Search results for ""INDIANA UNIVERSITY PRESS""

"All practising musicians with an interest in the baroque owe it to themselves to be exposed to the ideas contained in this book." —Continuo"This is a book from an excellent musician in the early field who turns out also to be a most persistent scholar . . . " —Early Music" . . . the book offers a vast quantity of data from a wide range of sources. . . . George Houle is to be congratulated for his honest presentation of the entire spectrum." —Music Educators JournalThe treatment of meter in performance has evolved dramatically since 1600. Here is a practical guide for the performer, with many quotations from early manuals and treatises, and abundant examples.

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The essays in this volume bring to their focuses on philosophical issues the new angles of vision created by the multicultural, global, and postcolonial feminisms that have been developing around us. These multicultural, global, and postcolonial feminist concerns transform mainstream notions of experience, human rights, the origins of philosophic issues, philosophic uses of metaphors of the family, white antiracism, human progress, scientific progress, modernity, the unity of scientific method, the desirability of universal knowledge claims, and other ideas central to philosophy.

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"A charming and agreeable surprise . . . A welcome gift to Western readers." —Kirkus Reviews"Editor Jayyusi offers a major example of the Arabic folk epics or romances called siras . . . The siras are full of heroic adventures, exotic landscapes, love affairs, friendships, supernatural dangers, magical spells, and great Arab heroes. . . . " —Library Journal"This text should find its place alongside the translations of other epic traditions of the world as a text well suited for use in university courses on the Middle East, world literature, epic, and folklore." —Journal of Arabic LiteratureThis colorful panorama recounts the fantastic tales of a sixth-century Arab king and offers unusual perspectives on gender, religion, race, and ethnicity. Composed between the 13th and 16th centuries and presented here in English for the first time.

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Activist, scholar, and political journalist Colin Legum assesses Africa's experience since independence and offers judicious predictions about the continent's future. Covering 50 years of sweeping change, this provocative and insightful book examines Africa's struggle for democracy, mounting economic problems, and AIDS.

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" . . . a solid addition to international drama." —Library JournalGoing beyond the parameters of conventional literary drama, these seven new plays express life issues in post-apartheid South Africa—Islamic fundamentalism, women's rights, ecology, Afrikaans culture and the new multi-racial life of the inner city. While theater rooted in the anti-apartheid movement was rich and vibrant, it was also singleminded in focus, obscuring the diversity of South African culture now brought to life in these works.

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"In this stunning philosophical accomplishment, McCumber sheds important new light on the history of substance metaphysics and Heidegger's challenge to metaphysical thinking. . . . Well-documented, brilliant, definitely a major contribution to philosophy!" —ChoiceIn this compelling work, John McCumber unfolds a history of Western metaphysics that is also a history of the legitimation of oppression. That is, until Heidegger. But Heidegger himself did not see how his conception of metaphysics opened doors to challenge the domination encoded in structures and institutions—such as slavery, colonialism, and marriage—that in the past have given order to the Western world.

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"To Bear Any Burden is necessary to understand the most significant aspect of the Indochina wars: the human one." —Tran Van Dinh, author of Blue Dragon White Tiger: A Tet Story"At least this reader would like to spend hours if not days talking to each of the people within these pages." —Jack Reynolds, Network Correspondent, NBC" . . . remarkable insight into the human aspect of the war." —Library JournalThe 48 American and Asian veterans, refugees, and officials who speak in this book come from widely divergent backgrounds. In their narratives we hear them reliving crucial moments in the preparation, execution, and aftermath of war. It is a riveting, eyewitness account of the war and also reclaims from this tragic continuum larger patterns of courage and dedication.

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" . . . the ultimate insider's account of the war from the South Vietnamese side, including the appalling story of how the American intervention actually happened." —Washington Post"This book gives Americans a rare opportunity—the chance to see the Vietnam experience through Vietnamese eyes. Few Vietnamese know their recent history as well as Bui Diem does. And none has told it better." —Ambassador William Jorden" . . . well-written and at times illuminating . . . " —Library JournalIn the Jaws of History is the most important book written on the Vietnam War from the viewpoint of the South, from an author who was a senior official of the South Vietnamese government and later ambassador to the U.S.

