Search results for ""author christo"

Essays dealing with the controversial concept of the "work", and how far social and cultural practices are integral to it. The linking theme of the essays collected here is the intersection of musical work with social and cultural practice. Inspired by Professor Strohm's ideas, as is fitting in a volume in his honour, leading scholars in the field explore diverse conceptualizations of the "work" within the contexts of a specific repertory, over four main sections. Music in Theory and Practice studies the link between treatises and musical practice, and analyses how historicalwritings can reveal period views on the "work" in music before 1800. Art and Social Process: Music in Court and Urban Societies looks at the social and cultural practices informing composition from the late Renaissance until the mid-eighteenth century, and interrogates current notions of canon formation and the exchange between local and foreign traditions. Creating an Opera Industry focuses on how genre and artistic autonomy were defined in operas from diverse eras and countries, explaining the role of literature and politics in this process. Finally, The Crisis of Modernity treats nineteenth-century music, offering new models for "work" and "context" to challenge reigning theories of the meaning of these terms. CONTRIBUTORS: AMNON SHILOAH, ANNA MARIA BUSSE BERGER, MARGARET BENT, EDWARD WICKHAM, BONNIE J. BLACKBURN, DAVID BRYANT, ELENA QUARANTA, OWEN REES, ALINA ZORAWSKA-WITKOWSKA, ELLEN T. HARRIS, CHRISTOPH WOLFF, NORBERT DUBOWY, MICHAEL TALBOT, MELANIA BUCCIARELLI, FRANCESCA MENCHELLI-BUTTINI, BERTA JONCUS, MICHEL NOIRAY, MICHAEL FEND, EMANUELE SENICI, FEDERICO CELESTINI, PAMELA POTTER, GIOVANNI MORELLI, JANET SMITH

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What we want for schools reveals what we value as a society. “What’s the point of school?” Parents have a stock set of responses, but the question remains unsettled, even two centuries after the Prussians invented compulsory education. The Prussian idea of what a school is for – to mold the populace to serve the state – seems unacceptable today. In vogue, instead, are slogans like “acquiring marketable skills” and “realizing your full potential.” These ideas powerfully shape our culture. Ultimately, they boil down to pursuing one supreme value: individual success in a competitive world. Schools are a mirror of our society as a whole; what we want for schools makes plain what and whom we value in our common life. In the Christian tradition, the life of discipleship is also a school. In this educational community, under the instruction of our one Teacher, we learn not to seek empowerment, but to find strength in weakness; not to out-achieve others, but to serve them; not to pursue our passion, but to obey a call. Also in this issue: poetry by Christian Wiman; reviews of new books by Robert Macfarlane, Jackie Morris, Francisco Cantú, Leif Enger, Carol Anderson, Stephanie Land, and Susan Wise Bauer; and art by Margaret McWethy, Albrecht Dürer, Raphael, Gérard David, Jackie Morris, Gustaf Tenggren, Sergey Dushkin, Anja Percival, Dmitry Samofalov, Christoph Wetzel, Sherrie York, Cathleen Rehfield, Paweł Kuczyński, and Jason Landsel. Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

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Samuel Johnson’s life was situated within a rich social and intellectual community of friendships—and antagonisms. Community and Solitude is a collection of ten essays that explore relationships between Johnson and several of his main contemporaries—including James Boswell, Edmund Burke, Frances Burney, Robert Chambers, Oliver Goldsmith, Bennet Langton, Arthur Murphy, Richard Savage, Anna Seward, and Thomas Warton—and analyzes some of the literary productions emanating from the pressures within those relationships. In their detailed and careful examination of particular works situated within complex social and personal contexts, the essays in this volume offer a “thick” and illuminating description of Johnson’s world that also engages with larger cultural and aesthetic issues, such as intertextuality, literary celebrity, narrative, the nature of criticism, race, slavery, and sensibility.Contributors: Christopher Catanese, James Caudle, Marilyn Francus, Christine Jackson-Holzberg, Claudia Thomas Kairoff, Elizabeth Lambert, Anthony W. Lee, James E. May, John Radner, and Lance Wilcox. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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Con texto del historiador del arte Christopher Masters, esta guía presenta una visión atractiva y global del arte a través de 52 artistas clave del arte moderno de la A a la Z. En la entrada de cada artista que se encuentra en el libro encontraremos su retrato realizado por Andy Tuohy destacando el estilo propio del artista en cuestión, un resumen de los hechos esenciales que necesitas saber sobre él, sus datos biográficos, por qué es relevante en la historia del arte, dónde se pueden encontrar sus obras, algún hecho sorprendente acerca de su figura y reproducciones de sus obras clave. Tanto si eres un experto en el campo del arte como si buscas una ayuda útil para aventurarte en una galería, te encantará esta guía de grandes artistas modernos.

