Have you got them all?

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Flight attendant turned New York Times bestselling author T. J. Newman - whose first book Falling was an instant international bestseller and the biggest thriller debut of 2021 - returns for her second book, an edge-of-your-seat thriller about a commercial jetliner that crashes into the ocean, and sinks to the bottom with passengers trapped inside, and the extraordinary rescue operation to save them.Six minutes after takeoff, Flight 1421 crashes into the Pacific Ocean. During the evacuation, an engine explodes and the plane is flooded. Those still alive are forced to close the doors—but it’s too late. The plane sinks to the bottom with twelve passengers trapped inside. More than two hundred feet below the surface, engineer Will Kent and his eleven-year-old daughter Shannon are waist-deep in water and fighting for their lives. Their only chance at survival is an elite rescue team on the surface led by professional diver Chris Kent - Shannon’s mother and Will’s soon-to-be ex-wife - who must work together with Will to find a way to save their daughter and rescue the passengers from the sealed airplane, which is now teetering on the edge of an undersea cliff.There’s not much time.With devastating emotional power and heart-stopping suspense, Drowning is an unforgettable thriller about a family’s desperate fight to save themselves and the people trapped with them - against impossible odds.Praise for Drowning: 'Stunning, emotional, and unforgettable. Drowning reads like Apollo 13 underwater' Don Winslow, New York Times bestselling author of City on Fire and The Border 'Drowning is The Poseidon Adventure meets The Martian. It is another can’t-put-down, edge-of-your-seat thriller from T. J. Newman, one of our most exciting new authors' Adrian McKinty, New York Times bestselling author of The Chain and The Island 'Drowning is pure adrenaline and all heart. Gripping, relentless, effortlessly assured, T. J. Newman’s thriller is tense and moving. You’ll be grabbed from page one as the crew and passengers of a downed airliner fight for survival and rescuers race to reach them. Drowning is an incredible ride - strap in, brace, and remember to breathe' Meg Gardiner, #1 New York Times bestselling author 'Drowning is the first terrific thriller of 2023. Honest. It has at least a dozen legit cliffhangers and a dozen huggable characters you can’t stop rooting for. T.J. Newman has the goods. Make that the greats!' James Patterson 'No second album syndrome for TJ Newman, who follows up her hit plane-hijack debut Falling with another tense, affecting account of an aviation disaster in Drowning. This feels like a movie blockbuster-to-be, with James Cameron the ideal director.' The Sunday Times ‘Buckle up because this edge-of-the-seat thriller won’t let you go, not until you know the outcome, anyway. Cue rescue teams, complex plans, and a nail-biting and emotional race against the clock. Breath taking stuff.’ Zoe West, Women’s Weekly 'With devastating emotional power and heart-stopping suspense, Drowning is an unforgettable thriller about a family’s desperate fight to save themselves and the people trapped with them - against impossible odds.' Magic Radio Book Club

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"Giroux refuses to give in or give up. The Violence of Organized Forgetting is a clarion call to imagine a different America--just, fair, and caring--and then to struggle for it."--Bill Moyers "Henry Giroux has accomplished an exciting, brilliant intellectual dissection of America's somnambulent voyage into anti-democratic political depravity. His analysis of the plight of America's youth is particularly heartbreaking. If we have a shred of moral fibre left in our beings, Henry Giroux sounds the trumpet to awaken it to action to restore to the nation a civic soul."--Dennis J. Kucinich, former US Congressman and Presidential candidate "Giroux lays out a blistering critique of an America governed by the tenets of a market economy...He cites French philosopher Georges Didi-Huberman's concept of the 'disimagination machine' to describe a culture and pedagogical philosophy that short-circuits citizens' ability to think critically, leaving the generation now reaching adulthood unprepared for an 'inhospitable' world. Picking apart the current malaise of 21st-century digital disorder, Giroux describes a world in which citizenship is replaced by consumerism and the functions of engaged governance are explicitly beholden to corporations."--Publishers Weekly In a series of essays that explore the intersections of politics, popular culture, and new forms of social control in American society, Henry A. Giroux explores how state and corporate interests have coalesced to restrict civil rights, privatize what's left of public institutions, and diminish our collective capacity to participate as engaged citizens of a democracy. From the normalization of mass surveillance, lockdown drills, and a state of constant war, to corporate bailouts paired with public austerity programs that further impoverish struggling families and communities, Giroux looks to flashpoints in current events to reveal how the forces of government and business are at work to generate a culture of mass forgetfulness, obedience and conformity. In The Violence of Organized Forgetting, Giroux deconstructs the stories created to control us while championing the indomitable power of education, democracy, and hope. Henry A. Giroux is a world-renowned educator, author and public intellectual. He currently holds the Global TV Network Chair Professorship at McMaster University in the English and Cultural Studies Department and a Distinguished Visiting Professorship at Ryerson University. The Toronto Star has named Henry Giroux "one of the twelve Canadians changing the way we think." More Praise for Henry A. Giroux's The Violence of Organized Forgetting: "I can think of no book in the last ten years as essential as this. I can think of no other writer who has so clinically dissected the crisis of modern life and so courageously offered a possibility for real material change."--John Steppling, playwright, and author of The Shaper, Dogmouth, and Sea of Cortez "A timely study if there ever was one, The Violence of Organized Forgetting is a milestone in the struggle to repossess the common sense expropriated by the American power elite to be redeployed in its plot to foil the popular resistance against rising social injustice and decay of political democracy."--Zygmunt Bauman, author of Does the Richness of the Few Benefit Us All? among other works Prophetic and eloquent, Giroux gives us, in this hard-hitting and compelling book, the dark scenario of Western crisis where ignorance has become a virtue and wealth and power the means of ruthless abuse of workers, of the minorities and of immigrants. However, he remains optimistic in his affirmation of radical humanity, determined as he is to relate himself to a fair and caring world unblemished by anti-democratic political depravity."--Shelley Walia, Frontline

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'We began by speaking in our own voices and tongues / then other voices / might take possession of our throats, our / Souls, for however brief or prolonged a moment'. These lines describing the inner world of Stanley Greaves' painting 'Morning Mangoes' also describe the intensity and inwardness of Laurence Lieberman's meeting with the paintings of Greaves and two others of the Caribbean's visionary masters, Ras Akyem and Ras Ishi. In their language and reference, these poems are utterly contemporary, but gain resonance from being part of a poetic tradition of 'pictorialism' that perhaps reached its height in the 19th century with Browning and Ruskin's poetic prose.It is no accident that Lieberman focuses on the work of these three painters, for he clearly finds in them qualities that express his own psyche. In each there is a subversive, speculative, heterogeneous view of the world that challenges 'the lull of the everyday', the homogenising imperialism of western rationalism, consumerism and the market. Each of the painters has his own rich cosmology in which Lieberman finds part of himself.To label these poems as 'descriptions' of the thirty or so paintings focused on in this collection gives no hint of their multiple rewards. They begin, indeed, in the kind of description found only in the very best art criticism: infectiously enthusiastic, exact, clear in the distinction between observation and speculation. They create rewarding and very human connections between the paintings and their makers. We meet them as vivid characters - Greaves with his oblique charm, Akyem's combative, restless energy, Ishi's elusive, enigmatic intensity - and Lieberman finds acutely appropriate and different dramatic styles to represent each painter and their work. But these poems are not merely commentaries on paintings but meditations that begin in the encounter with the art work and grow from that point. Above all, these are poems that work as poems in finding the language and architecture to capture the moment of engagement with the paintings in all its mixture of exactness and provisionality.The collection is illustrated with sixteen colour plates of paintings described in the book."His is a poetry of such awe, a nearly orthodox Romantic ecstasy, that is verges on the plangent... Leiberman's poems look and act like Marianne Moore's syntactical precessions mated with Roethke's nervous green world of passion. He has the grace to make his voyage into the eye of the world and back a communion for the reader."Dave Smith, American Poetry Review"There's a remarkable sensibility guiding these poems, an inquisitiveness, a strong sense of humor and compassion. Lieberman's really is a singular achievement. His subjects, his style and syntax, his syllabic lines and cascading stanza - all are impossible to imitate or mistake for anyone else's... At sixty, he has become one of our truly indispensable poets."Thomas Swiss, The Southern Review"In purpose and effect, Lieberman's writing is without boundary. Indeed, it's hard to name a more distinctive and original American poet working today."G.E. Murray, Chicago Sun-Times"Laurence Lieberman is perhaps the finest American poet writing in patterned free verse form. The style is sensuously narrative and descriptive. It exudes joy and vitality... a true American original."Charles GuentherLaurence Lieberman is an American poet with deep Caribbean affiliations. He has published twelve collections of poetry and three volumes of literary essays.

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The findings from the study are a significant contribution to the growing international body of knowledge on the abuse of vulnerable adults. Pritchard's work is rooted in anti-ageist practice. Her passion and commitment to older people is evident throughout this book and she tackles the assumptions made about older men effectively.'- Social Work Education'The purpose of this book is to give attention to the problems of elder men in abusive situations, so that those in helping capacities may better understand these men and the help that they need. The use of case illustrations is very effective in the discussion of reactions and responses to abuse. In some cases the, the negligence in follow through is noted for professionals working with the elderly persons. Importantly, too, the author describes her efforts in creating a milieu within focus groups for the men to articulate feelings about their experiences... Jacki Pritchard has written a book that can well be considered an important antecedent effort in identifying a problem that heretofore has not received needed attention... [An] informative and sensitively written book'- Journal of Elder Abuse and Neglect'This is a neat little book, and I recommend it... Jacki Pritchard is clearly an expert in the field. As a former social worker, she brings practicality and a common-sense approach to her research, which `rings true' to the jobbing clinician. Moreover, Ms Pritchard writes clearly and concisely, and her quantitative and qualitative research techniques pass muster.'- International Journal of Geriatric Psychiatry'This book is a useful addition to our knowledge of the subject, as it covers the abuse experienced by older men, a topic that until recently has received little attention... This is an important book for practitioners working in the field of elder abuse. Whilst the research is not representative, the rich descriptions of the respondents' experiences are full of information and emotion. The book is also useful as a first step from which other, in-depth studies can be undertaken into abuse as experienced by older men... Pritchard's style is conversational and accessible. Material is introduced in a friendly and informal way.'- Ageing & SocietyOlder men may, like older women, be victims of abuse - yet there has been little in either research or service provision to reflect this. Drawing on in-depth interviews with twelve older men who have experienced abuse, Jacki Pritchard presents much-needed practical guidance for care professionals, managers and policy makers working with this group.She describes the different kinds of abuse experienced by the men, which can include not only financial, physical, emotional and sexual abuse, but also physical and emotional neglect, and goes on to establish in detail the needs of older male victims of abuse and how they should be addressed. As well as having their emotional needs and their need for support over past abuse met, the men need a physical place of safety, medical care and the cultural awareness and continuous support of professional carers.This book presents clear guidelines for both the initial assessment of need and for good practice in the long term. It will enable all those working with older people to understand better the phenomenon of the abuse of older men and to apply this understanding to effective service provision.

