Search results for ""Author Christo"

William and Mary, Britain's most mysterious monarchs, were married for reasons of dynasticconvenience. Their union gradually developed into a happy and successful one, despiteWilliam's frequent absences on military campaign. They shared interests such as art andgardening, both of which they practised at their palace retreat, Het Loo. Despite the fact thatMary was heir presumptive to her father, the Duke of York, they might have expected toremain in the Netherlands for the rest of their lives. Midway through their marriage, their way of life changed substantially when Mary's father,now King James II, was rejected by his English and Scottish subjects because of his ferventCatholicism. William, a foreigner, was accepted as a replacement primarily because of hisBritish queen. The couple had Kensington Palace built, to a design by Sir Christopher Wren,and their renovations at Hampton Court Palace, also by Wren, gave the palace much of itspresent character. The monarchy was now fully ans

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''A sweeping tale of dark magic, artistic obsession, and a love unbound from the limits of time'' Paulette Kennedy A vanished star. A haunted film. A mystery only love can unravel . . .1968 Gemma Turner once dreamed of stardom, now she''s on the cusp of obscurity. When a radical new horror film offers her the leading role, her luck looks set to change. Until one dark night, Gemma disappears on set and is never seen again. But this is only the beginning... Gemma has been pulled into the film itself, where the script - and the horrors within it - are more real than she ever imagined, and she must play her role perfectly if she hopes to survive. 2007Gemma Turner''s disappearance is one of Hollywood''s greatest mysteries - one that''s captivated film student Christopher ever since he saw the infamous L''Étrange Lune for the first time. The film is screened just once a decade, and each time there is

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"And the Word became flesh"John's Gospel famously opens with a poetic prologue about the Word. However, after these initial verses, the theme of God's Word incarnate seems to fade.The silence is only apparent. In The Word from the Beginning, Bruce G. Schuchard reunites John's prologue with the rest of his Gospel. What Jesus does in the Gospel embodies who Jesus is in the prologue. Jesus's words and actions reveal and unfold his unique identity as the Word. Jesus is indeed God's Word enfleshed.This theological reading of John's Gospel unifies Jesus's identity, words, and work, opening up implications for Johannine Christology.

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Discover a nest of vampires, brave a technological ''gate'' to another realm, and track down the truth behind Jack the Ripper in this collection of three intense adventures of Sir Edward Grey. As the Queen''s personal ''Witchfinder,'' Grey continues to pursue the occult goings on in London and beyond. But this time the events he encounters - and the things he learns - will lead him to question his very future. Complete your Witchfinder omnibus library with this second volume, featuring the writing of Mike Mignola and Chris Roberson, with art from Ben Stenbeck, D''Israeli, and Christopher Mitten and stunning colors from Michelle Madsen and Dave Stewart.

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A COMPANION TO ‘TWENTIETH-CENTURY AMERICAN DRAMA Contributors to this volume: Thomas P. Adler, Sarah Bay-Cheng, Annemarie Bean, Deanna M. Toten Beard, Murray Biggs, Stephen J. Bottoms, Mark Evans Bryan, Peter Civetta, Jerry Dickey, Jill Dolan, Harry J. Elam, Jr., Mark Fearnow, Anne Fletcher, Ehren Fordyce, J. Ellen Gainor, Janet V. Haedicke, Ann Haugo, David Krasner, Daphne Lei, Julia Listengarten, Felicia Hardison Londré, Tiffany Ana Lopez, Brenda A. Murphy, Christopher Olsen, Linda Rohrer Paige, Ann Pellegrini, Gene A. Plunka, Steven price, June Schlueter, Mike Sell, Rachel Shteir, Molly Smith. Andrew Sofer, Leslie A. Wade Also available in The Blackwell Companions to Literature and Culture series:

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A COMPANION TO ‘TWENTIETH-CENTURY AMERICAN DRAMA Contributors to this volume: Thomas P. Adler, Sarah Bay-Cheng, Annemarie Bean, Deanna M. Toten Beard, Murray Biggs, Stephen J. Bottoms, Mark Evans Bryan, Peter Civetta, Jerry Dickey, Jill Dolan, Harry J. Elam, Jr., Mark Fearnow, Anne Fletcher, Ehren Fordyce, J. Ellen Gainor, Janet V. Haedicke, Ann Haugo, David Krasner, Daphne Lei, Julia Listengarten, Felicia Hardison Londré, Tiffany Ana Lopez, Brenda A. Murphy, Christopher Olsen, Linda Rohrer Paige, Ann Pellegrini, Gene A. Plunka, Steven price, June Schlueter, Mike Sell, Rachel Shteir, Molly Smith. Andrew Sofer, Leslie A. Wade Also available in The Blackwell Companions to Literature and Culture series:

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Inspired by Hugh Lofting's classic tales of Doctor Dolittle, his son Christopher Lofting has updated his father's story for today's readers- still with all the charm of the original. Nine-and-a-half year old Tommy Stubbins is about to go on an adventure of a lifetime!Being assistant to the genius (and eccentric) Doctor Dolittle means no day is quite the same, especially when they set sail on the high seas. After a hair-raising shipwreck lands them on the floating Spidermonkey Island, they meet the mysterious Great Glass Sea Snail who could change their lives forever... The new movie Dolittle is coming February 2020, starring Robert Downey Jr.

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Great journeys often start with a single question. For D. K. Evans, a newly married professional in the Christian-dominated South, that question was, “Why Do I Believe in God?” That simple query led him on a years-long search to better understand the nature of religion and faith, particularly as it applies to the Black community. While many taking such a journey today might immerse themselves in the writing of Richard Dawkins, Daniel Dennett, Sam Harris, and Christopher Hitchens, Evans took inspiration not only from John Henrik Clarke, Yosef-Ben Jochannan, Hubert Harrison, and John G. Jackson, champions of a rich Black tradition of challenging religious orthodoxy, but also from many others in his own community who had similarly come to question their core religious beliefs. While this journey eventually led him to discount the notion of God, he calls on all to ask their own questions, particularly those within the Black community who act on blind faith. While their own journey might not lead to his truth, he acknowledges, that is the only way they will ever emancipate themselves from the truths thrust on them by others and arrive at their most important truth—their own.

