Search results for ""author manus"

This volume presents the first printed edition of a late sixteenth-century poetic miscellany and provides invaluable insight into understanding the literature of the period. Its owner and principal scribe, Humfrey Coningsby, drew on texts circulating in manuscript , predominantly by contemporary writers of the time—including Philip Sidney, Edward Dyer, Arthur Gorges, Walter Ralegh, Elizabeth I, the Earl of Oxford, Nicholas Breton, George Peele, and Thomas Watson. Coningsby also added at least two of his own compositions, along with anonymous poems not found in any other manuscripts or printed books. This edition preserves the appearance, spelling, and punctuation of the original manuscript while expanding antiquated contractions to provide an easily readable text. Textual notes appear on the page, and in-depth contextual notes and word glosses are provided in the commentary section. The analyses add to our knowledge of early modern manuscript culture and literary manuscript transmission, and a substantial introduction provides context for the compilation of the anthology.

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Writing an academic book is a daunting task. Where to start? This workbook. So, you’ve written a dissertation. Congratulations! But how do you turn it into a book? Even if you know what to do when revising your dissertation, do you know how to do those things? This workbook by Katelyn E. Knox and Allison Van Deventer, creators of the successful online Dissertation-to-Book Boot Camp, offers a series of manageable, concrete steps with exercises to help you revise your academic manuscript into publishable book form. The Dissertation-to-Book Workbook uses targeted exercises and prompts to take the guesswork out of writing a book. You’ll clarify your book’s core priorities, pinpoint your organizing principle, polish your narrative arc, evaluate your evidence, and much more. Using what this workbook calls “book questions and chapter answers,” you’ll figure out how to thread your book’s main ideas through its chapters. Then, you’ll assemble an argument, and finally, you’ll draft any remaining material and revise the manuscript. And most important, by the time you complete the workbook, you’ll have confidence that your book works as a book—that it’s a cohesive, focused manuscript that tells the story you want to tell. Indispensible to anyone with an academic manuscript in progress, the prompts, examples, checklists, and activities will give you confidence about all aspects of your project—that it is structurally sound, coherent, free of the hallmarks of “dissertationese," and ready for submission to an academic publisher.

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British Library MS Harley 2253 is one of the most important literary works to survive from the English medieval era. In rarity, quality, and abundance, its secular love lyrics comprise an unrivaled collection. Intermingled with them are contemporary political songs as well as delicate lyrics designed to inspire religious devotion.

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Michelangelo Buonarroti’s (1475–1564) mind was an incessant battlefield. The opposing forces of religious faith and pagan beauty warred across his consciousness. They also helped spur him to create a pantheon of artistic masterpieces.Considered one of the masters of the Italian Renaissance, over the course of his lifetime he produced the finest frescoes and many of the most revered sculptures in the world. Michelangelo possessed a genius as severe and uncompromising as it was fertile. He was renowned for his fierce solitude, yet was one of the great chroniclers of the human form. His anatomical studies are haunting in their expressiveness and precision, while his tombs, such as those designed for Julius II and the Medicis, inspire wordless awe and perhaps even dread.This letter, written in Michelangelo’s own hand, demonstrates with every stroke of the pen the refinement and passion of one of the greatest artists humanity has produced. And with the Sistine Chapel’s The Creation of Adam featured on the back cover, the point of creation beautifully bookends this Embellished Manuscript notebook.

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Marie Sklodowska Curie (1867–1934) was a Polish and naturalized French scientist known for her pioneering research on radioactivity. Seemingly contradicting the principle of energy conservation, her discoveries forced a reconsideration of the foundation of physics. For this journal we have reproduced a page from one of Marie’s laboratory notebooks.

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Essays examining the compiler and contents of two of the most important and significant extant late medieval manuscript collections. The Yorkshire landowner Robert Thornton (c.1397- c.1465) copied the contents of two important manuscripts, Lincoln Cathedral, MS 91 (the "Lincoln manuscript"), and London, British Library, MS Additional 31042 (the "London manuscript") in the middle decades of the fifteenth century. Viewed in combination, his books comprise a rare repository of varied English and Latin literary, religious and medical texts that survived the dissolution of the monasteries, when so many other medieval books were destroyed. Residing in the texts he copied and used are many indicators of what this gentleman scribe of the North Riding read, how he practised his religion, and what worldly values he held for himself and his family. Because of the extraordinary nature of his collected texts - Middle English romances, alliterative verse (the alliterative Morte Arthure only exists here), lyrics and treatises of religion ormedicine - editors and scholars have long been deeply interested in uncovering Thornton's habits as a private, amateur scribe. The essays collected here provide, for the first time, a sustained, focussed light on Thornton and hisbooks. They examine such matters as what Thornton as a scribe made, how he did it, and why he did it, placing him in a wider context and looking at the contents of the manuscripts. Susanna Fein is Professor of Englishat Kent State University; Michael Johnston is an Assistant Professor of English at Purdue University. Contributors: Julie Nelson Couch, Susanna Fein, Rosalind Field, Joel Fredell, Ralph Hanna, Michael Johnston, George R. Keiser, Julie Orlemanski, Mary Michele Poellinger, Dav Smith, Thorlac Turville-Petre.

