Search results for ""Author Paul"

The team behind the longest running food podcast, Snacky Tunes, presents a one-of-a-kind book exploring chefs' profound relationship with music through never-before-seen stories and recipesFounded in 2009 by Darin and Greg Bresnitz, the podcast Snacky Tunes served as the first platform to discuss food and music, creating a space for chefs, restaurateurs, musicians, and bands to share their stories and creative processes.In this unique flexibound book with playful graphic design and typography throughout, the Bresnitz brothers present Snacky Tunes – a collection of 77 all-new candid interviews from the world's most acclaimed chefs – showcasing these soul-sustaining exchanges, in which food and music seamlessly intertwine.The chefs share personal stories about how music plays a pivotal role in their careers-shaping identities, igniting creativity, and influencing the restaurants they build and the food they serve. Organized alphabetically, individual entries are also accompanied by a previously unpublished recipe and custom playlist crafted by each chef, showcasing how a soundtrack both sets the tone for their kitchens, restaurants and fuels their creative process.Includes forewords by acclaimed Food & Drinks editor of Esquire Jeff Gordinier and Grammy-nominated musician Jaime 'EL-P' Meline from Run the Jewels.Snacky Tunes features the innovative culinary minds of chefs including: Selassie Atadika who owns Midunu in Ghana; Brazilian chef Alex Atala who owns D.O.M. in Sao Paulo; May Chow, who was touted as China's "Best Female Chef" in 2017; Pooja Dhingra, who founded the Mumbai patisserie chain Le15; Michael Fojtasek who runs James Beard-nominated Olamaie in Austin, Texas; Uruguayan-born Ignacio Mattos who cooks food that reflects his culinary education and experiences in New York City; Asma Khan, the chef-owner of the renowned Darjeeling Express restaurant in London; and Shohei Yasuda from Japan, who has Kabi in Tokyo.

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An extraordinary memoir of one woman’s fight to find her true self between the life into which she was born and the one she was given. Christiana Mara Coelho was born into extreme poverty in Brazil. After spending the first seven years of her life with her loving mother in the forest caves outside São Paulo and then on the city streets, where they begged for food, she and her younger brother were suddenly put up for adoption. When one door closed on the only life Christiana had ever known and on the woman who protected her with all her heart, a new one opened. As Christina Rickardsson, she’s raised by caring adoptive parents in Sweden, far from the despairing favelas of her childhood. Accomplished and outwardly “normal,” Christina is also filled with rage over what she’s lost and having to adapt to a new reality while struggling with the traumas of her youth. When her world falls apart again as an adult, Christina returns to Brazil to finally confront her past and unlock the truth of what really happened to Christiana Mara Coelho. A memoir of two selves, Never Stop Walking is the moving story of the profound love between families and one woman’s journey from grief and loss to survival and self-discovery.

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A confrontation with the destruction of the Amazon by a writer who moved her life into the heart of the forest. In lyrical, impassioned prose, Eliane Brum recounts her move from São Paulo to Altamira, a city along the Xingu River that has been devastated by the construction of one of the largest dams in the world. In community with the human and more-than-human world of the Amazon, Brum seeks to “reforest” herself while building relationships with forest peoples who carry both the scars and the resistance of the forest in their bodies. Weaving together the lived stories of the region and its history of violent corruption and destruction, Banzeiro Òkòtó is a call for radical change, for the creation of a new kind of human being capable of facing the potential extinction of our species. In it, Brum reveals the direct links between structural inequities rooted in gender, race, class, and even species, and the suffering that capitalism and climate breakdown wreak on those who are least responsible for them. The title Banzeiro Òkòtó features words from two cultural and linguistic traditions: banzeiro is what the Amazon people call the place where the river turns into a fearsome vortex, and òkòtó is the Yoruba word for a shell that spirals outward into infinity. Like the Xingu River, turning as it flows, this book is a fierce document of transformation arguing for the centrality of the Amazon to all our lives.

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This volume contains the acts of the international conference on the theme of the Resurrection that was organized at the Faculty of Theology, Louvain-la-Neuve, Belgium, in April 2010. The focus of the conference was on putting the resurrection in general and of Jesus specifically in a wider literary, cultural and hermeneutical context. This resulted in a fourfold group of contributions. The first group presents the antecedents of resurrection in the Hebrew Bible. The second group is the largest one and offers a panorama of the resurrection in the New Testament (including the four Gospels, Pauline Literature, Apocalypse). The third part opens the research field towards the Jewish and Early Christian milieu while the last section contains three articles on the historical and hermeneutical questions. This volume contains contributions by scholars of both French and Anglo-Saxon background and is characterized by its broad perspective on the resurrection.

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A beautiful paperback edition of Prince Caspian, book four in the classic fantasy series, The Chronicles of Narnia. This edition is complete with cover and interior art by the original illustrator, Pauline Baynes.

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Darkness Will Bind Them watch The Lord of the Rings: The Rings of Power season 2 on Prime VideoThis revised and expanded edition of Tolkien's own Hobbit-inspired poetry includes previously unpublished poems and notes, and is beautifully illustrated by Narnia artist Pauline Baynes.''Tom was here before the river and the trees. He made paths before the Big People and saw the little People arriving. He was here before the Kings and the graves and the Barrow-wights. When the Elves passed westward, Tom was here already'One of the most intriguing characters in The Lord of the Rings, the amusing and enigmatic Tom Bombadil also appears in verses said to have been written by Hobbits and preserved in the Red Book' with stories of Bilbo and Frodo Baggins and their friends.The Adventures of Tom Bombadil collects these and other poems, mainly concerned with legends and jests of the Shire at the end of the Third Age. This special edition has also been expanded to include earlier versions of some poe

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On the occasion of the exhibition Cecilia Vicuña: Dreaming Water, Malba publishes in collaboration with the National Museum of Fine Arts in Santiago de Chile and the Pinacoteca de São Paulo the most comprehensive monographic book dedicated to Cecilia Vicuña's work to date. It features a main text by curator and editor Miguel A. López in epistolary format a letter addressed to the artist as well as new essays by Elizabeth A. Povinelli, Catherine de Zegher, and José de Nordenflycht. It includes two texts by Vicuña on her drawings from the Palabrarmas project and the activism of the group Artists for Democracy, as well as a conversation between Vicuña, Marisol de la Cadena, and Camila Marambio.

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A beautiful, ferocious play about the bonds that tie us, and how we sometimes need to break them. One sister stayed at home to care for Dad. The other set out to 'make a difference'. Reunited under their childhood roof, Pauline and Rachel unearth more than the ten years between them. It's a huge gap. Almost insurmountable. And each is determined to let the other know exactly who has done things right. Charley Miles's Daughterhood was first produced in 2019 by Paines Plough and Theatr Clwyd on a nationwide tour, including a run at the Edinburgh Festival Fringe, in Paines Plough's pop-up theatre, Roundabout.

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Systemic counseling and therapy are among the standards in many fields of activity. But is there also a systemic teaching? Systemic approaches are now also playing an increasingly important role at universities. This could give the impression that they are not only present here as teaching and learning content, but that the way in which they are taught is also changing. In this anthology, university lecturers who have systemic qualifications in consulting, coaching, supervision, therapy or organizational development and their students deal with questions about systemic teaching. With contributions by Robert Baum, Maria Borcsa, Barbara Bräutigam, Christine Dathe, Thorid Garbe, Andrea Goll-Kopka, Julia Hille, Rebecca Hilzinger, Marc Höcker, Jenny Kipper, Holger Lindemann, Monika Ludwig, Eva Maria Lohner, Claude-Hélène Mayer, Kira Nierobisch, Christian Paulick, Kersten Reich, Sophia Richter, Dirk Rohr, Günter Schiepek, Diana Skyba, Heike Stammer, Clara Stein, Veronika Strittmatter-Haubold, Silke Trumpa, Marc Weinhardt, Mara Welz and Mirjana Zipperle.

