Search results for ""Author Paul"

Rising housing costs put secure and decent housing in central urban neighborhoods in peril. How do civil society organizations (CSOs) effectively demand accountability from the state to address the needs of low-income residents? In her groundbreaking book, Democratizing Urban Development, Maureen Donaghy charts the constraints and potential opportunities facing these community organizations. She assesses the various strategies CSOs engage to influence officials and ensure access to affordable housing through policies, programs, and institutions. Democratizing Urban Development presents efforts by CSOs in four cities across the hemispheric divide: Rio de Janeiro, São Paulo, Washington, DC, and Atlanta. Donaghy studies the impact and outcomes that ensue from these efforts, noting that CSOs must sometimes shift their own ideology or adapt to the political environment in which they operate to ensure access to housing and support the goals of an inclusive city.

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The Old English History of the World is a translation and adaptation of the Latin history known as the Seven Books of History against the Pagans, written by the Spanish cleric Paulus Orosius at the prompting of Saint Augustine after the sack of Rome in 410. To counter the pagan and republican narratives of Livy and other classical historians, Orosius created an account of the ancient world from a Christian and imperial viewpoint. His work was immensely popular throughout Europe in succeeding centuries, down to the end of the Middle Ages. Around the year 900, an Old English version was produced by an anonymous writer, possibly encouraged or inspired by King Alfred. The translator actively transformed Orosius’s narrative: cutting extraneous detail, adding explanations and dramatic speeches, and supplying a long section on the geography of the Germanic world. This volume offers a new edition and modern translation of an Anglo-Saxon perspective on the ancient world.

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They could find a bright future . . . or the end of everything. From Peter F. Hamilton, The Evolutionary Void is the startling conclusion to the Void trilogy, set in the world of the Commonwealth Saga.Millions of Leaving Dream pilgrims have boarded ships, and are speeding towards the Void at the centre of the galaxy. They are chasing their dream ­– and expect to find paradise. Yet breaching the Void will trigger its expansion, destroying everything in its path.Paula Myo is desperate to find Void’s latest prophet – Second Dreamer Araminta. As without her, the ships can’t enter the Void. But when Araminta finally chooses her path, it will change things in ways no one could have imagined. And within the Void, Edeard realizes the price of peace may be too high. However, what will this mean for the pilgrims – and the galaxy beyond?'A huge achievement in science fiction' – SciFiNow

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Monty Python's Life of Brian film is known for its brilliant satirical humour. Less well known is that the film contains references to what was, at the time of its release, cutting edge biblical scholarship and life of Jesus research. This research, founded on the acceptance of the Historical Jesus as a Jew who needs to be understood within the context of his time, is implicitly referenced through the setting of the Brian character within a tumultuous social and political background. This collection is a compilation of essays from foremost scholars of the historical Jesus and the first century Judaea, and includes contributions from George Brooke, Richard Burridge, Paula Fredriksen, Steve Mason, Adele Reinhartz, Bart Ehrman, Amy-Jill Levine, James Crossley, Philip Davies, Joan Taylor, Bill Telford, Helen Bond, Guy Stiebel, David Tollerton, David Shepherd and Katie Turner. The collection opens up the Life of Brian to renewed investigation and, in so doing, uses the film to reflect on the historical Jesus and his times, revitalising the discussion of history and Life of Jesus research. The volume also features a preface from Terry Jones, who not only directed the film, but also played Brian's mum.

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“Mr. Allan Burns, I am here to tell you an example, the example of the Hunchbacks.” So said Paulino Yamá, traditionalist and storyteller, to Allan Burns, anthropologist and linguist, as he began one story that found its way into this book. Paulino Yamá was just one of several master storytellers from the Yucatán Peninsula of Mexico from whom Burns learned not only the Mayan language but also the style and performance of myths, stories, riddles, prayers, and other forms of speech of their people. The result is An Epoch of Miracles, a wonderfully readable yet thoroughly scholarly set of translations from the oral literature of the Yucatec Maya, an important New World tradition never before systematically described. An Epoch of Miracles brings us over thirty-five long narratives of things large, small, strange, and “regular” and as many delightful short pieces, such as bird lore, riddles, and definitions of anteaters, rainbows, and other commonplaces of the Mayan world. Here are profound narratives of the Feathered Serpent, the mighty Rain God Chac and his helpers, and the mysterious cult of the Speaking Cross. But because these are modern, “Petroleum Age” Maya, here too are a discussion with Cuba’s Fidel Castro and a greeting to former president Richard Nixon. All pieces are translated ethnopoetically; examples of several genres are presented bilingually.  An especially valuable feature is the indication of performance style, such as pauses and voice quality, given with each piece.

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Make a Beautiful Way is nothing less than a new way of looking at history—or more correctly, the reestablishment of a very old way. For too long, Euro-American discourse styles, emphasizing elite male privilege and conceptual linearity, have drowned out democratic and woman-centered Native approaches. Even when myopic western linearity is understood to be at work, analysis of Native American history, society, and culture has still been consistently placed in male custody. The recovery of women’s traditions is the overarching theme in this collection of essays that helps reframe Native issues as properly gendered. Paula Gunn Allen looks at Indian lifeways through the many stitches of Indian clothes and the many steps of their powwow fancy dances. Lee Maracle calls for reconstitution of traditional social structures, based on Native American ways of knowing. Kay Givens McGowan identifies the exact sites where female power was weakened through the imposition of European culture, so that we might more effectively strengthen precisely those sites. Finally, Barbara Alice Mann examines how communication between Natives who have federal recognition and those who do not, as well as between Natives east and west of the Mississippi, became dysfunctional, and outlines how to reestablish good relations for the benefit of all.

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Crumbling social institutions, disintegrating structures, and a profound sense of uncertainty are the signs of our time, stemming from a situation in which traditional systems are dying but the new cannot yet be born. In this timely book, this contemporary crisis is explored and illuminated, providing narratives that suggest how the notion of hope can be leveraged to create powerful methods of organizing for the future, in communities, workplaces and businesses. In response to the increasing attention being paid to the shocking seriousness of the current state of the world, this innovative book offers a variety of ways of bringing hope into a situation otherwise defined by hopelessness, following a tradition of radical dissent by public intellectuals such as Zygmunt Bauman and Vaclav Havel. Chapters first consider theoretical and philosophical perspectives on hopeful organizing, followed by both empirical discussions about achieving change and more imaginative narratives of alternative and utopian futures, including an exploration of the differing roles of work, creativity, idealism, inclusivity and activism. Organizing Hope will be a critical and thought-provoking read for researchers and students of organization theory and sociology, as well as other social sciences. Politicians, policy makers and other decision makers in government will also find the book insightful and useful. Contributors include: G. Cairns, C. Ciupke, S. Clegg, M. Cwikla, D. Ericsson, A. Góral, M. Izak, M. Kallifatides, M. Kostera, W. Küpers, R. Longman, K. Matyjaszkowicz, J. G. McClellan, A. Milczarczyk, A. Morgan, T. Padan, M. Parker, R. Paulsen, M. Pina e Cunha, M. Polec, A. Rego, A.V. Simpson, A. Strauss, J. Vaughan, K.E. Weick

