Search results for ""University of California Press""

Conventional wisdom claims that the seventeenth century gave birth to the material and ideological forces that culminated in the Industrial Revolution and the rise of capitalism. Not true, according to Neal Wood, who argues that much earlier reformers--Dudley, Starkey, Brinklow, Latimer, Crowley, Becon, Lever, and Thomas Smith, as well as the better-known More and Fortescue--laid the groundwork by fashioning an economic conception of the state in response to social, economic and political conditions of England. Wood's innovative study of these early Tudor thinkers, who upheld the status quo yet condemned widespread poverty and suffering, will interest historians, political scientists, and social and political theorists.

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David Snow and Leon Anderson show us the wretched face of homelessness in late twentieth-century America in countless cities across the nation. Through hundreds of hours of interviews, participant observation, and random tracking of homeless people through social service agencies in Austin, Texas, Snow and Anderson reveal who the homeless are, how they live, and why they have ended up on the streets. Debunking current stereotypes of the homeless, "Down on Their Luck" sketches a portrait of men and women who are highly adaptive, resourceful, and pragmatic. Their survival is a tale of human resilience and determination, not one of frailty and disability.

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The Tragedy of Mariam (1613) is the first original play by a woman to be published in England, and its author is the first English woman writer to be memorialized in a biography, which is included with this edition of the play. Mariam is a distinctive example of Renaissance drama that serves the desire of today's readers and scholars to know not merely how women were represented in the early modern period but also how they themselves perceived their own condition. With this textually emended and fully annotated edition, the play will now be accessible to all readers. The accompanying biography of Cary further enriches our knowledge of both domestic and religious conflicts in the seventeenth century.

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Orson Welles considered The Magnificent Ambersons the crucial turning point in his career. He said, "They destroyed Ambersons and it destroyed me." In 1942, while Welles was away, RKO Studios drastically recut the completed film. None of that deleted footage is known to survive. Now film scholar Robert Carringer has reconstructed Welles's own version of Ambersons, using all available surviving evidence including rare studio documents and the recollections of Welles himself and other original participants in the film. Carringer reaches startling conclusions about where the responsibility for the film's undoing ultimately lies. His spellbinding--and no doubt controversial--book will be eagerly welcomed by film historians and enthusiasts.

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Science once had an unshakable faith in its ability to bring the forces of nature - even human nature - under control. In this wide-ranging book Anson Rabinbach examines how developments in physics, biology, medicine, psychology, politics, and art employed the metaphor of the working body as a human motor. From nineteenth-century theories of thermodynamics and political economy to the twentieth-century ideals of Taylorism and Fordism, Rabinbach demonstrates how the utopian obsession with energy and fatigue shaped social thought across the ideological spectrum.

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David Attwell defends the literary and political integrity of South African novelist J.M. Coetzee by arguing that Coetzee has absorbed the textual turn of postmodern culture while still addressing the ethical tensions of the South African crisis. As a form of "situational metafiction," Coetzee's writing reconstructs and critiques some of the key discourses in the history of colonialism and apartheid from the eighteenth century to the present. While self-conscious about fiction-making, it takes seriously the condition of the society in which it is produced. Attwell begins by describing the intellectual and political contexts surrounding Coetzee's fiction and then provides a developmental analysis of his six novels, drawing on Coetzee's other writings in stylistics, literary criticism, translation, political journalism and popular culture. Elegantly written, Attwell's analysis deals with both Coetzee's subversion of the dominant culture around him and his ability to see the complexities of giving voice to the anguish of South Africa.