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A Spanish Grammar Workbook contains 500 grammar exercises that vary in difficulty from simple tests and puzzles to multiple choice tests and realistic dialogues as well as communication exercises which function as prompts to the oral practice of the grammar in representative contexts. Includes 500 grammar exercises varying from simple tests and puzzles to multiple choice tests and realistic dialogues which contextualize Spanish grammar in everyday speech. Indicates difficulty level of each exercise and includes an extensive answer key. Complements and is cross-referenced with Blackwell's A Comprehensive Spanish Grammar by Jacques de Bruyne (with additional material by Christopher J. Pountain). Helps language learners understand grammatical functions naturally by putting theory into practice.

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Essays on the modern reception of the Middle Ages, built round the central theme of the ethics of medievalism. Ethics in post-medieval responses to the Middle Ages form the main focus of this volume. The six opening essays tackle such issues as the legitimacy of reinventing medieval customs and ideas, at what point the production and enjoyment of caricaturizing the Middle Ages become inappropriate, how medievalists treat disadvantaged communities, and the tension between political action and ethics in medievalism. The eight subsequent articles then build on this foundation as they concentrate on capitalist motives for melding superficially incompatible narratives in medievalist video games, Dan Brown's use of Dante's Inferno to promote a positivist, transhumanist agenda, disjuncturesfrom medieval literature to medievalist film in portrayals of human sacrifice, the influence of Beowulf on horror films and vice versa, portrayals of war in Beowulf films, socialism in William Morris's translation of Beowulf, bias in Charles Alfred Stothard's Monumental Effigies of Great Britain, and a medieval source for death in the Harry Potter novels. The volume as a whole invites and informs a much larger discussion on such vital issues as the ethical choices medievalists make, the implications of those choices for their makers, and the impact of those choices on the world around us. Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland. Contributors: Mary R. Bowman, Harry Brown, Louise D'Arcens, Alison Gulley, Nickolas Haydock, Lisa Hicks, Lesley E. Jacobs, Michael R. Kightley, Phillip Lindley, Pascal J. Massie, Lauryn S. Mayer, Brent Moberley, Kevin Moberley, Daniel-Raymond Nadon, Jason Pitruzello, Nancy M. Resh, Carol L. Robinson, Christopher Roman, M.J. Toswell.

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New, specially commissioned essays providing an in-depth scholarly introduction to the great thinker of the European Enlightenment. Johann Gottfried Herder (1744-1803) is one of the great names of the classical age of German literature. One of the last universalists, he wrote on aesthetics, literary history and theory, historiography, anthropology, psychology,education, and theology; translated and adapted poetry from ancient Greek, English, Italian, even from Persian and Arabic; collected folk songs from around the world; and pioneered a better understanding of non-European cultures.A student of Kant's, he became Goethe's mentor in Strasbourg, and was a mastermind of the Sturm und Drang and a luminary of classical Weimar. But the wide range of Herder's interests and writings, along with his unorthodox ways of seeing things, seems to have prevented him being fully appreciated for any of them. His image has also been clouded by association with political ideologies, the proponents of which ignored the message of Humanität in histexts. So although Herder is acknowledged by scholars to be one of the great thinkers of European Enlightenment, there is no up-to-date, comprehensive introduction to his works in English, a lacuna this book fills with seventeennew, specially commissioned essays. Contributors: Hans Adler, Wulf Koepke, Steven Martinson, Marion Heinz and Heinrich Clairmont, John Zammito, Jürgen Trabant, Stefan Greif, Ulrich Gaier, Karl Menges, Christoph Bultmann, Martin Keßler, Arnd Bohm, Gerhard Sauder, Robert E. Norton, Harro Müller-Michaels, Günter Arnold, Kurt Kloocke, and Ernest A. Menze. Hans Adler is Halls-Bascom Professor of Modern Literature Studies at the Universityof Wisconsin-Madison. Wulf Koepke is Distinguished Professor Emeritus of German, Texas A&M University and recipient of the Medal of the International J. G. Herder Society.

