Search results for ""Author Pierre"

This highly acclaimed work, in which Pierre Bourdieu turns his attention to the academic world and offers a brilliant analysis of modern intellectual culture, is now available in paperback. The academy is shown to be not just a realm of dialogue and debate, but also a sphere of power in which reputations and careers are made, defended and destroyed. Bourdieu constructs a map of the intellectual field in France and analyzes the forms of capital power, the lines of conflict and the patterns of change which characterize the system of higher education in France today.

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Early in their careers, Michel Foucault and Jacques Derrida argued over madness, reason, and history in an exchange that profoundly influenced continental philosophy and critical theory. In this collection, Amy Allen, Geoffrey Bennington, Lynne Huffer, Colin Koopman, Pierre Macherey, Michael Naas, and Judith Revel, among others, trace this exchange in debates over the possibilities of genealogy and deconstruction, immanent and transcendent approaches to philosophy, and the practical and theoretical role of the archive.

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A fundamental critique of American law and legal thought, Against the Law consists of a series of essays written from three different perspectives that coalesce into a deep criticism of contemporary legal culture. Paul F. Campos, Pierre Schlag, and Steven D. Smith challenge the conventional representations of the legal system that are articulated and defended by American legal scholars. Unorthodox, irreverent, and provocative, Against the Law demonstrates that for many in the legal community, law has become a kind of substitute religion—an essentially idolatrous practice composed of systematic self-misrepresentation and self-deception.Linked by a persistent inquiry into the nature and identity of “the law,” these essays are informed by the conviction that the conventional representations of law, both in law schools and the courts, cannot be taken at face value—that the law, as commonly conceived, makes no sense. The authors argue that the relentlessly normative prescriptions of American legal thinkers are frequently futile and, indeed, often pernicious. They also argue that the failure to recognize the role that authorship must play in the production of legal thought plagues both the teaching and the practice of American law. Ranging from the institutional to the psychological and metaphysical deficiencies of the American legal system, the depth of criticism offered by Against the Law is unprecedented. In a departure from the nearly universal legitimating and reformist tendencies of American legal thought, this book will be of interest not only to the legal academics under attack in the book, but also to sociologists, historians, and social theorists. More particularly, it will engage all the American lawyers who suspect that there is something very wrong with the nature and direction of their profession, law students who anticipate becoming part of that profession, and those readers concerned with the status of the American legal system.

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Wie arbeiten Schulleiterinnen und Schulleiter in Frankreich? Welche Herausforderungen erwarten sie im beruflichen Alltag? Wie ist ihr Verhältnis zur Schulentwicklung? Was können wir daraus für unseren Kontext lernen? Diesen Fragen widmet sich Pierre Tulowitzki in seiner Studie. Er untersucht, wie Schulleiterinnen und Schulleiter ihre Arbeitszeit verbringen, wann und wie sie sich Schulentwicklung widmen und welche Phänomene sich in diesem Kontext manifestieren. Grundlage sind Fallstudien an fünf weiterführenden Schulen (collèges) eines Schulbezirks bei Paris.

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For any country that has a large and diverse migrant population, it is a struggle to connect these people to the country’s institutions, including the healthcare system, which can be overwhelming in its complexity. Cultural and language barriers often make it difficult for doctors to fully understand the symptoms of their migrant patients, reach accurate diagnoses, or properly treat their suffering. Thus, medical practitioners must attempt new, innovative practices in order to reach patients where they are and convince them to accept treatment from doctors they don’t totally understand. In France, Serge Bouznah and Catherine Lewertowski have pioneered one such practice—that of transcultural mediation. Drawn from two decades of their experience with transcultural mediation, Spirits in the Consulting Room tells the stories of eight patients—mainly migrants—and their families. Each chapter focuses on a different patient, and Christelle, Djibril, Moncef, Alhassane, Jacinthe, Amy, Cyril, Alice, and Pierre leap off the page as distinct people with unique situations. Together, these chapters reveal how patients’ comprehension of their symptoms is shaped by their cultural background, while recounting the challenges of translating that into terms the doctors can grasp. The book shows how trained transcultural mediators can help to redress the power imbalance between doctors and the migrants they treat, providing patients with advocates who respect the authority of their background and experiences and don’t just take the side of the medical professionals. The groundbreaking insights modeled in this book can be applied to any medical situation where doctors and patients find themselves speaking different languages.

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In The Excessive Subject: A New Theory of Social Change, Molly Anne Rothenberg uncovers an innovative theory of social change implicit in the writings of radical social theorists, such as Pierre Bourdieu, Michel de Certeau, Judith Butler, Ernesto Laclau, and Slavoj ?i?ek. Through case studies of these writers' work, Rothenberg illuminates how this new theory calls into question currently accepted views of social practices, subject formation, democratic interaction, hegemony, political solidarity, revolutionary acts, and the ethics of alterity. Finding a common dissatisfaction with the dominant paradigms of social structures in the authors she discusses, Rothenberg goes on to show that each of these thinkers makes use of Lacan's investigations of the causality of subjectivity in an effort to find an alternative paradigm. Labeling this paradigm 'extimate causality', Rothenberg demonstrates how it produces a nondeterminacy, so that every subject bears some excess; paradoxically, this excess is what structures the social field itself. Whilst other theories of social change, subject formation, and political alliance invariably conceive of the elimination of this excess as necessary to their projects, the theory of extimate causality makes clear that it is ineradicable. To imagine otherwise is to be held hostage to a politics of fantasy. As she examines the importance as well as the limitations of theories that put extimate causality to work, Rothenberg reveals how the excess of the subject promises a new theory of social change. By bringing these prominent thinkers together for the first time in one volume, this landmark text will be sure to ignite debate among scholars in the field, as well as being an indispensable tool for students.

