Search results for ""Author Pierre"

What do you cook for the people you love? Asked this question, 100 of Britain's food heroes have shared their most beloved recipes to make this extraordinary cookbook. Nigella Lawson divulges how to bake her Chocolate Guinness Cake, and Rick Stein fries up Shrimp & Dill Fritters with Ouzo. Yotam Ottolenghi would serve Pea & Mint Croquettes and for Jamie Oliver, an unrivalled Fantastic Fish Pie. These are just a few of the incredible recipes provided by the best and brightest on the British food scene, including chefs such as Raymond Blanc, Gordon Ramsay, Delia Smith, James Martin, Nigel Slater, Thomasina Miers, Mark Hix, Jason Atherton, Marco Pierre White, Claudia Roden and more. Compiled by award-winning food editor and author William Sitwell, The Really Quite Good British Cookbook is keenly anticipated and a stunning object in its own right. Ultimately it is a celebration of the breadth, creativity and richness of Britain's unique food culture.

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Action thriller by the classic adventure writer set in the islands of the Caribbean. Ferocious Hurricane Mabel is predicted to pass harmlessly amongst the islands of the Caribbean. But David Wyatt has developed a sixth sense about hurricanes. He is convinced that Mabel will change course to strike the island of San Fernandez and its capital, St Pierre. But nobody believes him, and the hurricane is only one of the problems that threaten San Fernandez…

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The highly anticipated lightweight championship fight continues! Will Jean Pierre keep his belt, or will Yu win his first world title? Meanwhile, watching this all unfold is Yu’s old schoolmate, Injae, who was inspired to start boxing professionally himself. Injae’s got the spirit and resolve, but does he have the prowess to win his debut match?!

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Challenged by his friend, poet and art critic Max Jacob, to write a novel, Pierre Reverdy produced this fragmented, beautiful assemblage of loneliness, paranoia and depersonalization drawn from his own experience of Paris in the early 20th century, the sometimes antagonistic atmosphere of the avant-garde and his own troubled relationship with Jacob, who tended to detect the threat of his literary treasures being plagiarized among everyone he knew. Toward the end of his life, Reverdy confirmed that the alienated, anxious “thief” of this novel in verse was a portrait of himself (“Talant” conveys both the dual echo in French of “talent” and the small town of Talan near Dijon, thereby evoking a potential plagiarizer from the countryside), and “Abel the Magus,” a semi-satirical portrait of Jacob. Originally published in French in 1917, The Thief of Talant is a radical experiment in verse and narrative, a moving evocation of the loss (and recovery) of self and an encrypted guidebook to the “heroic” years of Cubism. Pierre Reverdy (1889–1960) was a reclusive yet integral component of the early Parisian avant-garde and a friend to painters such as Modigliani, Picasso and Gris, who, with fellow poets such as Apollinaire and Jacob, came to represent a faction known as the “Cubist poets.” In 1926, Reverdy withdrew from Paris for a life of seclusion in the northwest of France.

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What is the meaning of blackness in Africa? While much has been written on Africa's complex ethnic and tribal relationships, Jemima Pierre's groundbreaking "The Predicament of Blackness" is the first book to tackle the question of race in West Africa through its postcolonial manifestations. Challenging the view of the African continent as a nonracialized space - as a fixed historic source for the African diaspora - she envisions Africa, and in particular the nation of Ghana, as a place whose local relationships are deeply informed by global structures of race, economics, and politics. Against the backdrop of Ghana's history as a major port in the transatlantic slave trade and the subsequent and disruptive forces of colonialism and postcolonialism, Pierre examines key facets of contemporary Ghanaian society, from the pervasive significance of "whiteness" to the practice of chemical skin-bleaching to the government's active promotion of Pan-African "heritage tourism." Drawing these and other examples together, she shows that race and racism have not only persisted in Ghana after colonialism, but also that the beliefs and practices of this modern society all occur within a global racial hierarchy. In doing so, she provides a powerful articulation of race on the continent and a new way of understanding contemporary Africa - and the modern African diaspora.

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When civilizations first encounter each other a cascade of change is triggered that both challenges and reinforces the identities of all parties. Making Contact revisits key encounters between cultures in the medieval and early modern world-Europe and Africa, the multiple ethnicities of greater Poland, Christians and Jews, Jesuits and Japanese, Elizabethans vs. aboriginals and vagrants, English and Algonquians, Pierre Radisson and the Iroquois, and the Spaniards in America.

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This wide-ranging collection makes available to specialists and nonspecialists alike important critical work on the Odyssey produced during the last half century. The ten essays address five major concerns: the poem's programmatic representation of social and religious institutions and values; its transformation of folktales and traditional stories into epic adventures; its representation of gender roles and, in particular, of Penelope; its narrative strategies and form; and its relation to the Iliad, especially to that epic's distinctive conception of heroism. In the introduction, Seth L. Schein describes the poetic background to the work and suggests a variety of interpretive approaches, some of which are developed in the essays that follow. These essays include previously published work by Jean-Pierre Vernant, Pierre Vidal-Naquet, Pietro Pucci, and Charles P. Segal. There also are a new essay by Laura M. Slatkin, two revised and expanded ones by Nancy Felson-Rubin and Michael N. Nagler, and three appearing in English for the first time by Uvo Hlscher, Karl Reinhardt, and Vernant. The result is a collection that juxtaposes older, often hard-to-find articles with significant newer pieces in a way that allows for a fruitful dialogue among them.