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A two-hour adventure celebrating 50 years of Dark Shadows! "Some are born with magic, some acquire magic, and others have magic thrust upon them." The year is 1767 and young widow Laura Murdoch Stockbridge is to marry Joshua Collins, heir to the Collins fortune. Meanwhile, Joshua's sister Abigail is in love with disreputable sailor Abraham Harkaway. But the course of true love never did run smooth, especially when the witch Angelique Bouchard is around. For Angelique has been sent back in time and she has one mission - to destroy the Collins family forever. Featuring cast from the original television series, Blood and Fire is a special audio drama to celebrate the 50th Anniversary of Dark Shadows with specially composed music and cinematic sound design. Dark Shadows at Big Finish covers a popular range of 50 individual stories, two special four-story seasons, and the acclaimed Dark Shadows - Bloodlust serial series, released twice-weekly over seven weeks in 2015. The original American TV series has been a cult hit for decades, and consists of over 1200 episodes, and a Tim Burton film in 2012 with Johnny Depp and Helena Bonham Carter.Recorded in the US and UK, the Big Finish Dark Shadows range use significant casts to tell a wide range of stories. CAST: Lara Parker (Angelique Bouchard), Kathryn Leigh Scott (Patience Collins), Mitchell Ryan (Caleb Collins), Andrew Collins (Joshua Collins), Daisy Torme (Abigail Collins), James Storm (Abraham Harkaway) and Jerry Lacy (Malachi Sands) with John Karlen (Alfred Loomis), Lisa Richards (Euphemia Spencer Stockbridge) & Christopher Pennock (Uriah Spencer Stockbridge).

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This important collection of essays expands the geographic, demographic, and analytic scope of the term genocide to encompass the effects of colonialism and settler colonialism in North America. Colonists made multiple and interconnected attempts to destroy Indigenous peoples as groups. The contributors examine these efforts through the lens of genocide. Considering some of the most destructive aspects of the colonization and subsequent settlement of North America, several essays address Indigenous boarding school systems imposed by both the Canadian and U.S. governments in attempts to "civilize" or "assimilate" Indigenous children. Contributors examine some of the most egregious assaults on Indigenous peoples and the natural environment, including massacres, land appropriation, the spread of disease, the near-extinction of the buffalo, and forced political restructuring of Indigenous communities. Assessing the record of these appalling events, the contributors maintain that North Americans must reckon with colonial and settler colonial attempts to annihilate Indigenous peoples.Contributors. Jeff Benvenuto, Robbie Ethridge, Theodore Fontaine, Joseph P. Gone, Alexander Laban Hinton, Tasha Hubbard, Margaret D. Jabobs, Kiera L. Ladner, Tricia E. Logan, David B. MacDonald, Benjamin Madley, Jeremy Patzer, Julia Peristerakis, Christopher Powell, Colin Samson, Gray H. Whaley, Andrew Woolford

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This collection of fifteen insightful essays examines the complexity and diversity of Quaker antislavery attitudes across three centuries, from 1658 to 1890. Contributors from a range of disciplines, nations, and faith backgrounds show Quaker's beliefs to be far from monolithic. They often disagreed with one another and the larger antislavery movement about the morality of slaveholding and the best approach to abolition. Not surprisingly, contributors explain, this complicated and evolving antislavery sensibility left behind an equally complicated legacy. While Quaker antislavery was a powerful contemporary influence in both the United States and Europe, present-day scholars pay little substantive attention to the subject. This volume faithfully seeks to correct that oversight, offering accessible yet provocative new insights on a key chapter of religious, political, and cultural history. Contributors include Dee E. Andrews, Kristen Block, Brycchan Carey, Christopher Densmore, Andrew Diemer, J. William Frost, Thomas D. Hamm, Nancy A. Hewitt, Maurice Jackson, Anna Vaughan Kett, Emma Jones Lapsansky-Werner, Gary B. Nash, Geoffrey Plank, Ellen M. Ross, Marie-Jeanne Rossignol, James Emmett Ryan, and James Walvin.

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‘London was but is no more!’ In these words diarist John Evelyn summed up the destruction wrought by the Great Fire that swept through the City of London in 1666. The losses included St Paul’s Cathedral and eight-seven parish churches (as well as at least thirteen thousand houses). In After the Fire, celebrated photographer and architectural historian Angelo Hornak explores, with the help of his own stunning photographs, the churches built in London during the sixty years that followed the Great Fire, as London rose from the ashes, more beautiful – and far more spectacular – than ever before. The catastrophe offered a unique opportunity to Christopher Wren and his colleagues – including Robert Hooke and Nicholas Hawksmoor – who, over the next forty years, rebuilt St Paul’s and fifty-one other London churches in a dramatic new style inspired by the European Baroque. Forty-five years after the Fire, the Fifty New Churches Act of 1711 gave Nicholas Hawksmoor the scope to build breathtaking (and controversial) new churches including St Anne’s Limehouse, Christ Church Spitalfields and St George’s Bloomsbury. By the 1720s the pendulum was swinging away from the Baroque of Wren and Hawksmoor, and it was James Gibbs' more restrained St Martin-in the-Fields that was to provide the prototype for churches throughout the English-speaking world - especially in North America – for the next hundred years.

