Search results for ""INDIANA UNIVERSITY PRESS""

" . . . a major study of the poetry." —Sandra M. Gilbert, New York Times Book Review" . . . the first book-length study to approach H.D. from a feminist perspective. . . . Psyche Reborn is a valuable book not only for H.D. specialists but also for those interested in twentieth-century intellectual history." —Cheryl Walker, Signs" . . . lucid, deeply informed assessment . . . " —Joanne Felt Diehl, Tulsa Studies in Women's Literature"Indiana University Press should be heartily commended for promoting Psyche Reborn in paperback, hence making this vital critical work more widely available." —Lesbian and Gay Studies Newsletter" . . . a richly documented, polemical, and intelligent study . . . Friedman's is a splendid and rewarding achievement." —The Year's Work in English Studies

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This second volume of the ongoing annotated translation of Ssu-ma Ch'ien's Shih chi (The Grand Scribe's Records), widely acknowledged as the most important early Chinese history, contains the "basic annals" of five early Han-dynasty emperors. The annals trace the first century of Han rule (206 b.c. to ca. 100 b.c.) in a year-by-year account that focuses on imperial activities. In these later annals, Ssu-ma Ch'ien revitalized the style he had employed in accounts of previous rulers in the opening chapters of The Grand Scribe's Records. When this translation is completed, it will make available in English all 130 chapters of the Shih chi. Volumes 1 and 7 were published by Indiana University Press in 1994.

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Òsun is a brilliant deity whose imagery and worldwide devotion demand broad and deep scholarly reflection. Contributors to the ground-breaking Africa's Ogun, edited by Sandra Barnes (Indiana University Press, 1997), explored the complex nature of Ogun, the orisa who transforms life through iron and technology. Òsun across the Waters continues this exploration of Yoruba religion by documenting Òsun religion. Òsun presents a dynamic example of the resilience and renewed importance of traditional Yoruba images in negotiating spiritual experience, social identity, and political power in contemporary Africa and the African diaspora.The 17 contributors to Òsun across the Waters delineate the special dimensions of Òsun religion as it appears through multiple disciplines in multiple cultural contexts. Tracing the extent of Òsun traditions takes us across the waters and back again. Òsun traditions continue to grow and change as they flow and return from their sources in Africa and the Americas.

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Now in paperback!Organists and Organ Playing in Nineteenth-Century France and Belgium Orpha OchseFrom the catastrophes of the French Revolution to a Golden Age of organ culture."[O]ne simply must recommend this highly coherent and well-illustrated book. . . ."—L'Orgue"Even the well-informed reader will find a number of surprises. Who knows, for example, that Fryderyk Chopin played the organ for a funeral service and that Lefébure-Wély, in turn, played the great pianist and composer's Préludes for his funeral at the Madeleine? The abundance of details, we should add, does nothing to obscure the architectural clarity of this book." —La Flûte harmonique"Now Ms. Ochse has succeeded in producing still another landmark work. . . . Although the work is extraordinarily well documented, the prose retains a narrative quality throughout, at times even taking on the character of good storytelling." —The American OrganistOrpha Ochse, Professor Emerita at Whittier College, is author of The History of the Organ in the United States (Indiana University Press). She is well known as a teacher, lecturer, recitalist, and church musician.

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Set in the rolling hills of southern Indiana, Indiana University Bloomington is widely acknowledged to be one of the most picturesque college campuses in the United States Indiana University: New Portraits of the Bloomington Campus offers Hoosiers the chance to discover or revisit the campus for themselves and appreciate stunning new buildings and improvements in landscaping and facilities. During its two-hundred-year history, the Bloomington campus has grown out from its original core while maintaining its focus on its architectural atheistic. Indiana University Bloomington now occupies nearly 2,000 acres, and the beauty and harmony of its limestone buildings set against breathtaking natural scenery make the campus a treasure that all Hoosiers enjoy.Indiana University: New Portraits of the Bloomington Campus offers Hoosiers the chance to travel back home, relive past friendships, scholarly achievements, Little Fives, and Hoosier victories, and wander again, if just for a moment, through Dunn's Woods, the Cox Arboretum, and the iconic Sample Gates.

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Albion Fellows BaconIndiana's Municipal HousekeeperRobert G. BarrowsExamines the career of a leading Progressive Era reformer.Born in Evansville, Indiana, in 1865, Albion Fellows was reared in the nearby hamlet of McCutchanville and graduated from Evansville High School. She worked for several years as a secretary and court reporter, toured Europe with her sister, married local merchant Hilary Bacon in 1888, and settled into a seemingly comfortable routine of middle-class domesticity. In 1892, however, she was afflicted with an illness that lasted for several years, an illness that may have resulted from a real or perceived absence of outlets for her intelligence and creativity.Bacon eventually found such outlets in a myriad of voluntary associations and social welfare campaigns. She was best known for her work on behalf of tenement reform and was instrumental in the passage of legislation to improve housing conditions in Indiana. She was also involved in child welfare, city planning and zoning, and a variety of public health efforts. Bacon became Indiana's foremost "municipal houskeeper," a Progressive Era term for women who applied their domestic skills to social problems plaguing their communities.She also found time to write about her social reform efforts and her religious faith in articles and pamphlets. She published one volume of children's stories, and authored several pageants. One subject she did not write about was women's suffrage. While she did not oppose votes for women, suffrage was never her priority. But the reality of her participation in public affairs did advance the cause of women's political equality and provided a role model for future generations.Robert G. Barrows, Associate Professor of History at Indiana University at Indianapolis, was previously an editor at the Indiana Historical Bureau. He has published several journal articles and book chapters dealing with Indiana history and American urban history, and he coedited (with David J. Bodenhamer) the Encyclopedia of Indianapolis (Indiana University Press).ContentsThe Sheltered LifeThe Clutch of the ThornsAmbassador of the PoorThe Homes of IndianaChild WelfareCity Plans and National Housing StandardsProse, Poetry, and PageantsMunicipal Housekeeper and Inadvertent Feminist