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Shedding new light on both classic and lesser-known works in the Melville canon with particular attention to the author's literary use of the Bible, Neither Believer Nor Infidel examines the debate between religious skepticism and Christian faith that infused Herman Melville's writings following Moby-Dick. Jonathan A. Cook's study is the first to focus on the decisive role of faith and doubt in Melville's writings following his mid-career turn to shorter fiction, and still later to poetry, as a result of the commercial failures of Moby-Dick and Pierre. Nathaniel Hawthorne claimed that Melville "can neither believe nor be comfortable in his unbelief," a remark that encapsulates an essential truth about Melville's attitude to Christianity. Like many of his Victorian contemporaries, Melville spent his literary career poised between an intellectual rejection of Christian dogma and an emotional attachment to the consolations of non-dogmatic Christian faith. Accompanying this ambivalence was a lifelong devotion to the text of the King James Bible as both moral sourcebook and literary template. Following a biographical overview of skeptical influences and manifestations in Melville's early life and career, Cook examines the evidence of religious doubt and belief in "Bartleby, the Scrivener," "Cock-a-Doodle-Doo!," "The Encantadas," Israel Potter, Battle-Pieces, Timoleon, and Billy Budd. Accessible for both the general reader and the scholar, Neither Believer Nor Infidel clarifies the ambiguities of Melville's pervasive use of religion in his fiction and poetry. In analyzing Melville's persistent oscillation between metaphysical rebellion and attenuated belief, Cook elucidates both well-known and under-appreciated works.

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Ashley Howland Scott has no time for romance as she grieves the loss of her husband, cares for her young son, and runs Magnolia Harbor's only bed and breakfast. Ashley never imagined she'd notice-let alone have feelings for-another man after her husband was killed in Afghanistan five years earlier. But slowly, softly, Rev. Micah St. Pierre has become a friend . . . and now maybe something more. Despite her reluctance, Ashley has to admit that Micah is kind, thoughtful, and handsome to boot. All the more reason to steer clear of him. She can't risk her heart again.After becoming the center of Magnolia Harbor's rumor mill once, Micah St. Pierre has no interest in letting the members of the local quilting club play matchmaker for him. Besides, the only woman he's interested in is the one he can never have. Micah is not allowed to date a member of his congregation, so there's no point in sharing his feelings with Ashley, no matter how much he yearns to. But the more time they spend with each other, the more Micah wonders whether Ashley is his match made in heaven.

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This is the first English monograph of legendary French musique-concrete pioneer Luc Ferrari (1929-2005). Founding member of Groupe de Recherches (GRM) with Pierre Schaeffer-the group and studio were dedicated to the electronic medium that changed composition forever. This sumptuous volume includes facsimiles of Ferrari's original compositions, notebooks, and the first English translations of his writings, including poetry and fictional works and correspondence, as well as a special full-colour section that includes the composer's own collage artwork.

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A soulful collection of illuminating essays and interviews that explore Black people’s spiritual and scientific connection to the land, waters, and climate, curated by the acclaimed author of Farming While BlackAuthor of Farming While Black and co-founder of Soul Fire Farm, Leah Penniman reminds us that ecological humility is an intrinsic part of Black cultural heritage. While racial capitalism has attempted to sever our connection to the sacred earth for 400 years, Black people have long seen the land and water as family and understood the intrinsic value of nature.This thought-provoking anthology brings together today’s most respected and influential Black environmentalist voices —leaders who have cultivated the skill of listening to the Earth —to share the lessons they have learned. These varied and distinguished experts include Pulitzer Prize and National Book Award-winning author Alice Walker; the first Queen Mother and official spokesperson for the Gullah/Geechee Nation, Queen Quet; marine biologist, policy expert, and founder and president of Ocean Collectiv, Dr. Ayana Elizabeth Johnson; and the Executive Director of the North Carolina Association of Black Lawyers, Land Loss Prevention Project, Savi Horne. In Black Earth Wisdom, they address the essential connection between nature and our survival and how runaway consumption and corporate insatiability are harming the earth and every facet of American society, engendering racial violence, food apartheid, and climate injustice.Those whose skin is the color of soil are reviving their ancestral and ancient practice of listening to the earth for guidance. Penniman makes clear that the fight for racial and environmental justice demands that people put our planet first and defer to nature as our ultimate teacher.Contributors include:Alice Walker • adrienne maree brown • Dr. Ross Gay • Dr. Ayana Elizabeth Johnson • Rue Mapp • Dr. Carolyn Finney • Audrey Peterman • Awise Agbaye Wande Abimbola • Ibrahim Abdul-Matin • Kendra Pierre-Louis • Latria Graham • Dr. Lauret Savoy •Ira Wallace • Savi Horne • Dr. Claudia Ford • Dr. J. Drew Lanham • Dr. Leni Sorensen • Queen Quet • Toshi Reagon • Yeye Luisah Teish • Yonnette Fleming • Naima Penniman • Angelou Ezeilo • James Edward Mills • Teresa Baker • Pandora Thomas • Toi Scott • Aleya Fraser • Chris Bolden-Newsome • Dr. Joshua Bennett • B. Anderson • Chris Hill • Greg Watson • T. Morgan Dixon • Dr. Dorceta Taylor • Colette Pichon Battle • Dillon Bernard • Sharon Lavigne • Steve Curwood • and Babalawo Enroue Halfkenny