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Speaking towards the end of the catastrophic Great War, Rudolf Steiner reveals the spiritual roots of the crises of our times. Since 1879, he says, human minds have been influenced by backward angels, ‘spirits of darkness’, who – following their defeat in battle with Archangel Michael – were forced out of the heavens and ‘fell’ to the earth. This war in the spiritual worlds had consequences, and it is essential that people today are sufficiently awake to the retrogressive influences around them. In a positive sense, we can choose freely to engage with the spirits of light, who seek to emancipate human beings from bonds of race, nation and blood. In this extraordinary series of lectures, Rudolf Steiner throws light on hidden aspects of world affairs. With the Bolshevik Revolution having just taken place, he discusses events in Russia and humanity’s attempts to build theoretically perfect social orders. Steiner also speaks about the roles and spiritual backgrounds of significant individuals, such as the mystics Johann Valentin Andreae, Vladimir Soloviev and Saint-Martin, the American and British politicians Woodrow Wilson and Lloyd George, and world-historic figures including Charles Darwin and Johann Wolfgang von Goethe. The new edition of this classic work features a revised translation, notes and extensive appendices by editor Frederick Amrine, plus a new introduction by Christopher Schaefer.

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SHORTLISTED FOR THE 2024 CHRISTOPHER EWART-BIGGS MEMORIAL PRIZE'An outstanding evening, a landmark play, a thoroughly deserved five stars . . . Owen McCafferty's searing dramatisation is a political thriller with echoes of Greek drama.' Irish TimesOwen McCafferty examines the negotiations leading up to the Good Friday Agreement and weaves potent drama out of this complex, momentous event.what takes courage is to compete in the arena of democracyThe clock is ticking. It's April 1998 and representatives of the British Government, the Irish Government and the main political parties in Northern Ireland try to hammer out a deal that could pave the way for peace. Every word, every movement, every stare means something. This is the last chance saloon and no one is leaving until agreement is reached, one way or another.Agreement opened at the Lyric Theatre, Belfast, in March 2023, and was revived there in March 2024.

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The diverse works of architect Nicholas Hawksmoor (?1661–1736) ranged from small architectural details to ambitious urban plans, from new parish churches to work on the monument of his age, St. Paul’s Cathedral. As a young man Hawksmoor assisted Christopher Wren and John Vanbrugh, emerging from these formidable apprenticeships to design some of the most vigorous and dramatic buildings in England. In this engaging book, architectural historian Vaughan Hart presents a fresh view of Hawksmoor’s built and planned work. In addition, Hart offers the first coherent explanation of Hawksmoor’s theory of architecture.The book explains why Hawksmoor’s buildings look the way they do, what contemporary events influenced his work, and how such ancient buildings as Solomon’s temple and Mausolus’s tomb inspired him. Underscoring the unique qualities of the architect’s accomplishments and aspirations, Hart establishes with new clarity Hawksmoor’s vital role in the development of English architecture.

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''A brilliant piece of storytelling that revels in the world of expat old ladies in Tuscany, and should be the book that everybody''s reading this summer'' Andrew O''Hagan''In the Tuscan hilltop village of Santorno, the setting for Amanda Craig''s entertaining and bracing new novel, the Three Graces of her title are preparing for a spring wedding. Adorning this idyll Craig''s Graces - Ruth, Marta and Diana - are a trio of elderly expatriates with a total of four breasts, five eyes and three hip replacements between them... witty, sharp-eyed and ridiculously enjoyable'' Christobel Kent, GuardianWhen Enzo, a local villager, shoots an illegal immigrant from his bedroom window one night it triggers a series of events that embroil old and young, rich and poor, native and foreign. ''Enjoyable and provocative... romantic and realistic'' Emily Rhodes, Spectator''I absolutely LOVED The Three Graces. It''s about Tu

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Against a backdrop of Islamophobia, Europeans are increasingly airbrushing from history their cultural debt to the Muslim world. But this legacy lives on in some of Europe's most recognisable buildings, from Notre-Dame Cathedral to the Houses of Parliament.This beautifully illustrated book reveals the Arab and Islamic roots of Europe's architectural heritage. Diana Darke traces ideas and styles from vibrant Middle Eastern centres like Damascus, Baghdad and Cairo, via Muslim Spain, Venice and Sicily into Europe. She describes how medieval crusaders, pilgrims and merchants encountered Arab Muslim culture on their way to the Holy Land; and explores more recent artistic interaction between Ottoman and Western cultures, including Sir Christopher Wren's inspirations in the Saracen' style of Gothic architecture.Recovering this long yet overlooked history of architectural borrowing', Stealing from the Saracens is a rich tale of cultural exchange, shedding new light on Europe's greatest landmar