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Latest volume in a series which is "a monumental achievement" REVIEW OF ENGLISH STUDIES The Hatton and e Musaeo manuscript collections are important donations given to the Bodleian Library during its formative years in the seventeenth century. The Hatton collection, assembled by Christopher, first Baron Hatton,was largely acquired by the Bodleian Library in 1671. Among its Middle English prose manuscripts are religious texts, including Nicholas Love's Mirror of the Blessed Life of Jesus Christ, commentaries by Richard Rolle on the psalms and ten commandments, chronicles such as the Brut and an assortment of manuscripts ranging from political prophecies and grammar treatises to compendia of medical recipes. The e Musaeo collection, so called because it was originally an eclectic group of manuscripts stored in the librarian's study, also contains a variety of significant Middle English texts. They range from the religious and devotional: a Wycliffite New Testament, Love's Mirror, and Heinrich Suso's treatise The Seven Points of True Love and Everlasting Wisdom); to the scientific and medicinal: Chaucer's Astrolabe, Henry Daniel's Liber Uricrisiarum; and to the historical, notably the Brut and Mandeville's Travels. Patrick J. Horner, FSC (a De LaSalle Christian Brother) is Professor of English at Manhattan College.

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A collection of the most significant articles in castle studies, with contributions from scholars in history, archaeology, historic buildings and landscape archaeology. The castles of the late medieval period represent some of the finest medieval monuments in Britain, with an almost infinite capacity to fascinate and draw controversy. They are also a source of considerable academic debate. The contents of this volume represent key works in castle scholarship. Topics discussed include castle warfare, fortress customs, architectural design and symbolism, spatial planning and the depiction of castles in medieval romance. The contributions also serve to highlight the diversity of approaches to the medieval castle, ranging from the study of documentary and literary sources, analysis of fragmentary architectural remains and the recording of field archaeology. The result is a survey that offers an in-depth analysis of castle building from the thirteenth to the fifteenth centuries, and places castles within their broader social, architectural and political contexts. Robert Liddiard is Professor of History, University of East Anglia. Contributors: Nicola Coldstream, Charles Coulson, Philip Dixon, Graham Fairclough, P.A. Faulkner, John Goodall, Beryl Lott, Charles McKean, T.E. McNeill, Richard K. Morris, Michael Prestwich, Christopher Taylor, Muriel A. Whitaker.

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Nominated for the 2019 Hammett Prize Autumn 1915. The First World War is raging across Europe. Woodrow Wilson has kept Americans out of the trenches, although that hasn't stopped young men and women from crossing the Atlantic to volunteer at the front. Christopher Marlowe 'Kit' Cobb, a Chicago reporter and undercover agent for the US government is in Paris when he meets an enigmatic nurse called Louise. Officially in the city for a story about American ambulance drivers, Cobb is grateful for the opportunity to get to know her. Soon his intelligence handler, James Polk Trask, extends his mission and he is active again. Parisians are meeting 'death by dynamite' in a new campaign of bombings, and the German-speaking Kit seems just the man to discover who is behind this - possibly a German operative who has infiltrated with the waves of refugees? And so begins a pursuit that will test Kit Cobb, in all his roles, to the very limits of his principles, wits and talents for survival. Fleetly plotted and engaging with political and cultural issues that resonate deeply today, Paris in the Dark is a page-turning novel of unmistakable literary quality.

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When Jesus turned and saw them following, he said to them, 'What are you looking for?' They said to him, 'Rabbi . . . where are you staying?' He said to them, 'Come and see.' John 1.38 39 'Come and see.' That is Jesus' invitation: courteous and confident, welcoming but not overpowering, full of grace and truth. It is the gospel in three words. The two disciples - Andrew was one of them - came and saw. They stayed with Jesus for a day and they liked what they saw. Andrew then went searching for his brother, Simon, and told him, 'We have found the Messiah.' Andrew took Simon to Jesus who (says John) 'looked at him'. . . This dynamic of seeing Jesus and being seen by him was transformative . . . They were never the same again. They became Jesus' disciples, people who spent time with him, getting to know him better and learning to see the world differently, as Jesus sees it. Those are three dimensions of seeing that will run through . . . this book: seeing Jesus, being seen by him and seeing things the way Jesus sees them.' From Chapter 1: What do you see?

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A superlative account of how theatre is made, in the words of the very people who make it. In Talking Theatre, Richard Eyre uses his unrivalled access to leading theatre people to allow us to eavesdrop on the stories behind many of the most important productions and performances in the theatre of recent times: John Gielgud • Peter Brook • Margaret 'Percy' Harris • Peter Hall • Ian McKellen • Judi Dench • Trevor Nunn • Vanessa Redgrave • Fiona Shaw • Liam Neeson • Stephen Rea • Stephen Sondheim • Arthur Laurents • Arthur Miller • August Wilson • Jason Robards • Kim Hunter • Tony Kushner • Luise Rainer • Alan Bennett • Harold Pinter • Tom Stoppard • David Hare • Jocelyn Herbert • William Gaskill • Arnold Wesker • Peter Gill • Christopher Hampton • Peter Shaffer • Frith Banbury • Alan Ayckbourn • John Bury • Victor Spinetti • John McGrath • Cameron Mackintosh • Patrick Marber • Steven Berkoff • Deborah Warner • Willem Dafoe • Simon McBurney • Robert Lepage • John Johnston (Britain's last Theatre Censor) 'A rich, stimulating treasure trove. Eyre's interviews exactly hit the spot: in revealing themselves, his subjects also give the reader a panoramic view of modern theatre' Michael Billington

