Search results for ""INDIANA UNIVERSITY PRESS""

"At a time when the New Age movement is starting to make good on the Spiritualists' vision of America as a 'grand clairvoyant nation', Carroll's work raises provocative questions about the tension betwen freedom and authority in the harmonial religions of today." —Church History" . . . offers the most comprehensive, sane examination of its topic yet available, no mean achievement for a subject long afflicted by religious partisanship and now perhaps in danger of sympathetic attraction." —Journal of American History". . . fascinating reading it will be for those with a taste for good scholarly writing and a love of the American past and the manifold varieties of the spiritual quest." —The Quest"In addition to being an excellent introduction to mid-19th-century Spiritualism, Carroll's work also offers scholars a new vantage point from which to view the religious creativity that was so prominent in antebellum America in general." —ChoiceDuring the decade before the Civil War, a growing number of Americans gathered around tables in dimly lit rooms, joined hands, and sought enlightening contact with spirits. The result was Spiritualism, a distinctly colorful religious ideology centered on spirit communication and spirit activity. Spiritualism in Antebellum America analyzes the attempt by spiritually restless Americans of the 1840s and 1850s to negotiate a satisfying combination of freedom and authority as they sought a sense of harmony with the universe.

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Henry Mitchell wrote for the Washington Post from the early 1970s to 1991. He was best known for his gardening columns, some of which have been gathered in two beloved books, The Essential Earthman and One Man's Garden. In addition to his gardening columns, Mr. Mitchell also wrote feature stories and for years had a general interest column that appeared on Fridays under the title Any Day. This book collects the most enduring of those brilliant columns. Henry Mitchell was a bit of a curmudgeon. He had an eye for cant and an even sharper eye for the deeper truths of reality. Never pompous, his columns were frequently hilarious. He could make you cry, he could make you weep and he could catch you up in the midst of a busy, confusing day and make you pause and reflect: Hey, look at this! He will make you feel good about being a flawed human, and he will even make you think that mortality isn't so bad.Readers who have enjoyed The Essential Earthman and One Man's Garden will thrill to discover their favorite author's additional accomplishments as they are represented in this lovely book. The illustrations are by Susan Davis, a gifted Maryland artist whose work accompanied many of Henry's columns during the 1980s and 1990s.

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"This is an extremely well written and carefully argued book that is quite persuasive. It should be essential reading for every scholar in African literature." —Research in African Literatures" . . . a bold challenge and a tool for the student as well as for the scholar in African literature, and also a veritable tour de force in comparative literature." —World Literature Today"Eileen Julien has produced an astute, well-researched, and lucidly written text on issues of orality in African literature." —International Journal of African Historical Studies" . . . a joy to read because of the precious clarity, infectious liveliness and concision with which Julien writes." —African Studies ReviewThe search for oral origins in African literature is a quest for African authenticity. In a critique and revision of the conceptual category of orality as it has been understood and used by scholars, Julien stresses the transformation of narrative genres as an index of sociopolitical relations and authorial vision.

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"The book is a readable, terse, theoretically developed treatment of an important episode in African history." —Journal of African History"It is original and authoritative, certainly the best book we have on the heritage of Umar's conquests." —African History". . . lucid analysis of a changing jihad society. This study enlarges understanding not only of the Umarian empire but also of the jihad movements generally." —ChoiceJohn Hanson's thoroughly researched study revises late-19th-century colonialist assumptions about a West African Muslim social movement. Using indigenous Arabic manuscripts, travel narratives, and oral materials, Hanson assesses the meaning of a series of revolts against Islamic authority.

