Search results for ""Author Christo"

MEET LUCAS PAGE: A DETECTIVE WHO SEES CRIME FROM A DIFFERENT ANGLE... 'A great plot, a great setting, and even better characters - I loved this' Lee Child'Told at a ferocious pace in staccato prose, this thriller truly gets the blood racing' Daily MailSeverely injured on a case, Page retired from the FBI to become a professor. But now his friend has been killed by a sniper in New York and Page's extraordinary mind is needed urgently.The shot that killed the man should have been impossible: in the middle of a blizzard, down a busy New York avenue, into a moving car. But it happened.Only Page can work out the science behind the shot, the geometry that reveals the killer's location. The logic that says the shooter has killed like this before. And will do it again, and again, until they are stopped ...'A page-turner painted with soaring prose' Gregg Hurwitz'Relevant, smart and action-packed' Christopher Brookmyre

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In this hard-hitting anthology, Ishmael Reed and Carla Blank have invited a diverse group of informed and accomplished writers, both women and men, who are rarely heard to comment on the long-standing bigotry on Broadway towards many different ethnic minorities.How do intellectuals and scholars feel about how members of their ethnic groups are portrayed on Broadway? How would we know? Very few of them have the power to rate which plays and musicals are worthy and which are flops, and above all, be heard or read. The American critical fraternity is an exclusive club.In this hard-hitting anthology, Ishmael Reed and Carla Blank have invited a diverse group of informed and accomplishes writers, both women and men, who are rarely heard to comment on the long-standing bigotry on Broadway towards many different ethnic minorities.Contributors include Lonely Christopher, Tommy Curry, Jack Foley, Emil Guillermo, Claire J. Harris, Yuri Kageyama, Soraya McDonald, Nancy Mercado, Aimee Phan, Betsy Theobald Richards, Shawn Wong, David Yearsley, and the editors.Under review are Madame Butterfly, the Irving Berlin songbook, Oklahoma, South Pacific, Miss Saigon, Flower Drum Song, Bloody Bloody Andrew Jackson, The Color Purple, The Book of Mormon, West Side Story and Hamilton.

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The last collection of short stories published in her lifetime, The Garden Party and Other Stories would solidify Katherine Mansfield's place as the most prominent modernist short story writer of her generation. Early reviewers of the collection commented on the similarities it shared with her previous collection, Bliss and Other Stories; however, while contemporary reviews were mixed, many emphasised the psychological power of her stories, praising how she was able to bring her characters to life in a way simple action could not. While it contains some of Mansfield's most sophisticated and well-loved stories, several of the stories in The Garden Party initially appeared in the Sphere, and thus were often dismissed as inferior. Mansfield herself felt some of these stories fell short of her desired effect, though recent scholarship has revealed their greater complexity. The essays in this volume, by both seasoned and newer Mansfield scholars, work to continue this conversation. The collection also includes Mansfield-inspired short fiction, two translations of memorial poems dedicated to Mansfield by Chinese and French contemporaries with accompanying notes, and a recently re-discovered book review by Mansfield. In addition, Sydney Janet Kaplan provides a reflection on her personal meeting with Christopher Isherwood, a writer heavily influenced by the life and work of Mansfield

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Published here for the first time, Maura Laverty’s plays Liffey Lane, Tolka Row and A Tree in the Crescent are rooted in 1950s Dublin, its territories and enclaves. Teeming with the lives of the poor, the ambitious, the trapped and the struggling, the plays are moving, funny and vividly alive. They capture the capital in a state of transformation – reaching for modernisation while still enmired in stagnant class divisions, poor housing and narrow social values. Key to all three plays are questions of home, the lives of women and girls, and the impact of conservative government policies and church attitudes. Already a public figure in Irish life, and an influencer before her time through her fiction, cookery books and broadcasting, Laverty’s plays met with huge success when staged in 1951 and 1952 by Hilton Edwards of the Gate Theatre Company at Dublin’s Gaiety and Gate Theatres and on tour. Laverty’s trilogy is a significant and long-awaited part of the twentieth-century Irish theatrical canon. This volume presents the Trilogy, including a preface by Christopher Fitz-Simon, who knew and worked with Laverty. The editors’ introduction contextualises Laverty’s work and considers the theatrical values of the plays.

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Book 10 in the horseriding series for readers aged 9+, Apley Towers! In the shade of the Giant’s Throne Mountain, and on the coast of the Indian Ocean, Port St. Christopher is home to Apley Towers; a riding school for girls and boys, young or old, who learn what it means to be a true horse rider. Angela is forced to face up to her former bully, Gemma Larkin, when she finds out that she’s set to compete against Sagittarius Stables in an upcoming competition. With the support of Apley Towers, Angela is desperate to beat Gemma once and for all. But how can Angela prove herself to anyone else, if she can’t even convince herself? Luckily, the kodas are there to help her deal with a past she thought she’d left behind. About the Apley Towers series: Set in the shade of Giant's Throne Mountain on the South African coast of the Indian Ocean, this adventure- and friendship-filled series stars the students of a horseback riding school, Apley Towers, who learn valuable life lessons with horses and humans alike. Kaela, Trixie, Angela, and Phoenix learn what it means to be a true rider and a good friend, with plenty of detail of the African animals and landscapes of the area that readers will love. All titles are also leveled for classroom use, including GRLs.

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Empires of Vision brings together pieces by some of the most influential scholars working at the intersection of visual culture studies and the history of European imperialism. The essays and excerpts focus on the paintings, maps, geographical surveys, postcards, photographs, and other media that comprise the visual milieu of colonization, struggles for decolonization, and the lingering effects of empire. Taken together, they demonstrate that an appreciation of the role of visual experience is necessary for understanding the functioning of hegemonic imperial power and the ways that the colonized subjects spoke, and looked, back at their imperial rulers. Empires of Vision also makes a vital point about the complexity of image culture in the modern world: We must comprehend how regimes of visuality emerged globally, not only in the metropole but also in relation to the putative margins of a world that increasingly came to question the very distinction between center and periphery.Contributors. Jordanna Bailkin, Roger Benjamin, Daniela Bleichmar, Zeynep Çelik, David Ciarlo, Natasha Eaton, Simon Gikandi, Serge Gruzinski, James L. Hevia, Martin Jay, Brian Larkin, Olu Oguibe, Ricardo Padrón, Christopher Pinney, Sumathi Ramaswamy, Benjamin Schmidt, Terry Smith, Robert Stam, Eric A. Stein, Nicholas Thomas, Krista A. Thompson

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Saints are ordinary men and women who touch the world in extraordinary and inspiring ways. Sometimes they prevail, sometimes they come to a tragic end-but always they change the world they live in for the better. In this freshly told and boldly illustrated book, children will find the stories of the best-known and best-loved saints, from Augustine to Mother Teresa (officially canonized as St. Teresa of Calcutta). Meet Joan of Arc, whose faith inspired her to lead an army when the king's courage failed. Francis of Assisi, whose gentleness tamed a man-eating wolf. Christopher, whose medal is often worn by travelers. Valentine, a bishop in the time of ancient Rome who spoke so often of Christ's love that his saint's day, February 14, has been associated with courtly love since the Middle Ages. St. Thomas Aquinas, the great teacher. Peter Claver, who cared for hundreds of thousands of people on slave ships after their voyage as captives. Bernadette, whose vision of Mary instructed her to dig the spring that became the healing waters of Lourdes. Each tale is more vivid than the last; also included in each entry are the saint's dates, location, emblems, and patronage. Taken together, they create a rich and entertaining history of faith and courage.