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This book reproduces in colour, with commentary and full contextual discussion, all the miniatures from unpublished illuminated manuscripts of Le Roman de la Rose in the National Library of Wales. A central work in medieval culture, the Rose was among the most consistently illustrated of medieval secular texts. By presenting all the illuminations from all five illuminated Aberystwyth manuscripts the present study enables absorbing comparisons to be made. This is a book that will stir controversy through its scepticism about moral readings of Rose illustrations and through its insistence on an "accidental" element in the interpretative value of miniatures in secular texts. It will interest anyone who studies art and literature, including students of Chaucer - a poet who absorbed the Roman de la Rose to the core by translating it. The reader is first introduced to the narrative and to characteristic sites of illustration within it. The introduction goes on to identify existing published sources of reproductions, and then to argue the crucial role that a grasp of the practical circumstances of production should play in interpreting medieval miniatures. A final complementary chapter formally describes all seven Aberystwyth Rose manuscripts.

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This study conceives of Thomas Hoccleve’s Regement of Princes (1410-1413) as an essentially performative text, one that expresses its awareness of the manuscript culture in which it is so firmly rooted. The openness of manuscripts is a recurring subject in the Regement and is not only expressed through mere descriptions of, but through complex references to this manuscript context. Performances of manuscript culture manifest themselves in several aspects of the text. The first is the narrator persona, and especially the question of how persona and text are intertwined. The second is the constantly recurring interpretation of quotes from authoritative sources that pervades the Regement. This urge to interpret is expressed both in the tradition of adding marginal glosses and in the process of subjecting the text to an exegetical reading. The third aspect is the relation between text and images in the Regement’s manuscripts, which shows how mediality is performed and how the manuscript context is made the focus of this performance. In this monograph, all of these aspects are studied in a mindset that combines the concept of performativity with the postulations of Material Philology.

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Miguel de Cervantes Saavedra (1547–1616) is widely regarded as the greatest writer in the Spanish language. His best-known novel, Don Quixote, is a classic of Western literature. We are honoured to be able to share this handwritten letter he wrote the king requesting permission to publish his great work on this Paperblanks pencil case.

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The manuscripts transcribed and reproduced in this volume of the Cornell Yeats were written from spring 1933 through December 1934. "Parnell's Funeral and Other Poems" is the third section of W. B. Yeats's book A Full Moon in March (1935), following the two plays A Full Moon in March and The King of the Great Clock Tower. David R. Clark's introduction relates biographical events to what the manuscripts show about the chronological order in which the poems were written. The poems, which illuminate such facets of Yeats's life as the poet's flirtations with fascism and Hinduism and his concern, at age sixty-eight, that his poetic powers were waning, are presented in the order in which they appeared in A Full Moon in March. Of the twenty-one poems here, eighteen are called songs. Only "Parnell's Funeral" itself is un-songlike, a somber and powerful declaration made by a Parnellite. Each poem is accompanied by comments on its content and its manuscripts. Ninety-nine illustrations show Yeats's handwritten drafts, typescripts, and revisions. Because of the poems' exotic references, a long section of the introduction provides relevant material from Yeats's letters and commentary and an independent analysis of each poem. Early in his career Yeats, with his fellow poets in the Rymers' Club, had "taken delight in poetry that was, before all else, speech or song, and could hold the attention of a fitting audience like a good play or a good conversation." Throughout "Parnell's Funeral and Other Poems," Yeats's desire for a direct lyrical urge is evident.

