Search results for ""Author Pierre"

This monograph studies multi-member households or, more generally, socio-economic groups from a purely theoretical perspective and within a general equilibrium framework, in contrast to a sizeable empirical literature. The approach is based on the belief that households, their composition, decisions and behavior within a competitive market economy deserve thorough examination. The authors set out to link the formation, composition, decision-making, and stability of households. They develop general equilibrium models of pure exchange economies in which households can have several, typically heterogeneous members and act as collective decision-making units on the one hand and as competitive market participants on the other hand. Moreover, the more advanced models combine traditional exchange (markets for commodities) and matching (markets for people or partners) and develop implications for welfare, social structures, and economic policy.In the field of family economics, Hans Haller and Hans Gersbach have pioneered a ‘market’ approach that applies the tools of general equilibrium theory to the analysis of household behavior. This very interesting book presents an overview of their methods and results. This is an inspiring work. Pierre-André Chiappori, Columbia University, USAThe sophisticated, insightful and challenging analysis presented in this book extends the theory of the multi-person household along an important but relatively neglected dimension, that of general equilibrium theory. It also challenges GE theorists themselves to follow Paul Samuelson in taking seriously the real attributes of that fundamental building block, the household, as a social group whose decisions may not satisfy the standard axioms of individual choice. This synthesis and extension of their earlier work by Gersbach and Haller will prove to be a seminal contribution in its field. Ray Rees, LMU Munich, Germany

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Writing involves risks—the risk that one will be misunderstood, the risk of being persecuted, the risks of being made a champion for causes in which one does not believe, this risk of inadvertently supporting a reader’s prejudices, to name a few. In trying to give expression to what is true, the writer must “clear a passage within the agitated world of passions,” an undertaking that always to some extent fails: writers are never the master of their own speech. In Writing: The Political Test, France’s leading political philosopher, Claude Lefort, illuminates the process by which writers negotiate difficult path to free themselves from the ideological and contextual traps that would doom their attempts to articulate a new vision. Lefort examines writers whose works provide special insights into this problem of risk, both literary artists and political philosophers. Among them are Salman Rushdie, Sade, Tocqueville,m Machiavelli, Leo Strauss, Orwell, Kant, Robespierre, Guizot, and Pierre Clastres. In Tocqueville, for example, Lefort finds that the author’s improvisatory and open-ended expression represents the character of the democratic experience. Orwell’s work on totalitarianism shows up the totalitarian subject’s complicity in this political regime. And Rushdie is remarkable for his solid attack on relativism. With the character and fate of the political forms of modernity, democracy, and totalitarianism a central theme, Lefort concludes with some reflections on the collapse of the Soviet Union.This intriguing and accessible exploration of literature’s political aspects and political philosophy’s literary ones will be welcomed by those who have been stymied by current efforts to bridge these two fields. Taken together, the essays in this volume also stand as an intellectual autobiography of Lefort, making it an excellent introduction to his work for less experience students of political theory or philosophy.

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Born in Warsaw, Poland, on November 7, 1867, Marie Curie was forbidden to attend the male-only University of Warsaw, so she enrolled at the Sorbonne in Paris to study physics and mathematics. There she met a professor named Pierre Curie, and the two soon married, forming one of the most famous scientific partnerships in history. Together they discovered two elements and won a Nobel Prize in 1903. (Later Marie won another Nobel award for chemistry in 1911.) She died in Savoy, France, on July 4, 1934, a victim of many years of exposure to toxic radiation.

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Of all the great cycling champions, Jacques Anquetil - the first man to win the Tour de France five times - remains the most mysterious. A prodigy, he burst upon the racing scene at the age of 18, defeating the world's best in the Grand Prix des Nations. From that moment on, insists Pierre Chany, 'he no longer belonged to himself'. Yet, perhaps more than any of cycling's legends, he managed to protect his private life from public gaze. Outwardly confident, and yet profoundly shy; rational and calculating, and yet superstitious and haunted by fear of death, Anquetil was an enigma. He defied the conventional picture of a racing cyclist: elegant on or off the bicycle, winning seemed to come too effortlessly; and he was too fond of the good life that his successes enabled him to enjoy. The French public did not really know what to make of him. 'His courage defied imagination, but nobody noticed because his style was so perfect,' said his manager, Raphael Geminiani. His domination of the 1961 Tour de France, which he led from first day to last, earned him the title 'Master Jacques', but was greeted by boos and whistles. It was only as he neared retirement that Anquetil finally received the acclaim his achievements deserved. In this, the first full-length English book about Jacques Anquetil, Richard Yates explores the enigma of this great French rider. Richard Yates is an English cycling historian who has lived for many years in France; he is the author of several books about French cycling.

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Belgium is well-known for its delicious chocolate. In Fine Chocolates: Gold Jean-Pierre Wybauw expresses in clear, concise language how to create and shape your own chocolates. How do you make ganache? How can you extend the shelf life of fine chocolates? He also takes a closer look at the different flavourings you can use and combine. Various mouth-watering and original praline recipes are described in detail. The interesting background information and superb photographs will invite anyone to indulge in this sweetness. This book is another must for the kitchens of professional chocolatiers, experienced amateur cooks and chocolate lovers.

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How two teenage girls in Minnesota jump-started a revolution in high school athletics Peggy Brenden, a senior, played tennis. Toni St. Pierre, a junior, was a cross country runner and skier. All these two talented teenagers wanted was a chance to compete on their high school sports teams. But in Minnesota in 1972 the only way on the field with the boys ran through a federal court—so that was where the girls went. Break Point tells the story, for the first time, of how two teenagers took on the unequal system of high school athletics, setting a legal precedent for schools nationwide before the passage of Title IX.As Peggy’s younger sister, author Sheri Brenden is uniquely positioned to convey the human drama of the case, the stakes, and the consequences for two young women facing the legal machinery of the state, in court and in school. In an account that begins with Peggy painstakingly typing her appeal to the Minnesota Civil Liberties Union and concludes with a long view of what Brenden v. Independent School District 742 set in motion, Sheri Brenden summons the salient details of this landmark case as it makes its way through the courts. Peggy and Toni, coaches, administrators, and experts testify before Judge Miles Lord, whose decision, upheld in a precedent-setting appeal, would change these girls’ lives and open up athletic opportunities for innumerable others.Grounded in newspaper coverage, court records, and interviews, Brenden’s deeply researched, scrupulously reported book is at heart the story of two talented teenage girls whose pluck and determination—and, often, heartache—led to a victory much greater than any high school championship.