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With the world turning rightwards and democracy looking at its most precarious since the 1930s, the emergence of a global network of left-wing, anti-fascist and anti-racist football fans has been one of the few shining lights in dark times. Some support clubs that are globally renowned, including the great St Pauli - more famous for the quality of its politics and its merchandise than its football. Others, no less committed, follow virtual minnows, like Red Star Paris and Bohemians Prague. But they still have proud histories, deep convictions and something to say. The left often fails to connect. How can these clubs inform and inspire? How can their example help collectivist, internationalist and inclusive principles defeat the seductive slogans and symbols of the growing nationalist and nativist movements across the planet? The Roaring Red Front explores theses questions while examining the history and current struggles of these special clubs - and why it all matters.

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This scholarly and important volume has an impressive interdisciplinary and international scope. We hear from psychologists, sociologists, philosophers, legal scholars, and economists. These refreshing chapters broaden our understanding of human innovation, contributing to a developing sociocultural approach to the study of creativity. These chapters directly challenge the myth of solitary genius, by documenting the social and cultural systems within which new ideas emerge.'- Keith Sawyer, Washington University in St Louis, US'This penetrating volume both summarizes compellingly what we know about creativity and examines critically loose concepts of creativity, cases where creativity does harm, and deceptive hype about creativity. This volume neither romanticizes creativity nor reduces it to the servant of economic and cultural development, offering instead a differentiated and penetrating examination of the nature of creativity and its diverse positive and sometimes negative roles.'- David Perkins, Harvard Graduate School of Education, USThis comprehensive yet concise Handbook provides an overview of innovative approaches to, and new perspectives on, the study of creativity.In this timely work, creativity is not defined by an ideal, rather it encompasses a range of theories, functions, characteristics, processes, products and practices that are associated with the generation of novel and useful outcomes suited to particular social, cultural and political contexts. Chapters present original research by international scholars from a wide range of disciplines including history, sociology, psychology, philosophy, cultural studies, education, economics and interdisciplinary studies. Their research investigates creativity in diverse fields including art, creative industries, aesthetics, design, new media, music, arts education, science, engineering and technology.Containing cutting-edge research the Handbook of Research on Creativity will strongly appeal to academics and advanced students in cultural studies, creative industries, art history and theory, experimental music and performance studies, digital and new media studies, engineering, economics, sociology, psychology and social psychology, management studies, and education particularly visual arts education and music education. Policy makers, managers and entrepreneurs will also find much to interest them in this fascinating work.Contributors: S. Banaji, T. Barker, D. Berry, C. Bilton, N.C.M. Brown, P. Burnard, J. Chan, S. Cranmer, A.J. Cropley, D.H. Cropley, C. De Cock, L. Denti, D.R. Eikhof, K. Essl, C. Gibson, V. Giorgini, R. Gonsalves, S. Harnow Klausen, S. Hemlin, j. jagodzinski, V. Johnson, J.C. Kaufman, N. Kawashima, R. Korde, J. McGuigan, P. McIntyre, J. Mecca, P.-M. Menger, R. Miettinen, D.P. Miller, M.D. Mumford, T. Oiyama, L. Olsson, P.B. Paulus, C. Perrotta, A. Power, A. Quemin, A. Rehn, E. Scheer, E. Schubert, D.K. Simonton, T. Smith, J. Steers, S. Taylor, K. Thomas, E. Zimmerman

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The most wanted, the most feared, the most hated, the most powerful job in journalism: being a reviewer means writing about something you love and getting paid for it. So for a lot of people it's the No 1 dream job in the media. Whether your passion is film, music, books, visual arts or the stage, you can get closer to it as a reviewer and establish a career in one of the most influential roles open to a writer. Get the edge on the competition with a book that's a treasure trove of wisdom, experience and downright cunning, passed on by the best critics writing today. A great review will be read by millions, and writing it calls for a high degree of skill. Based on a lifelong passion, packed into a few hundred words and often written in less than an hour, a review makes heavy demands on writer's technique and experience. This book explains how to seize your readers' attention and how to be witty always, fascinating most of the time and bitchy when you need to be. Reviews from classic writers like Pauline Kael or Kenneth Tynan are contrasted with today's hot names including Mark Kermode and Stewart Maconie. We look back at the history of the critic and some of the groundbreaking groups who have shaped our culture, including Dorothy Parker and the Algonquin Round Table, the French New Wave directors who founded Les Cahiers du Cinema and London's celebrated Modern Review, founded by Julie Burchill, Toby Young and Cosmo Landesman.

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The Von Bock memoirs, which appear here for the first time, allow the reader to see the entire drama of the Second World War through the eyes of one of Germany's most important military commanders. After the attacks on Poland and Western Europe, campaigns he helped bring to a succesful conclusion, von Bock became Commander-in-Chief of Army Group Center which carried out the main drive on Moscow during Operation Barbarossa and brought the Red Army to the verge of collapse in the great battles of encirclement. Hitler relieved von Bock when the German offensive bogged down during the winter of 1941/1942. After he returned as Commander-in-Chief of Army Group South, von Bock was eventually placed in temporary retirement when he critized Hitler's division of forces against Stalingrad and the Caucasus-the road to castrophe began. Army commanders like Hoth, Guderian, Kluge and Paulus served under Generalfeldmarschall Fedor von Bock, while at his side stood his nephew Henning von Tresckow, who led the most active resistance movement against Hitler, and Carl-Hans von Hardenberg, a friend and advisor of Stauffenberg. Their efforts to win over von Bock failed, yet the Generalfeldmarschall tolerated the pronounced resistance sentiments among his staff, and even became privy to the attempted assissination of Hitler on July 20, 1944. This book allows us to reassess Fedor von Bock, whose complex personality is revealed by his diary entries, and by the biographical sketches by editor Klaus Gerbet.

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A heartbreaking story of love and loss, based on a true story OVER ONE MILLION COPIES SOLDTHE NO.1 NEW YORK TIMES BESTSELLERWINNER OF GOODREADS CHOICE AWARDS 2017 BEST HISTORICAL FICTION AWARD***************************Memphis, Tennessee, 1939Twelve-year-old Rill Foss and her four younger siblings live a magical life aboard their family's Mississippi River shantyboat. But when their father must rush their mother to the hospital one stormy night, Rill is left in charge, until strangers arrive in force. Wrenched from all that is familiar and thrown into a Tennessee Children's Home Society orphanage, the Foss children are assured that they will soon be returned to their parents - but they quickly realize the dark truth...Aiken, South Carolina, present dayBorn into wealth and privilege, Avery Stafford seems to have it all: a successful career, a handsome fiancé, and a lavish wedding on the horizon. But when Avery returns home to help her father weather a health crisis, a chance encounter leaves her with uncomfortable questions and compels her to take a journey through her family's long-hidden history, on a path that will ultimately lead either to devastation or to redemption.*********************Based on one of America's most notorious real-life scandals, in which Georgia Tann, director of a Memphis-based adoption organization, kidnapped and sold poor children to wealthy families all over the country, Before We Were Yours is a riveting, wrenching and ultimately uplifting global bestseller. 'A tale of enduring power' Paula McLain'It is impossible not to get swept up in this near-perfect novel' Huffington Post

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Guest-edited by Owen Hopkins Multispace exists at the intersection of the physical and digital, and in the blurring of their previously clear dividing lines. Multispace is not a single space, but a hybrid space where, in effect, we occupy multiple spaces simultaneously. We enter it on a Zoom call, when we are in our office and in a meeting with 20 people; when we are cycling down a country lane whilst racing against thousands of others who also use the Strava app; when we are watching a TV show while live tweeting; or, perhaps most literally, when wandering around the local park looking for creatures that only appear on a smartphone screen. A fundamental question of this AD is why the phenomena that multispace describes are of concern to architects. The answer is that multispace points to a situation that is at root an architectural one. Offering both a collective and highly personalised experience, static and dynamically customisable, and above all at the same time public and private, multispace lies at the centre of a set of tensions, concerns and preoccupations at the core of our conception of architecture as theory and practice. It is the messy space between, with rough and uneven edges that are constantly shifting. Contributors: Aleksandra Belitskaja, Alice Bucknell, Jesse Damiani, Wendy Fok, Andrew Kovacs, Lara Lesmes and Fredrik Hellberg, Micaela Mantegna, Holly Nielsen, Giacomo Pala, Paula Strunden, Lucia Tahan, and Francesca Torello and Joshua Bard. Featured architects and artists: iheartblob, Ibiye Campis, Office Kovacs, Space Popular and Liam Young.

