Search results for ""Author Christo"

Isn’t it funny How a bear likes honey? Buzz! Buzz! Buzz! I wonder why he does? The perfect introduction to Winnie-the-Pooh! Classic Winnie-the-Pooh Story Winnie-the-Pooh And The Wrong Bees – With The Original Text By A.A.Milne And Decorations By E.H.Shepard It’s A Timeless Gift For Fans Of All Ages. Collect The Range. Winnie-the-Pooh goes out for a walk and encounters the “wrong sort of bees” in this, the first Winnie-the-Pooh story by A.A.Milne. This beautiful little storybook is a great way to introduce young readers to the characters in the Hundred Acre Wood. This is guaranteed to be a bedtime favourite for children aged 5 and up. This book is all the more special due to E.H.Shepard’s decorations, which are shown in full, glorious colour. They are truly iconic and contributed to him being known as ‘the man who drew Pooh’. Look out for all the titles in the collection: Winnie-the-Pooh and the Wrong Bees Winnie-the-Pooh: Pooh Goes Visiting Winnie-the-Pooh: Piglet Meets a Heffalump Winnie-the-Pooh: Piglet Does a Very Grand Thing Winnie-the-Pooh: Eeyore Has a Birthday Winnie-the-Pooh: A House is Built for Eeyore Winnie-the-Pooh: Pooh Invents A New Game Winnie-the-Pooh: Eeyore Loses a Tail The nation’s favourite teddy bear has been delighting generations of children for over 95 years. Milne’s classic children’s stories – featuring Piglet, Eeyore, Christopher Robin and, of course, Pooh himself – are gently humorous while teaching lessons about friendship and kindness. Pooh ranks alongside other beloved character such as Paddington Bear, and Peter Rabbit as an essential part of our literary heritage. Whether you’re 5 or 55, Pooh is the bear for all ages.

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Essays on the complexity of multilingualism in medieval England. Professor Jocelyn Wogan-Browne's scholarship on the French of England - a term she indeed coined for the mix of linguistic, cultural, and political elements unique to the pluri-lingual situation of medieval England - is of immenseimportance to the field. The essays in this volume extend, honour and complement her path-breaking work. They consider exchanges between England and other parts of Britain, analysing how communication was effected where languagesdiffered, and probe cross-Channel relations from a new perspective. They also examine the play of features within single manuscripts, and with manuscripts in conversation with each other. And they discuss the continuing reach ofthe French of England beyond the Middle Ages: in particular, how it became newly relevant to discussions of language and nationalism in later centuries. Whether looking at primary sources such as letters and official documents, orat creative literature, both religious and secular, the contributions here offer fruitful and exciting approaches to understanding what the French of England can tell us about medieval Britain and the European world beyond. Thelma Fenster is Professor Emerita of French and Medieval Studies, Fordham University; Carolyn Collette is Professor of English Language and Literature at Mount Holyoke College. Contributors: Christopher Baswell,Emma Campbell, Paul Cohen, Carolyn Collette, Thelma Fenster, Robert Hanning, Richard Ingham, Maryanne Kowaleski, Serge Lusignan, Thomas O'Donnell, W. Mark Ormrod, Monika Otter, Felicity Riddy, Delbert Russell, Fiona Somerset, +Robert M. Stein, Andrew Taylor, Nicholas Watson, R.F. Yeager

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A reassessment of the impact of the Hanoverian succession. Was the accession of the Hanoverian dynasty of Brunswick to the throne of Britain and its empire in 1714 merely the final act in the 'Glorious Revolution' of 1688-89? Many contemporaries and later historians thought so, explainingthe succession in the same terms as the earlier revolution - deliverance from the national perils of 'popery and arbitrary government'. By contrast, this book argues that the picture is much more complicated than straightforwardcontinuity between 1688-89 and 1714. Emphasizing the plurality of post-Revolutionary developments, it explores early eighteenth-century Britain in light of the social, political, economic, religious and cultural transformations inaugurated by the 'Glorious Revolution' of 1688-1689 and its ensuing settlements in church, state and empire. The revolution of 1688-89 was much more transformative and convulsive than is often assumed; and the book shows that, although the Hanoverian Succession did embody a clear-cut reaffirmation of the core elements of the Revolution settlement - anti-Jacobitism and anti-popery - its impact on various post-Revolutionary developments in Church, state, Union, intellectual culture, international relations, political economy and empire is decidedly less clear. BRENT S. SIROTA is Associate Professor in the Department of History at North Carolina State University. ALLAN I. MACINNES is Emeritus Professor of History at the University of Strathclyde. CONTRIBUTORS: James Caudle, Megan Lindsay Cherry, Christopher Dudley, Robert I. Frost, Allan I. Macinnes, Esther Mijers, Steve Pincus, Brent S. Sirota, Abigail L. Swingen, Daniel Szechi, Amy Watson

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This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality, as well as queerness, modernity, and loss—run through the essays. At the same time, the contributions are informed by developments in critical race theory, postcolonial studies, and feminist theory. As the contributors bring affect theory to bear on photography, some interpret the work of contemporary artists, such as Catherine Opie, Tammy Rae Carland, Christian Boltanski, Marcelo Brodsky, Zoe Leonard, and Rea Tajiri. Others look back, whether to the work of the American Pictorialist F. Holland Day or to the discontent masked by the smiles of black families posing for cartes de visite in a Kodak marketing campaign. With more than sixty photographs, including twenty in color, this collection changes how we see, think about, and feel photography, past and present.Contributors. Elizabeth Abel, Elspeth H. Brown, Kimberly Juanita Brown, Lisa Cartwright, Lily Cho, Ann Cvetkovich, David L. Eng, Marianne Hirsch, Thy Phu, Christopher Pinney, Marlis Schweitzer, Dana Seitler, Tanya Sheehan, Shawn Michelle Smith, Leo Spitzer, Diana Taylor

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In The Fragile Balance of Terror, the foremost experts on nuclear policy and strategy offer insight into an era rife with more nuclear powers. Some of these new powers suffer domestic instability, others are led by pathological personalist dictators, and many are situated in highly unstable regions of the world—a volatile mix of variables. The increasing fragility of deterrence in the twenty-first century is created by a confluence of forces: military technologies that create vulnerable arsenals, a novel information ecosystem that rapidly transmits both information and misinformation, nuclear rivalries that include three or more nuclear powers, and dictatorial decision making that encourages rash choices. The nuclear threats posed by India, Pakistan, Iran, and North Korea are thus fraught with danger. The Fragile Balance of Terror, edited by Vipin Narang and Scott D. Sagan, brings together a diverse collection of rigorous and creative scholars who analyze how the nuclear landscape is changing for the worse. Scholars, pundits, and policymakers who think that the spread of nuclear weapons can create stable forms of nuclear deterrence in the future will be forced to think again. Contributors: Giles David Arceneaux, Mark S. Bell, Christopher Clary, Peter D. Feaver, Jeffrey Lewis, Rose McDermott, Nicholas L. Miller, Vipin Narang, Ankit Panda, Scott D. Sagan, Caitlin Talmadge, Heather Williams, Amy Zegart