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Hanna Saliba's restaurant Saliba in Hamburg, which serves Syrian cuisine, is renowned far beyond the city's borders for its magical culinary experiences. Some of the restaurant's guests -Hans Hansen from Hamburg, the Munich designer Pierre Mendell, and the publisher of this volume - developed the concept for this book together with Saliba as an expression of their enthusiasm for Arab cuisine, particularly for the diversity and sophistication of its incomparable hors d'oeuvres called Mazza. Arabic calligraphy complements the feast for the eyes and makes the book much more than a collection of recipes for amateur cooks and professional chefs.

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Reproducing an original work by designer Pierre Legrain (1889–1929), this cover brings a sense of movement to the heavy geometric elements of its Art Deco influence.Legrain was a key figure in early 20th-century French bookbinding. After leaving the French Army in 1916, Legrain became recognized for his eye for design and was commissioned by Jacques Doucet, a French bibliophile and collector, to create unique bindings for Doucet’s impressive library. Adopting an attitude of experimentation, Doucet encouraged Legrain to be “freely inspired by contemporary artists’ vibrantly coloured mosaics, bold play with geometric forms and straight-lined bands.”

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Friends and Enemies presents a collection of essays on Canadian foreign policy written by J.L. Granatstein, one of the leading political and military historians in the country. The essays cover a period primarily from the Second World War through to the early 2000s and examine policy under prime ministers Mackenzie King, Louis St. Laurent, John Diefenbaker, Lester Pearson, and Pierre Trudeau. Based on interviews and extensive archival research, the essays reveal how Granatstein’s views shifted as he reacted to altered conditions in Canada, Canadian alliances, and the world situation.

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Hunger, disease, poverty, environmental insecurity, illegitimate governance, civil war, and international conflict are only a few of the causes of today's global turmoil and gross human suffering. Written in honour of Ivan Head, foreign affairs advisor to former Prime Minister Pierre Trudeau, past president of Canada's International Development Research Centre, and professor emeritus of International law at the University of British Columbia, this collection of distinguished essays addresses the imperative to enhance human dignity and protect human life by humanizing our global order and improving international relations - goals Professor Head strove for throughout his career. The authors argue that the search for possible solutions to these challenges, which has so far tended to proceed without due recognition of the needs, demands, and solutions that emanate from the geo-political South, must in future be conducted with alternate visions that take these factors into account. Each essay seeks to re-assess and re-imagine a specific topic that relates in some significant way to our current global circumstance in ways that advance the book's thematic. With essays grappling with such issues as Multilateral Environmental Agreements, the Use of Force, the Prevention of Civil War through Minority Protection, Common Heritage of Humankind, and the Civil Dimensions of Strategy, the volume deals with a range of diverse topics that are as crucial as they are topical.

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From the prizewinning Jewish Lives series, a new appreciation of the extraordinary life and legacy of Léon Blum, the first Jewish prime minister of France"A valuable introduction and guide to one of the most important, if overlooked, figures in the history of modern France and, indeed, modern Europe."—James McAuley and Patrice Higonnet, New Republic Léon Blum (1872–1950), France’s prime minister three times, socialist activist, and courageous opponent of the pro-Nazi Vichy regime, profoundly altered French society. It is Blum who is responsible for France’s forty-hour week and its paid holidays, which were among the many reforms he championed as a deputy and as prime minister, while acting as a proudly visible Jew, a Zionist, and eventually a survivor of Buchenwald. This biography fully integrates Blum’s Jewish commitments into the larger story of his life. Unlike previous biographies that downplay the significance of Blum’s Jewish heritage on his progressive politics, Pierre Birnbaum’s portrait depicts an extraordinary man whose political convictions were shaped and driven by his cultural background. The author powerfully demonstrates how Blum’s Jewishness was central to his outlook and mission, from his earliest entry into the political arena in reaction to the Dreyfus Affair, and how it sustained and motivated him throughout the remainder of his life. Birnbaum’s Léon Blum is a critical chapter in the larger history of Jews in France.About Jewish Lives: Jewish Lives is a prizewinning series of interpretative biography designed to explore the many facets of Jewish identity. Individual volumes illuminate the imprint of Jewish figures upon literature, religion, philosophy, politics, cultural and economic life, and the arts and sciences. Subjects are paired with authors to elicit lively, deeply informed books that explore the range and depth of the Jewish experience from antiquity to the present. In 2014, the Jewish Book Council named Jewish Lives the winner of its Jewish Book of the Year Award, the first series ever to receive this award.More praise for Jewish Lives: "Excellent" –New York Times "Exemplary" –Wall Street Journal "Distinguished" –New Yorker "Superb" –The Guardian

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Few would disagree that Western democracies are experiencing a crisis of representation. In the United States, gerrymandering and concentrated political geographies have placed the Congress and state legislatures in a stranglehold that is often at odds with public opinion. Campaign financing ensures that only the affluent have voice in legislation. Europeans, meanwhile, increasingly see the European Union as an anti-democratic body whose “diktats” have no basis in popular rule. The response, however, has not been an effective pursuit of better representation. In Good Government, Pierre Rosanvallon examines the long history of the alternative to which the public has gravitated: the empowered executive.Rosanvallon argues that, faced with everyday ineptitude in governance, people become attracted to strong leaders and bold executive action. If these fail, they too often want even stronger personal leadership. Whereas nineteenth-century liberals and reformers longed for parliamentary sovereignty, nowadays few contest the “imperial presidency.” Rosanvallon traces this history from the Weimar Republic to Charles De Gaulle’s “exceptional” presidency to the Bush-Cheney concentration of executive power.Europeans rebelling against the technocratic EU and Americans fed up with the “administrative state” have turned to charismatic figures, from Donald Trump to Viktor Orbán, who tout personal strength as their greatest asset. This is not just a right-wing phenomenon, though, as liberal contentment with Obama’s drone war demonstrates. Rosanvallon makes clear that contemporary “presidentialism” may reflect the particular concerns of the moment, but its many precursors demonstrate that democracy has always struggled with tension between popular government and concentrated authority.