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From Shakespeare's gender-bending play Twelfth Night to the the critically-acclaimed Broadway hit Angels in America, from 17th century kabuki theater of Japan—performed by cross-dressing prostitutes—to the NEA-denounced performance art of Holly Hughes, theater has long been—as co-editor Alisa Solomon terms it—the queerest art. The Queerest Art is a pioneering collection of essays by and conversations among a diverse range of leading theater academics and artists. The first anthology to bring scholars and makers of queer theater into direct dialogue, the volume explores such subjects as same-sex desire in Restoration comedy, the racialized impact of colonial Shakespeare, the cuerpo politizado of a performance artist in contemporary Los Angeles, and the nitty-gritty of getting a queer show presented in Peoria. The Queerest Art rereads the history of performance as a celebration and critique of dissident sexualities, exploring the politics of pleasure and the pleasure of politics that drive the theater. Lively and accessible, The Queerest Art will be useful to scholars, students, artists, and theater-goers alike interested in what makes queer theater . . . and what makes theater queer. Contributors include: Jill Dolan, Brian Freeman, Randy Gener, George E. Haggerty, Holly Hughes, Ania Loomba, Tim Miller, José Esteban Muñoz, Deb Parks-Satterfield, Lola Pashalinski, Everett Quinton, David Román, David Savran, Laurence Senelick, Don Shewey, Carmelita Tropicana, Valerie Traub, Paula Vogel, Doric Wilson, and Stacy Wolf.

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Pride and Prejudice: An Epistolary Edition Containing Nineteen Handwritten Letters is a collection of the letters exchanged between Jane Austen's characters in Pride and Prejudice. Glassine pockets placed throughout the book contain removable replicas of all 19 letters in the story. From Lydia's announcement of her elopement, to Mr. Darcy's honest, beseeching missive to Elizabeth, this deluxe edition pays homage to the power of these epistles. • Nothing captures Jane Austen's vivid emotion and keen wit better than her characters' correspondence. • Each letter is re-created with gorgeous calligraphy. • Letters are hand-folded with painstaking attention to historical detail.Perusing the letters will transport readers straight to the drawing room at Netherfield or the breakfast table at Longbourn.For anyone who loves Austen, and for anyone who still cherishes the joy of letter writing, this book illuminates a favorite story in a whole new way. • Step inside the world of Pride and Prejudice, one of the most beloved novels of all time. • Great Mother's Day, birthday, or holiday gift for diehard Jane Austen fans • A visually gorgeous book that will be at home on the shelf or on the coffee table • Add it to the shelf with books like What Would Jane Do?: Quips and Wisdom from Jane Austen by Potter Gift, Jane-a-Day: 5 Year Journal with 365 Witticisms by Jane Austen Edition by Potter Gift, and The Real Jane Austen: A Life in Small Things by Paula Byrne.

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The last battle is the greatest of all battles A beautiful paperback edition of The Last Battle, book seven in the classic fantasy series, The Chronicles of Narnia. This edition is complete with cover and interior art by the original illustrator, Pauline Baynes. During the last days of Narnia, the land faces its fiercest challenge—not an invader from without but an enemy from within. Lies and treachery have taken root, and only the king and a small band of loyal followers can prevent the destruction of all they hold dear in this, the magnificent ending to The Chronicles of Narnia. The Last Battle is the seventh and final book in C. S. Lewis’s classic fantasy series, which has been drawing readers of all ages into a magical land with unforgettable characters for over sixty years. A complete stand-alone read, but if you want to relive the adventures and find out how it began, pick up The Magician’s Nephew, the first book in The Chronicles of Narnia.

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On s'est plu a imaginer les auteurs gnostiques comme des solitaires misanthropes et leurs 'uvres, comme le resultat d'un prurit d'ecrire cause par leur haine du monde et des hommes. L'Interpretation de la gnose revele un auteur soucieux de la vie d'une communaute aux prises avec des divisions nees, du moins a ses yeux, de la jalousie. Dans le but de remedier a cette situation, il cherche a persuader son destinataire de la necessite de supporter les epreuves comme le Christ crucifie l'a fait. Il lui propose comme modele a imiter la patience de celui-ci devant le mepris et les moqueries dont il a ete l'objet, lui explique que les divisions dans la communaute sont l"uvre des archontes mauvais. Il reprend l'image paulinienne de l'Eglise corps du Christ et la tradition greco-romaine des discours de reconciliation, utilisant cette image pour exhorter son destinataire, peut-etre une femme si l'on en juge par l'emploi d'exemples mettant en scene des figures feminines dans la premiere partie de l"uvre, a se satisfaire de la place qui est la sienne dans la communaute. L'Interpretation de la gnose, le commentaire le montre, est vraisemblablement le produit d'un milieu valentinien ou influence par le valentinisme. Son caractere gnostique, dont le titre a lui seul ne constitue pas une preuve, est donc indeniable. Cet ecrit est a ranger, a cote d'autres textes gnostiques, parmi les ecrits de circonstances: l'Hypostase des archontes, dont l'auteur, qui y reprend un materiau gnostique traditionnel, s'evertue a rassurer son destinataire - peut-etre une femme ici aussi, representee dans le texte par Norea -, en lui demontrant que les archontes ne peuvent rien contre lui; l'Evangile de Judas et le Temoignage veritable qui, s'inscrivant dans une longue tradition biblique et extra-biblique du refus des sacrifices sanglants, prennent position contre une theologie sacrificielle exaltant le martyre et proposent plutot a leurs destinataires une legitimation theologique de son refus.

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Place of refuge, place where we can be ourselves; place we long to escape from, place where we are confronted by absence and loneliness; shabby downtown apartment or idyllic country cottage. Like it or loathe it, home is where we do most of our living. Home is, of course, many things to many poets. It is Billy Collins's favourite armchair and Imtiaz Dharker's 'Living Space' in the slums of Mumbai. It is Wordsworth's 'dear Valley' of Grasmere, and Philip Larkin's Coventry, that place where nothing so famously happens. It may be somewhere we long for, perhaps unattainably: Ovid and Mahmoud Darwish lament their home countries, Kapka Kassabova seeks 'a house we can never find', while Jules Supervielle is 'Homesick for the Earth'.There is an abundance of domestic life. Attend a miserable breakfast chez Jacques Prévert; observe Wendy Cope and partner happily 'Being Boring'. Cut to Anna Barbauld's washing-day, Marilyn Nelson dusting, Buson mending his clothes and Fiona Wright contending with a Tupperware party. Peep in on Amy Lowell in the bath and John Donne in bed, Auden in the privy and Joy Harjo at the kitchen table. Here are removals and homecomings, neighbours good and bad. Inevitably, after a year of enforced domesticity, some lockdown thoughts (Anna McDonald, Pauline Prior-Pitt); Mary Oliver's dream house, Naomi Shihab Nye's homes where children live, the far-from-safe houses of U. A. Fanthorpe, and some final reflections on the idea of a dwelling place from Rumi, Emily Dickinson, John Burnside, Vinita Agrawal, Derek Walcott, Les Murray and Iman Mersal. It may not always be sweet, but there is certainly No Place Like Home.

