Search results for ""University of California Press""

In the second half of the nineteenth century, global labor migration, trade, and overseas study brought China and the United States into close contact, leading to new cross-cultural encounters that brought mixed-race families into being. Yet the stories of these families remain largely unknown. How did interracial families negotiate their identities within these societies when mixed-race marriage was taboo and "Eurasian" often a derisive term? In Eurasian, Emma Jinhua Teng compares Chinese-Western mixed-race families in the United States, China, and Hong Kong, examining both the range of ideas that shaped the formation of Eurasian identities in these diverse contexts and the claims set forth by individual Eurasians concerning their own identities. Teng argues that Eurasians were not universally marginalized during this era, as is often asserted. Rather, Eurasians often found themselves facing contradictions between exclusionary and inclusive ideologies of race and nationality, and between overt racism and more subtle forms of prejudice that were counterbalanced by partial acceptance and privilege. By tracing the stories of mixed and transnational families during an earlier era of globalization, Eurasian also demonstrates to students, faculty, scholars, and researchers how changes in interracial ideology have allowed the descendants of some of these families to reclaim their dual heritage with pride.

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Hanoi's Road to the Vietnam War opens in 1954 with the signing of the Geneva accords that ended the eight-year-long Franco-Indochinese War and created two Vietnams. In agreeing to the accords, Ho Chi Minh and other leaders of the Democratic Republic of Vietnam anticipated a new period of peace leading to national reunification under their rule; they never imagined that within a decade they would be engaged in an even bigger feud with the United States. Basing his work on new and largely inaccessible Vietnamese materials as well as French, British, Canadian, and American documents, Pierre Asselin explores the communist path to war. Specifically, he examines the internal debates and other elements that shaped Hanoi's revolutionary strategy in the decade preceding U.S. military intervention, and resulting domestic and foreign programs. Without exonerating Washington for its role in the advent of hostilities in 1965, Hanoi's Road to the Vietnam War demonstrates that those who directed the effort against the United States and its allies in Saigon were at least equally responsible for creating the circumstances that culminated in arguably the most tragic conflict of the Cold War era.

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This work is a personal account of the origins and early years of the Salk Institute for Biological Studies. Bourgeois crafts an engaging study that draws on her involvement with the Institute and on related archives, interviews, and informal conversations. The volume discusses the people who founded the Institute and built a home for renowned research - leading scientists of the time as well as non-scientists of stature in finance, politics, philanthropy, publishing, and the humanities. The events that brought people together, the historic backdrop in which they worked, their personalities, their courage and their visions, their clash of egos and their personal vanities are woven together in a rich, engaging narrative about the founding of a world-premier research institution.

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Some of the most innovative art of the past decade has been created far outside conventional galleries and museums. In a parking garage in Oakland, California; on a pleasure boat on the Lake of Zurich in Switzerland; at a public market in Chiang Mai, Thailand - artists operating at the intersection of art and cultural activism have been developing new forms of collaboration with diverse audiences and communities. Their projects have addressed such issues as political conflict in Northern Ireland, gang violence on Chicago's West Side, and the problems of sex workers in Switzerland. Provocative, accessible, and engaging, this book, one of the first full-length studies on the topic, situates these socially conscious projects historically, relates them to key issues in contemporary art and art theory, and offers a unique critical framework for understanding them. Grant Kester discusses a disparate network of artists and collectives - including The Art of Change, Helen and Newton Harrison, Littoral, Suzanne Lacy, Stephen Willats, and WochenKlausur - united by a desire to create new forms of understanding through creative dialogue that crosses boundaries of race, religion, and culture. Kester traces the origins of these works in the conceptual art and feminist performance art of the 1960s and 1970s and draws from the writings of Mikhail Bakhtin, Jurgen Habermas, and others as he explores the ways in which these artists corroborate and challenge many of the key principles of avant-garde art and art theory.

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"Deceit and Denial" details the attempts by the chemical and lead industries to deceive Americans about the dangers that their deadly products present to workers, the public, and consumers. Gerald Markowitz and David Rosner pursued evidence steadily and relentlessly, interviewed the important players, investigated untapped sources, and uncovered a bruising story of cynical and cruel disregard for health and human rights. This resulting expose is full of startling revelations, provocative arguments, and disturbing conclusions - all based on remarkable research and information gleaned from secret industry documents. This book reveals for the first time the public relations campaign that the lead industry undertook to convince Americans to use its deadly product to paint walls, toys, furniture, and other objects in America's homes, despite a wealth of information that children were at risk for serious brain damage and death from ingesting this poison. This book highlights the immediate dangers ordinary citizens face because of the relentless failure of industrial polluters to warn, inform, and protect their workers and neighbors. It offers a historical analysis of how corporate control over scientific research has undermined the process of proving the links between toxic chemicals and disease. The authors also describe the wisdom, courage, and determination of workers and community members who continue to voice their concerns in spite of vicious opposition. Readable, ground-breaking, and revelatory, "Deceit and Denial" provides crucial answers to questions of dangerous environmental degradation, escalating corporate greed, and governmental disregard for its citizens' safety and health. After eleven years, Markowitz and Rosner update their work with a new epilogue that outlines the attempts these industries have made to undermine and create doubt about the accuracy of the information in this book.