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Henri Dorra, in his comprehensive new book, presents the development and the aesthetic theories of the symbolist movement in art and literature. Included are writings (many never before translated or reprinted) by artists, designers, architects, and critics, along with Dorra's learned commentary. Fifty photographs of symbolist works complement his encyclopedic coverage. Dorra traces symbolism and its roots from artist to artist and critic to critic from the 1860s to the early twentieth century. The decorative arts and architecture are examined as well as painting and sculpture. The Arts and Crafts movement, art nouveau, the work of Eiffel in France and Sullivan in the United States are all well represented. The close relations between symbolist poets and artists are reflected in the chapter on literary developments. Baudelaire, Rimbaud, Verlaine, and Mallarme are here, but so, too, are writers less well-known. A section on the Post-Impressionists and the 'Artists of the Soul' rounds out Dorra's rich and varied text, and his epilogue lays the groundwork for what was to follow symbolism. Dorra beautifully integrates the different aesthetic branches of symbolism, the different media and national variations, without ever losing sight of the whole. The historical context provided makes this a particularly appealing collection for students and scholars of art history and literature, as well as for anyone interested in the evolution of symbolism.

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Tracing the life course of American teenagers in the mid-twentieth century, "Into One's Own" presents a compelling historical portrait of growing up.

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Widely recognized as the definitive work in its field ever since its original publication in 1962, Serial Composition and Atonality remains an unsurpassed introduction to the technical features of what is probably the most revolutionary body of work since the beginnings of polyphony. In the analysis of specific compositions there is first and last of all a concern with the musical surface--an attempt to trace connections and distinctions there before offering any deeper-level constructions, and to offer none where their effects are not obvious on more immediate levels of musical experience. In this sixth edition of the book, George Perle employs the new and more consistent terminology for the identification of transpositional levels of twelve-tone sets that he first proposed in Twelve-Tone Tonality (1977).

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Columbus is the first blazing star in a constellation of European adventurers whose right to claim and conquer each land mass they encountered was absolutely unquestioned by their countrymen. How a system of religious beliefs made the taking of the New World possible and laudable is the focus of Kadir's timely review of the founding doctrines of empire. The language of prophecy and divine predestination fills the pronouncements of those who ventured across the Atlantic. The effects of such language and their implications for current theoretical debates about colonialism and decolonization are legion. Kadir suggests that in this supposedly postcolonial era, richer nations and the privileged still manipulate the rhetoric of conquest to justify and serve their own worldly ends. For colonized peoples who live today at the "ends of the earth," the age of exploitation may be no different from the age of exploration.

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Kevin Greene shows how archaeology can help provide a more balanced view of the Roman economy by informing the classical historian about geographical areas and classes of society that received little attention from the largely aristocratic classical writers whose work survives.

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Sappho sang her poetry to the accompaniment of the lyre on the Greek island of Lesbos over 2500 years ago. Throughout the Greek world, her contemporaries composed lyric poetry full of passion, and in the centuries that followed the golden age of archaic lyric, new forms of poetry emerged. In this unique anthology, today's reader can enjoy the works of seventeen poets, including a selection of archaic lyric and the complete surviving works of the ancient Greek women poets - the latter appearing together in one volume for the first time. Sappho's Lyre is a combination of diligent research and poetic artistry. The translations are based on the most recent discoveries of papyri (including 'new' Archilochos and Stesichoros) and the latest editions and scholarship. The introduction and notes provide historical and literary contexts that make this ancient poetry more accessible to modern readers. Although this book is primarily aimed at the reader who does not know Greek, it would be a splendid supplement to a Greek language course. It will also have wide appeal for readers of' ancient literature, women's studies, mythology, and lovers of poetry.

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In this major new book on Virginia Woolf, Caramagno contends psychobiography has much to gain from a closer engagement with science. Literary studies of Woolf's life have been written almost exclusively from a psychoanalytic perspective. They portray Woolf as a victim of the Freudian 'family romance,' reducing her art to a neurotic evasion of a traumatic childhood. But current knowledge about manic-depressive illness - its genetic transmission, its biochemistry, and its effect on brain function - reveals a new relationship between Woolf's art and her illness. Caramagno demonstrates how Woolf used her illness intelligently and creatively in her theories of fiction, of mental functioning, and of self structure. Her novels dramatize her struggle to imagine and master psychic fragmentation. They helped her restore form and value to her own sense of self and lead her readers to an enriched appreciation of the complexity of human consciousness.