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" . . . one of those rare publications which succeeds equally as a scholarly edition for study and as a practical edition for performance." —Musick" . . . a clear, easily grasped transcription of this work, suitable for performance or study." —Notes" . . . a clear rendition of the original notation into its modern counterpart. . . . Houle has produced an edition that is a model of scholarship and performance clarity and is of value to any musician, scholar or performer, who wishes to acquire familiarity and experience with 15th-century contrapuntal style." —American RecorderThis is the first comprehensive edition of Ockeghem's "mass in any mode," which has fascinated musicians, historians, and theorists since the fifteenth century. Missa cuiusvis toni offers singers brilliant counterpoint, a masterful exercise in solmization, and experience in musica ficta. The singers' parts appear in mensural notation, but Houle also provides full scores and parts in modern notation for the Phrygian, Mixolydian, Lydian, and Dorian modes.

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Richard Parmentier takes up Ferdinand de Saussure's challenge to study the "life of signs in society" by using semiotic tools proposed by Charles Sanders Peirce. He studies how semiotic theory can illuminate highly complex social and cultural practices.

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For listeners to the Saturday afternoon broadcasts of "The Metropolitan Opera", Boris Goldovsky's cheery 'Good afternoon, ladies and gentlemen!' has always heralded a quarter hour of pure enjoyment. Since 1946, Goldovsky has been treating the Met's radio audiences to his scholarly observations and personal reminiscences. Twenty six of his intermission scripts have been included in this book, including "Aida", "Carmen", "The Magic Flute", and "Tosca".

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This is the second volume of Catherine Perlès's study of the chipped/flaked stone tools found at Franchthi Cave, the first of its kind in Greek archaeology, if not in the whole of southeastern European prehistory. In French.

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Batá identifies both the two-headed, hourglass-shaped drum of the Yoruba people and the culture and style of drumming, singing, and dancing associated with it. This book recounts the life story of Carlos Aldama, one of the masters of the batá drum, and through that story traces the history of batá culture as it traveled from Africa to Cuba and then to the United States. For the enslaved Yoruba, batá rhythms helped sustain the religious and cultural practices of a people that had been torn from its roots. Aldama, as guardian of Afro-Cuban music and as a Santería priest, maintains the link with this tradition forged through his mentor Jesus Pérez (Oba Ilu), who was himself the connection to the preserved oral heritage of the older generation. By sharing his stories, Aldama and his student Umi Vaughan bring to light the techniques and principles of batá in all its aspects and document the tensions of maintaining a tradition between generations and worlds, old and new. The book includes rare photographs and access to downloadable audio tracks.

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Although Islam is not new to West Africa, new patterns of domestic economies, the promise of political liberalization, and the proliferation of new media have led to increased scrutiny of Islam in the public sphere. Dorothea E. Schulz shows how new media have created religious communities that are far more publicly engaged than they were in the past. Muslims and New Media in West Africa expands ideas about religious life in West Africa, women's roles in religion, religion and popular culture, the meaning of religious experience in a charged environment, and how those who consume both religion and new media view their public and private selves.

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Loss is a fundamental human condition that often leads both individuals and groups to seek redress in the form of violence. But are there possible modes of redress to reckon with loss that might lead to a departure from the violence of collective and individual revenge? This book focuses on the redress of political crime in Germany and Lebanon, extending its analysis to questions of accountability and democratization in the United States and elsewhere. To understand the proposed modes of redress, John Borneman links the way the actors define their injuries to the cultural forms of redress these injuries assume and to the social contexts in which they are open to refiguring. Borneman theorizes modes of accountability, the meaning of "regime change" and the American occupation of Iraq, and the mechanisms of democratic authority in Europe and North America.

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When she joins a pair of hitchhikers on a trip to California, a young Midwestern woman embarks on a journey about memory and knowledge, beauty and realization. This true story, set in 1971, recounts a fateful, nine-day trip into the American counterculture that begins on a whim and quickly becomes a mission to unravel a tragic mystery. The narrator's path leads her to Berkeley, San Francisco, Mill Valley, Big Sur, and finally to an abandoned resort motel, now become a down-on-its-luck commune in the desert of southern Colorado. Neither a memoir about private misery, nor a shocking exposé of life in a turbulent era, The Glimpse Traveler describes with wry humor and deep feeling what it was like to witness a peculiar and impossibly rich time.