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Since 2009, the artist collective SCHAUM operates in lieu of the average person, upon which the experimental set-ups for the current processes of self-optimising are imposed. In photographic series, sculptures, installations, and performances the test subjects as well as simple found objects are alienated, conceptually “abused”, and fused with old-masterly allegories and Christian iconography. SCHAUM are “already on their way to a post-human variation” of the defective human being, from which eventually “an artificial creature, an artefact of itself” (Jean-Pierre Wils) shall arise. Text in English and German.

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FROM THE BESTSELLING AUTHOR OF REBECCA'She wrote exciting plots . . . a writer of fearless originality' GUARDIAN'This French Revolution epic is an overlooked classic' MELISSA KATSOULIS, THE TIMES 'No other popular writer has so triumphantly defied classification . . . ' MARGARET FORSTER'Perhaps we shall not see each other again. I will write to you, though, and tell you, as best I can, the story of your family. A glass-blower, remember, breathes life into a vessel, giving it shape and form and sometimes beauty; but he can with that same breath, shatter and destroy it.'Faithful to her word, Sophie Duval reveals to her long-lost nephew the tragic story of a family of master craftsmen in eighteenth-century France. The world of the glass-blowers has its own traditions, it's own language and its own rules. 'If you marry into glass' Pierre Labbe warns his daughter, 'you will say goodbye to everything familiar, and enter a closed world'. But crashing into this world comes the violence and terror of the French Revolution against which, the family struggles to survive. The Glass-Blowers is a remarkable achievement - an imaginative and exciting reworking of du Maurier's own family history.

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A feminist pioneer, writer, and patron of the arts and literature in Buenos Aires, Victoria Ocampo (1890–1979) was a larger-than-life personality of legendary vitality. A key protagonist in Argentina’s rise to world-class status in the arts and sciences, Ocampo leveraged her wealth and social status to found Sur (1931–92), the internationally influential journal of literature, culture, and ideas.Ocampo personally invited many intellectual and artistic celebrities to visit Buenos Aires. Most were men. Some, endowed with egos as outsized as their reputations, tripped and fell into sentimental imbroglios with the strong-willed and beautiful Ocampo. In Free Women in the Pampas the ups and downs of her passionate friendships, debates, and misunderstandings with poet Rabindranath Tagore, philosopher José Ortega y Gasset, and the writers Pierre Drieu de la Rochelle, Hermann von Keyserling, and Waldo Frank are witnessed by the fictional Carmen Brey, a Galician-Spanish immigrant whose story is skilfully interwoven with that of Ocampo. Carmen’s sympathetic but incisive gaze puts her friend Victoria into perspective against a larger vision of Argentina. Carmen’s adventures lead her to social-justice writer María Rosa Oliver, the wilder side of the 1920s literary avant-garde (and the now-canonical authors Roberto Arlt, Jorge Luis Borges, and Leopoldo Marechal), the Mapuche people of the pampa, and a ten-year-old Evita Ibarguren, later famous as Eva Perón.Against this broad, inclusive backdrop, the novel vividly depicts Victoria Ocampo’s struggle with the strictures of class and gender to find her own voice and vocation as a public intellectual.

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This personal and engaging book reproduces over 100 letters from the most famous 19th and 20th century painters in Paris between 1855 and 1968. Among the artists are Claude Monet, August Renoir, Edouard Manet, Pablo Picasso, and Mary Cassatt. With each letter is an exact transcription (all but two of the letters were originally written in French) and then an English translation. The text of the book explores each writers' relationships with the recipients and with other artists they mention, and a precise examination of each artists's place in the history of art. The artists write of their anxieties about work, health, finances, and their future plans. For example, Pierre Bonnard, at eighteen, writes a long letter to his father explaining why he has transferred from art school to law school. An anguished Emile Bernard describes to art critic Albert Aurier, as Paul Gauguin recounted it to him, the night Vincent vanGogh cut off his own ear. Also featured are a work of art by each artist and their portrait, self-portrait, or photograph. Additionally, each letter has been briefly analyzed by a graphologist (handwriting expert), providing another insight to the human side of great talent. The letters have been selected from the collection of Pierre F. Simon, which is now in the archives of the New York Public Library.