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These essays provide a thorough introduction to economics for historians. The authors, all eminent scholars, show how to use economic thinking, economic models, and economic methods to enrich historical research. They examine such vital issues as long-term trends, institutions, labor--including an engaging dialogue between a labor historian and a labor economist--international affairs, and money and banking. Scholars and teachers of history will welcome this volume as an introduction and guide to economics, a springboard for their own research, and a lively and provocative source of collateral reading for students at every level. The combined research experience of these authors encompasses many varieties of economics and covers a kaleidoscopic array of nations, subjects, and time periods. All are expert in presenting the insights and complexities of economics to nonspecialist audiences.

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Rudolf Carnap and W. V. Quine, two of the twentieth century's most important philosophers, corresponded at length - and over a long period of time - on matters personal, professional, and philosophical. Their friendship encompassed issues and disagreements that go to the heart of contemporary philosophic discussions. Carnap (1891-1970) was a founder and leader of the logical positivist school. The younger Quine (1908) began as his staunch admirer but diverged from him increasingly over questions in the analysis of meaning and the justification of belief. That they remained close, relishing their differences through years of correspondence, shows their stature both as thinkers and as friends.The letters are presented here, in full, for the first time. The substantial introduction by Richard Creath offers a lively overview of Carnap's and Quine's careers and backgrounds, allowing the nonspecialist to see their writings in historical and intellectual perspective. Creath also provides a judicious analysis of the philosophical divide between them, showing how deep the issues cut into the discipline, and how to a large extent they remain unresolved.

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An ambitious new work by a well-respected sociologist, Information and Organizations provides a bold perspective of the dynamics of organizations. Stinchcombe contends that the "information problem" and the concept of "uncertainty" provide the key to understanding how organizations function. In a delightful mix of large theoretical insights and vivid anecdotal material, Stinchcombe explores the ins and outs of organizations from both a macro and micro perspective. He reinterprets the work of the renowned scholars of business, Alfred Chandler, James March and Oliver Williamson, and looks in depth at corporations like DuPont and General Motors. Along the way, Stinchcombe explores subjects as varied as class consciousness, innovation, contracts and university administration. All of these analyses are distinguished by incisive thinking and creative new approaches to issues that have long confronted business people and those interested in organizational theory. A tour de force, Information and Organizations is a must-read for business people and scholars of many stripes. It promises to be a widely discussed and debated work.

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Our common image of the Middle Ages, constructed partly from popular accounts by Tuchman and Huizinga, is a period in European history when cultural activity was in decay. Van Oostrom convincingly challenges this notion by presenting evidence of a lively medieval court culture in the northern Netherlands. Not only is this a new chapter in Dutch literary and cultural history, it also provides a new perspective on the larger court culture of medieval Europe. Van Oostrom interweaves dynastic history, documentary evidence, art, architecture, and literature in his analysis of the medieval Dutch court. In expanding our knowledge of the period, this exemplary work confronts fundamental questions of how cultures shape themselves and how we can effectively reconstruct and define the past.

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A laboratory for competing visions of modernity, the Weimar Republic (1918-1933) continues to haunt the imagination of the twentieth century. Its political and cultural lessons retain uncanny relevance for all who seek to understand the tensions and possibilities of our age. "The Weimar Republic Sourcebook" represents the most comprehensive documentation of Weimar culture, history, and politics assembled in any language. It invites a wide community of readers to discover the richness and complexity of the turbulent years in Germany before Hitler's rise to power. Drawing from such primary sources as magazines, newspapers, manifestos, and official documents (many unknown even to specialists and most never before available in English), this book challenges the traditional boundaries between politics, culture, and social life. Its thirty chapters explore Germany's complex relationship to democracy, ideologies of 'reactionary modernism', the rise of the 'New Woman', Bauhaus architecture, the impact of mass media, the literary life, the tradition of cabaret and urban entertainment, and the situation of Jews, intellectuals, and workers before and during the emergence of fascism. While devoting much attention to the Republic's varied artistic and intellectual achievements (the Frankfurt School, political theater, twelve-tone music, cultural criticism, photomontage, and urban planning), the book is unique for its inclusion of many lesser-known materials on popular culture, consumerism, body culture, drugs, criminality, and sexuality; it also contains a timetable of major political events, an extensive bibliography, and capsule biographies. This will be a major resource and reference work for students and scholars in history; art; architecture; literature; social and political thought; and, cultural, film, German, and women's studies.