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Grasses and grasslands are of increasing interest to conservationists, biologists, and gardeners. There are more than 300 species of native California grasses and they are found in almost every climate--from cool, wet forests to hot, dry deserts. Native grasses are also important in land restoration, as they improve soil quality, increase water infiltration, and recycle nutrients. Their deep roots can tap soil water, allowing them to stay green year-round and act as fire buffers around residences. Native grasses also provide vital habitat to many species of insects, birds, reptiles, and mammals. Despite all of this, grasslands remain one of the most underprotected of California's vegetation types, and native grasslands have undergone the greatest percentage loss of any habitat type in the state. Grasses are also among the most difficult plants to identify. Organized alphabetically, Field Guide to Grasses of California covers the more common native and naturalized grasses, and features over 180 color illustrations to help identify them.

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California is globally renowned for its biological diversity, including its wealth of unique, or endemic, species. Many reasons have been cited to explain this abundance: the complex geology and topography of its landscape, the special powers of its Mediterranean-type climate, and the historic and modern barriers to the wider dispersal of its flora and fauna. "Plant and Animal Endemism in California" compiles and synthesizes a wealth of data on this singular subject, providing new and updated lists of native species, comparing patterns and causes of both plant and animal endemism, and interrogating the classic explanations proposed for the state's special significance in light of new molecular evidence. Susan Harrison also offers a summary of the innovative tools that have been developed and used in California to conserve and protect this stunning and imperiled diversity.

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In the wake of the conquests of Alexander the Great, the ancient world of the Bible--the ancient Near East--came under Greek rule, and in the land of Israel, time-old traditions and Greek culture met. But with the accession of King Antiochus IV, the soft power of culture was replaced with armed conflict, and soon the Jews rebelled against their imperial masters, as recorded in the Biblical books of Maccabees. Whereas most scholars have dismissed the Biblical accounts of religious persecution and cultural clash, Sylvie Honigman combines subtle literary analysis with deep historical insight to show how their testimony can be reconciled with modern historical analysis by learning to converse with the Biblical authors, so to speak, in their own language to understand the way they described their own experiences. Honigman contents that their stories are not mere fantasies but genuine attempts to cope with the massacre that followed the rebellion by giving it new meaning. This reading also discloses fresh political and economic factors.

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"Wayward Shamans" tells the story of an idea that humanity's first expression of art, religion and creativity found form in the figure of a proto-priest known as a shaman. Tracing this classic category of the history of anthropology back to the emergence of the term in Siberia, the work follows the trajectory of European knowledge about the continent's eastern frontier. The ethnographic record left by German natural historians engaged in the Russian colonial expansion project in the 18th century includes a range of shamanic practitioners, varied by gender and age. Later accounts by exiled Russian revolutionaries noted transgendered shamans. This variation vanished, however, in the translation of shamanism into archaeology theory, where a male sorcerer emerged as the key agent of prehistoric art. More recent efforts to provide a universal shamanic explanation for rock art via South Africa and neurobiology likewise gloss over historical evidence of diversity. By contrast this book argues for recognizing indeterminacy in the categories we use, and reopening them by recalling their complex history.

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In "Spaces of Conflict, Sounds of Solidarity", Gaye Theresa Johnson examines interracial anti-racist alliances, divisions among aggrieved minority communities, and the cultural expressions and spatial politics that emerge from the mutual struggles of Blacks and Chicanos in Los Angeles from the 1940s to the present. Johnson argues that struggles waged in response to institutional and social repression have created both moments and movements in which Blacks and Chicanos have unmasked power imbalances, sought recognition, and forged solidarities by embracing the strategies, cultures, and politics of each others' experiences. At the center of this study is the theory of spatial entitlement: the spatial strategies and vernaculars utilized by working class youth to resist the demarcations of race and class that emerged in the postwar era. In this important new book, Johnson reveals how racial alliances and antagonisms between Blacks and Chicanos in L.A. had spatial as well as racial dimensions.

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Human civilizations' longest lasting artifacts are not the great Pyramids of Giza, nor the cave paintings at Lascaux, but the communications satellites that circle our planet. In a stationary orbit above the equator, the satellites that broadcast our TV signals, route our phone calls, and process our credit card transactions experience no atmospheric drag. Their inert hulls will continue to drift around Earth until the Sun expands into a red giant and engulfs them about 4.5 billion years from now. The Last Pictures, co-published by Creative Time Books, is rooted in the premise that these communications satellites will ultimately become the cultural and material ruins of the late 20th and early 21st centuries, far outlasting anything else humans have created. Inspired in part by ancient cave paintings, nuclear waste warning signs, and Carl Sagan's Golden Records of the 1970s, artist/geographer Trevor Paglen has developed a collection of one hundred images that will be etched onto an ultra-archival, golden silicon disc. The disc, commissioned by Creative Time, will then be sent into orbit onboard the Echostar XVI satellite in September 2012, as both a time capsule and a message to the future. The selection of 100 images, which are the centerpiece of the book, was influenced by four years of interviews with leading scientists, philosophers, anthropologists, and artists about the contradictions that characterize contemporary civilizations. Consequently, The Last Pictures engages some of the most profound questions of the human experience, provoking discourse about communication, deep time, and the economic, environmental, and social uncertainties that define our historical moment. Copub: Creative Time Books