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This groundbreaking work presents original research on cultural politics and battles in Egypt at the turn of the twenty-first century. It deconstructs the boundaries between ‘high’ and ‘low’ culture, drawing on conceptual tools in cultural studies, translation studies, and gender studies to analyze debates in the fields of literature, cinema, mass media, and the plastic arts.Anchored in the Egyptian historical and social contexts and inspired by the influential work of Pierre Bourdieu, it rigorously places these debates and battles within the larger framework of a set of questions about the relationship between the cultural and political fields in Egypt.

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An exciting approach to the history and mathematics of number theory “. . . the author’s style is totally lucid and very easy to read . . .the result is indeed a wonderful story.” —Mathematical Reviews Written in a unique and accessible style for readers of varied mathematical backgrounds, the Second Edition of Primes of the Form p = x2+ ny2 details the history behind how Pierre de Fermat’s work ultimately gave birth to quadratic reciprocity and the genus theory of quadratic forms. The book also illustrates how results of Euler and Gauss can be fully understood only in the context of class field theory, and in addition, explores a selection of the magnificent formulas of complex multiplication. Primes of the Form p = x2 + ny2, Second Edition focuses on addressing the question of when a prime p is of the form x2 + ny2, which serves as the basis for further discussion of various mathematical topics. This updated edition has several new notable features, including: • A well-motivated introduction to the classical formulation of class field theory • Illustrations of explicit numerical examples to demonstrate the power of basic theorems in various situations • An elementary treatment of quadratic forms and genus theory • Simultaneous treatment of elementary and advanced aspects of number theory • New coverage of the Shimura reciprocity law and a selection of recent work in an updated bibliography Primes of the Form p = x2 + ny2, Second Edition is both a useful reference for number theory theorists and an excellent text for undergraduate and graduate-level courses in number and Galois theory.

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Taking on the Tradition focuses on how the work of Jacques Derrida has helped us rethink and rework the themes of tradition, legacy, and inheritance in the Western philosophical tradition. It concentrates not only on such themes in the work of Derrida but also on his own gestures with regard to these themes—that is, on the performativity of Derrida's texts. The book thus uses Derrida's understanding of speech act theory to reread his own work. The book consists in a series of close readings of Derrida's texts to demonstrate that the claims he makes in his work cannot be fully understood without considering the way he makes those claims. The book considers Derrida's relation to the Greek philosophical tradition and to his immediate predecessors in the French philosophical tradition, as well as his own legacy within the contemporary scene. Part I examines Derrida's analyses of Plato and Aristotle on the themes of writing and metaphor. Part II looks at themes of donation, inheritance, pedagogy, and influence in relation to Derrida's readings of the works of Michel Foucault, Jacques Lacan, and Jean-Pierre Vernant. Part III considers the promises and legacies of Derrida's work on autobiography, friendship, and hospitality, themes Derrida has recently taken up in his readings of Martin Heidegger, Maurice Blanchot, and Emmanuel Levinas. In the Conclusion, the author analyzes what Derrida has recently called a "messianicity without messianism" and shows how Derrida develops two different notions of the future and of legacy: one that always determines a horizon for the donation and reception of any legacy or tradition, and one that leaves open a radically unknown and unknowable future for that legacy and tradition.

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Some of the worst selection practices to be found anywhere can be found at the top of organisations. Even when senior selection is not egregiously bad, rarely is it as good as it could be. Front-line staff and middle managers are selected with much more rigour today than 30 years ago - but not the chairmen, chief executives and chief officers who lead them. So says Douglas Board in Choosing Leaders and Choosing to Lead. Dr Board draws on his extensive experience in executive search and in leadership, coupled with his own academic research embracing the sociology and psychology of scholars such as Pierre Bourdieu and Karl Weick to offer ground-breaking insight into the value and limitations of established selection practice. This book illuminates ways in which senior roles differ from other positions and will help those charged with selecting individuals for senior positions, as well as potential candidates, those concerned with regulating selection policy, and researchers. Examining the classic mix of competency frameworks and selection tools such as psychological and skills assessments, simulations, reference-checking and interviews, the author concludes that senior selection choices are holding back organisations and individual careers, with implications for diversity, effectiveness, and social justice. He contends that while complacent, self-regarding elites will always need vigilant challenge, the scientific approach to selection has weaknesses as well as strengths. Those weaknesses become more pronounced at senior levels, posing particular questions about, amongst other things, the role of intuition and politics.

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The extraordinary growth and development of the cult of St Thomas Becket is investigated here, with a particular focus on its material culture. Thomas Becket - the archbishop of Canterbury cut down in his own cathedral just after Christmas 1170 - stands amongst the most renowned royal ministers, churchmen, and saints of the Middle Ages. He inspired the work of medieval writers and artists, and remains a compelling subject for historians today. Yet many of the political, religious, and cultural repercussions of his murder and subsequent canonisation remain to be explored in detail. This book examines the development of the cult and the impact of the legacy of Saint Thomas within the Plantagenet orbit of the late twelfth and early thirteenth centuries - the "Empire" assembled by King Henry II, defended by his son King Richard the Lionheart, and lost by King John. Traditional textual and archival sources, such as miracle collections, charters, and royal and papal letters, are used in conjunction with the material culture inspired by the cult, toemphasise the wide-ranging impact of the murder and of the cult's emergence in the century following the martyrdom. From the archiepiscopal church at Canterbury, to writers and religious houses across the Plantagenet lands, to thecourts of Henry II, his children, and the bishops of the Angevin world, individuals and communities adapted and responded to one of the most extraordinary religious phenomena of the age. Dr Paul Webster is currently Lecturer in Medieval History and Project Manager of the Exploring the Past adult learners progression pathway at Cardiff University; Dr Marie-Pierre Gelin is a Teaching Fellow in the History Department at University College London. Contributors: Colette Bowie, Elma Brenner, José Manuel Cerda, Anne J. Duggan, Marie-Pierre Gelin, Alyce A. Jordan, Michael Staunton, Paul Webster.