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Ce volume de mélanges rassemble 27 contributions en l'honneur de Paul Géhin, directeur de recherche émérite au CNRS, qui fut pendant 15 ans directeur de la Section grecque et de l'Orient chrétien de l'IRHT (1997-2011). Spécialiste d'Évagre le Pontique et de manière plus large de la transmission de la littérature patristique et ascétique dans les domaines byzantin et oriental (syriaque et arabe), P. Géhin, membre du Comité international de Paléographie grecque, est également un grand connaisseur des manuscrits tant grecs que syriaques et arabes. Les contributions qui lui sont offertes reflètent ces divers intérêts et proposent des éditions de textes, des études de manuscrits et de copistes, des enquêtes sur les textes et les pratiques ascétiques et monastiques; plusieurs d'entre elles concernent des livres ou des hommes en lien direct avec le Sinaï.

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Founded in 1284, Peterhouse is the University of Cambridge's oldest college. Its stated objective was to forward the study of theology,and before the Reformation it was a small community comprising a master and fourteen scholars.And yet by the late Middle Ages it had built up a substantial reference library. Today the college collection contains 277 manuscripts, almost all of which were at the College before the reformation, geared to the European university curriculum of the late middle ages.

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Guillermo Rendueles pone a prueba, en este lúcido libro, la conocida tesis de Marx: La esencia humana no es algo abstracto inherente a cada individuo, es, en realidad, el conjunto de las relaciones sociales. Para en ello ha librado del polvo del archivo del manicomio de Ciempozuelos la historia clínica n 6966 correspondiente a la interna Aurora Rodríguez, madre de Hildegart.Este trabajo ha sido realizado con la paciencia y la minuciosidad del etnógrafo, pero sin su frialdad. Sirviéndose de la historia oral, de la documentación histórica, y de un riguroso análisis realizado sobre el manuscrito encontrado en el manicomio, Guillermo Rendueles elabora un modelo teórico que le permite, no solo insertar a Aurora en su entorno social sino, a la vez, poner al descubierto el funcionamiento de las instituciones de socialización y resocialización aún vigentes en nuestras sociedades.

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The Czech Manuscripts is dedicated to one of the most important literary forgeries on the model of Macpherson's Ossianic poetry. The Queen's Court and Green Mountain Manuscripts, discovered in 1817 and 1818, went on to play an outsized role in the Czech National Revival, functioning as founding texts of the national mythology and serving as sacred works in the long period when they were considered genuine. A successful literary forgery tells a lot about what a culture wants and needs at a particular moment. One fascinating aspect of this story is how a successful fake was able to function in an integral way as part of the Czech cultural revival of the nineteenth century, both because it played to expectations and nationalist values and because it met real cultural needs in many ways better than genuine historical literary works and artefacts. Also fascinating is the vainglorious Václav Hanka, a prolific and dedicated forger who was likely the center of the conspiratorial ring that created the manuscripts and who went on as the librarian of the Czech National Museum to alter a number of others. David Cooper analyzes what made the Manuscripts a convincing imitation of their Serbian and Russian models. He looks at how translation shaped their composition and at the benefit ofexamining them as pseudotranslations, and investigates the quasi-religious rituals and commemorative practices that developed around them. The Czech Manuscripts brings the Czech experience into the broader developments of European history.

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General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America’s most important poets. Notebooks and Unpublished Prose Manuscripts gathers Whitman’s autobiographical notes, his views on contemporary politics, and the writings he made as he educated himself in ancient history, religion and mythology, health (including phrenology), and word-study. Included is material on his Civil War experiences, his love of Abraham Lincoln, his descriptions of various trips to the West and South and of the cities in which he resided, his generally pessimistic view of America’s prospects in the Reconstruction and the Gilded Age, and his reminiscences during his final years and his preoccupation with the increasing ailments that came with old age. Many of these notes served as sources for his poetry—first drafts of some of the poems are included as they appear in the notes—and as the basis for his lectures.

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Once a vibrant part of religious life for many Pennsylvania Germans in the eighteenth and nineteenth centuries, Fraktur manuscripts today are primarily studied for their decorative qualities. The Word in the Wilderness takes a different view, probing these documents for what they tell us about the lived religious experiences of the Protestant communities that made and used them and opening avenues for reinterpretation of this well-known, if little understood, set of cultural artifacts.The resplendent illuminated religious manuscripts commonly known as Fraktur have captivated collectors and scholars for generations. Yet fundamental questions about their cultural origins, purpose, and historical significance remain. Alexander Lawrence Ames addresses these by placing Fraktur manuscripts within a “Pietist paradigm,” grounded in an understanding of how their makers viewed “the Word,” or scripture. His analysis combines a sweeping overview of Protestant Christian religious movements in Europe and early America with close analysis of key Pennsylvania devotional manuscripts, revealing novel insights into the religious utility of calligraphy, manuscript illumination, and devotional reading as Protestant spiritual enterprises. Situating the manuscripts in the context of transatlantic religious history, early American spirituality, material culture studies, and the history of book and manuscript production, Ames challenges long-held approaches to Pennsylvania German studies and urges scholars to engage with these texts and with their makers and users on their own terms. Featuring dozens of illustrations, this lively, engaging book will appeal to Fraktur scholars and enthusiasts, historians of early America, and anyone interested in the material culture and spiritual practices of the German-speaking residents of Pennsylvania.