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'As hypnotic as an opium dream and pretty unputdownable' Daily MailIn September 1838 a storm blows up on the Indian Ocean and the Ibis, a ship carrying a consignment of convicts and indentured laborers from Calcutta to Mauritius, is caught up in the whirlwind. When the seas settle, five men have disappeared - two lascars, two convicts and one of the passengers. Did the same storm upend the fortunes of those aboard the Anahita, an opium carrier heading towards Canton? And what fate befell those aboard the Redruth, a sturdy two-masted brig heading East out of Cornwall? Was it the storm that altered their course or were the destinies of these passengers at the mercy of even more powerful forces?On the grand scale of an historical epic, River of Smoke follows its storm-tossed characters to the crowded harbors of China. There, despite efforts of the emperor to stop them, ships from Europe and India exchange their cargoes of opium for boxes of tea, silk, porcelain and silver. Among them are Bahram Modi, a wealthy Parsi opium merchant out of Bombay, his estranged half-Chinese son Ah Fatt, the orphaned Paulette and a motley collection of others whose pursuit of romance, riches and a legendary rare flower have thrown together. All struggle to cope with their losses - and for some, unimaginable freedoms - in the alleys and crowded waterways of 19th century Canton. As transporting and mesmerizing as an opiate induced dream, River of Smoke will soon be heralded as a masterpiece of twenty-first century literature.

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A NEW YORK TIMES BESTSELLER 'Powerful and provocative' Paula McLain'Beautiful, engrossing, heart-breaking' Rachel Rhys'Monumental in a way that few novels dare attempt' Washington Post The Miltons are a powerful old New York family - the kind of family that used to run the world. And in 1935, they still do. Kitty and Ogden Milton seem to have it all: an elegant apartment on the Upper East Side, two beautiful little boys, a love everyone envies. When a tragedy befalls them, Ogden comforts Kitty the only way he knows how - they go sailing, picnic on a small island off the coast of Maine, and buy it. For generations the Miltons of Crockett Island revel in a place that is entirely their own. But it's 1959, and the world is changing: Ogden's firm hire a Jewish man, Len Levy, who earns the admiration of not only his boss, but his boss's beautiful young daughter. When Len and his friend visit the island, the Milton's principles and prejudices are challenged like never before. At the dawn of the 21st century, the family money has run dry, and the island is up for sale. Returning for one last visit, Kitty's granddaughter uncovers disturbing evidence about her family's wealth - and realizes she is on the verge of finally understanding the silences that seemed to hover just below the surface of her family all her life.'Thought-provoking and propulsive...Welcome to old money, new heartbreak and big secrets' New York Times Book Review

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From journalist Michelle Dean, winner of the National Book Critics Circle's 2016 Nona Balakian Citation for Excellence in Reviewing, Sharp combines biography, original research, and critical reading into a powerful portrait of ten writers who managed to make their voices heard amidst a climate of sexism and nepotism, from the 1920s to the 1990s.Dorothy Parker, Rebecca West, Mary McCarthy, Hannah Arendt, Susan Sontag, Joan Didion, Janet Malcolm, Renata Adler, Pauline Kael, and Nora Ephron-these are the main characters of Sharp. Their lives intertwine. They enable each other and feud, manufacture unique spaces and voices, and haunt each other. They form a group united in many ways, but especially by what Dean terms as 'sharpness', the ability to cut to the quick with precision of thought and wit, a claiming of power through writing rather than position. Sharp is a vibrant and rich depiction of the intellectual beau monde of New York, where gossip-filled parties at night gave out to literary slanging-matches in the pages of publications like the Partisan Review or the New York Review of Books, as well as a carefully considered portrayal of the rise of feminism and its interaction with the critical establishment.Sharp is for book lovers who want to read about their favorite writers, lovers of New Yorker lore, aspiring writers in New York, those interested in the history of ideas, and of the fray of 20th century debate-and it will satisfy them all.

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This volume contains the Proceedings of the 23rd Congress of L'Union Europeenne des Arabisants et Islamisants held in Sassari from Thursday 28th of September to Sunday 1st October 2006. The 26 articles contained in the volume, written by specialists from all over Europe (Russia, Finland, Poland, England, France, Italy, Spain, Germany, Portugal, Belgium and the Netherlands), deal with the following subjects: Islam, with contributions by scholars such as Roswitha Badry, Dimitry Frolov, Wilfred Madelung and Giuseppe Scatolin; History, Society and Archaeology, with papers by among others, Giuseppe Contu, Jaakko Hameen-Anttila, Paulina Lewicka and Bernadette Martel-Thoumian; Literature, with papers by, inter alios, Ewa Machut-Mendecka, Barbara Michalak-Pikulska, Arie Schippers, and Krystyna Skarzynska-Bochenska; and Arabic Language and Linguistics, with articles by Lale Behzadi, Michael G. Carter, and Ali Kalati.The central theme focuses on how the characteristics of Islam and Arabism are to be found in the periphery of the Arabic and Islamic world in relation to its center and the interchanges implied by the geographic distance between center and periphery. The University of Sassari was the right ambiance for such a congress since there was in the past some Arabic presence in Sardinia, an island which was itself situated at the borders of the Islamic and Arabic Mediterranean.

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Charlotte Moss encourages readers to bring the garden indoors with ideas for arranging flowers, selecting containers, and placing blossoms around the house. An inviting cluster of blooms on a guest room s bedside table, lavish floral displays for parties and holidays, single stems adding life to any corner of a room Moss has been photographing her flower arrangements for over a decade. This book is a celebration of her artistry and a testament to flowers as part of day-to-day life. From Moss s grander displays in the city to her more informal and breezy creations at her home in the country, as well as in the refined interiors of her clients, the visual result is a chronicle of the myriad ways flowers provide inspiration indoors and out. Readers will be further motivated as Moss describes the contributions of past tastemakers: Gloria Vanderbilt for her ingenious use of floral patterns in her licensed products, Pauline de Rothschild for her fantastic tablescapes, Bunny Mellon for her profusive use of topiaries, Constance Spry for the use of inventive containers and for her groundbreaking artistry, and Lady Bird Johnson for her embrace of the simple, exquisite wildflower. With nature as her muse, Moss implores us to create the backdrop for a life well lived, imbuing every day with flair, beauty, and elegance.