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For more than a quarter of a century, Ildefonso, a Mexican Indian, lived in total isolation, set apart from the rest of the world. He wasn't a political prisoner or a social recluse, he was simply born deaf and had never been taught even the most basic language. Susan Schaller, then a twenty-four-year-old graduate student, encountered him in a class for the deaf where she had been sent as an interpreter and where he sat isolated, since he knew no sign language. She found him obviously intelligent and sharply observant but unable to communicate, and she felt compelled to bring him to a comprehension of words. The book vividly conveys the challenge, the frustrations, and the exhilaration of opening the mind of a congenitally deaf person to the concept of language. This second edition includes a new chapter and afterword.

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In this vibrant new history, Phil Tiemeyer details the history of men working as flight attendants. Beginning with the founding of the profession in the late 1920s and continuing into the post-September 11 era, "Plane Queer" examines the history of men who joined workplaces customarily identified as female-oriented. It examines the various hardships these men faced at work, paying particular attention to the conflation of gender-based, sexuality-based, and AIDS-based discrimination. Tiemeyer also examines how this heavily gay-identified group of workers created an important place for gay men to come out, garner acceptance from their fellow workers, fight homophobia and AIDS phobia, and advocate for LGBT civil rights. All the while, male flight attendants facilitated key breakthroughs in gender-based civil rights law, including an important expansion of the ways that Title VII of the 1964 Civil Rights Act would protect workers from sex discrimination. Throughout their history, men working as flight attendants helped evolve an industry often identified with American adventuring, technological innovation, and economic power into a queer space.

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The first major battle over school choice came out of struggles over equalizing and integrating schools in the civil rights era, when it became apparent that choice could be either a serious barrier or a significant tool for reaching these goals. The second large and continuing movement for choice was part of the very different anti-government, individualistic, market-based movement of a more conservative period in which many of the lessons of that earlier period were forgotten, though choice was once again presented as the answer to racial inequality. This book brings civil rights back into the center of the debate and tries to move from doctrine to empirical research in exploring the many forms of choice and their very different consequences for equity in U.S. schools. Leading researchers conclude that although helping minority children remains a central justification for choice proponents, ignoring the essential civil rights dimensions of choice plans risks compounding rather than remedying racial inequality.

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First Cut offers an opportunity to learn what film editing really is, and to learn from the source. Gabriella Oldham's interviews with twenty-three award-winning film editors give a full picture of the complex art and craft of editing a film. Filled with animated anecdotes and detailed examples, and updated with a new preface, this book provides a comprehensive treatment of both documentary and feature film editing.

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In Someplace Like America, writer Dale Maharidge and photographer Michael S. Williamson take us to the working-class heart of America, bringing to life--through shoe leather reporting, memoir, vivid stories, stunning photographs, and thoughtful analysis--the deepening crises of poverty and homelessness. The story begins in 1980, when the authors joined forces to cover the America being ignored by the mainstream media--people living on the margins and losing their jobs as a result of deindustrialization. Since then, Maharidge and Williamson have traveled more than half a million miles to investigate the state of the working class (winning a Pulitzer Prize in the process). In Someplace Like America, they follow the lives of several families over the thirty-year span to present an intimate and devastating portrait of workers going jobless. This brilliant and essential study--begun in the trickle-down Reagan years and culminating with the recent banking catastrophe--puts a human face on today's grim economic numbers. It also illuminates the courage and resolve with which the next generation faces the future.

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Today labor migrants mostly move south to north across the Mediterranean. Yet in the nineteenth century thousands of Europeans and others moved south to North Africa, Egypt, and the Levant. This study of a dynamic borderland, the Tunis region, offers the fullest picture to date of the Mediterranean before, and during, French colonialism. In a vibrant examination of people in motion, Julia A. Clancy-Smith tells the story of countless migrants, travelers, and adventurers who traversed the Mediterranean, changing it forever. Who were they? Why did they leave home? What awaited them in North Africa? And most importantly, how did an Arab-Muslim state and society make room for the newcomers? Combining fleeting facts, tales of success and failure, and vivid cameos, the book gives a groundbreaking view of one of the principal ways that the Mediterranean became modern.

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Spanning four continents and six countries, this book introduces "new art landscapes" that fuse architecture, the reuse of found structures, environmentalism, and artistic experimentation. Through words and pictures, readers explore six institutions - Olympic Sculpture Park, Seattle, USA; Raketenstation Hombroich, near Neuss, Germany; Benesse Art Site in Naoshima, Japan; Inhotim, near Belo Horizonte, Brazil; Jardin Botanico, Culiacan, Mexico; and Grand Traiano Art Complex, Grottaferrata, Italy - dedicated to the experience of culture and nature. Integrating vegetation and non-linear sequences of spaces, the sites offer multiple experiences enticing the visitor to circulate between and within buildings. Iwan Baan, one of today's most influential architectural photographers, thoughtfully documents each project. In addition to his stunning images, the sites are depicted with architects' plans and sketches, historical photographs, and maquettes and sketches by key installation artists. Raymund Ryan's insightful essay discusses important historical precedents and considers the defining characteristics of "new art landscapes" through descriptions of each of the projects. Brian O'Doherty offers an artist's critical perspective, while Marc Treib situates the projects in the history of landscape design Architects under consideration include such established masters as Tadao Ando and Alvaro Siza Vieira as well as emerging practices such as Tatiana Bilbao and Johnston Marklee.