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Most of the high-profile cases of real or perceived unethical activity in data science aren’t matters of bad intent. Rather, they occur because the ethics simply aren’t thought through well enough. Being ethical takes constant diligence, and in many situations identifying the right choice can be difficult. In this in-depth book, contributors from top companies in technology, finance, and other industries share experiences and lessons learned from collecting, managing, and analyzing data ethically. Data science professionals, managers, and tech leaders will gain a better understanding of ethics through powerful, real-world best practices. Articles include: Ethics Is Not a Binary Concept—Tim Wilson How to Approach Ethical Transparency—Rado Kotorov Unbiased ≠ Fair—Doug Hague Rules and Rationality—Christof Wolf Brenner The Truth About AI Bias—Cassie Kozyrkov Cautionary Ethics Tales—Sherrill Hayes Fairness in the Age of Algorithms—Anna Jacobson The Ethical Data Storyteller—Brent Dykes Introducing Ethicize™, the Fully AI-Driven Cloud-Based Ethics Solution!—Brian O’Neill Be Careful with "Decisions of the Heart"—Hugh Watson Understanding Passive Versus Proactive Ethics—Bill Schmarzo

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In recent years, the publication of best-selling books by Richard Dawkins, Daniel Dennett, Sam Harris and Christopher Hitchens has given rise to the New Atheism. For the New Atheists, belief in God is a delusion because it is based on faith rather than evidence, and because science has removed the need for God; and it is a dangerous delusion because it is responsible for much of the suffering throughout the world. These characteristics distinguish New Atheism from other forms of atheism. Drawing on recent work in the philosophy of religion, David Glass addresses the issues raised by the New Atheists, responds to their objections, and presents a positive case for Christian theism. He shows that the New Atheists fail to engage seriously with the best theistic arguments, and that science, far from undermining belief in God, provides some of the best reasons for such belief. His valuable analysis also explores how faith and reason interact; miracles; the relationship between religion, morality and evil; the possibility of revelation from God; and the historical value of the Gospels and the reality of the resurrection of Jesus.

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In 1945, Sukarno declared that the new Indonesian republic would be grounded on monotheism, while also insisting that the new nation would protect diverse religious practice. The essays in Religious Pluralism in Indonesia explore how the state, civil society groups, and individual Indonesians have experienced the attempted integration of minority and majority religious practices and faiths across the archipelagic state over the more than half century since Pancasila. The chapters in Religious Pluralism in Indonesia offer analyses of contemporary phenomena and events; the changing legal and social status of certain minority groups; inter-faith relations; and the role of Islam in Indonesia's foreign policy. Amidst infringements of human rights, officially recognized minorities—Protestants, Catholics, Hindus, Buddhists and Confucians—have had occasional success advocating for their rights through the Pancasila framework. Others, from Ahmadi and Shi'i groups to atheists and followers of new religious groups, have been left without safeguards, demonstrating the weakness of Indonesia's institutionalized "pluralism." Contributors: Lorraine Aragon, Christopher Duncan, Kikue Hamayotsu, Robert Hefner, James Hoesterey, Sidney Jones, Mona Lohanda, Michele Picard, Evi Sutrisno, Silvia Vignato

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From electronic ankle monitors and predictive-policing algorithms to workplace surveillance systems, technologies originally developed for policing and prisons have rapidly expanded into nonjuridical domains, including hospitals, schools, banking, social services, shopping malls, and digital life. Rooted in the logics of racial disparity and subjugation, these purportedly unbiased technologies not only extend prison spaces into the public sphere but also deepen racial hierarchies and engender new systems for social control. The contributors to Captivating Technology examine how carceral technologies are being deployed to classify and coerce specific populations and whether these innovations can be resisted and reimagined for more liberatory ends. Moving from traditional sites of imprisonment to the arenas of everyday life being reshaped by carceral technoscience, this volume culminates in a sustained focus on justice-oriented approaches to science and technology that blends historical, speculative, and biographical methods to envision new futures made possible. Contributors. Ruha Benjamin, Troy Duster, Ron Eglash, Nettrice Gaskins, Anthony Ryan Hatch, Andrea Miller, Alondra Nelson, Tamara K. Nopper, Christopher Perreira, Winifred R. Poster, Dorothy E. Roberts, Lorna Roth, Britt Rusert, R. Joshua Scannell, Mitali Thakor, Madison Van Oort

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The first decade of the twenty-first century saw a number of best-selling books which not only challenged the existence of god, but claimed that religious faith was dangerous and immoral. The New Atheists, as writers such as Richard Dawkins, Christopher Hitchens, Sam Harris, and Daniel Dennett have become known, sparked a vicious debate over religion's place in modern society. In After the New Atheist Debate, Phil Ryan offers both an elegant summary of this controversy and a path out of the cul-de-sac that this argument has become. Drawing on the social sciences, philosophy, and theology, Ryan examines the claims of the New Atheists and of their various religious and secular opponents and finds both sides wanting. Rather than the mutual demonization that marks the New Atheist debate, Ryan argues that modern society needs respectful ethical dialogue in which citizens present their points of view and seek to understand the positions of others. Lucidly written and clearly argued, After the New Atheist Debate is a book that brings welcome clarity and a solid path to the often contentious conversation about religion in the public sphere.

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Economists make confident assertions in op-ed columns and on cable news—so why are their explanations often at odds with equally confident assertions from other economists? And why are all economic predictions so rarely borne out? Harnessing his frustration with these contradictions, Jonathan Schlefer set out to investigate how economists arrive at their opinions.“A lucid, plain-spoken account of the major economic models, which [Schlefer] introduces in chronological order, creating a kind of intellectual history of macroeconomics. He explains what the models assume, what they actually demonstrate—and where they fall short.”—Binyamin Applebaum, New York Times blog“Fascinating...[Schlefer’s] book is a tough critique of economics, but a deeply informed and sympathetic one.”—Justin Fox, Harvard Business Review blog“This book is an impressive and informative analysis of the economics literature—and it presents some useful insights about how a more eclectic, catholic approach might allow economics to progress more convincingly into the future.”—Michelle Baddeley, Times Higher Education“The Assumptions Economists make [is] a knowledgeable...broadside against neoclassical economics...Schlefer’s gripes concern model-building run amok...His criticisms of these models are original and sophisticated.”—Christopher Caldwell, Literary Review

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Sometimes overshadowed by his friend and contemporary, Samuel Pepys, Evelyn is the other great English diarist. He was a scholar, a scientific amateur, a garden designer and architect, and a founder member of the Royal Society who published a magisterial book about trees, Sylva, and many pamphlets on assorted subjects.His great interest as a diarist is that he was privy to all the great men and events of his very long life, from the execution of Charles I to the accession of Queen Anne, whereas Pepys writes of a relatively short period. A personal friend of Charles II, he observed at close quarters- and with some disapproval- that monarch's amorous life, and the diaries contain vivid portraits of Nell Gwynn, other royal mistresses and their children. The personalities of James II, the Dukes of Monmouth and Marlborough, and Judge Jeffreys, also figure largely. But this is more than a social record. As a valued administrator, Evelyn was also involved with many serious projects, such as combating the Plague, and rebuilding London after the Great Fire - an enterprise which brought him close to Christopher Wren.In all, a vivid portrait of the social, personal and political life of a society in ferment by one of its major players.