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"Lo que no me gusta es que ahora lo veo todo desde abajo". Desde esta perspectiva que le impone su silla de ruedas, Alejandra se enfrenta a su juventud. Un accidente y el diagnóstico de una grave enfermedad han cambiado no solo su vida, sino también la de sus padres y su mejor amiga, Paula.Cada uno a su manera, procuran hacer frente a la nueva situación y sacar lo mejor de ellos mismos aunque muchas veces les resulta imposible. El colegio, los amigos, salir... todo supone ahora una complicación añadida para ella y los que le rodean. Alejandra decide entonces escribir un blog donde volcar toda su vida. Poco a poco, y gracias al cariño de los que le rodean, descubrirá que se puede ser feliz en medio del sufrimiento y que la esperanza es lo último que se pierde.Julio César Romano es licenciado en Filología Hispánica. En la actualidad, además de ser escritor se dedica a dar clases de Lengua, Literatura y Griego. Tiene 6 hijos y le encanta contarles las historias que crea. Ellos tambi

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The fields of insurance law and insurance economics have long and distinguished scholarly histories, but participants in the two disciplines have not always communicated well across academic silos. This Handbook encourages more policy-relevant insurance economics scholarship and more economically sophisticated legal scholarship by bringing together original contributions from leading scholars in both fields.The benefits of this inter-disciplinary approach are introduced and illustrated in four comprehensive sections:- Why and how do individuals purchase insurance?- The role of the state in insurance markets- The regulation of insurance- Insurance law in the courts.Overall, this Handbook synthesizes the insights of insurance economics with the flourishing body of economically oriented research in insurance law.As well as providing a new approach for scholars, the Handbook will prove a useful reference for insurance lawyers and insurance regulators owing to its policy relevant, practical approach.Contributors: K.S. Abraham, D. Asmat, R. Avraham, T. Baker, E.F. Brown, P.-A. Chiappori, M.F. Grace, S.E. Harrington, D. Jaffee, R.W. Klein, H.C. Kunreuther, J. Kwak, K.D. Logue, J.A. Nyman, M.V. Pauly, D. Schwarcz, P. Siegelman, C. Silver, R. Squire, S. Tennyson

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An important new ethnographic study of São Paulo’s favelas revealing the widespread use of race-based police repression in Brazil While Black Lives Matter still resonates in the United States, the movement has also become a potent rallying call worldwide, with harsh police tactics and repressive state policies often breaking racial lines. In The Anti-Black City, Jaime Amparo Alves delves into the dynamics of racial violence in Brazil, where poverty, unemployment, residential segregation, and a biased criminal justice system create urban conditions of racial precarity. The Anti-Black City provocatively offers race as a vital new lens through which to view violence and marginalization in the supposedly “raceless” São Paulo. Ironically, in a context in which racial ambiguity makes it difficult to identify who is black and who is white, racialized access to opportunities and violent police tactics establish hard racial boundaries through subjugation and death. Drawing on two years of ethnographic research in prisons and neighborhoods on the periphery of this mega-city, Alves documents the brutality of police tactics and the complexity of responses deployed by black residents, including self-help initiatives, public campaigns against police violence, ruthless gangs, and self-policing of communities.The Anti-Black City reveals the violent and racist ideologies that underlie state fantasies of order and urban peace in modern Brazil. Illustrating how “governing through death” has become the dominant means for managing and controlling ethnic populations in the neoliberal state, Alves shows that these tactics only lead to more marginalization, criminality, and violence. Ultimately, Alves’s work points to a need for a new approach to an intractable problem: how to govern populations and territories historically seen as “ungovernable.”

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Over a decade ago the field of bioethics was established in response to the increased control over the design of living organisms afforded by both medical genetics and biotechnology. Since its introduction, bioethics has become established as an academic discipline with journals and professional societies, is covered regularly in the media, and affects people everyday around the globe. In response to the increasing need for information about medical genetics and biotechnology as well as the ethical issues these fields raise, Sheed & Ward proudly presents the Readings in Bioethics Series. Edited by Thomas A. Shannon, the series provides anthologies of critical essays and reflections by leading ethicists in four pivotal areas: reproductive technologies, genetic technologies, death and dying, and health care policy. The goal of this series is twofold: first, to provide a set of readers on thematic topics for introductory or survey courses in bioethics or for courses with a particular theme or time limitation. Second, each of the readers in this series is designed to help students focus more thoroughly and effectively on specific topics that flesh out the ethical issues at the core of bioethics. The series is also highly accessible to general readers interested in bioethics. This volume collects critical essays by leading scholars on reproductive technologies, abortion, in vitro fertilization, prenatal diagnosis, and cloning. Included in this volume are David Adamson, James P. Toner, Thomas A. Shannon, Bonnie Steinbock, Laura A. Schieve, Richard J. Paulson, G. Pennings, Thomas H. Murray, Lori B. Andrews, J. M. Phillips.

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Over a decade ago the field of bioethics was established in response to the increased control over the design of living organisms afforded by both medical genetics and biotechnology. Since its introduction, bioethics has become established as an academic discipline with journals and professional societies, is covered regularly in the media, and affects people everyday around the globe. In response to the increasing need for information about medical genetics and biotechnology as well as the ethical issues these fields raise, Sheed & Ward proudly presents the Readings in Bioethics Series. Edited by Thomas A. Shannon, the series provides anthologies of critical essays and reflections by leading ethicists in four pivotal areas: reproductive technologies, genetic technologies, death and dying, and health care policy. The goal of this series is twofold: first, to provide a set of readers on thematic topics for introductory or survey courses in bioethics or for courses with a particular theme or time limitation. Second, each of the readers in this series is designed to help students focus more thoroughly and effectively on specific topics that flesh out the ethical issues at the core of bioethics. The series is also highly accessible to general readers interested in bioethics. This volume collects critical essays by leading scholars on reproductive technologies, abortion, in vitro fertilization, prenatal diagnosis, and cloning. Included in this volume are David Adamson, James P. Toner, Thomas A. Shannon, Bonnie Steinbock, Laura A. Schieve, Richard J. Paulson, G. Pennings, Thomas H. Murray, Lori B. Andrews, J. M. Phillips.

