Search results for ""Author Christo"

In engem exegetischen Anschluß an das Markusevangelium - ergänzt durch Bergpredigt, Vaterunser und Seligpreisungen (Mt) - erarbeitet Joachim Ringleben ein systematisch-theologisches Verständnis von Jesu Weg von der Taufe bis zur Passion. Dabei finden Jesu Sohnesbewußtsein, seine Reich-Gottes-Verkündigung, sein Verhältnis zum Alten Testament, die Heilungen, sein Gebet und seine Gleichnisse sowie seine Selbstverortung zwischen Schöpfung und Eschatologie (mit Ausblick auf die Auferstehung) besondere Berücksichtigung.Joachim Ringleben stellt drei systematische Hauptthesen auf und stellt deren Ergebnisse dar: Jesu sprachlich vermitteltes Selbstverständnis dient der Erschließung seines Gottesbewußtseins und führt zu einer radikalen Neufassung des überlieferten Gottesgedankens. In der Perspektive von Gott als dem 'Gott des Sohnes' wird Gottes Verhältnis zu diesem Menschen systematisch nachvollziehbar. Und schließlich lässt sich Jesu Gottesverhältnis theologisch als der Ort begreifen, an dem Gott sich selber hervorbringt und zu sich kommt. Damit eröffnet der Autor eine neue Anschlußmöglichkeit für die dogmatische Christologie.

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Alfred Hitchcock is not often associated with a social justice movement. But in 1956, the world’s most famous director focused his lens on an issue that cuts to the heart of our criminal justice system: the risk of wrongful conviction. The result was The Wrong Man, a wrenching and largely overlooked drama based on the false arrest of Queens musician Christopher “Manny” Balestrero. Despite a detective’s assurance that the innocent have “nothing to fear,” Manny and his family faced ruin from false charges that he twice robbed an insurance office. Aspiring to documentary-like authenticity, Hitchcock and his team meticulously recreated one man’s odyssey through the corridors of justice. In so doing, they opened a window into New York’s history of mistaken identity cases. The Balestrero prosecution was not an isolated miscarriage of justice. Instead, Manny fell victim to the same rush to judgment and suggestive eyewitness identification procedures that had doomed innocent defendants in earlier cases.

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While on a visit to London, American genealogist Jefferson Tayte’s old friend and colleague dies in his arms. Before long, Tayte and a truth-seeking historian, Professor Jean Summer, find themselves following a corpse-ridden trail that takes them to the Royal Society of London, circa 1708. What to make of the story of five men of science, colleagues of Isaac Newton and Christopher Wren, who were mysteriously hanged for high treason? As they edge closer to the truth, Tayte and the professor find that death is once again in season. A new killer, bent on restoring what he sees as the true, royal bloodline, is on the loose...as is a Machiavellian heir-hunter who senses that the latest round of murder, kidnapping, and scandal represents an unmissable business opportunity. The Last Queen of England is a racing thriller with a heart-stopping conclusion. It is the third book in the Jefferson Tayte Genealogical Mystery series but can be enjoyed as a stand-alone story.

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Mary Reichert is one of the best sharpshooters in the country, and in the Brookstone Wild West Extravaganza her skills are on display in every performance. But unless the man responsible for her brother's death is brought to justice, Mary's fame and accomplishments seem hollow. She feels helpless in the face of the murderer's money, power, and connections. The only bright spot in her days is the handsome journalist who keeps attending their shows. Christopher Williams has been assigned to follow the Brookstone show on its 1901 tour of England and write a series of articles for his magazine. As he gets to know the cast he quickly finds himself irresistibly drawn to the show's sharpshooter. But getting close to someone would threaten to bring his past to light. How could he ever win Mary's heart if she knows the truth? Mary and Chris will both have to trust God if they are to heal from the wounds of the past and chart a new future together.

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William and Mary, Britain's most mysterious monarchs, were married for reasons of dynasticconvenience. Their union gradually developed into a happy and successful one, despiteWilliam's frequent absences on military campaign. They shared interests such as art andgardening, both of which they practised at their palace retreat, Het Loo. Despite the fact thatMary was heir presumptive to her father, the Duke of York, they might have expected toremain in the Netherlands for the rest of their lives. Midway through their marriage, their way of life changed substantially when Mary's father,now King James II, was rejected by his English and Scottish subjects because of his ferventCatholicism. William, a foreigner, was accepted as a replacement primarily because of hisBritish queen. The couple had Kensington Palace built, to a design by Sir Christopher Wren,and their renovations at Hampton Court Palace, also by Wren, gave the palace much of itspresent character. The monarchy was now fully ans

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''A sweeping tale of dark magic, artistic obsession, and a love unbound from the limits of time'' Paulette Kennedy A vanished star. A haunted film. A mystery only love can unravel . . .1968 Gemma Turner once dreamed of stardom, now she''s on the cusp of obscurity. When a radical new horror film offers her the leading role, her luck looks set to change. Until one dark night, Gemma disappears on set and is never seen again. But this is only the beginning... Gemma has been pulled into the film itself, where the script - and the horrors within it - are more real than she ever imagined, and she must play her role perfectly if she hopes to survive. 2007Gemma Turner''s disappearance is one of Hollywood''s greatest mysteries - one that''s captivated film student Christopher ever since he saw the infamous L''Étrange Lune for the first time. The film is screened just once a decade, and each time there is

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Four-volume boxed-set edition of The Lord of the Rings in hardback, featuring Tolkien's original unused dust-jacket designs, together with fourth hardback volume, The Lord of the Rings: A Reader''s Companion. Includes special features and the definitive edition of the text.Since it was first published in 1954, The Lord of the Rings has been a book people have treasured. Steeped in unrivalled magic and otherworldliness, its sweeping fantasy has touched the hearts of young and old alike, with one hundred and fifty million copies of its many editions sold around the world. In 2005 Tolkien's text was fully restored with the full co-operation of Christopher Tolkien with almost 400 corrections, the original red and black maps as fold-out sheets, a fully revised and enlarged index, and for the first time a special plate section containing the pages from the Book of Mazarbul, making this set as close as possible to the version that J.R.R. Tolkien intended.This Diamond Anniversary reissue of th

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Funny and wry, McCue chronicles the little linguistic nonsenses with which the baboons betray themselves - Quentin LettsA sequel to the highly popular first volume, Postings, 2 supplies yet more linguistic and social absurdities by editor and bibliophile Jim McCue, best known for his edition, with Christopher Ricks, of T. S. Eliot's poetry. Elegantly presented and an ideal small gift, this volume complements McCue's wit with even more delightful, historical printers' decorations from over the centuries.Also available: Postings, ISBN 9781843682424