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"Those who appreciate the impact of history will be impressed with the selection of articles." —Nebraska HistoryDesigned for survey courses—yet in-depth enough to support intensive discussion—these seventeen classic essays traverse the history of the American West, from women's property rights in Spanish-Mexican California to the Sand Creek Massacre of 1864, from homesteading and mining to the Great Depression and World War II. Provocative and illuminating.

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" . . . impressive and challenging reevaluation of the sixteenth-century origins of the Enlightenment." —Sixteenth Century JournalIn this book, George Huppert introduces the reader to a group of talented young men, some of them teenagers, who were the talk of the town in Renaissance Paris. They called themselves philosophes, they wrote poetry, they studied Greek and mathematics—and they entertained subversive notions concerning religion and politics. Classically trained, they wrote, nevertheless, in French, so as to reach the widest possible audience. These young radicals fostered a succession of disciples who expressed confidence in the eventual enlightenment of humankind and whose ideas would bear fruit two centuries later.

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Eastern Europe addresses the emergence of uncertain pluralism in the region following the disintegration of the communist regimes in 1989. Taking a broad historical approach, the volume considers issues and challenges that have marked Eastern Europe from 1939 through World War II and the era of socialism, up to the present. Eight comprehensive country studies are augmented by detailed assessments of economic developments, security issues, religious currents, cultural policies, and gender relations in the region.

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" . . . an excellent collection . . . well written and cogently argued." —David N. MyersThe history of Jews in interwar Germany and Austria is often viewed either as the culmination of tremendous success in the economic and cultural realms and of individual assimilation and acculturation, or as the beginning of the road that led to Auschwitz. By contrast, this volume demonstrates a reemerging sense of community within the German-speaking Jewish population of these two countries in the two decades after World War I.

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"The book highlights the many possibilities of the innovative work of these dramatists, and this will, it is to be hoped, help the editors to achieve one of their other key goals: productions of the plays in English." —Times Literary Supplement"This thoughtfully crafted book with its insightful and informative studies elucidates an overlooked, essential component of the Latin American literary canon." —ChoiceContributors discuss 15 works of Latin-American playwrights, delineate the artistic lives of women dramatists of the last half of the twentieth century—from countries as diverse as Argentina, Brazil, Chile, Mexico, Puerto Rico, and Venezuela—and highlight the problems inherent in writing under politically repressive governments.

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What good is history to cultural studies? Meaghan Morris looks at struggles over "history" in social settings created by capitalism: in tourist landscapes and in television time. The materials of her analysis are motels, shopping malls, beaches, and local politics. She focuses on history and cultural heritage as issues of controversy for white working-class and poor suburban communities, as well as for urban cultural elites.

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In addition to being one of the greatest technical philosophers of the twentieth century, John Dewey (1859-1952) was an educational innovator, a Progressive Era reformer, and one of America's last great public intellectuals. Dewey's insights into the problems of public education, immigration, the prospects for democratic government, and the relation of religious faith to science are as fresh today as when they were first published. His penetrating treatments of the nature and function of philosophy, the ethical and aesthetic dimensions of life, and the role of inquiry in human experience are of increasing relevance at the turn of the 21st century.Based on the award-winning 37-volume critical edition of Dewey's work, The Essential Dewey presents for the first time a collection of Dewey's writings that is both manageable and comprehensive. The volume includes essays and book chapters that exhibit Dewey's intellectual development over time; the selection represents his mature thinking on every major issue to which he turned his attention. Eleven part divisions cover: Dewey in Context; Reconstructing Philosophy; Evolutionary Naturalism; Pragmatic Metaphysics; Habit, Conduct, and Language; Meaning, Truth, and Inquiry; Valuation and Ethics; The Aims of Education; The Individual, the Community, and Democracy; Pragmatism and Culture: Science and Technology, Art and Religion; and Interpretations and Critiques. Taken as a whole, this collection provides unique access to Dewey's understanding of the problems and prospects of human existence and of the philosophical enterprise.

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Praise for the first edition:"To give a sense of immediacy and vividness to the long period in such a short space is a major achievement." —History"Huppert's book is a little masterpiece every teacher should welcome." —Renaissance QuarterlyA work of genuine social history, After the Black Death leads the reader into the real villages and cities of European society. For this second edition, George Huppert has added a new chapter on the incessant warfare of the age and thoroughly updated the bibliographical essay.

