Search results for ""Author Paul"

Narnia... la tierra entre el farol y el castillo de Cair Paravel, donde los animales hablan, donde ocurren cosas mágicas...y donde comienza la aventura.Peter, Susan, Edmund y Lucy van de regreso al internado y se encuentran en una lúgubre estación de tren cuando reciben el llamado (del propio cuerno mágico de Susan) para regresar a Narnia, la tierra donde gobernaron como reyes y reinas y donde se necesita de su ayuda urgentemente.Por primera vez, el lenguaje de los siete libros clásicos ha sido adaptado para el lector latinoamericano y editado para garantizar la coherencia de los nombres, personajes, lugares y acontecimientos dentro del universo de Narnia. Además, presentan las cubiertas e ilustraciones originales de Pauline Barnes.Aunque forma parte de una saga, este es un libro independiente. Si quieres descubrir más sobre Narnia, puedes leer La travesía del Viajero del Alba, el quinto libro de Las crónicas de Narnia.Prince CaspianNarnia...the land between the bluff and the castle of Cair Paravel, where animals talk, where magical things happen...and where the adventure begins.Peter, Susan, Edmund and Lucy are on their way back to boarding school and find themselves in a dreary train station when they receive the call (from Susan's own magic horn) to return to Narnia, the land where they ruled as kings and queens and where their help is urgently needed.For the first time, the language of the seven classic books has been adapted for the Latin American reader and edited to ensure consistency of names, characters, places and events within the Narnia universe. In addition, they feature the original covers and illustrations by Pauline Barnes.Although it is part of a saga, this is a stand-alone book. If you want to discover more about Narnia, you can read The Voyage of the Dawn Treader, the fifth book of The Chronicles of Narnia.

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An important new ethnographic study of São Paulo’s favelas revealing the widespread use of race-based police repression in Brazil While Black Lives Matter still resonates in the United States, the movement has also become a potent rallying call worldwide, with harsh police tactics and repressive state policies often breaking racial lines. In The Anti-Black City, Jaime Amparo Alves delves into the dynamics of racial violence in Brazil, where poverty, unemployment, residential segregation, and a biased criminal justice system create urban conditions of racial precarity. The Anti-Black City provocatively offers race as a vital new lens through which to view violence and marginalization in the supposedly “raceless” São Paulo. Ironically, in a context in which racial ambiguity makes it difficult to identify who is black and who is white, racialized access to opportunities and violent police tactics establish hard racial boundaries through subjugation and death. Drawing on two years of ethnographic research in prisons and neighborhoods on the periphery of this mega-city, Alves documents the brutality of police tactics and the complexity of responses deployed by black residents, including self-help initiatives, public campaigns against police violence, ruthless gangs, and self-policing of communities.The Anti-Black City reveals the violent and racist ideologies that underlie state fantasies of order and urban peace in modern Brazil. Illustrating how “governing through death” has become the dominant means for managing and controlling ethnic populations in the neoliberal state, Alves shows that these tactics only lead to more marginalization, criminality, and violence. Ultimately, Alves’s work points to a need for a new approach to an intractable problem: how to govern populations and territories historically seen as “ungovernable.”

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Modern Migrations, Black Interrogations uses reflections on the Black experience to consider the “unasked question of blackness” in modern migration and movement. The editors and contributors use the lens of Black Studies to show how migration—compelled by force or suggestion, from the transatlantic African slave trade to the Great Migration and the current refugee crisis—has been structured to reinforce white supremacy. Focusing on antiblackness in immigration and examining restrictions on freedom of movement and on settling alike, chapters address how Black im/mobility operates and how it can be distinguished from that of the migrant and the colonial settler, as well as from the transgressive mobilities of Indigenous populations. Looking at blackness, borders and border practices, and displacement, Modern Migrations, Black Interrogations investigates racialized boundaries that determine immigration policy, citizenship, legality, and inclusion. Additional chapters analyze communities, such as the Haitian diaspora in Miami, antiblackness in the context of Australian migration, and explore literary representations of justice, slavery and Black feminist consciousness.Modern Migrations, Black Interrogations uses (anti)blackness to rethink the way we understand borders, immigrant identity, barriers to integration, and the dynamics of migrant exclusion, while also providing an understanding of “otherness” for Black populations across nationalities. Contributors: Maya Hislop, P. Khalil Saucier, Hyacinth Udah, Paula von Gleich, Tryon P. Woods, and the editors

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Computational and high-throughput methods, such as genomics, proteomics, and transcriptomics, known collectively as “-omics,” have been used to study plant biology for well over a decade now. As these technologies mature, plant and crop scientists have started using these methods to improve crop varieties. Omics in Plant Breeding provides a timely introduction to key omicsbased methods and their application in plant breeding. Omics in Plant Breeding is a practical and accessible overview of specific omics-based methods ranging from metabolomics to phenomics. Covering a single methodology within each chapter, this book provides thorough coverage that ensures a strong understanding of each methodology both in its application to, and improvement of, plant breeding. Accessible to advanced students, researchers, and professionals, Omics in Plant Breeding will be an essential entry point into this innovative and exciting field. • A valuable overview of high-throughput, genomics-based technologies and their applications to plant breeding • Each chapter explores a single methodology, allowing for detailed and thorough coverage • Coverage ranges from well-established methodologies, such as genomics and proteomics, to emerging technologies, including phenomics and physionomics Aluízio Borém is a Professor of Plant Breeding at the University of Viçosa in Brazil. Roberto Fritsche-Neto is a Professor of Genetics and Plant Breeding at the University of São Paulo in Brazil.

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Making Hip Hop Theatre is the essential, practical guide to making hip-hop theatre. It features detailed techniques and exercises that can guide creatives from workshops through to staging a performance. If you were inspired by Hamilton, Barber Shop Chronicles, Misty, Black Men Walking or Frankenstein: How to Make a Monster, this is the book for you. Covering vocal technique, use of equipment, mixing, looping, sampling, working with venues and dealing with creative challenges, this book is a bible for both new and experienced artists alike. Additionally, with links to online video material demonstrating and elaborating on the exercises included, it offers countless useful tools for teachers and facilitators of drama, music and other creative arts. Alongside this practical guidance is an overview of hip hop history, giving theoretical and historical context for the practice. From documentation of Conrad Murray’s major productions, to commentary from leading practitioners including Lakeisha Lynch-Stevens, David Jubb, Emma Rice, Tobi Kyeremateng and Paula Varjack, readers are treated to a detailed insight into the background of hip hop theatre. Edited by scholar Katie Beswick and genre pioneer Conrad Murray, Making Hip Hop Theatre is a vital teaching tool and provides a much-needed account of a burgeoning aspect of contemporary theatre culture.