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Some call it the American obsession, but men everywhere recognize the hypnotic allure of a large and shapely breast. In The Big Book of Breasts, Dian Hanson explores the origins of mammary madness through three decades of natural big-breasted nudes. Starting with the World War II Bosom-Mania that spawned Russ Meyer, Howard Hughes’s The Outlaw and Frederick’s of Hollywood, Dian guides you over, around, and in between the dangerous curves of infamous models including Michelle Angelo, Candy Barr, Virginia Bell, Joan Brinkman, Lorraine Burnett, Lisa De Leeuw, Uschi Digard, Candye Kane, Jennie Lee, Sylvia McFarland, Margaret Middleton, Paula Page, June Palmer, Roberta Pedon, Rosina Revelle, Candy Samples, Tempest Storm, Linda West, June Wilkinson, Julie Wills, and dozens more, including Guinness World Record holder Norma Stitz, possessor of the World`s Largest Natural Breasts. The 396 pages of this book contain the most beautiful and provocative photos ever created of these iconic women, plus nine original interviews, including the first with Tempest Storm and Uschi Digard in over a decade, and the last with Candy Barr before her untimely death in 2005. In a world where silicone is now the norm, these spectacular real women stand as testament that nature knows best.

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'What a delight... a fascinating mix of characters whose stories bring to life the Way of Love to which Jesus calls us all.' BISHOP MICHAEL B. CURRY 'A wonderful series of short reflections... easy to read but packed with depth and insight.' PAULA GOODER Martin Luther King famously declared that 'I have decided to stick with love... Hate is too great a burden to bear'. In these luminous daily readings, Arun Arora helps us consider the biblical picture of the Church as the people of God, drawn from every tribe, every tongue and every nation. Themes of racial justice, hospitality and welcome are explored alongside the stories of saints from across the globe. Beginning with reflections from Isaiah and Revelation, the meditations lead us on to consider the missionaries, martyrs and mystics who light our Advent way. 'Beautifully embodies the new community that Jesus both offers and energises.' DAVID WILKINSON 'Like spending an afternoon with Bishop Arun at the pub... brimming with Advent hope.' JAYNE MANFREDI 'Leads us through Advent with [Bishop Arun's] characteristic wisdom and insight.' GILES FRASER 'Gathers the beautifully diverse family of faith around the table... as we prepare for the great feast that is to come.' KATE BOTTLEY

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Dream journals are a surprisingly powerful resource for psychological and spiritual discovery. Contemporary dream science has shown that, as much as we can learn from single dreams, far more information can be derived from analyzing a series of dreams over time. Many have intuitively understood this point, and carefully recorded their dreams for years, even decades, drawing profound guidance from the patterns they discovered. The Scribes of Sleep is the first book to gather historical and cross-cultural evidence showing the value of dream journals as potent sources of healing, religious experience, and metaphysical insight. Dream researcher Kelly Bulkeley profiles seven remarkable people who kept dream journals: Aelius Aristides, Myoe Shonin, Lucrecia de León, Emanuel Swedenborg, Benjamin Banneker, Anna Bonus Kingsford, and Wolfgang Pauli. Because dreams are so complex and multi-faceted, especially when viewed in a series, Bulkeley employs an interdisciplinary approach to shed light on their meanings, drawing on data science, depth psychology, and religious studies. As the findings of these different methods are woven together and they begin to illuminate each other, it becomes clear that the practice of keeping a dream journal stimulates several specific qualities of religiosity, prompting the dreamers to move in more individualist, mystical, and pluralistic directions-towards becoming a free spirit.

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"A beautiful, wise book. It deals with the some of the grimmest aspects of human experience, but it is also one of the most genuinely up-lifting works I have read in years. Emma Brockes' superb, clear-eyed narration is an object lesson for any aspiring memoir-writer. She Left Me the Gun deserves to become a classic." Zoe HellerWhen Emma Brockes was ten years old, her mother said 'One day I will tell you the story of my life and you will be amazed.' Growing up in a tranquil English village, Emma knew very little of her mother's life before her. She knew Paula had grown up in South Africa and had seven siblings. She had been told stories about deadly snakes and hailstones the size of golf balls. There was mention, once, of a trial. But most of the past was a mystery. When her mother dies of cancer, Emma - by then a successful journalist at the Guardian - is free to investigate the untold story. Her search begins in the Colindale library but then takes her to South Africa, to the extended family she has never met and their accounts of a childhood so different to her own. She encounters versions of the life her mother chose to leave behind - and realises what a gift her mother gave her.Part investigation, part travelogue, part elegy, She Left Me the Gun is a gripping, funny and clear-eyed account of a writer's search for her mother's story.

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When Marilyn Monroe stepped over a subway grating as The Girl in The Seven Year Itch and let a gust of wind catch the skirt of her pleated white dress, an icon was born. Before that, the actress was mainly known for a nude calendar and one-dimensional, albeit memorable, characters on the screen. Though she again played a "dumb blonde" in this film and was making headlines by revealing her enviable anatomy, the star was now every bit in control of her image, and ready for a personal revolution.Emboldened by her winning fight to land the role of The Girl, the making of The Seven Year Itchand the eighteen months that followed was the period of greatest confidence, liberation, and career success that Monroe lived in her tumultuous life. It was a time in which, among other things, she:* Ended her marriage to Joe DiMaggio and later began a relationship with Arthur Miller* Legally changed her name to Marilyn Monroe, divorcing herself from the troubled past of Norma Jeane* Started her own production company;Studied in private lessons with Lee and Paula Strasberg of the Actors Studio and became a part of the acting revolution of the dayThe ripple effects her personal rebellion had on Hollywood, and in trailblazing the way for women that followed, will both surprise and inspire readers to see the Marilyn Monroe in an entirely new light.

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THE SUNDAY TIMES BESTSELLER | THE SUNDAY TIMES BOOK OF THE MONTH'Imaginative, unusual, clever and fun' Sunday Times'A twisty, exciting read' Sabine Durrant'A dark, sexy mystery' Metro**********Claire Wright isn't who she seems.A British drama student, in New York without a green card, Claire takes the only job she can get: working for a firm of divorce lawyers, posing as an easy pick-up in hotel bars to entrap straying husbands.When one of her targets becomes the subject of a murder investigation, the police ask Claire to use her acting skills to help lure their suspect into a confession. But right from the start, she has doubts about the part she's being asked to play. Is Patrick Fogler really a killer . . . Or the only decent husband she's ever met? And is there more to this set-up than she's being told?And that's when Claire realises she's playing the deadliest role of her life . . .**********See what everyone is saying about JP Delaney, the hottest new name in psychological thrillers:'DAZZLING' Lee Child'ADDICTIVE' Daily Express'DEVASTATING' Daily Mail'INGENIOUS' The New York Times'COMPULSIVE' Glamour Magazine'ELEGANT' Peter James'SEXY' Mail on Sunday'ENTHRALLING' Woman and Home'ORIGINAL' The Times'RIVETING' Lisa Gardner'CREEPY' Heat'SATISFYING' Reader's Digest'SUPERIOR' The Bookseller'MORE THAN A MATCH FOR PAULA HAWKINS' Sunday TimesA Sunday Times bestseller in August 2018.