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Josephine Baker, the first Black woman to star in a major motion picture, was both liberated and delightfully undignified, playfully vacillating between allure and colonialist stereotyping. Nicknamed the "Black Venus," "Black Pearl," and "Creole Goddess," Baker blended the sensual and the comedic when taking 1920s Europe by storm. Back home in the United States, Baker's film career brought hope to the Black press that a new cinema centered on Black glamour would come to fruition. In Josephine Baker's Cinematic Prism, Terri Simone Francis examines how Baker fashioned her celebrity through cinematic reflexivity, an authorial strategy in which she placed herself, her persona, and her character into visual dialogue. Francis contends that though Baker was an African American actress who lived and worked in France exclusively with a white film company, white costars, white writers, and white directors, she holds monumental significance for African American cinema as the first truly global Black woman film star. Francis also examines the double-talk between Baker and her characters in Le Pompier de Folies Bergère, La Sirène des Tropiques, Zou Zou, Princesse Tam Tam, and The French Way, whose narratives seem to undermine the very stardom they offered. In doing so, Francis artfully illuminates the most resonant links between emergent African American cinephilia, the diverse opinions of Baker in the popular press, and African Americans' broader aspirations for progress toward racial equality. Examining an unexplored aspect of Baker's career, Josephine Baker's Cinematic Prism deepens the ongoing conversation about race, gender, and performance in the African diaspora.

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This lively survey of the peoples, cultures, and societies of Southeast Asia introduces a region of tremendous geographic, linguistic, historical, and religious diversity. Encompassing both mainland and island countries, these engaging essays describe personhood and identity, family and household organization, nation-states, religion, popular culture and the arts, the legacies of war and recovery, globalization, and the environment. Throughout, the focus is on the daily lives and experiences of ordinary people. Most of the essays are original to this volume, while a few are widely taught classics. All were chosen for their timeliness and interest, and are ideally suited for the classroom.

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Drawing on the principles of Francesco Geminiani and four decades of experience as a baroque and classical violinist, Stanley Ritchie offers a valuable resource for anyone wishing to learn about 17th-18th-and early 19th-century violin technique and style. While much of the work focuses on the technical aspects of playing the pre-chinrest violin, these approaches are also applicable to the viola, and in many ways to the modern violin. Before the Chinrest includes illustrated sections on right- and left-hand technique, aspects of interpretation during the Baroque, Classical, and early-Romantic eras, and a section on developing proper intonation.

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This richly detailed study highlights the last two decades of the life of Mary Baker Eddy, a prominent religious thinker whose character and achievement are just beginning to be understood. It is the first book-length discussion of Eddy to make full use of the resources of the Mary Baker Eddy Collection in Boston. Rolling Away the Stone focuses on her long-reaching legacy as a Christian thinker, specifically her challenge to the materialism that threatens religious belief and practice.

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How is it possible to talk or write about music? What is the link between graphic signs and music? What makes music meaningful? In this book, distinguished scholar Leo Treitler explores the relationships among language, musical notation, performance, compositional practice, and patterns of culture in the presentation and representation of music. Treitler engages a wide variety of historical sources to discuss works from medieval plainchant to Berg's opera Lulu and a range of music in between.

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Alistair Fox explores the dynamics of the creative process involved in cinematic representation in the films of Jane Campion, one of the most highly regarded of contemporary filmmakers. Utilizing a wealth of new material—including interviews with Campion and her sister and personal writings of her mother—Fox traces the connections between the filmmaker's complex background and the thematic preoccupations of her films, from her earliest short, Peel, to 2009's Bright Star. He establishes how Campion's deep investment in family relationships informs her aesthetic strategies, revealed in everything from the handling of shots and lighting, to the complex system of symbolic images repeated from one film to the next.