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For more than a century, the Lower East Side of New York City has been recognized and scrutinized as the largest and most vibrant immigrant Jewish neighborhood in America. In recent years a spate of art works, performances, and tourist productions have fostered increased interest in the neighborhood. This lively book explores the dynamics of Lower East Side memory and considers the changing ways that this unique neighborhood has been embraced by American Jews over the course of a century. Part 1, "The Dynamics of Remembrance," investigates multiple facets of life on the Lower East Side and considers the emerging repertoire of memory that took shape around the neighborhood. Themes include the naming of the Lower East Side, a century of photography of the neighborhood, and the colorful histories of synagogues and schools, restaurants and cabarets. Part 2, "Contemporary Recollections," examines the recent upsurge of interest in the Lower East Side as a site of Jewish heritage and cultural innovation. Topics include the creation of the Tenement Museum, walking tours of the neighborhood and visits to popular "period" restaurants, the experience of a documentary filmmaker, and the performance of memory in a refurbished synagogue. A generous selection of photographs enhances the book's wide-ranging insights into how the Lower East Side became a touchstone of Jewish identity and history.Contributors include Stephan Brumberg, Hasia R. Diner, Joseph Dorman, Paula Hyman, Eve Jochnowitz, Seth Kamil, David Kaufman, Jack Kugelmass, David Lobenstine, Mario Maffi, Deborah Dash Moore, Riv-Ellen Prell, Moses Rischin, Jeffrey Shandler, Suzanne Wasserman, Aviva Weintraub, and Beth S. Wenger.

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Vivir el momento es una habilidad que puede aprenderse y nos hace ser más conscientes del presente y de nuestro entorno. Para comprender que la existencia es hermosa, sagrada, que la existencia es una bendición, un gozo, tendrás que vivir un tipo diferente de vida: una vida sin aplazamientos. Más que nunca, los sabios consejos de personajes como Eckhart Tolle, Wayne W. Dyer o Paulo Coelho nos sirven de guía e inspiración en cada paso que damos por la senda de la vida.

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AD 60. Britannia. The Boudica Revolt begins . . .Macro and Cato - heroes of the Roman Empire - face a ruthless enemy set on revenge The Roman Empire's hold on the province of Britannia is fragile. The tribes implacably opposed to Rome have grown cunning in their attacks on the legions. Even amongst those who have sworn loyalty, dissent simmers. In distant Rome, Nero is blind to the danger.As hostilities create mayhem in the west, Governor Gaius Suetonius Paulinus gathers a vast army, with Prefect Cato in command. A hero of countless battles, Cato wants his loyal comrade Centurion Macro by his side. But the Governor leaves Macro behind, in charge of the veteran reserves in Camulodunum. Suetonius dismisses concerns that the poorly fortified colony will be vulnerable to attack when only a skeleton force remains. With the military distracted, slow-burning anger amongst the tribespeople bursts into flames. The king of the Iceni is dead and a proud kingdom is set for plundering and annexation. But the widow is Queen Boudica, a woman with a warrior's heart. If Boudica calls for death to the emperor, a bloodbath will follow.Macro and Cato each face deadly battles against enemies who would rather die than succumb to Roman rule. The future of Britannia hangs in the balance.'An outstanding book with the vivid battle scenes proving a highlight' ⭐ ⭐ ⭐ ⭐ ⭐'This is action packed and unputdownable . . . from the first page, you are transported back in time. A captivating book full of heroism and sacrifice' ⭐ ⭐ ⭐ ⭐ ⭐'Vigorous plot with unexpected twists' ⭐ ⭐ ⭐ ⭐ ⭐'Scarrow . . . has the gift of combining wide knowledge of the period with a page-turning narrative' Sunday TimesSIMON SCARROW: 5 MILLION BOOKS SOLD WORLDWIDE!

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In his quest to define ‘sporting greatness’, double Olympic champion Alistair Brownlee has spent nearly 4 years interviewing and training with some of the greatest minds in sport to discover what it takes to become – and remain – a champion. Featuring: Ian Botham • Mark Cavendish • Alastair Cook • Alex Danson • Richard Dunwoody • Donna Fraser • Chris Froome • Anna Hemmings • Denis Irwin • Michael Johnson • Kílian Jornet • Stuart Lancaster • AP McCoy • Ronnie O’Sullivan • Michael Owen • Adam Peaty • Ian Poulter • Paula Radcliffe • Ian Thorpe • Mark Webber • Shane Williams From an early age Alistair Brownlee has been obsessed with being the very best, and not just improving his sporting performance across his three specialist triathlon disciplines of swimming, cycling and running, but also understanding how a winner becomes a dominant champion. Winning gold in consecutive Olympic Games has only strengthened this need and desire. Over the last 4 years Alistair has been on a journey to learn from the best, talking to elite figures across multiple sports as well as leading thinkers and scientists, to understand what enabled these remarkable individuals to rise to the very top, and to push the limits of human capability in their relentless pursuit of perfection. Alistair uses these fascinating interviews, along with extensive research, to explore a range of sports and environments – athletics, cycling, football, rugby, horseracing, hockey, cricket, golf, motor racing, snooker, swimming and ultra-running – to reveal how talent alone is never enough and how hard work, pain, pressure, stress, risk, focus, sacrifice, innovation, reinvention, passion, ruthlessness, luck, failure and even a lockdown can all play a crucial part in honing a winning mentality and achieving sustained success.

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This edition of the private and scientific correspondence of Sir Rudolf Peierls gives a unique insight into the life and work of one of the greatest theoretical physicists of the 20th century. Rudolf Peierls' scientific work contributed to the early developments in quantum mechanics, and he is well known and much appreciated for his contributions to various disciplines, including solid state physics, nuclear physics, and particle physics. As an enthusiastic and devoted teacher, he passed on his knowledge and understanding and inspired the work of collaborators and students alike. As an effective administrator he was responsible, almost single-handedly, for the establishment of an outstanding successful centre of theoretical physics in Birmingham, and later contributed much to theoretical physics in Oxford.A meticulous collector of correspondence, Sir Rudolf left a fascinating collection of letters, in some cases spanning more than seven decades. This collection includes correspondence with his parents, his wife, the Russian-born physicist Genia Kannegieser, life-long friends such as Hans Bethe, and many great physicists, including Wolfgang Pauli, Niels Bohr, Werner Heisenberg, Lev Landau, and George Placzek, to name but a few.This first volume, which covers the years 1922 to 1945, contains much of the early family correspondence, letters exchanged between Rudolf and Genia Peierls before and after their marriage in 1931, correspondence relating to early developments in quantum physics, and interesting material relating to the development of nuclear weapons. The extensive apparatus provides an invaluable background which allows the reader to put the presented documents into their multi-faceted social, political and scientific context.

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Ireland and Its Elsewheres is the next volume in UCD Press's The Poet's Chair series, publishing the public lectures of the Ireland Professors of Poetry. The Ireland Chair of Poetry was established in 1998 following the award of the Nobel Prize of Literature to Seamus Heaney and is supported by Queen's University Belfast, Trinity College Dublin, University College Dublin, the Arts Council of Northern Ireland and the Arts Council/An Chomhairle Ealaion. Michael Longley's lectures were published in June 2015 and the next volume will contain the lectures of Paula Meehan. In this volume, the distinguished Dublin poet Harry Clifton - who has lived and worked all over the globe - focuses on locating himself and other Irish poets in relation to the literary traditions of Britain, Europe and the United States. Clifton opens by recounting his time living in London in the late eighties and early nineties. He discusses how he and a group of other poets were part of London's 'cultural clutter', and how their poetry reckoned with a time of great social and political upheaval in Britain. The second lecture focusses on Irish poetry's place in the 'eternal present' of Europe.Patrick Kavanagh and Thomas Kinsella are among the poets discussed in this illuminating comparison between neighbouring nations. Clifton closes the collection by extending his discussion on poetry to the United States - a land of exiles and immigrants. From Derek Mahon to Oscar Wilde, Clifton examines Irish poets in the New World, and describes how America has come to mean 'artistic posterity' for many of them. From one of Ireland's leading contemporary poets, this volume gives readers a rare insight into Irish poetry's place in the world.