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A novel of love, homelessness, and learning to be fearlessIn the garden, there were three flamingos. Not real flamingos, but real emblems, real gateways to a time when life was impossibly good. They were mascots, symbols of hope. Something for a boy to confide in. First, there were the flamingos. And then there were two families. Sherry and Leslie and their daughters, Rae and Pauline - and Eve and her son Daniel. Sherry loves her husband, Leslie. She also loves Eve. It couldn't have been a happier summer. But then Eve left and everything went grey. Now Daniel is all grown-up and broken. And when he turns up at Sherry's door, it's almost as if they've all come home again. But there's still one missing. Where is Eve? And what, exactly, is her story? FLAMINGO is a novel about the power of love, welcome and acceptance. It's a celebration of kindness, of tenderness. Set in 2018 and the 80s, it's a song for the broken-hearted and the big-hearted, and is, ultimately, a novel grown from gratitude, and a book full of wild hope.Readers love Flamingo:'A world of characters you feel you know and care about . . . The writing is superb and often stopped me in my tracks' ⭐ ⭐ ⭐ ⭐ ⭐'This novel grabs you by the heart and doesn't let go' ⭐ ⭐ ⭐ ⭐ ⭐'I loved this book - the writing is beautiful, it's emotive and the attention to connections, humanity and nature is wonderful' ⭐ ⭐ ⭐ ⭐ ⭐

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From the Chanel suit to the Wonderbra, via Jackie Kennedy, Ziggy Stardust and Alexander McQueen, respected fashion journalist and editor Paula Reed explores each of the styles and visionaries that have defined the way we dress. Spanning fifty years - from the 1950s to the 1990s - and accompanied by striking photographs throughout, Fashion Evolution is the definitive story of the style moments that changed the world.

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Throughout his international career spanning more than thirty years, artist and writer David Batchelor has long been preoccupied with colour. ‘Colour is not just a feature of [my] sculpture or painting,’ he notes, ‘but its central and overriding subject.’ This new publication is devoted to an ongoing series of sculptures titled Concretos. First made in 2011, Concretos combine concrete with a variety of brightly coloured – and often found – materials.The publication features a text by Batchelor charting the origins and development of Concretos. He reveals that the first Concreto was made after encountering coloured glass shards embedded in a concrete wall in the back streets of Palermo. Over time these Concretos, their title a nod to the Latin American art movement to which Batchelor’s work is much indebted, have become more complex adventures in layering, pattern and process. Elements such as acrylic plastic, spray and household gloss paint, steel, fabric and found objects all find themselves set in a concrete base. The most recent works, titled Extra-Concretos (2019–) retain much of the simplicity of the early pieces while working on a much larger scale.In an essay commissioned for the publication, curator Eleanor Nairne considers Concretos in light of their material possibilities. Nairne’s vivid text draws connections between the sculptures and a wide range of art historical and literary references. Some of the playful and sensual characteristics of Batchelor’s artistic vocabulary are considered in relation to floral bouquets, sewing-machines, ice cream and poetry.Architectural historian Adrian Forty’s essay discusses concrete’s physical qualities and relationship with modernity. He notes that the imperfect nature and apparent neutrality of the material is key to its enduring place within architecture, design and in Batchelor’s case, contemporary sculpture. ‘In the Concretos,’ asserts Forty, ‘concrete plays a necessary part in allowing colour to be itself. Present, but at the same time part of the barely noticed, half-invisible infrastructure of the city, concrete’s very neutrality performs an unexpectedly active part in these works.’The publication is edited by David Batchelor and Matt Price, designed by Hyperkit, printed by Park, London, and published by Anomie, London. The publication coincides with the first large-scale survey exhibition of Batchelor’s work taking place at Compton Verney, Warwickshire in 2022. The publication has been supported by Goldsmiths’ College, University of London, and Arts Council England.David Batchelor was born in Dundee in 1955 and lives and works in London. In 2013, a major solo exhibition of Batchelor’s two-dimensional work, ‘Flatlands’, was displayed at Fruitmarket Gallery, Edinburgh and toured to Spike Island, Bristol. Batchelor’s work was included in the landmark group exhibition ‘Adventures of the Black Square: Abstract Art and Society 1915–2015’ at Whitechapel Gallery, London. ‘My Own Private Bauhaus’, a solo exhibition of sculptures and paintings by Batchelor was presented by Ingleby Gallery during the Edinburgh Art Festival, 2019. Between 2017 and 2020 a large-scale work by Batchelor was displayed in the collection of Tate Modern. He is represented by Ingleby Gallery, Edinburgh, and Galeria Leme, São Paulo. Batchelor’s portfolio also includes a number of major temporary and permanent artworks in the public realm including a chromatic clock titled ‘Sixty Minute Spectrum’ installed in the roof of the Hayward Gallery, London.‘Chromophobia’, Batchelor’s book on colour and the fear of colour in the West, was published by Reaktion Books (2000), and is now available in ten languages. His more recent book, 'The Luminous and the Grey' (2014), is also published by Reaktion. In 2008 he was commissioned to edit ‘Colour’ an anthology of writings on colour from 1850 to the present published by Whitechapel/MIT Press.

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Transition and change are 21st-century lived experiences. We want to know “what’s next” in our relationships, environment, societies, politics, and everything else that touches our lives. “What’s Next?” is an anthology of short fiction that creatively explores these questions. UTHORS FEATURED IN THE ANTHOLOGY Claire Boyles, Joseph Bruchac, Chitra Banerjee Divakaruni, Toiya Kristen Finley, Tom Gammarino, Amina Gautier, Anthony Lee Head, Meng Jin, Charles Johnson, Pauline Kaldas, Vijay Lakshmi, Clarence Major, Donna Miscolta, Pamela Painter, Jane Pek, Brenda Peynado, Maurice Carlos Ruffin, Shannon Sanders, George Saunders, Joanna Scott, Anna Sequoia, Asako Serizawa, Sharyn Skeeter, Tiphanie Yanique, and Ye Chun.

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Hamburg State Prosecutor Chastity Riley and her colleagues investigate the murders of men with a history of abuse towards women … as a startling, horrifying series of revelations emerge. Germany’s Queen of Krimi returns with the darkly funny, mesmerizingly dark next instalment in an addictive series…   ‘Simone Buchholz is my favourite German crime writer' Mark Sanderson, The Times   ‘Such a revelation’ Laura Lippman   ‘German-American Chastity Riley [is] snooty, churlish, sarcastic, sometimes drunk and always inappropriate. The whole series breaks the boundaries of typical crime novels’ Romy Hausmann   ‘A distinctive voice, and a flawed but compelling protagonist. This is vintage Buchholz – style and sass and St Pauli’ Will Carver   ________ When neatly packed male b

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For many foreign observers, Brazil still conjures up a collage of exotic images, ranging from the camp antics of Carmen Miranda to the bronzed girl (or boy) from Ipanema moving sensually over the white sands of Rio's beaches. Among these tropical fantasies is that of the uninhibited and licentious Brazilian homosexual, who expresses uncontrolled sexuality during wild Carnival festivities and is welcomed by a society that accepts fluid sexual identity. However, in this cultural history of male homosexuality in Brazil, James Green shatters these exotic myths and replaces them with a complex picture of the social obstacles that confront Brazilian homosexuals. Ranging from the late-19th century to the rise of a politicized gay and lesbian rights movement in the 1970s, Green's study focuses on male homosexual subcultures in Rio de Janeiro and Sao Paulo. He uncovers the stories of men coping with arrests and street violence, dealing with family restrictions, and resisting both a hostile medical profession and moralizing influences of the Church. Green also describes how these men have created vibrant subcultures with alternative support networks for maintaining romantic and sexual relationships and for surviving in an intolerant social environment. He then goes on to trace how urban parks, plazas, cinemas and beaches are appropriated for same-sex erotic encounters, bringing us into the world of street cruising, male hustlers and cross-dressing prostitutes.