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This collection of essays by leading international philosophers considers central themes in the ethics of Danish philosopher Knud Ejler Løgstrup (1905–1981). Løgstrup was a Lutheran theologian much influenced by phenomenology and by strong currents in Danish culture, to which he himself made important contributions. The essays in What Is Ethically Demanded? K. E. Løgstrup's Philosophy of Moral Life are divided into four sections. The first section deals predominantly with Løgstrup's relation to Kant and, through Kant, the system of morality in general. The second section focuses on how Løgstrup stands in connection with Kierkegaard, Heidegger, and Levinas. The third section considers issues in the development of Løgstrup's ethics and how it relates to other aspects of his thought. The final section covers certain central themes in Løgstrup's position, particularly his claims about trust and the unfulfillability of the ethical demand. The volume includes a previously untranslated early essay by Løgstrup, "The Anthropology of Kant’s Ethics," which defines some of his basic ethical ideas in opposition to Kant’s. The book will appeal to philosophers and theologians with an interest in ethics and the history of philosophy. Contributors: K. E. Løgstrup, Svend Andersen, David Bugge, Svein Aage Christoffersen, Stephen Darwall, Peter Dews, Paul Faulkner, Hans Fink, Arne Grøn, Alasdair MacIntyre, Wayne Martin, Kees van Kooten Niekerk, George Pattison, Robert Stern, and Patrick Stokes.

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We live in critical times. We face a global crisis in economics and finance, a global ecological crisis, and a constant barrage of international disputes. Perhaps most dishearteningly, there seems to be little faith in our ability to address such difficult problems. However, there is also a more positive sense in which these are critical times. The world's current state of flux gives us a unique window of opportunity for shaping a new international order that will allow us to cope with current and future global crises. In Critical Theory in Critical Times, eleven of the most distinguished critical theorists offer new perspectives on recent crises and transformations of the global political and economic order. Essays from Jurgen Habermas, Seyla Benhabib, Cristina Lafont, Rainer Forst, Wendy Brown, Christoph Menke, Nancy Fraser, Rahel Jaeggi, Amy Allen, Penelope Deutscher, and Charles Mills address pressing issues including international human rights and democratic sovereignty, global neoliberalism, novel approaches to the critique of capitalism, critical theory's Eurocentric heritage, and new directions offered by critical race theory and postcolonial studies. Sharpening the conceptual tools of critical theory, the contributors to Critical Theory in Critical Times reveal new ways of expanding the diverse traditions of the Frankfurt School in response to some of the most urgent and important challenges of our times.

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Of all the books about cricket, Mike Harfield's "Not Dark Yet" brings a rare authenticity to the subject. This is a book by a genuine cricketer and a genuine cricket fan with a talent for capturing the spirit of this special game in his witty prose. David Lloyd, aka Bumble, laughed so much he agreed to write the Foreword. He even showed the book to Christopher Martin-Jenkins who found it 'very entertaining and enjoyable'. Reading the book raises the spirits with its cheerful jollity. The mixture of banter and eclectic cricketing information carries the reader along, making for both easy and captivating reading. Loosely based around Mike Harfield's captaincy of a cricket XI over 30 years, Not Dark Yet is both the humorous story of his team's efforts and his often irreverent take on first-class and international cricket. For 30 years the Mike Harfield XI has withstood atrocious umpiring, dreadful hangovers, bad haircuts and a woeful lack of talent, only to encounter an even greater adversity - middle age. Spiced with humour and plenty of banter about fellow team-mates and international players alike, their captain's tales convey an authentic picture of one team's endeavours, to which cricketers and non cricketers will easily relate.

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When we read the book of nature, what do we read there? “All things bright and beautiful, all creatures great and small, all things wise and wonderful, the Lord God made them all,” says a well-known hymn. This issue of Plough celebrates the creatures of our planet – plant, animal, and human – and the implications of humankind’s relationship to nature. But if nature can be read as a book that reveals the wisdom of its Creator, it also reveals things less lovely than stars and singing birds – a world of desperate competition for survival, mass extinctions, and deadly viruses. Is such a world a convincing argument for the Creator’s goodness? Turns out Christians and skeptics alike have been asking such questions since long before Darwin added a twist. Are we moderns out of practice at reading the book of nature? And if we forget how, will we fail to read human nature as well – what rights or purposes our Creator may have endowed us with? What then is there to limit the bounds of technological manipulation of humankind? This issue of Plough explores these and other fascinating questions about the natural world and our place in it. In this issue: - Sussex farmer Adam Nicholson evokes centuries of handwork that shaped the landscape of the Weald. - Gracy Olmstead revisits the land her forebears farmed in Idaho. - Ian Marcus Corbin tries walking phoneless to better note the beauty of the natural world. - Amish farmer John Kempf, a leader in regenerative agriculture, foresees a healthier future for farming. - Leah Libresco Sargeant offers a feminist critique of society’s war on women’s bodies. - Iván Bernal Marín visits Panama City’s traditional fishermen. - Maureen Swinger recalls to triumphs of second grade in forest school. - Edmund Waldstein questions head transplants and the limits of medical science. - Kelsey Osgood says it’s natural to fear death, and to transcend that fear through faith. - Tim Maendel lifts the veil on urban beekeeping along the Manhattan skyline. You’ll also find: - An essay by Christian Wiman on the poetry of doubt and faith - New poems by Alfred Nicol - A profile of Amazon activist nun Dorothy Stang - An appreciation of Keith Green’s songs - Insights on creation from Blaise Pascal, Julian of Norwich, Francis of Assisi, Mechthild of Magdeburg, Christopher Smart, Augustine of Hippo, The Book of Job, and Sadhu Sundar Singh - Reviews of The Opening of the American Mind, and Kazuo Ishiguro’s Klara and the Sun Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