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When socialism collapsed in Tanzania, the government-controlled music industry gave way to a vibrant independent music scene. Alex Perullo explores the world of the bands, music distributors, managers, and clubs that attest to the lively and creative music industry in Dar es Salaam. Perullo examines the formation of the city's music economy, considering the means of musical production, distribution, protection, broadcasting, and performance. He exposes both legal and illegal strategies for creating business opportunities employed by entrepreneurs who battle government restrictions and give flight to their musical aspirations. This is a singular look at the complex music landscape in one of Africa's most dynamic cities.

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Representations of consensual sadomasochism range from the dark, seedy undergrounds of crime thrillers to the fetishized pornographic images of sitcoms and erotica. In this pathbreaking book, ethnographer Staci Newmahr delves into the social space of a public, pansexual SM community to understand sadomasochism from the inside out. Based on four years of in-depth and immersive participant observation, she juxtaposes her experiences in the field with the life stories of community members, providing a richly detailed portrait of SM as a social space in which experiences of "violence" intersect with experiences of the erotic. She shows that SM is a recreational and deeply gendered risk-taking endeavor, through which participants negotiate boundaries between chaos and order. Playing on the Edge challenges our assumptions about sadomasochism, sexuality, eroticism, and emotional experience, exploring what we mean by intimacy, and how, exactly, we achieve it.

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How the British rock band Radiohead subverts the idea of the concept album in order to articulate themes of alienation and anti-capitalism is the focus of Marianne Tatom Letts's analysis of Kid A and Amnesiac. These experimental albums marked a departure from the band's standard guitar-driven base layered with complex production effects. Considering the albums in the context of the band's earlier releases, Letts explores the motivations behind this change. She places the two albums within the concept-album/progressive-rock tradition and shows how both resist that tradition. Unlike most critics of Radiohead, who focus on the band's lyrics, videos, sociological importance, or audience reception, Letts focuses on the music itself. She investigates Radiohead's ambivalence toward its own success, as manifested in the vanishing subject of Kid A on these two albums.

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The philosophy of mathematics plays a vital role in the mature philosophy of Charles S. Peirce. Peirce received rigorous mathematical training from his father and his philosophy carries on in decidedly mathematical and symbolic veins. For Peirce, math was a philosophical tool and many of his most productive ideas rest firmly on the foundation of mathematical principles. This volume collects Peirce’s most important writings on the subject, many appearing in print for the first time. Peirce’s determination to understand matter, the cosmos, and "the grand design" of the universe remain relevant for contemporary students of science, technology, and symbolic logic.

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Gerald W. Creed analyzes contemporary mumming rituals in rural Bulgaria for what they reveal about life after socialism—and the current state of postsocialist studies. Mumming rituals have flourished in the post-Soviet era. Elaborately costumed dancers go from house to house demanding sustenance and bestowing blessings. Through the analysis of these rites, Creed critiques key themes in postsocialist studies, including understandings of civil society and democracy, gender and sexuality, autonomy and community, and ethnicity and nationalism. He argues that these events reveal indigenous cultural resources that could have been used both practically and intellectually to ease the postsocialist reconstruction of Bulgarian society, but were not.

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Noting that science fiction is characterized by an investment in the proliferation of racial difference, Isiah Lavender III argues that racial alterity is fundamental to the genre's narrative strategy. Race in American Science Fiction offers a systematic classification of ways that race appears and how it is silenced in science fiction, while developing a critical vocabulary designed to focus attention on often-overlooked racial implications. These focused readings of science fiction contextualize race within the genre's better-known master narratives and agendas. Authors discussed include Isaac Asimov, Ray Bradbury, Philip K. Dick, and Ursula K. Le Guin, among many others.

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African fashion is as diverse and dynamic as the continent and the people who live there. While experts have long recognized the importance of clothing as a marker of ethnic identity, life stages, political affiliation, and social class, they have only just begun to discover African fashion. Contemporary African Fashion puts Africa at the intersection of world cultures and globalized identities, displaying the powerful creative force and impact of newly emerging styles. Richly illustrated with color photographs, this book showcases haute couture for the African continent. The visual impact of fashion created and worn today in Africa comes to life here, beautifully and brilliantly.