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Although the Comintern (Communist International) and Cominform (Communist Information Bureau) were disbanded in 1943 and 1956 respectively, the infrastructure for another Communist International appears to be building, with factional centers in the North Korean and the French Communist Party's conference systems. Prior to the 1989-1991 collapse of the Soviet system, the party line for loyal communists was devised by the Communist Party of the Soviet Union, promulgated by an international periodical, and more or less enforced through a system of bilateral, regional, and worldwide conferences. This system remained intact until the very end, although the Trotskyists left it in the mid-1920s and various nationalist communists did the same following World War II. Now, the Sao Paulo Forum, a regional conference system, has gathered together virtually all the important Left forces in Latin America on an anti-US basis. Among its leading members are the Cuban Communist Party, the Broad Front of Uruguay, the pro-Eurocommunist Democratic Revolutionary Party of Mexico, and the Trotskyist Workers Party of Brazil. Is the Comintern Coming Back? is a fascinating study of today's communist infrastructure. With an introduction by Ralph Goldman, president for the Center for Party Development.

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By any standard, the United States is the most violent nation in the industrialized world. To find comparable levels of interpersonal violence, one must look to nations in the midst of civil war. Most observers of modern American violence do not consider the historical roots of current levels of violence, preferring to criticize American liberalism, permissive child-rearing practices, and excessive greed and individualism as the sources of the problem. This collection of original essays examines the role of violence in America's past, exploring its history and development, from slave patrols in the Colonial South to gun ownership in the twentieth century. Contributors examine both individual acts, such as domestic violence, murder, dueling, frontier vigilantism, and rape, and group and state-led acts such as lynchings, slave uprisings, rifle clubs, legal sanctions of heterosexual aggression, and invasive medical experiments on women's bodies. Contributors include Jeff Adler, Bruce Baird, Robert Dykstra, Lee Chambers-Schiller, Philip J. Cook, Laura Edwards, Uche Egemonye, Nicole Etcheson, Evan Haefeli, Sally Hadden, Paula Hinton, Arthur L. Kellermann, Laura McCall, Kate Nickerson, Mary Odem, Craig Pascoe, John C. Pettegrew, Junius P. Rodriguez, and Andrea Tone, Christopher Waldrep.

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Challenging monolithic images of the New Woman as white, well-educated, and politically progressive, this study focuses on important regional, ethnic, and sociopolitical differences in the use of the New Woman trope at the turn of the twentieth century. Using Charles Dana Gibson's "Gibson Girls" as a point of departure, Martha H. Patterson explores how writers such as Pauline Hopkins, Margaret Murray Washington, Sui Sin Far, Mary Johnston, Edith Wharton, Ellen Glasgow, and Willa Cather challenged and redeployed the New Woman image in light of other “new” conceptions: the "New Negro Woman," the "New Ethics," the "New South," and the "New China." As she appears in these writers' works, the New Woman both promises and threatens to effect sociopolitical change as a consumer, an instigator of evolutionary and economic development, and (for writers of color) an icon of successful assimilation into dominant Anglo-American culture. Examining a diverse array of cultural products, Patterson shows how the seemingly celebratory term of the New Woman becomes a trope not only of progressive reform, consumer power, transgressive femininity, modern energy, and modern cure, but also of racial and ethnic taxonomies, social Darwinist struggle, imperialist ambition, assimilationist pressures, and modern decay.

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Digital Pirates examines the unauthorized creation, distribution, and consumption of movies and music in Brazil. Alexander Sebastian Dent offers a new definition of piracy as indispensable to current capitalism alongside increasing global enforcement of intellectual property (IP). Complex and capricious laws might prohibit it, but piracy remains a core activity of the twenty-first century. Combining the tools of linguistic and cultural anthropology with models from media studies and political economy, Digital Pirates reveals how the dynamics of IP and piracy serve as strategies for managing the gaps between texts—in this case, digital content. Dent's analysis includes his fieldwork in and around São Paulo with pirates, musicians, filmmakers, police, salesmen, technicians, policymakers, politicians, activists, and consumers. Rather than argue for rigid positions, he suggests that Brazilians are pulled in multiple directions according to the injunctions of international governance, localized pleasure, magical consumption, and economic efficiency. Through its novel theorization of "digital textuality," this book offers crucial insights into the qualities of today's mediascape as well as the particularized political and cultural norms that govern it. The book also shows how twenty-first century capitalism generates piracy and its enforcement simultaneously, while producing fraught consumer experiences in Latin America and beyond.

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In everyday language, masochism is usually understood as the desire to abdicate control in exchange for sensation—pleasure, pain, or a combination thereof. Yet at its core, masochism is a site where power, bodies, and society come together. Sensational Flesh uses masochism as a lens to examine how power structures race, gender, and embodiment in different contexts. Drawing on rich and varied sources—from 19th century sexology, psychoanalysis, and critical theory to literary texts and performance art—Amber Jamilla Musser employs masochism as a powerful diagnostic tool for probing relationships between power and subjectivity. Engaging with a range of debates about lesbian S&M, racialization, femininity, and disability, as well as key texts such as Sacher-Masoch’s Venus in Furs, Pauline Réage’s The Story of O, and Michel Foucault's History of Sexuality, Musser renders legible the complex ways that masochism has been taken up by queer, feminist, and critical race theories. Furthering queer theory’s investment in affect and materiality, she proposes “sensation” as an analytical tool for illustrating what it feels like to be embedded in structures of domination such as patriarchy, colonialism, and racism and what it means to embody femininity, blackness, and pain. Sensational Flesh is ultimately about the ways in which difference is made material through race, gender, and sexuality and how that materiality is experienced.

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An engaging argument about what experimental music can tell us about being human. In Experimenting the Human, G Douglas Barrett argues that experimental music speaks to the contemporary posthuman, a condition in which science and technology decenter human agency amid the uneven temporality of postwar global capitalism. Time moves forward for some during this period, while it seems to stand still or even move backward for others. Some say we’re already posthuman, while others endure the extended consequences of never having been considered fully human in the first place. Experimental music reflects on this state, Barrett contends, through its interdisciplinary involvements in postwar science, technology, and art movements. Rather than pursuing the human's beyond, experimental music addresses the social and technological conditions that support such a pursuit. Barrett locates this tendency of experimentalism throughout its historical entanglements with cybernetics, and in his intimate analysis of Alvin Lucier’s neurofeedback music, Pamela Z’s BodySynth performances, Nam June Paik’s musical robotics, Pauline Oliveros’s experiments with radio astronomy, and work by Laetitia Sonami, Yasunao Tone, and Jerry Hunt. Through a unique meeting of music studies, media theory, and art history, Experimenting the Human provides fresh insights into what it means to be human.

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More than two dozen stories of Indigenous resistance to the privatization and allotment of Indigenous lands Land privatization has been a longstanding and ongoing settler colonial process separating Indigenous peoples from their traditional homelands, with devastating consequences. Allotment Stories delves into this conflict, creating a complex conversation out of narratives of Indigenous communities resisting allotment and other dispossessive land schemes.From the use of homesteading by nineteenth-century Anishinaabe women to maintain their independence to the role that roads have played in expropriating Guam’s Indigenous heritage to the links between land loss and genocide in California, Allotment Stories collects more than two dozen chronicles of white imperialism and Indigenous resistance. Ranging from the historical to the contemporary and grappling with Indigenous land struggles around the globe, these narratives showcase both scholarly and creative forms of expression, constructing a multifaceted book of diverse disciplinary perspectives. Allotment Stories highlights how Indigenous peoples have consistently used creativity to sustain collective ties, kinship relations, and cultural commitments in the face of privatization. At once informing readers while provoking them toward further research into Indigenous resilience, this collection pieces back together some of what the forces of allotment have tried to tear apart.Contributors: Jennifer Adese, U of Toronto Mississauga; Megan Baker, U of California, Los Angeles; William Bauer Jr., U of Nevada, Las Vegas; Christine Taitano DeLisle, U of Minnesota–Twin Cities; Vicente M. Diaz, U of Minnesota–Twin Cities; Sarah Biscarra Dilley, U of California, Davis; Marilyn Dumont, U of Alberta; Munir Fakher Eldin, Birzeit U, Palestine; Nick Estes, U of New Mexico; Pauliina Feodoroff; Susan E. Gray, Arizona State U; J. Kēhaulani Kauanui, Wesleyan U; Rauna Kuokkanen, U of Lapland and U of Toronto; Sheryl R. Lightfoot, U of British Columbia; Kelly McDonough, U of Texas at Austin; Ruby Hansen Murray; Tero Mustonen, U of Eastern Finland; Darren O’Toole, U of Ottawa; Shiri Pasternak, Ryerson U; Dione Payne, Te Whare Wānaka o Aoraki–Lincoln U; Joseph M. Pierce, Stony Brook U; Khal Schneider, California State U, Sacramento; Argelia Segovia Liga, Colegio de Michoacán; Leanne Betasamosake Simpson; Jameson R. Sweet, Rutgers U; Michael P. Taylor, Brigham Young U; Candessa Tehee, Northeastern State U; Benjamin Hugh Velaise, Google American Indian Network.