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"...effectively demonstrates the enduring importance of 'classical' social movement theory...and provides a cutting edge critical review of recent theoretical developments. This is one of the most important general theoretical texts on social movements for some years." - Paul Bagguley, University of Leeds Why and how do social movements emerge? In which ways are social movements analysed? Can our understanding be enhanced by new perspectives? Making Sense of Social Movements offers a clear and comprehensive overview of the key sociological approaches to the study of social movements. The author argues that each of these approaches makes an important contribution to our understanding of social movements but that none is adequate on its own. In response he argues for a new approach which draws together key insights within the solid foundations of Pierre Bourdieu's social theory of practice.This new approach transcends the barriers which still often divide European and North American perspectives of social movements, and also those which divide recent approaches from the older 'collective behaviour' approach. The result is a theoretical framework which is uniquely equipped for the demands of modern social movement analysis. The clear and concise style of the text, as well as its neat summaries of key concepts and approaches, will make this book invaluable for undergraduate courses. It will also be an essential reference for researchers.

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Prepare to be swept up, up and away on this high-flying adventure from the queen of historical fiction, Emma Carroll! Winner of the Teach Primary Book Award 2018 Shortlisted for the Young Quills Award 2019 Nominated for the CILIP Carnegie Award 2019 'Carroll, an unstoppable, natural storyteller, lets her imagination take off.' THE TIMES 'Soaring flight and the power of friendship are to the fore in this gripping historical adventure.' THE GUARDIAN Orphan Magpie can't believe her eyes when she sees a boy swept off his feet by a kite ... or something that twists and dances in the wind. Like her, the boy – Pierre – dreams of flying over the rooftops of Paris. His family, the Montgolfiers, are desperate to be first to discover the secret of flight. The world looks so different up high and suddenly Magpie knows what she wants – to be the first to fly in a balloon above the King and Queen of France ... From the bestselling historical fiction author of books including Secrets of a Sun King, When We Were Warriors and Letters from the Lighthouse Discovery meets imagination in this rich and inspirational tale based on the true story of the first hot air balloon flight over Paris in the eighteenth century An enchanting story of history, adventure, science and facing your fears

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The most comprehensive survey of the work of Maurice Sendak, the most celebrated picture book artist of all time—with previously unpublished archival materials Published in conjunction with the eponymous Sendak retrospective touring museums in the United States and Europe in 2022–24, Wild Things Are Happening emphasizes Maurice Sendak’s relationship to the history of art and the influences of his art collecting on his images. It features previously unpublished sketches, storyboards and paintings that emphasize Sendak’s creative processes. Bringing together a broad diversity of perspectives on the award-winning artist, the book includes an extended essay by the renowned art historian Thomas Crow that traces the genesis and cultural contexts of Sendak’s most famous book, Where the Wild Things Are. It also includes interviews and appreciations by many of Sendak’s key collaborators, including Carroll Ballard, Michael Di Capua, John Dugdale, Spike Jonze, Twyla Tharp and Arthur Yorinks. Maurice Sendak (1928–2012) was born in Brooklyn, New York, to Jewish immigrant parents from Poland. A largely self-taught artist, Sendak wrote and illustrated over 150 books during his 60-year career, including Kenny’s Window, Very Far Away, The Sign on Rosie’s Door, Nutshell Library (consisting of Chicken Soup with Rice, Alligators All Around, One Was Johnny and Pierre), Higglety Pigglety Pop!, Where the Wild Things Are, In the Night Kitchen and Outside Over There. He collaborated with such celebrated authors as Meindert DeJong, Tony Kushner, Randall Jarrell, Ruth Krauss, Else Holmelund Minarik and Isaac Bashevis Singer, and he illustrated classics by the Brothers Grimm, Melville and Tolstoy.

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'He thought he could see, in a flash, the future of the Rougon-Macquart family, a pack of wild satiated appetites in the midst of a blaze of gold and blood.' Set in the fictitious Provençal town of Plassans, The Fortune of the Rougons tells the story of Silvère and Miette, two idealistic young supporters of the republican resistance to Louis-Napoleon Bonaparte's coup d'état in December 1851. They join the woodcutters and peasants of the Var to seize control of Plassans, opposed by the Bonapartist loyalists led by Silvère's uncle, Pierre Rougon. Meanwhile, the foundations of the Rougon family and its illegitimate Macquart branch are being laid in the brutal beginnings of the Imperial regime. The Fortune of the Rougons is the first in Zola's famous Rougon-Macquart series of novels. In it we learn how the two branches of the family came about, and the origins of the hereditary weaknesses passed down the generations. Murder, treachery, and greed are the keynotes, and just as the Empire was established through violence, the 'fortune' of the Rougons is paid for in blood. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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A darkly riotous, superbly fast-talking adventure, adapted from the Booker Prize-winning novel. Vernon Little is fifteen years old and lives with his mother in Martirio, a flea-bitten Texan town. His best friend just massacred sixteen of their classmates before killing himself. The town wants vengeance and turns its sights on Vernon, who is arrested at the start of the story. Tanya Ronder's stage adaptation of DBC Pierre's Booker Prizewinning novel Vernon God Little was first performed at the Young Vic, London, in 2007, when it was nominated for the Olivier Award for Best New Play. Rufus Norris's production was revived in 2011, in this revised version, as the centrepiece of the Young Vic's celebratory fortieth anniversary season.

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This book is the first full-length study of one of the most widely read publications of nineteenth-century Britain, the London Journal, over a period when mass-market reading in a modern sense was born. Treating the magazine as a case study, the book maps the Victorian mass-market periodical in general and provides both new bibliographical and theoretical knowledge of this area. Andrew King argues the necessity for an interdisciplinary vision that recognises that periodicals are commodities that occupy specific but constantly unstable places in a dynamic cultural field. He elaborates the sociological work of Pierre Bourdieu to suggest a model of cultural 'zones' where complex issues of power are negotiated through both conscious and unconscious strategies of legitimation and assumption by consumers and producers. He also critically engages with cultural theory as well as traditional scholarship in history, art history, and literature, combining a political economic approach to the commodity with an aesthetic appreciation of the commodity as fetish. Previous commentators have coded the mass market as somehow always 'feminine', and King offers a genealogy of how such a gender identity came about. Fundamentally, however, the author relies on new and extensive primary research to ground the changing ways in which the reading public became consumers of literary commodities on a scale never before seen. Finally, King recontextualizes within the Victorian mass market three key novels of the time - Walter Scott's Ivanhoe (serialised in the London Journal 1859-60), Mary Braddon's Lady Audley's Secret (1863), and a previously unknown version of Émile Zola's The Ladies' Paradise (1883) - and in so doing he lends them radically new and unexpected meanings.