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It is a common misconception that it is difficult or impossible to discuss music, that a piece of music simply speaks to the listener-or not. Paul Steenhuisen, in conversation with composers, offers readers insight into the creative process, and ways of listening and entering into works of new music. Steenhuisen, himself a composer of merit, talks one on one with thirty-two of his contemporaries-twenty-six of whom are Canadian-with a colleague's candour, sympathy, and expertise. These rare intimations afford fellow composers, musicologists, students, and inquisitive listeners a comparative look into the lives of the people who write some of the most innovative, challenging, and sublime music today. Composers Interviewed: R. Murray Schafer; Robert Normandeau; Chris Paul Harman; Linda Catlin Smith; Alexina Louie; Omar Daniel; Michael Finnissy; John Weinzweig; Udo Kasemets; Pierre Boulez; Barbara Croall; James Rolfe; John Beckwith; Yannick Plamondon and Marc Couroux; George Crumb; Peter Hatch; John Oswald; Francis Dhomont; Martin Arnold; Helmut Lachenmann; Juliet Palmer; Christian Wolff; Mauricio Kagel; John Rea; Gary Kulesha; Howard Bashaw; Christopher Butterfield; Keith Hamel; Jean Piché; James Harley; Hildegard Westerkamp;

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This book brings together seventeen important new papers published by Anna Muthesius since 1995. Many of the articles, plates and specially prepared figures are available only in this book. The volume acts as an essential companion to Dr Muthesius' earlier book in this series, Studies in Byzantine and Islamic Silk Weaving. The present book includes a group of seven papers (Studies II-VI, X, and XIV) originally entitled 'Silk in Byzantium'. These were prepared in the first instance for a seminar held in 1997 in Nicosia at the University of Cyprus. They offer an overall survey of Byzantine sericulture, silk manufacture, design, use and distribution. Study I has been added as an introduction to the Cyprus series, and to the book as a whole. Silk in an ecclesiastical context (the relationship between Imperial and monastic piety, ritual and Christological debate) forms the focus for a further five papers (Studies VIII-IX and XI-XIII). Study VIII acts to introduce a new subject, the theme of Byzantine Seafaring silks. The final three articles (Studies XV-XVII) explore the immense impact of Byzantine silks abroad between the fifth and fifteenth centuries, in regions as far apart as the British Isles and Central Asia.

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When Hammer Films broke box office records in 1957 with `The Curse of Frankenstein’, the company not only resurrected the gothic horror film, but also created a particularly British-flavoured form of horror that swept the world. `The British Horror Film from the Silent to the Multiplex’ is your guide to the films, actors, and filmmakers who have thrilled and terrified generations of movie fans. In just one book, you will find the literary and cinematic roots of the genre to the British films made by film legends such as Bela Lugosi and Boris Karloff, Hammer’s accomplishments starring Christopher Lee and Peter Cushing, and the post-Hammer horrors such as Peter Walker’s `Frightmare’ and huge British-made successes such as `Alien’ and the zombie craze of the twenty-first century. Featuring the history, the films, the stars, the directors, and the studios in one fascinating, fun, and fact-filled volume, whether you are an absolute beginner or a seasoned gore-hound, this volume covers everything you ever wanted to know about the British horror movie, but were too bone-chillingly afraid to ask.

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Piano Mix is packed full of brilliant music that has been specially arranged for easy piano. It's a whirlwind of styles and genres from centuries gone by through to the present day. The repertoire reflects the type of music found in our Piano syllabuses. In Piano Mix 1 the pieces are mostly at Grade 1 standard, helping pianists progress to Grade 2 towards the end of the book. The series has been compiled and edited by David Blackwell with arrangements by Alan Bullard, Nikki Iles, Christopher Norton and Tim Richards to name a few. Every arrangement is enjoyable to play because it fits well under the pianist's hands while remaining faithful to the original work. Well-known music includes Handel's 'Fireworks Minuet' and opera classics from Bizet and Verdi. There are also lots of unsung melodies to be discovered, like Harry J. Lincoln's 'Bees-Wax Rag' and a traditional Swiss piece called 'In the Alps'. From the orchestra to the opera and from folk to jazz, there's a world of music at your fingertips! Perfect for learners exploring repertoire for the own-choice piece in ABRSM's Performance Grade exams

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Piano Mix is packed full of brilliant music that has been specially arranged for easy piano. It's a whirlwind of styles and genres from centuries gone by through to the present day. The repertoire reflects the type of music found in our Piano syllabuses. In Piano Mix 3 the pieces are mostly at Grade 3 standard, helping pianists progress to Grade 4 towards the end of the book. The series has been compiled and edited by David Blackwell with arrangements by Alan Bullard, Nikki Iles, Christopher Norton and Tim Richards to name a few. Every arrangement is enjoyable to play because it fits well under the pianist's hands while remaining faithful to the original work. Well-known music includes The Lark Ascending by Vaughan Williams and 'Consider yourself' from Oliver! There are also lots of unsung melodies to be discovered, like 'Clog Dance' from La fille mal gardée and a traditional Serbian folk tune Djurdjevka. From the orchestra to the opera and from folk to jazz, there's a world of music at your fingertips! Perfect for learners exploring repertoire for the own-choice piece in ABRSM's Performance Grade exams