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n ancient artefact, a stone arch anachronistically imbedded with electronic circuitry, is recovered following a rupture in an undersea stretch of the Mull lava group in North West Scotland, a geological feature dating from tens of millions of years ago. UNIT's investigation will unlock a link to another world and bring them face to face with a new and powerful threat. Contains four stories: 1.1 The Enemy Beyond by Andrew Smith. In a UNIT facility beneath Edinburgh Castle, Kate and Osgood work to unlock the mystery of a stone arch discovered buried in a prehistoric rock formation. When the arch takes one of their number away to a strange, bleak world, it leads to an encounter with a Time Lord. One with multiple personalities. Soon the Eleven is loose in the streets of Edinburgh and plotting to seize the arch from UNIT by any means necessary. 1.2 Fire and Ice by John Dorney. When Kate needs Harry Sullivan's help with a threat from the Eleven, she and Osgood travel to Australia to meet him. He's there with Naomi Cross, investigating footage of an apparent UFO crash that turned up on social media. They find themselves caught in the middle of a conflict between Ice Warriors. And one Ice Warrior isn't so ice - in fact, he's red hot. And getting hotter... 1.3 Eleven's Eleven by Lisa McMullin. A series of jewel robberies in London and the Home Counties draws the attention of UNIT when it's discovered that some of the stolen gems are alien in origin. The robberies are the work of an organised criminal gang led by East End villain Ava Drake. But Ava has a new, ruthless partner. The Eleven has promised her riches, and for him the gems are a means to defeat UNIT and regain the arch. 1.4 The Curator's Gambit by Andrew Smith. The arch is taken to the Under Gallery for safe keeping, under the protection of the Curator. When the Eleven penetrates the Gallery's security, the Curator initiates an emergency plan. He and UNIT play a game of cat and mouse with their pursuers within the Under Gallery's original location, Hampton Court Palace. CAST: Jemma Redgrave (Kate Stewart), Ingrid Oliver (Osgood), Tom Baker (The Curator), Mark Bonnar (The Eleven), Eleanor Crooks (Naomi Cross), James Joyce (Captain Josh Carter), James MacCallum (Adam Merchant), Glen McCready (J.M.W. Turner), Christopher Naylor (Harry Sullivan), Olivia Poulet (Ros Green), Maggie Service (Ava Drake), Tracy Wiles (Jacqui McGee), Becky Wright (Clare Duvall). Other parts played by members of the cast.

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Born in 1451 in the seafaring nation of Genoa in northern Italy, Christopher Columbus grew up watching ships sail into the harbor loaded with riches from Egypt, Spain, England, and Belgium. Columbus was convinced that he could gain gold, silk, ivory, and much personal wealth for himself if he were to sail west from Europe to the East and trade with China and India. When Queen Isabella of Castile and King Ferdinand of Aragon finally provided him with three ships, a crew, and supplies for his journey, Columbus embarked on the first of four voyages to the East in 1492. Although he never reached Asia, he did land in Central and South America, establishing a firm foothold in America and opening up wider European exploration to the new continent and other foreign lands. Demi portrays Columbus as a great navigator and explorer, but she also provides a balanced view of his accomplishments, describing his enslavement of the native Taino Indians of Central America and his mismanagement of the colonies that he established in the Indies. Using Chinese paintbrushes and inks, gold overlays, and Italian marbled paper from Florence, Italy, she paints Columbus’s vast world with characteristic skill and beauty.

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Although in recent years scholars have explored the cultural construction of masculinity, they have largely ignored the ways in which masculinity intersects with other categories of identity, particularly those of race and ethnicity. The essays in Race and the Subject of Masculinities address this concern and focus on the social construction of masculinity—black, white, ethnic, gay, and straight—in terms of the often complex and dynamic relationships among these inseparable categories.Discussing a wide range of subjects including the inherent homoeroticism of martial-arts cinema, the relationship between working-class ideologies and Elvis impersonators, the emergence of a gay, black masculine aesthetic in the works of James Van der Zee and Robert Mapplethorpe, and the comedy of Richard Pryor, Race and the Subject of Masculinities provides a variety of opportunities for thinking about how race, sexuality, and "manhood" are reinforced and reconstituted in today’s society. Editors Harry Stecopoulos and Michael Uebel have gathered together essays that make clear how the formation of masculine identity is never as obvious as it might seem to be. Examining personas as varied as Eddie Murphy, Bruce Lee, Tarzan, Malcolm X, and Andre Gidé, these essays draw on feminist critique and queer theory to demonstrate how cross-identification through performance and spectatorship among men of different races and cultural backgrounds has served to redefine masculinity in contemporary culture. By taking seriously the role of race in the making of men, Race and the Subject of Masculinities offers an important challenge to the new studies of masculinity.Contributors. Herman Beavers, Jonathan Dollimore, Richard Dyer, Robin D. G. Kelly, Christopher Looby, Leerom Medovoi, Eric Lott, Deborah E. McDowell, José E. Muñoz, Harry Stecopoulos, Yvonne Tasker, Michael Uebel, Gayle Wald, Robyn Wiegman

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Patristic thinking is the bedrock of the uniformity of Byzantine culture, legitimization of image use in the Eastern Church, as well as Byzantine aesthetics, Karahan argues. The synergy in Late Byzantine holy images of "meta-images" for God's inexplicability, and elaborated dramatized narration for God's immanence epitomize orthodox tradition in general, and in particular fourth-century Cappadocian modes and models of thought on Christology, trinitarian theology and the Theotokos. The incomprehensible, uncircumscribed invisible Trinity, and the comprehensible God-man born of the Theotokos, circumscribed in flesh but not in divinity is a one-God reality of transcendent ontology and actions in the world of the two-natured image of God, Christ. Explanations in words or in images cannot ignore these orthodox axioms without turning into false images or heretic idols. This book explores why and how the idiosyncratic use of color, form, kinetics, light, and brilliance in Late Byzantine aesthetics concur with the tradition of the Fathers. How narration in image as well as literature is orthodoxos, 'of right belief, orthodox'.

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The body is a source of pleasure and of pain, at once hopelessly vulnerable and radiant with power. In her ambitious, brilliant sixth book, Olivia Laing charts an electrifying course through the long struggle for bodily freedom, using the life of the renegade psychoanalyst Wilhelm Reich to explore gay rights and sexual liberation, feminism, and the civil rights movement. Drawing on her own experiences in protest and alternative medicine, and traveling from Weimar Berlin to the prisons of McCarthy-era America, Laing grapples with some of the most significant and complicated figures of the past century—among them Nina Simone, Christopher Isherwood, Andrea Dworkin, Sigmund Freud, Susan Sontag, and Malcolm X. Despite its many burdens, the body remains a source of power, even in an era as technologized and automated as our own. Arriving at a moment in which basic bodily rights are once again imperiled, Everybody is an investigation into the forces arranged against freedom and a celebration of how ordinary human bodies can resist oppression and reshape the world.

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Der neue Pietismus und Neuzeit-Doppelband 46/47 hat auf sich warten lassen, aber das Warten hat sich gelohnt. Neben einem buch- und verlagsgeschichtlichen Schwerpunkt mit Beiträgen zu Lesern und Empfängern hallischer Bücher in Schlesien im 18. Jahrhundert (Brigitte Klosterberg), zur Zunnerischen Buchhandlung um 1700 (Oliver Kruk) und zu Übersetzungen und Kommentaren jansenistischer Bücher in pietistischen Kontexten (Christoph Schmitt-Maaß) sowie zu Zinzendorfs (erstem) Zeitungsprojekt Der Parther von 1725 (Otto Teigeler) schreiten weitere Aufsätze die historische und thematische Bandbreite des Pietismus und seiner Erforschung aus: beginnend mit einer kritischen Relektüre der Dokumente zur Buttlarschen Rotte um 1700 und ihrer Bewertung in der jüngeren Forschung (Stefanie Siedeck-Strunk), einer Auseinandersetzung mit mittelalterlicher Frauenmystik im Kontext des von dem Wittenberger Theologen Martin Chladni (1669-1725) betriebenen Streites um den Pietismus (Bernd Roling), und Mitte des 19. Jahrhunderts zur Indienstnahme von Magnetismus und Somnambulismus in der Theologie August Tholucks (Sabine Wolsink). Wie üblich runden Rezensionen, Bibliographie und Register den Band ab.