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Now in paperback!Taking Hold of TorahJewish Commitment and Community in AmericaArnold M. EisenA personal meditation on the meaning of Judaism today and a vision for revitalizing Jewish community and tradition in America."Arnold M. Eisen offers a personal plea for—and a vision of—the revitalizing of American Judaism through a renewed relationship to Jewish tradition and the strengthening of Jewish communities." —Jewish Book News"...required reading for Jewish communal professionals, [Taking Hold of Torah] spells out the discontents and dreams of the baby boomers and their children who are reinventing Jewish communal life for the modern world." —Jewish Exponent"Melding autobiography with biblical exegesis, philosophical speculation and a program for Jewish educational reform, the book is an unbuttoned riff on what's ailing modern Jews." —Forward"...a personal story of a modern Jew trying to make sense of Judaism in a time when Jews can choose whether and how to be Jewish...." —The Jewish AdvocateJews, like other Americans, have both benefitted and suffered from the fraying of traditional loyalties that has come to characterize modern American culture. In each of the five chapters, Arnold M. Eisen examines a major issue or theme related to his vision for the renewal of Jewish communities—in terms of one of the five books of the Torah. What is the meaning and purpose of Jewish tradition? What is the significance of faith and covenant? What are the contemporary uses of ritual? What should a new agenda for politics in American Jewish life include? What legacy is to be left to future generations? This encouraging work is essential reading for anyone concerned with questions of Jewish faith and the future of Judaism in America.Arnold M. Eisen is Professor and Chair of Religious Studies at Stanford University, a frequent speaker on issues related to contemporary Jewish life before lay and scholarly audiences throughout North America, and an active participant in communal discussions concerning the future of American Judaism. His publications include The Chosen People in America (Indiana University Press) and Rethinking Modern Judaism: Ritual, Commandment, Community, winner of a Koret Jewish Book Award.The Helen and Martin Schwartz Lectures in Jewish StudiesContents: Introduction1. Genesis: Taking on Tradition2. Exodus: History, Faith, and Covenant3. Leviticus: Ritual and Community4. Numbers: Politics in the Wilderness5. Deuteronomy: Legacies

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"Bravo to Edel on his excellent presentation of the subject! . . . highly recommended . . . " —ARBA 96". . . filled with information for pianists with injured hands and for players and teachers seeking unusual repertoire or ways of developing left-hand technique." —Clavier"Thanks to Edel for cataloging this largely unknown area of piano repertoire and to Indiana University Press for publishing this most welcomed book." —American Music TeacherA descriptive catalog of solos, chamber works, and concertos with piano parts written for one hand, including nearly 1,000 solo compositions for the left hand. Publication data, length, level of difficulty, style, and often brief biographical information about the composer are provided for each piece.

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". . . the best study in English to date for an understanding of Georgian nationalism." —Religious Studies Review". . . the standard account of Georgian history in English." —American Historical Review". . . tour de force research . . . fascinating reading." —American Political Science ReviewLike the other republics floating free after the demise of the Soviet empire, the independent republic of Georgia is reinventing its past, recovering what had been forgotten or distorted during the long years of Russian and Soviet rule. Whether Georgia can successfully be transformed from a society rent by conflict into a pluralistic democratic nation will depend on Georgians rethinking their history.This is the first comprehensive treatment of Georgian history, from the ethnogenesis of the Georgians in the first millennium B.C., through the period of Russian and Soviet rule in the nineteenth and twentieth centuries, to the emergence of an independent republic in 1991, the ethnic and civil warfare that has ensued, and perspectives for Georgia's future.

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""In this collection, Sandra Harding offers a broad spectrum of feminist research... an incisive introduction... With this collection, Harding offers an outline of possibilities to students and practicing social scientists whose questions lie outside the dominant traditions of inquiry... "" -- Harvard Educational Review""The quality of the essays, plus that of the introduction and collection, commend this book to both the reader who would explore these issues and she/he who would know more."" -- Journal of Nervous and Mental DiseaseIn this collection, Sandra Harding interrogates some of the classic essays from the last fifteen years of feminist social science literature in order to explore the basic and troubling questions about science and social experience, gender, and politics which they raise. A valuable introduction to crucial methodological and epistemological issues.

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The chanson Doulce memoire, by Pierre Regnault, "dit Sandrin" (ca. 1490-1561), is a simple melody elegantly wedded to poetry that evokes nostalgia for something everyone has experienced—a consuming, passionate love that exists only in bittersweet memory. This chanson was so popular that it was frequently reprinted and arranged in a variety of settings for singers and instrumentalists.From 36 known arrangements, George Houle has selected 24 versions that require from one to six performers. Lutenists will find intabulations of varying difficulty, and the keyboard pieces range from teh very simple to an elaborate fantasy by Hernando de Cabezón. There are virtuosic arrangements for solo viola da gamba as well as duos and trios for many combinations of voices and instruments.These settings, coupled with Houle's informative text, illustrate the ways Doulce memoire was performed by Renaissance musicians. Some versions show the players conforming to the ideas of the musical theorists of the day, while others demonstrate how much freedom an individual could exercise. For today's musicians, the anthology provides invaluable information on musica ficta and ornamentation.Houle's performing edition in modern notation includes both scores and parts, the latter ingeniously laid out so that pages simulataneously required by two performers are never back to back. Thus this appealing music is immediately accessible and in a format that is convenient to use.

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The term "viola bastarda" refers to both an instrument and a style of playing that is one of the crowning achievements of musical mannerism. The Italian repertory for the solo viola da gamba in the 16th and early 17th centuries was largely music played "alla bastarda," an art of performance in which a polyphonic composition is transformed into a single melodic line derived from the original parts and spanning their ranges. Jason Paras has traced the development of the "viola bastarda" and has assembled and transcribed 46 peices in this genre. The music in his collection is a rich and fascinating repertory that is rarely heard today. This anthology is an invitation to present-day players to recreate the improvisation practice of the 16th and 17th centuries in ways not fully disclosed by ornamentation manuals of that time.