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Gauguin, Van Gogh, Cezanne, Monet, Chagall, Picasso-some of the finest works by the greatest artists of the 20th century were collected by two Swiss art patrons, Rudolf Staechelin (1881–1946) and Karl Im Obersteg (1849–1926). They were successful businessmen, and friends, and inspired by the art of their times, actively purchased works by modernist artists. Published on the occasion of a major international exhibition, 'Gauguin to Picasso: Masterworks from Switzerland' features over 60 celebrated paintings from their collections by 22 world-famous artists. Masterpieces include Paul Gauguin's Nafea faa ipoipo (When will you Marry?) (1892), which was recently sold for US$300 million- the highest price ever paid for an artwork-Vincent van Gogh's Daubigny's Garden (1890), Picasso's double-sided canvas Femme dans la loge / Buveuse d'absinthe (1901) and Marc Chagall's three monumental Rabbi portraits. Other extraordinary paintings by artists of international stature include Swiss masters Ferdinand Hodler and Cunio Amiet, Russian expressionist painter Alexej Jawlensky, and works by Edouard Manet, Pierre-Auguste Renoir, Paul Cezanne, Claude Monet, Amedeo Modigliani, Georges Rouault and Wassily Kandinsky. AUTHOR: Dorothy Kosinski is the director of The Phillips Collection, Washington, DC Hans-Joachim Muller is an art critic at the German paper Die Zeit and the culture editor at Basler Zeitung 174 colour illustrations

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This book is a major contribution to our understanding of the condition of the immigrant and it will transform the reader’s understanding of the issues surrounding immigration. Sayad’s book will be widely used in courses on race, ethnicity, immigration and identity in sociology, anthropology, cultural studies, politics and geography. an outstanding and original work on the experience of immigration and the kind of suffering involved in living in a society and culture which is not one’s own; describes how immigrants are compelled, out of respect for themselves and the group that allowed them to leave their country of origin, to play down the suffering of emigration; Abdelmalek Sayad, was an Algerian scholar and close associate of the French sociologist Pierre Bourdieu - after Sayad’s death, Bourdieu undertook to assemble these writings for publication; this book will transform the reader’s understanding of the issues surrounding immigration.

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Memoir of Bethany Beardslee, the iconic American soprano known as the "composer's singer." American soprano Bethany Beardslee rose to prominence in the postwar years when the modernist sensibilities of European artists and thinkers were flooding American shores and challenging classical music audiences. With her light lyric voice, her musical intuition, and her fearless dedication to new music, Beardslee became the go-to girl for twelve-tone music in New York City. She was the first American singer to build a repertoire performing the music of Arnold Schoenberg, Anton Webern, Alban Berg, Milton Babbitt, and Pierre Boulez, making a vibrant career singing difficult music. I Sang the Unsingable is the autobiography of the acclaimed twentieth-century art-song soprano. In her memoir, Beardslee tells the story of how she made her way from inauspicious depression-era East Lansing to Carnegie Hall, and how her unique combination of musical gifts and training were alchemy for challengingmid-century music. This is Beardslee's own perspective on a formidable catalog of premieres, a forty-six-year career, and a deep and lifelong dedication to performing the work of the composers of our time. Born in 1925 in Lansing, Michigan, Bethany Beardslee is an American soprano. She is noted for her collaborations with major twentieth-century composers. Minna Zallman Proctor is a writer, critic, and translator. She is editor-in-chief of The Literary Review and the author of Do You Hear What I Hear? and Landslide: True Stories. Support for this publication was provided by the Howard Hanson Institute for American Music at theEastman School of Music at the University of Rochester.

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Legends of Today brings together the first three volumes that Enki Bilal has created in collaboration with the scriptwriter Pierre Christin: The Cruise of Forgotten (1975), The Stone Vessel (1976) and The City That Did Not Exist (1977). Antagonised by an enigmatic character with supernatural powers, which serves as a theme for the trilogy, the three stories delve into the lives of various traditional communities (a village of the Landes, a Breton fishing port, a small working-class town in the North) as they fight against the police, the army, and all those in power, whose action, at the time, was very controversial. An endearing panorama of the generous utopias of the time, nourished by modern fantasy and a certain humor that still preserves freshness today.

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Examines the evolution of the positive nature of atheism as a political philosophy in French Enlightenment thinkers Written from the perspective of atheists or those sympathetic to atheism as opposed to the perspective of theologians Explores the larger context of the history of atheism: where negative atheism gave way to positive atheism, and where positive atheism eventually made room for metatheism exemplified in the writing of Diderot Shows the profound consequences of atheism for political thought in its various defences of republicanism Adds new dimensions to our understanding of the contribution of Bayle, Meslier, d'Holbach and Diderot to the history of ideas Charles Devellennes looks at the the religious, social and political thought of the first four thinkers of the French Enlightenment: Pierre Bayle, Jean Meslier, Paul-Henri Thiry d'Holbach and Denis Diderot to explicitly argue for atheism as a positive philosophy. Atheism evolved considerably over the century that spans the works of these four authors: from the possibility of the virtuous atheist in the late 17th century, to a deeply rooted materialist philosophy with radical social and political consequences by the eve of the French revolution. The metamorphosis of atheism from a purely negative phenomenon to one that became self-aware had profound consequences for establishing an ethics without God and the rise of republicanism as a political philosophy. Culminating in the work of Diderot, atheism became increasingly critical of its own position. By the late 18th century, it had already proposed to move past its positive formulation into a form of metatheism. Diderot, who sees atheism as both a critical tool to assess religious, social and political institutions and as an object of his own critique, foreshadows the rise of a post-Enlightenment conception of atheism.