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An Oxford student’s investigation into his professor’s death unveils Milton’s hidden meaning of Paradise Lost amidst a trail of conspiracy and murder. Many are calling The Mystery of the Milton Manuscript the "Jewish Da Vinci Code." Is it possible that John Milton’s epic poem, Paradise Lost, the most celebrated poem of English and Christian Literature, is based on Jewish principles? Brimming with intrigue, mystery, and suspense, this new book is a tale of literature, forgery, and religious conspiracy that thrillingly exposes the enigma behind Paradise Lost, whose purpose was to justify the ways of God and explain the moral paradox of evil. This thrilling mystery brings to light Milton’s understanding of Pauline Theology and Mosaic Law and incorporates new evidence to explain how Milton could have learned complex Talmudic Tracts and Hebraic interpretations when there were no Jews in England to have mentored him. In this historically accurate book, Libin uncovers the true meaning of Milton’s epic poem through Jewish eyes and determines how Milton justifies the ways of God to man.

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Copper Nickel issue 23 will feature poetry by two-time Pushcart Prize winner Jennifer Atkinson, Kate Tufts Discovery Award winner Adrian Blevins, National Poetry Series winner Justin Boening, renowned poet and critic Stephen Burt, Ruth Lilly Fellow Chloe Honum, two-time NEA Fellow Christopher Howell, Lambda Literary Award finalist Randall Mann, Stegner Fellow L.S. McKee, and Guggenheim Fellow Eric Pankey, as well as emerging voices such as Belfast, Northern Ireland, based poet Andrew Deloss Eaton and Hong Kong based poet Nicholas Wong; fiction by George Brookings, Dan Mancilla, Evelyn Sommers, and Liz Wyckoff; nonfiction by Bangladeshi-American writer Anuradha Bhowmik and NEA Fellow Traci Brimhall; and translation folios featuring Polish poet, critic, and scholar of Roma culture Jerzy Ficowski (translated by Jennifer Grotz and Piotr Sommer), Bosnian visual and performance artist Šoba (translated by Paula Gordon) who “publishes” his prose on facebook, and Polish poet Gzegorz Wróblewski (translated by Piotr Gwiazda).The cover of Issue 23 features collage work by Denver-based visual artist Mario Zoots.

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Die Stuttgarter Markuskirche, 1906–08 erbaut, ist der Kirchenbau im Talkessel der Landeshauptstadt, der den Zweiten Weltkrieg am unbeschadetsten überstanden hat. Einige der in der Nachkriegszeit vorgenommenen Veränderungen wurden in der Zwischenzeit wieder zurück genommen, so dass sich der Kirchenbau in einem im Wesentlichen authentischen Zustand präsentiert. In städtebaulicher, stilistischer und konstruktiver Hinsicht weist die Markuskirche einige bemerkenswerte Neuerungen auf, die sie neben die Garnisonskirche (Pauluskirche) in Ulm und die Erlöserkirche in Stuttgart, beide von Theodor Fischer errichtet, stellt. Der Architekt der Markuskirche, Heinrich Dolmetsch, legte bei der Konzeption des Gotteshauses großen Wert darauf, die beiden Hauptforderungen, die an einen evangelischen Kirchenbau gestellt wurden, zu erfüllen: Der Prediger musste von allen Plätzen gut zu hören und zu sehen sein. Aufgrund ihrer guten Akustik ist die Markuskirche ein Ort, an dem auch regelmäßig Konzerte und Radioaufzeichnungen stattfinden. Der vorliegende reich bebilderte Führer stellt aus Anlass der 100-Jahr-Feier die Geschichte dieser Kirche vor und beschreibt den Bau sowie seine Ausstattung.

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Spoken word is one of the most popular styles of poetry in North America. While its prevalence is often attributed to the form’s strong ties to oral culture, Recalling Recitation in the Americas reveals how poetry memorization and recitation curricula, shaped by British Imperial policy, influenced contemporary performance practices. During the early twentieth century, educators frequently used the recitation of canonical poems to instill "proper" speech and behaviour in classrooms in Canada, the Caribbean, and the United States. Janet Neigh critically analyses three celebrated performance poets - E. Pauline Johnson-Tekahionwake (1861-1913), Langston Hughes (1902-1967), and Louise Bennett (1919-2006) - who refashioned recitation to cultivate linguistic diversity and to resist its disciplinary force. Through an examination of the dialogues among their poetic projects, Neigh illuminates how their complicated legacies as national icons obscure their similar approaches to resisting Anglicization. Recalling Recitation in the Americas focuses on the unexplored relationship between education history and literary form and establishes the far-reaching effects of poetry memorization and recitation on the development of modern performance poetry in North America.

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In A Time of One’s Own Catherine Grant examines how contemporary feminist artists are turning to broad histories of feminism ranging from political organizing and artworks from the 1970s to queer art and activism in the 1990s. Exploring artworks from 2002 to 2017 by artists including Sharon Hayes, Mary Kelly, Allyson Mitchell, Deirdre Logue, Lubaina Himid, Pauline Boudry, and Renate Lorenz, Grant maps a revival of feminism that takes up the creative and political implications of forging feminist communities across time and space. Grant characterizes these artists’ engagement with feminism as a fannish, autodidactic, and collective form of learning from history. This fandom of feminism allows artists to build relationships with previous feminist ideas, artworks, and communities that reject a generational model and embrace aspects of feminism that might be seen as embarrassing, queer, or anachronistic. Accounting for the growing interest in feminist art, politics, and ideas across generations, Grant demonstrates that for many contemporary feminist artists, the present moment can only be understood through an embodied engagement with history in which feminist pasts are reinhabited and reimagined.