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Exploring the genesis of neoliberalism, and the political and economic circumstances of its deployment, Pierre Dardot and Christian Laval dispel numerous common misconceptions. Neoliberalism is neither a return to classical liberalism nor the restoration of "pure" capitalism. To misinterpret neoliberalism is to fail to understand what is new about it: far from viewing the market as a natural given that limits state action, neoliberalism seeks to construct the market and use it as a model for governments. Only once this is grasped will its opponents be able to meet the unprecedented political and intellectual challenge it poses.

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The Treatise on Musical Objects is regarded as Pierre Schaeffer's most important work on music and its relationship with technology. Schaeffer expands his earlier research in musique concrete to suggest a methodology of working with sounds based on his experiences in radio broadcasting and the recording studio. Drawing on acoustics, physics, and physiology, but also on philosophy and the relationship between subject and object, Schaeffer's essay summarizes his theoretical and practical work in music composition. Translators Christine North and John Dack present an important book in the history of ideas in Europe that will resonate far beyond electroacoustic music.

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In a country or community fractured by war and mass violence, who is to determine "justice" and how it should be achieved? Truth commissions, international courts, and financial restitution are some of the various solutions that have been used in recent years. However, these broad efforts at transitional justice may themselves backfire, and sometimes lead to further injustice. Given its own limitations and battered by political pressure from all sides, transitional justice is an imperfect solution. Yet as Pierre Hazan contends in his new book, it constitutes our best hope for liberation from a cycle of violence begetting vengeance and more violence. Judging War, Judging History takes a hard look at the growing use and influence of truth and reconciliation commissions and the increasing importance of transitional justice in contemporary conflict resolution. From the Nuremberg Trials to current-day conflicts in South Africa, Morocco, and Uganda, Pierre Hazan reveals the extent to which the approaches intended to commemorate events and mend societies after acts of war and violence ultimately intensify the huge task of dealing with victims' claims for recognition. This compelling book uncovers the tensions created by these new reconciliation policies and shows how changing ideas about and approaches to justice influence not only our understanding of the past, but also our contemporary social and political choices.

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In this volume, leading scholars assess the contribution of four major U.S. literary figures to the afterlife and reception of Shakespeare and his plays. Focusing on Emerson (in his essays), Melville (in Moby Dick and Pierre), James (in his short stories, prefaces and criticism) and Berryman (in his poetry and editing of Shakespeare), each essay assesses the double impact of Shakespeare on the figure covered and of the figure on the understanding, interpretation and appreciation of Shakespeare.

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From Renoir to Monet to Gauguin – French Impressionism was not only appreciated by Western collectors at the beginning of the 20th century – it also found an early following in Japan. In 2022, on the occasion of its 100th anniversary, the Museum Folkwang will show its outstanding post-impressionist collection founded by Karl Ernst Osthaus (1874–1921). The museum collection will be supplemented by Impressionist highlights from the Kojiro Matsukata Collection (1865–1950), which laid the foundation for the National Museum of Western Art in Tokyo. This is the first time this collection will be presented comprehensively outside Japan since the 1950s. The catalog features a unique compilation of about 120 works and introduces two important collectors. Transnational collection history is combined with modern masterpieces. Featuring paintings, drawings and sculptures by Paul Cézanne, Paul Gauguin, Édouard Manet, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir and Auguste Rodin, among others, as well as a new installation by Tabaimo and Chiharu Shiota and a selection of East Asian works from the former holdings of Matsukata and Osthaus. Accompanied by a short story by Japanese bestselling author Sayaka Murata.

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Drama Classics: The World's Great Plays at a Great Little Price The best known play by one of the most performed French playwrights - a sparkling 18th-century comedy of manners based on the simplest of plot devices, the exchanging places of master and valet, mistress and maidservant. This edition of Pierre Marivaux's play The Game of Love and Chance, in an English translation by Stephen Mulrine, is in the Nick Hern Books Drama Classics series. It includes an introduction by Stephen Mulrine.

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CONTENTS:Preface by Anders Ahlqvist & Pamela O'NeillThe Drinking of Blood in the Ritual Context of Mourning by Alexandra Bergholm'Saint Patrick's Oath' by Liam BreatnachLiterary History and the Medieval Canon in Wales by Helen FultonSome Eighteenth-century Developments in Scottish Gaelic Poetry by William GilliesCausation in Medieval Irish Law by Jade HarmanThe Connection Between Fenian Lays, Liturgical Chant, Recitative, and Dán Díreach: a Pre-Medieval Narrative Song Tradition by Aindrias HirtThe Place of Women in Early Irish Society, with Special Reference to the Law of Marriage by Fergus KellyLost & Found - Reinstating Playwright Edward Geoghegan (1813-1869) and his Most Controversial Play, The Hibernian Father (1844) by Gay Lynch & Janet TepelosiReading with Rhydderch: Mabinogion Texts in Manuscript Context by Catherine McKennaIs there Vowel Harmony in Irish and Scottish Gaelic? by Malachy McKennaCáin Adomnáin and the Lombards by Neil McLeod Sifting the Wreckage of Gaelic Culture in Victoria by Val NooneLanguage Resilience and Self-Esteem by Pierre Noyer Conchobor and His Court at Emain by Tomás Ó CathasaighUnravelling Time in Early Irish Law by Pamela O'NeillExile and Authority in Lebor Gabála Érenn by Veronica PhillipsThe Early Welsh Harp Music of the Robert ap Huw Manuscript by Chris RidgwayBizarre, Grotesque and Macabre: Gender and Humour in Early Irish Hagiography by Celia ScottFrom Repeal to Revolution: The Evolution of John Mitchel's Political Thought 1843-48 by Andrew Shields

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Crossing decades and continents, SPARKLES is the totally compelling story of the Massot family. Fabulously wealthy, internationally adored, the Massots own one of the last great aristocratic jewellery firms in Paris. But where is its owner Pierre, missing presumed dead for 15 years? And what will happen to his beautiful young widow Sophie? The answers lie rooted in the past and form part of the future - in a way no-one could ever have guessed...