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Selected as a Doody's Core Title for 2022 and 2023! Part of the popular and well-regarded Clinical Anesthesia family of titles, and founded by Drs. Paul G. Barash, Bruce F. Cullen, and Robert K. Stoelting, Clinical Anesthesia Fundamentals, Second Edition, is a concise, highly visual resource covering the core concepts in anesthesiology. The editorial board comprised of Drs. Bruce F. Cullen, M. Christine Stock, Rafael Ortega, Sam R. Sharar, Natalie F. Holt, Christopher W. Connor, and Naveen Nathan, and their team of expert contributors clearly and simply present the information you need on key aspects of anesthesia for every specialty area and key organ systems. From physiology and pharmacology to anatomy and system-based anesthesia, it uses full-color graphics, easy-to-read tables, and clear, concise text to convey the essential principles of the field. Presents material in a highly visual manner, including “Did You Know” boxes that highlight key points, as well as video boxes that reference more than 120 short, to-the-point tutorial videos in the eBook, in addition to end of chapter multiple choice questions, answers, and explanations. New features include: a chapter on anesthesia for the older patient as well as 31 chapter-based infographics that provide “At a Glance” or “A Closer Look” at topical content. The ebook also comes with access to question-based interactive versions of the infographics, as well as dozens of video lectures covering every chapter in the book, including 500integrated review questions throughout. Includes an introductory section covering scientific and technical foundations, pharmacology, and technology. Features helpful appendices with handy formulas; an electrocardiography atlas; numerous key protocols, guidelines, and standards; algorithms, and more. Ideal for medical students, residents, SRNAs, CRNAs, and practitioners studying for board exams—anyone who needs a quick overview of the essential elements of clinical anesthesia in an easily accessible format. ,Enrich Your eBook Reading Experience Read directly on your preferred device(s), such as computer, tablet, or smartphone. Easily convert to audiobook, powering your content with natural language text-to-speech. , ,

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The letter to the Colossians offers great insight into the faith, life, and problems of an early Christian church. Understanding this letter to be one of Paul's prison epistles but aware of the differences between this and his other writings, Jerry Sumney shows how the church struggled with expressing its new faith in the diverse settings of the Greco-Roman world. Paying special attention to the ways of forgiveness and salvation through the power of Christ, this fine commentary shows Colossians' expansive Christology and expectant eschatology.The New Testament Library offers authoritative commentary on every book and major aspect of the New Testament, as well as classic volumes of scholarship. The commentaries in this series provide fresh translations based on the best available ancient manuscripts, offer critical portrayals of the historical world in which the books were created, pay careful attention to their literary design, and present a theologically perceptive exposition of the text.

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THE FIVE-DAY WORKING WEEK MUST CHANGE: HERE'S HOW.Fingers crossed that this book will shake up the five-day working week.' - Sir Christopher Pissarides, 2010 Nobel Laureate in EconomicsFriday is the New Saturday makes a compelling, provocative and timely case for societal change. Drawing on an eclectic range of economic theory, history and data, Dr Pedro Gomes argues that a four-day working week will bring about a powerful economic renewal for the benefit of all society. It will stimulate demand, productivity, innovation and wages, whilst reducing unemployment and crushing populist movements. The arguments come from both the left and right of the political spectrum to show that a polarised society can still find common ground.In the 1800s, people in the West worked six days each week, resting on Sundays. In the 1900s, firms began to give workers Saturdays off as well, realising that a two-day weekend helped the

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These sketchbooks have an extraordinary story behind them, created as they were in 1942, Alfred Wallis’s final year, when he lived in the Penzance poorhouse. They shine new light on his contribution to the development of modern art in Britain. A Cornish mariner and scrap metal dealer, he was self-taught and started to paint in around 1925 following the death of his wife three years earlier. A potent influence in the late 1920s for artists Winifred and Ben Nicholson and Christopher Wood, his simple and direct style communicated a truth of experience that also came to personify the overriding character of St Ives as an art community that valued his authenticity of expression. The legacy of his art continues to inspire artists today. This book brings together the contents of three sketchbooks that Wallis filled with drawings. With an introduction by curator Andrew Wilson, it offers a remarkable insight into Wallis’s art of memory made tangible. 'No, I don’t think a good Wallis is representational it is simply REAL.’ - Ben Nicholson.

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Artists and professionals worldwide guide you through creating props, armor, and accessories with techniques to modify color, heat form, and detail with thermoplastics and other modern materials.

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John Gower's poetry offers an important and immediate response to the turbulent events of his day. The essays here examine his life and his works from an historical angle, bringing out fresh new insights. The late fourteenth century was the age of the Black Death, the Peasants' Revolt, the Hundred Years War, the deposition of Richard II, the papal schism and the emergence of the heretical doctrines of John Wyclif and the Lollards. These social, political and religious crises and conflicts were addressed not only by preachers and by those involved in public affairs but also by poets, including Chaucer and Langland. Above all, though, it is in the verse of John Gower that we find the most direct engagement with contemporary events. Yet, surprisingly, few historians have examined Gower's responses to these events or have studied the broader moral and philosophical outlook which he used to make sense of them. Here, a number of eminent medievalists seek to demonstrate what historians can add to our understanding of Gower's poetry and his ideas about society (the nobility and chivalry, the peasants and the 1381 revolt, urban life and the law), the Church (the clergy, papacy, Lollardy, monasticism, and the friars) gender (masculinity and women and power), politics (political theory and the deposition of Richard II) and science and astronomy. The book also offers an important reassessment of Gower's biography based on newly-discovered primary sources. STEPHEN RIGBY is Emeritus Professor of Medieval Social and Economic History at the University of Manchester; SIAN ECHARD is Professor of English, University of British Columbia. Contributors: Mark Bailey, Michael Bennett, Martha Carlin, James Davis, Seb Falk, Christopher Fletcher, David Green, David Lepine, Martin Heale, Katherine Lewis, Anthony Musson, Stephen Rigby, Jens Röhrkasten.

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In today’s scattering world, challenged as it is by climate change, pollution and other forms of environmental degradation, developing an adequate theology of creation is not just an armchair luxury, but a vital task, a mission in which we are implicated whether we like it or not. Such an adequate theology of creation should allow theologians and believers in general to enter into processes of personal and social transformation that bring about justice between human beings and a sustainable relationship of humankind with non-human reality. The contributions to this volume take up the difficult task of developing an adequate theology of creation for our times. They seek to reflect on creation in our scattering world from multiple and diverse perspectives, engaging Scripture, old and new traditions, philosophy, ethics, science, Christology, ecclesiology, sacraments and the liturgy. The wealth and heterogeneity of perspectives gathered in this collection is a gift to be explored and cherished. The articles gathered in this book contribute to an urgently needed re-articulation of the idea of creation and offer to theologians the occasion to sound their own voice in the forum of those who attempt to answer the great challenges posed by the times in which we live.