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Jews from all ages have translated the Bible for their particular times and needs, but what does the act of translation mean? Aaron W. Hughes believes translation has profound implications for Jewish identity. The Invention of Jewish Identity presents the first sustained analysis of Bible translation and its impact on Jewish philosophy from the medieval period to the 20th century. Hughes examines some of the most important Jewish thinkers—Saadya Gaon, Moses ibn Ezra, Maimonides, Judah Messer Leon, Moses Mendelssohn, Martin Buber, and Franz Rosenzweig—and their work on biblical narrative, to understand how linguistic and conceptual idioms change and develop into ideas about the self. The philosophical issues behind Bible translation, according to Hughes, are inseparable from more universal sets of questions that affect Jewish life and learning.

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In the 1990s, thousands of non-Jewish Latinos arrived in Israel as undocumented immigrants. Based on his fieldwork in South America and Israel, Barak Kalir follows these workers from their decision to migrate to their experiences finding work, establishing social clubs and evangelical Christian churches, and putting down roots in Israeli society. While the State of Israel rejected the presence of non-Jewish migrants, many citizens accepted them. Latinos grew to favor cultural assimilation to Israeli society. In 2005, after a large-scale deportation campaign that drew criticism from many quarters, Israel made the historic decision to legalize the status of some undocumented migrant families on the basis of their cultural assimilation and identification with the State. By doing so, the author maintains, Israel recognized the importance of practical belonging for understanding citizenship and national identity.

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The island of Corsica has long been a popular destination for travelers in search of the European exotic, but it has also been a focus of French concerns about national unity and identity. Today, Corsica is part of a vibrant Franco-Mediterranean social universe. Starting from an ethnographic study in a Corsican village, Corsican Fragments explores nationalism, language, kinship, and place, as well as popular discourses and concerns about violence, migration, and society. Matei Candea traces ideas about inclusion and exclusion through these different realms, as Corsicans, "Continentals," tourists, and the anthropologist make and unmake connections with one another in their everyday encounters. Candea's evocative and gracefully written account provides new insights into the dilemmas of understanding cultural difference and the difficulties and rewards of fieldwork.

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"Islamophobia" is a term that has been widely applied to anti-Muslim ideas and actions, especially since 9/11. The contributors to this provocative volume explore and critique the usefulness of the concept for understanding contexts ranging from the Middle Ages to the modern day. Moving beyond familiar explanations such as good Muslim/bad Muslim stereotypes or the "clash of civilizations," they describe Islamophobia's counterpart, Islamophilia, which deploys similar oppositions in the interest of fostering public acceptance of Islam. Contributors address topics such as conflicts over Islam outside and within Muslim communities in North America, Europe, the Middle East, and South Asia; the cultural politics of literature, humor, and urban renewal; and religious conversion to Islam.

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Populated by urbane Jewish merchants and professionals as well as new arrivals from the shtetl, imperial Kiev was acclaimed for its opportunities for education, culture, employment, and entrepreneurship but cursed for the often pitiless persecution of its Jews. Kiev, Jewish Metropolis limns the history of Kiev Jewry from the official readmission of Jews to the city in 1859 to the outbreak of World War I. It explores the Jewish community's politics, its leadership struggles, socioeconomic and demographic shifts, religious and cultural sensibilities, and relations with the city's Christian population. Drawing on archival documents, the local press, memoirs, and belles lettres, Natan M. Meir shows Kiev's Jews at work, at leisure, in the synagogue, and engaged in the activities of myriad Jewish organizations and philanthropies.