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This book provides a comprehensive and integrated introduction to the major debates and schools of thought in social theory today. Some thirty different selections cover the period from the turn of the century up to the present. Classical social thought is well represented: Marx and Weber, Simmel, Mead and the Frankfurt School are among those included in this volume. The main emphasis of the text, however, is upon current social theory, its main lines of orientation, and the dominant areas of controversy and advance. Problems of method and epistemology are given some prominence; however, most of the contributions are substantive in character and are concerned with the theoretical interpretation of modern social institutions. The authors represented, or discussed, in the volume include all of the most prominent figures in current social theory - for instance, Zygmunt Bauman, Nancy Chodorow, Pierre Bourdieu, Michel Foucault, Harold Garfinkel, Anthony Giddens, Jürgen Habermas, Agnes Heller, Richard Rorty and H. G. Gadamer. Each section of the volume is preceded by an introduction which summarizes the articles that it contains. The result is a source book which is invaluable for anyone interested in the development of social theory today.

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This book examines the nature of unmasking in social theory, in revolutionary movements and in popular culture. Unmasking is not the same as scientific refutation or principled disagreement. When people unmask, they claim to rip off a disguise, revealing the true beneath the feigned. The author distinguishes two basic types of unmasking. The first, aimed at persons or groups, exposes hypocrisy and enmity, and is a staple of revolutionary movements. The second, aimed at ideas, exposes illusions and ideologies, and is characteristic of radical social theory since the eighteenth-century Enlightenment. The Unmasking Style in Social Theory charts the intellectual origins of unmasking, its shifting priorities, and its specific techniques in social theory. It also explores sociology’s relationship to the concept of unmasking through an analysis of writers who embrace, adapt or reshape its meaning. Such sociologists include Vilfredo Pareto, Karl Mannheim, Raymond Aron, Peter Berger, Pierre Bourdieu, Luc Boltanski and Christian Smith. Finally, taking conspiracy theories, accusations of social phobia and new concepts such as micro-aggression as examples of unmasking techniques, the author shows how unmasking contributes to the polarization and bitterness of much public discussion. Demonstrating how unmasking is baked into modern culture, yet arguing that alternatives to it are still possible, this book is, in sum, a compelling study of unmasking and its impact upon modern political life and social theory.

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Through close readings of select stories and novels by well-known writers from different literary traditions, Fictional Translators invites readers to rethink the main clichés associated with translations. Rosemary Arrojo shines a light on the transformative character of the translator’s role and the relationships that can be established between originals and their reproductions, building her arguments on the basis of texts such as the following: Cortázar’s "Letter to a Young Lady in Paris" Walsh’s "Footnote" Wilde’s The Picture of Dorian Gray and Poe’s "The Oval Portrait" Borges’s "Pierre Menard, Author of the Quixote," "Funes, His Memory," and "Death and the Compass" Kafka’s "The Burrow" and Kosztolányi’s Kornél Esti Saramago’s The History of the Siege of Lisbon and Babel’s "Guy de Maupassant" Scliar’s "Footnotes" and Calvino’s If on a Winter’s Night a Traveler Cervantes’s Don Quixote Fictional Translators provides stimulating material for reflection not only on the processes associated with translation as an activity that inevitably transforms meaning, but, also, on the common prejudices that have underestimated its productive role in the shaping of identities. This book is key reading for students and researchers of literary translation, comparative literature and translation theory.

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An architectural couple with contrasting roots, Graeme Mann from Scotland and Patricia Capua Mann from Italy founded their office in Lausanne in 1990. Since then they have produced a remarkable oeuvre. All of their buildings are developed with consideration and care: for instance, the large multipurpose sports and community hall in Villaz-St-Pierre, which is anchored into the topography, or the striking structure of a secondary school in Gland.

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'Tremendous. A moving and haunting tribute to the human spirit' WILLIAM BOYDInto the heart of a genocide that left a million people dead6 April 1994: In the skies above Rwanda the president’s plane is shot down in flames. Near Kigali, Jean-Pierre holds his family close, fearing for their lives as the violence escalates. In the chapel of a hillside village, missionary priest Vjeko Curic prepares to save thousands of livesThe mass slaughter that follows – friends against friends, neighbours against neighbours - is one of the bloodiest chapters in historyTwenty years on, BBC Newsnight producer David Belton, one of the first journalists into Rwanda, tells of the horrors he experienced at first-hand. Now following the threads of Jean-Pierre and Vjeko Curic’s stories, he revisits a country still marked with blood, in search of those who survived and the legacy of those who did not. This is David Belton's quest for the limits of bravery and forgiveness.