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Fighting in woods and forests is a very special form of war. Avoided by military commanders unless such terrain is to their advantage, for soldiers forest battles are a chaotic mix of dread, determination, and, all too often, death. Adversaries remain in constant fear of concealed ambush, casualties usually must be abandoned, and prisoners who cannot be guarded are killed. Heightened fear can lead to excesses. Too often, armies have been badly prepared and trained for such warfare and have suffered severely for it. In Warfare in Woods and Forests, noted military historian Anthony Clayton describes major events in woods and forest warfare from the first century CE to the 21st. These events involve Roman soldiers in Germany 2,000 years ago; North Americans in 18th- and 19th-century conflicts; invaders of Russia in 1812 and 1941; British, French, and Americans in France in 1916 and 1918; Americans in the Hürtgen Forest in 1944; and modern-day Russian soldiers in Chechnya.

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Nadine Ehlers examines the constructions of blackness and whiteness cultivated in the U.S. imaginary and asks, how do individuals become racial subjects? She analyzes anti-miscegenation law, statutory definitions of race, and the rhetoric surrounding the phenomenon of racial passing to provide critical accounts of racial categorization and norms, the policing of racial behavior, and the regulation of racial bodies as they are underpinned by demarcations of sexuality, gender, and class. Ehlers places the work of Michel Foucault, Judith Butler's account of performativity, and theories of race into conversation to show how race is a form of discipline, that race is performative, and that all racial identity can be seen as performative racial passing. She tests these claims through an excavation of the 1925 "racial fraud" case of Rhinelander v. Rhinelander and concludes by considering the possibilities for racial agency, extending Foucault's later work on ethics and "technologies of the self" to explore the potential for racial transformation.

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The contributors to this international volume take up questions about a phenomenology of time that begins with and attunes to gender issues. Themes such as feminist conceptions of time, change and becoming, the body and identity, memory and modes of experience, and the relevance of time as a moral and political question, shape Time in Feminist Phenomenology and allow readers to explore connections between feminist philosophy, phenomenology, and time. With its insistence on the importance of gender experience to the experience of time, this volume is a welcome opening to new and critical thinking about being, knowledge, aesthetics, and ethics.

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Not long after the end of the American Civil War, a wealthy young Dutchman by the name of Claude August Crommelin embarked on a tour of the young country, visiting New England, the Middle Atlantic States, the Upper Mississippi Valley, and the war-ravaged South. His family connections allowed him to meet important people, and his interests in industry, politics, and public institutions led him to observe what others might not have noticed. His meticulously kept journal reveals an inquisitive traveler with a keen eye for detail and a genial writing style. Available in English for the first time, Crommelin's book provides an illuminating outsider's account of the United States at a pivotal point in its history.

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The theological turn in French phenomenology has been of great interest to scholars working in contemporary continental thought, but according to J. Aaron Simmons, not enough has been done to bring these debates into conversation with more mainstream philosophy. Building on the work of Kierkegaard, Levinas, Marion, and Derrida, among others, Simmons suggests how continental philosophy of religion can intersect with political philosophy, environmental philosophy, and theories of knowledge. By productively engaging philosophical "God-talk," Simmons proposes a robust model of postmodern religious belief and ethical existence.

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Santa Maria di Firenze, an ancient, venerable Benedictine abbey (called the Badia) located in the heart of Florence, is the subject of Anne Leader's new book. In 1418, 17 Benedictine monks journeyed to Florence from Padua to save one of their order's oldest houses from ruin. Realizing that reformed spiritual practice alone would not save the Badia, Abbott Gomezio di Giovanni commissioned the creation of a new cloister, to be decorated with vivid and engaging frescoes designed to motivate its residents. Leader's richly illustrated, interdisciplinary study examines the Badia during this crucial period of reform and rebirth. It reveals the renovated Badia as integral to the spiritual, political, and social life of early Renaissance Florence, as well as to the broader program of expanding Benedictine Observance throughout Italy.

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Lebanese history is often associated with sectarianism and hostility between religious communities, but by examining public memorials and historical accounts Lucia Volk finds evidence for a sustained politics of Muslim and Christian co-existence. Lebanese Muslim and Christian civilians were jointly commemorated as martyrs for the nation after various episodes of violence in Lebanese history. Sites of memory sponsored by Maronite, Sunni, Shiite, and Druze elites have shared the goal of creating cross-community solidarity by honoring the joint sacrifice of civilians of different religious communities. This compelling and lucid study enhances our understanding of culture and politics in the Middle East and the politics of memory in situations of ongoing conflict.

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An inventive study of relations between the National Guard and the Regular Army during World War II, Guard Wars follows the Pennsylvania National Guard's 28th Infantry Division from its peacetime status through training and into combat in Western Europe. The broader story, spanning the years 1939–1945, sheds light on the National Guard, the U.S. Army, and American identities and priorities during the war years. Michael E. Weaver carefully tracks the division's difficult transformation into a combat-ready unit and highlights General Omar Bradley's extraordinary capacity for leadership—which turned the Pennsylvanians from the least capable to one of the more capable units, a claim dearly tested in the Battle of the Hürtgen Forest. This absorbing and informative analysis chronicles the nation's response to the extreme demands of a world war, and the flexibility its leaders and soldiers displayed in the chaos of combat.