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The ACA at 10 marks the tenth anniversary of the Affordable Care Act with essays from prominent analysts of US health policy and politics. Its contributors, an interdisciplinary roster of scholars, policymakers, and health policy researchers, explore critical issues and themes in the ACA&'s evolution. Topics include the role of race in US health politics, the ACA's surprising economic impacts, the history of ACA litigation and its implications for future health reform, the paradoxes of post-ACA Medicaid, shifting directions in public opinion, and much more. Offering a comprehensive accounting of the signal event in US health policy of the last half-century, this issue constitute a landmark contribution to the health politics literature. Contributors. John Benson, Robert Blendon, Lawrence Brown, Marc Cohen, Mary Findling, Erika Franklin Fowler, Austin Frakt, Anuj Gangopadhyaya, Bowen Garrett, Sarah Gollust, Simon Haeder, Paula Lantz, Adrianna McIntyre, Edward Miller, James Morone, Pamela Nadash, Jeff Niederdeppe, Sayeh Nikpay, Jonathan Oberlander, Eric Patashnik, India Pungarcher, Sara Rosenbaum, Eric Schneider, Michael Sparer, Joseph White, Susan Webb Yackee

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In Beside You in Time Elizabeth Freeman expands biopolitical and queer theory by outlining a temporal view of the long nineteenth century. Drawing on Foucauldian notions of discipline as a regime that yoked the human body to time, Freeman shows how time became a social and sensory means by which people assembled into groups in ways that resisted disciplinary forces. She tracks temporalized bodies across many entangled regimes—religion, secularity, race, historiography, health, and sexuality—and examines how those bodies act in relation to those regimes. In analyses of the use of rhythmic dance by the Shakers; African American slave narratives; literature by Mark Twain, Pauline Hopkins, Herman Melville, and others; and how Catholic sacraments conjoined people across historical boundaries, Freeman makes the case for the body as an instrument of what she calls queer hypersociality. As a mode of being in which bodies are connected to others and their histories across and throughout time, queer hypersociality, Freeman contends, provides the means for subjugated bodies to escape disciplinary regimes of time and to create new social worlds.

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The battle of Stalingrad was the turning point of World War II. The German capture of the city, their encirclement by Soviet forces shortly afterwards, and the hard-fought but futile attempts to relieve them, saw bitter attritional fighting and extremes of human misery inflicted on both sides. The surrender of General Friedrich von Paulus’s army left Germany’s eastern armies severely weakened, but the Red Army had suffered enormous losses as it overreached itself in trying to exploit its great victory. The war was not over. Germany would continue the fight, and the battles that took place in the winter of 1942/43 would show the tactical and operational skill of Erich von Manstein and the Wehrmacht as they attempted to avert total disaster. In this title, now available in paperback, a renowned expert on warfare on the Eastern Front reveals the often-overlooked German counteroffensive post-Stalingrad, and how it prevented the whole Axis front line from collapsing. Drawing on first-hand accounts, On a Knife's Edge is a story of brilliant generalship, lost opportunities and survival in the harshest theatre of war.

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This book gives a concise introduction to Quantum Mechanics with a systematic, coherent, and in-depth explanation of related mathematical methods from the scattering theory and the theory of Partial Differential Equations.The book is aimed at graduate and advanced undergraduate students in mathematics, physics, and chemistry, as well as at the readers specializing in quantum mechanics, theoretical physics and quantum chemistry, and applications to solid state physics, optics, superconductivity, and quantum and high-frequency electronic devices.The book utilizes elementary mathematical derivations. The presentation assumes only basic knowledge of the origin of Hamiltonian mechanics, Maxwell equations, calculus, Ordinary Differential Equations and basic PDEs. Key topics include the Schrödinger, Pauli, and Dirac equations, the corresponding conservation laws, spin, the hydrogen spectrum, and the Zeeman effect, scattering of light and particles, photoelectric effect, electron diffraction, and relations of quantum postulates with attractors of nonlinear Hamiltonian PDEs. Featuring problem sets and accompanied by extensive contemporary and historical references, this book could be used for the course on Quantum Mechanics and is also suitable for individual study.

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'Seriously brilliant' CJ Tudor'Chilling and compulsive' Cara Hunter"There's something I have to explain, my love," he says, taking your hand in his. "That wasn't a dream. It was an upload."Abbie wakes in a hospital bed with no memory of how she got there. By her side is her husband Tim, the driven British founder of one of the world's most ground-breaking tech companies. They met when she joined his startup as artist-in-residence, their marriage a Silicon Valley fairy tale.But as Abbie's memories return, she realises there's something missing from Tim's version of events. Because, five years ago, Abbie Cullen-Scott was pronounced dead . . .**********See what everyone is saying about JP Delaney, the hottest name in psychological thrillers:'DAZZLING' Lee Child'ADDICTIVE' Daily Express'DEVASTATING' Daily Mail'INGENIOUS' New York Times'COMPULSIVE' Glamour Magazine'ELEGANT' Peter James'SEXY' Mail on Sunday'ENTHRALLING' Woman and Home'ORIGINAL' The Times'RIVETING' Lisa Gardner'CREEPY' Heat'SATISFYING' Reader's Digest'SUPERIOR' The Bookseller'MORE THAN A MATCH FOR PAULA HAWKINS' Sunday Times

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El vasto período histórico de al-Ándalus, hasta hace poco tiempo relegado al olvido en nuestro país, constituye, sin duda, una de las etapas más ricas y singulares de la historia de España. La cultura andalusí aportó grandes adelantos a la astronomía, la medicina, la filosofía, la agricultura o la jardinería, unos conocimientos que, paulatinamente, enriquecieron también a Europa. Esta obra nos habla de todo ello y lo hace desde lo cotidiano, acercándonos a las ciudades, las casas y las escuelas de al-Ándalus para conocer cómo era la vida familiar, cómo se divertían, qué aprendían en los centros de enseñanza o qué obligaciones tenían con el ejército, la administración pública o la justicia.

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Ha acabat el curs i les Sugus ja gaudeixen de les seves vacances. És el primer cap de setmana de llibertat. Aquests últims tres mesos no han estat senzills per a la Paula. L'Àngel i l'Álex ja no són a la seva vida. S'ha oblidat d'ells? El que va passar a França ha deixat un seguit de dubtes, sentiments i sensacions contraposades. D'altra banda, en Mario ha començat a sortir amb la Diana, la Míriam ha començat una relació i la Cris potser s'ha fixat en la persona equivocada.El noi del Ferrari sembla tenir-ho tot molt clar. Aconseguirà el seu propòsit?Nous personatges i noves trames que, capítol a capítol, t'enganxaran fins al final.

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Italica es un sitio arqueológico con fuerte poder de evocación. Ha entrado en la Historia por ser patria de los emperadores Trajano y Adriano, a los que debe fama y grandeza.Conocer Italica (Santiponce, Sevilla) es recorrer los pasos que la llevaron de unos orígenes humildes (206 a.C.) a municipio floreciente de la provincia Bética (siglo I d.C.), hasta desembocar en la gran urbe que Italica fue en el siglo II.d.C., convertida por Adriano en Colonia Aelia Augusta Italicensium.Gloria efímera paulatinamente desvanecida entre la Baja Antigüedad y la época visigoda. Los siglos, la literatura y el arte la recordarían como ?Italica famosa? (R. Caro). Hoy la recreamos y la vivimos.