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"Krell writes here with a brilliance of style that few other philosophers can match." —John SallisAlthough the Romantic Age is usually thought of as idealizing nature as the source of birth, life, and creativity, David Farrell Krell focuses on the preoccupation of three key German Romantic thinkers—Novalis, Schelling, and Hegel—with nature’s destructive powers—contagion, disease, and death.

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" . . . an impressive collection of essays that provide a wide-ranging look at the question of how best to manage our common-pool resources. . . . a thought-provoking read . . . " —The Journal of Environmental EducationThis is a new edition of a pioneering work on the origins, developments, and recent innovations in the debate on managing commonly-owned lands and resources. It includes both new and updated essays which focus on alternate institutional approaches to managing these resources to prevent environmental tragedy.

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"These essays provide a rich portrait of how the self and its deepest commitments have driven some of the most important, vital scholarship of the last fifty years." —Georgia Historical Quarterly". . . the writing is highly readable and informative for a non-academic audience curious about how history is written." —Magill Book ReviewsTo provide a context for understanding current race relations and the goals of the civil rights movement, the editors asked distinguished scholars to reflect upon their careers and how personal experiences have influenced their scholarship. Prominent historians Dan T. Carter, Eric Foner, Darlene Clark Hine, Jacqueline Jones, David Levering Lewis, Leon F. Litwack, Mark D. Naison, and George B. Tindall answered the call.

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"A tightly argued and comprehensive treatment of an important area of New Testament studies." —The Christian Century"By distinguishing oral from written modes of transmission, Kelber skillfully unlocks new doors for biblical interpretation." —Theology TodayWhat happens when speech turns into text? Spoken words, operating from mouth to ear, process knowledge differently from writing which links the eye to the visible, but silent letters on the page. Based on this premise, Werner Kelber discusses orality and writing, and the interaction between the two, at strategic points in the early Christian traditions. In digressing from conventional literary criticism, the book offers new, and often startling insights into the origins of Christianity.

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Emmanuel Levinas (1906–1996) has exerted a profound influence on 20th-century continental philosophy. This anthology, including Levinas's key philosophical texts over a period of more than forty years, provides an ideal introduction to his thought and offers insights into his most innovative ideas. Five of the ten essays presented here appear in English for the first time. An introduction by Adriaan Peperzak outlines Levinas's philosophical development and the basic themes of his writings. Each essay is accompanied by a brief introduction and notes. This collection is an ideal text for students of philosophy concerned with understanding and assessing the work of this major philosopher.

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Translations of twelve popular Arabic plays written and produced during the past thirty years introduce English readers to the vibrant theater scene of the Arab world. The plays—from Egypt, Iraq, Kuwait, Lebanon, Palestine, Syria, and Tunisia—reflect a variety of dramatic trends and styles and provide insights into contemporary social, cultural, and political currents. This well-prepared anthology represents a unique contribution to the study of world drama and modern Middle Eastern culture.Playwrights include Yusuf al-Ani, Abd al-Aziz al-Surayii, the Balalin Company of Jerusalem, Izz al-Din al-Madani, Mahmud Diyab, Alfred Farag, Walid Ikhlasi, Isam Mahfuz, Salah Abd al-Sabur, Ali Salim, Mamduh Udwan, and Sadallah Wannus.

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Barbara Browning combines a lyrical, personal narrative with incisive theoretical accounts of Brazilian dance cultures. While she brings ethnographic, historiographic, and musicological scholarship to bear on her subject, Browning writes as a dancer, fully engaged in the dance cultures of Brazil and of Brazilian exile communities in the U.S.

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This new critical edition, including Mark Musa's classic translation, provides students with a clear, readable verse translation accompanied by ten innovative interpretations of Dante's masterpiece.

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"The author's capacity to grasp and interpret these [world media] events is astounding, and her ability to provide insights into a world where unbounded information is circling the earth with the speed of light is startling." —Choice" . . . a wide-ranging, quirky and dextrous mix of description, theory and analysis, that documents the perils of the global telecommunications network . . . " —Times Literary Supplement" . . . this is a stimulating, even moving, book, dense with ideas and with many quotable lines." —The New Statesman"Wark is one of the most original and interesting cultural critics writing today." —Lawrence GrossbergMcKenzie Wark writes about the experience of everyday life under the impact of increasingly global media vectors. We no longer have roots, we have aerials. We no longer have origins, we have terminals.