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Kettle's Yard is widely recognised as a highly influential master class in curating; a flawless arrangement of art and objects that is still radical in its philosophy of seeking to fuse art with life. For many it is a place that has that rare power of changing how we see the world and our place within it. With a foreword by Jim Ede and an interesting floor plan guide, this book is a notable keepsake for all who love Kettle's Yard, and a fantastic introduction for those yet to discover it. Kettle’s Yard is the University of Cambridge’s modern and contemporary art gallery. The permanent collection displayed in the Kettle’s Yard House boasts works from 20th Century artists such as Ben Nicholson, Winifred Nicholson, Christopher Wood, Alfred Wallis, Constantin Brancusi, Joan Miro, Barbara Hepworth and many more. Contemporary exhibitions are shown in the purpose-built galleries adjacent to the House.

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Winner: Best Trade Illustrated Book, British Book Design & Production Awards 2017 ‘As to the arsenic scare a greater folly it is hardly possible to imagine: the doctors were bitten as people were bitten by the witch fever.’ — William Morris on toxic wallpapers, 1885. Bitten by Witch Fever presents facsimile samples of 275 of the most sumptuous wallpaper designs ever created by designers and printers of the age, including Christopher Dresser and Morris & Co. For the first time in their history, every one of the samples shown has been laboratory tested and found to contain arsenic. Interleaved with the wallpaper sections, evocative commentary guides you through the incredible story of the manufacture, uses and effects of arsenic, and presents the heated public debate surrounding the use of deadly pigments in the sublime wallpapers of a newly industrialized world. Chosen by Emma Roberts and Karah Preiss for their Belletrist Book Club's Gift Guide.

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Journey through time and space to alternate worlds and the near future in a beautiful collection of interconnected short stories. In the title story, Wurts poignantly addresses mortality and what it is to wish. Sandy is in the last throes of life with one final request: she dreams desperately of a visit to the Round Table of King Arthur – an impossible ask, but one which is about to be realized… In Dreambridge, the last tree linking this world to the world of the feys has been brutally attacked. Kirelle, apprentice healer, has been chosen to seek revenge on the humans who thoughtlessly attempted to destroy this sacred tie. But can they be made to understand the gravity of their actions? In Wurts’ brilliant Fleet stories, we follow the fortunes and misfortunes of Michael Christopher Jensen Jr. and his numerous encounters with the space-pirate MacKenzie James – a relationship that will leave you wondering who the villain really is.

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Two girls divided by time, united by their love for some very special horses – an epic Caribbean adventure! On a remote tropical island, twelve year-old Beatriz is about to embark on an epic journey, through hurricanes and across the high seas and back to the time of Christopher Columbus… When Beatriz stumbles across a wild mare with strange markings in the jungle she can’t believe it is real. Yet from that moment on the strongest connection grows between them, and she begins to uncover an incredible history. For centuries ago, Felipa and her horse, Cara Blanca, were running for their lives. As the fates of Beatriz, Felipa and their horses become entwined, Beatriz realises that the future of the world’s rarest horses depends on her. Based on the extraordinary true story of the Abaco Barb, a real-life mystery that has remained unsolved for over five hundred years.

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This book offers an innovative examination of the interactions of science and technology, art, and literature in the nineteenth and twentieth centuries. Scholars in the history of art, literature, architecture, computer science, and media studies focus on five historical themes in the transition from energy to information: thermodynamics, electromagnetism, inscription, information theory, and virtuality. Different disciplines are grouped around specific moments in the history of science and technology in order to sample the modes of representation invented or adapted by each field in response to newly developed scientific concepts and models. By placing literary fictions and the plastic arts in relation to the transition from the era of energy to the information age, this collection of essays discovers unexpected resonances among concepts and materials not previously brought into juxtaposition. In particular, it demonstrates the crucial centrality of the theme of energy in modernist discourse. Overall, the volume develops the scientific and technological side of the shift from modernism to postmodernism in terms of the conceptual crossover from energy to information. The contributors are Christoph Asendorf, Ian F. A. Bell, Robert Brain, Bruce Clarke, Charlotte Douglas, N. Katherine Hayes, Linda Dalrymple Henderson, Bruce J. Hunt, Douglas Kahn, Timothy Lenoir, W. J. T. Mitchell, Marcos Novak, Edward Shanken, Richard Shiff, David Tomas, Sha Xin Wei, and Norton Wise.