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Jacqui Burnett wants to kill her father. At the age of 16. With a gun. The setting: apartheid South Africa in the 1970s and 80s. The mood: the apparent bliss and harmony of white conservative Christian life. Driven to extremes by her father’s criminal schemes and corrosive emotional abuse, Jacqui barely survives the first part of this turbulent memoir, as near-death experiences lacerate the pages with suicide attempts, a death-defying car accident, an illegal abortion, and that near-patricide episode… to name just a few. At this point, Jacqui is only 18. This is truth stranger than fiction and it’s only the beginning of her journey… Part one is dedicated to her father and tells the visceral, switchback story of the twisted father-daughter relationship that formed her character, fuelled by her first 26 years in his thrall. Part two switches settings as we find Jacqui in her mid-40s travelling across America, searching for answers. Perhaps surprisingly, this section is dedicated to her mother, the woman who turned a blind eye while supporting the tyrant she remained married to – all his life. The opening chapter drops Jacqui at 11 300 feet in the Rocky Mountains of Colorado. Having achieved material success, Jacqui remains dogged by unresolved anger and co-dependency - damaged by her history, despite a bucket load of therapy. Trying to make sense of her life after a decade-long legal battle against the giant multinational accounting firm, Deloitte, which against all odds she wins, she now faces a failing marriage and a ninth near-death experience: Jacqui is lost in a snowstorm. Cue her rebound romance, with a man who at first appears to be her soulmate on a white horse come to rescue her. By the end of part two, however, the reader and Jacqui’s close friend Amanda are on the same page: this man is ultimately an unavailable emotional fool. Finally, in part three, after an avalanche of events strips Jacqui of everything she values, Jacqui learns to put herself first, to tell her story of survival through the prism of self-love and its potential for self-regeneration. In essence, Life’s Not Yoga is about self-discovery and self-recovery. Of course, every twelve-step program shares a similar tale of a shattering life journey (parts one and two) where the wounded soul is guided to recovery (part three). So how is this memoir different? While the themes are universal, the dialogue is cracking, coupled with Jacqui’s unapologetic authentic voice and her hard-won belief in discovering her own path to a Higher Power. This combination makes for compelling storytelling. On one level it’s a tale of looking for love in all the wrong places, but on a deeper level, it’s a story of how adversity viewed through the lens of insight and wisdom lead to hope and redemption. To get to this point – to quote Laurie Hertzel – requires ‘a certain plumbing of the soul’, at which Jacqui Burnett excels. It’s a tumultuous, terrifying, frustrating but finally redemptive journey as she struggles to uncover the heroine within. The miracle is that she comes out the other side alive and – more than that – willing to use her life story to inspire others to survive and flourish. This is a book that will attract readers well beyond her already 40 000-strong online following. Compulsory reading for all of us living through challenging relationships with parents, partners, families, colleagues, our histories and ourselves. That would be all of us, then. (Written by Giles Griffin)

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Winner of 2021 National Geographic Traveller Reader Award for 'Best Food & Travel Book' Shortlisted for the Guild of Food Writers First Book and Single Subject Book Awards 2021 Gourmand Cookbook Award Winner 2020 In 2016 two locals, frustrated at the lack of opportunities to eat the seafood landed in Ullapool, started a seafood shack on the harbour of the North West Highlands town. Serving up whatever their fishermen friends brought them every day, Kirsty Scobie and Fenella Renwick’s crowd funded project was an instant success and a new book, to be published in November, brings this to life. In their first book, Kirsty and Fenella tell the story of Ullapool’s Seafood Shack and bring together the recipes for the fresh, vibrant, ballsy dishes that have made The Seafood Shack such a Scottish treasure: from their famed Haddock & Pesto Wrap and the super-luxe Lobster Mac & Cheese to incredible super-local delicacies like Spiney Popcorn. The Seafood Shack was born out of a conversation between Kirsty and Fenella out at sea with their fishermen partners. Ullapool has around twelve local boats fishing in the clear, icy waters of The Minch: five prawn trawlers and seven inshore creel boats, with a further two crabbing boats coming in each week and ten or so white fish boats landing regularly. The vast majority of this huge variety of seafood landing daily was then transferred straight onto the back of a lorry, making it difficult to source it locally. Eager to keep a little fresh seafood for their hometown, Kirsty and Fenella opened up The Seafood Shack. The shack swiftly went onto win recognition, winning the BBC Food & Farming Award for Best Street food or Takeaway in 2017 and hosting visits from the likes of Mary Berry and Albert Roux. Kirsty says: “Many tonnes of seafood are caught in our Scottish seas and then transported straight out of Ullapool. We wanted to play a part in keeping some of our seafood local and so the Seafood Shack was born. What we really love now is being behind the hatches, cooking away and chatting to our customers as they devour a haddock wrap or peel open some fresh buttery langoustines. The book tells this story and shares our approach. What makes the Shack so wonderful to us is its relaxed feel and we don’t have to be stuck in a kitchen behind closed doors, we can be involved in every aspect. The food we cook is simple, quick but most importantly fresh and delicious.” Punctuated by the voices of local fishermen, the book celebrates the fishing industry that has been the beating heart of Ullapool’s village life for 230 years. With both Fenella and Kirsty’s partners actively involved in fishing, The Seafood Shack also reflects the debate around sustainable fishing. Fenella says: “The people behind our seafood are a huge part of our story: from Josh’s langoustines and lobsters, Gary’s hand-dived scallops and Stephen’s white fish to the team at our local smokehouse or Joe our oyster producer. These amazing people have been a massive part of our success: at the end of the day we’re not amazing chefs, we’re just two girls who love to cook and having such fantastic and fresh produce is what makes the Shack work.” The Seafood Shack provides over 80 down to earth recipes and tips for cooking white fish, smoked fish and shellfish. Kirsty and Fenella’s work on the book was recognised when they were announced as winners of the Jane Grigson Trust Award for New Writers earlier this year.

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Scott King investigates allegations of demon possession in a rural Yorkshire village, where a 12-year-old boy was murdered by two young children. Book six in the spine-tingling, award-winning Six Stories series.‘Matt’s books are fantastic’ Ian Rankin‘An exceptional storyteller’ Andrew Michael Hurley ‘Matt Wesolowski is taking the crime novel to places it’s never been before’ Joseph Knox, author of True Crime Story'A stunning new episode of the powerful Six Stories series. A masterful storyteller, Matt Wesolowski is my go-to writer for literary horror' C J Cooke, author of The Lighthouse Witches____________In 1995, the picture-perfect village of Ussalthwaite was the site of one of the most heinous crimes imaginable, in a case that shocked the world.Twelve-year-old Sidney Parsons was murdered by two boys his own age. No reason was ever given for this terrible crime, and the ‘Demonic Duo’ who killed him were imprisoned until their release in 2002, when they were given new identities and lifetime anonymity.Elusive online journalist Scott King investigates the lead-up and aftermath of the killing, uncovering dark stories of demonic possession, and encountering a village torn apart by this unspeakable act.And, as episodes of his Six Stories podcast begin to air, and King himself becomes a target of media scrutiny and public outrage, it becomes clear that whatever drove those two boys to kill is still there, lurking, and the campaign of horror has just begun...____________ ‘Matt Wesolowski is boldly carving his own uniquely dark niche in fiction’ Benjamin Myers‘Matt’s real skill is in finding a deeply human story and twisting it with the paranormal, touching the reader and scaring the wits out of them’ Chris MacDonald‘One of the most exciting and original voices in crime fiction’ Alex North‘A wonderful writer’ Chris Whitaker‘I’ll be rereading these books forever’ Sublime Horror‘The master of horror, of mixing folklore with urban myth and real life. Terrifyingly good’ Louise Beech‘A taut and gripping tale that deftly skewers the perfect balance of crime, thriller and horror. Intriguing, disturbing and impeccably crafted – I was riveted from the first page’ Lucie McKnight Hardy, author of Dead RelativesPraise for the Six Stories series: **Longlisted for Theakston’s Old Peculier Crime Novel of the Year****Winner of the Capital Crime Best Independent Voice Award**’A captivating, genre-defying book with hypnotic storytelling’ Rosamund Lupton Original, inventive and dazzlingly clever’ Fiona Cummins‘Daisy Jones and the Six gone to the dark side. I couldn’t put it down’ Harriet Tyce‘Bold, clever and genuinely chilling with a terrific twist’ Sunday Mirror‘Insidiously terrifying, with possibly the creepiest woods since The Blair Witch Project’ C J Tudor‘Frighteningly wonderful … one of the best books I’ve read in years’ Khurrum Rahman‘Disturbing, compelling and atmospheric, it will terrify and enthral you in equal measure’ M W Craven‘A dark, twisting rabbit hole of a novel. You won't be able to put it down' Francine Toon‘First-class plotting’ S Magazine‘A dazzling fictional mystery’ Foreword Reviews‘Readers of Kathleen Barber’s Are You Sleeping and fans of Ruth Ware will enjoy this slim but compelling novel’ BooklistFor fans of Serial, The Conjuring, C J Tudor, Fiona Cummins, Sarah Pinborough and Catriona Ward