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"This learned volume is about as chilling as historiography gets." —Walter Laqueur, The New Republic" . . . a one-volume study of Auschwitz without peer in Holocaust literature." —Kirkus Reviews" . . . a comprehensive portrait of the largest and most lethal of the Nazi death camps . . . serves as a vital contribution to Holocaust studies and a bulwark against forgetting." —Publishers WeeklyMore than a million people were murdered at Auschwitz, of whom 90 percent were Jews. Here leading scholars from around the world provide the first comprehensive account of what took place at Auschwitz.

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Melodrama and Meaning is a major addition to the new historical approach to film studies. Barbara Klinger shows how institutions most associated with Hollywood cinema—academia, the film industry, review journalism, star publicity, and the mass media—create meaning and ideological identity for films. Chapters focus on Sirk's place in the development of film studies from the 1950s through the 1980s, as well as the history of the critical reception (both academic and popular) of Sirk's films, a history that outlines journalism's role in public tastemaking. Other chapters are devoted to Universal's selling of Written on the Wind, the machinery of star publicity and the changing image of Rock Hudson, and the contemporary "institutionalized" camp response to Sirk that has resulted from developments in mass culture.

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"Every lovesick summer has its song, And this one I pretended to despise. But if I were alone when it came on, I turned it up full-blast to sing along- A primal scream in croaky baritone, The notes all flat, the lyrics mostly slurred- No wonder I spent so much time along Making the rounds in Dad's old Thunderbird." -From "Cruising with the Beach Boys" by Dana Gioia No one should be surprised that rock and roll music turns up in the work of many of the Baby-Boom poets, where it conjures up poignant memories, evokes a specific mood, or haunts the poets' psychic landscape. Arranged in a loosely thematic manner, the 125 poems in Sweet Nothings mirror the varied forms of rock and roll, mimic its sounds, bask in its innocence, draw inspiration from its rebelliousness. For this collection Jim Elledge has gathered works by 79 poets, among them some of the most highly regarded poets of our time: Frank O'Hara, Joyce Carol Oates, David Wojahn, Thom Gunn, Rita Dove, Lynda Hull, Albert Goldbarth, Lisel Mueller, Yusef Komunyakaa, Gary Soto, William Matthews. In the final section of the book the poets comment on the relationship between their works and rock and roll.

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In this new collection of essays, Eco focuses on what he calls the limits of interpretation, or, as he once noted in another context, ""the cancer of uncontrolled interpretation"". Readers of Eco's other work will find here all the ingredients with which they have become familiar--vast learning, an agile and exciting mind, good humor and a brilliance of insight.

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" . . . provocative insights." —Nineteenth-Century Literature". . . a series of well researched and persuasive essays examining what has been traditionally excluded from the Romantic literary canon: the feminine, the domestic, the local, collective, sentimental and novelistic." —Women's Studies Network (UK) Association Newsletter". . . a contribution of real quality to ongoing debates." —British Journal for 18th Century StudiesThe essays in this collection question romanticism's suppression of the feminine, the material, and the collective, and its opposition to readings centering on these concerns.

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" . . . both an excellent introduction and a thoroughgoing analysis of Kristeva's writing." —Signs"The book is a brilliant combination of a recuperative and a critical reading of Kristeva's work." —Changes: An International Journal of Psychology & Psychotherapy" . . . a thorough, detailed, and critical analysis of the writings of Julia Kristeva." —Elizabeth Grosz". . . the most involved and engaging study of Julia Kristeva's work to date . . ." —The Year's Work in Critical and Cultural TheoryThis first full-scale feminist interpretation of Kristeva's work situates her within the context of French feminism. Oliver guides her readers through Kristeva's intellectual formation in linguistics, Freud, Lacan, and poetics. This comprehensive introduction to Kristeva makes accessible her important contributions to philosophy, linguistics, and psychoanalytic feminism.

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" . . . a most precious book which every serious pianist and teacher must own." —Journal of the American Liszt SocietyJoseph Banowetz and four distinguished contributors provide practical suggestions and musicological insights on the pedaling of keyboard works from the 18th to the 20th century.