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Take as long as you need, they said. Enjoy Oxford. Get better. But it didn’t turn out that way… Recovering from a near-fatal shooting, British diplomat Adam White is sent on a sabbatical to Oxford University. He soon becomes embroiled in the murder of an Oxford colleague. There is no shortage of suspects: the victim was widely disliked and feared. Among those affected are Sir Julian de Crespigny, director of the diplomacy programme, Catriona MacKay, the programme administrator, and Dame Gillian King, master of St Christopher’s College. MI6 are also involved, through the shadowy figure of John Smith, tasked with recruiting spies at Oxford. Impatient with the speed of police investigations, Adam sets out to solve the murder himself, his characteristically incautious approach putting him rapidly in jeopardy. In the past, against the odds, he has escaped death three times. Has his luck finally run out? Meanwhile, Adam’s partner, Alison, becomes emotionally involved with a colleague in New York, not suspecting that she too will be drawn into danger as the fates of the various characters converge. The story concludes with a denouement both violent and shocking. As readers of Alan Hunt’s previous books have come to expect, nothing is quite as it seems…

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Ivor Novello (born David Ivor Davies) was a Welsh composer, singer and actor who became one of the most popular British entertainers of the early 20th century. He first became well known through the song Keep the Home Fires Burning which he composed during World War I. After the war, he began a film career, and also appeared on stage in the West End, in musical shows of his own devising, most notably The Dancing Years. Novello starred in two early Hitchcock films before heading to Hollywood and appeared in some successful films. He died in 1951, at a fairly young age of 58. Novello wrote his musical shows in the style of operetta, and was one of the last major composers in this form. He generally composed his music to the librettos of Christopher Hassall. The Ivor Novello Awards for songwriting, are awarded each year by the record industry to songwriters and arrangers as well as the performing artistes. **ABRSM selected pieces (Singing from 2009): We’ll gather lilacs: from Perchance to Dream (Novello) Waltz of my heart: from The Dancing Years (Novello & Hassall) **Trinity College London selected piece (Singing 2010-2012): We’ll gather lilacs: from Perchance to Dream (Novello)

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Shortlisted for the Baileys Women's Prize for Fiction'Extraordinarily affecting' Alex Preston, Observer'This is a novel whose engine is flesh and blood, not cold ideas . . . Grant brings the 1950s - that odd, downbeat, fertile decade between war and sexual liberation - into sharp, bright, heartbreaking focus' - Christobel Kent GuardianAll over Britain life is beginning again now the war is over but for Lenny and Miriam, East End London teenage twins who have been living on the edge of the law, life is suspended - they've contacted tuberculosis. It's away to the sanatorium - newly opened by the NHS - in deepest Kent for them where they will meet a very different world: among other patients, an aristocract, a young university grad, a mysterious German woman and an American merchant seaman with big ideas about love and rebellion. They are not the only ones whose lives will be changed forever. 'Grant is so good at conjuring up atmosphere and writes with earthy vivacity'- Anthony Gardner Mail on Sunday'Read this fine, persuasive, moving novel and contemplate' John Sutherland, The Times

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The imagery of "peacemaking through Christ's blood" in Colossians 1.20b evokes conceptual frames from both the Graeco-Roman and Jewish thought worlds. To grasp the full significance of the imagery, it is necessary to explore which frames could have been activated by the writer's metaphors. In this work, Diego dy Carlos Araújo applies insights from frame semantics and conceptual metaphor to investigate the multiple frames possibly evoked in the minds of the implied readers by the metaphorical expressions εἰρηνοποιήσας διὰ τοῦ αἵματος τοῦ σταυροῦ αὐτοῦ in this passage. Colossians' own version of the message challenges the cultural and theological expectations of the audience concerning peacemaking through bloodThe impact of its Christological configuration lies precisely in the incongruity between its message and the frames with which the hearers were familiar.

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This definitive paperback edition features nine illustrations and two maps drawn by J.R.R. Tolkien, and a preface by Christopher Tolkien. Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End. But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day to whisk him away on an unexpected journey ‘there and back again’. They have a plot to raid the treasure hoard of Smaug the Magnificent, a large and very dangerous dragon… The prelude to The Lord of the Rings, The Hobbit has sold many millions of copies since its publication in 1937, establishing itself as one of the most beloved and influential books of the twentieth century.

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This book is the visual resource for anyone looking for garden inspiration, showcasing image after aspirational image of garden designs and solutions.This fully updated and revised edition contains more than 800 full-color images by leading garden photographer Andrea Jones. Organized into a variety of topics and themes that address frequently encountered garden design questions and challenges, this expanded edition now covers thirty-two trending garden design topics, such as Containerism, Dutch Wave, Extreme Naturalism, New Nordic, Tropical Chic, Vertical and Roof Gardens, and Xeriscaping.With thousands of possible design solutions and inspirations for any type of garden, this book covers gardens from all over the world and features projects by leading designers, including Christopher Bradley-Hole, Rick Darke, Topher Delaney, Bunny Guinness, Sean Hogan, James van Sweden, and Piet Oudolf, among others. Detailed photos capture the essence of both never-before-seen private gardens, as well as much heralded public spaces such as New York's High Line and groundbreaking exhibitions at the Chelsea Flower Show--all sources of new ideas easily adapted for the home garden.

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Scholars from the humanities and social sciences analyze representations of Latinidad in a diversity of genres Latinos have become the largest ethnic minority group in the United States. While the presence of Latinos and Latinas in mainstream news and in popular culture in the United States buttresses the much-heralded Latin Explosion, the images themselves are often contradictory. In Latino/a Popular Culture, Habell-Pallán and Romero have brought together scholars from the humanities and social sciences to analyze representations of Latinidad in a diversity of genres—media, culture, music, film, theatre, art, and sports—that are emerging across the nation in relation to Chicanas, Chicanos, mestizos, Puerto Ricans, Caribbeans, Central Americans and South Americans, and Latinos in Canada. Contributors include Adrian Burgos, Jr., Luz Calvo, Arlene Dávila, Melissa A. Fitch, Michelle Habell-Pallán, Tanya Katerí Hernández, Josh Kun, Frances Negron-Muntaner, William A. Nericcio, Raquel Z. Rivera, Ana Patricia Rodríguez, Gregory Rodriguez, Mary Romero, Alberto Sandoval-Sánchez, Christopher A. Shinn, Deborah R. Vargas, and Juan Velasco. Cover artwork "Layering the Decades" by Diane Gamboa, 2002, mixed media on paper, 11 X 8.5". Copyright 2001, Diane Gamboa. Printed with permission.