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'If life could write, it would write like Tolstoy.' Isaac Babel Tolstoy's epic masterpiece intertwines the lives of private and public individuals during the time of the Napoleonic wars and the French invasion of Russia. The fortunes of the Rostovs and the Bolkonskys, of Pierre, Natasha, and Andrei, are intimately connected with the national history that is played out in parallel with their lives. Balls and soirées alternate with councils of war and the machinations of statesmen and generals, scenes of violent battles with everyday human passions in a work whose extraordinary imaginative power has never been surpassed. The prodigious cast of characters, both great and small, seem to act and move as if connected by threads of destiny as the novel relentlessly questions ideas of free will, fate, and providence. Yet Tolstoy's portrayal of marital relations and scenes of domesticity is as truthful and poignant as the grand themes that underlie them. In this revised and updated version of the definitive and highly acclaimed Maude translation, Tolstoy's genius and the power of his prose are made newly available to the contemporary reader. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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In Guarded Words Eric de Bellaigue has attempted to answer questions inspired by his reading of Isaac D'Israeli's short essay 'Imprisonment of Learned', from that author's Curiosities of Literature. He asks: 'Can prison writing lay claim to a distinctive chapter in histories of literature? Is there a thread linking prisoners' output across the centuries? Can confinement provide the ideal environment for literary creativity? Is there common ground among the subjects treated? Alternatively, does diversity ride rough-shod over the shared experiences of imprisonment?' The author's Preface explains the self-imposed restrictions that have determined his choice of writers and how the sequence of chapters has largely been governed by geography and chronology. The main sections of the book are: Incarceration in England; Incarceration in France; Incarceration in Russia; Convicted Murderers. Texts need to have been composed within the prisons themselves, and memoirs written after release have been excluded. With three exceptions the writings are in English or French with the year 1500 as a starting point. The writers who make their appearance here are a mixed bag. Where common ground is apparent it is at the personal level, notably in the causes of imprisonment which include: * For religious views: John Bunyan; Clement Marot; Anne Askew; Thomas More; John Hart. * For reasons of State: Walter Ralegh; William Prynne; Antoine Lavoisier; Madame Roland; Andre Chenier; Jean-Antoine Roucher; the Earl of Surrey; Charles I ; Richard Lovelace. * As victims of civil action: William Combe; Theodore von Neuhoff, King of Corsica; Mirabeau; Voltaire. * For Murder: Pierre Francois Lacenaire; William Chester Minor. * For dissidence in Russia: Alexander Solzhenitsyn; Lev Mishchenko ; Irina Ratushinskaya. An appendix, 'Snapshots of Prison Writing', provides short notes about each writer. There are also textual notes, a bibliography and an index. Illustrations: approximately 30 b&w illustrations of writers and the places where they were incarcerated.

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Ancient metaphysics and contemporary continental realism have a key goal in common: to investigate how beings exists outside of the descriptions placed on them by language, consciousness, texts and society.This volume addresses the encounters between contemporary and antique philosophies, from Plato, Aristotle and Lucretius to Deieuze, Agamben and Badiou. Alongside these essays are three original and previously unpublished translations of texts by Gilles Deieuze, Pierre Aubenque and Barbara Cassin.

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Democracy Past and Future is the first English-language collection of Pierre Rosanvallon's most important essays on the historical origins, contemporary difficulties, and future prospects of democratic life. One of Europe's leading political thinkers, Rosanvallon proposes in these essays new readings of the history, aims, and possibilities of democratic theory and practice, and provides unique theoretical understandings of key moments in democracy's trajectory, from the French Revolution and the struggles for universal suffrage to European unification and the crises of the present. In so doing, he lays out an influential new theory of how to write the history of politics. Rosanvallon's historical and philosophical approach examines the "pathologies" that have curtailed democracy's potential and challenges the antitotalitarian liberalism that has dominated recent political thought. All in all, he adroitly combines historical and theoretical analysis with an insistence on the need for a new form of democracy. Above all, he asks what democracy means when the people rule but are nowhere to be found. Throughout his career, Rosanvallon has resisted simple categorization. Rosanvallon was originally known as a primary theorist of the "second left", which hoped to stake out a non-Marxist progressive alternative to the irresistible appeal of revolutionary politics. In fact, Rosanvallon revived the theory of "civil society" even before its usage by East European dissidents made it globally popular as a non-statist politics of freedom and pluralism. His ideas have been shaped by a variety of influences, ranging from his work with an influential French union to his teachers Francois Furet and Claude Lefort. Well known throughout Europe as a historian, political theorist, social critic, and public intellectual, Pierre Rosanvallon was recently elected to a professorship at the College de France, Paris, a position held at various times by Claude Levi-Strauss, Michel Foucault, and Pierre Bourdieu. Democracy Past and Future begins with Rosanvallon's groundbreaking and synthetic lecture that he delivered upon joining this institution. Throughout the volume, Rosanvallon illuminates and invigorates contemporary political and democratic thought.

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The authors of all manuscripts in this monograph were specifically invited for papers that would provide new insights into the complex nature of maritime networks, particularly the importance of the seas and coastlines, whether for purposes of defense, trade, prestige, or technological advance. Because seafaring has been such a critical aspect of Egyptian life throughout its history, it is fitting that the works in JAEI 5:1 span from the Predynastic through the Classical periods. While all three of the primary bodies of water in the Egyptian world are covered (the Nile River, the Mediterranean, and the Red Sea), readers will notice an emphasis on the Nile Delta region. The work carries research articles by John Tristan Barnes, University of Missouri; Jeffrey P. Emanuel, Harvard University; Samuel Mark, Texas A&M University at Galveston; and Gregory Mumford, University of Alabama at Birmingham. It also features extended research reports from David Fabre and Franck Goddio, Institut Européen d'Archéologie Sous-Marine; Pierre Tallet, Université Paris-Sorbonne; and Sakuji Yoshimura and Hiromasa Kurokochi, Waseda University and NPO Institute of the Solar Boat. Finally, three recently published books and monographs are reviewed by Steven Sidebotham, University of Delaware; Chiara Zazzaro, University of Naples "L'Orientale"; and the JAEI Staff. All manuscripts were submitted to the journal's standard process of double peer review, and JAEI is grateful to the reviewers who volunteered their time and expertise.