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Fanny Brice (1891-1951) was a truly popular entertainer, with a career that spanned four decades. She was a hit in almost every branch of American show business—burlesque and vaudeville, drama and musical revues (including nine Ziegfeld Follies), film and radio. She is most often remembered for her characterization of the radio brat Baby Snooks, yet Snooks was not Brice's best role. A brilliant comic, Fanny Brice had a significant impact on a field that had been predominantly male, proving that the term "funny woman" was not an oxymoron.

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Jane Hamilton-Merritt, Nobel-nominated scholar and photojournalist, has followed the plight of the Hmong and the war in Indochina since the 1960s. The staunchest of allies, the Hmong sided with the Americans against the North Vietnamese and were foot soldiers in the brutal secret war for Laos. Since the war, abandoned by their American allies, the Hmong have been subjected to a campaign of genocide by the North Vietnamese, including the use of chemical weapons. Tragic Mountains moves from the big picture of international diplomacy and power politics to the small villages and heroic engagements in the Lao jungle. It is a story of courage, brutality, heroism, betrayal, resilience, and hope.

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"Wilentz...makes convincing arguments for the connections between African and Afro-American women's culture." -Nellie McKay "Wilentz's jargon-free, intelligent discussion...will appeal to students in African, African American, and women's literature courses, as well as general readers interested in the emerging field." -Choice "Through these works, Wilentz demonstrates the powerful transformation possible through understanding-and embracing-the past, even if that past includes oppression and brutalization." -Belles Lettres Binding Cultures investigates the cultural bonds between African and African-American women writers such as Nigerian Flora Nwapa and Ghanaians Efua Sutherland and Ama Ata Aidoo, writers who focus on the role of women in passing on cultural values to future generations, and African-American writers Alice Walker, Toni Morrison, and Paule Marshall, who self-consciously evoke African culture to help create a more integrated African-American community.

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Heidegger's lecture course at the University of Marburg in the summer of 1925, an early version of Being and Time (1927), offers a unique glimpse into the motivations that prompted the writing of this great philosopher's master work and the presuppositions that gave shape to it. The book embarks upon a provisional description of what Heidegger calls "Dasein," the field in which both being and time become manifest. Heidegger analyzes Dasein in its everydayness in a deepening sequence of terms: being-in-the-world, worldhood, and care as the being of Dasein. The course ends by sketching the themes of death and conscience and their relevance to an ontology that makes the phenomenon of time central. Theodore Kisiel's outstanding translation premits English-speaking readers to appreciate the central importance of this text in the development of Heidegger's thought.

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"...a major contribution to our knowledge of the place of the Civil War in the history of warfare...I have long hoped for a sound history of Civil War military staffs...I need hope no more; Hagerman has covered this subject also, with the same assured expertness that he gives to tactics and technology." -Russell F. Weigley "...this fine book deserves a place on the shelves of all military historians in this country and abroad." -American Historical Review "...a first rate book...impressive...an imposing work..." -Journal of American History "This book is filled with enlightening information...ought to be a standard for many years to come and should be required reading for any serious Civil War military historian." -Journal of Southern History

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". . . its pages come alive with wonderful illustrative material coupled with sensitve and insightful commentary." —Reviews in Anthropology" . . . the scope, breadth, and lucidity of this excellent study confirm that Okpewho is undoubtedly the most important authority writing on African oral literature right now . . . " —Research in African Literatures"Truly a tour de force of individual scholarship . . . " —World Literature Today" . . . excellent . . . " —African Affairs" . . . a thorough synthesis of the main issues of oral literature criticism, as well as a grounding in experienced fieldwork, a wide-ranging theoretical base, and a clarity of argument rare among academics." —Multicultural Review"This is a breathtakingly ambitious project . . . " —Harold Scheub" . . . a definitive accounting of the evidence of living oral traditions in Africa today. Professor Okpewho's authority as an expert in this important new field is unrivaled." —Gregory Nagy"Isidore Okpewho's African Oral Literature is a marvelous piece of scholarship and wide-ranging research. It presents the most comprehensive survey of the field of oral literature in Africa." —Emmanuel Obiechina" . . . a tour de force of scholarship in which Okpewho casts his net across the African continent, searching for its verbal forms through voluminous recent writings and presents African oral literature in a new voice, proclaiming the literariness of African folklore." —Dan Ben-Amos"This is an outstanding book by a scholar whose work has already influenced how African literature should be conceived. . . . Professor Okpewho is a scholar with a special talent to nurture scholarship in others. After this work, African literature will never be the same." —Mazisi KuneneIsidore Okpewho, for many years Professor of English at the University of Ibadan, is one of the handful of African scholars who has facilitated the growth of African oral literature to its status today as a literary enterprise concerned with the artistic foundations of human culture. This comprehensive critical work firmly establishes oral literature as a landmark of high artistic achievement and situates it within the broader framework of contemporary African culture.