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Beer connects commercial, social, and political history in this sobering look at the culture of drinking in South Africa. Beginning where stories of colonial liquor control and exploitation leave off, Anne Kelk Mager looks at the current commerce of beer, its valorizing of male sociability and sports, and the corporate culture of South African Breweries [SAB], the world's most successful brewing company. Mager shows how the industry, dominated by a single brewer, was compelled to comply with legislation that divided customers along racial lines, but also promoted images of multi-racial social drinking in the final years of apartheid. Since the transition to majority rule, SAB has rapidly expanded into new markets—including the United States with the purchase of Miller Brewing Company. This lively book affords a unique view into global manufacturing, monopolies, politics and public culture, race relations, and cold beer.

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Citizenship Across the Curriculum advocates the teaching of civic engagement at the college level, in a wide range of disciplines and courses. Using "writing across the curriculum" programs as a model, the contributors propose a similar approach to civic education. In case studies drawn from political science and history as well as mathematics, the natural sciences, rhetoric, and communication studies, the contributors provide models for incorporating civic learning and evaluating pedagogical effectiveness. By encouraging faculty to gather evidence and reflect on their teaching practice and their students' learning, this volume contributes to the growing field of the scholarship of teaching and learning.

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Once hailed as a radical breakthrough in documentary and ethnographic filmmaking, observational cinema has been criticized for a supposedly detached camera that objectifies and dehumanizes the subjects of its gaze. Anna Grimshaw and Amanda Ravetz provide the first critical history and in-depth appraisal of this movement, examining key works, filmmakers, and theorists, from André Bazin and the Italian neorealists, to American documentary films of the 1960s, to extended discussions of the ethnographic films of Herb Di Gioia, David Hancock, and David MacDougall. They make a new case for the importance of observational work in an emerging experimental anthropology, arguing that this medium exemplifies a non-textual anthropology that is both analytically rigorous and epistemologically challenging.

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Rural Free, first published in 1961, beautifully conveys the joys of family life on an Indiana farm. Marked by the slow pace and rich variety of seasonal change, Rachel Peden's narrative offers an authentic month-by-month chronicle of her family's daily adventures. Today, as the slow-food movement gathers support and more urban dwellers return to the land to plant roots again in honest soil, Peden's stories of country life and her lessons on sustainability, frugality, and wastefulness gain a special resonance. Rural Free will be a source of inspiration for all who rejoice in rural virtues and the spiritual freedom of country life.

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Why are religious tolerance and pluralism so difficult to achieve? Why is the often violent fundamentalist backlash against them so potent? Robert Erlewine looks to a new religion of reason for answers to these questions. Drawing on Enlightenment writers Moses Mendelssohn, Immanuel Kant, and Hermann Cohen, who placed Christianity and Judaism in tension with tolerance and pluralism, Erlewine finds a way to break the impasse, soften hostilities, and establish equal relationships with the Other. Erlewine's recovery of a religion of reason stands in contrast both to secularist critics of religion who reject religion for the sake of reason and to contemporary religious conservatives who eschew reason for the sake of religion. Monotheism and Tolerance suggests a way to deal with the intractable problem of religiously motivated and justified violence.

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Wealth and the Will of God looks at some of the spiritual resources of the Christian tradition that can aid serious reflection on wealth and giving. Beginning with Aristotle—who is crucial for understanding later Christian thought—the book discusses Aquinas, Ignatius, Luther, Calvin, and Jonathan Edwards. Though the ideas vary greatly, the chapters are organized to facilitate comparisons among these thinkers on issues of ultimate purposes or aspirations of human life; on the penultimate purposes of love, charity, friendship, and care; on the resources available to human beings in this life; and finally on ways to connect and implement in practice our identified resources with our ultimate ends.

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This volume builds on and extends current discussions of the construction of gendered identities and the networks through which men and women engage diaspora. It considers the movement of people and ideas between the Caribbean and the Nigerian hinterland. The contributions examine Africa in the Caribbean imaginary, the way in which gender ideologies inform Caribbean men's and women's theoretical or real-life engagement with the continent, and the interactions and experiences of Caribbean travelers in Africa and Europe. The contributions are linked as well through empire, discussing different parts of the British Empire and allowing for the comparative examination of colonial policies and practices.