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NARNIA... la tierra que está más allá del ropero, el país secreto que solo conocen Peter, Susan, Edmund y Lucy... el lugar donde comienza la aventura.Lucy es la primera en encontrar el secreto del ropero en la vieja y misteriosa casa del profesor. Al principio, nadie le cree cuando cuenta sus aventuras en el país de Narnia. Sin embargo, pronto Edmund y luego Peter y Susan descubren la magia y conocen por sí mismos a Aslan, el Gran León. En un abrir y cerrar de ojos, su vida cambia para siempre.Por primera vez, el lenguaje de los siete libros clásicos ha sido adaptado para el lector latinoamericano y editado para garantizar la coherencia de los nombres, personajes, lugares y acontecimientos dentro del universo de Narnia. Además, presentan las cubiertas e ilustraciones originales de Pauline Barnes.Aunque forma parte de una saga, este es un libro independiente. Si quieres descubrir más sobre Narnia, puedes leer El caballo y su muchacho, el tercer libro de Las crónicas de Narnia.The Lion, The Witch and the WardrobeNARNIA... the land beyond the wardrobe, the secret country that only Peter, Susan, Edmund and Lucy know... the place where adventure begins.Lucy is the first to find the secret of the closet in the Professor's mysterious old house. At first, no one believes her when she tells of her adventures in the land of Narnia. Soon, however, Edmund and then Peter and Susan discover the magic and meet Aslan, the Great Lion, for themselves. In the blink of an eye, their lives change forever.For the first time, the language of the seven classic books has been adapted for the Latin American reader and edited to ensure consistency of names, characters, places and events within the Narnia universe. In addition, they feature the original covers and illustrations by Pauline Barnes.Although it is part of a saga, this is a stand-alone book. If you want to discover more about Narnia, you can read The Horse and His Boy, the third book of The Chronicles of Narnia.

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A wide-ranging and challenging exploration of design and how it engages with the self The field of design has radically expanded. As a practice, design is no longer limited to the world of material objects but rather extends from carefully crafted individual styles and online identities to the surrounding galaxies of personal devices, new materials, interfaces, networks, systems, infrastructures, data, chemicals, organisms, and genetic codes. Superhumanity seeks to explore and challenge our understanding of “design” by engaging with and departing from the concept of the “self.” This volume brings together more than fifty essays by leading scientists, artists, architects, designers, philosophers, historians, archaeologists, and anthropologists, originally disseminated online via e-flux Architecture between September 2016 and February 2017 on the invitation of the Third Istanbul Design Biennial. Probing the idea that we are and always have been continuously reshaped by the artifacts we shape, this book asks: Who designed the lives we live today? What are the forms of life we inhabit, and what new forms are currently being designed? Where are the sites, and what are the techniques, to design others? This vital and far-reaching collection of essays and images seeks to explore and reflect on the ways in which both the concept and practice of design are operative well beyond tangible objects, expanding into the depths of self and forms of life. Contributors: Zeynep Çelik Alexander, Lucia Allais, Shumon Basar, Ruha Benjamin, Franco “Bifo” Berardi, Daniel Birnbaum, Ina Blom, Benjamin H. Bratton, Giuliana Bruno, Tony Chakar, Mark Cousins, Simon Denny, Keller Easterling, Hu Fang, Rubén Gallo, Liam Gillick, Boris Groys, Rupali Gupte, Andrew Herscher, Tom Holert, Brooke Holmes, Francesca Hughes, Andrés Jaque, Lydia Kallipoliti, Thomas Keenan, Sylvia Lavin, Yongwoo Lee, Lesley Lokko, MAP Office, Chus Martínez, Ingo Niermann, Ahmet Ögüt, Trevor Paglen, Spyros Papapetros, Raqs Media Collective, Juliane Rebentisch, Sophia Roosth, Felicity D. Scott, Jack Self, Prasad Shetty, Hito Steyerl, Kali Stull, Pelin Tan, Alexander Tarakhovsky, Paulo Tavares, Stephan Trüby, Etienne Turpin, Sven-Olov Wallenstein, Eyal Weizman, Mabel O. Wilson, Brian Kuan Wood, Liam Young, and Arseny Zhilyaev.

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2023 Honorable Mention, Jonathan Brown Award, Society for Iberian Global Art (SIGA)Painted Cloth explores the production, meaning, and representation of garments used in civil and religious settings across Latin America during the 1700s. Both the exhibition at the Blanton Museum of Art and this accompanying catalogue, reflect on the ways in which clothing played an essential role in articulating socioeconomic, gender, and racial identity among various Indigenous groups, African slaves, Spanish colonizers, and their mixed-raced descendants. The project spotlights aesthetic components of the artistic production of the Spanish Americas while also encouraging wider conversations about the impact of the colonial period in shaping the social fabric of the region. In addition to a foreword by Blanton director Simone Wicha, and an introduction and essay by Rosario I. Granados, Painted Cloth features essays by Julia McHugh, Trent A. Carmichael Curator of Academic Initiatives at the Nasher Museum of Art at Duke University; Ana Paulina Gámez, independent scholar and curator in Mexico City; Ricardo Kusonoki, Curator of Colonial and Republican Art, Museo de Arte de Lima; Patricia Diìaz Cayeros, fulltime researcher, Instituto de Investigaciones Esteìticas, Universidad Nacional Autoìnoma de Meìxico; and Maya Stanfield-Mazzi, associate professor of art history, University of Florida Gainesville.

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Presenting a stimulating contribution to the quickly advancing field of welfare attitudes research, this important book develops the understanding of welfare legitimacy. It does so by assessing the nature of popular judgments about welfare deservingness, as well as the roots and consequences of these attitudes, offering a state-of-the-art picture of the latest theoretical, conceptual and methodological developments. The Social Legitimacy of Targeted Welfare provides a multidisciplinary view on deservingness attitudes, with contributions from sociology, political science, media studies and social psychology. It advocates a multi-actor perspective, looking not only at citizens' attitudes, but also at attitudes of social administrators and policy-makers. The chapters also present new research methods in the field, including discrete choice experiments, factorial surveys, focus groups, and media content analysis. This book will be of interest to students and researchers in sociology, political science, and the fields of social psychology, philosophy, economics and history. It will help practitioners and policymakers in social policy, social work and healthcare understand popular perceptions and beliefs regarding just distributions of welfare.Contributors include: H. Blomberg, A. Bos, C. Buss, R. de Vries, M. De Wilde, B. Ebbinghaus, S. Evers, A. Fladmoe, B.B. Geiger, M. Hiligsmann, M. Jeene, J. Kallio, O. Kangas, A. Kootstra, C. Kroll, S. Kumlin, T. Laenen, D. Lepianka, B. Meuleman, E. Naumann, M. Niemelä, A. Paulus, J. Ragusa, T. Reeskens, F. Roosma, M. Sadin, K. Steen-Johnson, W. Uunk, M. van der Aa, T. van der Meer, B. van Doorn, W. van Oorschot, D. Wollebaek