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Although the monuments of Washington, D.C., honor more than two centuries of history and heroes, five years of that history produced more of the city's public commemorative sculpture than all the others combined. The heroes of the Civil War command Washington's choicest vantage points and most visible parks, lending their names to the city's most familiar circles and squares-Scott, Farragut, Logan, Sheridan, Dupont, and others. In Testament to Union, Kathryn Allamong Jacob tells the stories behind the many District of Columbia statues that honor participants in the Civil War, predominantly Union, and testify to their sacrifice and valor. In her introduction, Jacob puts these monuments in historical context, describing the often bitter battles over control of historical memory, the postwar monument business (a lone soldier-in-granite model could cost a community as little as 1,000), and the rise of the "city beautiful" movement that transformed Washington. She then offers individual descriptions of forty-one sculptures, providing a lively and informative guide to some of Washington's most beautiful and moving works of art. Organized geographically for easy use on walking or driving tours, the entries begin by listing the subject or title of the memorial along with its sculptor, medium, date, and location. Jacob describes its various elements and symbols, and she notes who commissioned the sculpture, who paid for it (or failed to pay in several cases), and who approved its design and placement. She also includes anecdotes and controversies that bring the monuments and their colorful history more fully to life. Admiral David Farragut's statue, for example, is cast from the propeller of his ship the U.S.S. Hartford, from whose rigging he shouted, "Damn the torpedoes! Full speed ahead!" during the battle of Mobile Bay. At the dedication of Lincoln Park's Emancipation Monument in 1876, the largest assembly of African-American to date, speaker Frederick Douglass shocked white listeners with thinly veiled criticism of the martyred Lincoln. Edwin Remsberg's photographs of the monuments capture striking images of war and sacrifice-the straining horses and terrified men of the cavalry grouping at the Grant Monument; the vivid tomb effigy of young John Meigs, depicting him as he was found dead in a field; the Pension Building frieze with its hundreds of finely detailed terra cotta soldiers and sailors marching and rowing across the face of the building. Along with swashbuckling generals atop pedestals bristling with cannon, unexpected subjects appear. A statue of John Ericsson, the Swedish-American who designed the Monitor and perfected the screw propeller for the Union Navy, is hidden in a circle of shrubbery beside the Potomac. A bas-relief of twelve nuns dedicated to the memory of various religious orders who nursed the wounded during the Civil War sits beside noisy Rhode Island Avenue. In addition to the enormous white temple to Lincoln on the Mall, four smaller statues of that president can be found in the city where he was assassinated. Washington's Civil War sculptures bear silent witness to the struggle to preserve the Union. They are the fruit of conscious efforts to shape the nation's memory of that struggle. For tourists and long-time residents, and for anyone interested in the Civil War or public art, Testament to Union is a wonderful guide to these tangible connections to the nation's past and an era when public monuments packed powerful messages.

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Paul Madonna's popular comic, "All Over Coffee" had been running for twelve years in the San Francisco Chronicle when he was evicted from his longtime home and studio in the Mission District, ground-zero in the "tech wars" transforming the city. Suddenly finding himself yet another victim of San Francisco's overheated boomtown housing market, with its soaring prices and rampant evictions, Madonna decided to use his comic as a cathartic public platform to explore the experience, and to capture the complex, highly charged atmosphere of a city--and a life--being forced through a painful transition. In a series of drawings and stories, Madonna evokes the sense of vertigo induced by being forced from his home, and the roil of emotions that ensue as he enters into the city's brutal competition for a place to live. The line between reality and surreality begins to blur almost immediately, in real life and in his comic. Absurd, maddening, and all-too-poignant, these drawings and stories capture the spirit of not just San Francisco, but a cultural epidemic that has now spread to cities around the world. "For years I've been intrigued and charmed by Paul Madonna's careful and thoughtful drawings of overlooked nooks and by-ways of San Francisco. In his new book he now combines them with manic, delirious, and increasingly paranoid writings as he struggles with the all-consuming City dilemma of gentrification; of who came first, who gets to stay, which wave of usurpers is more 'real' and deserving than the next, and finally, what happens when someone decides it's your turn to go. Beautiful and engaging."--Sandow Birk, visual artist "Madonna has created a kind of San Francisco Realism, details so absurd, cruel, and beautiful that they can only come from our infuriating home. If Charlie Kaufman squatted in an illegal sublet in Armistead Maupin's mind, this would be the lovely tenant."--Joshua Mohr, author of All This Life "Paul Madonna's On to the Next Dream is bleak, terrifying, hilarious and lovely."--MariNaomi, author and illustrator of Turning Japanese "Simply delightful. I really don't like much out there, I really don't, but On to the Next Dream I couldn't put down. It was sharp, clever, honest, and maybe the funniest book on eviction ever written." --New Yorker cartoonist and New York Times bestselling author, Bob Eckstein, Footnotes from the World's Greatest Bookstores Praise for Everything is its own reward by Paul Madonna: "The book is fantastic. Of time and tenderness. Beautiful drawings. Beautiful text. Ethereal and serious at once. The book is its own reward."--Maira Kalman, illustrator "Mesmerizing ...When his international images are paired with his sparse, poetic words--sometimes thought-provoking one-liners such as 'You don't get anywhere without searching' and sometimes long, meandering sections of dialogue and story--the effect is haunting."--Oprah.com Paul Madonna is a San Francisco-based artist and writer. He is the creator of the comic series "All Over Coffee" and the author of two books, All Over Coffee and Everything is its own reward. His drawings and stories have appeared in numerous books and journals as well as galleries and museums, including the San Francisco Contemporary Jewish Museum and the Oakland Museum of California.

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The images released by Islamic State of militants smashing statues at ancient sites were a horrifying aspect of their advance across Northern Iraq and Syria during 2015-16. Their leaders justified this iconoclasm (destruction of images) by arguing that such actions were divinely decreed in Islam, a notion that has remained fixed in the public consciousness. The Image Debate: Figural Representation in Islam and Across the World is a collection of thirteen essays which examine the controversy surrounding the use of images in Islamic and other religious cultures and seek to redress some of the misunderstandings that have arisen. Written by leading academics from the United States, Australia, Turkey, Israel and the United Kingdom, the book has a foreword by Stefano Carboni, Director of the Art Gallery of Western Australia, followed by an introduction by the editor Christiane Gruber, who sets the subject in context with a detailed examination of the debates over idols and the production of figural images in Islamic traditions. Twelve further articles are divided into three sections: the first deals with pre-modern Islam: Mika Natif looks at tensions between the Hadith prohibition on images and the praxis of image-making under the Umayyad dynasty and argues that the Umayyad rulers used imagery to establish their political and religious authority; Finbarr Barry Flood examines the practice of epigraphic erasure, i.e., the removal of names of rulers and patrons from historical inscriptions from the medieval Islamic world; and Oya Pancaroglu focuses on the figural conventions of an illustrated manuscript of Varqa and Gulshah, a medieval Persian romance composed in the masnavi (rhyming couplet) form by the 11th-century poet `Ayyuqi. The second section addresses the situation outside Islam: Alicia Walker surveys attitudes toward the production and veneration of religious images in Byzantium from the earliest years of the Christian Roman Empire (early 4th century) to the aftermath of the Iconoclast controversy (late 9th century); Steven Fine explores the history of Jewish engagement with `art' from Roman antiquity through the high middle ages through a detailed exploration of the 3rd-century Dura Europos synagogue and its wall paintings; Michael Shenkar examines evidence for the employment of figural images in the cultic practices of some of the major ancient Iranian cultural and political entities, offering a broad perspective on perceptions of images in ancient Iranian worship; and Robert DeCaroli delves into the question of why no image of the Buddha was made during the first five hundred years of Buddhism. The third section brings the reader back to Islamic lands with five articles examining aspects of the issue in the modern and contemporary periods: Yousuf Saaed investigates South Asian mass-produced images, especially posters that include illustrations of local Sufi shrines, portraits of saints and Shi`i iconography; James Bennett explores the visual depiction of Javanese shadow puppets (wayang kulit), including the sage Begawan Abiyasa, whose narratives convey key elements of Sufi mystical philosophy; Allen and Mary Roberts consider images of Cheikh Amadu Bamba, the founding Sufi saint of the Senegalese Mouride order; Rose Issa addresses how the term `Islamic' relates to contemporary art, how artists manage to create work in countries in constant turmoil and to what extent such works reflect their conceptual, aesthetic, and socio-political concerns; and finally Shiva Balaghi traces the use of the figure, along its symbolic shadows and silhouettes, in works by notable Iranian artists living in Iran and in diaspora.

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In the world of speculative fiction.Your favorite authors.have selected the best new voices of the year. 24 Award-winning Authors and Illustrators.3 Bonus Short Stories by Kevin J. Anderson, L. Ron Hubbard & S. M. Stirling. Art and Writing Tips by Lazarus Chernik, L. Ron Hubbard & Kristine Kathryn Rusch. Edited by Dean Wesley Smith, Jody Lynn Nye. 16-page color gallery of artwork. Cover art by Tom Wood.Check out the stories Brandon Sanderson, Orson Scott Card, Nnedi Okorafor, Robert J. Sawyer, Kevin J. Anderson, Jody Lynn Nye and others chose as the best of the best.Be amazed. Be amused. Be transported . by stories that take you by surprise and take you further and deeper into new worlds and new ideas than you've ever gone before..Twelve captivating tales from the most exciting new voices in science fiction and fantasy accompanied by three from masters of the genre. A miracle? An omen? Or something else? One day, they arrived in droves?the foxes of the desert, the field, the imagination..- "Kitsune" by Devon BohmWhen a vampire, a dragon and a shape-shifting Chihuahua meet on a beach in Key West, fireworks go off! But that's just the background. - "Moonlight and Funk" by Marianne XenosDan Shamble, Zombie P.I., faces one of his funniest and most perplexing cases ever?an enlightened ogre, a salamander with low self-esteem, and a raging fire dragon terrorizing the Unnatural Quarter! - "Fire in the Hole" by Kevin J. AndersonThe Grim Reaper, trapped in an IRS agent's dying body, must regain his powers before he dies and faces judgment for his original sin. - "Death and the Taxman" by David HankinsIn a metaverse future, a woman who exposes falseness in others must decide what is real to her-the love she lost or the love she may have found. - "Under My Cypresses" by Jason PalmatierVic Harden wasn't lured by glory on a daring mission into the reaches of outer space-he was ordered out there by his editor. - "The Unwilling Hero" by L. Ron HubbardDangerous opportunities present themselves when an alien ship arrives in the solar system seeking repairs. - "White Elephant" by David K. HenricksonWith her spaceship at the wrong end of a pirate's guns, a former war hero must face down her enemies and demons to save Earth's last best chance for peace. - "Piracy for Beginners" by J. R. JohnsonYears after the Second Holocaust, the last surviving Jews on earth attempt to rewrite the past. - "A Trickle in History" by Elaine MidcohWhen I said I'd do anything to pay off my debts and get back home to Earth, I didn't mean survey a derelict spaceship at the edge of the solar system?but here I am. - "The Withering Sky" by Arthur H. MannerHigh-powered telescopes bring galactic life to our TVs, and network tuner Hank Enos figures he's seen everything?until the day an alien boy stares back. - "The Fall of Crodendra M." by T. J. KnightDetermined to save his wife, Tumelo takes an unlikely client through South Africa's ruins to the heart of the Desolation?a journey that will cost or save everything. - "The Children of Desolation" by Spencer SekulinWhen a terrorist smuggles a nuclear weapon into London, a team regresses in time to AD 1093 to assassinate a knight on the battlefield, thereby eliminating the terrorist a millennia before his birth. - "Timelines and Bloodlines" by L. H. Davis You will love this collection of the best new voices because, as Locus magazine puts it, "Excellent writing.extremely varied. There's a lot of hot new talent."Get it now.