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American culture has long celebrated the heroism framed by Kentucky's frontier wars. Spanning the period from the 1720s when Ohio River valley Indians returned to their homeland to the American defeat of the British and their Indian allies in the War of 1812, Kentucke's Frontiers examines the political, military, religious, and public memory narratives of early Kentucky. Craig Thompson Friend explains how frontier terror framed that heroism, undermining the egalitarian promise of Kentucke and transforming a trans-Appalachian region into an Old South state. From county courts and the state legislature to church tribunals and village stores, patriarchy triumphed over racial and gendered equality, creating political and economic opportunity for white men by denying it for all others. Even in remembering their frontier past, Kentuckians abandoned the egalitarianism of frontier life and elevated white males to privileged places in Kentucky history and memory.

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The Moscow Private Opera, founded, sponsored, and directed by Savva Mamontov (1841–1918), was one of Russia's most important theatrical institutions at the dawn of the age of modernism. It presented the Moscow premieres of Lohengrin, La Bohème, and Khovanshchina, among others; launched the career of Feodor Chaliapin; gave Sergei Rachmaninov his first conducting job; employed Vasily Polenov, Victor Vasnetsov, Valentin Serov, Konstantin Korovin, and Mikhail Vrubel as set designers; and served as a model for Diaghilev's Ballets Russes. Part commercial enterprise, part experimental studio, Mamontov's company revolutionized opera directing and design, and trained a generation of opera singers. Drawing on a wealth of unpublished primary sources and evidence from art and theater history, Olga Haldey paints a fascinating portrait of a railway tycoon turned artiste and his pioneering opera company.

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Frank Julian Sprague invented a system for distributing electricity to streetcars from overhead wires. Within a year, electric streetcars had begun to replace horsecars, sparking a revolution in urban transportation. Sprague (1857–1934) was an American naval officer turned inventor who worked briefly for Thomas Edison before striking out on his own. Sprague contributed to the development of the electric motor, electric railways, and electric elevators. His innovations would help transform the urban space of the 20th century, enabling cities to grow larger and skyscrapers taller. The Middletons' generously illustrated biography is an engrossing study of the life and times of a maverick innovator.

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As soloist, master class teacher, and pianist of the world-renowned Beaux Arts Trio, Menahem Pressler can boast of four Grammy nominations, three honorary doctorates, more than 80 recordings, and lifetime achievement awards presented by France, Germany, and Israel. Former Pressler student William Brown traces the master's pianistic development through Rudiakov, Kestenberg, Vengerova, Casadesus, Petri, and Steuermann, blending techniques and traditions derived from Beethoven, Chopin, Liszt, and J. S. Bach. Brown presents Pressler's approach to performance and teaching, including technical exercises, principles of relaxation and total body involvement, and images to guide the pianist's creativity toward expressive interpretation. Insights from the author's own lessons, interviews with Pressler, and recollections of more than 100 Pressler students from the past 50 years are gathered in this text. Measure-by-measure lessons on 23 piano masterworks by, among others, Bach, Bartók, Debussy, and Ravel as well as transcriptions of Pressler's fingerings, hand redistributions, practicing guidelines, musical scores, and master class performances are included.

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"This is the book we've been waiting for: a distinguished collection that demonstrates how revisions of Modernist definitions might proceed. . . . The Gender of Modernism . . . will be nothing less than an absolutely necessary text for Modernist studies." —Shari Benstock"Scott and her contributing editors . . . effectively [bring] together the issues of gender and modernism into a volume recommended for reference and classroom use." —James Joyce Literary Supplement" . . . a treasure trove for anyone interested in the literature and history of modern times." —Susan GubarAuthors included are: Djuna Barnes, Willa Cather, Nancy Cunard, H.D., T.S. Eliot, Jessie Redmond Fauset, Zora Neale Hurston, James Joyce, Nella Larsen, D.H. Lawrence, Mina Loy, Rose Macaulay, Hugh MacDiarmid, Katherine Mansfield, Charlotte Mew, Marianne Moore, Ezra Pound, Jean Rhys, Dorothy Richardson, May Sinclair, Gertrude Stein, Sylvia Townsend Warner, Rebecca West, Antonia White, Anna Wickham, and Virginia Woolf.

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New discoveries of ancient vertebrates, filling in gaps in the fossil record, are quickly eroding the traditionally recognized differences between the principal groups of vertebrates—for example, between dinosaurs and birds—and radically changing our understanding of the evolutionary history of the major group of animals to which our species belongs. This book describes this changing scientific landscape and contributes to the revolution in our knowledge of the developmental mechanisms that underlie evolutionary transformation.

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Perhaps nudged over the evolutionary cliff by a giant boloid striking the earth, the incredible and fascinating group of animals called dinosaurs became extinct some 65 million years ago (except for their feathered descendants). In their place evolved an enormous variety of land creatures, especially the mammals, which in their way were every bit as remarkable as their Mesozoic cousins.The Age of Mammals, the Cenozoic Era, has never had its Jurassic Park, but it was an amazing time in earth's history, populated by a wonderful assortment of bizarre animals. The rapid evolution of thousands of species of mammals brought forth gigantic hornless rhinos, sabertooth cats, mastodonts and mammoths, and many other creatures—including our own ancestors.Their story is part of a larger story of a world emerging from the greenhouse conditions of the Mesozoic, warming up dramatically about 55 million years ago, and then cooling rapidly so that 33 million years ago the glacial ice returned. The earth's vegetation went through equally dramatic changes, from tropical jungles in Montana and forests at the poles, to grasslands and savannas across the entire world. Life in the sea also underwent striking evolution reflecting global climate change, including the emergence of such creatures as giant sharks, seals, sea lions, dolphins, and whales.After the Dinosaurs is a book for everyone who has an abiding fascination with the remarkable life of the past.