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River Song has many ways to amuse herself away from her husband. And with access to the Doctor’s diary, she knows exactly when he might be around, and when best to slip in unnoticed and liberate valuable trinkets…But first of all, she must ensure he makes it out of Totters Lane alive! An Unearthly Woman by Matt Fitton. Coal Hill School has a new member of staff: an educated woman, who seems to specialise in every subject. Meanwhile, teachers Ian Chesterton and Barbara Wright have concerns over the behaviour of one of their pupils. Susan Foreman is intrigued by Dr Song, but something else is stalking her in the darkness and fog of London, 1963… The Web of Time by John Dorney. The capital has been evacuated. Monsters stalk the Underground. For River, it’s the perfect opportunity to steal a priceless artwork, so long as she can avoid looters, soldiers and an alien invasion. With the gallant Captain Knight at her side, River faces the Great Intelligence and its Yeti army. But her biggest challenge may be keeping time itself on track. Peepshow by Guy Adams. Miniscope parts fetch quite a price on the open market – luckily, River knows where she can find one that’s about to be decommissioned. Unfortunately, this particular miniscope is chock-full of aliens, as well as unsuspecting Earthlings. River must face a carnival of monsters before she can claim her prize – across miniature habitats, Ogrons, Sontarans and Drashigs await! The Talents of Greel by Paul Morris. River visits Victorian London on the trail of anachronistic technology. But when young women are stolen from the streets, she takes a stand. River’s investigation leads to theatre impresario Henry Gordon Jago, and his latest star act: LiH’Sen Chang and the unnerving Mr Sin. But if River’s going undercover at the Palace Theatre, she needs to have a song…CAST: Alex Kingston (River Song), Claudia Grant (Susan Foreman), Jamie Glover (Ian Chesterton), Jemma Powell (Barbara Wright), Lizzie Stables (Sheila Page), Edward Dede (Lloyd Walker), Owen Aaronovitch (Mr Newbold), Ralph Watson (Captain Ben Knight), Kathryn Drysdale (Erin Harris), Mandi Symonds (Maude), Sam Clemens (Corporal Buscombe), Clive Wood (Dibbsworth), Dan Starkey (Commander Sturmm), Guy Adams (Ogrons), Christopher Benjamin (Henry Gordon Jago), Nicholas Goh (Li H’Sen Chang), Angus Wright (Magnus Greel), Milly Thomas (Celestine Sorbonne), John Paul Connolly (Casey). Other parts played by members of the cast.

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This lavishly illustrated volume is the first major global history of ornament from the Middle Ages to today. Crossing historical and geographical boundaries in unprecedented ways and considering the role of ornament in both art and architecture, Histories of Ornament offers a nuanced examination that integrates medieval, Renaissance, baroque, and modern Euroamerican traditions with their Islamic, Indian, Chinese, and Mesoamerican counterparts. At a time when ornament has re-emerged in architectural practice and is a topic of growing interest to art and architectural historians, the book reveals how the long history of ornament illuminates its global resurgence today. Organized by thematic sections on the significance, influence, and role of ornament, the book addresses ornament's current revival in architecture, its historiography and theories, its transcontinental mobility in medieval and early modern Europe and the Middle East, and its place in the context of industrialization and modernism. Throughout, Histories of Ornament emphasizes the portability and politics of ornament, figuration versus abstraction, cross-cultural dialogues, and the constant negotiation of local and global traditions. Featuring original essays by more than two dozen scholars from around the world, this authoritative and wide-ranging book provides an indispensable reference on the histories of ornament in a global context. Contributors include: Michele Bacci (Fribourg University); Anna Contadini (University of London); Thomas B. F. Cummins (Harvard); Chanchal Dadlani (Wake Forest); Daniela del Pesco (Universita degli Studi Roma Tre); Vittoria Di Palma (USC); Anne Dunlop (University of Melbourne); Marzia Faietti (University of Bologna); Maria Judith Feliciano (independent scholar); Finbarr Barry Flood (NYU); Jonathan Hay (NYU); Christopher P. Heuer (Clark Art); Remi Labrusse (Universite Paris Ouest Nanterre la Defense); Gulru Necipo?lu (Harvard); Marco Rosario Nobile (University of Palermo); Oya Pancaro?lu (Bosphorus University); Spyros Papapetros (Princeton); Alina Payne (Harvard); Antoine Picon (Harvard); David Pullins (Harvard); Jennifer L. Roberts (Harvard); David J. Roxburgh (Harvard); Hashim Sarkis (MIT); Robin Schuldenfrei (Courtauld); Avinoam Shalem (Columbia); and Gerhard Wolf (KHI, Florence).

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A brand-new four-part adventure featuring the Master's exploits in the Time War. In a Time War, there is a crime that not even the Daleks would dare consider. But the Master has more than considered - and he is ready to commit. When his TARDIS returns to Gallifrey carrying his corpse, a chain of events ensues that will change established history, Old friendships will be destroyed and dark alliances formed, as the Master exploits a terrifying truth. Even for the two most powerful races, time can be rewritten. 4.1 From the Flames by Nicholas Briggs. After the Master's TARDIS returns his remains to Gallifrey, in accordance with his final wishes, an intricate plot begins to change the nature of the universe forever. But even in death the Master threatens life. And only CIA Coordinator Narvin can hope to stop him. 4.2 The Master's Dalek Plan by Alan Barnes. As the Master infiltrates the Kaled scientific elite, the Time Lords seek to counter his interference. But while Narvin and President Livia try to stabilise the past, a new and horrifying future dawns in the wastelands of ancient Skaro. 4.3 Shockwave by Alan Barnes. With all known history threatened, the Daleks take desperate action to preserve their established legacy. When they cross dimensions to recruit an alternative incarnation of the Master, an uneasy alliance is formed ... But can either side truly trust the other? 4.4 He Who Wins by Nicholas Briggs. The Master has achieved an ultimate victory. But at what cost? Cast: Derek Jacobi (The Master), Mark Gatiss (The Other Master), Sean Carlsen (Narvin), Nicholas Briggs (The Daleks), Zaraah Abrahams (Kaled Corporal), Pippa Bennett-Warner (Livia), Vikash Bhai (Arfor), Daniel Brocklebank (Yaren), Richard Clifford (Novar), Ben Crystal (Soogasor), Christopher Harper (Kaled Guard), Will Kirk (Uglen), Jordan Renzo (Insloy), Gavin Swift (Crazlus), Franchi Webb (Lamarius). Other parts played by members of the cast.