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Any student of the New Testament must be conscious of the competing expectations in ancient Jewish thought of what and who the Messiah would be. In King and Messiah, Aage Bentzen offers a fascinating glimpse into this topic, which preoccupied the most eminent Scandinavian biblical scholars of the mid-twentieth century. Beginning with the Messiah described in many of the Psalms, representing a demythologised form of the Oriental concept of kingship, Bentzen proceeds to the eschatological Messiah of Isaiah and Micah. He next discusses the later, prophetic-Messianic Moses Redivivus of Deutero-Isaiah, reaching the final stage of Old Testament Messianic thought in the description of the Son of Man in Daniel 7, which carries the 'eschatologising' process still further. Bentzen shows how all of these Old Testament types are synthesised in the Christology of the New Testament - Jesus is the new Adam, the present Messiah, the suffering Prophet, the new Moses and the future Divine King - and yet simultaneously superseded. The Christian 'myth' adds its own adornment to the complex question of Jesus' identity.

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An award-winning study of England’s unique and peculiarly insular variant of modernism. While the battles for modern art and society were being fought in France and Spain, it has seemed a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea-shops. In this multi-award-winning book, Alexandra Harris tells a different story. In the 1930s and 1940s, artists and writers explored what it meant to be alive in England. Eclectically, passionately, wittily, they showed that ‘the modern’ need not be at war with the past. Constructivists and conservatives could work together, and even the Bauhaus émigré, László Moholy-Nagy, was beguiled into taking photographs for Betjeman’s nostalgic Oxford University Chest. This modern English renaissance was shared by writers, painters, gardeners, architects, critics, tourists and composers. John Piper, Virginia Woolf, Florence White, Christopher Tunnard, Evelyn Waugh, E. M. Forster and the Sitwells are part of the story, along with Bill Brandt, Graham Sutherland, Eric Ravilious and Cecil Beaton.

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Politicians and philosophers presenting themselves as the ultimate bearers of truth and reality have created unprecedented technological, cultural, and political framings. This new order conspires to undermine the interpretive practices of open-ended critique, normalizing a sense of threat to preserve control. The greatest emergency has become the absence of emergencies. Tracing an intellectual alliance between academics such as Jordan Peterson and Christina Hoff Sommers and right-wing populist politicians such as Donald Trump and Marine Le Pen, this book denounces framings that make a claim to objectivity. With the help of contemporary thinkers including Bruno Latour, Judith Butler, and Giorgio Agamben, as well as discussion of the Cambridge Analytica whistleblower Christopher Wylie and the emergency of biodiversity loss due to climate change, Santiago Zabala illustrates that the twenty-first-century question is not whether we can be free, but how to be at large - unconstrained by the new realist order. Being at Large demonstrates the anarchic power of hermeneutics, calling for interpretive disruptions of the authoritarian narrative as a way of reclaiming freedom in the age of alternative facts.

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LEGO® Minifigures don’t play around when it comes to matters of the heart! We Just Click is a sweet and humorous look at love within the zany LEGO universe. Fifty pairs of iconic Minifigures answer the timeless question: “I knew we clicked when . . . ,” sharing heartwarming moments of romance, friendship, and love. • We Just Click features a different diverse relationship on each spread. • Highlights what our favorite Minifigures love about each other with delightful, punny humor • Has a little something for the LEGO lover in each of us We Just Click is a lighthearted, humorous exploration of love within the LEGO universe, in all of its forms. It’s almost as if Minfigures were made to fit together. • Features a diverse range of relationships and representation of love • Perfect lighthearted gift for friends, parents, and children—celebrates love in all its forms • Great for nostalgic LEGO lovers, newfound fans, and those who loved The LEGO Movie • Add it to the shelf with books like I Lego N.Y. by Christoph Niemann, A Lovely Love Story by Edward Monkton, and Unlikely Loves: 43 Heartwarming True Stories from the Animal Kingdom by Jennifer S. Holland.

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Rowland showcases here the dominant contemporary approaches to doing Catholic theology. Chapter 1 offers a summary of the two International Theological Commission (ITC) documents on the discipline of Catholic theology. These documents set out the general principles which should govern any approach to Catholic theology (at least according to the ITC). The subsequent chapters each focus on one of four different approaches frequently found in contemporary Catholic academies: the approach of Thomists, members of the Communio milieu, members of the Concilium milieu and promoters of different varieties of Liberation Theology. Rowland's work is pitched at the level of first time students of theology who are trying to make sense of the methodological choices which undergird the different approaches to Catholic theology. Rowland concludes with four appendices: a list of all Doctors of the Church, a list of all encyclicals since the 19th century, a list of the documents of the Second Vatican Council, and a list of definitions of the various Christological heresies which were the subject of the debates of the early Church Councils. These appendices will provide useful reference tables for young scholars, including seminarians.

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At ninety years old, Mary Soames is the only surviving child of Winston and Clementine Churchill. A Daughter’s Tale follows her early life from an idyllic childhood in her own ‘Garden of Eden’ at Chartwell to her ATS service in mixed anti-aircraft batteries during the war. With glimpses into her fascinating personal diary, published here for the first time, she draws us into a world where the experiences of a packed family, social and romantic life unfold against a background of cataclysmic events.When Chamberlain’s declaration of war in 1939 shatters Mary’s world, she begins to share the anxieties and stresses suffered by her family through her father’s position. The mutual love between Mary and her parents is evident on every page, from her Chartwell years to Winston’s defeat at the 1945 general election, when she recounts her own devastation on her father’s behalf. As she meets her future husband Christopher Soames at the end of this charming memoir, it is clear that, at twenty-four, Mary has lived a full life and is well prepared for her future as wife and mother.

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THE ACTION-PACKED FINAL VOLUME IN THE EPIC TRILOGY THAT FANTASY FANS EVERYWHERE ARE TALKING ABOUT 'Unflinchingly bloodthirsty and outrageously entertaining' Christopher Brookmyre 'It simply grabbed me by the throat and wouldn't let go' Bibliosanctum 'Gore soaked and profanity laden - full of visceral combat and earthy humor' Publishers Weekly 'Would I read the next one? Yes, absolutely. Bring me my hammer, bring my beer, bring it on!' SF Crowsnest 'Fun and addictive' Fantasy Faction Invaders have massacred and pillaged their way through neighbouring kingdoms and loom on the far side of the sea, ready to descend upon the fortress of Maidun - with them are an unstoppable legion of men twisted by dark magic. Somehow Queen Lowa's army must repel the invasion, although their best general is dead and their young druid powerless. She faces impossible odds, but when the alternative is death or slavery, a warrior queen will do whatever it takes to save her people. Look out now for YOU DIE WHEN YOU DIE - first in a new series from Angus Watson.

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The language of self-fulfilment, self-realization, and self-actualization (in short, 'authenticity') has become common in contemporary culture. The desire to be authentic is implicitly a desire to shape one's self in accordance with an ideal, and the concern for what it means to be authentic is, in many ways, the modern form of the ancient question what is the life of excellence? However, this notion of authenticity has its critics: Christopher Lasch, for instance, who equates it with a form of narcissism and Theodor Adorno, who views it as a glorification of privatism. Brian J. Braman argues that, despite such criticisms, it is possible to speak about human authenticity as something that addresses contemporary concerns as well as the ancient preoccupation with the nature of the good life. He refers to the work of Bernard Lonergan and Charles Taylor, thinkers who place a high value on the search for human authenticity. Lonergan discusses authenticity in terms of a three-fold conversion-intellectual, moral, and religious-while Taylor views authenticity as a rich, vibrant, and important addition to conversations about what it means to be human. Meaning and Authenticity is an engaging dialogue between these two thinkers, both of whom maintain that there is a normative conception of authentic human life that overcomes moral relativism, narcissism, privatism, and the collapse of the public self.