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Evolutionary biology has long sought to explain how new traits and new species arise. Darwin maintained that competition is key to understanding this biodiversity and held that selection acting to minimize competition causes competitors to become increasingly different, thereby promoting new traits and new species. Despite Darwin's emphasis, competition's role in diversification remains controversial and largely underappreciated. In their synthetic and provocative book, evolutionary ecologists David and Karin Pfennig explore competition's role in generating and maintaining biodiversity. The authors discuss how selection can lessen resource competition or costly reproductive interactions by promoting trait evolution through a process known as character displacement. They further describe character displacement's underlying genetic and developmental mechanisms. The authors then consider character displacement's myriad downstream effects, ranging from shaping ecological communities to promoting new traits and new species and even fueling large-scale evolutionary trends. Drawing on numerous studies from natural populations, and written for a broad audience, Evolution's Wedge seeks to inspire future research into character displacement's many implications for ecology and evolution.

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In the Spring of 2009, the Tea Party emerged onto the American political scene. In the wake of Obama's election, as commentators proclaimed the "death of conservatism", Tax Day rallies and Tea Party showdowns at congressional town hall meetings marked a new and unexpected chapter in American conservatism. Accessible to students and general readers, "Steep: The Precipitous Rise of the Tea Party" brings together leading scholars and experts on the American Right to examine a political movement that electrified American society. Topics addressed by the volume's contributors include the Tea Party's roots in earlier mass movements of the Right and in distinctive forms of American populism and conservatism, the significance of class, race and gender to the rise and successes of the Tea Party, the effect of the Tea Party on the Republican Party, the relationship between the Tea Party and the Religious Right, and the contradiction between the grass-roots nature of the Tea Party and the established political financing behind it. Throughout the volume, authors provide detailed and often surprising accounts of the movement's development at local and national levels. In an Epilogue, the Editors address the relationship between the Tea Party and the Occupy Wall Street movement.

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Archaeology has always been marked by its particular care, obligation, and loyalty to things. While archaeologists may not share similar perspectives or practices, they find common ground in their concern for objects monumental and mundane. This book considers the myriad ways that archaeologists engage with things in order to craft stories, both big and small, concerning our relations with materials and the nature of the past. Literally the "science of old things", archaeology does not discover the past as it was but must work with what remains. Such work involves the tangible mediation of past and present, of people and their cultural fabric, for things cannot be separated from society. Things are us. This book does not set forth a sweeping new theory. It does not seek to transform the discipline of archaeology. Rather, it aims to understand precisely what archaeologists do and to urge practitioners toward a renewed focus on and care for things.

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For the city's first two hundred years, the story told at Washington DC's symbolic center, the National Mall, was about triumphant American leaders. Since 1982, when the Vietnam Veterans Memorial was dedicated, the narrative has shifted to emphasize the memory of American wars. In the last thirty years, five significant war memorials have been built on, or very nearly on, the Mall. The Vietnam Veterans Memorial, the Korean War Veterans Memorial, the Women in Military Service for America Memorial, The National Japanese American Memorial to Patriotism During WWII, and the National World War II Memorial have not only transformed the physical space of the Mall but have also dramatically rewritten ideas about U.S. nationalism expressed there. In "Sacrificing Soldiers on the National Mall", Kristin Ann Hass examines this war memorial boom, the debates about war and race and gender and patriotism that shaped the memorials, and the new narratives about the nature of American citizenship that they spawned. "Sacrificing Soldiers on the National Mall" explores the meanings we have made in exchange for the lives of our soldiers and asks if we have made good on our enormous responsibility to them.

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The figure of Julius Caesar has loomed large in the United States since its very beginning, admired and evoked as a gateway to knowledge of politics, war, and even national life. In this lively and perceptive book, the first to examine Caesar's place in modern American culture, Maria Wyke investigates how his use has intensified in periods of political crisis, when the occurrence of assassination, war, dictatorship, totalitarianism or empire appears to give him fresh relevance. Her fascinating discussion shows how - from the Latin classroom to the Shakespearean stage, from cinema, television and the comic book to the internet - Caesar is mobilized in the U.S. as a resource for acculturation into the American present, as a prediction of America's future, or as a mode of commercial profit and great entertainment.

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"Building Home" is an innovative biography that weaves together three engrossing stories. It is one part corporate and industrial history, using the evolution of mortgage finance as a way to understand larger dynamics in the nation's political economy. It is another part urban history, since the extraordinary success of the savings and loan business in Los Angeles reflects much of the cultural and economic history of Southern California. "Finally, it is a personal story, a biography of one of the nation's most successful entrepreneurs of the managed economy". (Howard Fieldstad Ahmanson). Eric John Abrahamson deftly connects these three strands as he chronicles Ahmanson's rise against the background of the postwar housing boom and the growth of L.A. during the same period. As a sun-tanned yachtsman and a cigar-smoking financier, the Omaha-born Ahmanson was both unique and representative of many of the business leaders of his era. He did not control a vast infrastructure like a railroad or an electrical utility. Nor did he build his wealth by pulling the financial levers that made possible these great corporate endeavors. Instead, he made a fortune by enabling the middle-class American dream. With his great wealth, he contributed substantially to the expansion of the cultural institutions in L.A. As we struggle to understand the current mortgage-led financial crisis, Ahmanson's life offers powerful insights into an era when the widespread hope of homeownership was just beginning to take shape.