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Sources inestimables d’information sur l’histoire des livres, les colophons sont caractérisés, en arménien comme dans d’autres langues, par l’emploi de tournures stéréotypées, récurrentes d’un manuscrit à l’autre. Cet ouvrage définit une méthodologie pour l’étude philologique et historique des formules de colophon et étudie la formule « d’après un exemplaire bon et de choix » avec ses nombreuses variantes. Plusieurs formulaires de colophon, véritables œuvres littéraires réactualisées de manuscrit en manuscrit, font l’objet d’une édition critique. L’emploi de cette formule en contexte renseigne sur le regard que les copistes portaient à la fois sur leur propre production et sur les modèles qu’ils recopiaient. Grâce à une étude approfondie de ses variantes, l’auteur précise l’activité de certains centres de copie et épingle des personnalités cruciales dans la propagation d’un texte donné. Les connaissances acquises en matière de circulation des manuscrits démontrent l’importance des parcours individuels et des relations interpersonnelles dans les dynamiques de création et de diffusion des livres anciens.

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First full-length study of what the manuscript contexts can reveal about early reactions to Chaucer, and in particular his treatment of women. Readers have disagreed for centuries about the way Chaucer represented female voices in his Hous of Fame, Parliament of Foules, Anelida and Arcite, Legend of Good Women, and Book of the Duchess; but little attention has hitherto been paid to the earliest manuscript contexts in which these poems appear -- a gap which this study aims to fill. It demonstrates that, even in unrelated manuscripts, Chaucer's earliest compilers repeatedly create for these poems a mixed-gender audience well versed in the lively French poetic conversation about the problem of a lack of interest on a woman's part: can she legitimately refuse the advances of her suitor on the grounds that men's fin'amor language cannot be trusted? By highlighting this French controversy and its echoes in the English poetry of Chaucer, Hoccleve, Lydgate, Roos, and others, these manuscript compilers construct a Chaucer who participates posthumously in an ongoing literary debate about female voice, female agency, female scepticism, and the false promises of male fin'amor suitors. This book also expands understanding of Chaucer's early reception by showing how the manuscript context of his shorter poems painted a French-centred, woman-friendly picture of his literary interests - a picture that some early printers would subsequently find difficult, and, in extreme cases, actively work to dismiss.

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In two decades of traveling throughout Mexico, Central America, and Europe, French priest Charles Étienne Brasseur de Bourbourg (1814-1874) amassed hundreds of indigenous manuscripts and printed books, including grammars and vocabularies that brought to light languages and cultures little known at the time. Although his efforts yielded many of the foundational texts of Mesoamerican studies - the pre-Columbian Codex Troana, the only known copies of the Popol Vuh and the indigenous dance drama Rabinal-Achi, and Diego De Landa's Relacián de la cosas de Yucatán - Brasseur earned disdain among scholars for his theories linking Maya writings to the mythical continent of Atlantis. In The Manuscript Hunter, translator Katia Sainson reasserts his standing as the founder of modern Maya studies, presenting three of his travel writings in English for the first time. While civil wars raged throughout Mexico and Central America and foreign interests sought access to the region's rich resources, Brasseur focused on uncovering Mesoamerica's mysterious past by examining its ancient manuscripts and living oral traditions. His ""Notes from a Voyage in Central America,"" ""From Guatemala City to Rabinal,"" and Voyage across the Isthmus of Tehuantepec document his travels in search of these texts and traditions. Brasseur's writings weave vivid geographical descriptions of Central America and Mexico during the mid-1800s with keen social and political analysis, all steeped in vast knowledge of the region's history and interest in its indigenous cultures. Coupled with Sainson's thoughtful introduction and annotations, these captivating, accessible accounts reveal Brasseur de Bourbourg's true accomplishments and offer an unrivaled view of the birth of Mesoamerican studies in the nineteenth century. Brasseur's writings not only depict Central America and Mexico through the eyes of a European traveler at a key moment, but also illuminate the remarkable efforts of one man to understand and preserve Mesoamerica's cultural traditions for all time.