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"In a very real sense, Ruairí Ó Brádaigh can . . . be said to be the last, or one of the last Irish Republicans. Studies of the Provisional movement to date have invariably focused more on the Northerners and the role of people like Gerry Adams and Martin McGuinness. But an understanding of them is not possible without appreciating where they came from and from what tradition they have broken. Ruairí Ó Brádaigh is that tradition and that is why this account of his life and politics is so important." —from the foreword by Ed Moloney, author of A Secret History of the IRAAt his death in 2013, Ruairí Ó Brádaigh remained a divisive and influential figure in Irish politics and the Irish Republican movement. He was the first person to serve as chief of staff of the Irish Republican Army, as president of the political party Sinn Féin, and to have been elected, as an abstentionist, to the Dublin parliament. He was a prominent, uncompromising, and articulate spokesperson of those Irish Republicans who questioned the peace process in Northern Ireland. His concern was rooted in his analysis of Irish history and his belief that the peace process would not achieve peace. He believed that it would support the continued partition of Ireland and result in continued, inevitable, conflict.The child of Irish Republican veterans, Ó Brádaigh led IRA raids, was arrested and interned, escaped and lived "on the run," and even spent a period of time on a hunger strike. Because he was an effective spokesman for the Irish Republican cause, he was at different times excluded from Northern Ireland, Britain, the United States, and Canada. He was also a key figure in the secret negotiation of a bilateral IRA-British truce in the mid-1970s.In a brief afterword for this new edition, author Robert W. White addresses Ó Brádaigh's continuing influence on the Irish Republican Movement, including the ongoing "dissident" campaign. Whether for good or bad, this ongoing dissident activity is a part of Ruairí Ó Brádaigh's enduring legacy.

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In this pathbreaking book, Matthias B. Lehmann explores Ottoman Sephardic culture in an era of change through a close study of popularized rabbinic texts written in Ladino, the vernacular language of the Ottoman Jews. This vernacular literature, standing at the crossroads of rabbinic elite and popular cultures and of Hebrew and Ladino discourses, sheds valuable light on the modernization of Sephardic Jewry in the Eastern Mediterranean in the 19th century. By helping to form a Ladino reading public and imparting shape to its values, the authors of this literature negotiated between perpetuating rabbinic tradition and addressing the challenges of modernity. The book offers close readings of works that examine issues such as social inequality, exile and diaspora, gender, secularization, and the clash between scientific and rabbinic knowledge. Ladino Rabbinic Literature and Ottoman Sephardic Culture will be welcomed by scholars of Sephardic as well as European Jewish history, culture, and religion.

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"[A]n excellent analytical study of a sensationally beautiful type of temple. . . . This work is not just art historical but embraces . . . religious studies, anthropology, history, and literature." —Catherine B. Asher"[A]dvances our knowledge of . . . Bengali temple building practices, the complex inter-reliance between religion, state power, and art, and the ways in which Western colonial assumptions have distorted correct interpretation. . . . A splendid book." —Rachel Fell McDermottIn the flux created by the Mughal conquest, Hindu landholders of eastern India began to build a spectacularly beautiful new style of brick temple, known as Ratna. This "bejeweled" style combined features of Sultanate mosques and thatched houses, and included second-story rooms conceived as the pleasure grounds of the gods, where Krishna and his beloved Radha could rekindle their passion. Pika Ghosh uses art historical, archaeological, textual, and ethnographic approaches to explore this innovation in the context of its times. Includes 82 stunning black-and-white images of rarely photographed structures.Published in association with the American Institute of Indian Studies

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"Robert Hatten's new book is a worthy successor to his Musical Meaning in Beethoven, which established him as a front-rank scholar . . . in questions of musical meaning. . . . [B]oth how he approaches musical works and what he says about them are timely and to the point. Musical scholars in both musicology and theory will find much of value here, and will find their notions of musical meaning challenged and expanded." —Patrick McCrelessThis book continues to develop the semiotic theory of musical meaning presented in Robert S. Hatten's first book, Musical Meaning in Beethoven (IUP, 1994). In addition to expanding theories of markedness, topics, and tropes, Hatten offers a fresh contribution to the understanding of musical gestures, as grounded in biological, psychological, cultural, and music-stylistic competencies. By focusing on gestures, topics, tropes, and their interaction in the music of Mozart, Beethoven, and Schubert, Hatten demonstrates the power and elegance of synthetic structures and emergent meanings within a changing Viennese Classical style.Musical Meaning and Interpretation—Robert S. Hatten, editor

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In Four Seminars, Heidegger reviews the entire trajectory of his thought and offers unique perspectives on fundamental aspects of his work. First published in French in 1976, these seminars were translated into German with Heidegger's approval and reissued in 1986 as part of his Gesamtausgabe, volume 15. Topics considered include the Greek understanding of presence, the ontological difference, the notion of system in German Idealism, the power of naming, the problem of technology, danger, and the event. Heidegger's engagements with his philosophical forebears—Parmenides, Heraclitus, Kant, and Hegel—continue in surprising dialogues with his contemporaries—Husserl, Marx, and Wittgenstein. While providing important insights into how Heidegger conducted his lectures, these seminars show him in his maturity reflecting back on his philosophical path. An important text for understanding contemporary philosophical debates, Four Seminars provides extraordinarily rich material for students and scholars of Heidegger.

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The epic of Son-Jara (also known as Sunjata or Sundiata) celebrates the exploits of the legendary founder of the Empire of Old Mali and is still widely recited among Mandekan-speaking peoples of West Africa today. As performed by griots, or professional bards, it embodies deeply rooted aspects of Mande cosmology and worldview. This edition of the epic presents the full, linear Mandekan text side by side with John William Johnson's important English translation. Fully annotated and explained, the text provides historical and contextual frameworks for understanding this African epic. A complete recitation of the epic by Jeli fa-Digi Sisòkò recorded in the town of Kita, Mali, is sold separately. This powerful text and inspiring performance show why the epic of Son-Jara has taken its place among the world's greatest epics.