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The first edition of Modern Surgical Management of Chronic Lymphedema, edited by Yves Harder, Christoph Hirche, Katrin Seidenstücker, and Moustapha Hamdi, has been conceived and written by enthusiasts for lymphatic surgery who have dedicated their professional careers to treating patients suffering from this chronic disease.Featuring current perspectives and particularities of surgical lymphedema treatment with contributions from international experts in the field, this innovative book describes evidence-based, multi-disciplinary approaches to treating chronic lymphedema from the point of view of clinical experts. It is also a comprehensive companion for multi-professional specialists looking for an erudite understanding of the complex treatment of lymphedema.Ultimately, the book seeks to advance the contemporary understanding that underpins the philosophy and general principles of modern surgical management of chronic lymphedema, in order to impro

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The Makers of Modern Economics Volume III follows on from the two previous volumes in presenting the intellectual development of some of this century's most influential economists. The first volume in this series was acclaimed by Professor David Audretsch as 'a unique insight into the thoughts and lives of prominent economists'.In this third volume their careers, education, achievements and views on future research are presented by economists who have made important contributions. The book brings together new original essays by Franklin M. Fisher, Christopher Freeman, Peter Groenewegen, Kelvin J. Lancaster, Martin Shubik and Gordon Tullock. The Makers of Modern Economics Volume III provides the academic, student and researcher with a fascinating insight into the life and work of some of todays most inspiring economists.

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In On the Inconvenience of Other People Lauren Berlant continues to explore our affective engagement with the world. Berlant focuses on the encounter with and the desire for the bother of other people and objects, showing that to be driven toward attachment is to desire to be inconvenienced. Drawing on a range of sources, including Last Tango in Paris, Ralph Waldo Emerson, Claudia Rankine, Christopher Isherwood, Bhanu Kapil, the Occupy movement, and resistance to anti-Black state violence, Berlant poses inconvenience as an affective relation and considers how we might loosen our attachments in ways that allow us to build new forms of life. Collecting strategies for breaking apart a world in need of disturbing, the book’s experiments in thought and writing cement Berlant’s status as one of the most inventive and influential thinkers of our time.

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Rock Songs starts as a walk of a few miles between the valley of the river Tywi/Towy and the heights of Y Mynydd Du/Black Mountain in Wales. It takes millions of years, meeting along the way the rocks and water that have formed the land, together with the trees, red kites and otters who pass through. Humans crowd in as well – saints, drovers, Romans, bikers and tourists. The great zen monk, Dōgen, is also walking and learns that mountains themselves walk, if you know how to look. Rock Songs began as a one-man movement performance of a river by Nick Sales and has become a book of poetry, reflection, ecology and zen reflection. It's illustrated with extensive photography by Steve Hopkins and beautifully designed by Christopher Binding.

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Described by Christopher Marlowe as the 'She-Wolf of France', Isabella was one of the most notorious femme fatales in history. According to popular legend, her angry ghost can be glimpsed among church ruins, clutching the beating heart of her murdered husband. But how did Isabella aquire this reputation?Born in 1292 she married Edward II of England but was constantly humiliated by his relationships with male favourites and she lived adulterously with Roger Mortimer, 1st Earl of March. Had it not been for her unfaithfulness, history might have immortalised her as a liberator- the saviour who unshackled England from a weak and vicious monarch. Dramatic and startling this first full-length biography of Isabella will change the way we think of her and her world forever.

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To research his thesis on contemporary agrarian life, anthropology student David Mazon moves from Paris to La Pierre-Saint-Christophe, a village in the marshlands of western France. Determined to capture the essence of rurality, the intrepid scholar shuttles around on his moped to interview local residents. Unbeknownst to David, in these nondescript lands, once theatres of wars and revolutions, Death leads the dance. When an existence ends, the Wheel of Life recycles its soul and hurls it back into the world as microbe, human or wild animal, sometimes in the past, sometimes in the future. Only once a year do Death and the living observe a temporary truce, during a gargantuan three-day feast where gravediggers gorge themselves on food, libations and language. Brimming with Mathias Enard’s characteristic wit and encyclopaedic brilliance, The Annual Banquet of the Gravediggers’ Guild is a riotous novel where the edges between past and present are constantly dissolving against a Rabelaisian backdrop of excess – and a paradoxically macabre paean to life’s richness.

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The Harvard GSD Aecom Project on China was a three-year research and design project premised on two fundamental ambitions: recuperating an idea of the city and pursuing alternative forms of urbanization in response to the challenges posed by the developmental city in China. The former treats the project of the city as a cultural, political, and aesthetic act; the latter views the city as a site for urbanization, articulated through architecture, landscape, and infrastructure. This endeavor is analytical and propositional in equal measure. Each year, the Project on China focused on a theoretical problem and practical challenge posed by the model of the developmental city in China, using a particular city as an exemplar: the megaplot with Xiamen as a case study; the future of the city in city-regions and the effects of cross-border urbanization, with Macau as the paradigm; and the status of the countryside in the context of state-driven initiatives to urbanize rural areas. Common Frameworks brings together design projects from a sixteen-week studio over three years, with research and writings on cultural, political, and historical aspects of the city. It presents a critical reflection on the developmental city and the recent hyper-rapid urbanization in China.