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The microscopic examination of fossilized bone tissue is a sophisticated and increasingly important analytical tool for understanding the life history of ancient organisms. This book provides an essential primer and manual for using fossil bone histology to investigate the biology of extinct tetrapods. Twelve experts summarize advances in the field over the past three decades, reviewing fundamental basics of bone microanatomy and physiology. Research specimen selection, thin-section preparation, and data analysis are addressed in detail. The authors also outline methods and issues in bone growth rate calculation and chronological age determination, as well as how to examine broader questions of behavior, ecology, and evolution by studying the microstructure of bone.

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With "Late Godard and the Possibilities of Cinema", Daniel Morgan makes a significant contribution to scholarship on Jean-Luc Godard, especially his films and videos since the late 1980s, some of the most notoriously difficult works in contemporary cinema. Through detailed analyses of extended sequences, technical innovations, and formal experiments, Morgan provides an original interpretation of a series of several internally related films - "Soigne ta droite" ("Keep Your Right Up", 1987), "Nouvelle vague" ("New Wave", 1990), and "Allemagne 90 neuf zero" ("Germany 90 Nine Zero", 1991) - and the monumental late video work, "Histoire(s) du cinema" (1988-1998). Taking up a range of topics, including the role of nature and natural beauty, the relation between history and cinema, and the interactions between film and video, the book provides a distinctive account of the cinematic and intellectual ambitions of Godard's late work. At the same time, "Late Godard and the Possibilities of Cinema" provides a new direction for the fields of film and philosophy by drawing on the idealist and romantic tradition of philosophical aesthetics, which rarely finds an articulation within film studies. In using the tradition of aesthetics to illuminate Godard's late films and videos, Morgan shows that these works transform the basic terms and categories of aesthetics in and for the cinema.

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"Ghosts appear in place of whatever a given people will not face" (p. 65) The poems in Gravesend explore ghosts as instances of collective grief and guilt, as cultural constructs evolved to elide or to absorb a given society's actions, as well as, at times, to fill the gaps between such actions and the desires and intentions of its individual citizens. Tracing the changing nature of the ghostly in the western world from antiquity to today, the collection focuses particularly on the ghosts created by the European expansion of the 16th through 20th centuries, using the town of Gravesend, the seaport at the mouth of the Thames through which countless emigrants passed, as an emblem of theambiguous threshold between one life and another, in all the many meanings of that phrase.

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This engaging and easy-to-use natural history guidebook provides a thorough overview of native and honey bee biology and offers tools for identifying the most common bees of California and the Western United States. Full-color illustrations introduce readers to more than 30 genera of native bees, noting each one's needs and habits and placing them in their wider context. The author highlights bees' ties to our own lives, the food we eat, and the habitat we provide, and suggests ways to support bees in our own backyards. In addition to helping readers understand and distinguish among major groups of bees, this guide reveals how bees are an essential part of healthy ecosystem and how many plants, including important crop plants, depend on the pollination they provide. As growing evidence points to declining bee populations, this book offers critical information about the bond between plants and pollinators, and between humans and nature. Thoroughly researched and full of new insights into the ancient process of pollination, Field Guide to the Common Bees of California; Including Bees of the Western United States is invaluable for the window it opens onto the biodiversity, adaptive range, and complexity of invertebrate communities.

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China is a vast nation comprised of hundreds of distinct ethnic communities, each with its own language, history, and culture. Today the government of China recognizes just 56 ethnic nationalities, or minzu, as groups entitled to representation. This controversial new book recounts the history of the most sweeping attempt to sort and categorize the nation's enormous population: the 1954 Ethnic Classification project (minzu shibie). Thomas S. Mullaney draws on recently declassified material and extensive oral histories to describe how the communist government, in power less than a decade, launched this process in ethnically diverse Yunnan. Mullaney shows how the government drew on Republican-era scholarship for conceptual and methodological inspiration as it developed a strategy for identifying minzu and how non-Party-member Chinese ethnologists produced a "scientific" survey that would become the basis for a policy on nationalities.

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On an August evening in 1933, in a quiet, working-class neighborhood in Paris, eighteen-year-old Violette Noziere gave her mother and father glasses of barbiturate-laced "medication", which she told them had been prescribed by the family doctor; one of her parents died, the other barely survived. Almost immediately Violette's act of "double parricide" became the most sensational private crime of the French interwar era - discussed and debated so passionately that it was compared to the Dreyfus Affair. Why would the beloved only child of respectable parents do such a thing? To understand the motives behind this crime and the reasons for its extraordinary impact, Sarah Maza delves into the abundant case records, re-creating the daily existence of Parisians whose lives were touched by the affair. This compulsively readable book brilliantly evokes the texture of life in 1930s Paris. It also makes an important argument about French society and culture while proposing new understandings of crime and social class in the years before World War II.