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Every generation of theologians must respond to its context by rearticulating the central tenets of the faith. Interreligious comparison has been integral to this process from the start of the Christian tradition and is especially salient today. The emerging field of comparative theology, in which close study of another religious tradition yields new questions and categories for theological reflection in the scholar’s home tradition, embodies the ecumenical spirit of this moment. This discipline has the potential to enrich systematic theology and, by extension, theological education, at its foundations. The essays in Comparing Faithfully demonstrate that engagement with religious diversity need not be an afterthought in the study of Christian systematic theology; rather, it can be a way into systematic theological thinking. Each section invites students to test theological categories, to consider Christian doctrine in relation to specific comparisons, and to take up comparative study in their own contexts. This resource for pastors and theology students reconsiders five central doctrines of the Christian faith in light of focused interreligious investigations. The dialogical format of the book builds conversation about the doctrine of God, theodicy, humanity, Christology, and soteriology. Its comparative essays span examples from Hindu, Buddhist, Jewish, Muslim, Jain, and Confucian traditions as well as indigenous Aztec theology, and contemporary “spiritual but not religious” thought to offer exciting new perspectives on Christian doctrine.

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In the United States, there exists increasing uneasiness about the predominance of self-interest in both public and private life, growing fear about the fragmentation and privatization of American society, mounting concerns about the effects of institutions—ranging from families to schools to the media—on the character of young people, and a renewed tendency to believe that without certain traditional virtues neither public leaders nor public policies are likely to succeed. In this thirty-fourth volume in The American Society of Legal and Political Philosophy, a distinguished group of international scholars from a range of disciplines examines what is meant by virtue, analyzing various historical and analytical meanings of virtue, notions of liberal virtue, civic virtue, and judicial virtue, and the nature of secular and theological virtue. The contributors include: Jean Baechler (University of Paris-Sorbonne), Annette C. Baier (University of Pittsburgh), Ronald Beiner (University of Toronto), Christopher J. Berry (University of Glasgow), J. Budziszweski (University of Texas), Charles Larmore (Columbia University), David Luban (University of Maryland), Stephen Macedo (Harvard University), Michael J. Perry (Northwestern University), Terry Pinkard (Georgetown University), Jonathan Riley (Tulane University), George Sher (University of Vermont), Judith N. Shklar (Harvard University), Rogers M. Smith (Yale University), David A. Strauss (University of Chicago), and Joan C. Williams (American University).

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Campegius Vitringa (16591722) of Franeker University was a biblical scholar of considerable influence for the first half of the 18th century. Similar to that of Calvin, his exegetical methodology attempts to walk a via media between the historicism of Grotius (1583-1645) and the Christocentrism of Cocceius (16031669). His magnum opus was a widely-acclaimed commentary on Isaiah (1720). Vitringa scholars have charted his influence along a historical-critical trajectory (including Schultens, Venema, Alberti, Manger, Delitzsch, and Gesenius) and along a Pietistic trajectory (including Franke, Lange, and Bengel, leading toward Lessing, Herder and German Idealism). The book includes the first biography in English and compares his hermeneneutical theoria with his praxis. It analyzes Vitringas exegetical presuppositions, his remarkably high view of the Bible, and his canones hermeneuticos (highly valued by J.J. Rambach [16931735]). It shows Vitringas contextual sensitivity at every level of exegesis, commitment to New Testament normativity in the reading of Isaiah (in which redemptive history is the ultimate hermeneutical horizon), nuanced views on the historical fulfillment of prophecy, and concern for pastoral application. A scholars scholar, widely admired for his mastery of the languages and his intense historical focus in exegesis, Vitringa was also appreciated for his orthodox views, warm-hearted piety, and love for the church.

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The suggestion that the New Testament contains citations of early Christological hymns has long been a controversial issue in New Testament scholarship. As a way of advancing this facet of New Testament research, Matthew E. Gordley examines the Colossian hymn (Col 1:15-20) in light of its cultural and epistolary contexts. As a result of a broad comparative analysis, he claims that Col 1:15-20 is a citation of a prose-hymn which represents a fusion of Jewish and Greco-Roman conventions for praising an exalted figure. A review of hymns in the literature of Second Temple Judaism demonstrates that the Colossian hymn owes a number of features to Jewish modes of praise. Likewise, a review of hymns in the broader Greco-Roman world demonstrates that the Colossian hymn is equally indebted to conventions used for praising the divine in the Greco-Roman tradition. In light of these hymnic traditions of antiquity, the analysis of the form and content of the Colossian hymn shows how the passage fits well into a Greco-Roman context, and indicates that it is best understood as a quasi-philosophical prose-hymn cited in the context of a paraenetic letter. Finally, in view of ancient epistolary and rhetorical theory and practice, an analysis of the role of the hymn in Colossians suggests that the hymn serves a number of significant rhetorical functions throughout the remainder of the letter.

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Encuadernación: rústicaColección: Sillón OrejeroLewis Trondheim lleva una felicidad atormentada. Son ya 80 días sin ponerse delante de un nuevo álbum después de haber estado durante 14 años dibujando y también escribiendo para otros de forma ininterrumpida y tremendamente prolífica. Detecta el problema de la repetición y tras preguntarse "Por qué los autores de cómic envejecen mal?" intenta encontrar las esquivas claves que permitan mantener la frescura y la magia que eviten derivar hacia un definitivo agotamiento creativo. Para ello, en sus viajes a distintos salones de cómic a los que es invitado y que alterna supervisando a un equipo de guionistas de una serie de animación para TV sobre El rey catástrofe, decide contrastar experiencias y "documentarse" con múltiples encuentros, conversaciones y correos electrónicos cruzados con autores jóvenes y veteranos ?todos ellos antropomorfizados como él?, de Moebius y Gotlib a Sfar y Frank Margerin, de Bilal y Fred a Christophe Blain y

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Danielle Steel nos regala un nuevo relato mágico en el cual nos recuerda que, a veces, los cuentos de hadas se hacen realidad.N 1 del New York TimesChristophe y Joy eran una pareja profundamente enamorada cuando convirtieron su suntuosa propiedad en California en una pequeña bodega de prestigio. En ese entorno de ensueño criaron a Camille, su única hija, que no tardará en regresar tras terminar los estudios para ayudar con el negocio familiar.Pero cuando la enfermedad se lleva a su madre y su padre cree recuperar la felicidad con una nueva compañera, Camille queda a la merced de su madrasta y comprende que su lugar en la familia está en peligro.La aparición en escena de una peculiar hada madrina y la ayuda inesperada de un vecino con aspecto de príncipe quizá le permitan recuperar su paraíso perdido y defender su legado.La crítica ha dicho...Steel es una de las mejores!Los Angeles TimesPocas mujeres transmiten el pathos de la

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The first novel from two-time National Book Award winner Jesmyn Ward, a timeless Southern fable of brotherly love and familial conflict Joshua and Christophe are twins, raised by a blind grandmother and a large extended family in a rural town on Mississippi’s Gulf Coast. Over the course of a single, life-changing summer, as they struggle to find work and contend with the reappearance of their parents – Cille, who left town for a better job, and Sandman, a dangerous addict – the brothers are forced into a series of decisions that will ultimately damn or save them. A delicate and closely observed portrait of fraternal love and strife and the bonds that can sustain and torment us, Where the Line Bleeds marks the beginning of Jesmyn Ward’s extraordinary career in fiction.