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Chris Wright's The Message of Ezekiel has been redesigned and sensitively updated to help you follow, study and teach the Bible in today's world.

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The relations between medieval East Anglia and countries across the North Sea examined from a variety of perspectives. East Anglia was a distinctive English region during the Middle Ages, but it was one that owed much of its character and identity to its place in a much wider "North Sea World" that stretched from the English Channel to Iceland, the Baltic and beyond. Relations between East Anglia and its maritime neighbours have for the most part been peaceful, involving migration and commercial, artistic, architectural and religious exchanges, but have also at times beencharacterised by violence and contestation. All these elements have played a significant role in processes of historical change that have shaped the history both of East Anglia and its North Sea world. This collection of essays discusses East Anglia in the context of this maritime framework and explores the extent to which there was a distinctive community bound together by the shared frontier of the North Sea during the Middle Ages. It brings together the work of a range of international scholars and includes contributions from the disciplines of history, archaeology, art history and literary studies. Professor David Bates is Professorial Fellow in History, RobertLiddiard is Professor of History, at the University of East Anglia. Contributors: Anna Agnarsdóttir, Brian Ayers, Wendy R. Childs, Lynda Dennison, Stephen Heywood, Carole Hill, John Hines, David King, Robert Liddiard,Rory Naismith, Eljas Oksanen, Richard Plant, Aleksander Pluskowski, Christopher Scull, Tim Pestell, Charles West, Gareth Williams, Tom Williamson.

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Caribbean art as a diasporic, fugitive phenomenon: a groundbreaking global survey The 1990s were a period of profound political transformation, from the dissolution of the Eastern Bloc to the rise of trade agreements that continue to influence the world we live in today. Emerging from this pivotal decade—which also shaped the production, circulation and framing of art in the Caribbean—Forecast Form traces a path into the present, highlighting forms, materials and processes that reveal new modes of thinking about identity and place. This volume features scholarly essays alongside richly illustrated plate sections and texts focused on an intergenerational group of 37 artists working across the Americas and Europe. A radical rethinking of contemporary art in the Caribbean, Forecast Form reveals the region as a place where the past, the present and the future meet—where continuous exchanges forecast what is to come while remaining grounded in the histories that shape the present. Artists include: Candida Alvarez, Firelei Báez, Álvaro Barrios, Frank Bowling, Sandra Brewster, María Magdalena Campos-Pons, Donna Conlon and Jonathan Harker, Christopher Cozier, Julien Creuzet, Maksaens Denis, Peter Doig, Jeannette Ehlers, Tomm El-Saieh, Alia Farid, Teresita Fernández, Rafael Ferrer, Denzil Forrester, Joscelyn Gardner, Felix Gonzalez-Torres, Deborah Jack, Engel Leonardo, Daniel Lind-Ramos, Suchitra Mattai, David Medalla, Ana Mendieta, Lorraine O'Grady, Ebony G. Patterson, Keith Piper, Marton Robinson, Donald Rodney, Freddy Rodríguez, Tavares Strachan, Zilia Sánchez, Rubem Valentim, Adán Vallecillo, Cosmo Whyte and Didier William.

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In Fleshly Tabernacles, Bryan Hampton examines John Milton’s imaginative engagement with, and theological passion for, the Incarnation. As aesthetic symbol, theological event, and narrative picture of humanity’s potential, the Incarnation profoundly governs the way Milton structures his 1645 Poems, ponders the holy office of the pulpit, reflects on the ends of speech and language, interprets sacred scripture or secular texts, and engages in the radical politics of the Civil War and Interregnum. Richly drawing upon the disciplines of historical and postmodern theology, philosophical hermeneutics, theological aesthetics, and literary theory, Fleshly Tabernacles pursues the wide-ranging implications of the heterodox, perfectionist strain in Milton’s Christology. Hampton illustrates how vibrant Christologies generated and shaped particular brands of anticlericalism, theories of reading and language, and political commitments of English nonconformist sects during the turbulent decades of the seventeenth century. Ranters and Seekers, Diggers and Quakers, Fifth monarchists and some Anabaptists—many of those identified with these radical groups proclaim that the Incarnation is primarily understood, not as a singular event of antiquity, but as a present eruption and charged manifestation within the life of the individual believer, such that faithful believers become “fleshly tabernacles” housing the Divine. The perfectionist strain in Milton’s theology resonated in the works of the Independent preacher John Everard, the Digger Gerrard Winstanley, and the Quaker James Nayler. Fleshly Tabernacles intriguingly demonstrates how ideas of the incarnated Christ flourished in the world of revolutionary England, expressed in the notion that the regenerated human self could repair the ruins of church and state.