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What happened in American drama in the years between the Depression and the conclusion of World War II? How did war make its impact on the theatre? More important, how was drama used during the war years to shape American beliefs and actions? Albert Wertheim's Staging the War brings to light the important role played by the drama during what might arguably be called the most important decade in American history. As much of the country experienced the dislocation of military service and work in war industries, the dramatic arts registered the enormous changes to the boundaries of social classes, ethnicities, and gender roles. In research ranging over more than 150 plays, Wertheim discusses some of the well-known works of the period, including The Time of Your Life, Our Town, Watch on the Rhine, and All My Sons. But he also uncovers little-known and largely unpublished plays for the stage and radio, by such future luminaries as Arthur Miller and Frank Loesser, including those written at the behest of the U.S. government or as U.S.O. musicals. The American son of refugees who escaped the Third Reich in 1937, Wertheim gives life to this vital period in American history.

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Perfecting the American Steam Locomotive documents the role played by mechanical engineers in the development of locomotive design. The steam engine and the mechanical engineering profession both grew directly out of the Industrial Revolution's need for sources of power beyond that of men and animals. Invented in England when coal mining was being developed, the practical steam engine eventually found numerous applications in transportation, especially in railroad technology. J. Parker Lamb traces the evolution of the steam engine from the early 1700s through the early 1800s, when the first locomotives were sent to the United States from England. Lamb then shifts the scene to the development of the American steam locomotive, first by numerous small builders, and later, by the early 20th century, by only three major enterprises and a handful of railroad company shops. Lamb reviews the steady progress of steam locomotive technology through its pinnacle during the 1930s, then discusses the reasons for its subsequent decline.

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Stephen C. Meyer details the intricate relationships between the operas Der Freischütz and Euryanthe, and contemporary discourse on both the "Germany of the imagination" and the new nation itself. In so doing, he presents excerpts from a wide range of philosophical, political, and musical writings, many of which are little known and otherwise unavailable in English. Individual chapters trace the multidimensional concept of German and "foreign" opera through the 19th century. Meyer's study of Der Freischütz places the work within the context of emerging German nationalism, and a chapter on Euryanthe addresses the opera's stylistic and topical shifts in light of changing cultural and aesthetic circumstances. As a result, Meyer argues that the search for a new German opera was not merely an aesthetic movement, but a political and social critique as well.

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Myth: A New Symposium offers a broad-based assessment of the present state of myth study. It was inspired by a revisiting of the influential mid-century work Myth: A Symposium (edited by Thomas Sebeok). A systematic introduction and 15 contributions from a wide spectrum of disciplines offer a range of views on past myth study and suggest directions for the future. Contributors blend theoretical analysis with richly documented historical, ethnographic, and literary illustrations and examples drawn from Native American, classical, medieval, and modern sources.

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Female, Jewish, and Educated presents a collective biography of Jewish women who attended universities in Germany or Austria before the Nazi era. To what extent could middle-class Jewish women in the early decades of the 20th century combine family and careers? What impact did anti-Semitism and gender discrimination have in shaping their personal and professional choices? Harriet Freidenreich analyzes the lives of 460 Central European Jewish university women, focusing on their family backgrounds, university experiences, professional careers, and decisions about marriage and children. She evaluates the role of discrimination and anti-Semitism in shaping the careers of academics, physicians, and lawyers in the four decades preceding World War II and assesses the effects of Nazism, the Holocaust, and emigration on the lives of a younger cohort of women. The life stories of the women profiled reveal the courage, character, and resourcefulness with which they confronted challenges still faced by women today.

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" . . . a richly textured intellectual biography . . . " —History" . . . well worth reading and pondering by all who are concerned with the fate of humankind in capitalist civilization." —Socialism and Democracy" . . . an extraordinary book. Although intellectually challenging, it is well worth the effort to read." —New York City Tribune" . . . insightful and richly documented . . . " —Review of Politics"The novelty and value of this book lie in Bergmann's painstaking examination of Nietzsche's reactions to and interaction with the political events and currents of his time." —American Historical Review" . . . superb . . . " —The Historian" . . . historian Bergmann has given the basic Nietzsche library a major addition . . . it is a reading of Nietzsche's early life, educational influences and later career by a scholar intent on recording the interaction of the philosopher with the political events of his own time." —MonatshefteAmong both admirers and detractors, perhaps no issue has remained as hotly contested as Nietzsche's actual relationship to politics. Peter Bergmann's fine intellectual biography provides the first down-to-earth appraisal of Nietzsche's place among the individuals, events, and concerns of the Bismarckian age.

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Transportation research has traditionally been dominated by engineering and logistics research approaches. This book integrates social, economic, and behavioral sciences into the transportation field. As its title indicates, emphasis is on socioeconomic changes, which increasingly govern the development of the transportation sector.The papers presented here originated at a conference on Social Change and Sustainable Transport held at the University of California at Berkeley in March 1999, under the auspices of the European Science Foundation and the National Science Foundation. The contributors, who represent a range of disciplines, including geography and regional science, economics, political science, sociology, and psychology, come from twelve different countries. Their subjects cover the consequences of environmentally sustainable transportation vs. the "business-as-usual" status quo, the new phenomenon of "edge cities," automobile dependence as a social problem, the influence of leisure or discretionary travel and of company cars, the problems of freight transport, the future of railroads in Europe, the imposition of electronic road tolls, potential transport benefits of e-commerce, and the electric car.