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The Life of a Text offers a vivid portrait of one community's interaction with its favorite text--the epic Ramcaritmanas--and the way in which performances of the epic function as a flexible and evolving medium for cultural expression. Anthropologists, historians of religion, and readers interested in the culture of North India and the performance arts will find breadth of subject, careful scholarship, and engaging presentation in this unique and beautifully illustrated examination of Hindi culture. The most popular and influential text of Hindi-speaking North India, the epic Ramcaritmanas is a sixteenth century retelling of the Ramayana story by the poet Tulsidas. This masterpiece of pre-modern Hindi literature has always reached its largely illiterate audiences primarily through oral performance including ceremonial recitation, folksinging, oral exegesis, and theatrical representation. Drawing on fieldwork in Banaras, Lutgendorf breaks new ground by capturing the range of performance techniques in vivid detail and tracing the impact of the epic in its contemporary cultural context.

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Here is a brief, intelligent, even-handed analytical account of the origins of the Arab-Zionist conflict and its development from early in the twentieth century until 1948, focusing particularly on the period when Britain ruled Palestine under mandate from the League of Nations.

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Rip-roaring and rib-tickling, Francois Rabelais' irreverent story of the giant Gargantua, his giant son Pantagruel, and their companion Panurge is a classic of the written word. This complete translation by Donald Frame, helpfully annotated for the nonspecialist, is a masterpiece in its own right, bringing to twentieth-century English all the exuberance and invention of the original sixteenth-century French. A final part containing all the rest of Rabelais' known writings, including his letters, supplements the five books traditionally known as Gargantua and Pantagruel. This great comic narrative, written in hugely popular installments over more than two decades, was unsparingly satirical of scholarly pomposity and the many abuses of religious, legal, and political power. The books were condemned at various times by the Sorbonne and narrowly escaped being banned. Behind Rabelais' obvious pleasure in lampooning effete erudition and the excesses of society is the humanist's genuine love of knowledge and belief in the basic goodness of human nature. The bawdy wit and uninhibited zest for life that characterize his unlikely trio of travelers have delighted readers and inspired other writers ever since the exploits of Gargantua and Pantagruel first appeared.

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The Radiation Laboratory in Berkeley, California, was the birthplace of particle accelerators, radioisotopes, and modern big science. This first volume of its history is a saga of physics and finance in the Great Depression, when a new kind of science was born. Here we learn how Ernest Lawrence used local and national technological, economic, and manpower resources to build the cyclotron, which enabled scientists to produce high-voltage particles without high voltages. The cyclotron brought Lawrence forcibly and permanently to the attention of leaders of international physics in Brussels at the Solvay Congress of 1933. Ever since, the Rad Lab has played a prominent part on the world stage. The book tells of the birth of nuclear chemistry and nuclear medicine in the Laboratory, the discoveries of new isotopes and the transuranic elements, the construction of the ultimate cyclotron, Lawrence's Nobel Prize, and the energy, enthusiasm, and enterprise of Laboratory staff. Two more volumes are planned to carry the story through the Second World War, the establishment of the system of national laboratories, and the loss of Berkeley's dominance of high-energy physics.