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This book presents a unique and intriguing collection of drawings of courtroom scenes. Entering the courtroom wearing his robe, Judge Pierre Cavellat literally had a secret up his sleeve. Hidden in it were pens and pencils, which he used to sketch the scenes he observed from his bench. Throughout a 40-year judicial career in one of France's more important regional appellate courts, Cavellat produced hundreds of illuminating drawings and paintings depicting the court proceedings but also the main actors: the prosecutors, defence counsel, his fellow judges, the defendants, witnesses, policemen, the general public, as well as the courtroom itself and its architecture. The resulting vivid and uncensored impressions give an unprecedented insight into how a judge perceives his profession and the institution of justice as a whole. Given the scarcity of written autobiographies by judges, and their reluctance to lay bare their inner feelings and thinking, the images reveal, in a candid and immediate fashion, the deeply hidden emotions, ambiguities and fantasies of a judge going about his work. The author, a judge herself, interprets the images through the lens of her own judicial experience, exploring how judges think and act and how their thinking is constructed through their education, professional training, gender and class. In doing so she exposes how personal background, history and experience play an additional, sometimes conflicting, role in 'judgecraft'. While relevant to both practitioners and students of law this book should also appeal to the wider public.

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Henri F. Ellenberger, the Swiss medical historian, is best remembered today as the author of The Discovery of the Unconscious (1970), a brilliant, encyclopedic study of psychiatric theory and therapy from primitive times to the mid-twentieth century. However, in addition to this well-known work, Ellenberger has written over thirty essays in the history of the mental sciences. This collection unites fourteen of Ellenberger's most interesting and methodologically innovative historical essays, many of which draw on new and rich bodies of primary materials. Several of the articles appear here in English translation for the first time. The essays deal with subjects such as the intellectual origins of psycho-analysis, the work of the French psychological school of Jean-Martin Charcot and Pierre Janet, the role of the "great patients" in the history of psychiatry, and the cultural history of psychiatry. The publication of these writings, which corresponds with the opening in Paris of the Institut Henri Ellenberger, truly establishes Ellenberger as the founding figure of the historiography of psychiatry. Accompanying the essays are an extensive interpretive introduction and a detailed bibliographical essay by the editor. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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While wandering through a Paris auction house, avid collector Pierre-Francois Chaumont is stunned to discover the eighteenth-century portrait of an unknown man who looks just like him. Much to his delight, Chaumont's bid for the work is successful, but back at home his jaded wife and circle of friends are unable to see the resemblance. Chaumont remains convinced of it, and as he researches into the painting's history, he is presented with the opportunity to abandon his tedious existence and walk into a brand new life...

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This book reveals the Secrets to Service Success by analyzing four service companies that grew from small beginnings to the leaders in their industries. Interviews with the four CEOs who guided the companies to their success reveal the three basic principles they all share. The CEOs interviewed are Thomas Berglund of Securitas and J. Philip Sorensen of Group4Falck, the world's two largest security companies, Francis Mackay of Compass plc and Pierre Bellon of Sodexho Alliance, the world's two largest food service companies.

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A brilliant introduction to the history of The Olympics, from the traditional games of Ancient Greece, to their revival by Pierre de Coubertin and the pomp and ceremony of the modern Games. Internet links to carefully selected websites allow children to access the very best sites to support this book and enhance their learning experience. Specially written for children growing in reading confidence and ability. Part of the Usborne Reading Programme, developed with reading experts at the University of Roehampton.

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"There is no question that the value of a detailed account of Moroccan colonial history in English is an important addition to the field, and Wyrtzen's book will undoubtedly become a reference for Moroccan, North African, and Middle Eastern historians alike."―American Historical Review Jonathan Wyrtzen's Making Morocco is an extraordinary work of social science history. Making Morocco’s historical coverage is remarkably thorough and sweeping; the author exhibits incredible scope in his research and mastery of an immensely rich set of materials from poetry to diplomatic messages in a variety of languages across a century of history. The monograph engages with the most important theorists of nationalism, colonialism, and state formation, and uses Pierre Bourdieu’s field theory as a framework to orient and organize the socio-historical problems of the case and to make sense of the different types of problems various actors faced as they moved forward. His analysis makes constant reference to core categories of political sociology state, nation, political field, religious and political authority, identity and social boundaries, classification struggles, etc., and he does so in exceptionally clear and engaging prose. Rather than sidelining what might appear to be more tangential themes in the politics of identity formation in Morocco, Wyrtzen examines deeply not only French colonialism but also the Spanish zone, and he makes central to his analysis the Jewish question and the role of gender. These areas of analysis allow Wyrtzen to examine his outcome of interest—which is really a historical process of interest—from every conceivable analytical and empirical angle. The end-product is an absolutely exemplary study of colonialism, identity formation, and the classification struggles that accompany them. This is not a work of high-brow social theory, but a classic work of history, deeply influenced but not excessively burdened by social-theoretical baggage.