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Shows how Renaissance writers and artists struggled to reconcile past traditions with experiences of 'discovery'. In what ways have colonial and postcolonial studies transformed our perceptions of early modern European texts and images? How have those perceptions enriched our broader understanding of the colonial and the postcolonial? Focusing on English, Portuguese, Spanish and French colonial projects, Shankar Raman explains how encounters with new worlds and peoples irrevocably shaped both Europeans and their 'others'. There are in-depth case studies on: the Portuguese drama and epic of Gil Vicente and Luis Vaz de Camoes; travel narratives and exotic engravings from Theodore de Bry's influential compilations; and the English plays and verse of Christopher Marlowe, John Donne and Richard Brome. Key Features * Introduces readers to the careful reading of visual sources as a complement to textual analysis * Emphasises the importance of comparative work in literary studies of colonialism: see especially the discussion of Adam Olearius' travels in Chapter 2 as well as the case studies of Portuguese literary texts and de Bry

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Over five decades, the painter Humphrey Ocean RA's work has filtered into our national culture. This includes his series of portraits entitled A handbook of modern life displayed at the National Portrait Gallery in 2013; his portrait of Christopher Le Brun, President of the Royal Academy of Arts; and the cover of Sir Paul McCartney's 2007 album Memory Almost Full, which featured one of the Chair series. Ocean's practice encompasses painting, printmaking, sculpture, book-making and drawing. Of the last, he has said: 'Paper is lovely, immediate and personal. I draw as an end in itself.' In 2019 his exhibition 'Birds, Cars and Chairs' is on display at the Royal Academy of Arts. Of these subjects, he says: 'Birds, cars and chairs are, in that order, ancient, modern and intimate. Without them life would be a lot less bearable.' These works are reproduced alongside others in the book to provide a fascinating overview of Ocean's career, with an essay by Ben Thomas, which sets out to discover exactly what it is that makes Ocean's art so appealing and universal.

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François Hébel, who then was the Director of Rencontres photographiques d'Arles, requested Magnum photographers to recall their 'first time' - namely that delicate moment of transition that 'distinguished' them and that marked an actual turning-point in their artistic careers. The Magnum: La première fois volume has been inspired by the turning points identified, and recalls - thanks to the series of photographs by Abbas, Christopher Anderson, Olivia Arthur, Bruno Barbey, Cornell Capa, Robert Capa, Chien-Chi Chang, Bruce Gilden, Harry Gruyaert, David Alan Harvey, Thomas Hoepker, Richard Kalvar, Peter Marlow, Susan Meiselas, Paolo Pellegrin, Gueorgui Pinkhassov, Eli Reed, Jacob Aue Sobol, Larry Towell and Alex Webb - the particular moment in which artists distance themselves from their teachers and come up with a language, an aesthetic form and a grammar that are theirs and theirs alone. The moment in which their concept of photography, together with their commitment, acquire meaning and individuality for the first time. Text in English and Italian.

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This thought-provoking collection not only takes us into the past and the future, but also explores what might happen if we attempt to manipulate time to our own advantage. These stories show what happen once you start to meddle with time and the paradoxes that might arise. It also raises questions about whether we understand time, and how we perceive it. Once we move outside the present day, can we ever return or do we move into an alternate world? What happens if our meddling with Nature leads to time flowing backwards, or slowing down or stopping all together? Or if we get trapped in a constant loop from which we can never escape. Is the past and future immutable or will we ever be able to escape the inevitable? These are just some of the questions that are raised in these challenging, exciting and sometimes amusing stories by Kage Baker, Simon Clark, Fritz Leiber, Christopher Priest, Kristine Kathryn Rusch, Robert Silverberg, Michael Swanwick, John Varley and many others.

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Eternal Light: A Requiem is arranged for an accompanied mixed voices choir with soprano, tenor and baritone solo options. It is by the award-winning British composer and internationally acclaimed broadcaster, Howard Goodall, and is a stunning new Requiem for the modern day. It is intended to provide solace to the grieving, reflecting on the words of the Latin Mass by juxtaposing them with poems in English. Speaking about the work, Howard Goodall said, "For me, a modern Requiem is one that acknowledges the unbearable loss and emptiness that accompanies the death of loved ones, a loss that is not easily ameliorated with platitudes about the joy awaiting us in the afterlife. This, like Brahms’, is a Requiem for the living, addressing their suffering and endurance, a Requiem focussing on the consequences of interrupted lives.” Goodall's fresh and unorthodox interpretation of the Requiem Mass was released on EMI Classics, performed by Christ Church Cathedral Choir, Oxford and London Musici conducted by Stephen Darlington with soloists Natasha Marsh, Alfie Boe and Christopher Maltman.

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Reports of the surveyors of Westminster Abbey in the twentieth century provide a wealth of information on this most important building. The annual reports of the Surveyors of the Fabric in the twentieth century give much detailed information about the maintenance and major restoration of Westminster Abbey and its contents. The Surveyors, William Lethaby, Walter Tapper, Charles Peers and Stephen Dykes Bower, had to deal with many problems and challenges between 1906 and 1973. Not least of these were two World Wars and the most extensive programme of cleaning and re-decoration since the timeof Sir Christopher Wren. Lethaby brought to light original decoration on medieval tombs, lost to sight for centuries under grime and shellac used by his predecessor Gilbert Scott; Tapper had to carry out emergency restoration tothe fan vault of Henry VII's chapel after a stone crashed to the floor; Peers was required to deal with the evacuation of hundreds of treasures during the 1939-45 war and with repairs to bomb damaged areas after it. Dykes Bower, meanwhile, was the most controversial of the Surveyors of this period. His replacement of medieval roof timbers drew criticism, although these were riddled with decay and death watch beetle. The nave could have looked vastly different if his design for a Cosmati work floor had gone ahead. But the Abbey interior would not look as it does today without his massive contribution to the cleaning of the brown stonework and re-decoration of the dirty and damaged Tudor and Jacobean monuments. The Abbey's current Surveyor, Ptolemy Dean, outlines the legacies of the work of these Surveyors of the modern age in his introduction; Christine Reynolds, the Abbey's Assistant Keeper of the Muniments, adds valuable notes from other sources within the archives to supplement the fascinating accounts of work carried out in the most historically significant church in England.