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A beautiful collection of the art and life stories of regional Native painters Dreaming Our Futures features twenty-eight Native painters, primarily Dakota and Ojibwe, who live in the Midwest or have family or tribal connections here. The artists represent a range of generations, professional experience, and genres—including traditional, historical, contemporary, and conceptual themes. The volume presents full-color reproductions of art by each painter, along with bilingual artist statements, biographies, and essays on the representation of Indigenous people in historical context; storytelling and the creative process; and scholarship on several specific artists. The renowned Grand Portage Ojibwe artist George Morrison declared, “I have never tried to prove that I was Indian through my art. Yet, there may remain deeply hidden some remote suggestion of the rock whence I was hewn, the preoccupation of the textural surface, the mystery of the structural and organic element, the enigma of the horizon, or the color of the wind.” The variety of images painted by this gathering of artists demonstrates that the strong heritage and powerful traditions of Indigenous painting remain vital and dynamic today. Dreaming Our Futures accompanies an exhibition at the Katherine E. Nash Gallery in 2024, produced in association with the George Morrison Center for Indigenous Arts at the University of Minnesota. Artists: Frank Big Bear, David Bradley, Awanigiizhik Bruce, Andrea Carlson, Avis Charley, Fern Cloud, Michelle DeFoe, Jim Denomie, Patrick DesJarlait, Sam English, Carl Gawboy, Joe Geshick, Sylvia Houle, Oscar Howe, George Morrison, Steven Premo, Rabbett Before Horses Strickland, Cole Redhorse Taylor, Roy Thomas, Jonathan Thunder, Thomasina Topbear, Moira Villiard, Kathleen Wall, Star WallowingBull, Dyani White Hawk, Bobby Dues Wilson, Wanbli Mayasleca/Francis J. Yellow, Leah H. Yellowbird, Holly Young. Contributors: Patricia Marroquin Norby, Metropolitan Museum of Art; Christopher Pexa, U of Minnesota; Mona Susan Power; Diane Wilson.

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Reviews from the first edition: ‘This handbook deserves a place … near the writing desk of every lawyer practising in the field of international arbitration’ Volker Triebel, Journal of International Arbitration ‘This book should find its way to the bookshelves of internationally experienced arbitration lawyers’ Christof Siefarth, Dispute Resolution This handbook provides an overview of the global framework of international commercial arbitration, in particular the New York Convention, the UNCITRAL Model Law, and international investment treaties. In addition, it offers comprehensive insight into international arbitration laws of countries covering over 60% of the global economy: Austria, Belgium, Brazil, China, England and Wales, France, Germany, Hong Kong, India, the Netherlands, Russia, Singapore, Spain, Sweden, Switzerland, and the US. The new edition includes numerous references to recent case law, material and legislative reform as well as topical developments in areas such as arbitrators' jurisdiction, the conduct of arbitral proceedings and the judicial control of arbitral awards. This title is included in Bloomsbury Professional's International Arbitration online service.

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In 2010, Jamaican police and military forces entered the West Kingston community of Tivoli Gardens to apprehend Christopher “Dudus” Coke, who had been ordered for extradition to the United States on gun and drug-running charges. By the time Coke was detained, somewhere between seventy-five and two hundred civilians had been killed. In Political Life in the Wake of the Plantation, Deborah A. Thomas uses the incursion as a point of departure for theorizing the roots of contemporary state violence in Jamaica and in post-plantation societies in general. Drawing on visual, oral historical, and colonial archives, Thomas traces the long-term legacies of the plantation system and how its governing logics continue to shape and replicate forms of violence. She places affect at the center of sovereignty to destabilize disembodied narratives of liberalism and progress and to raise questions about recognition, repair, and accountability. In tying theories of politics, colonialism, race, and affect together with Jamaica's history, Thomas presents a robust framework for understanding what it means to be human in the plantation's wake.

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Ancient church rituals meet cutting-edge crime-solving in this thriller in the #1 New York Times bestselling series featuring NYPSD Lieutenant Eve Dallas.Seconds after partaking of wine during a Catholic funeral mass, Father Miguel Flores is dead on the altar. Detective Lieutenant Eve Dallas confirms that the consecrated wine contained enough potassium cyanide to kill a rhino. And though the East Harlem neighborhood is a long way from the stone mansion she shares with her billionaire husband Roarke, it’s the holiness flying around St. Christobal’s that makes her uneasy.The autopsy reveals faint scars of knife wounds, a removed tattoo—and evidence of plastic surgery suggesting “Father Flores” may not be the man his parishioners thought. Now, as Eve pieces together clues that suggest identity theft, gang connections, and a deeply personal act of revenge, she hopes to track down whoever committed this unholy act. Until a second murder—in front of an even larger crowd of worshippers—knocks the whole investigation sideways...

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Patristic thinking is the bedrock of the uniformity of Byzantine culture, legitimization of image use in the Eastern Church, as well as Byzantine aesthetics, Karahan argues. The synergy in Late Byzantine holy images of "meta-images" for God's inexplicability, and elaborated dramatized narration for God's immanence epitomize orthodox tradition in general, and in particular fourth-century Cappadocian modes and models of thought on Christology, trinitarian theology and the Theotokos. The incomprehensible, uncircumscribed invisible Trinity, and the comprehensible God-man born of the Theotokos, circumscribed in flesh but not in divinity is a one-God reality of transcendent ontology and actions in the world of the two-natured image of God, Christ. Explanations in words or in images cannot ignore these orthodox axioms without turning into false images or heretic idols. This book explores why and how the idiosyncratic use of color, form, kinetics, light, and brilliance in Late Byzantine aesthetics concur with the tradition of the Fathers. How narration in image as well as literature is orthodoxos, 'of right belief, orthodox'.

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The body is a source of pleasure and of pain, at once hopelessly vulnerable and radiant with power. In her ambitious, brilliant sixth book, Olivia Laing charts an electrifying course through the long struggle for bodily freedom, using the life of the renegade psychoanalyst Wilhelm Reich to explore gay rights and sexual liberation, feminism, and the civil rights movement. Drawing on her own experiences in protest and alternative medicine, and traveling from Weimar Berlin to the prisons of McCarthy-era America, Laing grapples with some of the most significant and complicated figures of the past century—among them Nina Simone, Christopher Isherwood, Andrea Dworkin, Sigmund Freud, Susan Sontag, and Malcolm X. Despite its many burdens, the body remains a source of power, even in an era as technologized and automated as our own. Arriving at a moment in which basic bodily rights are once again imperiled, Everybody is an investigation into the forces arranged against freedom and a celebration of how ordinary human bodies can resist oppression and reshape the world.