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From his stunning discovery of Tyrannosaurus rex one hundred years ago to the dozens of other important new dinosaur species he found, Barnum Brown led a remarkable life (1873-1963), spending most of it searching for fossils - and sometimes oil - in every corner of the globe. One of the most famous scientists in the world during the middle of the twentieth century, Brown - who lived fast, dressed to the nines, gambled, drank, smoked, and was known as a ladies' man - became as legendary as the dinosaurs he uncovered. Barnum Brown brushes off the loose sediment to reveal the man behind the legend. Drawing on Brown's field correspondence and unpublished notes, and on the writings of his daughter and his two wives, it discloses for the first time details about his life and travels - from his youth on the western frontier to his spying for the U.S. government under cover of his expeditions. This absorbing biography also takes full measure of Brown's extensive scientific accomplishments, making it the definitive account of the life and times of a singular man and a superlative fossil hunter.

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Intended as a reminder of Europe for soldiers and clerks of the empire, the city of Dalat, located in the hills of Southern Vietnam, was built by the French in an alpine locale that reminded them of home. This book uncovers the strange 100-year history of a colonial city that was conceived as a center of power and has now become a kitsch tourist destination famed for its colonial villas, flower beds, pristine lakes, and pastoral landscapes. Eric T. Jennings finds that from its very beginning, Dalat embodied the paradoxes of colonialism - it was a city of leisure built on the backs of thousands of coolies, a supposed paragon of hygiene that offered only questionable protection from disease, and a new venture into ethnic relations that ultimately backfired. Jennings' fascinating history opens a new window onto virtually all aspects of French Indochina, from architecture and urban planning to violence, labor, metissage, health and medicine, gender and ethic relations, schooling, religion, comportments, anxieties, and more.

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"Clay can be a metaphor for many things. I made it a metaphor for flesh and earth". (Stephen De Staebler). Over the course of a fifty-year career, Stephen De Staebler (1933-2011) created powerful, elegiac figurative sculptures in clay and bronze. Extending and assimilating an artistic lineage that includes Michelangelo, Auguste Rodin, and Alberto Giacometti as well as the art of the ancient Americas, Egypt, and Greece, De Staebler developed a sculptural vocabulary uniquely his own. A resident of the San Francisco Bay Area since the late 1950s, De Staebler was among the first students of the legendary Peter Voulkos at the University of California, Berkeley. In conjunction with the Bay Area Figurative movement, De Staebler helped to infuse the existentialist agenda of Abstract Expressionism with a profound humanism. Illuminating the significance of De Staebler's practice as never before, curator Timothy Anglin Burgard analyzes the artist's major pieces. Poet and critic Rick Newby sketches a biographical portrait of the sculptor, and renowned art historian Dore Ashton offers a moving tribute to the artist, with whom she was a lifelong friend. Produced in collaboration with the artist and his estate, this authoritative volume - published on the occasion of a major exhibition at the de Young Museum in San Francisco - offers an unprecedented glimpse into the sculptor's studio and process.

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In this expose Sydney L. Iaukea ties personal memories to newly procured political information about Hawaii's crucial Territorial era. Spurred by questions surrounding intergenerational property disputes in her immediate family, she delves into Hawaii's historical archives. There she discovers the central role played by her great-great-grandfather in the politics of late-nineteenth- and early-twentieth-century Hawaii--in particular, Curtis P. Iaukea's trusted position with the Hawaiian Kingdom's last ruling monarch, Queen Liliuokalani. As Iaukea charts her ancestor's efforts to defend a culture under siege, she reveals astonishing legal and legislative maneuvers that show us how capitalism reshaped cultural relationships. She finds resonant parallels and connections between her own upbringing in Maui's housing projects, her family's penchant for hiding property, and the Hawaiian peoples' loss of their country and lands.

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Bringing together the experience, perspective and expertise of Paul Farmer, Jim Yong Kim, and Arthur Kleinman, "Reimagining Global Health" provides an original, compelling introduction to the field of global health. Drawn from a Harvard course developed by their student Matthew Basilico, this work provides an accessible and engaging framework for the study of global health. Insisting on an approach that is historically deep and geographically broad, the authors underline the importance of a transdisciplinary approach, and offer a highly readable distillation of several historical and ethnographic perspectives of contemporary global health problems. The case studies presented throughout "Reimagining Global Health" bring together ethnographic, theoretical, and historical perspectives into a wholly new and exciting investigation of global health. The interdisciplinary approach outlined in this text should prove useful not only in schools of public health, nursing, and medicine, but also in undergraduate and graduate classes in anthropology, sociology, political economy, and history, among others.

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In the early twenty-first century, China occupies a place on center stage in the international art world. But what does it mean to be a Chinese artist in the modern age? This first comprehensive study of modern Chinese art history traces its evolution chronologically and thematically from the Age of Imperialism to the present day. Julia Andrews and Kuiyi Shen pay particular attention to the dynamic tension between modernity and tradition, as well as the interplay of global cosmopolitanism and cultural nationalism. This lively, accessible, and beautifully illustrated text will serve and enlighten scholars, students, collectors, and anyone with an interest in Asian art and artists.