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'You should definitely read Jack McDevitt' Gregory BenfordForty-one years ago, renowned physicist Dr. Christopher Robin vanished. Before his disappearance, his fringe science theories about the existence of endless alternate universes had earned him both admirers and enemies.Now his widow has died and Alex Benedict has been asked to handle the auction of the physicist's artifacts - leading the public to once again speculate on the mystery surrounding Robin's disappearance. Did he finally find the door between parallel universes that he had long sought?Intrigued, Alex Benedict and Chase Kolpath embark on their own investigation as they follow the missing man's trail into the unknown to uncover the truth - a truth people are willing to kill to protect...

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When we read the book of nature, what do we read there? “All things bright and beautiful, all creatures great and small, all things wise and wonderful, the Lord God made them all,” says a well-known hymn. This issue of Plough celebrates the creatures of our planet – plant, animal, and human – and the implications of humankind’s relationship to nature. But if nature can be read as a book that reveals the wisdom of its Creator, it also reveals things less lovely than stars and singing birds – a world of desperate competition for survival, mass extinctions, and deadly viruses. Is such a world a convincing argument for the Creator’s goodness? Turns out Christians and skeptics alike have been asking such questions since long before Darwin added a twist. Are we moderns out of practice at reading the book of nature? And if we forget how, will we fail to read human nature as well – what rights or purposes our Creator may have endowed us with? What then is there to limit the bounds of technological manipulation of humankind? This issue of Plough explores these and other fascinating questions about the natural world and our place in it. In this issue: - Sussex farmer Adam Nicholson evokes centuries of handwork that shaped the landscape of the Weald. - Gracy Olmstead revisits the land her forebears farmed in Idaho. - Ian Marcus Corbin tries walking phoneless to better note the beauty of the natural world. - Amish farmer John Kempf, a leader in regenerative agriculture, foresees a healthier future for farming. - Leah Libresco Sargeant offers a feminist critique of society’s war on women’s bodies. - Iván Bernal Marín visits Panama City’s traditional fishermen. - Maureen Swinger recalls to triumphs of second grade in forest school. - Edmund Waldstein questions head transplants and the limits of medical science. - Kelsey Osgood says it’s natural to fear death, and to transcend that fear through faith. - Tim Maendel lifts the veil on urban beekeeping along the Manhattan skyline. You’ll also find: - An essay by Christian Wiman on the poetry of doubt and faith - New poems by Alfred Nicol - A profile of Amazon activist nun Dorothy Stang - An appreciation of Keith Green’s songs - Insights on creation from Blaise Pascal, Julian of Norwich, Francis of Assisi, Mechthild of Magdeburg, Christopher Smart, Augustine of Hippo, The Book of Job, and Sadhu Sundar Singh - Reviews of The Opening of the American Mind, and Kazuo Ishiguro’s Klara and the Sun Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

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n ancient artefact, a stone arch anachronistically imbedded with electronic circuitry, is recovered following a rupture in an undersea stretch of the Mull lava group in North West Scotland, a geological feature dating from tens of millions of years ago. UNIT's investigation will unlock a link to another world and bring them face to face with a new and powerful threat. Contains four stories: 1.1 The Enemy Beyond by Andrew Smith. In a UNIT facility beneath Edinburgh Castle, Kate and Osgood work to unlock the mystery of a stone arch discovered buried in a prehistoric rock formation. When the arch takes one of their number away to a strange, bleak world, it leads to an encounter with a Time Lord. One with multiple personalities. Soon the Eleven is loose in the streets of Edinburgh and plotting to seize the arch from UNIT by any means necessary. 1.2 Fire and Ice by John Dorney. When Kate needs Harry Sullivan's help with a threat from the Eleven, she and Osgood travel to Australia to meet him. He's there with Naomi Cross, investigating footage of an apparent UFO crash that turned up on social media. They find themselves caught in the middle of a conflict between Ice Warriors. And one Ice Warrior isn't so ice - in fact, he's red hot. And getting hotter... 1.3 Eleven's Eleven by Lisa McMullin. A series of jewel robberies in London and the Home Counties draws the attention of UNIT when it's discovered that some of the stolen gems are alien in origin. The robberies are the work of an organised criminal gang led by East End villain Ava Drake. But Ava has a new, ruthless partner. The Eleven has promised her riches, and for him the gems are a means to defeat UNIT and regain the arch. 1.4 The Curator's Gambit by Andrew Smith. The arch is taken to the Under Gallery for safe keeping, under the protection of the Curator. When the Eleven penetrates the Gallery's security, the Curator initiates an emergency plan. He and UNIT play a game of cat and mouse with their pursuers within the Under Gallery's original location, Hampton Court Palace. CAST: Jemma Redgrave (Kate Stewart), Ingrid Oliver (Osgood), Tom Baker (The Curator), Mark Bonnar (The Eleven), Eleanor Crooks (Naomi Cross), James Joyce (Captain Josh Carter), James MacCallum (Adam Merchant), Glen McCready (J.M.W. Turner), Christopher Naylor (Harry Sullivan), Olivia Poulet (Ros Green), Maggie Service (Ava Drake), Tracy Wiles (Jacqui McGee), Becky Wright (Clare Duvall). Other parts played by members of the cast.

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Steed and Dr Keel return to action in these three recreations of classic lost episodes. Dragonsfield, written by Ian Potter, from a script by Terence Feely. A man has been murdered in an experimental laboratory, and Steed is sent to investigate. Someone is working for the other side - and Steed will need to untangle a messy web of inter-personal relationships if he's to stand any chance of identifying who. The Far Distant Dead, written by Tom Mallaburn from a script by John Lucarotti. En route from Chile back to England, Dr Keel stops off to help the victims of a cyclone. Except not every fatality he encounters was caused by the disaster. It appears he's stumbled onto an international conspiracy of the most sinister kind...and the perpetrators will be found many miles away. The Deadly Air, written by John Dorney from a script by Lester Powell. When an experimental vaccine is destroyed Steed calls in Keel to join him on the scene as a medical expert. But it isn't long before the saboteur becomes a murderer. As the situation escalates, can the Avengers identify their foe before they become his victims?Episodes from the wiped first series of The Avengers recreated faithfully on audio - this set sees some real detective work piecing together the stories from the few clues remaining from before the episodes were lost. This full-cast audio drama is brought to life with eerily engrossing sound design and a brand new, cinematic music score and stars Anthony Howell (Foyle's War, Dirk Gently, Dracula) and Julian Wadham (The Iron Lady, War Horse, Downton Abbey).CAST: Anthony Howell (Dr Keel), Julian Wadham(John Steed), Lucy Briggs-Owen (Carol Wilson), Cate Debenham-Taylor (Lisa Strauss), Harriet Kershaw (Susan Summers / Secretary), Ramon Tikaram (Saunders), Richard Dixon (Redington / One-Fifteen), Christopher Taylor (Boris / Landlord), James Joyce (Jack Alford / Peters), Robert Fitch (Technician / Dr Philip Karswood), Karina Fernandez (Dr Ampara Alvarez Sandoval / Maria Alvarez), David Shaw-Parker (Hercule Zeebrugge / Luis Garcia), Andy Secombe (Inspector Gauvreau / Godoy / Jose Alvarez), Alex Blake (Rayner / Caron / Sergeant Delon), Tom Alexander (Mateos / Mario), Dan Starkey (One- Ten), Bettrys Jones (Barbara Anthony / Receptionist), Richard Atlee (Heneager / Herbert Truscott), Ewan Bailey (Dr Hugh Chalk / Armstrong), Glen McReady (Dr Owen Craxton / Professor Kilbride).