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The language of self-fulfilment, self-realization, and self-actualization (in short, 'authenticity') has become common in contemporary culture. The desire to be authentic is implicitly a desire to shape one's self in accordance with an ideal, and the concern for what it means to be authentic is, in many ways, the modern form of the ancient question what is the life of excellence? However, this notion of authenticity has its critics: Christopher Lasch, for instance, who equates it with a form of narcissism and Theodor Adorno, who views it as a glorification of privatism. Brian J. Braman argues that, despite such criticisms, it is possible to speak about human authenticity as something that addresses contemporary concerns as well as the ancient preoccupation with the nature of the good life. He refers to the work of Bernard Lonergan and Charles Taylor, thinkers who place a high value on the search for human authenticity. Lonergan discusses authenticity in terms of a three-fold conversion-intellectual, moral, and religious-while Taylor views authenticity as a rich, vibrant, and important addition to conversations about what it means to be human. Meaning and Authenticity is an engaging dialogue between these two thinkers, both of whom maintain that there is a normative conception of authentic human life that overcomes moral relativism, narcissism, privatism, and the collapse of the public self.

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Every generation of theologians must respond to its context by rearticulating the central tenets of the faith. Interreligious comparison has been integral to this process from the start of the Christian tradition and is especially salient today. The emerging field of comparative theology, in which close study of another religious tradition yields new questions and categories for theological reflection in the scholar’s home tradition, embodies the ecumenical spirit of this moment. This discipline has the potential to enrich systematic theology and, by extension, theological education, at its foundations. The essays in Comparing Faithfully demonstrate that engagement with religious diversity need not be an afterthought in the study of Christian systematic theology; rather, it can be a way into systematic theological thinking. Each section invites students to test theological categories, to consider Christian doctrine in relation to specific comparisons, and to take up comparative study in their own contexts. This resource for pastors and theology students reconsiders five central doctrines of the Christian faith in light of focused interreligious investigations. The dialogical format of the book builds conversation about the doctrine of God, theodicy, humanity, Christology, and soteriology. Its comparative essays span examples from Hindu, Buddhist, Jewish, Muslim, Jain, and Confucian traditions as well as indigenous Aztec theology, and contemporary “spiritual but not religious” thought to offer exciting new perspectives on Christian doctrine.

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In the United States, there exists increasing uneasiness about the predominance of self-interest in both public and private life, growing fear about the fragmentation and privatization of American society, mounting concerns about the effects of institutions—ranging from families to schools to the media—on the character of young people, and a renewed tendency to believe that without certain traditional virtues neither public leaders nor public policies are likely to succeed. In this thirty-fourth volume in The American Society of Legal and Political Philosophy, a distinguished group of international scholars from a range of disciplines examines what is meant by virtue, analyzing various historical and analytical meanings of virtue, notions of liberal virtue, civic virtue, and judicial virtue, and the nature of secular and theological virtue. The contributors include: Jean Baechler (University of Paris-Sorbonne), Annette C. Baier (University of Pittsburgh), Ronald Beiner (University of Toronto), Christopher J. Berry (University of Glasgow), J. Budziszweski (University of Texas), Charles Larmore (Columbia University), David Luban (University of Maryland), Stephen Macedo (Harvard University), Michael J. Perry (Northwestern University), Terry Pinkard (Georgetown University), Jonathan Riley (Tulane University), George Sher (University of Vermont), Judith N. Shklar (Harvard University), Rogers M. Smith (Yale University), David A. Strauss (University of Chicago), and Joan C. Williams (American University).

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Campegius Vitringa (16591722) of Franeker University was a biblical scholar of considerable influence for the first half of the 18th century. Similar to that of Calvin, his exegetical methodology attempts to walk a via media between the historicism of Grotius (1583-1645) and the Christocentrism of Cocceius (16031669). His magnum opus was a widely-acclaimed commentary on Isaiah (1720). Vitringa scholars have charted his influence along a historical-critical trajectory (including Schultens, Venema, Alberti, Manger, Delitzsch, and Gesenius) and along a Pietistic trajectory (including Franke, Lange, and Bengel, leading toward Lessing, Herder and German Idealism). The book includes the first biography in English and compares his hermeneneutical theoria with his praxis. It analyzes Vitringas exegetical presuppositions, his remarkably high view of the Bible, and his canones hermeneuticos (highly valued by J.J. Rambach [16931735]). It shows Vitringas contextual sensitivity at every level of exegesis, commitment to New Testament normativity in the reading of Isaiah (in which redemptive history is the ultimate hermeneutical horizon), nuanced views on the historical fulfillment of prophecy, and concern for pastoral application. A scholars scholar, widely admired for his mastery of the languages and his intense historical focus in exegesis, Vitringa was also appreciated for his orthodox views, warm-hearted piety, and love for the church.

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The suggestion that the New Testament contains citations of early Christological hymns has long been a controversial issue in New Testament scholarship. As a way of advancing this facet of New Testament research, Matthew E. Gordley examines the Colossian hymn (Col 1:15-20) in light of its cultural and epistolary contexts. As a result of a broad comparative analysis, he claims that Col 1:15-20 is a citation of a prose-hymn which represents a fusion of Jewish and Greco-Roman conventions for praising an exalted figure. A review of hymns in the literature of Second Temple Judaism demonstrates that the Colossian hymn owes a number of features to Jewish modes of praise. Likewise, a review of hymns in the broader Greco-Roman world demonstrates that the Colossian hymn is equally indebted to conventions used for praising the divine in the Greco-Roman tradition. In light of these hymnic traditions of antiquity, the analysis of the form and content of the Colossian hymn shows how the passage fits well into a Greco-Roman context, and indicates that it is best understood as a quasi-philosophical prose-hymn cited in the context of a paraenetic letter. Finally, in view of ancient epistolary and rhetorical theory and practice, an analysis of the role of the hymn in Colossians suggests that the hymn serves a number of significant rhetorical functions throughout the remainder of the letter.

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This lavishly illustrated volume is the first major global history of ornament from the Middle Ages to today. Crossing historical and geographical boundaries in unprecedented ways and considering the role of ornament in both art and architecture, Histories of Ornament offers a nuanced examination that integrates medieval, Renaissance, baroque, and modern Euroamerican traditions with their Islamic, Indian, Chinese, and Mesoamerican counterparts. At a time when ornament has re-emerged in architectural practice and is a topic of growing interest to art and architectural historians, the book reveals how the long history of ornament illuminates its global resurgence today. Organized by thematic sections on the significance, influence, and role of ornament, the book addresses ornament's current revival in architecture, its historiography and theories, its transcontinental mobility in medieval and early modern Europe and the Middle East, and its place in the context of industrialization and modernism. Throughout, Histories of Ornament emphasizes the portability and politics of ornament, figuration versus abstraction, cross-cultural dialogues, and the constant negotiation of local and global traditions. Featuring original essays by more than two dozen scholars from around the world, this authoritative and wide-ranging book provides an indispensable reference on the histories of ornament in a global context. Contributors include: Michele Bacci (Fribourg University); Anna Contadini (University of London); Thomas B. F. Cummins (Harvard); Chanchal Dadlani (Wake Forest); Daniela del Pesco (Universita degli Studi Roma Tre); Vittoria Di Palma (USC); Anne Dunlop (University of Melbourne); Marzia Faietti (University of Bologna); Maria Judith Feliciano (independent scholar); Finbarr Barry Flood (NYU); Jonathan Hay (NYU); Christopher P. Heuer (Clark Art); Remi Labrusse (Universite Paris Ouest Nanterre la Defense); Gulru Necipo?lu (Harvard); Marco Rosario Nobile (University of Palermo); Oya Pancaro?lu (Bosphorus University); Spyros Papapetros (Princeton); Alina Payne (Harvard); Antoine Picon (Harvard); David Pullins (Harvard); Jennifer L. Roberts (Harvard); David J. Roxburgh (Harvard); Hashim Sarkis (MIT); Robin Schuldenfrei (Courtauld); Avinoam Shalem (Columbia); and Gerhard Wolf (KHI, Florence).