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El género literario del alba el encuentro o la separación de los amantes al amanecer es un elemento fijo de la poesía medieval. Comentando poemas concretos, el presente estudio describe por primera vez de manera detallada la perduración y las transformaciones de este tópico en la poesía española del siglo XX. Al mismo tiempo, esta vertiente de la poesía amorosa es especialmente idónea para abordar de manera paradigmática los cambios paulatinos que sufre la construcción poética de la identidad sexual a lo largo del pasado siglo. Basado en métodos recientes de las teorías del discurso y de la cultura, el libro traza un amplio panorama de la poesía española desde los años 20 hasta la actualidad.

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Known around the world simply as Lula, Luis Inacio Lula da Silva was born in 1945 to illiterate parents who migrated to industrializing Sao Paulo. He learned to read at ten years of age, left school at fourteen, became a skilled metalworker, rose to union leadership, helped end a military dictatorship - and in 2003 became the thirty-fifth president of Brazil. During his administration, Lula led his country through reforms that lifted tens of millions out of poverty. Here, John D. French, one of the foremost historians of Brazil, provides the first critical biography of the leader whom even his political opponents see as strikingly charismatic, humorous, and endearing. Interweaving an intimate and colorful story of Lula's life - his love for home, soccer, factory floor, and union hall - with an analysis of large-scale forces, French argues that Lula was uniquely equipped to influence the authoritarian structures of power in this developing nation. His cunning capacity to speak with, not at, people and to create shared political meaning was fundamental to his political triumphs. After Lula left office, his opponents convicted and incarcerated him on charges of money laundering and corruption - but his immense army of voters celebrated his recent release from jail, insisting that he is the victim of a right-wing political ambush. The story of Lula is not over.

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Digital Pirates examines the unauthorized creation, distribution, and consumption of movies and music in Brazil. Alexander Sebastian Dent offers a new definition of piracy as indispensable to current capitalism alongside increasing global enforcement of intellectual property (IP). Complex and capricious laws might prohibit it, but piracy remains a core activity of the twenty-first century. Combining the tools of linguistic and cultural anthropology with models from media studies and political economy, Digital Pirates reveals how the dynamics of IP and piracy serve as strategies for managing the gaps between texts—in this case, digital content. Dent's analysis includes his fieldwork in and around São Paulo with pirates, musicians, filmmakers, police, salesmen, technicians, policymakers, politicians, activists, and consumers. Rather than argue for rigid positions, he suggests that Brazilians are pulled in multiple directions according to the injunctions of international governance, localized pleasure, magical consumption, and economic efficiency. Through its novel theorization of "digital textuality," this book offers crucial insights into the qualities of today's mediascape as well as the particularized political and cultural norms that govern it. The book also shows how twenty-first century capitalism generates piracy and its enforcement simultaneously, while producing fraught consumer experiences in Latin America and beyond.

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In this well-written and imaginatively structured book, Carol E. Harrison brings to life a cohort of nineteenth-century French men and women who argued that a reformed Catholicism could reconcile the divisions in French culture and society that were the legacy of revolution and empire. They include, most prominently, Charles de Montalembert, Pauline Craven, Amélie and Frédéric Ozanam, Léopoldine Hugo, Maurice de Guérin, and Victorine Monniot. The men and women whose stories appear in Romantic Catholics were bound together by filial love, friendship, and in some cases marriage. Harrison draws on their diaries, letters, and published works to construct a portrait of a generation linked by a determination to live their faith in a modern world.Rejecting both the atomizing force of revolutionary liberalism and the increasing intransigence of the church hierarchy, the romantic Catholics advocated a middle way, in which a revitalized Catholic faith and liberty formed the basis for modern society. Harrison traces the history of nineteenth-century France and, in parallel, the life course of these individuals as they grow up, learn independence, and take on the responsibilities and disappointments of adulthood. Although the shared goals of the romantic Catholics were never realized in French politics and culture, Harrison's work offers a significant corrective to the traditional understanding of the opposition between religion and the secular republican tradition in France.

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A gathering of poetic blossoms.The Greek Anthology (literally, “Gathering of Flowers”) is the name given to a collection of about 4500 short Greek poems (called epigrams but usually not epigrammatic) by about 300 composers. To the collection (called Stephanus, literally, “wreath” or “garland”) made and contributed to by Meleager of Gadara (1st century BC) was added another by Philippus of Thessalonica (late 1st century AD), a third by Diogenianus (2nd century), and much later a fourth, called the Circle, by Agathias of Myrina. These (lost) and others (also lost) were partly incorporated, arranged according to contents, by Constantinus Cephalas (early 10th century?) into fifteen books now preserved in a single manuscript of the Palatine Library at Heidelberg. The grand collection was rearranged and revised by the monk Maximus Planudes (14th century) who also added epigrams lost from Cephalas’ compilation.The fifteen books of the Palatine Anthology are: I, Christian Epigrams; II, Descriptions of Statues; III, Inscriptions in a temple at Cyzicus; IV, Prefaces of Meleager, Philippus, and Agathias; V, Amatory Epigrams; VI, Dedicatory; VII, Sepulchral; VIII, Epigrams of St. Gregory; IX, Declamatory; X, Hortatory and Admonitory; XI, Convivial and Satirical; XII, Strato’s “Musa Puerilis”; XIII, Metrical curiosities; XIV, Problems, Riddles, and Oracles; XV, Miscellanies. Book XVI is the Planudean Appendix: Epigrams on works of art.Outstanding among the poets are Meleager, Antipater of Sidon, Crinagoras, Palladas, Agathias, Paulus Silentiarius.

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An award-winning historian’s revisionary account of the early modern world, showing how apocalyptic ideas stimulated political, religious, and intellectual transformations “A masterful synthesis of the prognostications of faith, knowledge, and politics on a global stage. Martin’s book illuminates one of the enduring themes that shaped the medieval and early modern world.”—Paula E. Findlen, Stanford University In this revelatory immersion into the apocalyptic, messianic, and millenarian ideas and movements that created the modern world, John Jeffries Martin performs a kind of empathic time travel, entering into the psyche, spirituality, and temporalities of a cast of historical actors in profound moments of discovery. He argues that religious faith—Christian, Jewish, and Muslim—did not oppose but rather fostered the making of a modern scientific spirit, buoyed along by a providential view of history and nature, and a deep conviction in the coming End of the World. Through thoughtful attention to the primary sources, Martin re‑reads the Renaissance, excavating a religious foundation at the core of even the most radical empirical thinking. Familiar icons like Ibn Khaldūn, Columbus, Isaac Luria, and Francis Bacon emerge startlingly fresh and newly gleaned, agents of a history formerly untold and of a modern world made in the image of its imminent end.