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Across the Soviet Union and eastern Europe during the socialist period, food emerged as a symbol of both the successes and failures of socialist ideals of progress, equality, and modernity. By the late 1980s, the arrival of McDonald's behind the Iron Curtain epitomized the changes that swept across the socialist world. Not quite two decades later, the effects of these arrivals were evident in the spread of foreign food corporations and their integration into local communities. This book explores the role played by food—as commodity, symbol, and sustenance—in the transformation of life in Russia and eastern Europe since the end of socialism. Changes in food production systems, consumption patterns, food safety, and ideas about health, well-being, nationalism, and history provide useful perspectives on the meaning of the postsocialist transition for those who lived through it.

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The Heidegger Reader brings key texts from the entire course of Heidegger’s philosophical career into one volume. Many of the selections, translated here for the first time, offer new insight into Heidegger’s thought for both the beginning student and the experienced scholar. A critical and interpretive introduction by Günter Figal traces the many thematic paths that are necessary for developing a comprehensive understanding of Heidegger’s most important work. The carefully chosen readings are designed to reflect the concerns that are most relevant to philosophy today. Special features include an authoritative chronology of Heidegger’s life, a current list of the Complete Works, and a definitive translation of Heidegger’s controversial interview with Der Spiegel.

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Although he was born in Spain, George Santayana (1863–1952) became a uniquely American philosopher, critic, poet, and best-selling novelist. Along with his Harvard colleagues William James and Josiah Royce, he is best known as one of the founders of American pragmatism and recognized for his insights into the theory of knowledge, metaphysics, and moral philosophy. The Essential Santayana presents a selection of Santayana's most important and influential literary and philosophical work. Martin A. Coleman's critical introduction sets Santayana into the American philosophical tradition and provides context for contemporary readers, many of whom may be approaching Santayana's writings for the first time. This landmark collection reveals the intellectual and literary diversity of one of American philosophy's most lively minds.

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Sàngó in Africa and the African Diaspora is a multidisciplinary, transregional exploration of Sàngó religious traditions in West Africa and beyond. Sàngó—the Yoruba god of thunder and lightning—is a powerful, fearful deity who controls the forces of nature, but has not received the same attention as other Yoruba orishas. This volume considers the spread of polytheistic religious traditions from West Africa, the mythic Sàngó, the historical Sàngó, and syncretic traditions of Sàngó worship. Readers with an interest in the Yoruba and their religious cultures will find a diverse, complex, and comprehensive portrait of Sàngó worship in Africa and the African world.

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The New York Times reports that since 1990 more Africans have voluntarily relocated to the United States and Canada than had been forcibly brought here before the slave trade ended in 1807. The key reason for these migrations has been the collapse of social, political, economic, and educational structures in their home countries, which has driven Africans to seek security and self-realization in the West. This lively and timely collection of essays takes a look at the new immigrant experience. It traces the immigrants' progress from expatriation to arrival and covers the successes as well as problems they have encountered as they establish their lives in a new country. The contributors, most immigrants themselves, use their firsthand experiences to add clarity, honesty, and sensitivity to their discussions of the new African diaspora.

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Censorship in South Asia offers an expansive and comparative exploration of cultural regulation in contemporary and colonial South Asia. These provocative essays by leading scholars broaden our understanding of what censorship might mean—beyond the simple restriction and silencing of public communication—by considering censorship's productive potential and its intimate relation to its apparent opposite, "publicity." The contributors investigate a wide range of public cultural phenomena, from the cinema to advertising, from street politics to political communication, and from the adjudication of blasphemy to the management of obscenity.