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Face au conflit qui allait en s'aggravant entre les sieges de Constantinople et de Rome en 862, le patriarche Photius se tourna vers l'Armenie pour y chercher un soutien. Il esperait devenir lui-meme facteur d'unite chretienne au moment oA' la reconquete byzantine de l'Est anatolien paraissait imminente. L'auteur demontre que Photius a influence non seulement les relations de Byzance avec l'Occident, mais aussi les debats doctrinaux avec l'Orient. Il explore les sources patristiques de la politique ecclesiastique de Photius afin d'expliquer comment l'attitude de ce patriarche a l'egard des heterodoxes a permis la formulation d'un accord aussi singulier que celui de Sirakawan. La traduction commentee des documents armeniens concernant ce concile et la controverse qui le suivit est basee sur une nouvelle collation de manuscrits et accompagnee d'un lexique extensif. L'analyse du langage technique developpe par les auteurs armeniens lors de la domination arabe permet d'exposer comment evoluait l'articulation de la doctrine de l'Incarnation depuis les grandes controverses de l'epoque de Justinien. L'interpretation de ces textes et de leurs sources represente la premiere etude systematique de la christologie armenienne. Les divergences dogmatiques entre les Armeniens et les Byzantins sont mises en relation avec les differents criteres de l'orthodoxie soutenus par les deux Eglises.

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My heart is stirred by a noble theme ...' (Psalm 45:1) The Old Testament prophets spoke oracles from God - but the theology of the Psalms arises from the daily lives of his people. The New Testament apostles expounded the death and resurrection of Christ through sermon and epistle - but the Christology of the Psalms is expressed in poetry. The Gospels show us Jesus in the flesh, teaching, healing, dying and rising. In the Psalms we are invited to accompany him on his journey of suffering, trust and vindication. What are we to do with such unique theology? How should we hear it as Christians? How can it shape our life together, and our lives as individuals? The goal of this stimulating volume, based on the 2012 Moore College School of Theology, is to help us hear the message of the Psalms - as a story, as prophecy, as theology, as poetry, as praise - and to explore its application for the people of God today, whether in joy or pain, perplexity or persecution, politics or mission. The contributors are Greg Anderson, Kit Barker, Andrew Cameron, James Hely Hutchinson, Seumas Macdonald, David Peterson, Andrew Shead, Andrew Sloane, Tara Stenhouse, Mark Thompson, John Woodhouse and Dan Wu.

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Examines the impact of contemporary ideas about the psyche and neglected yet crucial artistic influences on the psychological dimension of Wagner's operas, especially Die Feen, Der fliegende Holländer, Tannhäuser, Lohengrin, and the Ring. Wagner's Visions studies crucial influences on Wagner's dramatic style during the years before and just after the failed Dresden revolutionary uprising of 1849. Offering a detailed examination of Die Feen, Wagner's least-known complete opera, together with analysis of Der fliegende Holländer, Tannhäuser, Lohengrin, and the four Ring dramas, Katherine Syer explores the inner experiences of Wagner's protagonists. Sources ofparticular political significance include the fables of the eighteenth-century Venetian playwright Carlo Gozzi, the Iphigenia operas of Christoph Willibald Gluck, and the legacy of the martyr Theodor Körner, whose poetry became the lingua franca of the revolutionary movement to liberate and unify Germany. Syer's book offers fresh insights into the historical context that gave rise to Wagner's dramatic art, revealing how his distinct and powerful imagery is intimately bound up with the crises and instabilities of his era. Katherine R. Syer is associate professor of theatre and musicology at the University of Illinois at Urbana-Champaign.

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In the late 1770s, as a wave of revolution and republican unrest swept across Europe, scholars looked with urgency on the progress of European civilization. The question of social development was addressed from Edinburgh to St. Petersburg, with German scholars, including C. G. Heyne, Christoph Meiners, and J. G. Eichhorn, at the center of the discussion.Michael Carhart examines their approaches to understanding human development by investigating the invention of a new analytic category, "culture." In an effort to define human nature and culture, scholars analyzed ancient texts for insights into language and the human mind in its early stages, together with writings from modern travelers, who provided data about various primitive societies. Some scholars began to doubt the existence of any essential human nature, arguing instead for human culture. If language was the vehicle of reason, what did it mean that all languages were different? Were rationality and virtue universal or unique to a given nation?In this scholarship lie the roots of anthropology, sociology, and classical philology. Dissecting the debates over nature versus culture in Enlightenment Europe, Carhart offers a valuable contribution to cultural and intellectual history and the history of the human sciences.

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One of the most mysterious texts from the Second Byzantine Iconoclasm (815-843) is the so-called Synodical Letter, purportedly sent by Patriarchs Christopher of Alexandria, Job of Antioch, and Basil of Jerusalem to Emperor Theophilos in 836. The earliest reference thereto is dated 945, whereas the oldest extant manuscript fragment is written in the ninth-century uncial. But was it a real missive or pious forgery? Several Greek texts deriving from the lost original do not prove sufficient ground for a confident answer. Among the main problems is the lack of protocol elements indispensable for a document of this kind. Those elements, however, are present in the Slavonic text entitled Mnogosloznyj Svitok, which corresponds to "Polustichos tomos" in Greek. A thorough scrutiny has revealed that this is the closest version we possess to the original Letter. The Slavonic, besides indications of place (Jerusalem) and date (836) within the main text, contains two solid termini ante quos, 837 and 838, and names the actual compiler of the Letter - a certain monk Basil, who can very well be identical with the hagiographer Basil of Emesa. The latter in his Life of Theodore of Edessa claims to have attended a synod in Jerusalem, presumably that of 836. This book presents a critical edition of the Slavonic text together with corresponding Greek fragments, English translation, and Glossary. Russian translation is also attached.