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Der neue Pietismus und Neuzeit-Doppelband 46/47 hat auf sich warten lassen, aber das Warten hat sich gelohnt. Neben einem buch- und verlagsgeschichtlichen Schwerpunkt mit Beiträgen zu Lesern und Empfängern hallischer Bücher in Schlesien im 18. Jahrhundert (Brigitte Klosterberg), zur Zunnerischen Buchhandlung um 1700 (Oliver Kruk) und zu Übersetzungen und Kommentaren jansenistischer Bücher in pietistischen Kontexten (Christoph Schmitt-Maaß) sowie zu Zinzendorfs (erstem) Zeitungsprojekt Der Parther von 1725 (Otto Teigeler) schreiten weitere Aufsätze die historische und thematische Bandbreite des Pietismus und seiner Erforschung aus: beginnend mit einer kritischen Relektüre der Dokumente zur Buttlarschen Rotte um 1700 und ihrer Bewertung in der jüngeren Forschung (Stefanie Siedeck-Strunk), einer Auseinandersetzung mit mittelalterlicher Frauenmystik im Kontext des von dem Wittenberger Theologen Martin Chladni (1669-1725) betriebenen Streites um den Pietismus (Bernd Roling), und Mitte des 19. Jahrhunderts zur Indienstnahme von Magnetismus und Somnambulismus in der Theologie August Tholucks (Sabine Wolsink). Wie üblich runden Rezensionen, Bibliographie und Register den Band ab.

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Shows how Renaissance writers and artists struggled to reconcile past traditions with experiences of 'discovery'. In what ways have colonial and postcolonial studies transformed our perceptions of early modern European texts and images? How have those perceptions enriched our broader understanding of the colonial and the postcolonial? Focusing on English, Portuguese, Spanish and French colonial projects, Shankar Raman explains how encounters with new worlds and peoples irrevocably shaped both Europeans and their 'others'. There are in-depth case studies on: the Portuguese drama and epic of Gil Vicente and Luis Vaz de Camoes; travel narratives and exotic engravings from Theodore de Bry's influential compilations; and the English plays and verse of Christopher Marlowe, John Donne and Richard Brome. Key Features * Introduces readers to the careful reading of visual sources as a complement to textual analysis * Emphasises the importance of comparative work in literary studies of colonialism: see especially the discussion of Adam Olearius' travels in Chapter 2 as well as the case studies of Portuguese literary texts and de Bry

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Over five decades, the painter Humphrey Ocean RA's work has filtered into our national culture. This includes his series of portraits entitled A handbook of modern life displayed at the National Portrait Gallery in 2013; his portrait of Christopher Le Brun, President of the Royal Academy of Arts; and the cover of Sir Paul McCartney's 2007 album Memory Almost Full, which featured one of the Chair series. Ocean's practice encompasses painting, printmaking, sculpture, book-making and drawing. Of the last, he has said: 'Paper is lovely, immediate and personal. I draw as an end in itself.' In 2019 his exhibition 'Birds, Cars and Chairs' is on display at the Royal Academy of Arts. Of these subjects, he says: 'Birds, cars and chairs are, in that order, ancient, modern and intimate. Without them life would be a lot less bearable.' These works are reproduced alongside others in the book to provide a fascinating overview of Ocean's career, with an essay by Ben Thomas, which sets out to discover exactly what it is that makes Ocean's art so appealing and universal.

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François Hébel, who then was the Director of Rencontres photographiques d'Arles, requested Magnum photographers to recall their 'first time' - namely that delicate moment of transition that 'distinguished' them and that marked an actual turning-point in their artistic careers. The Magnum: La première fois volume has been inspired by the turning points identified, and recalls - thanks to the series of photographs by Abbas, Christopher Anderson, Olivia Arthur, Bruno Barbey, Cornell Capa, Robert Capa, Chien-Chi Chang, Bruce Gilden, Harry Gruyaert, David Alan Harvey, Thomas Hoepker, Richard Kalvar, Peter Marlow, Susan Meiselas, Paolo Pellegrin, Gueorgui Pinkhassov, Eli Reed, Jacob Aue Sobol, Larry Towell and Alex Webb - the particular moment in which artists distance themselves from their teachers and come up with a language, an aesthetic form and a grammar that are theirs and theirs alone. The moment in which their concept of photography, together with their commitment, acquire meaning and individuality for the first time. Text in English and Italian.

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This thought-provoking collection not only takes us into the past and the future, but also explores what might happen if we attempt to manipulate time to our own advantage. These stories show what happen once you start to meddle with time and the paradoxes that might arise. It also raises questions about whether we understand time, and how we perceive it. Once we move outside the present day, can we ever return or do we move into an alternate world? What happens if our meddling with Nature leads to time flowing backwards, or slowing down or stopping all together? Or if we get trapped in a constant loop from which we can never escape. Is the past and future immutable or will we ever be able to escape the inevitable? These are just some of the questions that are raised in these challenging, exciting and sometimes amusing stories by Kage Baker, Simon Clark, Fritz Leiber, Christopher Priest, Kristine Kathryn Rusch, Robert Silverberg, Michael Swanwick, John Varley and many others.

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Eternal Light: A Requiem is arranged for an accompanied mixed voices choir with soprano, tenor and baritone solo options. It is by the award-winning British composer and internationally acclaimed broadcaster, Howard Goodall, and is a stunning new Requiem for the modern day. It is intended to provide solace to the grieving, reflecting on the words of the Latin Mass by juxtaposing them with poems in English. Speaking about the work, Howard Goodall said, "For me, a modern Requiem is one that acknowledges the unbearable loss and emptiness that accompanies the death of loved ones, a loss that is not easily ameliorated with platitudes about the joy awaiting us in the afterlife. This, like Brahms’, is a Requiem for the living, addressing their suffering and endurance, a Requiem focussing on the consequences of interrupted lives.” Goodall's fresh and unorthodox interpretation of the Requiem Mass was released on EMI Classics, performed by Christ Church Cathedral Choir, Oxford and London Musici conducted by Stephen Darlington with soloists Natasha Marsh, Alfie Boe and Christopher Maltman.