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The most wanted, the most feared, the most hated, the most powerful job in journalism: being a reviewer means writing about something you love and getting paid for it. So for a lot of people it's the No 1 dream job in the media. Whether your passion is film, music, books, visual arts or the stage, you can get closer to it as a reviewer and establish a career in one of the most influential roles open to a writer. Get the edge on the competition with a book that's a treasure trove of wisdom, experience and downright cunning, passed on by the best critics writing today. A great review will be read by millions, and writing it calls for a high degree of skill. Based on a lifelong passion, packed into a few hundred words and often written in less than an hour, a review makes heavy demands on writer's technique and experience. This book explains how to seize your readers' attention and how to be witty always, fascinating most of the time and bitchy when you need to be. Reviews from classic writers like Pauline Kael or Kenneth Tynan are contrasted with today's hot names including Mark Kermode and Stewart Maconie. We look back at the history of the critic and some of the groundbreaking groups who have shaped our culture, including Dorothy Parker and the Algonquin Round Table, the French New Wave directors who founded Les Cahiers du Cinema and London's celebrated Modern Review, founded by Julie Burchill, Toby Young and Cosmo Landesman.

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The Von Bock memoirs, which appear here for the first time, allow the reader to see the entire drama of the Second World War through the eyes of one of Germany's most important military commanders. After the attacks on Poland and Western Europe, campaigns he helped bring to a succesful conclusion, von Bock became Commander-in-Chief of Army Group Center which carried out the main drive on Moscow during Operation Barbarossa and brought the Red Army to the verge of collapse in the great battles of encirclement. Hitler relieved von Bock when the German offensive bogged down during the winter of 1941/1942. After he returned as Commander-in-Chief of Army Group South, von Bock was eventually placed in temporary retirement when he critized Hitler's division of forces against Stalingrad and the Caucasus-the road to castrophe began. Army commanders like Hoth, Guderian, Kluge and Paulus served under Generalfeldmarschall Fedor von Bock, while at his side stood his nephew Henning von Tresckow, who led the most active resistance movement against Hitler, and Carl-Hans von Hardenberg, a friend and advisor of Stauffenberg. Their efforts to win over von Bock failed, yet the Generalfeldmarschall tolerated the pronounced resistance sentiments among his staff, and even became privy to the attempted assissination of Hitler on July 20, 1944. This book allows us to reassess Fedor von Bock, whose complex personality is revealed by his diary entries, and by the biographical sketches by editor Klaus Gerbet.

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A heartbreaking story of love and loss, based on a true story OVER ONE MILLION COPIES SOLDTHE NO.1 NEW YORK TIMES BESTSELLERWINNER OF GOODREADS CHOICE AWARDS 2017 BEST HISTORICAL FICTION AWARD***************************Memphis, Tennessee, 1939Twelve-year-old Rill Foss and her four younger siblings live a magical life aboard their family's Mississippi River shantyboat. But when their father must rush their mother to the hospital one stormy night, Rill is left in charge, until strangers arrive in force. Wrenched from all that is familiar and thrown into a Tennessee Children's Home Society orphanage, the Foss children are assured that they will soon be returned to their parents - but they quickly realize the dark truth...Aiken, South Carolina, present dayBorn into wealth and privilege, Avery Stafford seems to have it all: a successful career, a handsome fiancé, and a lavish wedding on the horizon. But when Avery returns home to help her father weather a health crisis, a chance encounter leaves her with uncomfortable questions and compels her to take a journey through her family's long-hidden history, on a path that will ultimately lead either to devastation or to redemption.*********************Based on one of America's most notorious real-life scandals, in which Georgia Tann, director of a Memphis-based adoption organization, kidnapped and sold poor children to wealthy families all over the country, Before We Were Yours is a riveting, wrenching and ultimately uplifting global bestseller. 'A tale of enduring power' Paula McLain'It is impossible not to get swept up in this near-perfect novel' Huffington Post

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Guest-edited by Owen Hopkins Multispace exists at the intersection of the physical and digital, and in the blurring of their previously clear dividing lines. Multispace is not a single space, but a hybrid space where, in effect, we occupy multiple spaces simultaneously. We enter it on a Zoom call, when we are in our office and in a meeting with 20 people; when we are cycling down a country lane whilst racing against thousands of others who also use the Strava app; when we are watching a TV show while live tweeting; or, perhaps most literally, when wandering around the local park looking for creatures that only appear on a smartphone screen. A fundamental question of this AD is why the phenomena that multispace describes are of concern to architects. The answer is that multispace points to a situation that is at root an architectural one. Offering both a collective and highly personalised experience, static and dynamically customisable, and above all at the same time public and private, multispace lies at the centre of a set of tensions, concerns and preoccupations at the core of our conception of architecture as theory and practice. It is the messy space between, with rough and uneven edges that are constantly shifting. Contributors: Aleksandra Belitskaja, Alice Bucknell, Jesse Damiani, Wendy Fok, Andrew Kovacs, Lara Lesmes and Fredrik Hellberg, Micaela Mantegna, Holly Nielsen, Giacomo Pala, Paula Strunden, Lucia Tahan, and Francesca Torello and Joshua Bard. Featured architects and artists: iheartblob, Ibiye Campis, Office Kovacs, Space Popular and Liam Young.

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'As hypnotic as an opium dream and pretty unputdownable' Daily MailIn September 1838 a storm blows up on the Indian Ocean and the Ibis, a ship carrying a consignment of convicts and indentured laborers from Calcutta to Mauritius, is caught up in the whirlwind. When the seas settle, five men have disappeared - two lascars, two convicts and one of the passengers. Did the same storm upend the fortunes of those aboard the Anahita, an opium carrier heading towards Canton? And what fate befell those aboard the Redruth, a sturdy two-masted brig heading East out of Cornwall? Was it the storm that altered their course or were the destinies of these passengers at the mercy of even more powerful forces?On the grand scale of an historical epic, River of Smoke follows its storm-tossed characters to the crowded harbors of China. There, despite efforts of the emperor to stop them, ships from Europe and India exchange their cargoes of opium for boxes of tea, silk, porcelain and silver. Among them are Bahram Modi, a wealthy Parsi opium merchant out of Bombay, his estranged half-Chinese son Ah Fatt, the orphaned Paulette and a motley collection of others whose pursuit of romance, riches and a legendary rare flower have thrown together. All struggle to cope with their losses - and for some, unimaginable freedoms - in the alleys and crowded waterways of 19th century Canton. As transporting and mesmerizing as an opiate induced dream, River of Smoke will soon be heralded as a masterpiece of twenty-first century literature.