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A brand-new four-part adventure featuring the Master's exploits in the Time War. In a Time War, there is a crime that not even the Daleks would dare consider. But the Master has more than considered - and he is ready to commit. When his TARDIS returns to Gallifrey carrying his corpse, a chain of events ensues that will change established history, Old friendships will be destroyed and dark alliances formed, as the Master exploits a terrifying truth. Even for the two most powerful races, time can be rewritten. 4.1 From the Flames by Nicholas Briggs. After the Master's TARDIS returns his remains to Gallifrey, in accordance with his final wishes, an intricate plot begins to change the nature of the universe forever. But even in death the Master threatens life. And only CIA Coordinator Narvin can hope to stop him. 4.2 The Master's Dalek Plan by Alan Barnes. As the Master infiltrates the Kaled scientific elite, the Time Lords seek to counter his interference. But while Narvin and President Livia try to stabilise the past, a new and horrifying future dawns in the wastelands of ancient Skaro. 4.3 Shockwave by Alan Barnes. With all known history threatened, the Daleks take desperate action to preserve their established legacy. When they cross dimensions to recruit an alternative incarnation of the Master, an uneasy alliance is formed ... But can either side truly trust the other? 4.4 He Who Wins by Nicholas Briggs. The Master has achieved an ultimate victory. But at what cost? Cast: Derek Jacobi (The Master), Mark Gatiss (The Other Master), Sean Carlsen (Narvin), Nicholas Briggs (The Daleks), Zaraah Abrahams (Kaled Corporal), Pippa Bennett-Warner (Livia), Vikash Bhai (Arfor), Daniel Brocklebank (Yaren), Richard Clifford (Novar), Ben Crystal (Soogasor), Christopher Harper (Kaled Guard), Will Kirk (Uglen), Jordan Renzo (Insloy), Gavin Swift (Crazlus), Franchi Webb (Lamarius). Other parts played by members of the cast.

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One of the most mysterious texts from the Second Byzantine Iconoclasm (815-843) is the so-called Synodical Letter, purportedly sent by Patriarchs Christopher of Alexandria, Job of Antioch, and Basil of Jerusalem to Emperor Theophilos in 836. The earliest reference thereto is dated 945, whereas the oldest extant manuscript fragment is written in the ninth-century uncial. But was it a real missive or pious forgery? Several Greek texts deriving from the lost original do not prove sufficient ground for a confident answer. Among the main problems is the lack of protocol elements indispensable for a document of this kind. Those elements, however, are present in the Slavonic text entitled Mnogosloznyj Svitok, which corresponds to "Polustichos tomos" in Greek. A thorough scrutiny has revealed that this is the closest version we possess to the original Letter. The Slavonic, besides indications of place (Jerusalem) and date (836) within the main text, contains two solid termini ante quos, 837 and 838, and names the actual compiler of the Letter - a certain monk Basil, who can very well be identical with the hagiographer Basil of Emesa. The latter in his Life of Theodore of Edessa claims to have attended a synod in Jerusalem, presumably that of 836. This book presents a critical edition of the Slavonic text together with corresponding Greek fragments, English translation, and Glossary. Russian translation is also attached.

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We know the shape of the world today because ships of the mid-fiftennth to mid-eighteenth centuries, driven by wind and human muscle, were navigated into every last bay and estuary on Earth searching for new riches. First the take was spices and other exotic products of the Orient, then gold and ivory from Africa, followed by beaver pelts, coffee, and goods from the Americas, and finally luxurious sea otter pelts from the Northwest Coast of North America. The ships that made these voyages evolved over time and their navigators benefited from centuries of accumulated experience. Voyages recounts the extraordinary feats of more than twenty of Europe's most daring maritime explorers as they ventured into the unknown and braved uncharted territory, including Christopher Columbus, Bartolomeu Dias, Vasco da Gama, John Cabot, Giovanni da Verrazzano, Jacques Cartier, Martin Frobisher, Ferdinand Magellan, Francis Drake, and James Cook. Exquisitely illustrated with almost 100 of Gordon Miller's paintings, many detailed maps, and ship drawings, Voyages reveals the evolution of maritime technologies, the rise and fall of maritime empires, the extreme dangers of sailing uncharted waters, the courage and brutality of life at sea, and the discovery of new continents, cultures, and products. Through their voyages, these ships and sailors defined the true dimensions of the oceans and coastlines of the world.

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Das Handbuch zeichnet die Tendenzen des Umgangs mit „Alter Musik“ heute und in der Vergangenheit nach und informiert konkret und detailreich über die verschiedenen Richtungen der Historischen Aufführungspraxis. Es betrachtet typische Erscheinungsformen der Szene, analysiert das Verhältnis zwischen Musikforschung und Musikbetrieb und nimmt die sozialen Bedingungen von Musikern in den Blick. Ergänzt werden die von renommierten internationalen Autorinnen und Autoren verfassten Sachkapitel durch 14 Interviews mit Leitfiguren der Alte Musik-Szene u.a. Jordi Savall, Katharina Bäuml, Christophe Rousset, René Jacobs oder Dorothee Oberlinger. Anfangs eine Sache weniger Spezialisten, wurde das Musizieren auf historischen Instrumenten und mit historischen Spielweisen in den 1970er- und 1980er-Jahren zu einer Bewegung mit kulturpolitischen Implikationen und ist heute selbstverständlicher Bestandteil des Musiklebens. Die Szene ist mittlerweile auch durch Pragmatismus, vor allem aber durch die Suche nach künstlerischen Entfaltungsmöglichkeiten der ganz überwiegend freien Ensembles geprägt. So hat die Historische Aufführungspraxis z. B. zu einer Renaissance der Barockoper an den Bühnen geführt, eine neue Kultur des Improvisierens und Arrangierens befördert, das Ziel einer Erweiterung des Repertoires für Alte Musik bis ins 19. Jahrhundert hinein verfolgt, Techniken der Rekonstruktion nicht schriftlich überlieferter Musik erarbeitet und Grenzüberschreitungen zu andern Musikgenres betrieben. All dies kommt in diesem Handbuch anschaulich zur Sprache.