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Detailing the understanding and performance of the French mélodie, famous French baritone Pierre Bernac provides insight in this book for singers, accompanists, and concert-goers. Teamed with composer Francis Poulenc for more than 25 years, Bernac and Poulenc became legend as one of the first duos to be recognized as equals within the music arena. Texts and performance guidance for over 200 songs from 18 different composers including Fauré, Debussy and Poulenc are given in French with line-for-line translations in English. This comprehensive approach to the French repertoire also includes tips on pronunciation, performance, and interpretation.

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Originally written to entertain, move or chill, the eight short stories in this collection accompanied by parallel English translations now also help students gain deeper insights into French literature and life.Arranged in approximate order of difficulty, the range of stories is wide, from the stylized wit of Raymond Queneau to the beautifully written ambiguities of Philippe Sollers, from Pierre Gascar’s exploration of childhood as a background to a tale of infidelity to Henri Thomas’s gentle, ironic look at war. All make wonderful reads in either language.

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You know that feeling of not belonging when you have so much to say at a work meeting? For women of color and children of immigrants, being the "the other" at work fuels an unyielding need to fit in. This false feeling of inadequacy in traditional workplaces causes you to adapt and develop "a keep your head down" or "stay in your lane" mentality in order to hold on to the job you've worked so hard to attain. Sometimes that "yes" girl mentality can get you a seat at the table, but can lead to being overwhelmed, overworked, and overlooked when bigger roles come around.Bestselling author and MSNBC reporter Daniela-Pierre Bravo spent many years undocumented and in the shadows as an immigrant from Chile, working odd jobs to pay her way through school. Like many other women of color, immigrants, and children of immigrants she became an expert shape shifter in order to chameleon her way around professional environments that felt out of reach. When Daniela became a DACA recipient, she finally felt that she'd made it, rising through the ranks in her career. But she quickly realized that no matter how much success she achieved, she always felt she had to prove her worth as "the other."In The Other, Daniela shares her journey and those of other women to help you recognize your power through your own eyes instead of the traditional white gaze in the workplace. She drives you to reshape the way you think about career advancement without losing your sense of identity and how to use your differences as an advantage. Smart, revealing, and loaded with practical steps, The Other is a framework for how to effectively advocate for yourself, become your biggest believer, claim the spaces in your career that are rightfully yours, and create your own vision of success.

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From 1992 to 2004, Dia Art Foundation presented the Robert Lehman Lectures on Contemporary Art, in which a distinguished array of scholars, critics and cultural historians engaged in cross-disciplinary critical discourse around Dia's exhibition program. The lectures were subsequently collected into a related series of publications, providing a valuable record and extending the debate on contemporary artistic practice and theory. This fifth and final volume focuses on analyses of the work of internationally recognized artists Jo Baer, Pierre Huyghe, Vera Lutter, Gerhard Richter, Rosemarie Trockel and Robert Whitman.

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Marie Curie coined the term 'radioactivity', and it is to her and her husband, Pierre Curie, that we owe much of our current understanding of the very fabric of reality. Born in Warsaw, Marie was the fifth and youngest child of teachers. Her father taught mathematics and science, for which she showed an early affinity, and she later went to study in Paris, where she met Pierre. The work they did together revolutionized modern science. As well as discovering the atomic rather than chemical nature of radioactivity, the Curies isolated two new elements: polonium and radium. This biography does full justice to the scientific and human aspects of Marie's life, detailing her tumultuous personal history at a time of social upheaval, and her struggle to gain recognition in an era when female scientists were almost unknown. Marie Curie died in 1934, succumbing to aplastic anaemia that may have stemmed from her scientific investigations. Her work not only contributed to our understanding of the structure of the atom - and therefore the structure of the physical world itself - but also laid the foundations for modern medical innovations such as radiotherapy. Her example continues to inspire millions of people across the world.

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In 1986, Pierre Mazairac and Karel Boonzaaijer design ''Vision'', starting from the philosophy of creating a cabinet as an element of architectural composition. Due to its incredible flexibility, versatility and very modest design, ''Vision'' has been very successful for the Dutch manufacturer Pastoe. Twenty-five years later, its compositional scope is still limitless; from a three-dimensional relief design to a graphical lattice of lines and surfaces, from a series of sideboards to an architectural landscape of volumes. The book Vision: Space for Imagination tells the story of this young classic.Text in English & Dutch

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A classic collection of essay by Jacques Ranciere, that focuses on the ways in which radical philosophers understand the people they profess to speak for. The Intellectual and His People engages in an incisive and original way with current political and cultural issues, including the "discovery" of totalitarianism by the "new philosophers," the relationship of Sartre and Foucault to popular struggles, nostalgia for the ebbing world of the factory, the slippage of the artistic avant-garde into defending corporate privilege, and the ambiguous sociological critique of Pierre Bourdieu. As ever, Rancière challenges all patterns of thought in which one-time radicalism has become empty convention.