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Although the monuments of Washington, D.C., honor more than two centuries of history and heroes, five years of that history produced more of the city's public commemorative sculpture than all the others combined. The heroes of the Civil War command Washington's choicest vantage points and most visible parks, lending their names to the city's most familiar circles and squares-Scott, Farragut, Logan, Sheridan, Dupont, and others. In Testament to Union, Kathryn Allamong Jacob tells the stories behind the many District of Columbia statues that honor participants in the Civil War, predominantly Union, and testify to their sacrifice and valor. In her introduction, Jacob puts these monuments in historical context, describing the often bitter battles over control of historical memory, the postwar monument business (a lone soldier-in-granite model could cost a community as little as 1,000), and the rise of the "city beautiful" movement that transformed Washington. She then offers individual descriptions of forty-one sculptures, providing a lively and informative guide to some of Washington's most beautiful and moving works of art. Organized geographically for easy use on walking or driving tours, the entries begin by listing the subject or title of the memorial along with its sculptor, medium, date, and location. Jacob describes its various elements and symbols, and she notes who commissioned the sculpture, who paid for it (or failed to pay in several cases), and who approved its design and placement. She also includes anecdotes and controversies that bring the monuments and their colorful history more fully to life. Admiral David Farragut's statue, for example, is cast from the propeller of his ship the U.S.S. Hartford, from whose rigging he shouted, "Damn the torpedoes! Full speed ahead!" during the battle of Mobile Bay. At the dedication of Lincoln Park's Emancipation Monument in 1876, the largest assembly of African-American to date, speaker Frederick Douglass shocked white listeners with thinly veiled criticism of the martyred Lincoln. Edwin Remsberg's photographs of the monuments capture striking images of war and sacrifice-the straining horses and terrified men of the cavalry grouping at the Grant Monument; the vivid tomb effigy of young John Meigs, depicting him as he was found dead in a field; the Pension Building frieze with its hundreds of finely detailed terra cotta soldiers and sailors marching and rowing across the face of the building. Along with swashbuckling generals atop pedestals bristling with cannon, unexpected subjects appear. A statue of John Ericsson, the Swedish-American who designed the Monitor and perfected the screw propeller for the Union Navy, is hidden in a circle of shrubbery beside the Potomac. A bas-relief of twelve nuns dedicated to the memory of various religious orders who nursed the wounded during the Civil War sits beside noisy Rhode Island Avenue. In addition to the enormous white temple to Lincoln on the Mall, four smaller statues of that president can be found in the city where he was assassinated. Washington's Civil War sculptures bear silent witness to the struggle to preserve the Union. They are the fruit of conscious efforts to shape the nation's memory of that struggle. For tourists and long-time residents, and for anyone interested in the Civil War or public art, Testament to Union is a wonderful guide to these tangible connections to the nation's past and an era when public monuments packed powerful messages.

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What is the meaning of freedom? Angela Y. Davis' life and work have been dedicated to examining this fundamental question and to ending all forms of oppression that deny people their political, cultural, and sexual freedom. In this collection of twelve searing, previously unpublished speeches, Davis confronts the interconnected issues of power, race, gender, class, incarceration, conservatism, and the ongoing need for social change in the United States. With her characteristic brilliance, historical insight, and penetrating analysis, Davis addresses examples of institutional injustice and explores the radical notion of freedom as a collective striving for real democracy - not something granted or guaranteed through laws, proclamations, or policies, but something that grows from a participatory social process that demands new ways of thinking and being. "The speeches gathered together here are timely and timeless," writes Robin D.G. Kelley in the foreword, "they embody Angela Davis' uniquely radical vision of the society we need to build, and the path to get there." The Meaning of Freedom articulates a bold vision of the society we need to build and the path to get there. This is her only book of speeches. "Davis' arguments for justice are formidable...The power of her historical insights and the sweetness of her dream cannot be denied."--The New York Times "One of America's last truly fearless public intellectuals." --Cynthia McKinney, former US Congresswoman "Angela Davis offers a cartography of engagement in oppositional social movements and unwavering commitment to justice." --Chandra Talpade Mohanty, Women's Studies, Hamilton College "Angela Davis deserves credit, not just for the dignity and courage with which she has lived her life, but also for raising important critiques of a for-profit penitentiary system decades before those arguments gained purchase in the mainstream." --Thomas Chatterton Williams, SFGate "Angela Davis's revolutionary spirit is still strong. Still with us, thank goodness!" --Virginian-Pilot "Long before 'race/gender' became the obligatory injunction it is now, Angela Davis was developing an analytical framework that brought all of these factors into play. For readers who only see Angela Davis as a public icon ...meet the real Angela Davis: perhaps the leading public intellectual of our era." --Robin D. G. Kelley author of Thelonious Monk: The Life and Times of an American Original "There was a time in America when to call a person an 'abolitionist' was the ultimate epithet. It evoked scorn in the North and outrage in the South. Yet they were the harbingers of things to come. They were on the right side of history. Prof. Angela Y. Davis stands in that proud, radical tradition." --Mumia Abu-Jamal, author of Jailhouse Lawyers: Prisoners Defending Prisoners v. the U.S.A. "Behold the heart and mind of Angela Davis, open, relentless, and on time!" --June Jordan "Political activist, scholar, and author Angela Davis confronts the interconnected issues of power, race, gender, class, incarceration, conservatism, and the ongoing need for social change in the U.S. in her book, The Meaning of Freedom: And Other Difficult Dialogues." --Travis Smiley Radio Angela Y. Davis is professor emerita at the University of California and author of eight books. She is a much sought after public speaker and an internationally known advocate for social justice. Robin D.G. Kelley is the author of numerous books and a professor at the University of Southern California.

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Witty, authoritative, comprehensive and fun, Wake Up and Smell the Profit is the ultimate guide to making more money in your coffee business.In this book you'll find the sharpest insights and the best ideas from two of the UK's top Coffee Business Gurus. Together 'The Coffee Boys' have 40 years' experience in how to make money in the coffee selling business. Whether you operate a single site espresso bar, a Michelin starred restaurant or chain of hotels, there is something in this book for everyone.With 52 motivating tips and suggestions (plus an extra bonus idea for good measure), all you need to do is apply one initiative a week for a year and you could have a much more profitable and easier to manage business within twelve months.With this book you'll be able to:* Make more money and work less* Have happier customers who spend more money* Win more customers without spending a fortune* Enjoy running your business more* Create customers who rave about your business and consequently generate more customers through word of mouthWhat are you waiting for?Contents: Introduction; 1. It's all about the money - the good news; 2. It's all about the money - the bad news; 3. It's all about the money - a little story; 4. Focus on coffee for profit; 5. Great coffee (profits) come from great training; 6. Great coffee sales come from one thing - great taste; 7. It's all about the food; 8. There are three ways and only three ways to grow your business; 9. Be brave about your prices; 10. Know your figures and have a plan - a plan that works for you!; 11. Get accountable and know your figures; 12. Know your food cost for every single item; 13. Know your labour/wage cost and stay accountable; 14. It's your fault - get this and then get it again; 15. A coffee shop is all about people - and people need clear rules; 16. Make sure your employees understand the numbers; 17. Every pound is not equal. A pound earned is worth a lot less than a pound saved; 18. View your coffee business as if you were a customer; 19. View the business every day as if you were an employee; 20. Break the whole selling process down and make it better; 21. Keep your toilets spotless; 22. Treat lunch like a restaurant; 23. Create food stories about your star products and sell, sell, sell; 24. Get crafty with your menu and signage; 25. Watch your language; 26. Say hello; 27. Don't point and watch your body language; 28. Nod your head when asking a customer if they would like something; 29. Thank them; 30. The Granny Rule; 31 Keep the kids occupied; 32. Sell more coffee with cake and more cake with coffee Up selling and cross selling; 33. Sell more cold drinks; 34. Get your customer flow right; 35. Make it easy for the customer to buy; 36. Work out your lifetime customer value; 37. Consider the sizes - carefully; 38. Make it accessible and open. Make it all look great; 39 Use your sign wisely. Spend money and make yourshop look obvious; 40. Get creative with signage; 41. Avoid A"sour faced hagsA"; 42. Make the customers feel you care; 43. Use the list -cheapest marketing you'll ever do; 44. Create a catering side to your business; 45. Post the utility bills; 46. Incentives for saving money and making money; 47. Get creative with your marketing and steal ideas from other industries; 48. Create a A"bibleA"; 49. Beware staff attitudes towards business ownership; 50. Make a big deal of the big days; 51. Think wisely before you open your second shop; 52. Give a bit extra; 53. Work A"onA" the business not A"inA"it; And finally; Thanks; More from The Coffee Boys.