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We know the shape of the world today because ships of the mid-fiftennth to mid-eighteenth centuries, driven by wind and human muscle, were navigated into every last bay and estuary on Earth searching for new riches. First the take was spices and other exotic products of the Orient, then gold and ivory from Africa, followed by beaver pelts, coffee, and goods from the Americas, and finally luxurious sea otter pelts from the Northwest Coast of North America. The ships that made these voyages evolved over time and their navigators benefited from centuries of accumulated experience. Voyages recounts the extraordinary feats of more than twenty of Europe's most daring maritime explorers as they ventured into the unknown and braved uncharted territory, including Christopher Columbus, Bartolomeu Dias, Vasco da Gama, John Cabot, Giovanni da Verrazzano, Jacques Cartier, Martin Frobisher, Ferdinand Magellan, Francis Drake, and James Cook. Exquisitely illustrated with almost 100 of Gordon Miller's paintings, many detailed maps, and ship drawings, Voyages reveals the evolution of maritime technologies, the rise and fall of maritime empires, the extreme dangers of sailing uncharted waters, the courage and brutality of life at sea, and the discovery of new continents, cultures, and products. Through their voyages, these ships and sailors defined the true dimensions of the oceans and coastlines of the world.

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Das Handbuch zeichnet die Tendenzen des Umgangs mit „Alter Musik“ heute und in der Vergangenheit nach und informiert konkret und detailreich über die verschiedenen Richtungen der Historischen Aufführungspraxis. Es betrachtet typische Erscheinungsformen der Szene, analysiert das Verhältnis zwischen Musikforschung und Musikbetrieb und nimmt die sozialen Bedingungen von Musikern in den Blick. Ergänzt werden die von renommierten internationalen Autorinnen und Autoren verfassten Sachkapitel durch 14 Interviews mit Leitfiguren der Alte Musik-Szene u.a. Jordi Savall, Katharina Bäuml, Christophe Rousset, René Jacobs oder Dorothee Oberlinger. Anfangs eine Sache weniger Spezialisten, wurde das Musizieren auf historischen Instrumenten und mit historischen Spielweisen in den 1970er- und 1980er-Jahren zu einer Bewegung mit kulturpolitischen Implikationen und ist heute selbstverständlicher Bestandteil des Musiklebens. Die Szene ist mittlerweile auch durch Pragmatismus, vor allem aber durch die Suche nach künstlerischen Entfaltungsmöglichkeiten der ganz überwiegend freien Ensembles geprägt. So hat die Historische Aufführungspraxis z. B. zu einer Renaissance der Barockoper an den Bühnen geführt, eine neue Kultur des Improvisierens und Arrangierens befördert, das Ziel einer Erweiterung des Repertoires für Alte Musik bis ins 19. Jahrhundert hinein verfolgt, Techniken der Rekonstruktion nicht schriftlich überlieferter Musik erarbeitet und Grenzüberschreitungen zu andern Musikgenres betrieben. All dies kommt in diesem Handbuch anschaulich zur Sprache.

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The first book-length study in any language of the "Berlin School," the most significant filmmaking movement to come out of Germany since the 1970s. The contemporary German directors collectively known as the "Berlin School" constitute the most significant filmmaking movement to come out of Germany since the New German Cinema of the 1970s, not least because their films mark the emergence of a new film language. The Berlin School filmmakers, including Christian Petzold, Thomas Arslan, Angela Schanelec, Christoph Hochhäusler, Ulrich Köhler, Benjamin Heisenberg, Maren Ade, and Valeska Grisebach, are reminiscent of the directors of the New German Autorenkino and of French cinéma des auteurs of the 1960s. This is the first book-length study of the Berlin School in any language. Its central thesis - that the movement should be regarded as a "counter-cinema" - is built around the unusual style of realism employed in its films, a realism that presents images of a Germany that does not yet exist. Abel concludes that it is precisely how these films' images and sounds work that renders them political: they are political not because they are message-driven films but because they are made politically, thus performing a "redistribution of the sensible" - a direct artistic intervention in the way politics partitions ways of doing and making, saying and seeing. Marco Abel is Professor of English and Film Studies at the University of Nebraska, Lincoln.

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'An epic tale . . . told relentlessly well. If you want to read a serious account of the price of Zionism, and a sobering review of Israel's new role as conqueror and occupier, then Hirst is your man.' Christopher HitchensA myth-breaking general history of the Israeli-Palestinian conflict, The Gun and the Olive Branch traces events right back to the 1880s to show how Arab violence, although often cruel and fanatical, is a response to the challenge of repeated aggression.Banned from six Arab countries, kidnapped twice, David Hirst, former Middle East correspondent of the Guardian, is the ideal chronicler of this terrible and seemingly insoluble conflict. The new edition of this 'definitive' (Irish Times) study brings the story right up to date. Amongst the many topics that are subjected to Hirst's piercing analysis are: the Oslo peace process, the Israeli occupation of the West Bank and Gaza, the destabilising effect of Jewish settlement in the territories, the second Intifada and the terrifying rise of the suicide bombers, the growing power of the Israel lobby - Jewish and Christian fundamentalist - in the United States, the growth of dissent in Israel and among sections of America's Jewish population, the showdown between Sharon and Arafat and the spectre of nuclear catastrophe that threatens to destroy the region.'[Hirst's] peerless reporting has earned him curses, expulsion and respect in virtually every country in the region.' Guardian

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The story of the building of an iconic mid-century housing estate, that is often seen as the model for housing architecture. Fully illustrated with commissioned photography of the interiors and exteriors, archive images and newly commissioned writing by leading architectural historians, plus interviews with people on the estate to capture their story. Following World War II, the population in the City of London plummeted, and with a duty to provide housing for those working in the area – such as nurses, policemen and doctors – the City Corporation commissioned architect Geoffry Powell in 1952 to design the Golden Lane Estate. Powell invited Christoph Bon and Jo Chamberlin to join him in developing a detailed design for the Estate. They would later become Chamberlin, Powell & Bon, working on world-renowned projects such as the Barbican Estate and the University of Leeds. Golden Lane Estate, now Grade II and Grade II* listed is often cited as being a model estate. With its high level of detailing, use of materials, colour, its humane scale, thoughtfulness of space, light, communal spaces, leisure facilities and integrated shops, it is exemplary, particularly for social housing. It was deemed as a success from the off and remains popular today, with many original tenants and/or their families still choosing to live there. What sets the estate apart is the sense of community and neighbourliness which is promoted by the architecture and design.

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A USA Today and Wall Street Journal bestseller!Learn how to fight better and end your arguments with your partner feeling closer, more loved, and better understood.We take our cars in for oil changes. We mow our lawns and pull weeds. Why don't we do maintenance on our marriages? This relationship is the most important one we will ever have, so why not get better at it?For the last several years, Penn and Kim Holderness of The Holderness Family have done the hard maintenance and the research to learn how to fight better. With the help of their marriage coach Dr. Christopher Edmonston, they break down their biggest (and in some cases, funniest) fights. How did a question about chicken wings turn into a bra fight (no, not a bar fight or a bra fight)? How did a roll of toilet paper lead to tears, resentment, and a stint in the guest bedroom?With their trademark sense of humor and complete vulnerability, Penn and Kim share their 10 most common Fight Fails and how to combat them. Throughout the book, they offer scripts for how to start, continue, and successfully close hard conversations. Couples will emerge equipped to engage and understand, not do battle—and maybe laugh a little more along the way.In Everybody Fights, couples will learn how to: Use "magic words" for healthy conflict resolution Address unspoken and unrealistic expectations Banish the three Ds of unhealthy communication—distraction, denial, and delay Carry individual baggage while helping your partner deal with theirs Penn and Kim want you to know you're not alone. Everybody fights. Marriage is messy. Marriage is work. But marriage is worth it. Fight for it!