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An engaging argument about what experimental music can tell us about being human. In Experimenting the Human, G Douglas Barrett argues that experimental music speaks to the contemporary posthuman, a condition in which science and technology decenter human agency amid the uneven temporality of postwar global capitalism. Time moves forward for some during this period, while it seems to stand still or even move backward for others. Some say we’re already posthuman, while others endure the extended consequences of never having been considered fully human in the first place. Experimental music reflects on this state, Barrett contends, through its interdisciplinary involvements in postwar science, technology, and art movements. Rather than pursuing the human's beyond, experimental music addresses the social and technological conditions that support such a pursuit. Barrett locates this tendency of experimentalism throughout its historical entanglements with cybernetics, and in his intimate analysis of Alvin Lucier’s neurofeedback music, Pamela Z’s BodySynth performances, Nam June Paik’s musical robotics, Pauline Oliveros’s experiments with radio astronomy, and work by Laetitia Sonami, Yasunao Tone, and Jerry Hunt. Through a unique meeting of music studies, media theory, and art history, Experimenting the Human provides fresh insights into what it means to be human.

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In August 1960 the publication of Quarto de Despejo (Child of the Dark) created a sensation in Brazil—and in the rest of the world—as it appeared in translations in fourteen languages. That diary of a poor black woman from a favela on the outskirts of São Paulo became the best-selling book in Brazilian history. In it, Carolina Maria de Jesus chronicled her life as an unemployed, single parent of three children, eking out a precarious existence selling scrap paper and other detritus found in the city streets. She described how she wrote at night on the scavenged scraps. Her remarkable diary—angry, proud, wretched, and hopeful—was found and published by an enterprising journalist. The book’s success permitted Carolina to leave her flimsy shack in triumph and move into the cinder-block house of her fantasy. I’m Going to Have a Little House is de Jesus’s second diary. It covers the first year following her rise to fame. In it she recounts her struggles with celebrity, middle-class expectations, and the racial and social tensions her success had exacerbated. This work, never previously translated into English, tells the rest of the story—the grim truth that favela life doesn’t prepare one for middle-class "respectability" and that the fall back into poverty is as easy as the struggle to escape it is difficult. Carolina Maria de Jesus died in 1977, forgotten and in poverty.

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Explore legends, myths, ghost stories, and haunted locations that have kept New Jerseyans awake at night for generations. Walk the halls of Ringwood Manor, home to ancient energies for improving health and a ghost with unfinished business. Spend time at Lake Hopatcong where a ghostly Indian chief still protects his people and may answer your call, if you beckon. Visit the Surflight Theater to meet an owner who refuses to "give up the ghost!" From the famous Jersey Devil to the nearly-lost-to-time Paulinskill Viaduct troll, get ready for a feast for your soul.

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This book provides the first systematic overview of German sociology today. Thirty-four chapters review current trends, relate them to international discussions and discuss perspectives for future research. The contributions span the whole range of sociological research topics, from social inequality to the sociology of body and space, addressing pressing questions in sociological theory and innovative research methods. TOC: Introduction Culture / Uta Karstein and Monika Wohlrab-Sahr Demography and Aging / François Höpflinger Economic Sociology / Andrea Maurer Education and Socialization / Matthias Grundmann Environment / Anita Engels Europe / Monika Eigmüller Family and Intimate Relationships / Dirk Konietzka, Michael Feldhaus, Michaela Kreyenfeld, and Heike Trappe (Felt) Body. Sports, Medicine, and Media / Robert Gugutzer and Claudia Peter Gender / Paula-Irene Villa and Sabine Hark Globalization and Transnationalization / Anja Weiß Global South / Eva Gerharz and Gilberto Rescher History of Sociology / Stephan Moebius Life Course / Johannes Huinink and Betina Hollstein Media and Communication / Andreas Hepp Microsociology / Rainer Schützeichel Migration / Ludger Pries Mixed-Methods and Multimethod Research / Felix Knappertsbusch, Bettina Langfeldt, and Udo Kelle Organization / Raimund Hasse Political Sociology / Jörn Lamla Qualitative Methods / Betina Hollstein and Nils C. Kumkar Quantitative Methods / Alice Barth and Jörg Blasius Religion / Matthias Koenig Science and Higher Education / Anna Kosmützky and Georg Krücken Social Inequalities―Empirical Focus / Gunnar Otte, Mara Boehle, and Katharina Kunißen Social Inequalities―Theoretical Focus / Thomas Schwinn Social Movements / Thomas Kern Social Networks / Roger Häußling Social Policy / Birgit Pfau-Effinger and Christopher Grages Social Problems / Günter Albrecht Social Theory / Wolfgang Ludwig Schneider Society / Uwe Schimank Space. Urban, Rural, Territorial / Martina Löw Technology and Innovation / Werner Rammert Work and Labor / Brigitte Aulenbacher and Johanna Grubner List of Contributors Index

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This volume presents papers from the Fourth Australasian Egyptology Conference held at Monash University, Melbourne 16–18 September 2016. Both the conference and the papers in this volume are dedicated to Gillian E. Bowen who retired from Monash that year, and a brief tribute to her is presented at the opening of the volume. The contributions include several on Egypt’s Western Desert where Monash has been engaged in fieldwork for many years in the the Dakhleh Oasis. Relating to the Roman-period village of Kellis, Bassett discusses economic policy in the settlement of the region and Rindi the elaborately decorated funerary cartonnage from one of its cemeteries. Long explores ceramic traditions of the Third Intermediate Period in Dakhleh while Warfe discusses aspects of the proscription of Seth, who was venerated at the ancient capital of Dakhleh, based on data from Luxor Temple in the valley. Livingstone presents textiles of the late Roman Period from Christian burials and Kucera examines a Roman military campaign in the northern Western Desert. The other papers reflect the wide range of research being undertaken by other Australasian scholars. These range from studies of early ceramics from Hamamieh by Pilgrim and the breakage of Predynastic figurines by Ordynat, to a study of a Fifth-century icon of the Virgin Mary by Marsh-Letts. From periods in between come studies of women in the family of high officials at Beni Hassan and in religious practices of the New Kingdom by Paull and Lisle respectively; aspects of the iconography of the Book of the Dead and a new representation of a sailing vessel by Volk and Stephens; the interface between text and visual image by Thorpe and finally mummification practices of children by Davey.