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A Greek who lived in Asia Minor during the second century A.D., Pausanias traveled through Greece and wrote an invaluable description of its classical sites that is a treasure trove of information on archaeology, religion, history, and art. Although ignored during his own time, Pausanias is increasingly important in ours--to historians, tourists, and archaeologists. Christian Habicht offers a wide-ranging study of Pausanias' work and personality. He investigates his background, chronology, and methods, and also discusses Pausanias' value as a guide for modern scholars and travellers, his attitude toward the Roman world he lived in, and his reception among critics in modern times. A new preface summarizes the most recent scholarship.

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The subject of this book is theatre directing in four internationally famous instances. The four directors-Konstantin Stanislavsky, Bertolt Brecht, Elia Kazan, and Peter Brook-all were monarchs of the profession in their time. Without their work, theatre in the twentieth century-so often called "the century of the director" -would have a radically different shape and meaning. The four men are also among the dozen or so modern directors whose theatrical achievements have become culture phenomena. In histories, theories, hagiographies, and polemics, these directors are conferred classic stature, as are the four plays on which they worked. Chekhov's The Seagull, Brecht's Mother Courage and Her Children, and Williams's A Streetcar Named Desire have long been recognized, in the theatre and in the study, as masterpieces. They are anthologized, quoted, taught, parodied, read, and produced constantly and globally. The culturally conservative might question the presence of MaratiSade in such august company, but Peter Weiss's play stands every chance of figuring in Western repertories, classroom study, and theatrical histories until well into the twenty-first century. In their quite different ways, these are all classics of that Western drama which is part of our immediate heritage.

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Students of philosophy, psychology, sociology, and literature will welcome this collection of original essays on self-deception and related phenomena such as wishful thinking, bad faith, and false consciousness. The book has six sections, each exploring self-deception and related phenomena from a different perspective.

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This is a book about the theater phenomenon. It is an extension of notes on the theater and theatergoing that have been accumulating for some time. It does not have an argument, or set out to prove a thesis, and it will not be one of those useful books one reads for the fruits of its research. Rather, it is a form of critical description that is phenomenological in the sense that it focuses on the activity of theater making itself out of its essential materials: speech, sound, movement, scenery, text, etc. Like most phenomenological description, it will succeed to the extent that it awakens the reader's memory of his own perceptual encounters with theater. If the book fails in this it will be about as interesting to read as an anthology of someone else's dreams. In any case, this book is less concerned with the scientific purity of my perspective and method than with retrieving something from the theater experience that seems to me worthy of our critical admiration.

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"The Gold Standard and the Logic of Naturalism" discusses ways of creating value in turn-of-the-century American capitalism. Focusing on such topics as the alienation of property, the invention of masochism, and the battle over free silver, it examines the participation of cultural forms in these phenomena. It imagines a literary history that must at the same time be social, economic, and legal; and it imagines a literature that, to be understood at all, must be understood both as a producer and a product of market capitalism.

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Praised by his contemporaries and emulated by his successors, Charles Olson (1910-1970) was declared by William Carlos Williams to be "a major poet with a sweep of understanding of the world, a feeling for other men that staggers me." This complete edition brings together the three volumes of Olson's long poem (originally published in 1960, 1968, and 1975) in an authoritative version.

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Giovanni Verga (1840-1922) is the most important of the Italian Realist School of novelists. This new edition of "The House by the Medlar Tree" ("I Malavoglia") makes the complete English version of his masterpiece available once more. The story of the Malavoglia, a family of poor Sicilian fisherman, is Verga's moving rendering of the theme of mankind's struggle for self-betterment, the dignity of the struggle in the face of poverty and hardship, and the tragedy that the struggle inevitably incurs. D. H. Lawrence described Vega's work as "Homeric." Rayond Rosenthal's translation of "I Malavoglia" is the only complete version of this novel in English and conveys Vega's lyrical realism and the flavor of Sicialian village life superbly. The book is introduced by Giovanni Ceccheti, whose own translations of "Verga", "Mastro-don Gesualdo" and "The She-Wolf and Other Stories", are also available from California.