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Freely adapted from the work of Marcel Allain and Pierre Souvestre, with a plot worthy of the best black novels, Rocheleau plunges the reader into the Paris of the 1910s and provokes terror and fascination by resuscitating Fantomas, the evil character with a hundred faces ... Fantomas is the first superhero in history. All masked men and women who grace the pages of American comics and movie screens are his illegitimate children. The blood of Fantomas flows in the veins of each of them.

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Since its publication in 1969, emile Benveniste's Vocabulaire here in a new translation as the Dictionary of Indo-European Concepts and Society has been the classic reference for tracing the institutional and conceptual genealogy of the sociocultural worlds of gifts, contracts, sacrifice, hospitality, authority, freedom, ancient economy, and kinship. A comprehensive and comparative history of words with analyses of their underlying neglected genealogies and structures of signification and this via a masterful journey through Germanic, Romance, Indo-Iranian, Latin, and Greek languages Benveniste's dictionary is a must-read for anthropologists, linguists, literary theorists, classicists, and philosophers alike. This book has famously inspired a wealth of thinkers, including Roland Barthes, Claude Levi-Strauss, Pierre Bourdieu, Jacques Derrida, Umberto Eco, Giorgio Agamben, Fran ois Jullien, and many others. In this new volume, Benveniste's masterpiece on the study of language and society finds new life for a new generation of scholars. As political fictions continue to separate and reify differences between European, Middle Eastern, and South Asian societies, Benveniste reminds us just how historically deep their interconnections are and that understanding the way our institutions are evoked through the words that describe them is more necessary than ever.

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This third volume in the Frick Diptych series offers fresh insight into a pair of candelabra that represent the pinnacle of luxury and taste in the years prior to the French Revolution. Vignon tells the fascinating story of these objects that are made of two small white vases with extraordinary gilt-bronze mounts by Pierre Gouthière, the celebrated eighteenth-century French chaser and gilder. Vignon's essay is paired with a text by De Waal in which he examines what it is to make, own, and desire such complex objects

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Scholars who investigate race—a label based upon real or perceived physical differences—realize that they face a formidable task. The concept has been contested and condoned, debated and denied throughout modern history. Presented with the full understanding of the complexity of the issue, Race and Practice in Archaeological Interpretation concentrates on the archaeological analysis of race and how race is determined in the archaeological record. Most archaeologists, even those dealing with recent history, have usually avoided the subject of race, yet Charles E. Orser, Jr., contends that its study and its implications are extremely important for the science of archaeology. Drawing upon his considerable experience as an archaeologist, and using a combination of practice theory as interpreted by Pierre Bourdieu and spatial theory as presented by Henri Lefebvre, Orser argues for an explicit archaeology of race and its interpretation. The author reviews past archaeological usages of race, including a case study from early nineteenth-century Ireland, and explores the way race was used to form ideas about the Mound Builders, the Celts, and Atlantis. He concludes with a proposal that historical archaeology—cast as modern-world archaeology—should take the lead in the archaeological analysis of race because its purview is the recent past, that period during which our conceptions of race developed.

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Philosoph, politischer Intellektueller und Kultursoziologe. Das Werk Pierre Bourdieus ist umfangreich und vielseitig. Das Handbuch erschließt die Quellen und Bezugspunkte und erläutert die wesentlichen Begriffe, Schriften und Rezeptionszusammenhänge. Die Bourdieuschen Begriffe (z.B. Habitus , Distinktionsgewinn oder symbolisches Kapital ) wurden innerhalb verschiedenster Wissenschaften angewandt. Ihre Analyse schärft den Blick für unterschiedliche Interpretationsmöglichkeiten seines Gesamtwerks.

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Throughout history, the relationship between landscape and architecture has formed the basis of culture and the development of human settlements. The unfolding of a site, its transformation through the construction of buildings or of entire cities, translates into this basic idea: that history extends geography. In recent decades, generic architecture has increasingly homogenized the appearance of different territories, resulting in a profoundly different understanding of nature and landscape. Within his work, french architect and urban planner Jean-Pierre Pranlas-Descours continuously articulates the relationship between landscape and architecture. This book traces his line of thought by reflecting on 16 projects and their specific conditions.

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This monograph studies multi-member households or, more generally, socio-economic groups from a purely theoretical perspective and within a general equilibrium framework, in contrast to a sizeable empirical literature. The approach is based on the belief that households, their composition, decisions and behavior within a competitive market economy deserve thorough examination. The authors set out to link the formation, composition, decision-making, and stability of households. They develop general equilibrium models of pure exchange economies in which households can have several, typically heterogeneous members and act as collective decision-making units on the one hand and as competitive market participants on the other hand. Moreover, the more advanced models combine traditional exchange (markets for commodities) and matching (markets for people or partners) and develop implications for welfare, social structures, and economic policy.In the field of family economics, Hans Haller and Hans Gersbach have pioneered a ‘market’ approach that applies the tools of general equilibrium theory to the analysis of household behavior. This very interesting book presents an overview of their methods and results. This is an inspiring work. Pierre-André Chiappori, Columbia University, USAThe sophisticated, insightful and challenging analysis presented in this book extends the theory of the multi-person household along an important but relatively neglected dimension, that of general equilibrium theory. It also challenges GE theorists themselves to follow Paul Samuelson in taking seriously the real attributes of that fundamental building block, the household, as a social group whose decisions may not satisfy the standard axioms of individual choice. This synthesis and extension of their earlier work by Gersbach and Haller will prove to be a seminal contribution in its field. Ray Rees, LMU Munich, Germany