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A NEW YORK TIMES BESTSELLER 'Powerful and provocative' Paula McLain'Beautiful, engrossing, heart-breaking' Rachel Rhys'Monumental in a way that few novels dare attempt' Washington Post The Miltons are a powerful old New York family - the kind of family that used to run the world. And in 1935, they still do. Kitty and Ogden Milton seem to have it all: an elegant apartment on the Upper East Side, two beautiful little boys, a love everyone envies. When a tragedy befalls them, Ogden comforts Kitty the only way he knows how - they go sailing, picnic on a small island off the coast of Maine, and buy it. For generations the Miltons of Crockett Island revel in a place that is entirely their own. But it's 1959, and the world is changing: Ogden's firm hire a Jewish man, Len Levy, who earns the admiration of not only his boss, but his boss's beautiful young daughter. When Len and his friend visit the island, the Milton's principles and prejudices are challenged like never before. At the dawn of the 21st century, the family money has run dry, and the island is up for sale. Returning for one last visit, Kitty's granddaughter uncovers disturbing evidence about her family's wealth - and realizes she is on the verge of finally understanding the silences that seemed to hover just below the surface of her family all her life.'Thought-provoking and propulsive...Welcome to old money, new heartbreak and big secrets' New York Times Book Review

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From journalist Michelle Dean, winner of the National Book Critics Circle's 2016 Nona Balakian Citation for Excellence in Reviewing, Sharp combines biography, original research, and critical reading into a powerful portrait of ten writers who managed to make their voices heard amidst a climate of sexism and nepotism, from the 1920s to the 1990s.Dorothy Parker, Rebecca West, Mary McCarthy, Hannah Arendt, Susan Sontag, Joan Didion, Janet Malcolm, Renata Adler, Pauline Kael, and Nora Ephron-these are the main characters of Sharp. Their lives intertwine. They enable each other and feud, manufacture unique spaces and voices, and haunt each other. They form a group united in many ways, but especially by what Dean terms as 'sharpness', the ability to cut to the quick with precision of thought and wit, a claiming of power through writing rather than position. Sharp is a vibrant and rich depiction of the intellectual beau monde of New York, where gossip-filled parties at night gave out to literary slanging-matches in the pages of publications like the Partisan Review or the New York Review of Books, as well as a carefully considered portrayal of the rise of feminism and its interaction with the critical establishment.Sharp is for book lovers who want to read about their favorite writers, lovers of New Yorker lore, aspiring writers in New York, those interested in the history of ideas, and of the fray of 20th century debate-and it will satisfy them all.

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"The image of a pristine isolation has been almost as common in research on foragers as in the popular media. Land filled with Flies is a sustanined argument against such views. Wilmsen marshals an enormous quantity of historical, archival, archeological, ethnographic, and survey data on the Kalahari Zhu to show how far from the reality these images are, how they have their own historical provenance, how they have been analytically distorting, and how they have proven politically pernicious for living groups like the Zhu."—Pauline Peters, Science"[A] major work. . . . Anthropologists will, and should, use Wilmsen's meticulously detailed study to revise their early lectures in the introductory course, and no future study of African 'foragers' should ignore it."—Parker Shipton, American Anthropologist"An impressive book. . . . The reader need only read the first few pages to judge both the quality and ambitiousness of the work. . . . Essential reading."—David R. Penna, Africa Today

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Takahiro “Horitaka” or “Taki” Kitamura’s tattoo career has put him in contact with many unique individuals, not to mention many of the best artists in the biz. Here, in more than 1400 new images, Taki presents the tattoo art of nearly 200 of the world’s finest tattoo artists. This visual insider’s reference book presents a wide range of styles, from portraits to classic Americana to traditional Japanese to Polynesian and contemporary, edgy interpretations of each. Featured artists include Robert Atkinson, Colin Baker, Kim Saigh, Shawn Brown, Steve Byrne, Tim Hendricks, Freddy Corbin, Lil Roy, Crash, Klem, Mario Desa, Ben Grillo, Grime, Leo Zulueta, Don Ed Hardy, Doug Hardy, Heath Preheim, Eiland Hogan, Thomas Hooper, Horikiku, Horiken, Horimasa, Josh Howard, Timothy Hoyer, Ichibay, Jondix, Venjamin Jimenez, Eric Jones, Henning Jorgensen, Horitomo, Koji, Jason Kundell, Chad Koeplinger, Paulo Manabe, Smith Street, Steve Looney, and many more.

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`An indispensable series for anyone who wishes to keep abreast of recent work in the field'. WELSH HISTORY REVIEW Volume VI of Thirteenth Century England sees a new impetus behind this biennial series. The conference which generates the studies - a generous thirteen in this volume - has now moved to Durham, where Professor MICHAEL PRESTWICH is Pro-Vice Chancellor and Professor ROBIN FRAME and Dr RICHARD BRITNELL are members of the History Department. It is the publishers' hope that, like Anglo-Norman Studies, the series will now be recognised as one which any library with a serious interest in medieval history will need to possess. This latest volume in the series takes a broad chronological approach, covering a wide range of topics over a period extending from the late twelfth to the early fourteenth century, the so-called `long thirteenth century'. Embracing different aspects of the economic, social and political history of the period, subjects include naval warfare under Richard I; England's relations with Wales and Scotland; the purchasing practices of great households, and the management of the Winchester estates; the expulsion of Jews in 1290; and the construction and political message of the Vita Edwardi Secundi. Two articles concern women, one looking at the role of queens in granting pardons, the other at the fate of widows in the aftermath of rebellion. Contributors: JOHN GILLINGHAM, BARBARA HARVEY, MARK PAGE, PETER COSS,JENS RÖHRKASTEN, ROBERT C. STACEY, SUSAN CRANE, J.J. CRUMP, FIONA WATSON, JOHN PARSONS, PAULA DOBROWOLSKI, CHRIS GIVEN-WILSON, WENDY CHILDS

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Hellenistic history.The historian Polybius (ca. 200–118 BC) was born into a leading family of Megalopolis in the Peloponnese (Morea) and served the Achaean League in arms and diplomacy for many years, favoring alliance with Rome. From 168 to 151 he was held hostage in Rome, where he became a friend of Lucius Aemilius Paulus and his two sons, especially Scipio Aemilianus, whose campaigns, including the destruction of Carthage, he later attended. Late in his life he became a trusted mediator between Greece and the Romans; helped in the discussions that preceded the final war with Carthage; and after 146 was entrusted by the Romans with the details of administration in Greece. Polybius’ overall theme is how and why the Romans spread their power as they did. The main part of his history covers the years 264–146 BC, describing the rise of Rome, her destruction of Carthage, and her eventual domination of the Greek world. It is a great work: accurate, thoughtful, largely impartial, based on research, and full of insight into customs, institutions, geography, the causes of events, and the character of peoples. It is a vital achievement of the first importance despite the incomplete state in which all but the first five of its original forty books have reached us. For this edition, W. R. Paton’s excellent translation, first published in 1922, has been thoroughly revised, the Büttner-Wobst Greek text corrected, and explanatory notes and a new introduction added, all reflecting the latest scholarship.The Loeb Classical Library edition of Polybius is in six volumes.