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In the fourteenth and fifteenth centuries, the city of Florence experienced the most creative period in her entire history. This book is an in-depth analysis of that dynamic community, focusing primarily on the years 1380-1450 in an examination of the city's physical character, its economic and social structure and developments, its political and religious life, and its cultural achievement. For this edition, Mr. Brucker has added Notes on Florentine Scholarship and a Bibliographical Supplement.

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Masks are found world-wide in connection with seasonal festivals, rites of passage, and curative ceremonies. They provide a means of investigating the paradoxical problems that appearances pose in the experience of transitional states. In this far-reaching work, A. David Napier studies mask iconography and the role played by masks in the realization of change. The masks of preclassical Greece-in particular those of the Satyr and the Gorgon-provide his starting point. A comparison of Greek to Eastern and especially Indian models follows, and the book concludes with an examination of the interpretation of Hindu ideas in Bali that demonstrates the importance of ambivalence in mask iconography.

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This book marks Kenneth Burke's breakthrough in criticism from the literary and aesthetic into social theory and the philosophy of history. In this volume we find Burke's first entry into what he calls his theory of Dramatism; and, here also is an important section on the nature of ritual.

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In 1929, the first cuneiform tablet, inscribed with previously unknown signs, was found during archeological excavations at Ras Shamra (ancient Ugarit) in northern Syria. Since then a special discipline, sometimes called Ugaritology, has arisen. The impact of the Ugaritic language and of the many texts written in it has been felt in the study of Semitic languages and literatures, in the history of the ancient Near East, and especially in research devoted to the Hebrew Bible. In fact, knowledge of Ugaritic has become a standard prerequisite for the scientific study of the Old Testament. The Ugaritic texts, written in the fourteenth and thirteenth centuries B. c., represent the oldest complex of connected texts in any West Semitic language now available (1984). Their language is of critical importance for comparative Semitic linguistics and is uniquely important to the critical study of Biblical Hebrew. Ugaritic, which was spoken in a northwestern corner of the larger Canaanite linguistic area, cannot be considered a direct ancestor of Biblical Hebrew, but its conservative character can help in the reconstruction of the older stages of Hebrew phonology, word formation, and inflection. These systems were later-that is, during the period in which the biblical texts were actually written-complicated by phonological and other changes. The Ugaritic texts are remarkable, however, for more than just their antiquity and their linguistic witness. They present a remarkably vigorous and mature literature, one containing both epic cycles and shorter poems. The poetic structure of Ugaritic is noteworthy, among other reasons, for its use of the "parallelism of members" that also characterizes such ancient and archaizing poems in the Hebrew Bible as the Song of Deborah (in Judges 5), the Song of the Sea (in Exodus 15), Psalms 29, 68, and 82, and Habakkuk 3. Textual sources and their rendering The basic source for the study of Ugaritic is a corpus of texts written in an alphabetic cuneiform script unknown before 1929; this script represents consonants fully and exactly but gives only limited and equivocal indication of vowels. Our knowledge of the Ugaritic language is supple-mented by evidence from Akkadian texts found at Ugarit and containing many Ugaritic words, especially names written in the syllabic cuneiform script. Scholars reconstructing the lost language of Ugarit draw, finally, on a wide variety of comparative linguistic data, data from texts not found at Ugarit, as well as from living languages. Evidence from Phoenician, Hebrew, Amorite, Aramaic, Arabic, Akkadian, Ethiopic, and recently also Eblaitic, can be applied to good effect. For the student, as well as for the research scholar, it is important that the various sources of U garitic be distinguished in modern transliteration or transcription. Since many of the texts found at Ugarit are fragmentary or physically damaged, it is well for students to be clear about what portion of a text that they are reading actually survives and what portion is a modern attempt to fill in the blanks. While the selected texts in section 8 reflect the state of preservation in detail, in the other sections of the grammar standardized forms are presented, based on all available evidence.