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Dietrich Bonhoeffer, best known for his involvement in the anti-Nazi resistance, was one of the 20th century's most important theologians. His ethics have been a source of guidance and inspiration for men and women in the face of evil. Today, Bonhoeffer's theology is being read by Continental thinkers who value his contributions to the recent "religious turn" in philosophy. In this volume, an international group of scholars present Bonhoeffer's thought as a model of Christian thinking that can help shape a distinctly religious philosophy. They examine the philosophical influences on Bonhoeffer and explore the new perspectives his work brings to the perennial challenges of faith and reason, philosophy and theology, and the problem of evil. These essays add Bonhoeffer's voice to important contemporary debates in the philosophy of religion.

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As an antidote to the destructive culture of consumption dominating American life today, Scott Russell Sanders calls for a culture of conservation that allows us to savor and preserve the world, instead of devouring it. How might we shift to a more durable and responsible way of life? What changes in values and behavior will be required? Ranging geographically from southern Indiana to the Boundary Waters Wilderness and culturally from the Bible to billboards, Sanders extends the visions of Henry David Thoreau, John Muir, and Rachel Carson to our own day. A Conservationist Manifesto shows the crucial relevance of a conservation ethic at a time of mounting concern about global climate change, depletion of natural resources, extinction of species, and the economic inequities between rich and poor nations. The important message of this powerful book is that conservation is not simply a personal virtue but a public one.

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The town of Djenné on the Bani River in Mali has been a thriving settlement for more than two millennia. Renowned for its mud-brick architecture, monumental mosque, and merchant-traders' houses, Djenné remains one of Africa's most distinctive cities. The Masons of Djenné follows Trevor Marchand after he signs on as a builder's apprentice. Marchand takes readers on his journey from raw laborer to skilled craftsman. He explores the professional associations of masons, their social networks, training regimes, and changing fortunes. With his fellow builders, he produces mud bricks and plasters, constructs walls and ceilings, and sculpts rooftop crenellations using specialized tools. Marchand describes the raising of a mud-brick house and explores the technical, social, and magical processes involved in making buildings and renewing the unique urban environment of Djenné.

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Throughout his career, Johnny Cash has been depicted—and has depicted himself—as a walking contradiction: social protestor and establishment patriot, drugged wildman and devout Christian crusader, rebel outlaw hillbilly thug and elder statesman. Leigh H. Edwards explores the allure of this paradoxical image and its cultural significance. She argues that Cash embodies irresolvable contradictions of American identity that reflect foundational issues in the American experience, such as the tensions between freedom and patriotism, individual rights and nationalism, the sacred and the profane. She illustrates how this model of ambivalence is a vital paradigm for American popular music, and for American identity in general. Making use of sources such as Cash's autobiographies, lyrics, music, liner notes, and interviews, Edwards pays equal attention to depictions of Cash by others, such as Vivian Cash's publication of his letters to her, documentaries and music journalism about him, Walk the Line, and fan club materials found in the archives at the Country Music Foundation in Nashville, to create a full portrait of Cash and his significance as a cultural icon.

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After Richard Owen criticized Darwin's Origin, he was labeled a "creationist" by many, and his work on ape anatomy was derided by Darwin's "bulldog" Thomas Huxley. In this close analysis of Owen's texts, Christopher E. Cosans argues that Owen's thought was much more sophisticated than Huxley portrayed it. In addition to considering Owen and Huxley's anatomical debate, Owen's Ape and Darwin's Bulldog examines their philosophical dispute. Huxley embraced the metaphysics of Descartes, while Owen felt philosophy of science should rest on Kant's claim that sense-perception does not tell us how things-in-themselves "really are." Owen thought the creationist-Darwinist dispute was unproductive, and held that both 19th century special creationists and Darwin's suggestion in the Origin that God created the first life forms unnecessarily brought supernatural causation into science. With the hindsight of how the theory of evolution has progressed over the last three centuries, the Owen-Huxley debate affords the history and philosophy of science a case study. It sheds light on theories of knowledge that have been advanced by Quine, Wittgenstein, Hanson, and Putnam. Owen's Ape and Darwin's Bulldog also examines Malthus, Mill and Marx for the influence of economic thought on early evolutionary theories, and considers broader ideas about how science and society interact.

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