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On September 8, 1907, Pope St. Pius X brought the simmering Roman Catholic Modernist crisis to a boil with his encyclical Pascendi dominici gregis. In Pascendi’s terms, recent biblical, historical, scientific, and philosophical attempts to take seriously subjective mediations of God’s revelation led only to subjectivism and agnosticism. Pius X condemned these as ""Modernism"" and the ""synthesis of all heresies"". This Modernism threatened the very human capacity to know and believe in God as a reality apart from human consciousness. Prior to 1907 no Catholic thinkers had used the term Modernism to designate the theological or biblical work they were doing. Pascendi, with its provisions for diocesan vigilance committees and censorship of books, combined with the subsequent Oath against Modernism (1910), created a climate of suspicion and fear.In two sets of intertwined biographical portraits, spanning two generations, Divided Friends dramatises the theological issues of the modernist crisis, highlighting their personal dimensions and extensively reinterpreting their long-range effects. The four protagonists are Bishop Denis J. O’Connell, Josephite founder John R. Slattery, together with the Paulists William L. Sullivan and Joseph McSorley. Their lives span the decades from the Americanist crisis of the 1890s right up to the eve of Vatican II. In each set, one leaves the church and one stays. The two who leave come to see their former companions as fundamentally dishonest. Divided Friends entails a reinterpretation of the intellectual fallout from the modernist crisis and a reframing of the 20th century debate about Catholic intellectual life.

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Jean-Michel Wilmotte and his collaborators are leading more than 100 projects in 27 different countries, from the biggest to the smallest, from the most spectacular to the most ordinary, with the same fervour from the initial sketch to completion. This practice has recently completed the Russian Orthodox Spiritual and Cultural Center in Paris (France), the headquarters of L'Oréal Group in Clichy (France), the headquarters of Unilever group in Rueil-Malmaison (France), the Center for Arts of the International School of Geneva (Switzerland), the Allées Richaud & Allées Foch high-end residential buildings in Versailles (France), the Cultural Center of Daejeon (South Korea), the 36,200-seat Allianz Riviera Stadium in Nice (France), the London headquarters of Google and JCDecaux (United Kingdom), the Ferrari Sporting Management Center (Formula 1) in Maranello (Italy), a Convention and Exhibition Center in São Paulo (Brazil), and an ecological park in Baku (Azerbaijan) for the 2015 European Games. In these projects, which are both innovative and sustainable, the design always takes into account landscaping, lighting, materials, and finishes, while being respectful of the local and historic context of the site. This new title, as part of IMAGES' renowned Leading Architects series, delves into the extraordinary work of this firm and the process of its innovative and creative team. Showcasing projects throughout the book with rich, full-colour images, detailed plans, and informative texts, this monograph is a must-have for any professional design collection.

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Place of refuge, place where we can be ourselves; place we long to escape from, place where we are confronted by absence and loneliness; shabby downtown apartment or idyllic country cottage. Like it or loathe it, home is where we do most of our living. Home is, of course, many things to many poets. It is Billy Collins's favourite armchair and Imtiaz Dharker's 'Living Space' in the slums of Mumbai. It is Wordsworth's 'dear Valley' of Grasmere, and Philip Larkin's Coventry, that place where nothing so famously happens. It may be somewhere we long for, perhaps unattainably: Ovid and Mahmoud Darwish lament their home countries, Kapka Kassabova seeks 'a house we can never find', while Jules Supervielle is 'Homesick for the Earth'.There is an abundance of domestic life. Attend a miserable breakfast chez Jacques Prévert; observe Wendy Cope and partner happily 'Being Boring'. Cut to Anna Barbauld's washing-day, Marilyn Nelson dusting, Buson mending his clothes and Fiona Wright contending with a Tupperware party. Peep in on Amy Lowell in the bath and John Donne in bed, Auden in the privy and Joy Harjo at the kitchen table. Here are removals and homecomings, neighbours good and bad. Inevitably, after a year of enforced domesticity, some lockdown thoughts (Anna McDonald, Pauline Prior-Pitt); Mary Oliver's dream house, Naomi Shihab Nye's homes where children live, the far-from-safe houses of U. A. Fanthorpe, and some final reflections on the idea of a dwelling place from Rumi, Emily Dickinson, John Burnside, Vinita Agrawal, Derek Walcott, Les Murray and Iman Mersal. It may not always be sweet, but there is certainly No Place Like Home.

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On the occasion of the exhibition Cecilia Vicuña: Dreaming Water, Malba publishes in collaboration with the National Museum of Fine Arts in Santiago de Chile and the Pinacoteca de São Paulo the most comprehensive monographic book dedicated to Cecilia Vicuña's work to date. It features a main text by curator and editor Miguel A. López in epistolary format a letter addressed to the artist as well as new essays by Elizabeth A. Povinelli, Catherine de Zegher, and José de Nordenflycht. It includes two texts by Vicuña on her drawings from the Palabrarmas project and the activism of the group Artists for Democracy, as well as a conversation between Vicuña, Marisol de la Cadena, and Camila Marambio.

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A beautiful, ferocious play about the bonds that tie us, and how we sometimes need to break them. One sister stayed at home to care for Dad. The other set out to 'make a difference'. Reunited under their childhood roof, Pauline and Rachel unearth more than the ten years between them. It's a huge gap. Almost insurmountable. And each is determined to let the other know exactly who has done things right. Charley Miles's Daughterhood was first produced in 2019 by Paines Plough and Theatr Clwyd on a nationwide tour, including a run at the Edinburgh Festival Fringe, in Paines Plough's pop-up theatre, Roundabout.

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In today'?s globalised world, the relationship between human rights and investment is an important societal and legal issue. This Research Handbook unravels this complex interaction and sheds light on all of its dimensions; it takes stock of the impact that investment operations can have on human rights and it examines how international law addresses, and contributes to, this complicated interplay. Taking a unique approach, the Handbook contains insightful chapters that provide analyses of specific international law regimes, with a particular focus on international investment law standards and investor-state arbitration. It also offers in-depth discussions of the corporate and home State responsibilities that can result from the activities of multinational corporations. Sectorial and regional case studies are also explored; they provide a grounding for the more theoretical aspects of the Handbook and highlight the key industries, such as the agricultural and extractive industries, that are prone to human rights violations. Academics, practitioners and policy-makers, with an interest in human rights law, international economic law and the activities of multinational corporations, will find this Research Handbook to be an important resource in their daily research and practice.Contributors include: D. Baumann-Pauly, A. Berkes, L. Boisson de Chazournes, K. Cordes, E. De Brabandere, M. Fanou, M. Hazelzet, S.M. Jastram, U. Kriebaum, J. Kyriakakis, G. Lehane, G. Lhuilier, D. Lim, J. Loutit, J. Mandelbaum, R. Mella, R. Polanco, Y. Radi, M. Tignino, R.V. Vadi, V. Tzevelekos

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A TIME 'New Books You Should Read' A People magazine 'Book of the Week' A New York Times Editors' Choice With a foreword by Elizabeth Strout ‘Electric: with wit, with rage, with grief, with the kind of prose that makes you both laugh and thrill to the darker, spikier emotions just barely visible under the bright surface. What a wonderful collection of stories’ Lauren Groff Another day! And then another and another and another. It seemed as if it would all go on forever in that exquisitely boring and beautiful way. But of course it wouldn’t; everyone knows that. In this collection, Hilma Wolitzer invites us inside the private world of domestic bliss, seen mostly through the lens of Paulie and Howard’s gloriously ordinary marriage. From hasty weddings to meddlesome neighbours, ex-wives who just won’t leave, to sleepless nights spent worrying about unanswered chainmail, Wolitzer captures the tensions, contradictions and unexpected detours of daily life with wit, candour and an acutely observant eye. Including stories first published in magazines in the 1960s and 1970s – alongside new writing from Wolitzer, now in her nineties – Today a Woman Went Mad in the Supermarket reintroduces a beloved writer to be embraced by a new generation of readers. ‘A fascinating time capsule of womanhood, marriage and motherhood over the last century … A fabulous book’ Emma Straub ‘Immensely gratifying, poignant, funny … Breathtaking’ Elizabeth Strout, from the foreword