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The imagery of "peacemaking through Christ's blood" in Colossians 1.20b evokes conceptual frames from both the Graeco-Roman and Jewish thought worlds. To grasp the full significance of the imagery, it is necessary to explore which frames could have been activated by the writer's metaphors. In this work, Diego dy Carlos Araújo applies insights from frame semantics and conceptual metaphor to investigate the multiple frames possibly evoked in the minds of the implied readers by the metaphorical expressions εἰρηνοποιήσας διὰ τοῦ αἵματος τοῦ σταυροῦ αὐτοῦ in this passage. Colossians' own version of the message challenges the cultural and theological expectations of the audience concerning peacemaking through bloodThe impact of its Christological configuration lies precisely in the incongruity between its message and the frames with which the hearers were familiar.

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This definitive paperback edition features nine illustrations and two maps drawn by J.R.R. Tolkien, and a preface by Christopher Tolkien. Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End. But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day to whisk him away on an unexpected journey ‘there and back again’. They have a plot to raid the treasure hoard of Smaug the Magnificent, a large and very dangerous dragon… The prelude to The Lord of the Rings, The Hobbit has sold many millions of copies since its publication in 1937, establishing itself as one of the most beloved and influential books of the twentieth century.

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A cherished erotic play by Federico García Lorca, illustrated by a major Spanish artist. Painting, poetry, and music come together in Zóbel Reads Lorca, as Fernando Zóbel, a Harvard student who would become one of Spain’s most famous painters, translates and illustrates Federico García Lorca’s haunting play about the wounds of love. The premiere of Amor de Don Perlimplín con Belisa en su jardín, an “erotic allelujia” which Lorca once called his most cherished play, was shut down in 1928 by Spanish government censors who confiscated the manuscript and locked it away in the pornography section of a state archive. Lorca rewrote the work in New York, and an amateur theater group brought it to the Spanish stage a few years later. Since his death, the play has also been transformed into ballet and opera. Zóbel Reads Lorca presents Zóbel’s previously unpublished translation and features contextual essays from several scholars. Art historian Felipe Pereda studies Lorca in the context of Zóbel’s development as a painter, Luis Fernández Cifuentes describes the precarious and much-debated state of the humanities in Zóbel’s Harvard and throughout the United States in the 1940s, and Christopher Maurer delves into musical and visual aspects of the play’s American productions.

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The essays in this thought-provoking volume investigate ideas of China and Chineseness by means of a broad range of texts, languages, and contexts that surround what the editors call the “various written Chinas” through history. Analyzing discourse of civilization, geography, ethics, ethnicity, writing, and differences about China—from within the country and from outside—this work deliberately disrupts the boundaries that have previously defined China as an object of study. Sinographies depends on a respect for the power of texts to shape realities both backward and forward, to create or foreclose possibilities not only of interpretation but of experience. To this end, the essays examine topics as various as colonialism, literary modernism, translation, anime, and Tibet. As a whole, the volume imagines sinography as a new methodological approach to the study of China, one that clears unexpected ground for new kinds of comparative work. Contributors: Timothy Billings, Middlebury College; Christopher Bush, Princeton U; Rey Chow, Brown U; Danielle Glassmeyer, U of Alabama, Birmingham; Timothy Kendall; Walter S. H. Lim, National U of Singapore; Lucien Miller, U of Massachusetts; David Porter, U of Michigan; Carlos Rojas, U of Florida; Steven J. Venturino, Loyola U; Henk Vynckier, Tunghai U, Taiwan. Eric Hayot is associate professor of comparative literature at the Pennsylvania State University. Haun Saussy is Bird White Housum Professor of comparative literature at Yale University. Steven G. Yao is associate professor of English at Hamilton College.

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The newest volume in the acclaimed Journal of Democracy series examines the state of India's democracy. As India marks its sixtieth year of independence, it has become an ever more important object of study for scholars of comparative democracy. It has long stood out as a remarkable exception to theories holding that low levels of economic development and high levels of social diversity pose formidable obstacles to the successful establishment and maintenance of democratic government. In recent decades, India has proven itself capable not only of preserving democracy, but of deepening and broadening it by moving to a more inclusive brand of politics. Political participation has widened, electoral alternation has intensified, and civil society has pressed more vigorously for institutional reforms and greater government accountability. Yet political scientists still have not devoted to this country, which contains more than one-sixth of the world's population, the kind of attention that it warrants. The essays in The State of India's Democracy focus on India's economy, society, and politics, providing illuminating insights into the past accomplishments-and continuing challenges-of Indian democracy. Contributors: Rajat Ganguly, M. V. Rajeev Gowda, Christophe Jaffrelot, Niraja Gopal Jayal, Rob Jenkins, Sunila S. Kale, Pratap Mehta, Subrata K. Mitra, Aseema Sinha, E. Sridharan, Praveen Swami, Arvind Verma, Steven I. Wilkinson

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Great journeys often start with a single question. For D. K. Evans, a newly married professional in the Christian-dominated South, that question was, “Why Do I Believe in God?” That simple query led him on a years-long search to better understand the nature of religion and faith, particularly as it applies to the Black community. While many taking such a journey today might immerse themselves in the writing of Richard Dawkins, Daniel Dennett, Sam Harris, and Christopher Hitchens, Evans took inspiration not only from John Henrik Clarke, Yosef-Ben Jochannan, Hubert Harrison, and John G. Jackson, champions of a rich Black tradition of challenging religious orthodoxy, but also from many others in his own community who had similarly come to question their core religious beliefs. While this journey eventually led him to discount the notion of God, he calls on all to ask their own questions, particularly those within the Black community who act on blind faith. While their own journey might not lead to his truth, he acknowledges, that is the only way they will ever emancipate themselves from the truths thrust on them by others and arrive at their most important truth—their own.

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Latest volume in a series which is "a monumental achievement" REVIEW OF ENGLISH STUDIES The Hatton and e Musaeo manuscript collections are important donations given to the Bodleian Library during its formative years in the seventeenth century. The Hatton collection, assembled by Christopher, first Baron Hatton,was largely acquired by the Bodleian Library in 1671. Among its Middle English prose manuscripts are religious texts, including Nicholas Love's Mirror of the Blessed Life of Jesus Christ, commentaries by Richard Rolle on the psalms and ten commandments, chronicles such as the Brut and an assortment of manuscripts ranging from political prophecies and grammar treatises to compendia of medical recipes. The e Musaeo collection, so called because it was originally an eclectic group of manuscripts stored in the librarian's study, also contains a variety of significant Middle English texts. They range from the religious and devotional: a Wycliffite New Testament, Love's Mirror, and Heinrich Suso's treatise The Seven Points of True Love and Everlasting Wisdom); to the scientific and medicinal: Chaucer's Astrolabe, Henry Daniel's Liber Uricrisiarum; and to the historical, notably the Brut and Mandeville's Travels. Patrick J. Horner, FSC (a De LaSalle Christian Brother) is Professor of English at Manhattan College.