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Die Villa Savoye ist eine Ikone der modernen Architektur. Wer aber waren Eugénie und Pierre Savoye, die das Haus bauen ließen? Warum beauftragten sie Le Corbusier? Und wie lebten sie?Der Enkel Jean-Marc Savoye erzählt die Geschichte der Villa und der Bewohner anhand von Dokumenten und Familienerinnerungen. Jean-Philippe Delhomme illustriert die Baustelle, den Alltag, die Kriegszeit, die Nutzung als Scheune und die Rettung vor dem Abriss.

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In this addition to the acclaimed The Church and Postmodern Culture series, leading practical theologian Christian Scharen examines the relationship between theology and its social context. He engages with social theorist Pierre Bourdieu to offer helpful theoretical and theological grounding to those who want to reflect critically on the faith and practice of the church, particularly for those undertaking ministry internships or fieldwork assignments. As Scharen helps a wide array of readers to understand the social context of doing theology, he articulates a vision for the church's involvement with what God is doing in the world and provides concrete examples of churches living out God's mission.

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Herve This (pronounced "Teess") is an internationally renowned chemist, a popular French television personality, a bestselling cookbook author, a longtime collaborator with the famed French chef Pierre Gagnaire, and the only person to hold a doctorate in molecular gastronomy, a cutting-edge field he pioneered. Bringing the instruments and experimental techniques of the laboratory into the kitchen, This uses recent research in the chemistry, physics, and biology of food to challenge traditional ideas about cooking and eating. What he discovers will entertain, instruct, and intrigue cooks, gourmets, and scientists alike. Molecular Gastronomy, This's first work to appear in English, is filled with practical tips, provocative suggestions, and penetrating insights. This begins by reexamining and debunking a variety of time-honored rules and dictums about cooking and presents new and improved ways of preparing a variety of dishes from quiches and quenelles to steak and hard-boiled eggs. He goes on to discuss the physiology of flavor and explores how the brain perceives tastes, how chewing affects food, and how the tongue reacts to various stimuli. Examining the molecular properties of bread, ham, foie gras, and champagne, the book analyzes what happens as they are baked, cured, cooked, and chilled. Looking to the future, Herve This imagines new cooking methods and proposes novel dishes. A chocolate mousse without eggs? A flourless chocolate cake baked in the microwave? Molecular Gastronomy explains how to make them. This also shows us how to cook perfect French fries, why a souffle rises and falls, how long to cool champagne, when to season a steak, the right way to cook pasta, how the shape of a wine glass affects the taste of wine, why chocolate turns white, and how salt modifies tastes.

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The Christian image in the process of modern globalisation Drawing on original research covering different periods and spaces, this book sets out to appreciate the specific place of images in the history of evangelisation in the long modern period. How can we reconceptualise the functions of the visual mediation of the gospel message, both in terms of the production and reception of this message and in terms of its effective mediators, artists, religious, and cultural ambassadors? The contributions in this book offer multiple geographical and historical insights regarding the circulation of the image on the global scale of the Christianised world or the world in the process of being Christianised, from China to Iberia. Combining the contribution of historians and art historians, the authors highlight the points of intercultural encounter and tension around preaching, catechesis, devotional practices and the propagandistic use of images. Through its aesthetic and social study of the image, and by examining the inner and outer borders of Europe and the mission lands, Eloquent Images contributes significantly to the history of evangelisation, one of the major dynamics of the first European globalisation. Contributors: Pierre-Antoine Fabre (EHESS, Paris), Clara Lieutaghi (EHESS Paris), Silvia Notarfonso (Universita di Macerata), Silvia Mostaccio (UCLouvain), Mauro Salis (Universita di Cagliari), Valentina Borniotto (Universita di Genova), Gwladys Le Cuff (Paris-Sorbonne - EHESS Paris), Mauricio Oviedo Salazar (Rijksuniversiteit Groningen), Maria Joao Pereira Coutinho (IHA/FCSH/NOVA Lisbon), Silvia Ferreira (IHA/FCSH/NOVA Lisbon), Paulo De Campos Pinto (Universidade Catolica Portuguesa), Lorenzo Ratto (Universita di Genova), Stephanie Porras (Tulane University), Arianna Magnani (Universita Ca' Foscari di Venezia), Michela Catto (Universita di Torino), Federico Palomo (Universidad Complutense de Madrid), Roberto Ricci (Istituto storico italiano per l'eta moderna e contemporanea, Roma), Francesco Sorce (independent scholar), Maria Vittoria Spissu (Universita di Bologna).

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Jacques Herzog & Pierre de Meuron (with their partners Harry Gugger and Christine Binswanger) undoubtedly rank amongst the leading architects worldwide. Volume 3 of their Complete Works is now being published in an updated new edition, enlarged by some 40 pages and approximately 80 colour illustrations. At the time of the first edition, a number of the projects were under construction. These have now been completed and are documented with photographs: the Laboratory Building of Hoffmann-La-Roche in Basel, the Project in the City Center “Five Courtyards” in Munich, the St. Jakob Football Stadium in Basel and the residential buildings on the Rue des Suisses in Paris.

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This book offers a study of the literary marketplace in the early 2000s. Focusing on the Man Booker Prize and its impact on a novel's media attention, Anna Auguscik analyses the mechanisms by which the Prize both recognises books that trigger debates and itself becomes the object of such debates. Based on case studies of six novels (by Aravind Adiga, Margaret Atwood, Sebastian Barry, Mark Haddon, DBC Pierre, Zadie Smith) and their attention profiles, this work describes the Booker as a 'problem-driven attention-generating mechanism', the influence of which can only be understood in relation to other participants in literary interaction.

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This Tiny Folio presents, in modern taxonomic order, all 277 of the hand-coloured plates from François-André Michaux’s classic North American Sylva, as well as the supplemental volumes by Thomas Nuttall. These masterworks of 19th-century botanical illustration - by such artists as Pierre-Joseph Redouté and Pancrace Bessa - represent the leaves, fruit, and flowers of American trees with wonderful grace and clarity. Published in cooperation with the New York Botanical Garden, The Trees of North America includes a preface and introduction describing how Michaux and Nuttall’s pioneering work came to be.