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Poetry Book Society Recommended Translation Summer 2010Arc 'Visible Poets' translation series, no. 29My soul is like these threads of spider silk tensed criss-cross between two apple treesRooted in an ancient folk song tradition, Kristiina Ehin's poetry is both universal and deeply personal; her language is direct and simple, yet she expresses herself so vividly that her joys and sorrows become the reader's own. These poems, beautifully translated by Ilmar Lehtpere and selected from her most recent collection, were written over two years, beginning shortly before the birth of her son."Here is a generous, honest imagination: visceral, shamanistic and wise. Kristiina Ehin is a visionary poet with a discerning and distinctive voice, a voice resonant with genuine passion, close to the primordial world of spirts and myths, but also rooted in history and in contemporary life. There is a refreshing lightness and originality to her poems, which are nonetheless poignant. She is able to express strong emotions without being sentimental. Her work has truly haunted me; it has entered the deepest layer of my being with its rare combination of directness and subtle nuances, ancient traditions and modernity." Sujata Bhatt"Ehin's poems are deeply personal, but not in a way that excludes the reader: quite the opposite, they draw the reader in, so that Ehin's life feels like our own, a fascinating glimpse into a different, simpler life lived close to nature. Reading these poems is like a holiday of the best kind: eye-opening, relaxing and different. Ehin's work is rooted in Estonian folk tradition, and music permeates both the forms and the language. I particularly relished her poems about parenthood, for their beauty and tenderness."StrideKristiina Ehin was born in Rapla, Estonia in 1977. She received an M. A. in Comparative and Estonian Folklore from Tartu University in 2004. She has published five volumes of poetry in her native Estonia and has won a number of prizes there, including Estonia's most prestigious poetry prize for her fourth volume, written during a year spent as a nature reserve warden on an uninhabited island off Estonia's north coast. She has also published a book of short stories and has written a play as well. The Drums of Silence (Oleander Press, 2007), a volume of her selected poems in English translation, was awarded the Poetry Society Corneliu M. Popescu Prize for European Poetry in Translation in 2007. Her other books in English translation are Põletades pimedust – Burning the Darkness – An Dorchadas á Dhó (trilingual Estonian-English-Irish selected poems, Coiscéim, 2009), A Priceless Nest (short stories, Oleander Press, 2009), Päevaseiskaja – South-Estonian Fairy Tales (Huma, 2009) and Noorkuuhommik – New Moon Morning (selected poems, Huma, 2007). She is often invited to take part in international arts and literary festivals and her work, poetry and prose, appears regularly in English translation in leading Irish and British literary journals. Her work has been translated into twelve languages. Kristiina's reading at the Ledbury Poetry Festival (July 2010) was one of the highlights of the Festival.Ilmar Lehtpere had a bilingual upbringing in Estonian and English. He is the translator of Kristiina Ehin's The Drums of Silence (Oleander Press, 2007), which was awarded the Poetry Society Corneliu M. Popescu Prize for European Poetry in Translation. He has also translated her play, A Life Without Feathers, and has already started working on her next collection of poems in English. His own poetry has appeared in Estonian and Irish literary journals.Sujata Bhatt was born in Ahmedabad, India, and grew up in Pune, India and in the United States. To date, she has published seven collections of poetry with Carcanet Press. The recipient of numerous awards, such as the Commonwealth Poetry Prize (Asia), and the Cholmondeley Award, her latest collection, Pure Lizard, was short-listed for the Forward Poetry Prize and received the German Literature Award, Das neue Buch, in 2008. She has translated poetry from Gujarati and German into English. Her work has been widely anthologised, broadcast on radio and television, and has been translated into more than twenty languages. She is a frequent guest at literary festivals throughout the world. Currently, she lives in Germany with her family.

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***'The best gardening book of 2022.' The Telegraph'A book to make even a quick trip to the corner shop endlessly fascinating. Dark has been dubbed the millennial Monty Don for this beautifully written study of the oft-overlooked nature on our doorsteps...Dark teases the drama, humour and history from even the most commonplace buddleja, box and tulip.' George Hudson, Evening Standard, Favourite Gardening Books of the Year'This enjoyable read throws a spotlight on the everyday.' Rachel de Thame's 10 Best Gardening Books of 2022, the Sunday Times'Gardening for a billionaire taught Ben Dark that "plants alone are not enough to make a garden special". Instead he finds "special" in the people and the history, as well as the plants, that fill 19½ London front gardens. A soulful read.' Tom Howard, RHS The Garden, Best Books of The Year'A wonderful book.' Alexandra Shulman, Mail on Sunday'Meet the millennial Monty Don.' The Sunday Times Style'Ben Dark's beautifully observed book, The Grove: A Nature Odyssey in 19 ½ Front Gardens, tells the stories of 20 key plants growing in a single London street's front gardens in a way that's as engaging as it is informative.' The Irish TimesAny walk is an odyssey when we connect with the plants around us. Each tree or flower tells a tale. Mundane 'suburban' shrubs speak of war and poetry, of money, fashion, love and failure. Every species in this book was seen from one pavement over twelve months and there is little here that could not be found on any road in any town, but they reveal stories of such weirdness, drama, passion and humour that, once discovered, familiar neighbourhoods will be changed forever.There is a renewed interest in the nature on our doorsteps, as can be seen in the work of amateur botanists identifying wildflowers and chalking the names on the pavements.But beyond the garden wall lies a wealth of cultivated plants, each with a unique tale to tell. In The Grove, award-winning writer and head gardener Ben Dark reveals the remarkable secrets of twenty commonly found species - including the rose, wisteria, buddleja, box and the tulip - encountered in the front gardens of one London street over the course of year. As Ben writes, in those small front gardens 'are stories of ambition, envy, hope and failure' and The Grove is about so much more than a single street, or indeed the plants found in its 19 ½ front gardens. It's a beguiling blend of horticultural history and personal narrative and a lyrical exploration of why gardens and gardening matter.'A testament to the secret communal power of a front garden.' Alice Vincent, New Statesman'Find joy in the ordinary plots on a city street.' RHS The Garden'Dark makes horticultural history fun and funny.' Editor's Choice, The Bookseller'Ben Dark is such a wonderful writer - The Grove drew me in from the first line.' Lia Leendertz'The Grove is overflowing with delicious nuggets of cultural, social and garden history ­- and I adore Ben Dark's humour and humility in equal measure.' Advolly Richmond'A heartfelt romp through the wisteria and wilderness of London's horticulturally remarkable front gardens.' Jack Wallington'A confident and elegantly written account of the fascinating narratives and histories entangled within the garden plants of a residential London street ... Dark's prose is in the tradition of classic garden writing: humorous, relatable, poetic and insightful ... The Grove is a refreshing read among modern narrative gardening books.' Gardens Illustrated'Fans of Ben Dark's mellifluous tones on The Garden Log podcast will be delighted by how perfectly his lyrical musings transfer to the printed page as, with infant son in tow, he invites the reader upon a series of horticultural expeditions inspired by the deceptively ordinary planting of the front gardens in a south London street. The kind of thoroughly enjoyable read where you realise, late in the day, that learning has snuck in by the back door, though you feel inclined to forgive the author on account of the fun you've had along the way.' Andrew O'Brien'Dark creatively blends practical horticultural knowledge, meditations on his own dream garden, and literary references, including Vita Sackville-West's husband's letter on JP Morgan's garden: "All very good taste and depressing. No inner reality." This will leave armchair gardeners seeing their surroundings with fresh eyes.' Publisher's Weekly'Dark's book amused and educated me during recent bouts of insomnia. I found snippets of information that now elevate my occasional street wanderings to something approaching a botanical exploration. At less than a tenner for the paperback edition, that's truly affordable schooling.' David Wheeler, The Oldie

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'A terrific read from a very original voice' - Daily Mail'THE name to look out for in psychological thrillers' - Sun'Tightly plotted with great characters and pacing' - Prima'A compelling psychological thriller' - Crime MonthlyFor fans of Gillian McAllister and Lisa Jewell comes a powerful and haunting novel about family, secrets and murder.Is blood thicker than water?At five a.m. one summer's morning, police diver Jen Harper wakes to find herself submerged in the silt of a river with no memory of how she got there.Forty-eight hours later, she's called to dive in the same river in search of a missing woman, Claudia Franklin.But for Jen, this is no ordinary job. Her and Claudia's families were entangled for decades - there is unresolved resentment between them, unspoken secrets.Jen hasn't seen Claudia for twelve years now. Or has she? ___________PRAISE FOR SILENT WATERS:'Brilliantly plotted, utterly compelling and where nothing is as it seems. Add to that some whip-smart dialogue and you have everything you could possibly want in a thriller.' - John Marrs'Silent Waters is a highly addictive, ever-engrossing, one-sit-read thriller - once you dive in, you won't want to come up for air.' - Jack Jordan'You'll be spellbound from the first SENTENCE ... Simply wonderful.' - Jonathan Whitelaw'An utterly engrossing novel that will leave you as breathless as its characters!' - Sarah Lawton'A fascinating, constantly surprising mystery novel that pulls you in like a hidden riptide and builds to a heart-pounding and hugely satisfying finale. A wonderful read!' - C.M. Ewan'Propulsive and intricately plotted, Silent Waters is the thriller to watch for in 2023.' - Ella King'A tightly plotted and skilfully rendered story with strong characters that jumped off the page. Beautifully claustrophobic.' - Imran Mahmood'A compelling and atmospheric story of toxic friendships, secrets and divided loyalties all set around the competitive world of diving - loved it.' - Catherine Cooper'Fiendishly clever, fascinating and with a host of fully realised characters, Silent Waters is one of the most original and atmospheric thrillers I've ever read. I absolutely love L.V. Matthews' writing - it always takes you by surprise.' - Charlotte Duckworth'A police diver, a thwarted Olympic dream, a missing woman, and a body in a watery grave. [...] A thrillingly murky tale of tainted love and betrayal, an edge-of-the-jetty read. I dare you to jump in!' - Janice Hallett'Silent Waters is a brilliant, beautifully written thriller with an unusual premise and shocking twists. I loved it! Her best yet!' - Claire Douglas'A gripping intensity on every page that will have you racing through this book!' - Lauren North'Beautifully written, perfectly paced and as absorbing as the silent waters the novel describes! Had me hooked from page one to the gripping finale.' - G R Halliday'Silent Waters is dripping in menace. An exhilarating and immersive look into the highly competitive world of female diving. The delicious prose along with some heart-stopping twists and turns will keep you up all night. I loved it!' - Emily Freud'Haunting, visceral writing, a pulse-pounding plot, and characters you will take into your heart. Stunning.' - Lizzy Barber'With a captivating cast of characters - some I loved to hate! - I thoroughly enjoyed this dip into the murky world of police diving. Utterly compelling.' - Sam Holland'It me less than 24 hours to read this and I'm still reeling - so intense, so tangled, so beautifully written and utterly, brilliantly claustrophobic.' - Emma Christie'L.V. Matthews has done it again with a truly dark and complex thriller that will have you gasping for breath.' - Sophie Flynn'An original, compelling foray into the toxic world of Olympic diving, with Matthew's signature stunning characterisation and gripping plot. Silent Waters should be at the top of every crime/thriller lover's TBR next year.' - Mira Shah'Terrific, memorable suspense writing that draws you in. Silent Waters is a real up-all-night thriller.' - B P Walter'I was immediately obsessed with this brilliant, murky but warm story of deep-buried secrets and impossible choices. Gorgeously real characters and relationships and a compelling mystery with heartbreakingly high stakes. Loved it!' - Gytha Lodge'I loved the chilling, atmospheric and expertly plotted Silent Waters. A wonderfully intriguing mystery and a definite must-read!' - Karen Hamilton'I adored delving into the murky world of police diving as L.V. Matthews caught me in a fascinating tale of rivalry, lies, and long buried secrets.' - Sarah Bonner'So clever and claustrophobic with very smart twists ... A razor-sharp read!' - Kate Gray'Absolutely loved it. A twisty page turner ... Great premise, compelling plot, brilliant characterisation.' - Sarah Turner, aka The Unmumsy Mum, bestselling author of Stepping Up