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Writing involves risks—the risk that one will be misunderstood, the risk of being persecuted, the risks of being made a champion for causes in which one does not believe, this risk of inadvertently supporting a reader’s prejudices, to name a few. In trying to give expression to what is true, the writer must “clear a passage within the agitated world of passions,” an undertaking that always to some extent fails: writers are never the master of their own speech. In Writing: The Political Test, France’s leading political philosopher, Claude Lefort, illuminates the process by which writers negotiate difficult path to free themselves from the ideological and contextual traps that would doom their attempts to articulate a new vision. Lefort examines writers whose works provide special insights into this problem of risk, both literary artists and political philosophers. Among them are Salman Rushdie, Sade, Tocqueville,m Machiavelli, Leo Strauss, Orwell, Kant, Robespierre, Guizot, and Pierre Clastres. In Tocqueville, for example, Lefort finds that the author’s improvisatory and open-ended expression represents the character of the democratic experience. Orwell’s work on totalitarianism shows up the totalitarian subject’s complicity in this political regime. And Rushdie is remarkable for his solid attack on relativism. With the character and fate of the political forms of modernity, democracy, and totalitarianism a central theme, Lefort concludes with some reflections on the collapse of the Soviet Union.This intriguing and accessible exploration of literature’s political aspects and political philosophy’s literary ones will be welcomed by those who have been stymied by current efforts to bridge these two fields. Taken together, the essays in this volume also stand as an intellectual autobiography of Lefort, making it an excellent introduction to his work for less experience students of political theory or philosophy.

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Yoshua Okon (Mexico 1970) is a Mexican artist. He is founder of the art spaces La Panadería, which ran from 1994 to 2002 and SOMA, both in the Mexican capital. Okon’s work is in the collection of Museum like the Tate Modern in London, Hammer Museum in Los Angeles, LACMA in Los Angeles, Jumex in Mexico City or Collection Pierre Huber in Switzerland to mention a few. Collateral tracks the politically-engaged video, installation, sculptural and photographic work of Yoshua Okón. Collateral takes on convergences and casualties in the neoliberal economy, offering an archeology of the ruins and damages of global systems of exchange.

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Of all the great cycling champions, Jacques Anquetil - the first man to win the Tour de France five times - remains the most mysterious. A prodigy, he burst upon the racing scene at the age of 18, defeating the world's best in the Grand Prix des Nations. From that moment on, insists Pierre Chany, 'he no longer belonged to himself'. Yet, perhaps more than any of cycling's legends, he managed to protect his private life from public gaze. Outwardly confident, and yet profoundly shy; rational and calculating, and yet superstitious and haunted by fear of death, Anquetil was an enigma. He defied the conventional picture of a racing cyclist: elegant on or off the bicycle, winning seemed to come too effortlessly; and he was too fond of the good life that his successes enabled him to enjoy. The French public did not really know what to make of him. 'His courage defied imagination, but nobody noticed because his style was so perfect,' said his manager, Raphael Geminiani. His domination of the 1961 Tour de France, which he led from first day to last, earned him the title 'Master Jacques', but was greeted by boos and whistles. It was only as he neared retirement that Anquetil finally received the acclaim his achievements deserved. In this, the first full-length English book about Jacques Anquetil, Richard Yates explores the enigma of this great French rider. Richard Yates is an English cycling historian who has lived for many years in France; he is the author of several books about French cycling.

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How two teenage girls in Minnesota jump-started a revolution in high school athletics Peggy Brenden, a senior, played tennis. Toni St. Pierre, a junior, was a cross country runner and skier. All these two talented teenagers wanted was a chance to compete on their high school sports teams. But in Minnesota in 1972 the only way on the field with the boys ran through a federal court—so that was where the girls went. Break Point tells the story, for the first time, of how two teenagers took on the unequal system of high school athletics, setting a legal precedent for schools nationwide before the passage of Title IX.As Peggy’s younger sister, author Sheri Brenden is uniquely positioned to convey the human drama of the case, the stakes, and the consequences for two young women facing the legal machinery of the state, in court and in school. In an account that begins with Peggy painstakingly typing her appeal to the Minnesota Civil Liberties Union and concludes with a long view of what Brenden v. Independent School District 742 set in motion, Sheri Brenden summons the salient details of this landmark case as it makes its way through the courts. Peggy and Toni, coaches, administrators, and experts testify before Judge Miles Lord, whose decision, upheld in a precedent-setting appeal, would change these girls’ lives and open up athletic opportunities for innumerable others.Grounded in newspaper coverage, court records, and interviews, Brenden’s deeply researched, scrupulously reported book is at heart the story of two talented teenage girls whose pluck and determination—and, often, heartache—led to a victory much greater than any high school championship.

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