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Stacey Margolis rethinks a key chapter in American literary history, challenging the idea that nineteenth-century American culture was dominated by an ideology of privacy that defined subjects in terms of their intentions and desires. She reveals how writers from Nathaniel Hawthorne to Henry James depicted a world in which characters could only be understood—and, more importantly, could only understand themselves—through their public actions. She argues that the social issues that nineteenth-century novelists analyzed—including race, sexuality, the market, and the law—formed integral parts of a broader cultural shift toward understanding individuals not according to their feelings, desires, or intentions, but rather in light of the various inevitable traces they left on the world.Margolis provides readings of fiction by Hawthorne and James as well as Susan Warner, Mark Twain, Charles Chesnutt, and Pauline Hopkins. In these writers’ works, she traces a distinctive novelistic tradition that viewed social developments—such as changes in political partisanship and childhood education and the rise of new politico-legal forms like negligence law—as means for understanding how individuals were shaped by their interactions with society. The Public Life of Privacy in Nineteenth-Century American Literature adds a new level of complexity to understandings of nineteenth-century American culture by illuminating a literary tradition full of accidents, mistakes, and unintended consequences—one in which feelings and desires were often overshadowed by all that was external to the self.

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Art school Britain in the 1960s and 1970s – a hotbed of experimental DIY creativity blurring the lines between art and music. In Blank Canvas, multi-genre musician turned university lecturer Simon Strange paints a picture of the diverse range of people who broke down the barriers between art, life and the creative self. Tracing lines from the Bauhaus 'blank slate' through the white heat of the Velvet Underground and the cutting edge of the Slits, Blank Canvas draws on interviews with giants of the genre across music, gender and race spectrums, from Brian Eno to Pauline Black, Cabaret Voltaire to Gaye Advert. Illustrated is a picture of two decades erupting in a devastatingly diverse flow of outspoken originality as an eclectic range of musical styles and cultures fused. Does modern day music education suffocate the soul and inhibit the impact of the bohemian artist? This book asks questions of today's artists, musicians, and educators, looking for the essence of creativity and suggests how lessons learnt in and around art school education show a path for the cultural evolution of both musicians and artists hoping to create the future. Audience will include university students at all levels in popular music, popular culture and creative arts education. Academics, educators and researchers working in popular culture and creativity. May also appeal to a more general reader interested in popular culture and creativity. With a Blank Canvas, anything is possible…

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What happens when God turns up?'Has God become as familiar and forgettable as a fridge magnet? That's the danger Krish Kandiah faces up to in this wonderfully readable and very challenging book. Bible stories come to life as Krish tells them afresh, richly illustrated with personal experience and social relevance, and in each case the living God turns up - strange, dangerous, and, like Aslan, not safe but good.' CHRIS WRIGHT, LANGHAM PARTNERSHIPIn an age of social and political uncertainty, Krish Kandiah turns to less familiar and more uncomfortable parts of the Bible to discover the true character of God - but be warned: he may be stranger than you think. Building on the challenges he explored in PARADOXOLOGY, Krish strips us of our comfortable assumptions and invites us to look afresh at God's character. When Abraham welcomes three men for dinner, he ends up pleading for the life of a city. When Jacob meets God by the river, they end up in a fight. And when two forlorn disciples meet a stranger on the road, their lives are turned upside down.GOD IS STRANGER challenges us to lay down our expectations of God and delight in the power that is proven by his very strangeness.'Be warned: this book could seriously affect your view of yourself, of the world and of God - I highly recommend it to you!' PAULA GOODER, BIBLE SOCIETY'An important and timely book from someone who lives out its message.' PETE GREIG, 24-7 PRAYER INTERNATIONAL

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From the Chanel suit to the Wonderbra, via Jackie Kennedy, Ziggy Stardust and Alexander McQueen, respected fashion journalist and editor Paula Reed explores each of the styles and visionaries that have defined the way we dress. Spanning fifty years - from the 1950s to the 1990s - and accompanied by striking photographs throughout, Fashion Evolution is the definitive story of the style moments that changed the world.

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Bajo el título 'JM González Ruiz: La provocación permanente', se reeditan dos de sus libros más significativos de entre sus ensayos sobre Teología del mundo y Teología bíblica. En el primero, prólogo del teólogo M. D. Chenu, se cimenta una Teología del mundo fuera de todo aggiornamento oportunista. Textos influyentes en el documento Gaudium et Spes, Vaticano II. Experto en Pablo sigue, en el segundo, el curso de los Hechos: desarrolla la teología paulina en toda su dinámica evolución

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An extraordinary memoir of one woman’s fight to find her true self between the life into which she was born and the one she was given. Christiana Mara Coelho was born into extreme poverty in Brazil. After spending the first seven years of her life with her loving mother in the forest caves outside São Paulo and then on the city streets, where they begged for food, she and her younger brother were suddenly put up for adoption. When one door closed on the only life Christiana had ever known and on the woman who protected her with all her heart, a new one opened. As Christina Rickardsson, she’s raised by caring adoptive parents in Sweden, far from the despairing favelas of her childhood. Accomplished and outwardly “normal,” Christina is also filled with rage over what she’s lost and having to adapt to a new reality while struggling with the traumas of her youth. When her world falls apart again as an adult, Christina returns to Brazil to finally confront her past and unlock the truth of what really happened to Christiana Mara Coelho. A memoir of two selves, Never Stop Walking is the moving story of the profound love between families and one woman’s journey from grief and loss to survival and self-discovery.

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A confrontation with the destruction of the Amazon by a writer who moved her life into the heart of the forest. In lyrical, impassioned prose, Eliane Brum recounts her move from São Paulo to Altamira, a city along the Xingu River that has been devastated by the construction of one of the largest dams in the world. In community with the human and more-than-human world of the Amazon, Brum seeks to “reforest” herself while building relationships with forest peoples who carry both the scars and the resistance of the forest in their bodies. Weaving together the lived stories of the region and its history of violent corruption and destruction, Banzeiro Òkòtó is a call for radical change, for the creation of a new kind of human being capable of facing the potential extinction of our species. In it, Brum reveals the direct links between structural inequities rooted in gender, race, class, and even species, and the suffering that capitalism and climate breakdown wreak on those who are least responsible for them. The title Banzeiro Òkòtó features words from two cultural and linguistic traditions: banzeiro is what the Amazon people call the place where the river turns into a fearsome vortex, and òkòtó is the Yoruba word for a shell that spirals outward into infinity. Like the Xingu River, turning as it flows, this book is a fierce document of transformation arguing for the centrality of the Amazon to all our lives.