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Transnational Portuguese Studies offers a radical rethinking of the role played by the concepts of ‘nationhood’ and ‘the nation’ in the epistemologies that underpin Portuguese Studies as an academic discipline. Portuguese Studies offers a particularly rich and enlightening challenge to methodological nationalism in Modern Languages, not least because the teaching of Portuguese has always extended beyond the study of the single western European country from which the language takes its name. However, this has rarely been analysed with explicit, or critical, reference to the ‘transnational turn’ in Arts and Humanities. This volume of essays from leading scholars in Portugal, Brazil, the USA and the UK, explores how the histories, cultures and ideas constituted in and through Portuguese language resist borders and produce encounters, from the manoeuvres of 15th century ‘globalization’ and cartography to present-day mega events such as the Rio Olympics. The result is a timely counter-narrative to the workings of linguistic and cultural nationalism, demonstrating how texts, paintings and photobooks, musical forms, political ideas, cinematic representations, gender identities, digital communications and lexical forms, may travel, translate and embody transcultural contact in ways which only become readable through the optics of transnationalism.Contributors: Ana Margarida Dias Martins, Anna M. Klobucka, Christopher Larkosh, Claire Williams, Cláudia Pazos Alonso, Edward King, Ellen W. Sapega, Fernando Arenas, Hilary Owen, José Lingna Nafafé, Kimberly DaCosta Holton, Maria Luísa Coelho, Paulo de Medeiros, Sara Ramos Pinto, Sheila Moura Hue, Simon Park, Susana Afonso, Tatiana Heise, Toby Green, Tori Holmes, Vivien Kogut Lessa de Sá and Zoltán Biedermann.

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A practical guide to the challenges and successes of global fundraising, written by an international team of highly respected philanthropy professionals and edited by two of the leading nonprofit thinkers, Global Fundraising is the first book to genuinely offer a global overview of philanthropy with an internationalist perspective. As the world becomes more interdependent, and economies struggle, global philanthropy continues to increase. More than that, nonprofits are taking up roles that have traditionally been filled by the government—including social welfare, healthcare, and human rights. Global Fundraising provides complete coverage of the implications of this growth for nonprofit culture and how it drives changes in fundraising practices. Organized into thematic chapters—a mixture of geographic and topical issues—it places North American philanthropy in a wider context It features a companion website with a variety of online tools and materials The book includes contributions by international leading experts Matt Ide, Mair Bosworth, Usha Menon, Anup Tiwari, Paula Guillet de Monthoux, Angela Cluff, Norma Galafassi, Mike Muchilwa, Tariq Cheema, Lu Bo and Nan Fang, Masataka Uo, Chris Carnie, Sean Triner, Andrea McManus, Marcelo Inniarra, Ashley Baldwin, Rebecca Mauger, YoungWoo Choi, R.F. Shangraw, Jr., Sudeshna Mukherjee, and Anca Zaharia. The book skillfully tracks how the world of fundraising is changing rapidly due to a number of factors including: continuing growth of great wealth; non-profit innovation emerging everywhere; growth of indigenous NGOs; increased professionalism in fundraising; and the value and role of new and social technologies. Written by a team of philanthropy leaders, Global Fundraising offers timely coverage of fundraising around the world. A must-have for INGO leaders and anyone, anywhere, interested in the future of philanthropy and effective fundraising practices.

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The Elgar Companion to the International Criminal Tribunal for Rwanda is a one-stop reference resource on this complex tribunal, established in the aftermath of the 1994 genocide in Rwanda, which closed its doors on 31 December 2015. This Companion provides an insightful account of the workings and legacy of the ICTR in the field of international criminal justice.Surveying and analyzing the contributions from different disciplinary angles, the Companion is comprised of four comprehensive parts. It begins with a detailed account of the establishment of the ICTR, covering the setting up of the tribunal, its mandate, structure and personnel. The second part explores substantive law and examines issues such as genocide, crimes against humanity, war crimes, sexual violence and modes of liability. The third part discusses procedural law and explores investigation, arrest, trial/appeal, evidence, rights of the accused, rights of victims and sentencing. It concludes with the fourth part, which considers the contribution of the ICTR to international criminal justice, as well as to the lives of Rwandans.An important contribution to the jurisprudence of international criminal courts, the Companion will appeal to academics, students and legal practitioners alike. It will be fascinating reading for anyone interested in international criminal law or the recent history of Rwanda.Contributors include: P. Akhavan, K. Ambos, S. Bock, C. Buisman, N.A. Combs, A.-M. de Brouwer, M.A. Drumbl, H. Hintjens, B. Holá, H.B. Jallow, U. Kaitesi, G.W. Mugwanya, R. Muzigo-Morrison, F.M. Ndahinda, F.-X. Nsanzuwera, A. Odora-Obote, V. Oosterveld, C. Paulussen, N Pillay, A. Smeulers

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“Mr. Allan Burns, I am here to tell you an example, the example of the Hunchbacks.” So said Paulino Yamá, traditionalist and storyteller, to Allan Burns, anthropologist and linguist, as he began one story that found its way into this book. Paulino Yamá was just one of several master storytellers from the Yucatán Peninsula of Mexico from whom Burns learned not only the Mayan language but also the style and performance of myths, stories, riddles, prayers, and other forms of speech of their people. The result is An Epoch of Miracles, a wonderfully readable yet thoroughly scholarly set of translations from the oral literature of the Yucatec Maya, an important New World tradition never before systematically described. An Epoch of Miracles brings us over thirty-five long narratives of things large, small, strange, and “regular” and as many delightful short pieces, such as bird lore, riddles, and definitions of anteaters, rainbows, and other commonplaces of the Mayan world. Here are profound narratives of the Feathered Serpent, the mighty Rain God Chac and his helpers, and the mysterious cult of the Speaking Cross. But because these are modern, “Petroleum Age” Maya, here too are a discussion with Cuba’s Fidel Castro and a greeting to former president Richard Nixon. All pieces are translated ethnopoetically; examples of several genres are presented bilingually.  An especially valuable feature is the indication of performance style, such as pauses and voice quality, given with each piece.

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Lost for decades, the manuscript of Hermann Beckh's final lectures on the subject of music present fundamentally new insights into its cosmic origins. Beckh characterises the qualities of musical development, examines select musical works (that represent for him the peak of human ingenuity), and throws new light on the nature and source of human creativity and inspiration. Published here for the first time, the lectures demonstrate a distinctive approach founded on the raw material of musical perception. Beckh discusses the whistling wind, the billowing wave, the song of the birds and particularly the theme of longing. Never losing the ground from under his feet, he penetrates perennial themes: from the yearning for real spontaneity and the 'Mystery background' uniting heaven and earth, to spiritual knowledge that can meet the demands of the twenty-first century. Out of the cosmic context, Beckh writes to the individual situation. From there, he seeks again the re-won cosmic context. He does not write as a musical specialist and then turn to universal human concerns; rather, Beckh writes from universal human concerns and reveals music as of special concern to everyone. In addition to the transcripts of fifteen lectures, this book contains a valuable introduction and editorial footnotes. It also features appendices including Beckh's essay 'The Mystery of the Night in Wagner and Novalis'; reminiscences of Beckh by August Pauli and Harro Ruckner; Donald Francis Tovey's 'Wagnerian harmony and the evolution of the Tristan-chord', and several contemporaneous reviews of Beckh's published works.

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