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This superb anthology brings together some of the most powerful and compelling writing about the Grand Canyon - stories, essays, and poems written across five centuries by people inhabiting, surviving, and attempting to understand what one explorer called the 'Great Unknown'. "The Grand Canyon Reader" includes traditional stories from native tribes, reports by explorers, journals by early tourists, and contemporary essays and stories by such beloved writers as John McPhee, Ann Zwinger, Edward Abbey, Terry Tempest Williams, Barry Lopez, Linda Hogan, and Craig Childs. Lively tales written by unschooled river runners, unabashedly popular fiction, and memoirs stand alongside finely crafted literary works to represent full range of human experience in this wild, daunting, and inspiring landscape.

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"A People's Guide to Los Angeles" offers an assortment of eye-opening alternatives to L.A.'s usual tourist destinations. It documents 115 little-known sites in the City of Angels where struggles related to race, class, gender, and sexuality have occurred. They introduce us to people and events usually ignored by mainstream media and, in the process, create a fresh history of Los Angeles. Roughly dividing the city into six regions - North Los Angeles, the Eastside and San Gabriel Valley, South Los Angeles, Long Beach and the Harbor, the Westside, and the San Fernando Valley - this illuminating guide shows how power operates in the shaping of places, and how it remains embedded in the landscape.

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Nepal's recent history is extraordinary: within a short span of time, the country endured a relatively peaceful 1990 revolution that reestablished democracy, a Maoist civil war, and the massacre of its royal family. As these dramatic changes were taking place, Nepalese society experienced an upsurge in both political and intimate discourse, and the two became intertwined as they developed. Voicing Subjects is an ethnography that explores that phenomenon, tracing the relationship between public speech and notions of personal interiority in Kathmandu by examining the two formations of voice that emerged: a political voice, associated with civic empowerment and collective agency, and an intimate voice, associated with emotional proximity and authentic feeling. Using personal interviews and examples in the media--in particular, radio--Kunreuther's careful study reveals the figure of voice as a critical tool for gaining an in-depth understanding of emerging subjectivity, structural change, and cultural mediation.

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In this expose Sydney L. Iaukea ties personal memories to newly procured political information about Hawaii's crucial Territorial era. Spurred by questions surrounding intergenerational property disputes in her immediate family, she delves into Hawaii's historical archives. There she discovers the central role played by her great-great-grandfather in the politics of late-nineteenth- and early-twentieth-century Hawaii--in particular, Curtis P. Iaukea's trusted position with the Hawaiian Kingdom's last ruling monarch, Queen Liliuokalani. As Iaukea charts her ancestor's efforts to defend a culture under siege, she reveals astonishing legal and legislative maneuvers that show us how capitalism reshaped cultural relationships. She finds resonant parallels and connections between her own upbringing in Maui's housing projects, her family's penchant for hiding property, and the Hawaiian peoples' loss of their country and lands.

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After living in San Francisco for 15 years, journalist Gordon Young found himself yearning for his Rust Belt hometown: Flint, Michigan, the birthplace of General Motors and "star" of the Michael Moore documentary Roger & Me. Hoping to rediscover and help a place that once boasted one of the world's highest per capita income levels, but is now one of the country's most impoverished and dangerous cities, he returned to Flint with the intention of buying a house. What he found was a place of stark contrasts and dramatic stories, where an exotic dancer can afford a lavish mansion, speculators scoop up cheap houses by the dozen on eBay, and arson is often the quickest route to neighborhood beautification. Skillfully blending personal memoir, historical inquiry, and interviews with Flint residents, Young constructs a vibrant tale of a once-thriving city still fighting - despite overwhelming odds - to rise from the ashes. He befriends a rag-tag collection of urban homesteaders and die-hard locals who refuse to give up as they try to transform Flint into a smaller, greener town that offers lessons for cities all over the world. Hard-hitting, insightful, and often painfully funny, "Teardown" reminds us that cities are ultimately defined by people, not politics or economics.

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In a wide-ranging, cross-cultural, and transhistorical assessment, John Mowitt examines radio's central place in the history of twentieth-century critical theory. A communication apparatus that was a founding technology of twentieth-century mass culture, radio drew the attention of theoretical and philosophical writers such as Jean-Paul Sartre, Walter Benjamin, Jacques Lacan, and Frantz Fanon, who used it as a means to disseminate their ideas. For others, such as Martin Heidegger, Theodor Adorno, and Raymond Williams, radio served as an object of urgent reflection. Mowitt considers how the radio came to matter, especially politically, to phenomenology, existentialism, Hegelian Marxism, anticolonialism, psychoanalysis, and cultural studies. The first systematic examination of the relationship between philosophy and radio, this provocative work also offers a fresh perspective on the role this technology plays today.