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The twenty-five original essays in this remarkable book constitute both a state of the art survey of Dante scholarship and a manifesto for new understandings of one of the world’s great poets. The fruit of an historic conference called by the Dante Society of America, the essays confront a range of important questions. What theories, methods, and issues are unique to Dante scholarship? How are they changing? What is the essence of the distinctive American Dante tradition? Why—and how—do we read Dante in today’s global, postmodern culture? From John Ahern on the first copies of the Commedia to Peter Hawkins and Rachel Jacoff on Dante after modernism, the essays shed brilliant new light on Dante’s texts, his world, and what we make of his legacy. The contributors: John Ahern, H. Wayne Storey, Guglielmo Gorni, Teodolinda Barolini, Gary P. Cestaro, Lino Pertile, F. Regina Psaki, Steven Botterill, Giuseppe Mazzotta, Alison Cornish, Robert M. Durling, Manuele Gragnolati, Giuliana Carugati, Susan Noakes, Zygmunt Baranski, Christopher Kleinhenz, Ronald L. Martinez, Ronald Herzman, Amilcare Iannucci, Albert Russell Ascoli, Michelangelo Picone, Jessica Levenstein, David Wallace, Piero Boitani, Peter Hawkins, and Rachel Jacoff.

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An independent bookshop in Glasgow. An ice cream parlour in Havana, where strawberry is the queerest choice. A cathedral in ruins in Managua, occupied by the underground LGBTQIA+ community. Queer people have always found ways to exist and be together, and there will always be a need for queer spaces. In this lavishly illustrated volume, Adam Nathaniel Furman and Joshua Mardell have gathered together a community of contributors to share stories of spaces that range from the educational to the institutional to the re-appropriated, and many more besides. With historic, contemporary and speculative examples from around the world, Queer Spaces recognises LGBTQIA+ life past and present as strong, vibrant, vigorous, and worthy of its own place in history. Looking forward, it suggests visions of what form these spaces may take in the future to continue uplifting queer lives. Featured spaces include: Black Lesbian and Gay Centre, London Category Is Books, Glasgow Christopher Street, New York Coppelia, Havana New Sazae, Tokyo ONE Institute for Homophile Studies, Los Angeles Pop-Up spaces, Dhaka Queer House Party, Online Santiago Apóstol Cathedral, Managua Trans Memory Archive, Buenos Aires Victorian Pride Centre, Melbourne

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Derek Jarman’s Sketchbooks – Deluxe Edition. Edited by Stephen Farthing and Ed Webb-Ingall. With a preface by Tilda Swinton. Featuring contributions from Keith Collins, Christopher Hobbs, Andrew Logan, James Mackay, Jon Savage, Howard Sooley, Neil Tennant and Toyah Willcox. DELUXE SLIPCASED EDITION. INCLUDES THREE PRINTS. Containing poetry, drawings, pressed flowers, photographs, excerpts from scripts and notes, Derek Jarman’s sketchbooks are part autobiography and part social history, bursting with the energy and creativity of this groundbreaking artist. This publication collates the best of Jarman’s sketchbooks to reveal the detailed planning and emotional engagement behind each of his films in more depth than ever before. This deluxe edition is limited to 500 copies, each presented in a cloth-covered slipcase. Each numbered copy is accompanied by three prints reproduced from the sketchbooks, housed in an envelope tipped into the book. The book, which is covered in real blue cloth with gold foil blocking on the spine and in a debossed recess on the frontboard, is c.15% larger than the standard edition. 196 illustrations, 187 in colour, 31.0 x 24.0cm, 256pp, ISBN 978 0 500 517185 . £150.00 slipcased hardback + 3 prints

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Few composers even begin to approach Beethoven's pervasive presence in modern Western culture, from the concert hall to the comic strip. Edited by a cultural historian and a music theorist, Beethoven and His World gathers eminent scholars from several disciplines who collectively speak to the range of Beethoven's importance and of our perennial fascination with him. The contributors address Beethoven's musical works and their cultural contexts. Reinhold Brinkmann explores the post-revolutionary context of Beethoven's "Eroica" Symphony, while Lewis Lockwood establishes a typology of heroism in works like Fidelio. Elaine Sisman, Nicholas Marston, and Glenn Stanley discuss issues of temporality, memory, and voice in works at the threshold of Beethoven's late style, such as An die Ferne Geliebte, the Cello Sonata op. 102, no. 1, and the somewhat later Piano Sonata op. 109. Peering behind the scenes into Beethoven's workshop, Tilman Skowroneck explains how the young Beethoven chose his pianos, and William Kinderman shows Beethoven in the process of sketching and revising his compositions. The volume concludes with four essays engaging the broader question of reception of Beethoven's impact on his world and ours. Christopher Gibbs' study of Beethoven's funeral and its aftermath features documentary material appearing in English for the first time; art historian Alessandra Comini offers an illustrated discussion of Beethoven's ubiquitous and iconic frown; Sanna Pederson takes up the theme of masculinity in critical representations of Beethoven; and Leon Botstein examines the aesthetics and politics of hearing extramusical narratives and plots in Beethoven's music. Bringing together varied and fresh approaches to the West's most celebrated composer, this collection of essays provides music lovers with an enriched understanding of Beethoven--as man, musician, and phenomenon.