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The first book-length study in any language of the "Berlin School," the most significant filmmaking movement to come out of Germany since the 1970s. The contemporary German directors collectively known as the "Berlin School" constitute the most significant filmmaking movement to come out of Germany since the New German Cinema of the 1970s, not least because their films mark the emergence of a new film language. The Berlin School filmmakers, including Christian Petzold, Thomas Arslan, Angela Schanelec, Christoph Hochhäusler, Ulrich Köhler, Benjamin Heisenberg, Maren Ade, and Valeska Grisebach, are reminiscent of the directors of the New German Autorenkino and of French cinéma des auteurs of the 1960s. This is the first book-length study of the Berlin School in any language. Its central thesis - that the movement should be regarded as a "counter-cinema" - is built around the unusual style of realism employed in its films, a realism that presents images of a Germany that does not yet exist. Abel concludes that it is precisely how these films' images and sounds work that renders them political: they are political not because they are message-driven films but because they are made politically, thus performing a "redistribution of the sensible" - a direct artistic intervention in the way politics partitions ways of doing and making, saying and seeing. Marco Abel is Professor of English and Film Studies at the University of Nebraska, Lincoln.

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'An epic tale . . . told relentlessly well. If you want to read a serious account of the price of Zionism, and a sobering review of Israel's new role as conqueror and occupier, then Hirst is your man.' Christopher HitchensA myth-breaking general history of the Israeli-Palestinian conflict, The Gun and the Olive Branch traces events right back to the 1880s to show how Arab violence, although often cruel and fanatical, is a response to the challenge of repeated aggression.Banned from six Arab countries, kidnapped twice, David Hirst, former Middle East correspondent of the Guardian, is the ideal chronicler of this terrible and seemingly insoluble conflict. The new edition of this 'definitive' (Irish Times) study brings the story right up to date. Amongst the many topics that are subjected to Hirst's piercing analysis are: the Oslo peace process, the Israeli occupation of the West Bank and Gaza, the destabilising effect of Jewish settlement in the territories, the second Intifada and the terrifying rise of the suicide bombers, the growing power of the Israel lobby - Jewish and Christian fundamentalist - in the United States, the growth of dissent in Israel and among sections of America's Jewish population, the showdown between Sharon and Arafat and the spectre of nuclear catastrophe that threatens to destroy the region.'[Hirst's] peerless reporting has earned him curses, expulsion and respect in virtually every country in the region.' Guardian

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The story of the building of an iconic mid-century housing estate, that is often seen as the model for housing architecture. Fully illustrated with commissioned photography of the interiors and exteriors, archive images and newly commissioned writing by leading architectural historians, plus interviews with people on the estate to capture their story. Following World War II, the population in the City of London plummeted, and with a duty to provide housing for those working in the area – such as nurses, policemen and doctors – the City Corporation commissioned architect Geoffry Powell in 1952 to design the Golden Lane Estate. Powell invited Christoph Bon and Jo Chamberlin to join him in developing a detailed design for the Estate. They would later become Chamberlin, Powell & Bon, working on world-renowned projects such as the Barbican Estate and the University of Leeds. Golden Lane Estate, now Grade II and Grade II* listed is often cited as being a model estate. With its high level of detailing, use of materials, colour, its humane scale, thoughtfulness of space, light, communal spaces, leisure facilities and integrated shops, it is exemplary, particularly for social housing. It was deemed as a success from the off and remains popular today, with many original tenants and/or their families still choosing to live there. What sets the estate apart is the sense of community and neighbourliness which is promoted by the architecture and design.

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Die vorliegende Neuauflage von Martin Hengels epochemachender Untersuchung über die Zeloten und die jüdische Freiheitsbewegung im ersten nachchristlichen Jahrhundert ist auch 50 Jahre nach ihrem Erscheinen für die Forschung noch immer unentbehrlich. In ihr wurde zum ersten Mal im Detail das Profil der vierten jüdischen Partei neben den Pharisäern, Sadduzäern und Essenern historisch und theologisch beschrieben. Hengel argumentierte, dass die treibende Kraft hinter dem jüdischen Aufstand gegen Rom nicht in erster Linie soziale Unruhen waren, sondern theologische Motive aus den jüdischen heiligen Schriften, die von den Zeloten in ein konkretes theo-politisches Programm mit messianischen Ansprüchen weiterentwickelt wurden. Wer immer sich mit der jüdischen Geschichte des Heiligen Landes im 1. Jahrhundert unserer Zeitrechnung beschäftigt, kommt an diesem Werk nicht vorbei. Neben seiner Bedeutung für die jüdische Geschichte stellt dieses Buch zugleich den Auftakt für Hengels lebenslange Beschäftigung mit den jüdischen Messiaserwartungen und seinen Studien zum historischen Jesus und der Entstehung der Christologie dar.Die deutsche Neuauflage von 1976 ist seit längerem vergriffen. Noch zu Lebzeiten Martin Hengels und in Absprache mit dem Autor hat sich der Verlag daher entschieden, eine behutsam bearbeitete Neuauflage herauszubringen. Roland Deines skizziert in einem Nachwort die Wirkungsgeschichte des Buches, die durch es ausgelösten Kontroversen sowie den aktuellen Stand der Erforschung des jüdischen Aufstandes gegen Rom.Mit der Aufnahme dieses Titels ist nun das gesamte Werk von Martin Hengel bei Mohr Siebeck erhältlich.

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Postcolonial Naturalism proposes an innovative periodizing schema for historicizing contemporary Anglophone fiction. Engaging and revising the materialist paradigm of the Warwick Research Collective’s concept of “world-literature,” Fredric Jameson’s mapping of modernity’s cultural periods, and Christopher L. Hill’s positing of a transnational naturalism, Eric D. Smith theorizes “postcolonial naturalism” as a structurally determined cultural logic rather than as a literary technique or style. Supported by careful, theoretically and critically sophisticated analyses of exemplary literary works, this important intervention invites us to reconsider the living history of aesthetic naturalism as well as its social and political implications for the practice of world-literature in the aftermath of anticolonial resistance.

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For the third time in 10 seasons, the Boston Red Sox are World Series champions. The team’s path to postseason glory—and the celebration that followed—are featured in this special commemorative volume. The book documents the American League Divisional Series, American League Championship Series, and World Series games that led up to the clinching Game 6 victory with action-packed photos, great quotes, and colorful commentary by Globe columnists Dan Shaughnessy, Christopher Gasper, and others, as well as a special introduction by Red Sox manager John Farrell. The photo-driven keepsake also includes the celebratory parade, which captured the passion and excitement of the Red Sox players as well as fans throughout Boston.

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Anouk Ricard's bold and colourful comics of this quirky, grumpy gang of pals are delightfully weird yet thoroughly reaslistic in their honest and hilarious portrayal of friendship. Anna, Froga, Christopher the worm, Ron the cat, and Babu the dog continue their non-adventures with bickering, needling, cajoling, and honest friendship. No white lie goes unexposed, no small embarrassment goes unrevealed, no secret is kept, everyone's foibles are fodder for jokes. Anna and Froga: Completely Babu collects all five volumes of the acclaimed Anna and Froga series into an accessible paperback. Ricard's virbrant world shines with visual puns and deft animal caricatures, making Anna and Froga enjoyable for kids and their parents alike.