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Ancient manuscripts of John’s Gospel containing hermeneiai have long puzzled scholars, provoking debate about their origins, purpose, and use. The fragmentary nature of the early evidence has impeded progress towards a better understanding of these specialized books. The present study shows that these books are "Divining Gospels"—editions of John’s Gospel incorporating lot divination materials for use in fortune-telling. The study centers on material presented here for the first time: the text and translation of a unique sixth-century Syriac manuscript, the earliest and most complete example of a hermeneia Gospel. An analysis of the Syriac along with evidence from Greek, Coptic, Latin, and Armenian versions show they all preserve vestiges of the same apparatus, disseminated widely at an early time throughout many different Christian communities. These books must be situated squarely within the development of divinatory practices in early and late antique Christianity. However, they represent a true hermeneutic, a method by which interpreters brought the potency of the Bible to bear on the everyday concerns of people who consulted them for help. Furthermore, the Divining Gospel draws on the special aura that John’s Gospel held in the Christian imagination, both as text and as textual object. An analysis of the interplay between the biblical text and sacred codex, the oracles, the ritual practitioner, and the client enrich our appreciation of this distinctive hermeneutic. Contextualizing these materials in popular use illuminates the fraught relationships between the ecclesial establishment, ritual experts operating on the margins of orthodox respectability, and lay clients seeking knowledge and help.

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This facsimile, entitled Overslag-Boek, zeer nuttig voor alle Liefhebbers der Edele Boekdruk-konste (Imposition Manual, very useful for all Practitioners of the Noble Art of Printing"), is a reproduction of a unique manuscript housed in the Grolier Club Library. It was compiled in the years 1794–1795 by printer Joannes Josephus Balthazar Vanderstraelen, a native of Antwerp. Vanderstraelen's manuscript illustrates, through a series of diagrams in ink and watercolor, the correct position of composed pages, arranged so as to appear in the correct order after they were printed and folded. All the common printing formats are presented in order of size, from folio to 64mo. The elements of standard printing "furniture" —the chase, quoins, wedges, and so forth— are delicately rendered in various shades of watercolor wash, providing remarkably clear visual instructions on the proper arrangement of formes of type on the press. The diagrams, reproduced in their entirety in full color, are complemented and enhanced by Frans Janssen's detailed introduction and notes. The book also includes a foreword by Eugene S. Flamm, a description of the original manuscript held at the Grolier Club, an index, and English translations of the table of contents, headings, and text of the manual.

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In 1999, translator Richard Zenith made a new find in the Pessoa archive in Lisbon: a group of prose writings by a previously unknown heteronym, the Baron of Teive.' The Portuguese volume of these writings has been received by scholars as a crucial piece of the puzzle that is Pessoa's oeuvre. The Education of the Stoic is the unique work left by the Baron of Teive, who, after destroying all his previous literary attempts and before destroying himself, explains 'the impossibility of producing superior art.' It is the dark companion piece to The Book of Disquiet.'

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Frederick Douglass was a former slave who became a leading abolitionist and social reformer. When too ill to continue his speaking engagements, he wrote letters of support for the anti-lynching activist Ida B. Wells to take his place. With this journal cover, we celebrate the legacies of two of the most revered leaders in African American history.

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As the top-selling British artist of the 21st century, Amy Winehouse (1983–2011) revitalized soul music with her brassy, sweet-and-sour voice and her timeless sensibility. This Paperblanks journal cover depicts a self-portrait and lyrics from Winehouse’s song “Tears Dry On Their Own,” which she originally wrote in a Paperblanks notebook.

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Dedicated to Judson Boyce Allen-whose work ranged from the specialized study of manuscripts through the interpretation of particular literary texts to the broadest issues of history-essays in this collection deal with such varied subjects as word and meaning in different versions of commentaries, manuals for preaching, manuscript materials for fourteenth-century vernacular texts and the claim of auctour, rubrics accompanying manuscript texts of Petrarch's story of Griselda, and women as writers and readers of manuscripts. The essays are written by friends in tribute to a scholar whose work and life inspired many. The volume will be of interest to medievalist scholars of literature, manuscripts, and manuscript culture.

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