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Essays on the many key aspects of medieval literature, reflecting the significant impact of Professor Derek Brewer. Derek Brewer (1923-2008) was one of the most influential medievalists of the twentieth century, first through his own publications and teaching, and later as the founder of his own academic publishing firm. His working life of some sixty years, from the late 1940s to the 2000s, saw enormous advances in the study of Chaucer and of Arthurian romance, and of medieval literature more generally. He was in the forefront of such changes, and his understandings ofChaucer and of Malory remain at the core of the modern critical mainstream. Essays in this collection take their starting point from his ideas and interests, before offering their own fresh thinking in those key areas of medieval studies in which he pioneered innovations which remain central: Chaucer's knight and knightly virtues; class-distinction; narrators and narrative time; lovers and loving in medieval romance; ideals of feminine beauty; love,friendship and masculinities; medieval laughter; symbolic stories, the nature of romance, and the ends of storytelling; the wholeness of Malory's Morte Darthur; modern study of the medieval material book; Chaucer's poetic language and modern dictionaries; and Chaucerian afterlives. This collection builds towards an intellectual profile of a modern medievalist, cumulatively registering how the potential of Derek Brewer's work is being reinterpreted and is renewing itself now and into the future of medieval studies. Charlotte Brewer is Professor of English Language and Literature at Oxford University and a Fellow of Hertford College, Oxford; Barry Windeatt is Professor of English in the University of Cambridge and a Fellow of Emmanuel College, Cambridge. Contributors: Elizabeth Archibald, Charlotte Brewer, Mary Carruthers, Christopher Cannon, Helen Cooper, A.S.G. Edwards, Jill Mann, Alastair Minnis, Derek Pearsall, Corinne Saunders, James Simpson, A.C. Spearing, Jacqueline Tasioulas, Robert Yeager, Barry Windeatt.

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From the start of the rebellion to its brutal conclusion, Arlen has haunted for Roj Blake. Cally fights beside her. Jenna Stannis works for her. Space Commander Travis is her mentor. As she plays each side off against the other, how will Arlen decide who are allies and who are enemies? 1. Saurian Major by Lizbeth Myles. Saurian Major is a key Federation communications hub. Federation Office Arlen undertakes an undercover mission to destroy the rebel factions that threaten it. The last person she expects to find is an Auron outcast among the humans. Will the mysterious Cally disrupt her plan? 2. No Name by Simon Guerrier. Everyone on Vanstone is hiding something. That's why they are there. Hiding from her own past, Arlen wonders what has brought Roj Blake to this remote outpost. Has Arlen uncovered a buried secret? And what does Space Commander Travis want on Vanstone? 3. Sedition by Jonathan Morris. Jenna Stannis knows that smuggling guns will help free Solta-Minor from the Federation. And she suspects that's not the only reason why Arlen wants her help. But Jenna doesn't know who else is on the planet. How can Travis have survived Star One? CAST: Sally Knyvette (Jenna Stannis), Jan Chappell (Cally), Brian Croucher (Travis), Stephen Greif (Travis), Sasha Mitchell (Arlen), Victoria Alcock (Mac), Christopher Brand (Haban), Lauren Fitzpatrick (Faro), Jacqueline King (Kovic), Samuel Lawrence (Tomal), Nigel Lindsay (Stor/Lux), Paul Panting (Cary / Velkrov).

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Ten years after an attack on the US diplomatic mission in Benghazi killed Ambassador Christopher Stevens and three other Americans, cries of "Benghazi!" still echo across America. But instead of a landmark event to be taken seriously, it has become a punchline, an empty word, or a code for controversy and political theatre. In this thrilling retelling, Ethan Chorin reveals Benghazi as?a watershed moment in American history, one that helped create the world America lives in today: polarized, fearful, and dangerously unstable.Here, Benghazi is not a story contained in 13 hours, but a decades-long history beginning with the rise of Muammar Gaddafi, stretching through 9/11, the War on Terror, and the Arab Spring, and reaching into the present day, as the impact of the attack and ensuing controversy remain visible in America and around the world. Chorin draws on his own bone-chilling experience during the Benghazi attack, his expertise as a former diplomat and scholar of Libyan history, and new interviews with Libyan insiders, eyewitnesses, and key players like Hillary Clinton and Ben Rhodes. With this ambitious, engaging narrative, Chorin makes clear why Benghazi still matters so much ten years later-and why we can't afford to continue overlooking and misunderstanding it.

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Contributions by Christopher Baker, Cristina Borgioli, Louisa M. Connor Bulman, Antonella Capitanio, Marco Collareta, Peter Davidson, Francisco Freddolini, Cristiano Giometti, John Harris, Elisabeth Kieven, and Cinzia Maria Sicca This handsome book is the only full-length study of John Talman (1677–1726), first director of the Society of Antiquaries and one of the most influential collectors of drawings in early 18th-century Britain. Prominent scholars discuss the history of Talman’s acquisitions, shedding light on the competitive nature, social practices, and aesthetic ideas of connoisseurship both in England and abroad. Talman’s collection, amassed in England, Florence, and Rome between the 1690s and 1719, focused on Italian medieval art, architecture, and textiles as well as Renaissance and Baroque architecture and sculpture. It reflected the tastes and preoccupations of artistic and intellectual élites in pre-enlightenment Europe. A vehicle for disseminating aesthetic and historical ideas, the collection became not only an extraordinary document of the state of ancient and modern Italian monuments but also a history of architecture and culture at large that provided visual evidence of buildings and rituals lost through time. Distributed for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art

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This is the first volume concerned solely with the archaeology of a major late 17th-century building in London, and the major changes it has undergone. St Paul's Cathedral in the City of London was built in 1675–1711 to the designs of Sir Christopher Wren and has been described as an iconic building many times.In this major new account, John Schofield examines the cathedral from an archaeological perspective, reviewing its history from the early 18th to the early 21st century, as illustrated by recent archaeological recording, documentary research and engineering assessment. A detailed account of the construction of the cathedral is provided based on a comparison of the fabric with voluminous building accounts which have survived and evidence from recent archaeological investigation. The construction of the Wren building and its embellishments are followed by the main works of later surveyors such as Robert Mylne and Francis Penrose.The 20th century brought further changes and conservation projects, including restoration after the building was hit by two bombs in World War II, and all its windows blown out. The 1990s and first years of the present century have witnessed considerable refurbishment and cleaning involving archaeological and engineering works. Archaeological specialist reports and an engineering review of the stability and character of the building are provided.