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Christopher Martin, the sole survivor of a torpedoed destroyer, is stranded upon a rock in the middle of the Atlantic. Pitted against him are the sea, the sun, the night cold and the terror of his isolation. To drink there is a pool of rain water; to eat there are weeds and sea anemones. Through the long hours with only himself to talk to, Martin must try to assemble the truth of his fate, piece by terrible piece. While most readers are aware of William Golding as the writer of Lord of the Flies, it is Pincher Martin, his third novel, that speaks most directly to contemporary readers. This shocking, unusual bullet of a book is the definitive survival novel and has an ending that is guaranteed to leave you reeling.

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Most Anticipated by Foreign Policy • Globe and Mail • Publishers Weekly • Next Big Idea Club Must Read April Books“Will stand as a classic.” – Christopher Leonard 'Riveting, shocking, and full of revelations.' - Bryan BurroughFrom veteran Amazon reporter for The Wall Street Journal, The Everything War is the first untold, devastating exposé of Amazon's endless strategic greed, from destroying Main Street to remaking corporate power, in pursuit of total domination, by any means necessary. In 2017, Lina Khan published a paper that accused Amazon of being a monopoly, having grown so large, and embedded in so many industries, it was akin to a modern-day Standard Oil. Unlike Rockefeller’s empire, however, Bezos’s company had grown voraciously without much scrutiny. In fact, for over twe

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The first double-issue of Shearsman magazine for 2021. Poetry by Charlotte Baldwin, Linda Black, Melissa Buckheit , Charlotte Baldwin, Susan Connolly, Harriet Cooper-Smithson, Claire Crowther, Amy Crutchfield, Jane Frank, Amlanjyoti Goswami, Christopher Gutkind, Mandy Haggith, Jeremy Hooker, David Johnson, Norman Jope, L Kiew, Peter Larkin, Mary Leader, Carola Luther , Robin Fulton Macpherson, Olivia McCannon, Peter Robinson, David Rushmer, Maurice Scully, Aidan Semmens, Lucy Sheerman, Hannah Cooper Smithson, Agnieszka Studzińska, Scott Thurston, Anannya Uberoi, John Welch, Petra White, Tamar Yoseloff & translations of Marta Agudo (by Lawrence Schimel), Kjell Espmark (by Robin Fulton Macpherson), Kinga Tóth (by Annie Rutherford) & Virgil (by David Hadbawnik). With this issue, Shearsman magazine marks 40 years of publication.

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NEW YORK TIMES 100 NOTABLE BOOKS OF 2017: 'masterly'GUARDIAN BEST BOOKS OF THE YEAR: 'An absolute tour de force'Fran may be old but she's not going without a fight. So she dyes her hair, enjoys every glass of red wine, drives restlessly around the country and lives in an insalubrious tower block that her loved ones disapprove of. And as each of them - her pampered ex Claude, old friend Jo, flamboyant son Christopher and earnest daughter Poppet - seeks happiness in their own way, what will the last reckoning be? Will they be waving or drowning when the end comes? By turns joyous and profound, darkly sardonic and moving, The Dark Flood Rises questions what makes a good life, and a good death.

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Sir Christopher Wren overcame a complete lack of formal training and firsthand knowledge of European architecture to become a master of his art. He built nothing before he was thirty; but by the time he was seventy and still very active, his achievements rivaled those of any European architect. Wren was gifted with a fertile imagination, and his artistic gifts were complemented by his brilliant technical ingenuity. This combination is apparent in Wren's greatest work, St. Paul's Cathedral in London, which required rebuilding after the Great Fire of 1666. The famous dome of St. Paul's is a masterpiece of engineering, but it is also considered among the most beautiful in the world; it occupies a striking place in the London skyline as a legacy to England's greatest architect.

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From stories of zombie apocalypses to love stories centered on brooding, blood-sucking vampires, the occult and all things goth are immensely popular in today's media. Now, Christopher Hart's latest title in his Manga for the Beginner series, teaches fans and artists how to draw their own spooky people. Inside, readers will find all they need to know about turning a cute child into an undead one, how to draw ghoulish creatures of the night and secrets for injecting any drawing with gothic flair. With his trademark quick tips and helpful hints, Chris Hart provides the most thorough instruction available for this all-time favourite genre of manga fans.

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Brand new deluxe edition of this definitive companion to The Hobbit, quarter-bound, stamped in gold foil with a unique design inspired by J.R.R. Tolkien’s own artwork, featuring a ribbon marker and housed in a matching custom-built slipcase. The Hobbit was first published on 21 September 1937. Like its sequel, The Lord of the Rings, it is a story that ‘grew in the telling’, and many characters and plot threads in the published text are quite different from the story J.R.R. Tolkien first wrote to read aloud to his young sons as one of their ‘fireside reads’. Together in one volume, The History of the Hobbit presents the complete text of the unpublished manuscript of The Hobbit, accompanied by John Rateliff’s lively and informative account of how the book came to be written and published. Recording the numerous changes made to the story both before and after publication, he examines – chapter by chapter – why those changes were made and how they reflect Tolkien’s ever-growing concept of Middle-earth. As well as reproducing the original version of one of the world’s most popular novels – both on its own merits and as the foundation for The Lord of the Rings – this book includes many little-known illustrations and draft maps for The Hobbit by Tolkien himself. Also featured are extensive commentaries on the dates of composition, how Tolkien’s professional and early mythological writings influenced the story, the imaginary geography he created, and how Tolkien came to revise the book years after publication to accommodate events in The Lord of the Rings. Endorsed by Christopher Tolkien as a companion to his essential 12-volume The History of Middle-earth, this thoughtful and exhaustive examination of one of the most treasured stories in English literature offers fascinating new insights for those who have grown up with this enchanting tale, and will delight any who are about to enter Bilbo’s round door for the first time.

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Ulrike Mittmann-Richert entwickelt in kritischer Auseinandersetzung mit der älteren und neueren Lukasforschung eine neue lukanische Soteriologie. Sie wendet sich gegen die These, bei Lukas habe das Kreuz Christi nicht den Stellenwert, den es in anderen neutestamentlichen Schriften hat. Ausgangspunkt ist die Erkenntnis, daß Lukas das Kreuzesgeschehen von Jesaja 53 her durchdringt und auf der Grundlage dieses Textes Jesus auf seinem Weg an das Kreuz konsequent als den von Gott zur Erlösung des Menschen gesandten Gottesknecht stilisiert. Wie andere neutestamentliche Schriftsteller versteht Lukas den Kreuzestod Jesu als ein Sühnegeschehen, gleichzeitig als die eschatologische Zeitenwende. In Jesu Todesstunde öffnet sich für den von der Macht der Sünde befreiten Menschen der Zugang zum Reich Gottes und wird das Leben in der ungebrochenen Gemeinschaft mit Gott zur Realität ewigen Heils. Die Autorin erstellt dieses soteriologische Profil des Lukasevangeliums in der Auslegung seiner Haupttexte, vor allem der Passions- und Ostererzählungen. In ausführlichen Exkursen bewertet sie auch die lukanische Christologie, Anthropologie, Eschatologie und Ekklesiologie neu.

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