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Hellenistic history.The historian Polybius (ca. 200–118 BC) was born into a leading family of Megalopolis in the Peloponnese (Morea) and served the Achaean League in arms and diplomacy for many years, favoring alliance with Rome. From 168 to 151 he was held hostage in Rome, where he became a friend of Lucius Aemilius Paulus and his two sons, especially Scipio Aemilianus, whose campaigns, including the destruction of Carthage, he later attended. Late in his life he became a trusted mediator between Greece and the Romans; helped in the discussions that preceded the final war with Carthage; and after 146 was entrusted by the Romans with the details of administration in Greece. Polybius’ overall theme is how and why the Romans spread their power as they did. The main part of his history covers the years 264–146 BC, describing the rise of Rome, her destruction of Carthage, and her eventual domination of the Greek world. It is a great work: accurate, thoughtful, largely impartial, based on research, and full of insight into customs, institutions, geography, the causes of events, and the character of peoples. It is a vital achievement of the first importance despite the incomplete state in which all but the first five of its original forty books have reached us. For this edition, W. R. Paton’s excellent translation, first published in 1922, has been thoroughly revised, the Büttner-Wobst Greek text corrected, and explanatory notes and a new introduction added, all reflecting the latest scholarship.The Loeb Classical Library edition of Polybius is in six volumes.

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Pentecostalism is currently the fastest-growing Christian movement, with hundreds of millions of followers. This growth overwhelmingly takes place outside of the West, and women make up 75 percent of the membership. The contributors to Spirit on the Move examine Pentecostalism's appeal to black women worldwide and the ways it provides them with a source of community and access to power. Exploring a range of topics, from Neo-Pentecostal churches in Ghana that help women challenge gender norms to evangelical gospel musicians in Brazil, the contributors show how Pentecostalism helps black women draw attention to and seek remediation from the violence and injustices brought on by civil war, capitalist exploitation, racism, and the failures of the state. In fleshing out the experiences, theologies, and innovations of black women Pentecostals, the contributors show how Pentecostal belief and its various practices reflect the movement's complexity, reach, and adaptability to specific cultural and political formations. Contributors. Paula Aymer, John Burdick, Judith Casselberry, Deidre Helen Crumbley, Elizabeth McAlister, Laura Premack, Elizabeth A. Pritchard, Jane Soothill, Linda van de Kamp

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Book Prize Winner of the International Alliance for Women in Music of the 2022 Pauline Alderman Awards for Outstanding Scholarship on Women in Music The Heart of a Woman offers the first-ever biography of Florence B. Price, a composer whose career spanned both the Harlem and Chicago Renaissances, and the first African American woman to gain national recognition for her works. Price's twenty-five years in Chicago formed the core of a working life that saw her create three hundred works in diverse genres, including symphonies and orchestral suites, art songs, vocal and choral music, and arrangements of spirituals. Through interviews and a wealth of material from public and private archives, Rae Linda Brown illuminates Price's major works while exploring the considerable depth of her achievement. Brown also traces the life of the extremely private individual from her childhood in Little Rock through her time at the New England Conservatory, her extensive teaching, and her struggles with racism, poverty, and professional jealousies. In addition, Brown provides musicians and scholars with dozens of musical examples.

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This volume presents papers from the Fourth Australasian Egyptology Conference held at Monash University, Melbourne 16–18 September 2016. Both the conference and the papers in this volume are dedicated to Gillian E. Bowen who retired from Monash that year, and a brief tribute to her is presented at the opening of the volume. The contributions include several on Egypt’s Western Desert where Monash has been engaged in fieldwork for many years in the the Dakhleh Oasis. Relating to the Roman-period village of Kellis, Bassett discusses economic policy in the settlement of the region and Rindi the elaborately decorated funerary cartonnage from one of its cemeteries. Long explores ceramic traditions of the Third Intermediate Period in Dakhleh while Warfe discusses aspects of the proscription of Seth, who was venerated at the ancient capital of Dakhleh, based on data from Luxor Temple in the valley. Livingstone presents textiles of the late Roman Period from Christian burials and Kucera examines a Roman military campaign in the northern Western Desert. The other papers reflect the wide range of research being undertaken by other Australasian scholars. These range from studies of early ceramics from Hamamieh by Pilgrim and the breakage of Predynastic figurines by Ordynat, to a study of a Fifth-century icon of the Virgin Mary by Marsh-Letts. From periods in between come studies of women in the family of high officials at Beni Hassan and in religious practices of the New Kingdom by Paull and Lisle respectively; aspects of the iconography of the Book of the Dead and a new representation of a sailing vessel by Volk and Stephens; the interface between text and visual image by Thorpe and finally mummification practices of children by Davey.

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El pare d'Aleix mor quan ell és encara un xiquet. Sa mare es veu obligada a confiar al senyor Macià l'administració de les terres de la família i d'aquesta manera, el xiquet coneixerà la senyora Pauleta, una xica molt jove per al seu home.

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Cristobal Balenciaga (1895-1972) remains one of the most revered and enigmatic of fashion designers. Here, breathtaking illustrations reveal why he is renowned for exceptional tailoring, sculptural shapes, deft manipulation of textiles, and a dramatic use of color. His glamorous clientele included Grace Kelly, Jackie Kennedy, Pauline de Rothschild, Ava Gardner, and Marlene Dietrich; many of his clients dressed almost exclusively in his designs, which were celebrated for being both easy to wear and tailored to flatter any figure. Even today, Balenciaga's name remains synonymous with quality. This fully revised and extended edition of Balenciaga offers a thorough examination of the Spanish-born couturier's designs and business practice, and places him firmly in the context of the time, looking at the country in which he learned his trade and the international fashion scene in which he matured and triumphed. His perfectionism, effortless, iconic style, and the wearability of his clothes continue to influence designers today. Illustrated with archival images as well as stunning new photography, this book explores Balenciaga's legacy in fascinating detail.

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Open a door and enter a magical world Open a door and enter a magical world. A beautiful paperback edition of The Lion, the Witch and the Wardrobe, book two in the classic fantasy series, The Chronicles of Narnia. This edition is complete with cover and interior art by the original illustrator, Pauline Baynes. Four adventurous siblings – Peter, Susan, Edmund, and Lucy Pevensie – step through a wardrobe door and into the land of Narnia, a land frozen in eternal winter and enslaved by the power of the White Witch. But when almost all hope is lost, the return of the Great Lion, Aslan, signals a great change . . . and a great sacrifice. The Lion, the Witch and the Wardrobe is the second book in C. S. Lewis's classic fantasy series, which has been drawing readers of all ages into a magical land with unforgettable characters for over sixty years. This is a stand-alone read, but if you would like to explore more of the Narnian realm, pick up The Horse and His Boy, the third book in The Chronicles of Narnia.

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