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Whether you are a seasoned professional looking to explore new areas within the alternative investment arena or a new industry participant seeking to establish a solid understanding of alternative investments, Alternative Investments: An Allocator's Approach, Fourth Edition (CAIA Level II curriculum official text) is the best way to achieve these goals. In recent years, capital formation has shifted dramatically away from public markets as issuers pursue better financial and value alignment with ownership, less onerous and expensive regulatory requirements, market and information dislocation, and liberation from the short-term challenges that undergird the public capital markets. The careful and informed use of alternative investments in a diversified portfolio can reduce risk, lower volatility, and improve returns over the long-term, enhancing investors' ability to meet their investment outcomes. Alternative Investments: An Allocator's Approach (CAIA Level II curriculum official text) is a key resource that can be used to improve the sophistication of asset owners and those who work with them. This text comprises the curriculum, when combined with supplemental materials available at caia.org, for the CAIA Level II exam. "Over the course of my long career one tenet has held true, 'Continuing Education'. Since CalSTRS is a teachers' pension plan, it is no surprise that continuing education is a core attribute of our Investment Office culture. Overseeing one of the largest institutional pools of capital in the world requires a cohesive knowledge and understanding of both public and private market investments and strategies. We must understand how these opportunities might contribute to delivering on investment outcomes for our beneficiaries. Alternative Investments: An Allocator's Approach is the definitive core instruction manual for an institutional investor, and it puts you in the captain's chair of the asset owner."—Christopher J. Ailman, Chief Investment Officer, California State Teachers’ Retirement System "Given their diversified cash flow streams and returns, private markets continue to be a growing fixture of patient, long-term portfolios. As such, the need to have proficiency across these sophisticated strategies, asset classes, and instruments is critical for today's capital allocator. As a proud CAIA charterholder, I have seen the practical benefits in building a strong private markets foundation, allowing me to better assist my clients."—Jayne Bok, CAIA, CFA, Head of Investments, Asia, Willis Tower Watson

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Association of Catholic Publishers 2022 Excellence in Publishing Awards: First Place, Theology Catholic Media Association, Honorable Mention in Theology: Morality, Ethics, Christology, Mariology, and Redemption Unveiling divine mysteries across continents and centuries. Revelation in the Vernacular retrieves a hermeneutics of the vernacular that is rooted en lo cotidiano, in everyday life and experience. Traversing time and geography, Ruiz remaps a theology of revelation done latinamente, beginning with sixteenth-century encounters of Spanish colonizers with Indigenous peoples in the Caribbean. Drawing on the theology of the Incarnation articulated by Fray Luis de León (1527–91), he offers rich resources for interreligious engagement by believers in today’s religiously diverse world. Through an analysis of the documents of the 2019 Amazonian Synod, including Querida Amazonia, the Postsynodal Exhortation by Pope Francis, he explores a culture of encounter and dialogue that has been a hallmark of this pontificate. From the inscriptions in the caves of la Isla de Mona through the writings of the Latin American Bishops (CELAM), this book establishes a solid basis on which to discern the “Seeds of the Word” in our times.

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In the humanitarian field those we rather mockingly call 'French doctors' seem always to be in the vanguard, the first to arrive in any critical situation. If they hold such a position in modern humanitarian intervention it is because these French doctors - first and foremost Medecins Sans Frontieres and its 'little sister' Medecins du Monde - have created a style of humanitarian action that combines intervention in crises with critical assessment of and commentary on the human tragedies -- wars, famines, earthquakes -- in which they find themselves involved. The humanitarian practices we are familiar with today were devised, through trial and errors, by agencies in the United States, Great Britain and Switzerland. France was the last to join the group of so-called 'founder democracies' in the humanitarian field. A closer examination of the history of humanitarianism reveals that it was by drawing on already existing forms of action that MSF, MDM and many others gradually developed its particular brand of intervention, which combines relief practices learnt from the Red Cross with efforts to mobilise public opinion using strategies invented by Amnesty International. The contributors to this volume assess the competing French and 'Anglo-Saxon' models of intervention in the hope of learning from both and formulating approaches to humanitarianism for the twenty-first century. CONTRIBUTORS: Philippe Ryfman, Hugo Slim, Egbert Sondorp, Francois Grunewald, Hugh Goyder, Sami Makki, James Darcy, Christophe Courtin, Adeel Jafferi.

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This book represents a major step forward in the use of economic sociology to illuminate the nature and workings of capitalism amid the far-reaching changes of the contemporary era of global capitalism. For the past twenty years economic sociologists have focused on mesa-level phenomena of networks, but they have done relatively little to analyze capitalism as an overall system or to show how such phenomena emerge from and shape the dynamics of capitalism. The Economic Sociology of Capitalism seeks to change this, by presenting both big-picture analyses of capitalism and more focused pieces on institutions crucial to capitalism. The book, which includes sixteen chapters by leading scholars in economic sociology, is organized around three broad themes. The first section addresses core issues and problems in the new study of capitalism; the second considers a variety of topics concerning America, the leading capitalist economy of the world; and the third focuses attention on the question of convergence stemming from the global transformation of capitalism and the challenge of explaining institutional change. The contributions, which follow a foreword by economic historian Avner Greif and the editor's introduction, are by Mitchel Abolafia, James Baron and Michael Hannan, Mary C. Brinton, John Campbell, Gerald Davis and Christopher Marquis, Paul DiMaggio and Joseph Cohen, Peter Evans, Neil Fligstein, John Freeman, Francis Fukuyama, Ko Kuwabara, Victor Nee, Douglass C. North, AnnaLee Saxenian, Richard Swedberg, and Viviana Zelizer.

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We know where he went, what he wrote, and even what he wore, but what in the world did Christopher Columbus eat? The Renaissance and the age of discovery introduced Europeans to exotic cultures, mores, manners, and ideas. Along with the cross-cultural exchange of Old and New World, East and West, came new foodstuffs, preparations, and flavors. That kitchen revolution led to the development of new utensils and table manners. Some of the impact is still felt-and tasted-today. Giovanni Rebora has crafted an elegant and accessible history filled with fascinating information and illustrations. He discusses the availability of resources, how people kept from starving in the winter, how they farmed, how tastes developed and changed, what the lower classes ate, and what the aristocracy enjoyed. The book is divided into brief chapters covering the history of bread, soups, stuffed pastas, the use of salt, cheese, meat, fish, fruits and vegetables, the arrival of butter, the quest for sugar, new world foods, setting the table, and beverages, including wine and tea. A special appendix, "A Meal with Columbus," includes a mini-anthology of recipes from the countries where he lived: Italy, Portugal, Spain, and England. Entertaining and enlightening, Culture of the Fork will interest scholars of history and gastronomy-and everyone who eats.

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