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This is a book of meetings. A mother meets her baby. A man steps into his childhood. An old man encounters Godfather Death. And in the persona of Harald Hardrada, a passionate man wrestles with his fantasies, and north meets south. Many of Kevin Crossley-Holland's beautifully wrought, often moving poems inhabit the crossing-places between actuality, memory and imagination; and invoking Orpheus and Atargatis, Pierre de Ronsard and Beethoven, they journey from Hades to a hellish warzone, and from the high Alps and to the creeks and saltmarshes of north Norfolk.

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A comprehensive guide to the ancient beliefs and spiritual power of subterranean spaces • Examines in depth the myths, symbology, deities, and beliefs connected to the underworld from many different cultures and mystery traditions • Investigates the role of the underworld in initiatory rites and mystical practices, such as the Orphic Mysteries, the chambers of reflections in Freemasonry, the cult of the Black Madonna, and the cult of Isis • Discusses the telluric currents that run through ley lines, the significance of underground waterways, Hollow Earth theory, and the denizens of the subterranean realms, such as dragons, gnomes, and dwarfs Ancient cultures around the world understood the spiritual powers of the underworld. For millennia, natural caves and caverns were turned into sacred underground temples and, from holy mountains and cliffs, churches were beautifully carved into solid rock. Offering a guide to the spiritual energies that flourish beneath the surface of the Earth, Jean-Pierre Bayard explores the esoteric mysteries of the underworld, including the symbolic significance of caves, caverns, and underground temples. He examines in depth the myths, symbology, deities, and beliefs connected to the underworld from many different cultures and mystery traditions, from ancient Egypt to Scandinavia and Europe to the Middle East and India. He investigates the role of the underworld in initiatory rites, such as the Orphic Mysteries and Christ’s descent into hell, revealing that at the heart of these teachings is the transformative power of a hero’s descent into and return from the underworld. The author connects the esoteric attributes of the world below with the cult of the Black Madonna and the earlier cult of Isis. He discusses the telluric currents that run through ley lines, the significance of underground waterways, the esoteric properties of gems and stones, and the “mineral blood” of the alchemists. He also looks at Hollow Earth theory and the denizens of the subterranean realms, such as dragons, gnomes, and dwarfs. Explaining how the Earth is the womb of the world, Bayard shows how initiatic descent into the sacred subterranean realms reflects the descent of spirit into matter and its slow crystallization. By entering the body of the Earth Mother we are transformed, initiated into primordial wisdom and reborn as spiritual beings.

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HarperCollins is proud to present its new range of best-loved, essential classics. 'The sea is everything. It covers seven tenths of the terrestrial globe. Its breath is pure and healthy. It is an immense desert, where man is never lonely, for he feels life stirring on all sides.' Scientist Pierre Aronnax and his colleagues set out on an expedition to find a strange sea monster and are captured by the infamous and charismatic Captain Nemo and taken abroad the Nautilus submarine as his prisoners. As they travel the world's oceans, they become embroiled in adventures and events beyond their wildest dreams. Visionary in its outlook, Vern's 20,000 Leagues Under the Sea is a legendary science fiction masterpiece.

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From a watch to a pavilion, from urban furniture to infrastructure, from landscape design to apartment buildings: since the founding of Atelier Bonnet in the year 2000, the work of Pierre and Mireille Bonnet, covering a wide range of themes and scales, is conceived in a spirit of interaction and complicity. In the face of such a diversity of works, the monograph concentrates on a series of exemplary residential buildings, which document the skillful handling of this fundamental building task. In their most recent works, the architects have also occupied themselves intensively with the use of exposed concrete and with questions of tectonics. The resulting sculptural design and the abstract language of these objects provide further examples of a highly sensitive architecture, with an undeniable artistic dimension.

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There are names in horological history that echo much more than just watches... Such is the case of Jaquet-Droz, 18th Swiss watchmakers with an international horizon, whose ceremonial clocks, prodigious androids, fashionable birdcages, pocket watches with moving scenes or collector’s snuffboxes remain the stuff of dreams for passionate enthusiasts. Today, the Maison Jaquet Droz continues to draw its inspiration from this rich heritage in order to reinterpret techniques and aesthetics, pushing back the boundaries of watchmaking and representing a perpetual source of fascination for collectors. Based on the latest research on the subject and published on the occasion of the 300th anniversary of the birth of Pierre Jaquet-Droz (1721-2021), this book offers a deep dive into the history of characters with a captivating journey. Born in La Chaux-de-Fonds, in what was then the principality of Neuchâtel, Pierre Jaquet-Droz founded a watchmaking workshop and developed it through a combination of technical, artistic and commercial skills enabling it to reach international markets. His son Henry-Louis developed the family business and further diversified production, a significant portion of which found its way to China and its dignitaries, devotees of luxurious and ingenious mechanical marvels. This richly illustrated book aims to enable a rediscovery of their mechanical masterpieces as well as those of the Maison Jaquet Droz, whose rebirth and recent history are recounted here. These splendid historical and contemporary pieces embody a love of technical challenges and a taste for artistic refinement, adhering as much as possible to the sources of inspiration offered by nature. The Worlds of Jaquet Droz thus reveals part of the expansive universe of pre-industrial watchmaking while drawing parallels between past and present productions.

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Design Studies: A Reader is the ideal entry point for any student who wants to understand the many complex roles of design - as process, product, function, symbol, and use. Reflecting the diverse range of perspectives on design, the reader brings together over seventy key texts. The essays are presented in themed sections covering history, methods, theory, visuality, identity, consumption, labor, industrialization, new technology, sustainability, and globalization. Each section is separately introduced and each concludes with a guide to further reading. In addition, a final section of specially commissioned essays analyzes ten seminal designs of the twentieth century, from Helvetica to the cell phone. Bringing together the best classic and contemporary writing, Design Studies: A Reader will be invaluable to all students of Design as well as to students of Architecture, Art, Material Culture, and Sociology. Authors include: Theodor Adorno, Arjun Appadurai, Reyner Banham, Jean Baudrillard, Zygmunt Bauman, Pierre Bourdieu, Cheryl Buckley, Michel de Certeau, Margaret Crawford, Arthur C Danto, Adrian Forty, Michel Foucault, Buckminster Fuller, Paul du Gay, Erving Goffman, Donna Haraway, Dick Hebdige, John Chris Jones, Guy Julier, Naomi Klein, Ezio Manzini, Victor Margolin, Karl Marx, Daniel Miller, Victor Papanek, Nikolaus Pevsner, John Styles, and John Walker.