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A collection of the most significant articles in castle studies, with contributions from scholars in history, archaeology, historic buildings and landscape archaeology. The castles of the late medieval period represent some of the finest medieval monuments in Britain, with an almost infinite capacity to fascinate and draw controversy. They are also a source of considerable academic debate. The contents of this volume represent key works in castle scholarship. Topics discussed include castle warfare, fortress customs, architectural design and symbolism, spatial planning and the depiction of castles in medieval romance. The contributions also serve to highlight the diversity of approaches to the medieval castle, ranging from the study of documentary and literary sources, analysis of fragmentary architectural remains and the recording of field archaeology. The result is a survey that offers an in-depth analysis of castle building from the thirteenth to the fifteenth centuries, and places castles within their broader social, architectural and political contexts. Robert Liddiard is Professor of History, University of East Anglia. Contributors: Nicola Coldstream, Charles Coulson, Philip Dixon, Graham Fairclough, P.A. Faulkner, John Goodall, Beryl Lott, Charles McKean, T.E. McNeill, Richard K. Morris, Michael Prestwich, Christopher Taylor, Muriel A. Whitaker.

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Nominated for the 2019 Hammett Prize Autumn 1915. The First World War is raging across Europe. Woodrow Wilson has kept Americans out of the trenches, although that hasn't stopped young men and women from crossing the Atlantic to volunteer at the front. Christopher Marlowe 'Kit' Cobb, a Chicago reporter and undercover agent for the US government is in Paris when he meets an enigmatic nurse called Louise. Officially in the city for a story about American ambulance drivers, Cobb is grateful for the opportunity to get to know her. Soon his intelligence handler, James Polk Trask, extends his mission and he is active again. Parisians are meeting 'death by dynamite' in a new campaign of bombings, and the German-speaking Kit seems just the man to discover who is behind this - possibly a German operative who has infiltrated with the waves of refugees? And so begins a pursuit that will test Kit Cobb, in all his roles, to the very limits of his principles, wits and talents for survival. Fleetly plotted and engaging with political and cultural issues that resonate deeply today, Paris in the Dark is a page-turning novel of unmistakable literary quality.

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A superlative account of how theatre is made, in the words of the very people who make it. In Talking Theatre, Richard Eyre uses his unrivalled access to leading theatre people to allow us to eavesdrop on the stories behind many of the most important productions and performances in the theatre of recent times: John Gielgud • Peter Brook • Margaret 'Percy' Harris • Peter Hall • Ian McKellen • Judi Dench • Trevor Nunn • Vanessa Redgrave • Fiona Shaw • Liam Neeson • Stephen Rea • Stephen Sondheim • Arthur Laurents • Arthur Miller • August Wilson • Jason Robards • Kim Hunter • Tony Kushner • Luise Rainer • Alan Bennett • Harold Pinter • Tom Stoppard • David Hare • Jocelyn Herbert • William Gaskill • Arnold Wesker • Peter Gill • Christopher Hampton • Peter Shaffer • Frith Banbury • Alan Ayckbourn • John Bury • Victor Spinetti • John McGrath • Cameron Mackintosh • Patrick Marber • Steven Berkoff • Deborah Warner • Willem Dafoe • Simon McBurney • Robert Lepage • John Johnston (Britain's last Theatre Censor) 'A rich, stimulating treasure trove. Eyre's interviews exactly hit the spot: in revealing themselves, his subjects also give the reader a panoramic view of modern theatre' Michael Billington

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Most of the high-profile cases of real or perceived unethical activity in data science aren’t matters of bad intent. Rather, they occur because the ethics simply aren’t thought through well enough. Being ethical takes constant diligence, and in many situations identifying the right choice can be difficult. In this in-depth book, contributors from top companies in technology, finance, and other industries share experiences and lessons learned from collecting, managing, and analyzing data ethically. Data science professionals, managers, and tech leaders will gain a better understanding of ethics through powerful, real-world best practices. Articles include: Ethics Is Not a Binary Concept—Tim Wilson How to Approach Ethical Transparency—Rado Kotorov Unbiased ≠ Fair—Doug Hague Rules and Rationality—Christof Wolf Brenner The Truth About AI Bias—Cassie Kozyrkov Cautionary Ethics Tales—Sherrill Hayes Fairness in the Age of Algorithms—Anna Jacobson The Ethical Data Storyteller—Brent Dykes Introducing Ethicize™, the Fully AI-Driven Cloud-Based Ethics Solution!—Brian O’Neill Be Careful with "Decisions of the Heart"—Hugh Watson Understanding Passive Versus Proactive Ethics—Bill Schmarzo

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In recent years, the publication of best-selling books by Richard Dawkins, Daniel Dennett, Sam Harris and Christopher Hitchens has given rise to the New Atheism. For the New Atheists, belief in God is a delusion because it is based on faith rather than evidence, and because science has removed the need for God; and it is a dangerous delusion because it is responsible for much of the suffering throughout the world. These characteristics distinguish New Atheism from other forms of atheism. Drawing on recent work in the philosophy of religion, David Glass addresses the issues raised by the New Atheists, responds to their objections, and presents a positive case for Christian theism. He shows that the New Atheists fail to engage seriously with the best theistic arguments, and that science, far from undermining belief in God, provides some of the best reasons for such belief. His valuable analysis also explores how faith and reason interact; miracles; the relationship between religion, morality and evil; the possibility of revelation from God; and the historical value of the Gospels and the reality of the resurrection of Jesus.