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"Every now and then a book comes along so startling in its ingenuity, so crisp and invigorating in its perception and argument, so revealing in its investigation of its subject matter, that one is forced to reevaluate, reconsider, and restructure one's understanding and one's perspectives on theatre, discourse, and history. Such a book is Anthony Kubiak's Stages of Terror." —Theatre Studies" . . . quite compelling. It is rich and complete while leaving plenty of room for further development . . . " —Text and Performance QuarterlyUsing Aristotle's Poetics as its point of departure, Anthony Kubiak traces the forms or "stages" of terror as a cultural and performative principle through English Renaissance and Restoration plays, through the modern and postmodern, to contemporary terrorist "theatres."

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" . . . an expert work . . . remarkable for its objectivity, judiciousness, and its sure handling of the available evidence." —Political Science Quarterly" . . . a fine piece of historical writing." —Soviet Studies"An able and scholarly inquiry into the perplexing abortive Petrograd uprising of June and July 1917 . . . a very interesting view of revolutionary action on the local level." —Foreign AffairsFirst published in 1968, this pioneering study of revolutionary events in Petrograd in the summer of 1917 revised the established view of the Bolsheviks as a monolithic party. Rabinowitch documents how the party's pluralistic nature had crucial implications for the outcome of the revolution in October.

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". . . a valuable and important book . . ." —The Year's Work in Critical and Cultural TheoryRepresenting Reality is the first book to offer a conceptual overview of documentary filmmaking practice. It addresses numerous social issues and how they are presented to the viewer by means of style, rhetoric, and narrative technique. The volume poses questions about the relationship of the documentary tradition to power, the body, authority, knowledge, and our experience of history. This study advances the pioneering work of Nichols's earlier book, Ideology and the Image."[Nichols] has written a road-block of a book which reconfigures the debate on the documentary at a new level of sophistication and complexity which can only be ignored at the risk of ignoring the whole area of documentary film." —Sight and Sound" . . . the most important book on documentary film yet published." —Canadian Journal of Film Studies

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"The sacred texts of Ifa, repository of the accumulated wisdom of countless generations of Yoruba people, are an invaluable source not only for all students of African oral literature and Yoruba civilization, but also for future generations interested in the continuing vitality of Ifa divination and a Yoruba way of life and thought." —Henry DrewalThis landmark study of Ifa, the most important and elaborate system of divination of the Yoruba people of Nigeria, remains a monumental contribution to scholarship in anthropology, folklore, religion, philosophy, linguistics, and African and African-American studies.

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"Fine reading and a superb resource." —Ms."Highly recommended." —Library Journal"Perkins has chosen the plays well, and her issue-oriented introduction places the women and their works in a literary and historical context." —Choice"As well as being centered on the black experience, the plays in Black Female Playwrights are centered on the female experience." —Voice Literary Supplement"Perkins' anthology is valuable for a number of reasons . . . Perkins' book (which includes a bibliography of plays and pageants by black women before 1950 as well as a selected bibliography of critical works) is a major help in providing access to [the world of black drama]." —Theatre JournalThe need to acknowledge these works was the impetus behind this volume. Perkins has selected nineteen plays from seven writers who were among the major dramatizers of the black experience during this early period. As forerunners to the activist black theater of the 1950s and 1960s, these plays represent a critical stage in the development of black drama in the United States.