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A lavish account of pioneering polar photography and modern portraiture, "Face to Face: Polar Portraits" brings together in a single volume both rare, unpublished treasures from the historic collections of the Scott Polar Research Institute (SPRI), University of Cambridge, 'face to face' with cutting-edge modern imagery from expedition photographer Martin Hartley.This unique book by Huw Lewis-Jones is the first to examine the history and role of polar exploration photography, and showcases the very first polar photographs of 1845 through to images from the present day. It features the first portraits of explorers, some of the earliest photographs of the Inuit, the first polar photographs to appear in a book, and rare images never before published from many of the Heroic-Age Antarctic expeditions. Almost all the historic imagery - daguerreotypes, magic lantern slides, glass plate negatives and images from private albums - that have been rediscovered during research for this book have never been before the public eye.Set within a 'gallery' of 100 double page-spreads are 50 of the world's finest historic polar portraits from the SPRI collection alternated with 50 modern-day images by Martin Hartley, who has captured men and women of many nations, exploring, working, and living in the Polar Regions today. Each gallery spread, dedicated to a single individual, gives a sense of the isolation and intense personal experience each 'face' has had in living or travelling through the polar wilderness, whether they be one of the world's greatest explorers, or a humble cook.In addition to this remarkable collection is a foreword written by Sir Ranulph Fiennes; a fascinating exploration into 'photography then' - the history of photography and its role in shaping our vision of the polar hero by historian and curator of art at SPRI, Dr Huw Lewis-Jones; a discussion between Dr Lewis-Jones and Martin Hartley about 'photography now', focusing on the essential role that photography plays in modern polar adventuring; and an afterword entitled 'The Boundaries of Light' by the best-selling author Hugh Brody.Does an explorer need to appear frostbitten and adventurous to be seen as heroic, and do we need faces like these to imagine their achievement?Sir John Franklin is the first. The sun is high. He adjusts his cocked hat, bound with black silk, and gathers up his telescope. He shifts uncomfortably in his chair, positioned on the deck of the stout ship Erebus, as she wallows at her moorings in the London docks. It is 1845. The photographer, Richard Beard, urges the explorer to stay still for just a moment longer. He removes the lens cap, he waits, another minute, and then swiftly slots it back in place. The first polar photographic portrait is secured.Other senior officers of the exploration ships Erebus and Terror had their photographs taken that day, optimistic and ever hopeful. They appear to us now as if frozen in time. So too they followed Sir John Franklin as he led them in search of a navigable northwest passage, into the maze of islands and straits which forms the Canadian Arctic.'Mr Beard, at Franklin's request, supplied the expedition with a complete photographic apparatus, which was safely stowed aboard the well-stocked ship alongside other technological marvels: portable barrel-organs, tinned meat and soups, scientific equipment, the twenty-horse-power engines loaned from the Greenwich railway, and a library of over twelve hundred volumes. The camera now formed part of the kit thought essential to travel to the limits of the known world. Weighed down with stores, yet buoyant with Victorian confidence, the expedition sailed from the Thames on 19 May. The ships were last seen in late July, making their way northward in Baffin Bay, before vanishing without a trace - Huw Lewis-Jones,from the essay 'Photography Then' in "Face to Face".This title is available in both hardback and soft-cover. It features placement: photography, exploration, travel. It contains 288 pages in full-colour, including images that have never before been published. The South Pole was an awful place to be on 18 January 1912. Captain Scott and his four companions - Wilson, Bowers, Oates, and Evans - had just found that the Norwegian explorer Amundsen had beaten them to the prize one month earlier. The photograph that the men took that day speaks volumes for their achievement, of course, but there could be no truer record of their total disappointment. The men look absolutely broken; a photograph on top of everything else seems like a punishment. They are utterly devastated. A life's ambition has been snatched from their grasp. Now 800 miles from their base, they dragged themselves northward into the mouth of a raging blizzard. Their photographs and letters home, recovered with their bodies some time later, tell the sad tale of their sacrifice - Sir Ranulph Fiennes.

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"Margaret L. King has put together a highly representative selection of readings from most of the more significant—but by no means the most obvious—texts by the authors who made up the movement we have come to call the 'Enlightenment.' They range across much of Europe and the Americas, and from the early seventeenth century until the end of the eighteenth. In the originality of the choice of texts, in its range and depth, this collection offers both wide coverage and striking insights into the intellectual transformation which has done more than any other to shape the world in which we live today. It is simply the best introduction to the subject now available." —Anthony Pagden, UCLA, and author of The Enlightenment and Why It Still Matters Contents:Chronology, IntroductionChapter One - Casting Out Idols: 1620–1697 Idols, or false notions: Francis Bacon, The New Instrument (1620) I think, therefore I am: René Descartes, Discourse on Method (1637) God, or Nature: Baruch Spinoza, Ethics (1677) The system of the world: Isaac Newton, Mathematical Principles of Natural Philosophy (1687) He searched for truth throughout his life: Pierre Bayle, Historical and Critical Dictionary (1697) Chapter Two - The Learned Maid: 1638–1740 A face raised toward heaven: Anna Maria van Schurman, Whether the Study of Letters Befits a Christian Woman (1638) The worlds I have made: Margaret Cavendish, The Blazing World (1666) A finer sort of cattle: Bathsua Makin, An Essay to Revive the Ancient Education of Gentlewomen (1673) I warn you of the world: Madame de Maintenon, Letter: On the Education of the Demoiselles of Saint-Cyr (August 1, 1686), and Instruction: On the World (1707) The daybreak of your reason: Émilie Du Châtelet, Fundamentals of Physics (1740) Chapter Three - A State of Perfect Freedom: 1689–1695 The chief criterion of the True Church: John Locke, Letter on Toleration (1689) Freedom from any superior power on earth: John Locke, Second Treatise on Civil Government (1689) A white paper, with nothing written on it: John Locke, Essay Concerning Human Understanding (1689) Let your rules be as few as possible: John Locke, Some Thoughts Concerning Education (1693) From death, Jesus Christ restores all to life: John Locke, The Reasonableness of Christianity, as Delivered in the Scriptures (1695) Chapter Four - All Things Made New: 1725–1784 In the wilderness, they are reborn: Giambattista Vico, The New Science (1725/1730/1744) Without these Names, nothing can be known, Carl Linnaeus, System of Nature (1735) All the clouds at last are lifted: Anne Robert Jacques Turgot, The Successive Advancement of the Human Mind (1750) A genealogical or encyclopedic tree of knowledge: Jean le Rond d’Alembert, Preliminary Discourse (1751) Dare to know! : Immanuel Kant, What Is Enlightenment? (1784) Chapter Five - Mind, Soul, and God: 1740–1779 The narrow limits of human understanding: David Hume, An Abstract of a Book Lately Published (1740) The soul is but an empty word: Julien Offray de La Mettrie, Man a Machine (1747) All is reduced to sensation: Claude Adrien Helvétius, On the Mind (1758) An endless web of fantasies and falsehoods: Paul-Henri Thiry, baron d’Holbach, Common Sense (1772) Let each believe that his own ring is real: Gotthold Ephraim Lessing, Nathan the Wise (1779) Chapter Six - Crush That Infamous Thing: 1733–1764 This is the country of sects: Voltaire, Philosophical Letters (1733) Disfigured by myth, until enlightenment comes: Voltaire, The Culture and Spirit of Nations (1756) The best of all possible worlds: Voltaire, Candide (1759) Are we not all children of the same God?: Voltaire, Treatise on Tolerance (1763) If a book displeases you, refute it! : Voltaire, Philosophical Dictionary (1764) Chapter Seven - Toward the Greater Good: 1748–1776 Things must be so ordered that power checks power, Charles de Secondat, baron de Montesquieu, The Spirit of the Laws (1748) Complete freedom of trade must be ensured: François Quesnay, General Maxims for the Economic Management of an Agricultural Kingdom (1758) The nation's war against the citizen: Cesare Beccaria, On Crimes and Punishments (1764) There is no peace in the absence of justice: Adam Ferguson, An Essay on the History of Civil Society (1767) Led by an invisible hand: Adam Smith, An Inquiry into the Nature and Causes of the Wealth of Nations (1776) Chapter Eight - Encountering Others: 1688–1785 Thus died this great man: Aphra Behn, Oroonoko: or The Royal Slave (1688) Not one sins the less for not being Christian: Lady Mary Wortley Montagu, Embassy Letters (1716–1718) Do you not restore to them their liberty?: Guillaume-Thomas Raynal, Philosophical and Political History of European Colonies and Commerce in the Two Indies (1770) Some things which are rather interesting: Captain James Cook, Voyage towards the South Pole, and Round the World (1777) The inner genius of my being: Johann Gottfried von Herder, Ideas for a Philosophy of the History of Humankind (1785) Chapter - Nine Citizen of Geneva: 1755–1782 The most cunning project ever to enter the human mind: Jean-Jacques Rousseau, Discourse on the Origin and Foundations of Human Inequality (1754) The supreme direction of the General Will: Jean-Jacques Rousseau, The Social Contract (1762) Two lovers from a small town at the foot of the Alps, Jean-Jacques Rousseau, Julie, or the New Heloise (1761) Build a fence around your child’s soul: Jean-Jacques Rousseau, Emile, or On Education (1762) This man will be myself: Jean-Jacques Rousseau, Confessions (1770) Chapter Ten - Vindications of Women: 1685–1792 No higher design than to get her a husband: Mary Astell, Reflections on Marriage (1700) The days of my bondage begin: Anna Stanisławska, Orphan Girl (1685) A dying victim dragged to the altar: Denis Diderot, The Nun (1760/1780) Created to be the toy of man: Mary Wollstonecraft, Vindication of the Rights of Woman (1792) Man, are you capable of being just?: Olympe de Gouges, Declaration of the Rights of Woman as Citizen (1791) Chapter Eleven - American Reverberations: 1771–1792 I took upon me to assert my freedom: Benjamin Franklin, Autobiography (1771/1792) Freedom has been hunted round the globe: Thomas Paine, Common Sense (1776) Endowed by their Creator with certain unalienable Rights: Thomas Jefferson and Others, Declaration of Independence (1776) A safeguard against faction and insurrection: James Madison, Federalist No. 10 (1787) An end to government by force and fraud: Thomas Paine, The Rights of Man (1791–1792) Chapter Twelve - Enlightenment's End: 1790–1794 A partnership of the living, the dead, and those unborn: Edmund Burke, Reflections on the Revolution in France (1790) The future destiny of the human species: Nicolas de Condorcet, A Sketch of a Historical Portrait of the Progress of the Human Mind (1793–1794) Texts and Studies, Index