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In 1945, Sukarno declared that the new Indonesian republic would be grounded on monotheism, while also insisting that the new nation would protect diverse religious practice. The essays in Religious Pluralism in Indonesia explore how the state, civil society groups, and individual Indonesians have experienced the attempted integration of minority and majority religious practices and faiths across the archipelagic state over the more than half century since Pancasila. The chapters in Religious Pluralism in Indonesia offer analyses of contemporary phenomena and events; the changing legal and social status of certain minority groups; inter-faith relations; and the role of Islam in Indonesia's foreign policy. Amidst infringements of human rights, officially recognized minorities—Protestants, Catholics, Hindus, Buddhists and Confucians—have had occasional success advocating for their rights through the Pancasila framework. Others, from Ahmadi and Shi'i groups to atheists and followers of new religious groups, have been left without safeguards, demonstrating the weakness of Indonesia's institutionalized "pluralism." Contributors: Lorraine Aragon, Christopher Duncan, Kikue Hamayotsu, Robert Hefner, James Hoesterey, Sidney Jones, Mona Lohanda, Michele Picard, Evi Sutrisno, Silvia Vignato

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From electronic ankle monitors and predictive-policing algorithms to workplace surveillance systems, technologies originally developed for policing and prisons have rapidly expanded into nonjuridical domains, including hospitals, schools, banking, social services, shopping malls, and digital life. Rooted in the logics of racial disparity and subjugation, these purportedly unbiased technologies not only extend prison spaces into the public sphere but also deepen racial hierarchies and engender new systems for social control. The contributors to Captivating Technology examine how carceral technologies are being deployed to classify and coerce specific populations and whether these innovations can be resisted and reimagined for more liberatory ends. Moving from traditional sites of imprisonment to the arenas of everyday life being reshaped by carceral technoscience, this volume culminates in a sustained focus on justice-oriented approaches to science and technology that blends historical, speculative, and biographical methods to envision new futures made possible. Contributors. Ruha Benjamin, Troy Duster, Ron Eglash, Nettrice Gaskins, Anthony Ryan Hatch, Andrea Miller, Alondra Nelson, Tamara K. Nopper, Christopher Perreira, Winifred R. Poster, Dorothy E. Roberts, Lorna Roth, Britt Rusert, R. Joshua Scannell, Mitali Thakor, Madison Van Oort

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The first decade of the twenty-first century saw a number of best-selling books which not only challenged the existence of god, but claimed that religious faith was dangerous and immoral. The New Atheists, as writers such as Richard Dawkins, Christopher Hitchens, Sam Harris, and Daniel Dennett have become known, sparked a vicious debate over religion's place in modern society. In After the New Atheist Debate, Phil Ryan offers both an elegant summary of this controversy and a path out of the cul-de-sac that this argument has become. Drawing on the social sciences, philosophy, and theology, Ryan examines the claims of the New Atheists and of their various religious and secular opponents and finds both sides wanting. Rather than the mutual demonization that marks the New Atheist debate, Ryan argues that modern society needs respectful ethical dialogue in which citizens present their points of view and seek to understand the positions of others. Lucidly written and clearly argued, After the New Atheist Debate is a book that brings welcome clarity and a solid path to the often contentious conversation about religion in the public sphere.

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Economists make confident assertions in op-ed columns and on cable news—so why are their explanations often at odds with equally confident assertions from other economists? And why are all economic predictions so rarely borne out? Harnessing his frustration with these contradictions, Jonathan Schlefer set out to investigate how economists arrive at their opinions.“A lucid, plain-spoken account of the major economic models, which [Schlefer] introduces in chronological order, creating a kind of intellectual history of macroeconomics. He explains what the models assume, what they actually demonstrate—and where they fall short.”—Binyamin Applebaum, New York Times blog“Fascinating...[Schlefer’s] book is a tough critique of economics, but a deeply informed and sympathetic one.”—Justin Fox, Harvard Business Review blog“This book is an impressive and informative analysis of the economics literature—and it presents some useful insights about how a more eclectic, catholic approach might allow economics to progress more convincingly into the future.”—Michelle Baddeley, Times Higher Education“The Assumptions Economists make [is] a knowledgeable...broadside against neoclassical economics...Schlefer’s gripes concern model-building run amok...His criticisms of these models are original and sophisticated.”—Christopher Caldwell, Literary Review

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Sometimes overshadowed by his friend and contemporary, Samuel Pepys, Evelyn is the other great English diarist. He was a scholar, a scientific amateur, a garden designer and architect, and a founder member of the Royal Society who published a magisterial book about trees, Sylva, and many pamphlets on assorted subjects.His great interest as a diarist is that he was privy to all the great men and events of his very long life, from the execution of Charles I to the accession of Queen Anne, whereas Pepys writes of a relatively short period. A personal friend of Charles II, he observed at close quarters- and with some disapproval- that monarch's amorous life, and the diaries contain vivid portraits of Nell Gwynn, other royal mistresses and their children. The personalities of James II, the Dukes of Monmouth and Marlborough, and Judge Jeffreys, also figure largely. But this is more than a social record. As a valued administrator, Evelyn was also involved with many serious projects, such as combating the Plague, and rebuilding London after the Great Fire - an enterprise which brought him close to Christopher Wren.In all, a vivid portrait of the social, personal and political life of a society in ferment by one of its major players.

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It is a common misconception that it is difficult or impossible to discuss music, that a piece of music simply speaks to the listener-or not. Paul Steenhuisen, in conversation with composers, offers readers insight into the creative process, and ways of listening and entering into works of new music. Steenhuisen, himself a composer of merit, talks one on one with thirty-two of his contemporaries-twenty-six of whom are Canadian-with a colleague's candour, sympathy, and expertise. These rare intimations afford fellow composers, musicologists, students, and inquisitive listeners a comparative look into the lives of the people who write some of the most innovative, challenging, and sublime music today. Composers Interviewed: R. Murray Schafer; Robert Normandeau; Chris Paul Harman; Linda Catlin Smith; Alexina Louie; Omar Daniel; Michael Finnissy; John Weinzweig; Udo Kasemets; Pierre Boulez; Barbara Croall; James Rolfe; John Beckwith; Yannick Plamondon and Marc Couroux; George Crumb; Peter Hatch; John Oswald; Francis Dhomont; Martin Arnold; Helmut Lachenmann; Juliet Palmer; Christian Wolff; Mauricio Kagel; John Rea; Gary Kulesha; Howard Bashaw; Christopher Butterfield; Keith Hamel; Jean Piché; James Harley; Hildegard Westerkamp;

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This book brings together seventeen important new papers published by Anna Muthesius since 1995. Many of the articles, plates and specially prepared figures are available only in this book. The volume acts as an essential companion to Dr Muthesius' earlier book in this series, Studies in Byzantine and Islamic Silk Weaving. The present book includes a group of seven papers (Studies II-VI, X, and XIV) originally entitled 'Silk in Byzantium'. These were prepared in the first instance for a seminar held in 1997 in Nicosia at the University of Cyprus. They offer an overall survey of Byzantine sericulture, silk manufacture, design, use and distribution. Study I has been added as an introduction to the Cyprus series, and to the book as a whole. Silk in an ecclesiastical context (the relationship between Imperial and monastic piety, ritual and Christological debate) forms the focus for a further five papers (Studies VIII-IX and XI-XIII). Study VIII acts to introduce a new subject, the theme of Byzantine Seafaring silks. The final three articles (Studies XV-XVII) explore the immense impact of Byzantine silks abroad between the fifth and fifteenth centuries, in regions as far apart as the British Isles and Central Asia.