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Globalization raises important questions about the governing capacity of domestic institutions. In Globalization and Governance, Jon Pierre studies the impact of international norms and prescriptions on domestic governance in Japan, Sweden and the United States.The empirical analysis is focused on economic governance, administrative reform and intergovernmental relationships. Drawing on survey data, documents and interviews, the analysis finds that domestic institutions still intrinsically shape domestic governance. International norms towards deregulation and market-based administrative reform confront domestic institutions with prescriptions for reform but the three countries provide only very few examples of unmitigated domestic implementation. What Jon Pierre calls 'the microfoundations of globalization'-the assessment, adoption or rejection of international norms and ideas in vogue-is a complex process where domestic institutions and path dependencies remain at the helm. The most important exception to this pattern is governance during financial crises where countries are dependent on conditioned support from transnational institutions.This insightful and informative book will appeal to researchers, academics, post-graduate, as well as undergraduate, students in governance, political economy and international relations.Contents: 1. Globalization and the State 2. Globalization and Domestic Governance 3. Still Governing the Economy? Economic Governance 4. Cities and Regions in a Globalized World: Inter-Governmental Relationships 5. Modernizing the State: Administrative Reform 6. Conclusions: Domestic Governance in a Globalizing World References Index

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Globalization raises important questions about the governing capacity of domestic institutions. In Globalization and Governance, Jon Pierre studies the impact of international norms and prescriptions on domestic governance in Japan, Sweden and the United States.The empirical analysis is focused on economic governance, administrative reform and intergovernmental relationships. Drawing on survey data, documents and interviews, the analysis finds that domestic institutions still intrinsically shape domestic governance. International norms towards deregulation and market-based administrative reform confront domestic institutions with prescriptions for reform but the three countries provide only very few examples of unmitigated domestic implementation. What Jon Pierre calls 'the microfoundations of globalization'-the assessment, adoption or rejection of international norms and ideas in vogue-is a complex process where domestic institutions and path dependencies remain at the helm. The most important exception to this pattern is governance during financial crises where countries are dependent on conditioned support from transnational institutions.This insightful and informative book will appeal to researchers, academics, post-graduate, as well as undergraduate, students in governance, political economy and international relations.Contents: 1. Globalization and the State 2. Globalization and Domestic Governance 3. Still Governing the Economy? Economic Governance 4. Cities and Regions in a Globalized World: Inter-Governmental Relationships 5. Modernizing the State: Administrative Reform 6. Conclusions: Domestic Governance in a Globalizing World References Index

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A fascinating journey into Pierre Bonnard’s world and the inspiration behind his spatially arresting and intimate paintings Pierre Bonnard’s paintings are renowned for their unusual intimacy. Delving into the sensory realms of experience that fueled Bonnard’s practice—from the most public to the most private—this volume looks at the inspiration behind the artist’s work. Through the lens of more than 70 works, including many largely unknown examples from private collections in addition to celebrated paintings from museums around the world, scholarly essays transport the reader into Bonnard’s world and shed new light on the artist’s unique life circumstances. Governed neither by chronology nor geography, but by measures of intimacy, this study travels with Bonnard through the landscapes of Paris and Normandy, to the interior spaces of the artist’s dwellings, and deep into the artist’s thoughts. Distributed for the Kimbell Art Museum Exhibition Schedule: Kimbell Art Museum, Fort Worth, TX (November 5, 2023–January 28, 2024) The Phillips Collection, Washington, DC (March 2–June 2, 2024)

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Pierre Hermé is universally acknowledged as the king of French pastry with shops in Tokyo, Paris and London. He is the best, and has even been described as a couturier of pastry. This is a man at the top of his art and there is no question his macarons are in a league of its own. Macarons are the aristocrats of pastry; these brightly coloured, mini meringues, daintily sandwiched together with gooey fillings, have become a holy grail for cookery fanatics and there are even food blogs dedicated to them. Like Pierre Hermé’s famous macarons, it would be difficult for any macaron book to surpass this one and indeed the hardback edition has been a universal bestseller (still in print 978-1-908117-23-6). There are 208 pages of recipes and beautiful food photography, and because making macarons is mostly about technique, rather than just a standard recipe, readers will appreciate the 32-step-by-step photo-illustrated instructions for making shells and fillings. All the classics are here like dark chocolate, praline, coffee, and pistachio, but others feature the more unusual macarons that Hermé is justly famous for: Isfahan is one, with lychee, rose and raspberry, Arabesque with apricot and pistachio, Satine with passion fruit, orange and cream cheese, Mandarin and pink pepper, black truffles, balsamic vinegar as well as a bright-green macaron filled with fresh mint. Anyone interested in making macarons will find MACARONS the best book in print.

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Identity provides an essential resource of key statements drawn from cultural studies, sociology, and psychoanalytic theory, and includes three editorial essays, which place the readings in their theoretical and historical context. Divided into three parts: Language, Ideology and Discourse; Psychoanalysis and Psycho-Social Relations; and Identity, Sociology and History, this book invites readers to compare and contrast cultural studies approaches with psychoanalytic and historical and sociological accounts of identity formation. The Identity Reader will be an essential sourcebook for students of cultural studies, gender studies, social psychology, and sociology. The key statements are from the work of: Louis Althusser, Jessica Benjamin, Emile Benveniste, Homi K Bhabha, Pierre Bourdieu, Judith Butler, Ian Craib, Jacques D[ac]errida, Norbert Elias, Frantz Fanon, Michel Foucault, Anthony Giddens, Stuart Hall, Pierre Hadot, Melanie Klein, Jacques Lacan, Christopher Lasch, Isabel Menzies, Lyth, T H Marshall, Marcel Mauss, Am[gr]elie Okensberg Rorty, Jacqueline Rose, Nikolas Rose, Michael Rustin, Kaja Silverman, Max Weber, D W Winnicott