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"Margaret L. King has put together a highly representative selection of readings from most of the more significant—but by no means the most obvious—texts by the authors who made up the movement we have come to call the 'Enlightenment.' They range across much of Europe and the Americas, and from the early seventeenth century until the end of the eighteenth. In the originality of the choice of texts, in its range and depth, this collection offers both wide coverage and striking insights into the intellectual transformation which has done more than any other to shape the world in which we live today. It is simply the best introduction to the subject now available." —Anthony Pagden, UCLA, and author of The Enlightenment and Why It Still Matters Contents:Chronology, IntroductionChapter One - Casting Out Idols: 1620–1697 Idols, or false notions: Francis Bacon, The New Instrument (1620) I think, therefore I am: René Descartes, Discourse on Method (1637) God, or Nature: Baruch Spinoza, Ethics (1677) The system of the world: Isaac Newton, Mathematical Principles of Natural Philosophy (1687) He searched for truth throughout his life: Pierre Bayle, Historical and Critical Dictionary (1697) Chapter Two - The Learned Maid: 1638–1740 A face raised toward heaven: Anna Maria van Schurman, Whether the Study of Letters Befits a Christian Woman (1638) The worlds I have made: Margaret Cavendish, The Blazing World (1666) A finer sort of cattle: Bathsua Makin, An Essay to Revive the Ancient Education of Gentlewomen (1673) I warn you of the world: Madame de Maintenon, Letter: On the Education of the Demoiselles of Saint-Cyr (August 1, 1686), and Instruction: On the World (1707) The daybreak of your reason: Émilie Du Châtelet, Fundamentals of Physics (1740) Chapter Three - A State of Perfect Freedom: 1689–1695 The chief criterion of the True Church: John Locke, Letter on Toleration (1689) Freedom from any superior power on earth: John Locke, Second Treatise on Civil Government (1689) A white paper, with nothing written on it: John Locke, Essay Concerning Human Understanding (1689) Let your rules be as few as possible: John Locke, Some Thoughts Concerning Education (1693) From death, Jesus Christ restores all to life: John Locke, The Reasonableness of Christianity, as Delivered in the Scriptures (1695) Chapter Four - All Things Made New: 1725–1784 In the wilderness, they are reborn: Giambattista Vico, The New Science (1725/1730/1744) Without these Names, nothing can be known, Carl Linnaeus, System of Nature (1735) All the clouds at last are lifted: Anne Robert Jacques Turgot, The Successive Advancement of the Human Mind (1750) A genealogical or encyclopedic tree of knowledge: Jean le Rond d’Alembert, Preliminary Discourse (1751) Dare to know! : Immanuel Kant, What Is Enlightenment? (1784) Chapter Five - Mind, Soul, and God: 1740–1779 The narrow limits of human understanding: David Hume, An Abstract of a Book Lately Published (1740) The soul is but an empty word: Julien Offray de La Mettrie, Man a Machine (1747) All is reduced to sensation: Claude Adrien Helvétius, On the Mind (1758) An endless web of fantasies and falsehoods: Paul-Henri Thiry, baron d’Holbach, Common Sense (1772) Let each believe that his own ring is real: Gotthold Ephraim Lessing, Nathan the Wise (1779) Chapter Six - Crush That Infamous Thing: 1733–1764 This is the country of sects: Voltaire, Philosophical Letters (1733) Disfigured by myth, until enlightenment comes: Voltaire, The Culture and Spirit of Nations (1756) The best of all possible worlds: Voltaire, Candide (1759) Are we not all children of the same God?: Voltaire, Treatise on Tolerance (1763) If a book displeases you, refute it! : Voltaire, Philosophical Dictionary (1764) Chapter Seven - Toward the Greater Good: 1748–1776 Things must be so ordered that power checks power, Charles de Secondat, baron de Montesquieu, The Spirit of the Laws (1748) Complete freedom of trade must be ensured: François Quesnay, General Maxims for the Economic Management of an Agricultural Kingdom (1758) The nation's war against the citizen: Cesare Beccaria, On Crimes and Punishments (1764) There is no peace in the absence of justice: Adam Ferguson, An Essay on the History of Civil Society (1767) Led by an invisible hand: Adam Smith, An Inquiry into the Nature and Causes of the Wealth of Nations (1776) Chapter Eight - Encountering Others: 1688–1785 Thus died this great man: Aphra Behn, Oroonoko: or The Royal Slave (1688) Not one sins the less for not being Christian: Lady Mary Wortley Montagu, Embassy Letters (1716–1718) Do you not restore to them their liberty?: Guillaume-Thomas Raynal, Philosophical and Political History of European Colonies and Commerce in the Two Indies (1770) Some things which are rather interesting: Captain James Cook, Voyage towards the South Pole, and Round the World (1777) The inner genius of my being: Johann Gottfried von Herder, Ideas for a Philosophy of the History of Humankind (1785) Chapter - Nine Citizen of Geneva: 1755–1782 The most cunning project ever to enter the human mind: Jean-Jacques Rousseau, Discourse on the Origin and Foundations of Human Inequality (1754) The supreme direction of the General Will: Jean-Jacques Rousseau, The Social Contract (1762) Two lovers from a small town at the foot of the Alps, Jean-Jacques Rousseau, Julie, or the New Heloise (1761) Build a fence around your child’s soul: Jean-Jacques Rousseau, Emile, or On Education (1762) This man will be myself: Jean-Jacques Rousseau, Confessions (1770) Chapter Ten - Vindications of Women: 1685–1792 No higher design than to get her a husband: Mary Astell, Reflections on Marriage (1700) The days of my bondage begin: Anna Stanisławska, Orphan Girl (1685) A dying victim dragged to the altar: Denis Diderot, The Nun (1760/1780) Created to be the toy of man: Mary Wollstonecraft, Vindication of the Rights of Woman (1792) Man, are you capable of being just?: Olympe de Gouges, Declaration of the Rights of Woman as Citizen (1791) Chapter Eleven - American Reverberations: 1771–1792 I took upon me to assert my freedom: Benjamin Franklin, Autobiography (1771/1792) Freedom has been hunted round the globe: Thomas Paine, Common Sense (1776) Endowed by their Creator with certain unalienable Rights: Thomas Jefferson and Others, Declaration of Independence (1776) A safeguard against faction and insurrection: James Madison, Federalist No. 10 (1787) An end to government by force and fraud: Thomas Paine, The Rights of Man (1791–1792) Chapter Twelve - Enlightenment's End: 1790–1794 A partnership of the living, the dead, and those unborn: Edmund Burke, Reflections on the Revolution in France (1790) The future destiny of the human species: Nicolas de Condorcet, A Sketch of a Historical Portrait of the Progress of the Human Mind (1793–1794) Texts and Studies, Index