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From the origins of urbanization in Mesopotamia to the global metropolises of today, great cities have marked the development of human civilization. The Great Cities in History tells their stories, from Uruk and Memphis to Tokyo and São Paulo. A galaxy of distinguished contributors evoke the character of each place – its people, its art and architecture, its government – and explain the reasons for its success. Richly illustrated with photographs, paintings, maps and plans, this volume is nothing less that a portrait of world civilization.

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The team behind the longest running food podcast, Snacky Tunes, presents a one-of-a-kind book exploring chefs' profound relationship with music through never-before-seen stories and recipesFounded in 2009 by Darin and Greg Bresnitz, the podcast Snacky Tunes served as the first platform to discuss food and music, creating a space for chefs, restaurateurs, musicians, and bands to share their stories and creative processes.In this unique flexibound book with playful graphic design and typography throughout, the Bresnitz brothers present Snacky Tunes – a collection of 77 all-new candid interviews from the world's most acclaimed chefs – showcasing these soul-sustaining exchanges, in which food and music seamlessly intertwine.The chefs share personal stories about how music plays a pivotal role in their careers-shaping identities, igniting creativity, and influencing the restaurants they build and the food they serve. Organized alphabetically, individual entries are also accompanied by a previously unpublished recipe and custom playlist crafted by each chef, showcasing how a soundtrack both sets the tone for their kitchens, restaurants and fuels their creative process.Includes forewords by acclaimed Food & Drinks editor of Esquire Jeff Gordinier and Grammy-nominated musician Jaime 'EL-P' Meline from Run the Jewels.Snacky Tunes features the innovative culinary minds of chefs including: Selassie Atadika who owns Midunu in Ghana; Brazilian chef Alex Atala who owns D.O.M. in Sao Paulo; May Chow, who was touted as China's "Best Female Chef" in 2017; Pooja Dhingra, who founded the Mumbai patisserie chain Le15; Michael Fojtasek who runs James Beard-nominated Olamaie in Austin, Texas; Uruguayan-born Ignacio Mattos who cooks food that reflects his culinary education and experiences in New York City; Asma Khan, the chef-owner of the renowned Darjeeling Express restaurant in London; and Shohei Yasuda from Japan, who has Kabi in Tokyo.

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Transition and change are 21st-century lived experiences. We want to know “what’s next” in our relationships, environment, societies, politics, and everything else that touches our lives. “What’s Next?” is an anthology of short fiction that creatively explores these questions. UTHORS FEATURED IN THE ANTHOLOGY Claire Boyles, Joseph Bruchac, Chitra Banerjee Divakaruni, Toiya Kristen Finley, Tom Gammarino, Amina Gautier, Anthony Lee Head, Meng Jin, Charles Johnson, Pauline Kaldas, Vijay Lakshmi, Clarence Major, Donna Miscolta, Pamela Painter, Jane Pek, Brenda Peynado, Maurice Carlos Ruffin, Shannon Sanders, George Saunders, Joanna Scott, Anna Sequoia, Asako Serizawa, Sharyn Skeeter, Tiphanie Yanique, and Ye Chun.

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Hamburg State Prosecutor Chastity Riley and her colleagues investigate the murders of men with a history of abuse towards women … as a startling, horrifying series of revelations emerge. Germany’s Queen of Krimi returns with the darkly funny, mesmerizingly dark next instalment in an addictive series…   ‘Simone Buchholz is my favourite German crime writer' Mark Sanderson, The Times   ‘Such a revelation’ Laura Lippman   ‘German-American Chastity Riley [is] snooty, churlish, sarcastic, sometimes drunk and always inappropriate. The whole series breaks the boundaries of typical crime novels’ Romy Hausmann   ‘A distinctive voice, and a flawed but compelling protagonist. This is vintage Buchholz – style and sass and St Pauli’ Will Carver   ________ When neatly packed male b

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The Field Day Theatre Company has been a vital presence on the cultural and intellectual scene since its inception in 1980. This venture represented an attempt by a group of distinguished Irish artists to contribute to a resolution of Northern Ireland's political crisis. Founded by playwright Brian Friel and actor Stephen Rea, Field Day's board of directors has included writers Seamus Heaney, Seamus Deane, Tom Paulin and Thomas Kilroy, and documentary filmmaker David Hammond. Among Field Day's premieres are such modern Irish classics as Friel's ""Translations"" (1980), Kilroy's ""Double Cross"" (1986) and Stewart Parker's ""Pentecost"" (1987). In addition to producing new Irish plays and masterpieces of world drama, since 1983 Field Day has published literary and critical works ranging from pamphlets on Irish language and history to the multi-volume ""Field Day Anthology of Irish Writing"" and an on-going series of essays and monographs edited by Deane. In this study of Field Day, Marilynn Richtarik offers a narrative account of the early years of the company, during which its self-image and public reputation were formed. Drawing on contemporary reviews, pre-production publicity, pronouncements over time by the various directors, and personal interviews, she constructs a background for her discussion of Field Day's evolving aims and concrete achievements.

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Living in the Future reveals the unexplored impact of utopian thought on the major figures of the Civil Rights Movement. Utopian thinking is often dismissed as unrealistic, overly idealized, and flat-out impractical-in short, wholly divorced from the urgent conditions of daily life. This is perhaps especially true when the utopian ideal in question is reforming and repairing the United States' bitter history of racial injustice. But as Victoria W. Wolcott provocatively argues, utopianism is actually the foundation of a rich and visionary worldview, one that specifically inspired the major figures of the Civil Rights Movement in ways that haven't yet been fully understood or appreciated. Wolcott makes clear that the idealism and pragmatism of the Civil Rights Movement were grounded in nothing less than an intensely utopian yearning. Key figures of the time, from Martin Luther King Jr. and Pauli Murray to Father Divine and Howard Thurman, all shared a belief in a radical pacificism that was both specifically utopian and deeply engaged in changing the current conditions of the existing world. Living in the Future recasts the various strains of mid-twentieth-century civil rights activism in a utopian light, revealing the power of dreaming in a profound and concrete fashion, one that can be emulated in other times that are desperate for change, like today.

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A gathering of poetic blossoms.The Greek Anthology (literally, “Gathering of Flowers”) is the name given to a collection of about 4500 short Greek poems (called epigrams but usually not epigrammatic) by about 300 composers. To the collection (called Stephanus, literally, “wreath” or “garland”) made and contributed to by Meleager of Gadara (1st century BC) was added another by Philippus of Thessalonica (late 1st century AD), a third by Diogenianus (2nd century), and much later a fourth, called the Circle, by Agathias of Myrina. These (lost) and others (also lost) were partly incorporated, arranged according to contents, by Constantinus Cephalas (early 10th century?) into fifteen books now preserved in a single manuscript of the Palatine Library at Heidelberg. The grand collection was rearranged and revised by the monk Maximus Planudes (14th century) who also added epigrams lost from Cephalas’ compilation.The fifteen books of the Palatine Anthology are: I, Christian Epigrams; II, Descriptions of Statues; III, Inscriptions in a temple at Cyzicus; IV, Prefaces of Meleager, Philippus, and Agathias; V, Amatory Epigrams; VI, Dedicatory; VII, Sepulchral; VIII, Epigrams of St. Gregory; IX, Declamatory; X, Hortatory and Admonitory; XI, Convivial and Satirical; XII, Strato’s “Musa Puerilis”; XIII, Metrical curiosities; XIV, Problems, Riddles, and Oracles; XV, Miscellanies. Book XVI is the Planudean Appendix: Epigrams on works of art.Outstanding among the poets are Meleager, Antipater of Sidon, Crinagoras, Palladas, Agathias, Paulus Silentiarius.