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A novel, practical introduction to functional analysis In the twenty years since the first edition of Applied Functional Analysis was published, there has been an explosion in the number of books on functional analysis. Yet none of these offers the unique perspective of this new edition. Jean-Pierre Aubin updates his popular reference on functional analysis with new insights and recent discoveries-adding three new chapters on set-valued analysis and convex analysis, viability kernels and capture basins, and first-order partial differential equations. He presents, for the first time at an introductory level, the extension of differential calculus in the framework of both the theory of distributions and set-valued analysis, and discusses their application for studying boundary-value problems for elliptic and parabolic partial differential equations and for systems of first-order partial differential equations. To keep the presentation concise and accessible, Jean-Pierre Aubin introduces functional analysis through the simple Hilbertian structure. He seamlessly blends pure mathematics with applied areas that illustrate the theory, incorporating a broad range of examples from numerical analysis, systems theory, calculus of variations, control and optimization theory, convex and nonsmooth analysis, and more. Finally, a summary of the essential theorems as well as exercises reinforcing key concepts are provided. Applied Functional Analysis, Second Edition is an excellent and timely resource for both pure and applied mathematicians.

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Yanick Lahens leads us into a breathless intrigue with her newest portrait of Haiti, Sweet Undoings. In Port-au-Prince, violence never consumes. It finds its counterpart in a "high-pitched sweetness", a sweetness that overwhelms Francis, a French journalist, one evening at the Corossol Restaurant-Bar, when the broken, rich voice of lounge singer Brune rises from the microphone. Brune's father, Judge Berthier, was assassinated, guilty of maintaining integrity in a city where everything is bought. Six months after this disappearance, Brune wholly refuses to come to terms with what happened. Her uncle Pierre, a gay man who spent his youth abroad to avoid persecution, refuses to give up on solving this unpunished crime. Alongside Brune and Pierre, Francis becomes acquainted with myriad other voices of Port-au-Prince, including Ézèchiel, a poet desperate to escape his miserable neighborhood; Waner, a diligent pacifist; and Ronny the American, at ease in Haiti as in a second homeland. Drawing its power from the bowels of the city, Sweet Undoings moves with a rapid, electric syncopation, gradually and tenderly revealing the richness of the lives within.

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The Castorland Journal is a diary, a travel narrative about early New York, a work of autobiography, and a narrative of a dramatic and complex period in American history. In 1792 Parisian businessmen and speculators established the New York Company, one of the most promising French attempts to speculate for American land following the American Revolution. The company's goal was to purchase and settle fertile land in northwestern New York and then resell it to European investors. In 1793, two of the company's representatives, Simon Desjardins and Pierre Pharoux, arrived in New York to begin settlement of a large tract of undeveloped land. The tract, which was named Castorland for its abundant beaver population ("castor" is the French word for beaver), was located in northwestern New York State, along the Black River and in present-day Lewis and Jefferson counties. John A. Gallucci's edition is the first modern scholarly translation of the account Desjardins and Pharoux wrote of their efforts in Castorland from 1793 to 1797. While the journal can be read as tragedy, it also has many pages of satire and irony. Its descriptions of nature and references to the romantic and the sublime belong to the spirit of eighteenth-century literature. The journal details encounters with Native Americans, the authors' process of surveying the Black River, their contacts with Philip Schuyler and Baron Steuben, their excursions to Philadelphia to confer with Thomas Jefferson, Desjardins' trip to New York City to engage the legal services of Alexander Hamilton or Aaron Burr, the planting of crops, and the frustrations of disease and natural obstacles. The Castorland Journal is historically significant because it is an especially rich account of land speculation in early America, the displacement of Native Americans, frontier life, and politics and diplomacy in the 1790s. The Cornell edition of the journal features Gallucci's introduction and explanatory footnotes, several appendixes, maps, and illustrations.

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The Treatise on Musical Objects is regarded as Pierre Schaeffer's most important work on music and its relationship with technology. Schaeffer expands his earlier research in musique concrete to suggest a methodology of working with sounds based on his experiences in radio broadcasting and the recording studio. Drawing on acoustics, physics, and physiology, but also on philosophy and the relationship between subject and object, Schaeffer's essay summarizes his theoretical and practical work in music composition. Translators Christine North and John Dack present an important book in the history of ideas in Europe that will resonate far beyond electroacoustic music.

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For fans of Ronda Rousey's My Fight Your Fight and John Kavanagh's Win or Learn comes the first book from UFC fighter and now analyst Dan Hardy, who lifts the lid on his own career and writes with insight and eloquence on all things MMA and UFC, the brutal and ever-evolving sport that launched such superstars as Conor McGregor, Michael Bisping, Georges St-Pierre, Nate Diaz and Amanda Nunes.Dan Hardy's first book is much more than a straightforward MMA autobiography. Taking the key fights from his career, Hardy explores the sport with the unparalleled insight that has made him the best analyst working today.From training in China with Shaolin monks, to how MMA helped him channel his rage, to psychedelics and the ceremony in Peru that changed his life, to tapping into his 'reptilian brain' and the psychological warfare of UFC, to his epic title fight with Georges St-Pierre.Hardy also speaks eloquently of the heart condition that forced him to stop fighting, the road to recovery, and the evolution of a sport that flies in the face of mainstream disapproval to entertain and thrill millions of obsessives around the globe.