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Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be understood, as well as how it relates to concepts such as the still, the moving image, the frame, animism, and utopia. The contributors take on the kinds of theoretical questions that have remained underexplored because, as Karen Beckman argues, scholars of cinema and media studies have allowed themselves to be constrained by too narrow a sense of what cinema is. This collection reanimates and expands film studies by taking the concept of animation seriously.Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken, Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Hervé Joubert-Laurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman, Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess Takahashi

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The British have always been a nation of gardeners. Our gardening history began even before the Romans, who brought Mediterranean plants which still flourish across Britain. Gardening grew in the sixteenth century and a distinctively British style became a major export in the eighteenth century. Today, the annual Chelsea Flower Show is an international festival, and our garden designers are in demand all over the world. This book traces the history of British gardening over 450 years through the stories of twenty-six key figures, showing what drove them, and their role in the evolution of Britain’s gardens. Their work reveals changes in taste and society down the centuries. Familiar names are featured, such as ‘Capability’ Brown, Humphry Repton, Gertrude Jekyll, Vita Sackville-West and Christopher Lloyd, together with less generally known figures such as John Gerard, whose Herball of 1597 inspired generations of plantsmen, the Tradescants, pioneer plant hunters, and J. C. Loudon, nineteenth-century champion of smaller gardens. In the present day, we meet Beth Chatto, advocate of the right plant in the right place, and John Brookes, who did for gardening what Elizabeth David did for cooking. Their achievements provide a colourful history and inspiration to every gardening enthusiast.

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When Raymond E. Brown died in 1998, less than a year after the publication of his masterpiece, An Introduction to the New Testament, he left behind a nearly completed revision of his acclaimed two-volume commentary on the Gospel of John. The manuscript, skillfully edited by Francis J. Moloney, displays the rare combination of meticulous scholarship and clear, engaging writing that made Father Brown’s books consistently outsell other works of biblical scholarship. An Introduction to the Gospel of John represents the culmination of Brown’s long and intense examination of part of the New Testament. One of the most important aspects of this new book, particularly to the scholarly community, is how it differs from the original commentary in several important ways. It presents, for example, a new perspective on the historical development of the Gospels, and shows how Brown decided to open his work to literary readings of the text, rather than relying primarily on the historical, which informed the original volumes. In addition, there is an entire section devoted to Christology, absent in the original, as well as a magisterial new section on the representation of Jews in the Gospel of John.

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This reader shows why Edward Schillebeeckx remains one of the most influential Catholic theologians of the 20th century. Spanning more than half a century and including several texts that appear in English for the first time, it enables students to understand how Edward Schillebeeckx’s thought resonates with current debates in theology, for instance on ecology and secularization. T&T Clark Reader in Edward Schillebeeckx includes selections from both pre- and post-Conciliar texts that illustrate the evolution in Schillebeeckx’s thought, while also pointing towards the deep underlying continuity which comes from his essential commitment to his faith. His Christological Trilogy, which was a touchstone for doctrinal controversy and methodological progress, is represented here, as well as important works on ministry, the sacraments, hermeneutics, secularization, and the environment. These complex theological topics are broken down in every chapter with the help of explanatory notes, discussion questions and further reading suggestions. This reader is an essential resource which will enable students to contextualize and unpack the rich layers within Schillebeeckx’s theology.

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The Return of the King is the third part of J.R.R. Tolkien’s epic adventure, The Lord of the Rings. The Companions of the Ring have become involved in separate adventures as the quest continues. Aragorn, revealed as the hidden heir of the ancient Kings of the West, joined with the Riders of Rohan against the forces of Isengard, and took part in the desperate victory of the Hornburg. Merry and Pippin, captured by orcs, escaped into Fangorn Forest and there encountered the Ents. Gandalf returned, miraculously, and defeated the evil wizard, Saruman. Meanwhile, Sam and Frodo progressed towards Mordor to destroy the Ring, accompanied by Sméagol–Gollum, still obsessed by his ‘preciouss’. After a battle with the giant spider, Shelob, Sam left his master for dead; but Frodo is still alive – in the hands of the orcs. And all the time the armies of the Dark Lord are massing. The text of this edition has been fully corrected and revised in collaboration with Christopher Tolkien and is accompanied by fifteen watercolour paintings from Alan Lee.

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With its laser-focus on the verbal and visual infrastructure of narrative, The Metanarrative Hall of Mirrors is the first sustained comparative study of how image patterns are tracked in prose and cinema. In film examples ranging from Citizen Kane through Apocalypse Now to Blade Runner 2049, then on to Christopher Nolan’s 2020 Tenet, Garrett Stewart follows the shift from celluloid to digital cinema through various narrative manifestations of the image, from freeze-frames to computer-generated special effects. By bringing cinema alongside literature, Stewart discovers a common tendency in contemporary storytelling, in both prose and visual narrative, from the ongoing trend of “mind-game” films to the often puzzling narrative eccentricities of such different writers as Nicholson Baker and Richard Powers—including the latter’s eerie mirroring of reader empathy in his 2021 Bewilderment.

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This collective work identifies the latest developments in the field of the automatic processing and analysis of digital color images. For researchers and students, it represents a critical state of the art on the scientific issues raised by the various steps constituting the chain of color image processing. It covers a wide range of topics related to computational color imaging, including color filtering and segmentation, color texture characterization, color invariant for object recognition, color and motion analysis, as well as color image and video indexing and retrieval. Contents 1. Color Representation and Processing in Polar Color Spaces, Jesús Angulo, Sébastien Lefèvre and Olivier Lezoray. 2. Adaptive Median Color Filtering, Frédérique Robert-Inacio and Eric Dinet. 3. Anisotropic Diffusion PDEs for Regularization of Multichannel Images: Formalisms and Applications, David Tschumperlé. 4. Linear Prediction in Spaces with Separate Achromatic and Chromatic Information,Olivier Alata, Imtnan Qazi, Jean-Christophe Burie and Christine Fernandez-Maloigne. 5. Region Segmentation, Alain Clément, Laurent Busin, Olivier Lezoray and Ludovic Macaire. 6. Color Texture Attributes, Nicolas Vandenbroucke, Olivier Alata, Christèle Lecomte, Alice Porebski and Imtnan Qazi. 7. Photometric Color Invariants for Object Recognition, Damien Muselet. 8. Color Key Point Detectors and Local Color Descriptors, Damien Muselet and Xiaohu Song. 9. Motion Estimation in Color Image Sequences, Bertrand Augereau and Jenny Benois-Pineau.

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