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The most wanted, the most feared, the most hated, the most powerful job in journalism: being a reviewer means writing about something you love and getting paid for it. So for a lot of people it's the No 1 dream job in the media. Whether your passion is film, music, books, visual arts or the stage, you can get closer to it as a reviewer and establish a career in one of the most influential roles open to a writer. Get the edge on the competition with a book that's a treasure trove of wisdom, experience and downright cunning, passed on by the best critics writing today. A great review will be read by millions, and writing it calls for a high degree of skill. Based on a lifelong passion, packed into a few hundred words and often written in less than an hour, a review makes heavy demands on writer's technique and experience. This book explains how to seize your readers' attention and how to be witty always, fascinating most of the time and bitchy when you need to be. Reviews from classic writers like Pauline Kael or Kenneth Tynan are contrasted with today's hot names including Mark Kermode and Stewart Maconie. We look back at the history of the critic and some of the groundbreaking groups who have shaped our culture, including Dorothy Parker and the Algonquin Round Table, the French New Wave directors who founded Les Cahiers du Cinema and London's celebrated Modern Review, founded by Julie Burchill, Toby Young and Cosmo Landesman.

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The Von Bock memoirs, which appear here for the first time, allow the reader to see the entire drama of the Second World War through the eyes of one of Germany's most important military commanders. After the attacks on Poland and Western Europe, campaigns he helped bring to a succesful conclusion, von Bock became Commander-in-Chief of Army Group Center which carried out the main drive on Moscow during Operation Barbarossa and brought the Red Army to the verge of collapse in the great battles of encirclement. Hitler relieved von Bock when the German offensive bogged down during the winter of 1941/1942. After he returned as Commander-in-Chief of Army Group South, von Bock was eventually placed in temporary retirement when he critized Hitler's division of forces against Stalingrad and the Caucasus-the road to castrophe began. Army commanders like Hoth, Guderian, Kluge and Paulus served under Generalfeldmarschall Fedor von Bock, while at his side stood his nephew Henning von Tresckow, who led the most active resistance movement against Hitler, and Carl-Hans von Hardenberg, a friend and advisor of Stauffenberg. Their efforts to win over von Bock failed, yet the Generalfeldmarschall tolerated the pronounced resistance sentiments among his staff, and even became privy to the attempted assissination of Hitler on July 20, 1944. This book allows us to reassess Fedor von Bock, whose complex personality is revealed by his diary entries, and by the biographical sketches by editor Klaus Gerbet.

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A heartbreaking story of love and loss, based on a true story OVER ONE MILLION COPIES SOLDTHE NO.1 NEW YORK TIMES BESTSELLERWINNER OF GOODREADS CHOICE AWARDS 2017 BEST HISTORICAL FICTION AWARD***************************Memphis, Tennessee, 1939Twelve-year-old Rill Foss and her four younger siblings live a magical life aboard their family's Mississippi River shantyboat. But when their father must rush their mother to the hospital one stormy night, Rill is left in charge, until strangers arrive in force. Wrenched from all that is familiar and thrown into a Tennessee Children's Home Society orphanage, the Foss children are assured that they will soon be returned to their parents - but they quickly realize the dark truth...Aiken, South Carolina, present dayBorn into wealth and privilege, Avery Stafford seems to have it all: a successful career, a handsome fiancé, and a lavish wedding on the horizon. But when Avery returns home to help her father weather a health crisis, a chance encounter leaves her with uncomfortable questions and compels her to take a journey through her family's long-hidden history, on a path that will ultimately lead either to devastation or to redemption.*********************Based on one of America's most notorious real-life scandals, in which Georgia Tann, director of a Memphis-based adoption organization, kidnapped and sold poor children to wealthy families all over the country, Before We Were Yours is a riveting, wrenching and ultimately uplifting global bestseller. 'A tale of enduring power' Paula McLain'It is impossible not to get swept up in this near-perfect novel' Huffington Post

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Guest-edited by Owen Hopkins Multispace exists at the intersection of the physical and digital, and in the blurring of their previously clear dividing lines. Multispace is not a single space, but a hybrid space where, in effect, we occupy multiple spaces simultaneously. We enter it on a Zoom call, when we are in our office and in a meeting with 20 people; when we are cycling down a country lane whilst racing against thousands of others who also use the Strava app; when we are watching a TV show while live tweeting; or, perhaps most literally, when wandering around the local park looking for creatures that only appear on a smartphone screen. A fundamental question of this AD is why the phenomena that multispace describes are of concern to architects. The answer is that multispace points to a situation that is at root an architectural one. Offering both a collective and highly personalised experience, static and dynamically customisable, and above all at the same time public and private, multispace lies at the centre of a set of tensions, concerns and preoccupations at the core of our conception of architecture as theory and practice. It is the messy space between, with rough and uneven edges that are constantly shifting. Contributors: Aleksandra Belitskaja, Alice Bucknell, Jesse Damiani, Wendy Fok, Andrew Kovacs, Lara Lesmes and Fredrik Hellberg, Micaela Mantegna, Holly Nielsen, Giacomo Pala, Paula Strunden, Lucia Tahan, and Francesca Torello and Joshua Bard. Featured architects and artists: iheartblob, Ibiye Campis, Office Kovacs, Space Popular and Liam Young.

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'As hypnotic as an opium dream and pretty unputdownable' Daily MailIn September 1838 a storm blows up on the Indian Ocean and the Ibis, a ship carrying a consignment of convicts and indentured laborers from Calcutta to Mauritius, is caught up in the whirlwind. When the seas settle, five men have disappeared - two lascars, two convicts and one of the passengers. Did the same storm upend the fortunes of those aboard the Anahita, an opium carrier heading towards Canton? And what fate befell those aboard the Redruth, a sturdy two-masted brig heading East out of Cornwall? Was it the storm that altered their course or were the destinies of these passengers at the mercy of even more powerful forces?On the grand scale of an historical epic, River of Smoke follows its storm-tossed characters to the crowded harbors of China. There, despite efforts of the emperor to stop them, ships from Europe and India exchange their cargoes of opium for boxes of tea, silk, porcelain and silver. Among them are Bahram Modi, a wealthy Parsi opium merchant out of Bombay, his estranged half-Chinese son Ah Fatt, the orphaned Paulette and a motley collection of others whose pursuit of romance, riches and a legendary rare flower have thrown together. All struggle to cope with their losses - and for some, unimaginable freedoms - in the alleys and crowded waterways of 19th century Canton. As transporting and mesmerizing as an opiate induced dream, River of Smoke will soon be heralded as a masterpiece of twenty-first century literature.

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