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We think of the Enlightenment as an era dominated by ideas of progress, production, and industry--not an era that favored the lax and indolent individual. But was the Enlightenment only about the unceasing improvement of self and society? The Pursuit of Laziness examines moral, political, and economic treatises of the period, and reveals that crucial eighteenth-century texts did find value in idleness and nonproductivity. Fleshing out Enlightenment thinking in the works of Denis Diderot, Joseph Joubert, Pierre de Marivaux, Jean-Jacques Rousseau, and Jean-Simeon Chardin, this book explores idleness in all its guises, and illustrates that laziness existed, not as a vice of the wretched, but as an exemplar of modernity and a resistance to beliefs about virtue and utility. Whether in the dawdlings of Marivaux's journalist who delayed and procrastinated or in the subjects of Chardin's paintings who delighted in suspended, playful time, Pierre Saint-Amand shows how eighteenth-century works provided a strong argument for laziness. Rousseau abandoned his previous defense of labor to pursue reverie and botanical walks, Diderot emphasized a parasitic strategy of resisting work in order to liberate time, and Joubert's little-known posthumous Notebooks radically opposed the central philosophy of the Enlightenment in a quest to infinitely postpone work. Unsettling the stubborn view of the eighteenth century as an age of frenetic industriousness and labor, The Pursuit of Laziness plumbs the texts and images of the time and uncovers deliberate yearnings for slowness and recreation.

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The Detailed Notes are luxury notecards that feature a striking close-up of a great artwork on the front, and the entire artwork on the back. Each set is housed in a presentation-quality box. This set, The Trees of North America, reproduces details of four exquisite hand-coloured plates from François-André Michaux's classic North American Sylva, by such masters of botanical art as Pierre-Joseph Redouté and Pancrace Bessa.

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Taking the law of attraction to an entirely new level, Pierre Franckh reveals how human DNA has a direct effect on the physical world around us--an effect we can consciously focus to manifest our desires. Sharing groundbreaking experiments on the influence of DNA on photons and on the interactions between emotions and DNA, Franckh explains how our thoughts, emotions, and beliefs, whether positive or negative, build a field of resonance around us. Through this quantum field our DNA is continuously communicating our unique vibration to those around us and receiving their unique oscillations in return. By focusing our intentions and removing negativity from our beliefs about ourselves, our past, and our future, we can use our DNA to communicate our thoughts and desires to the universe. Through focused thoughts and intentions we draw the same resonant energy to us, thus bringing our intentions and desires into manifestation. The author shares success stories from the thousands who have taken his seminars and were then able to attract a soul mate, heal themselves or loved ones, or build wealth, sometimes remarkably quickly. He also describes how he discovered the law of resonance through his own self-healing from a degenerative spinal condition. Franckh provides practical exercises to remove inner and outer negative influences that could be blocking your desires, build a positive visualization of your goals, and increase the power of your field of resonance for quicker manifestation. In this inspiring guide to the law of resonance, the author shows how the power to manifest health, wealth, and happiness is within each of us, waiting to be unlocked within our DNA.

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Masculine domination is so deeply ingrained in our unconscious that we hardly perceive all of its dimensions. It is so much in line with our expectations that we struggle to call it fully into question. Pierre Bourdieu's ethnographic analysis of gender divisions in Kabyle society, as a living reservoir of the Mediterranean cultural tradition, provides a potent instrument for disclosing the symbolic structures of the androcentric unconscious which survives in the men and women of our own societies. Bourdieu analyses masculine domination as a paradigmatic form of symbolic violence - the kind of gentle, invisible, pervasive violence which is exercised through cognition and misrecognition, knowledge and sentiment, often with the unwitting consent of the dominated. To understand this form of domination we must analyse both its invariant features and the historical work of dehistoricization through which social institutions - family, school, church, state - eternalize the arbitrary at the root of men's power. This analysis leads directly to the political question: can we neutralize the mechanisms through which history is continuously turned into nature, thereby freeing the forces of change and accelerating the incipient transformations of the relations between the sexes? This new book by Pierre Bourdieu - which has been a bestseller in France - will be essential reading for students and scholars across the social sciences and humanities and for anyone concerned with questions of gender, sexuality and power.

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The Royal Museums of Fine Arts of Belgium has evolved from a single institution (founded by decree in 1801 by Napoleon Bonaparte) into a world class, multi-museum showcase for art in Belgium. Over the past century, they have actively acquired a superb collection of modern and contemporary paintings, sculptures, drawings, photographs, videos, and installations. Featured here are work by, among others, René Magritte, Max Ernst, Marc Chagall, Salvador Dalí, Francis Bacon, Henry Moore, Joseph Albers, Donald Judd, Lucio Fontana, Pierre Alechinsky, Marcel Broodthaers, and Luc Tuymans.

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Essays on Heidegger from notable thinkers of the 20th centuryThe work of Martin Heidegger significantly influenced philosophers in the 1900s. Heidegger: A Critical Reader is a collection of writings by those who studied his work, including Jean-Paul Sartre, Maurice Merleau-Ponty, Jurgen Habermas, Richard Rorty, and Pierre Bourdieu. It also features essays from modern philosophers who share their own examinations of and thoughts concerning Heidegger's approaches to the philosophy of language, mind, and action.

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Celebrating the ultimate masterpieces of modernist design, from the Arts and Crafts movement up to the twenty-first century, Total Design offers an intimate tour of houses conceived as complete works of art. Each of the spectacular houses making up Total Design demonstrates how an architect realized a unifying vision through all aspects of design architecture, furniture, fittings, decorative objects, color, and gardens. Presenting masterpieces of modern architecture conceived as complete works of art inside and out, author George H. Marcus, a veteran chronicler of modernist design, delivers a highly accessible tour of the creations of some of the twentieth century s greatest architects and designers, including Frank Lloyd Wright, Mies van der Rohe, Alvar Aalto, Eero Saarinen, Charles Rennie Mackintosh, and Gio Ponti. Together these masterworks of design offer a stunning survey of the many modes of modernist design, from the inventive refinement of Pierre Chareau to the colorful Nordic forms of Finn Juhl to the twenty-first-century expressionism of Daniel Libeskind.