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"The real history of man is the history of religion." The truth of the famous dictum of Max Muller, the father of the History of Religions, is nowhere so obvious as in Tibet. Western students have observed that religion and magic pervade not only the forms of Tibetan art, politics, and society, but also every detail of ordinary human existence. And what is the all-pervading religion of Tibet? The Buddhism of that country has been described to us, of course, but that does not mean the question has been answered. The unique importance of Stephan Beyeris work is that it presents the vital material ignored or slighted by others: the living ritual of Tibetan Buddhists. The reader is made a witness to cultic proceedings through which the author guides him carefully. He does not force one to accept easy explanations nor does he direct one's attention only to aspects that can be counted on to please. He leads one step by step, without omitting anything, through entire rituals, and interprets whenever necessary without being unduly obtrusive. Oftentimes, as in the case of the many hymns to the goddess Tara, the superb translations speak directly to the reader, and it is indeed as if the reader himself were present at the ritual.

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"A book that shakes philosophy of science to its roots. Laudan both destroys and creates. With detailed, scathing criticisms, he attacks the 'pregnant confusions' in extant philosophies of science. The progress they espouse derives from strictly empirical criteria, he complains, and this clashes with historical evidence. Accordingly, Laudan constructs a remedy from historical examples that involves nothing less than the redefinition of scientific rationality and progress ...Surprisingly, after this reshuffling, science still looks like a noble-and progressive-enterprise ...The glory of Laudan's system is that it preserves scientific rationality and progress in the presence of social influence. We can admit extra-scientific influences without lapsing into complete relativism...a must for both observers and practitioners of science." (Physics Today). "A critique and substantial revision of the historic theories of scientific rationality and progress (Popper, Kuhn, Lakatos, Feyerabend, etc.). Laudan focuses on contextual problem solving effectiveness (carefully defined) as a criterion for progress, and expands the notion of 'paradigm' to a 'research tradition,' thus providing a meta-empirical basis for the commensurability of competing theories. From this perspective, Laudan suggests revised programs for history and philosophy of science, the history of ideas, and the sociology of science. A superb work, closely argued, clearly written, and extensively annotated, this book will become a widely required text in intermediate courses." (Choice).

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This is a study in the pathology of cultural criticism. By analyzing the thought and influence of three leading critics of modern Germany, this study will demonstrate the dangers and dilemmas of a particular type of cultural despair. Lagarde, Langbehn, and Moeller van den Bruck-their active lives spanning the years from the middle of the past century to the threshold of Hitler's Third Reich-attacked, often incisively and justly, the deficiencies of German culture and the German spirit. But they were more than the critics of Germany's cultural crisis; they were its symptoms and victims as well. Unable to endure the ills which they diagnosed and which they had experienced in their own lives, they sought to become prophets who would point the way to a national rebirth. Hence, they propounded all manner of reforms, ruthless and idealistic, nationalistic and utopian. It was this leap from despair to utopia across all existing reality that gave their thought its fantastic quality.

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During World War II, 110,000 citizens and resident aliens of Japanese ancestry were banished from their homes and confined behind barbed wire for two and a half years. No more blatant violation of civil rights has ever been decreed by an American president, yet so strong were the currents of bigotry and war time hysteria that effective political opposition was impossible. However, a group of University of California social scientists, sensing the enormity of the outrage, organized in 1942 to record and analyze the causes, legal and social consequences, and long-term effects of the detention program. The Spoilage, one of a series of books which resulted, analyzes the experiences of that part of the detained group-some 18,000 in total-whose response was to renounce America as a homeland; it shows the steps by which these "disloyal" citizens were inexorably pushed toward the disaster of denationalization. Essentially the result of years of research by participant observers of Japanese ancestry, it is a factual record of enduring value to the student of America's troubled ethnic relations.