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This chronicle of the formation of Tennessee from indigenous settlements to the closing of the frontier in 1840 begins with an account of the prehistoric frontiers and a millennia-long habitation by Native Americans. The rest of the book deals with Tennessee's historic period beginning with the incursion of Hernando de Soto's Spanish army in 1540. John R. Finger follows two narratives of the creation and closing of the frontier. The first starts with the early interaction of Native Americans and Euro-Americans and ends when the latter effectively gained the upper hand. The last land cession by the Cherokees and the resulting movement of the tribal majority westward along the "Trail of Tears" was the final, decisive event of this story. The second describes the period of Euro-American development that lasts until the emergence of a market economy. Though from the very first Anglo-Americans participated in a worldwide fur and deerskin trade, and farmers and town dwellers were linked with markets in distant cities, during this period most farmers moved beyond subsistence production and became dependent on regional, national, or international markets. Two major themes emerge from Tennessee Frontiers: first, that of opportunity the belief held by frontier people that North America offered unique opportunities for advancement; and second, that of tension between local autonomy and central authority, which was marked by the resistance of frontier people to outside controls, and between and among groups of whites and Indians. Distinctions of class and gender separated frontier elites from lesser whites, and the struggle for control divided the elites themselves. Similarly, native society was riddled by factional disputes over the proper course of action regarding relations with other tribes or with whites. Though the Indians lost in fundamental ways, they proved resilient, adopting a variety of strategies that delayed those losses and enabled them to retain, in modified form, their own identity.Along the way, the author introduces the famous personalities of Tennessee's frontier history: Attakullakulla, Nancy Ward, Daniel Boone, John Sevier, Davy Crockett, Andrew Jackson, and John Ross, among others. They remind us that this is the story of real people who dealt with real problems and possibilities in often difficult circumstances.

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Nashville, Chattanooga & St. Louis RailwayHistory and Steam Locomotives Richard E. PrinceRichard E. Prince's long out-of-print encyclopedic study of the Nashville, Chattanooga & St. Louis Railway, "The Dixie Line," with hundreds of vintage photographs, schematics, maps, and rosters. Railroad buffs, historians, and casual readers alike will be delighted by the reappearance of Richard E. Prince's Nashville, Chattanooga & St. Louis Railway. It was originally published in 1967, and its reputation as the foremost work on this railroad is still unchallenged. The NC&StL Railway originated in 1845 as the Nashville and Chattanooga RR. Taken over by the Union Army during the Civil War, it suffered extensive damage from Confederate attack but was rebuilt and operated by the U.S. Military Railroad for over two years. Returned to its owners in September 1865, it became the Nashville, Chattanooga & St. Louis Ry. in 1873, after absorbing the Nashville & Northwestern RR. During the next 25 years, it became known to the public first as the Tennessee Line, then as the Lookout Mountain Route. In 1890 it gained entrance into Atlanta as lessee of the state-owned Western & Atlantic RR. Paducah and Memphis were reached in 1896, when lines of the former Paducah, Tennessee & Alabama RR were leased from L&N. At its zenith in the 1920s, it operated approximately 1,259 miles of track, from the Mississippi and Ohio rivers through Kentucky, Tennessee, and Alabama, to Atlanta, Georgia. In 1880, to eliminate the threat of competition that was developing between the two companies, the Louisville & Nashville RR acquired control of the NC&StL Ry., much to the dismay of the citizens of Nashville, and for the next 77 years it operated as a prosperous subsidiary of the Old Reliable. It was actually absorbed by the L&N organization in 1957 to become part of the Nashville and W&A divisions. But it will always be remembered by the people of Tennessee and Georgia as the original Dixie Line—the route of such Chicago-Florida passenger trains as the Dixie Flyer, Dixie Limited, Dixie Express, Dixie Mail, Dixieland, Dixie Flagler, and Dixiana. Maps, schedules, rosters, diagrams, and hundreds of photographs supplement historical information on the company and technical information on the trains. Richard E. Prince attended Georgia School of Technology in Atlanta. During World War II, he joined the Merchant Marine and sailed on steam Liberty ships. He worked in several capacities for the L&N Railroad and the Union Pacific Railroad. Prince retired in 1983 and lives in Omaha, Nebraska. He has written ten books on railroads.May 2001196 pages, 348 b&w photos, 8 1/4 x 10 3/4, indexcloth 0-253-33927-8 $59.95 t / £45.00ContentsNashville, Chattanooga & St. Louis Ry.—Historical SketchNashville, Chattanooga & St. Louis Ry.—The Tennessee LineWestern & Atlantic RailroadNashville, Chattanooga & St. Louis Ry.—-Lookout Mountain RouteNashville, Chattanooga & St. Louis Ry.—The Dixie LineSteam Locomotives—Nashville, Chattanooga & St. Louis Ry.Steam Freight and Passenger Trains—NC&StL Ry.Steam Locomotive Diagrams

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Governments, Citizens, and GenocideA Comparative and Interdisciplinary ApproachAlex AlvarezA comprehensive analysis demonstrating how whole societies come to support the practice of genocide."Alex Alvarez has produced an exceptionally comprehensive and useful analysis of modern genocide . . . [It] is perhaps the most important interdisciplinary account to appear since Zygmunt Bauman's classic work, Modernity and the Holocaust." —Stephen Feinstein, Director, Center for Holocaust and Genocide Studies"Alex Alvarez has written a first-rate propaedeutic on the running sore of genocide. The singular merit of the work is its capacity to integrate a diverse literature in a fair-minded way and to take account of genocides in the post-Holocaust environment ranging from Cambodia to Serbia. The work reveals patterns of authoritarian continuities of repression and rule across cultures that merit serious and widespread public concern." —Irving Louis Horowitz, Rutgers UniversityMore people have been killed in 20th-century genocides than in all wars and revolutions in the same period. Recent events in countries such as Rwanda and the former Yugoslavia have drawn attention to the fact that genocide is a pressing contemporary problem, one that has involved the United States in varying negotiating and peace-keeping roles. Genocide is increasingly recognized as a threat to national and international security, as well as a source of tremendous human suffering and social devastation.Governments, Citizens, and Genocide views the crime of genocide through the lens of social science. It discusses the problem of defining genocide and then examines it from the levels of the state, the organization, and the individual. Alex Alvarez offers both a skillful synthesis of the existing literature on genocide and important new insights developed from the study of criminal behavior. He shows that governmental policies and institutions in genocidal states are designed to suppress the moral inhibitions of ordinary individuals.By linking different levels of analysis, and comparing a variety of cases, the study provides a much more complex understanding of genocide than have prior studies. Based on lessons drawn from his analysis, Alvarez offers an important discussion of the ways in which genocide might be anticipated and prevented.Alex Alvarez is Associate Professor in the Department of Criminal Justice at Northern Arizona University. His primary research interests are minorities, crime, and criminal justice, as well as collective and interpersonal violence. He is author of articles in Journal of Criminal Justice, Social Science History, and Sociological Imagination and is currently writing a book on patterns of American murder.April 2001240 pages, 6 1/8 x 9 1/4, bibl., indexcloth 0-253-33849-2 $29.95 s / £22.95ContentsThe Age of GenocideA Crime By Any Other NameDeadly RegimesLethal CogsAccommodating GenocideConfronting Genocide=