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When Hammer Films broke box office records in 1957 with `The Curse of Frankenstein’, the company not only resurrected the gothic horror film, but also created a particularly British-flavoured form of horror that swept the world. `The British Horror Film from the Silent to the Multiplex’ is your guide to the films, actors, and filmmakers who have thrilled and terrified generations of movie fans. In just one book, you will find the literary and cinematic roots of the genre to the British films made by film legends such as Bela Lugosi and Boris Karloff, Hammer’s accomplishments starring Christopher Lee and Peter Cushing, and the post-Hammer horrors such as Peter Walker’s `Frightmare’ and huge British-made successes such as `Alien’ and the zombie craze of the twenty-first century. Featuring the history, the films, the stars, the directors, and the studios in one fascinating, fun, and fact-filled volume, whether you are an absolute beginner or a seasoned gore-hound, this volume covers everything you ever wanted to know about the British horror movie, but were too bone-chillingly afraid to ask.

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Piano Mix is packed full of brilliant music that has been specially arranged for easy piano. It's a whirlwind of styles and genres from centuries gone by through to the present day. The repertoire reflects the type of music found in our Piano syllabuses. In Piano Mix 1 the pieces are mostly at Grade 1 standard, helping pianists progress to Grade 2 towards the end of the book. The series has been compiled and edited by David Blackwell with arrangements by Alan Bullard, Nikki Iles, Christopher Norton and Tim Richards to name a few. Every arrangement is enjoyable to play because it fits well under the pianist's hands while remaining faithful to the original work. Well-known music includes Handel's 'Fireworks Minuet' and opera classics from Bizet and Verdi. There are also lots of unsung melodies to be discovered, like Harry J. Lincoln's 'Bees-Wax Rag' and a traditional Swiss piece called 'In the Alps'. From the orchestra to the opera and from folk to jazz, there's a world of music at your fingertips! Perfect for learners exploring repertoire for the own-choice piece in ABRSM's Performance Grade exams

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Piano Mix is packed full of brilliant music that has been specially arranged for easy piano. It's a whirlwind of styles and genres from centuries gone by through to the present day. The repertoire reflects the type of music found in our Piano syllabuses. In Piano Mix 3 the pieces are mostly at Grade 3 standard, helping pianists progress to Grade 4 towards the end of the book. The series has been compiled and edited by David Blackwell with arrangements by Alan Bullard, Nikki Iles, Christopher Norton and Tim Richards to name a few. Every arrangement is enjoyable to play because it fits well under the pianist's hands while remaining faithful to the original work. Well-known music includes The Lark Ascending by Vaughan Williams and 'Consider yourself' from Oliver! There are also lots of unsung melodies to be discovered, like 'Clog Dance' from La fille mal gardée and a traditional Serbian folk tune Djurdjevka. From the orchestra to the opera and from folk to jazz, there's a world of music at your fingertips! Perfect for learners exploring repertoire for the own-choice piece in ABRSM's Performance Grade exams

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Take as long as you need, they said. Enjoy Oxford. Get better. But it didn’t turn out that way… Recovering from a near-fatal shooting, British diplomat Adam White is sent on a sabbatical to Oxford University. He soon becomes embroiled in the murder of an Oxford colleague. There is no shortage of suspects: the victim was widely disliked and feared. Among those affected are Sir Julian de Crespigny, director of the diplomacy programme, Catriona MacKay, the programme administrator, and Dame Gillian King, master of St Christopher’s College. MI6 are also involved, through the shadowy figure of John Smith, tasked with recruiting spies at Oxford. Impatient with the speed of police investigations, Adam sets out to solve the murder himself, his characteristically incautious approach putting him rapidly in jeopardy. In the past, against the odds, he has escaped death three times. Has his luck finally run out? Meanwhile, Adam’s partner, Alison, becomes emotionally involved with a colleague in New York, not suspecting that she too will be drawn into danger as the fates of the various characters converge. The story concludes with a denouement both violent and shocking. As readers of Alan Hunt’s previous books have come to expect, nothing is quite as it seems…

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Ivor Novello (born David Ivor Davies) was a Welsh composer, singer and actor who became one of the most popular British entertainers of the early 20th century. He first became well known through the song Keep the Home Fires Burning which he composed during World War I. After the war, he began a film career, and also appeared on stage in the West End, in musical shows of his own devising, most notably The Dancing Years. Novello starred in two early Hitchcock films before heading to Hollywood and appeared in some successful films. He died in 1951, at a fairly young age of 58. Novello wrote his musical shows in the style of operetta, and was one of the last major composers in this form. He generally composed his music to the librettos of Christopher Hassall. The Ivor Novello Awards for songwriting, are awarded each year by the record industry to songwriters and arrangers as well as the performing artistes. **ABRSM selected pieces (Singing from 2009): We’ll gather lilacs: from Perchance to Dream (Novello) Waltz of my heart: from The Dancing Years (Novello & Hassall) **Trinity College London selected piece (Singing 2010-2012): We’ll gather lilacs: from Perchance to Dream (Novello)

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Shortlisted for the Baileys Women's Prize for Fiction'Extraordinarily affecting' Alex Preston, Observer'This is a novel whose engine is flesh and blood, not cold ideas . . . Grant brings the 1950s - that odd, downbeat, fertile decade between war and sexual liberation - into sharp, bright, heartbreaking focus' - Christobel Kent GuardianAll over Britain life is beginning again now the war is over but for Lenny and Miriam, East End London teenage twins who have been living on the edge of the law, life is suspended - they've contacted tuberculosis. It's away to the sanatorium - newly opened by the NHS - in deepest Kent for them where they will meet a very different world: among other patients, an aristocract, a young university grad, a mysterious German woman and an American merchant seaman with big ideas about love and rebellion. They are not the only ones whose lives will be changed forever. 'Grant is so good at conjuring up atmosphere and writes with earthy vivacity'- Anthony Gardner Mail on Sunday'Read this fine, persuasive, moving novel and contemplate' John Sutherland, The Times

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