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UNCOVERED: 1 in 4 EXAM GRADES IS WRONG 'An important contribution to our thinking.’ – Sixth Form Colleges Association 'An uncomfortable but important read.’ – Headmasters’ and Headmistresses’ Conference 'Everyone in UK education should reflect upon the problems identified in this powerful book' – Higher Education Policy Institute Every summer one million GCSE and A-Level candidates receive results that define their school years and set them up for their life. But those results are gravely unreliable. In fact, about one grade in four in England is WRONG. That is 1.5 million grades every year. An A-Level grade B might have been an A, or even a C, had a different examiner marked the script. Similarly, a GCSE grade 7 might have received a grade 8 or a 6. For a decade, young people and their friends and families have been unable to grasp the full extent of this randomness. Now, in this definitive and easy to follow book, Dennis Sherwood explains why so many pupils receive final grades that don’t do them justice. And he suggests ways to regain trust, which apply to essay-based exams throughout the world. Reviews ‘Know an A Level student who you were absolutely sure should nail an A* but ended up with a B? Well, they probably should have got that A* but were a victim of this scandal. Sherwood’s work changed my outlook. Let him change yours too.’ – Robert Campbell, former Chief Executive, Morris Education Trust ‘Dennis has been challenging our thinking about assessment and the awarding of grades for many years, combining detailed research with an engaging manner and clear explanations... this is an important contribution to our thinking.’ – Bill Watkin, Chief Executive, Sixth Form Colleges Association ‘Dennis Sherwood asks the questions about exam grades that no one really wants to answer. His analysis suggests that much of what we think we know about school exams is based at best on wishful thinking and at worst on wilful misrepresentation of statistics. But he also has some positive suggestions for improvement. Missing the Mark is an uncomfortable but important read.’ – Melvyn Roffe, Chair, Headmasters’ and Headmistresses’ Conference ‘Missing a grade can result in university or college applications being rejected. Dennis Sherwood asks the $64,000 question: ‘Are grades reliable enough for the purposes they are supposed to serve?’ This book presents an insightful analysis of this important matter, including the rules introduced in 2016 to reduce the number of appeals, the controversial grading processes in 2020 and 2021 when exams were cancelled, why ‘real’ grades are so unreliable, and some solutions too.’ – Huy Duong, parent ‘Everyone in UK education should reflect upon the problems identified in this powerful book – and then decide what to do about them.’ – Nick Hillman, Director, Higher Education Policy Institute Anyone with an interest in how examinations are assessed, from those in government, regulators, schools, colleges, universities to employers, teachers, parents and students, should read Dennis Sherwood's incisive analysis. His conclusions will have a profound impact on our idea of the accuracy, reliability and fairness of examinations. – Mike Larkin, Emeritus Professor Queen's University of Belfast and Total Equality For Students ‘Dennis provides a clear, step-by-step outline of what is going so terribly wrong and the easy ways to remedy this.’ – Ollie Green, A-level student About the author Dennis Sherwood is a management consultant with experience of solving complex problems. He has a Physics Masters from the University of Cambridge, an MPhil in Molecular Biophysics and Biochemistry from Yale University and a PhD in biology from the University of California in San Diego. After being a consulting partner at Deloitte Haskins + Sells, and Coopers & Lybrand, he became an executive director at Goldman Sachs. He now runs his own business, The Silver Bullet Machine Manufacturing Company Limited, specialising in organisational creativity and innovation. He is author of 14 books. Extract - Foreword Gold standard! Well, maybe not! For many years England’s GCSE and A-level qualifications have enjoyed an international reputation as world-leading. They have frequently been cited as ‘gold standard’ examinations. In this book Dennis Sherwood applies forensic analysis, in an accessible format, to one aspect of those qualifications – the grades awarded to each student on results day. His expert commentary leaves us in no doubt that the architecture of reliability is nothing more than a fancy façade on a house that’s built on sand. This is not a book about whether examinations are the best way to assess authentic learning. That’s a different debate, although there’s evidence here that excessive reliance on end-of-course examinations exacerbates the great grading scandal. This is also not a book about whether the content of our examination-driven school and college curriculum is well-designed, fit for purpose or sufficiently visionary for the future needs of students. That too is a long overdue discussion which should inform public policy, but Dennis retains his focus on one pressing issue. Are the grades awarded to students at the end of the examination process a reliable indicator of their performance and ability? Can those grades be trusted to determine suitability for advanced academic study or access to employment? Do they serve to differentiate authentically between one student and the next? We are all familiar with the results day photographs that accompany the headlines in August. Enthusiastic celebrations with beaming smiles. Images that are carefully contrived to align with the supporting text as ‘Camelia’ (or whoever) progresses to a top university with her four A* grades or ‘Daniel’ revealed to be a prodigy as he attains twelve grade 9’s in his GCSEs. Their results may well be impressive and will certainly open doors towards privileged academic opportunities. But what if the student with AAB is actually no better, in any meaningful sense, than the student with BAC? What if these grades lack the precision that they appear to convey? Is there an element of unreliability in how they are awarded – such that two otherwise identical candidates may as well roll a dice alongside completing their examination paper to determine which, say, of two adjacent grades they may ultimately be awarded? If Dennis is right – and I think he is – then a great grading scandal unfolds before our eyes every summer... [Buy the book to continue reading the foreword] Dr Robin Bevan, Headteacher, Southend High School for Boys and NEU Past National President, 2020-21

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Teaching is complex. But there are simple ideas we can enact to help our teaching be more effective. This book contains over 400 such ideas.The ideas come from two sources. First, from the wonderful guests on my Tips for Teachers podcast - education heavyweights such as Dylan Wiliam, Daisy Christodoulou and Tom Sherrington, as well as talented teachers who are not household names but have so much wisdom to share. Then there's what I have learned from working with amazing teachers and students in hundreds of schools around the world.Inside you will find 22 ideas to enhance mini-whiteboard use, 15 ideas to improve the start of your lesson, 14 ideas to help make Silent Teacher effective, seven ways to respond if a student says they don't know, and lots, lots more.Each idea can be implemented the very next time you step into a classroom. So, whatever your level of experience, subject or phase, there are plenty of ideas in this book to help take your teaching to the next level.Book contentsChapter 1: How to use this bookTip 1. How to use this book to improve your teachingTip 2. How to give yourself the best chance of making a lasting changeChapter 2: Habits and routines Why are habits and routines important? Tip 3. Eight ideas to help introduce a routineTip 4. Beware of the Valley of Latent PotentialTip 5. Two ideas to help a routine stickTip 6. Develop a set of high-value activity structuresTip 7. Six ideas to help establish positive norms in your classroomTip 8. Four types of words to consider removing from your teaching vocabularyChapter 3: The means of participationA challengeTip 9. Front-load the means of participationTip 10. Ten ideas to improve Cold CallTip 11. Eight reasons to strive for mass participation more frequentlyTip 12. Twenty-two ideas to improve the use of mini-whiteboardsTip 13. Five ideas to improve the use of voting systems Tip 14. Nine ideas to improve Call and ResponseTip 15. Fifteen ideas to improve Partner TalkTip 16. Six ideas to improve group workTip 17. Use the means of participation holy trinityTip 18. Never rely on a mental noteTip 19. The best tool for the long term might not be the best tool for nowChapter 4: Checking for understandingTip 20. Think of questions as a check for misunderstandingTip 21. Use the temptation to ask for self-report as a cue to ask a better questionTip 22. Lengthen wait times after asking a questionTip 23. Lengthen wait times after an answerTip 24. Ten types of questions to ask when checking for understandingTip 25. Try these three frameworks for learner-generated examplesTip 26. Three ways to use diagnostic questions to check for understandingTip 27. Provide scaffolds for verbal responsesTip 28. Six key times to check for understandingTip 29. Ten ideas to improve Exit TicketsTip 30. Pick the student least likely to knowTip 31. Start with whoever got 8 out of 10Tip 32. Ten ideas to help create a culture of errorTip 33. Three ideas to encourage students to ask questionsChapter 5: Responsive teachingTip 34. Trick your students to test if they really understandTip 35. Never round-upTip 36. Six ideas if a student says 'I don't know'Tip 37. What to do when some students understand and some don'tTip 38. What to do when some students still don't understandTip 39. How students can own and record classroom discussionsTip 40. Share students' work with the rest of the classChapter 6: PlanningTip 41. Seven ideas to improve a scheme of workTip 42. Six ideas to help start the planning processTip 43. Plan to do less, but betterTip 44. Ask yourself: 'What are my students likely to be thinking about?'Tip 45. Write out ideal student responsesTip 46. Four ideas to help you plan for and respond to errorsTip 47. Two ideas to help teachers engage in Deep Work Tip 48. Aim to close the loop when sending an emailChapter 7: Prior knowledgeTip 49. Plan relevant prior knowledgeTip 50. Prioritise relevant prior knowledgeTip 51. Assess relevant prior knowledgeTip 52. Respond to prior knowledge assessmentTip 53. Assess relevant prior knowledge for each idea, not for the whole sequenceChapter 8: Explanations, modelling and worked examplesTip 54. Five ideas to show students why what we are learning today mattersTip 55. Use related examples and non-examples to explain technical languageTip 56. Fourteen ideas to improve the explanation of a conceptTip 57. Teach decision making separatelyTip 58. Five ideas to improve our choice of examplesTip 59. Model techniques liveTip 60. Use a teacher worked-examples bookTip 61. Use student worked-examples booksTip 62. Make use of the power of Example-Problem PairsTip 63. Fourteen ideas to improve Silent TeacherTip 64. Use self-explanation prompts to help develop your students' understanding Tip 65. Six ideas to improve 'copy down the worked example'Tip 66. Vary the means of participation for the We DoTip 67. Three errors to avoid with the Your Turn questionsTip 68. Reflect after a worked exampleTip 69. Beware of seductive detailsChapter 9: Student practiceTip 70. Eight ideas to improve student practice timeTip 71. How to harness the hidden power of interleavingTip 72. Consider using Intelligent PracticeTip 73. Consider using 'no-number' questionsTip 74. Nine ideas to help you observe student work with a purposeTip 75. Occasionally let students do work in someone else's bookChapter 10: Memory and retrievalRetrieval opportunitiesTip 76. Show your students the Forgetting CurveTip 77. Show your students the path to high storage and retrieval strengthTip 78. Show your students the limits of working memoryTip 79. Show your students how long-term memory helps thinkingTip 80. Show your students that being familiar with something is not the same as knowing itTip 81. Ensure you provide retrieval opportunities for all contentTip 82. When designing retrieval opportunities, aim for 80%Tip 83. Vary the types of retrieval questions you askTip 84. Consider providing prompts and cues during retrieval opportunitiesTip 85. Get your students to assign confidence scores to their answersTip 86. Make corrections quizzableTip 87. Twenty-one ideas to improve your Low-Stakes QuizzesTip 88. Fifteen ideas to improve the Do NowTip 89. Consider using Trello to help organise the disorganisedChapter 11: Homework, marking and feedbackTip 90. Make homework feed into lessonsTip 91. Eight ideas to improve homeworkTip 92. Two things to check if homework or test scores are a surprise Tip 93. Be careful how you respond to 'silly' mistakesTip 94. Turn feedback into detective workTip 95. Consider recording verbal feedbackTip 96. Twelve ideas to improve whole-class feedbackChapter 12: Improving as a teacherTip 97. Find the expertise within your teamTip 98. Five different people to learn fromTip 99. Revisit education books and podcast episodesTip 100. Four things to consider when trying something newTip 101. Five ideas to help tackle the negativity radioTip 102. Consider slowing down your careerTip 103. Sixteen ideas to improve the delivery of CPD Tip 104. Micro tipsTip 105. If you want more tips...

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