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"This book compiles and integrates highly innovative work aimed at bridging the fields of anthropology and consumer behavior." —Journal of Consumer Affairs" . . . fascinating . . . ambitious and interesting . . . " —Canadian Advertising Foundation Newsletter" . . . an anthropological dig into consumerism brimming with original thought . . . " —The Globe and Mail"Grant McCracken has written a provocative book that puts consumerism in its place in Western society—at the centre." —Report on Business Magazine" . . . a stimulating addition to knowledge and theory about the interrelationship of culture and consumption." —Choice"[McCracken's] synthesis of anthropological and consumer studies material will give historians new ideas and methods to integrate into their thinking." —Maryland Historian"The book offers a fresh and much needed cultural interpretation of consumption." —Journal of Consumer Policy"The volume will help balance the prevailing cognitive and social psychological cast of consumer research and should stimulate more comprehensive investigation into consumer behavior." —Journal of Marketing Research" . . . broad scope, enthusiasm and imagination . . . a significant contribution to the literature on consumption history, consumer behavior, and American material culture." —Winterhur Portfolio"For this is a superb book, a definitive exploration of its subject that makes use of the full range of available literature." —American Journal of Sociology"McCracken's book is a fine synthesis of a new current of thought that strives to create an interdisciplinary social science of consumption behaviors, a current to which folklorists have much to contribute." —Journal of American FolkloreThis provocative book takes a refreshing new view of the culture of consumption. McCracken examines the interplay of culture and consumer behavior from the anthropologist's point of view and provides new insights into the way we view ourselves and our society.

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" . . . a concise, highly readable survey of pre- 19th-century warfare." —Choice"A remarkable tour de force covering a vast span of time, different cultures, warfare by land and sea." —Gunther RothenbergA history of war and warfare from ancient to early modern times, Larry Addington's new book completes his survey of the patterns of war in the Western world. It explains not only what happened in warfare but why war in a certain time and culture took on distinct and recognizable patterns.

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" . . . rich and thought-provoking . . . That kind of collaborative writing is feminist scholarship at its best, and exhaustingly difficult." —The Women's Review of Books"A substantial contribution to women's studies and autobiographical criticism." —Choice" . . . exciting. . . . will lead to new insight and appreciation of the variety and complexity of women's lives." —Feminist Collections" . . . provocative . . . " —American Ethnologist" . . . rich in thought-provoking insights into the particular ways women have been socialized and the individual routes through which they have successfully resisted roles and paradigms of behavior inimical to the development of a robust sense of self." —Women and Language" . . . very fine collection of essays . . . " —Auto/Biography Studies"The essays deal with a fascinatingly broad palette of personal narrative types . . . This book is to be recommended to anyone interested in feminist research . . ." —MonatshefteThis groundbreaking multidisciplinary and multicultural examination of women's oral and written documents offers rich insights into the ways that women's voices and life stories can inform scholarly research. The book expands our understanding of both the shared experience of gender and the profound differences among women.

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"To read Rainer's screenplays is to rediscover, even reinvent, the films all over again, but more importantly to realize that images and mise-en-scène are as key to how Rainer's films work as is language." —The Independent"The scripts record the unique structure of [Rainer's] films, the stresses, strains, and crackling of voices layering over and into one another. Their publication is an important moment for feminist film." —Cineaste"Rainer's films are not highly accessible but are important to the critical imagination as an example of the sustained exploration of political and feminist theory." —Choice"Rainer's important work in the area of avant-garde filmmaking in the seventies and eighties is amply recorded in this book . . . " —Cantrills Filmnotes'The scripts of Rainer's five films, presented here along with essays, an interview, and bibliography, demonstrate the evolution of her political consciousness as well as her creative engagement with the contemporary film and cultural scene. These texts challenge the illusionist and ideological presumptions of mainstream culture and cinema.

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Physically frail, badly educated girls, brought up to lead useless lives as idle gentlewomen, married to dominant husbands, and relegated to "separate spheres" of life—these phrases have often been used to describe Victorian upper-middle-class women. M. Jeanne Peterson rejects such formulations and the received wisdom they embody in favor of a careful examination of Victorian ladies and their lives. Focusing on a network of urban professional families over three generations, this book examines the scope and quality of gentlewomen's education, their physical lives, their relationship to money, their experience of family illness and death, and their relationships to men (brothers and friends as well as fathers and husbands). Peterson also examines the prominent place of work in the lives of these "leisured" Victorian ladies, both single and married. Far from idle, the mothers, wives, and daughters of Victorian clergymen, doctors, lawyers, university dons, and others were accomplished and productive members of society who made substantial public and private contributions to virtually every sphere of Victorian life.

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