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“This book will certainly prove to be a useful resource and reference point … a good addition to anyone’s bookshelf.” Network"This is a superb collection, expertly presented. The overall conception seems splendid, giving an excellent sense of the issues... The selection and length of the readings is admirably judged, with both the classic texts and the few unpublished pieces making just the right points." William Outhwaite, Professor of Sociology, University of Sussex "... an indispensable book for all of us in philosophy and the social sciences who teach and care about the shape of social knowledge in the future." Steven Seidman, Professor of Sociology, State University of New York Albany "For a comprehensive account of the ways in which world transformations affect claims to social scientific knowledge, one need look no further than Gerard Delanty and Piet Strydom's Philosophies of Social Science. ...this collection captures nicely the increasingly engaged political nature of the philosophy of social science. Debates about pragmatism, feminism and postmodernism are particularly well represented" The Australian What is social science? How does it differ from the other sciences? What is the meaning of method in social science? What is the nature and limits of scientific knowledge? This collection of over sixty extracts from classic works on the philosophy of social science provides an essential textbook and a landmark reference in the field. It highlights the work of some of the most influential authors who have shaped social science.The texts explore the question of truth, the meaning of scientific knowledge, the nature of methodology and the relation of science to society, including edited extracts from both classic and contemporary works by authors such as Emile Durkheim, Georg Simmel, Max Weber, Alfred Schutz, Max Horkheimer, Jurgen Habermas, Alvin Gouldner, Karl-Otto Apel, Michel Foucault, Pierre Bourdieu, Anthony Giddens, Dorothy Smith, Donna Haraway, Sigmund Freud, Jacques Derrida and Claude Levi-Strauss.The readings are representative of the major schools of thought, including European and American trends in particular as well as approaches that are often excluded from mainstream traditions. From a teaching and learning perspective the volume is strengthened by extensive introductions to each of the six sections, as well as a general introduction to the reader as a whole. These introductions contextualise the readings and offer succinct summaries of them.This volume is the definitive companion to the study of the philosophy of social science, taught within undergraduate or postgraduate courses in sociology and the social sciences.

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Pierre Schaeffer's "In Search of a Concrete Music" ("A la recherche d'une musique concrete") has long been considered a classic text in electroacoustic music and sound recording. Now Schaeffer's pioneering work - at once a journal of his experiments in sound composition and a treatise on the raison d'etre of "concrete music" - is available for the first time in English translation. Schaeffer's theories have had a profound influence on composers working with technology. However, they extend beyond the confines of the studio and are applicable to many areas of contemporary musical thought, such as defining an 'instrument' and classifying sounds. Schaeffer has also become increasingly relevant to DJs and hip-hop producers as well as sound-based media artists. This unique book is essential for anyone interested in contemporary musicology or media history.

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Originally published in 1965, Reading Capital is a landmark of French thought and radical theory, reconstructing Western Marxism from its foundations. Louis Althusser, the French Marxist philosopher, maintained that Marx's project could only be revived if its scientific and revolutionary novelty was thoroughly divested of all traces of humanism, idealism, Hegelianism and historicism. In order to complete this critical rereading, Althusser and his students at the École normale supérieure ran a seminar on Capital, re-examining its arguments, strengths and weaknesses in detail, and it was out of those discussions that this book was born.Previously only available in English in highly abridged form, this edition, appearing fifty years after its original publication in France, restores chapters by Roger Establet, Pierre Macherey and Jacques Rancière. It includes a major new introduction by Étienne Balibar.

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in 1923/24 Henry Frugès, a Bordeaux industrialist commissioned Le Corbusier and Pierre Jeanneret with a "small workers housing estate" in Lège and a garden city in Pessac, comprising 130 to 150 houses with shops. These two housing schemes fitted neatly into the architects research on standardisation and the "machine à habiter", and provided a useful laboratory for gauging public opinion with regard to mass-production techniques in housing estates. One of the most striking features of the Cité Frugès was the use of polychromy on the exterior facades, to, in Le Corbusier's own words, "sculpt the space through the physical quality of colour - bring forward some volumes while making others recede. In short, compose with colour in the same way as we have composed with form. This is how architecture is transformed into urbanism." Historical documents and drawings make this handy-sized volume an invaluable guide for visitors and a practical introduction for all architectural enthusiasts.

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The Complete Letters of Henry James fills a crucial gap in modern literary studies by presenting in a scholarly edition the complete letters of one of the great novelists and letter writers of the English language. Comprising more than ten thousand letters reflecting on a remarkably wide range of topics—from James’s own life and literary projects to broader questions on art, literature, and criticism—this edition is an indispensable resource for students of James and of American and English literature, culture, and criticism. It will also be essential for research libraries throughout North America and Europe and for scholars who specialize in James, the European novel, and modern literature. Pierre A. Walker and Greg W. Zacharias have conceived this edition according to the exacting standards of the Committee on Scholarly Editions. The first in the series, this two-volume work includes the letters from 1854 to 1869 in volume one and the letters from 1869 to 1872 in volume two.

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Since it was first published, French in Action: A Beginning Course in Language and Culture—The Capretz Method has been widely recognized in the field as a model for video-based foreign-language instructional materials. The third edition has been revised by Pierre Capretz and Barry Lydgate and includes new, contemporary illustrations throughout and more-relevant information for today's students in the Documents sections of each lesson. A completely new feature is a journal by the popular character Marie-Laure, who observes and humorously comments on the political, cultural, and technological changes in the world between 1985 and today. The new edition also incorporates more content about the entire Francophone world. In use by hundreds of colleges, universities, and high schools, French in Action remains a powerful educational resource, and the third edition updates the course for a new generation of learners.