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In the Footsteps of OrpheusThe Life and Times of Miklós RadnótiZsuzsanna OzsváthA powerful account of the life, art, and tragic death of a 20th-century Hungarian Jewish poet."Zsuzsanna Ozsváth bring[s] forth Radnóti's life, his thought, and his passion with a depth of insight that is rare in a scholar. Brilliant, penetrating, and passionate, Ozsváth's book sets a new standard of excellence in Holocaust studies. It is a must for anyone who would approach the dark flame that burns at the core of the Event." —David Patterson, University of Memphis Miklós Radnóti, a young Hungarian Jewish poet, was shot by Hungarian soldiers guarding him while on a forced march from Yugoslavia back to Hungary during the final days of World War II. When his body was discovered and exhumed nearly two years later, a small book of poems was found in his coat pocket. These poems, together with the rest of Radnóti's work, solidified his reputation as one of Hungary's greatest poets. Radnóti shared the experience of many Jewish artists and intellectuals in Central Europe during the early part of the 20th century, but his poetry brings out a particular and personal view of the Holocaust in Hungary. His work plays a unique role in the history of Central European culture as some of the most beautiful poems ever written in Hungarian, as a voice against the rise of totalitarianism, and as testimony to the destruction of Europe's Jews. Zsuzsanna Ozsváth places Radnóti within the context of the political and intellectual history of interwar Hungary, situating him as an artist who is both a Jew and a Hungarian patriot. Her sensitive translations from the Hungarian lend poignancy to this tragic and forcefully told story. This account of Radnóti's life and work explores the sources of the poet's inspiration and imagery and restores it to its extreme times and places.Zsuzsanna Ozsváth is Professor of Literature and the History of Ideas at the University of Texas at Dallas, where she is also Director of the Holocaust Studies Program. She is coeditor and cotranslator (with Frederick Turner) of Foamy Sky: The Major Poems of Miklós Radnóti and Attila Jozsef's The Iron-Blue Vault: Selected Poetry.Jewish Literature and Culture—Alvin H. Rosenfeld, editorContentsMyth and ConsciousnessPoetic Images: Socialist Art and Political CommitmentThe Pull of Contraries: Making of the PastVisions of Destruction, Lyrics of ResistanceIn Extremis: 1944

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"This is a ground-breaking book on a subject of capital importance, and I think [it] should start a debate about modern literature with a rich potential for further development." —Michael ScammellReturn from the Archipelago is the first comprehensive historical survey and critical analysis of the vast body of narrative literature about the Soviet gulag. Leona Toker organizes and characterizes both fictional narratives and survivors' memoirs as she explores the changing hallmarks of the genre from the 1920s through the Gorbachev era. Toker reflects on the writings and testimonies that shed light on the veiled aspects of totalitarianism, dehumanization, and atrocity. Identifying key themes that recur in the narratives-arrest, the stages of trial, imprisonment, labor camps, exile, escapes, special punishment, the role of chance, and deprivation.Toker discusses the historical, political, and social contexts of these accounts and the ethical and aesthetic imperative they fulfill. Her readings provide extraordinary insight into the prisoners' experiences of the Soviet penal system. Special attention is devoted to the writings of Varlam Shalamov and Aleksandr Solzhenitsyn, but many works that are not well known in the West, especially those by women, are addressed. Consideration is also given to events that recently brought many memoirs to light years after they were written. A pioneering book on an important subject, Return from the Archipelago is an authoritative resource for scholars in Russian history and literature.

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"Semioticians began by looking at literature but have gradually applied their techniques to other disciplines, including music. The late Naomi Cumming . . . based this consideration of the sources of musical expression on her experiences as a performer—with interesting, if rarely surprising, results." —ChoiceUsing classical violin music as her principal laboratory, the author examines how a performance incorporates distinctive features not only of the work, but of the performer as well—and how the listener goes about interpreting not only the composer's work and the performer's rendering of the work, but also of the performer's and listener's identities. A richly interdisciplinary approach to a very common, yet persistently mysterious, part of our lives.

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" . . . an important contribution to the study of recent Chinese literature." — Choice"This fine, scholarly survey of Chinese literature since 1949 . . . discusses such trends as modernism, nativism, realism, root-seeking and 'scar' literature, 'misty' poets, and political, feminist, and societal issues in modern Chinese literature." —Library JournalThis volume is a survey of modern Chinese literature in the second half of the twentieth century. It has three goals: (1) to introduce figures, works, movements, and debates that constitute the dynamics of Chinese literature from 1949 to the end of the century; (2) to depict the enunciative endeavors, ranging from ideological treatises to avant-garde experiments, that inform the polyphonic discourse of Chinese cultural politics; (3) to observe the historical factors that enacted the interplay of literary (post)modernities across the Chinese communities in the Mainland, Taiwan, Hong Kong, and overseas.

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"It's the first book which revisits Greek and Latin theories of signs from the point of view of a profound classical scholarship and a paramount knowledge of contemporary semiotics debates." —Umberto EcoAvailable in English for the first time is Professor Manetti's brilliant study of the origin of semiotics and sign theory. He seeks to discover the common thread that runs through the classical world from the very beginning of human thought to the fourth century A.D. In the "classical" tradition he sees a concept of the sign which is significantly different from that currently in use.

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