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From risque cabaret performances to engrossing after-hours shop talk, "Trade of the Tricks" offers an unprecedented look inside the secretive subculture of modern magicians. Entering the flourishing Paris magic scene as an apprentice, Graham M. Jones gives a firsthand account of how magicians learn to perform their astonishing deceptions. He follows the day-to-day lives of some of France's most renowned performers, revealing not only how secrets are created and shared, but also how they are stolen and destroyed. In a book brimming with humor and surprise, Jones shows how today's magicians marshal creativity and passion in striving to elevate their amazing skill into high art. The book's lively cast of characters includes female and queer performers whose work is changing the face of a historically masculine genre.

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"Metropolis Berlin: 1880-1940" reconstitutes the built environment of Berlin during the period of its classical modernity using over two hundred contemporary texts, virtually all of which are published in English translation for the first time. They are from the pens of those who created Berlin as one of the world's great cities and those who observed this process: architects, city planners, sociologists, political theorists, historians, cultural critics, novelists, essayists, and journalists. Divided into nineteen sections, each prefaced by an introductory essay, the account unfolds chronologically, with the particular structural concerns of the moment addressed in sequence - be they department stores in 1900, housing in the 1920s, or parade grounds in 1940. "Metropolis Berlin: 1880-1940" not only details the construction of Berlin, but explores homes and workplaces, public spaces, circulation, commerce, and leisure in the German metropolis as seen through the eyes of all social classes, from the humblest inhabitants of the city slums, to the great visionaries of the modern city, and the demented dictator resolved to remodel Berlin as Germania.

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Cheese is alive, and alive with meaning. Heather Paxson's beautifully written anthropological study of American artisanal cheesemaking tells the story of how craftwork has become a new source of cultural and economic value for producers as well as consumers. Dairy farmers and artisans inhabit a world in which their colleagues and collaborators are a wild cast of characters, including plants, animals, microorganisms, family members, employees, and customers. As "unfinished" commodities, living products whose qualities are not fully settled, handmade cheeses embody a mix of new and old ideas about taste and value. By exploring the life of cheese, Paxson helps rethink the politics of food, land, and labor today.

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This inspired collection offers a new paradigm for moving the world beyond violence as the first, and often only, response to violence. Through essays and poetry, prayers and meditations, "Transforming Terror" powerfully demonstrates that terrorist violence - defined here as any attack on unarmed civilians - can never be stopped by a return to the thinking that created it. A diverse array of contributors - writers, healers, spiritual and political leaders, scientists, and activists, including Desmond Tutu, Huston Smith, Riane Eisler, Daniel Ellsberg, Amos Oz, Fatema Mernissi, Fritjof Capra, George Lakoff, Mahmoud Darwish, Terry Tempest Williams, and Jack Kornfield - considers how we might transform the conditions that produce terrorist acts and bring true healing to the victims of these acts. Broadly encompassing both the Islamic and Western worlds, the book explores the nature of consciousness and offers a blueprint for change that makes peace possible. From unforgettable firsthand accounts of terrorism, the book draws us into awareness of our ecological and economic interdependence, the need for connectedness, and the innate human capacity for compassion.

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For the major poets of Osip Mandelstam's generation, poetry represented a calling in the most tangible sense. To respond to it meant to fashion from the available cultural and personal material a mythic self, one that could serve both as the organizing subject for poetry and as an object of worshipful adoration. A successful poet like Mandelstam thus became the focal point of a complex cultural phenomenon-perhaps a charismatic cult-that shaped his writings, gesture, and reception. Gregory Freidin examines Mandelstam's legacy in this broader context and lays the groundwork for approaching modernist Russian poetry as a charismatic institution. He traces the interplay of poetic tradition, personal background, historical events, religious culture, and political developments as they entered the symbolic order of Mandelstam's art and helped determine its outlines in the reader's imagination. Many important aspects of the Mandelstam phenomenon, including the Jewish theme, the meaning of the poet's Christianity, his political stand, and, in particular, his conflict with Stalin and Stalinism, receive here a new interpretation. A case study in the emergence of a literary cult, "A Coat of Many Colors" reveals how Russian poetry of the early twentieth century functioned as a charismatic institution of a distinctly modern kind. Those who belonged to it combined knowledge of the recent studies in myth, magic, and religion with the cultivation of verbal magic, mythic consciousness, and unorthodox religious beliefs. Following Mandelstam's career over its entire span (1908-1938), Freidin shows how the poet benefited from literary scholarship, comparative mythology, the history and sociology of religion at the same time he was emulating in his poetry the very subject of these academic disciplines. To account for this duality in interpreting Mandelstam's writings, Freidin draws on explanatory paradigms of contemporary human sciences, from Saussure and the Formalists to Weber, Durkheim, Freud, and Marcel Mauss.

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'San Francisco has no single landmark by which the world may identify it,' according to "San Francisco in the 1930s," originally published in 1940. This would surely come as a surprise to the millions who know and love the Golden Gate Bridge or recognize the Transamerica Building's pyramid. This invaluable Depression-era guide to San Francisco relates the city's history from the vantage point of the 1930s, describing its culture and highlighting the important tourist attractions of the time. David Kipen's lively introduction revisits the city's literary heritage - from Bret Harte to Kenneth Rexroth, Jade Snow Wong, and Allen Ginsberg - as well as its most famous landmarks and historic buildings. This rich and evocative volume, resonant with portraits of neighborhoods and districts, allows us a unique opportunity to travel back in time and savor the City by the Bay as it used to be.

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