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This collection is the first extended interrogation in any language of Jacques Lacan's Seminar XVII. Originally delivered just after the Paris uprisings of May 1968, Seminar XVII marked a turning point in Lacan’s thought; it was both a step forward in the psychoanalytic debates and an important contribution to social and political issues. Collecting important analyses by many of the major Lacanian theorists and practitioners, this anthology is at once an introduction, critique, and extension of Lacan’s influential ideas.The contributors examine Lacan’s theory of the four discourses, his critique of the Oedipus complex and the superego, the role of primal affects in political life, and his prophetic grasp of twenty-first-century developments. They take up these issues in detail, illuminating the Lacanian concepts with in-depth discussions of shame and guilt, literature and intimacy, femininity, perversion, authority and revolt, and the discourse of marketing and political rhetoric. Topics of more specific psychoanalytic interest include the role of objet a, philosophy and psychoanalysis, the status of knowledge, and the relation between psychoanalytic practices and the modern university.Contributors. Geoff Boucher, Marie-Hélène Brousse, Justin Clemens, Mladen Dolar, Oliver Feltham, Russell Grigg, Pierre-Gilles Guéguen, Dominique Hecq, Dominiek Hoens, Éric Laurent, Juliet Flower MacCannell, Jacques-Alain Miller, Ellie Ragland, Matthew Sharpe, Paul Verhaeghe, Slavoj Žižek, Alenka Zupancic

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Jorge Luis Borges's Labyrinths is a collection of short stories and essays showcasing one of Latin America's most influential and imaginative writers. This Penguin Modern Classics edition is edited by Donald A. Yates and James E. Irby, with an introduction by James E. Irby and a preface by André Maurois.Jorge Luis Borges was a literary spellbinder whose tales of magic, mystery and murder are shot through with deep philosophical paradoxes. This collection brings together many of his stories, including the celebrated 'Library of Babel', whose infinite shelves contain every book that could ever exist, 'Funes the Memorious' the tale of a man fated never to forget a single detail of his life, and 'Pierre Menard, Author of the Quixote', in which a French poet makes it his life's work to create an identical copy of Don Quixote. In later life, dogged by increasing blindness, Borges used essays and brief tantalising parables to explore the enigma of time, identity and imagination. Playful and disturbing, scholarly and seductive, his is a haunting and utterly distinctive voice.Jorge Luis Borges (1899-1986) was born in Buenos Aires, Argentina. A poet, critic and short story writer, he received numerous awards for his work including the 1961 International Publisher's Prize (shared with Samuel Beckett). He has a reasonable claim, along with Kafka and Joyce, to be one of the most influential writers of the twentieth century.If you enjoyed Labyrinths, you might like Franz Kafka's Metamorphosis and Other Stories, also available in Penguin Modern Classics.'His is the literature of eternity'Peter Ackroyd, The Times'One of the towering figures of literature in Spanish'James Woodall, Guardian'Probably the greatest twentieth-century author never to win the Nobel Prize'Economist

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How social and intellectual changes undermine our justifications for the welfare state The welfare state has come under severe pressure internationally, partly for the well-known reasons of slowing economic growth and declining confidence in the public sector. According to the influential social theorist Pierre Rosanvallon, however, there is also a deeper and less familiar reason for the crisis of the welfare state. He shows here that a fundamental practical and philosophical justification for traditional welfare policies—that all citizens share equal risks—has been undermined by social and intellectual change. If we wish to achieve the goals of social solidarity and civic equality for which the welfare state was founded, Rosanvallon argues, we must radically rethink social programs.Rosanvallon begins by tracing the history of the welfare state and its founding premise that risks, especially the risks of illness and unemployment, are equally distri

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Electromagnetic Waves 2 examines antennas in the field of radio waves. It analyzes the conditions of use and the parameters that are necessary in order to create an effective antenna. This book presents antennas’ definitions, regulations and fundamental equations, and describes the various forms of antennas that can be used in radio: horns, waveguides, coaxial cables, printed and miniature antennas. It presents the characterization methods and the link budgets as well as the digital methods that make the fine calculation of radio antennas possible. Electromagnetic Waves 2 is a collaborative work, completed only with the invaluable contributions of Ibrahima Sakho, Hervé Sizun and JeanPierre Blot, not to mention the editor, Pierre-Noël Favennec. Aimed at students and engineers, this book provides essential theoretical support for the design and deployment of wireless radio and optical communication systems.

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"Don't you worry, son. Whatever it is that's been killing the sailors, I will kill it." In this science-fiction classic - reimagined by Dave Eggers in modern times, and from the point of view of the fourteen-year-old Consuelo - the famous oceanographer Pierre Arronax sets sail from New York. His aim: to hunt down a mysterious sea-monster which has been terrorising the oceans, wrecking ship after ship and causing countless deaths. But they discover an even stranger truth: the 'sea-monster' is in fact a submarine, captained by Nemo, and he is living in self-imposed exile in international waters. Consuelo and Arronax join Nemo on the submarine, and so begin their exciting adventures...

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This book examines how the hierarchical structures of taste implied by the term middlebrow were negotiated by the best-selling novelist, Warwick Deeping (1877 - 1950). Deeping is the focus for three reasons: he was immensely popular, prolific, and his popularity was perceived by such critics as Q. D. Leavis as a threat to the "sensitive minority". His sixty-eight novels from 1903 to 1950 give the cultural historian the unusual opportunity of tracing the develpment of an author's attempts to protect both himself and his readers from a process of cultural devaluation. After 1925, the best-selling Sorrell and Son and its successors established "a" Deeping as a product about which both admirers and detractors had certain expectations. His response to these provides an exemplary site within which to examine how cultural distinctions were being negotiated and contested in Britain between the two World Wars. The introduction traces the genealogy of Dr. Grover's theoretical approach. The theories of the Frankfurt school and of Pierre Bourdieu do not account adequately for the generation of texts in response to perceived cultural hierarchies. Deeping's texts are increasingly explicit in the ways they dramatize and address their own questionable cultural status. Grover uses this self-consciousness to test the limits of the usefulness of available theories of cultural production. Chapter 1 historicizes the emergenceof the term middlebrow, contrasting its use on either side of the Atlantic to demonstrate class and cultural context. Chapter 2 shows how Deeping represented his own class positioning as bestselling author. Chapter 3 examines a group of novels, preceding Sorrell and Son and before the term middlebrow had currency, in which the writer is depicted as feminized and declassified. Chapter 4 concerns the reception of Sorrell and Son and Deeping's fictionalization of its reception. The final chapter deals with the animosity to which Sorrell's success exposed the culturally beleaguered Deeping

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