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War, rebellion and castle-building in Normandy and Poitou, charters and writs, dedications of churches in England, Jews, attitudes to kindred - the regular stimulating mix. Seven papers in this volume deal with England, six (four of them in French) with northern and western France. One major focus is on the endowment and building of churches in England from the late Anglo-Saxon period to the early thirteenth century; a second important group looks at war, rebellion and castle-building in Normandy and Poitou. Three papers investigate the value of charters and writs for an understanding of political structures in Anglo-Saxon and twelfth-century England; and there are studies of the revealing ways in which attitudes to outsiders and insiders (Jews, and kindred) were articulated in eleventh- and twelfth-century Europe. Contributors: MARTIN AURELL, MARIE-PIERRE BAUDRY, PIERRE BAUDUIN, JULIA BOORMAN, NATALIE FRYDE, CHARLES INSLEY, STEPHEN MARRITT, VINCENT MOSS, DOMINIQUE PITTE, TIM TATTON-BROWN, PAMELA TAYLOR, MALCOLM THURLBY, ANN WILLIAMS.

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For twenty-five years, the legendary Marthe has been Pierre Bonnard’s companion and muse. His new model Renée, lovely and captivating, thinks it’s time her rival stepped aside. But Marthe won’t give up her place in history without a fight. An artist may have many models but there can be only one muse.

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Discover a fascinating new set of perspectives on the life and work of Herman Melville A New Companion to Herman Melville delivers an insightful examination of Melville for the twenty-first century. Building on the success of the first Blackwell Companion to Herman Melville, and offering a variety of tools for reading, writing, and teaching Melville and other authors, this New Companion offers critical, technological, and aesthetic practices that can be employed to read Melville in exciting and revelatory ways. Editors Wyn Kelley and Christopher Ohge create a framework that reflects a pluralistic model for humanities teaching and research. In doing so, the contributing authors highlight the ways in which Melville himself was concerned with the utility of tools within fluid circuits of meaning, and how those ideas are embodied, enacted, and mediated. In addition to considering critical theories of race, gender, sexuality, religion, transatlantic and hem­ispheric studies, digital humanities, book history, neurodiversity, and new biography and reception studies, this book offers: A thorough introduction to the life of Melville, as well as the twentieth- and twenty-first-century revivals of his work Comprehensive explorations of Melville’s works, including Moby-Dick, Pierre, Piazza Tales, and Israel Potter, as well as his poems and poetic masterpiece Clarel Practical discussions of material books, print culture, and digital technologies as applied to Melville In-depth examinations of Melville's treatment of the natural world Two symposium sections with concise reflections on art and adaptation, and on teaching and public engagement A New Companion to Herman Melville provides essential reading for scholars and students ranging from undergraduate and graduate students to more advanced scholars and specialists in the field.

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A revealing investigation into Picasso's career-long fascination with the written word Throughout his life, Pablo Picasso had close friendships with writers and an abiding interest in the written word. This groundbreaking book, which draws on the collections of Yale University, traces the relationship that Picasso had with literature and writing in his life and work.Beginning with the artist’s early associations with such writers as Gertrude Stein, Guillaume Apollinaire, Max Jacob, and Pierre Reverdy, the book continues until the postwar period, by which time Picasso had become a worldwide celebrity. Distinguished authorities in art and literature explore the theme of Picasso and language from historical, linguistic, and visual perspectives and contextualize Picasso’s work within a rich literary framework. Presenting fascinating archival materials and written in an accessible style, Picasso and the Allure of Language is essential reading for anyone interested in this great artist and the history of modernism. Published in association with the Yale University Art GalleryExhibition Schedule:Yale University Art Gallery, New Haven (January 27 – May 24, 2009)Nasher Museum of Art at Duke University, Durham (August 20, 2009 – January 3, 2010)

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Famine Relief in Warlord China is a reexamination of disaster responses during the greatest ecological crisis of the pre-Nationalist Chinese republic. In 1920–1921, drought and ensuing famine devastated more than 300 counties in five northern provinces, leading to some 500,000 deaths. Long credited to international intervention, the relief effort, Pierre Fuller shows, actually began from within Chinese social circles. Indigenous action from the household to the national level, modeled after Qing-era relief protocol, sustained the lives of millions of the destitute in Beijing, in the surrounding districts of Zhili (Hebei) Province, and along the migrant and refugee trail in Manchuria, all before joint foreign-Chinese international relief groups became a force of any significance.Using district gazetteers, stele inscriptions, and the era’s vibrant Chinese press, Fuller reveals how a hybrid civic sphere of military authorities working with the public mobilized aid and coordinated migrant movement within stricken communities and across military domains. Ultimately, the book’s spotlight on disaster governance in northern China in 1920 offers new insights into the social landscape just before the region’s descent, over the next decade, into incessant warfare, political struggle, and finally the normalization of disaster itself.

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This highly acclaimed work, in which Pierre Bourdieu turns his attention to the academic world and offers a brilliant analysis of modern intellectual culture, is now available in paperback. The academy is shown to be not just a realm of dialogue and debate, but also a sphere of power in which reputations and careers are made, defended and destroyed. Bourdieu constructs a map of the intellectual field in France and analyzes the forms of capital power, the lines of conflict and the patterns of change which characterize the system of higher education in France today.

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