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During World War II, 110,000 citizens and resident aliens of Japanese ancestry were banished from their homes and confined behind barbed wire for two and a half years. This comprehensive work surveys the historical origins, political characteristics, and legal consequences of that calamitous episode. The authors describe the myths and suspicions about Orientals on the West Coast and trace the influence of racial bigotry in the evacuation and in the court cases growing out of it. A theory is advanced to account for the administrative and legal decisions which initiated and concluded this calamity. Finally, the authors analyze the principal constitutional issues involved in the evacuation and their implications for the future.

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Understanding Criminal Networks is a short methodological primer for those interested in studying illicit, deviant, covert, or criminal networks using social network analysis (SNA). Accessibly written by Gisela Bichler, a leading expert in SNA for dark networks, the book is chock-full of graphics, checklists, software tips, step-by-step guidance, and straightforward advice. Covering all the essentials, each chapter highlights three themes: the theoretical basis of networked criminology, methodological issues and useful analytic tools, and producing professional analysis. Unlike any other book on the market, the book combines conceptual and empirical work with advice on designing networking studies, collecting data, and analysis. Relevant, practical, theoretical, and methodologically innovative, Understanding Criminal Networks promises to jumpstart readers’ understanding of how to cross over from conventional investigations of crime to the study of criminal networks.

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The Politics of Love explores the entanglement of emotions, social movements, and science in reconfiguring human and nonhuman relations. As Darwin's evolutionary theory informed the development of sexual science and the sex reform movement between the 1890s and the 1920s, sex reformers emerged as a group of diverse and culturally influential professionals—doctors, psychologists, artists, political activists, novelists, and academics—who shared a profound commitment to changing the world by changing the practice of sex. Sex reformers reinvented love as a scientific practice of sex that brought humans and nonhumans into the fold of early-twentieth-century racial, gender, and sexual politics. Carla Christina Hustak illuminates how sex reformers' insistence that love can shift human and nonhuman relations is more than just a historical narrative—it is a moment in time interconnected with urgent contemporary concerns over the global implications of our emotional relationships to other humans, animals, the earth, and atmospheric and technological forces.

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Many feminists grapple with the problem of hyper-incarceration in the United States, and yet commentators on gender crime continue to assert that criminal law is not tough enough. This punitive impulse, prominent legal scholar Aya Gruber argues, is dangerous and counterproductive. In their quest to secure women’s protection from domestic violence and rape, American feminists have become soldiers in the war on crime by emphasizing white female victimhood, expanding the power of police and prosecutors, touting the problem-solving power of incarceration, and diverting resources toward law enforcement and away from marginalized communities.Deploying vivid cases and unflinching analysis, The Feminist War on Crime documents the failure of the state to combat sexual and domestic violence through law and punishment. Zero-tolerance anti-violence law and policy tend to make women less safe and more fragile. Mandatory arrests, no-drop prosecutions, forced separation, and incarceration embroil poor women of color in a criminal justice system that is historically hostile to them. This carceral approach exacerbates social inequalities by diverting more power and resources toward a fundamentally flawed criminal justice system, further harming victims, perpetrators, and communities alike.In order to reverse this troubling course, Gruber contends that we must abandon the conventional feminist wisdom, fight violence against women without reinforcing the American prison state, and use criminalization as a technique of last—not first—resort.

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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1965.

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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1983.

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One of the oldest extant works of Western literature, the Iliad is a timeless epic poem of great warriors trapped between their own heroic pride and the arbitrary, often vicious decisions of fate and the gods. Renowned scholar and acclaimed translator Peter Green captures the Iliad in all its surging thunder for a new generation of readers. Featuring an enticingly personal introduction, a detailed synopsis of each book, a wide-ranging glossary, and explanatory notes for the few puzzling in-text items, the book also includes a select bibliography for those who want to learn more about Homer and the Greek epic. This landmark translation specifically designed, like the oral original, to be read aloud will soon be required reading for every student of Greek antiquity, and the great traditions of history and literature to which it gave birth.

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