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In this book from the critically acclaimed, multimillion-copy bestselling Little People, BIG DREAMS series, discover the life of Alan Turing, the genius code cracker and father of theoretical computer science and artificial intelligence. Alan grew up in England, where his best friends were numbers and a little boy called Christopher. When his young friend died, Alan retreated to the world of numbers and codes, where he discovered how to crack the code of the Nazi Enigma machine. This moving book features stylish and quirky illustrations and extra facts at the back, including a biographical timeline with historical photos and a detailed profile of the brilliant mathematician's life.Little People, BIG DREAMS is a bestselling biography series for kids that explores the lives of outstanding people, from designers and artists to scientists and activists. All of them achieved incredible things, yet each began life as a child with a dream. This empowering series of books offers inspiring messages to children of all ages, in a range of formats. The board books are told in simple sentences, perfect for reading aloud to babies and toddlers. The hardback and paperback versions present expanded stories for beginning readers. With rewritten text for older children, the treasuries each bring together a multitude of dreamers in a single volume. You can also collect a selection of the books by theme in boxed gift sets. Activity books and a journal provide even more ways to make the lives of these role models accessible to children.Inspire the next generation of outstanding people who will change the world with Little People, BIG DREAMS!

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In this volume, Peter Davids offers a comprehensive study of the General or Catholic Epistles of James, 1-2 Peter, and Jude, which are often insufficiently covered in more general New Testament introductions, theologies, and surveys. Before discussing a theology of each of the four letters, Davids first deals with their common aspects—their shared background in the Greco-Roman world and a similar Christology, view of the source of sin, and eschatology—thus justifying their being treated together. In the chapters that follow, Davids embarks upon a theological reading of each letter informed by its social-rhetorical understanding—what they meant in the context of their original cultural settings—including: a survey of recent scholarship, a discussion of relevant introductory issues, a thematic commentary, a treatment of important theological themes, and a discussion of the place of the letter in the biblical canon and its contribution to New Testament theology.The Biblical Theology of the New Testament (BTNT) series provides upper college and seminary-level textbooks for students of New Testament theology, interpretation, and exegesis. Pastors and discerning theology readers alike will also benefit from this series. Written at the highest level of academic excellence by recognized experts in the field, the BTNT series not only offers a comprehensive exploration of the theology of every book of the New Testament, including introductory issues and major themes, but also shows how each book relates to the broad picture of New Testament theology.

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This dazzling portrait of Johannesburg is one of the most haunting, poetic pieces of reportage about a metropolis since Suketu Mehta’s Maximum City. Through precisely crafted snapshots, Ivan Vladislavic observes the unpredictable, day-today transformation of his embattled city: the homeless using manholes as cupboards, a public statue slowly cannibalized for scrap. Most poignantly he charts the small, devastating changes along the postapartheid streets: walls grow higher, neighborhoods are gated off, the keys multiply. Security—insecurity?—is the growth industry. Vladislavic, described as “one of the most imaginative minds at work in South African literature today” (André Brink), delivers “one of the best things ever written about a great, if schizophrenic, city, and an utterly true picture of the new South Africa” (Christopher Hope).

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Eric Covington examines the way in which Ephesians coherently holds together cosmological, Christological, ecclesiological, and ethical elements within its vision of the early Christian way of life. He begins by investigating the extent to which the categories of functional teleology featured within ethical reflection in both Greco-Roman and early Jewish traditions. Next, he analyzes the letter's Auslegungsgeschichte, focusing on Thomas Aquinas' medieval commentary, to demonstrate how Ephesians has previously been interpreted through the lens of teleology. Finally, he turns to an historical-exegetical examination of Ephesians to demonstrate the way in which the letter uses the categories and concepts of functional teleology. He concludes that Ephesians identifies the appropriate way of life in light of an individual and ecclesial telos within God's ultimus finis for all of creation.

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A dangerous secret is coming to shore . . .Philip Quinn has done everything to make his life perfect. With his career on the fast track and a condo overlooking the Inner Harbour, his life on the streets is firmly in the past. But one look at his adopted brother Seth and the memories come flooding back. In Seth he sees the boy he once was. Seth's future seems assured - until Dr Sybill Griffin shows up in the sleepy town of St Christopher's. She claims to be researching the town for her new book, but Philip is sure she is hiding something. While he is determined to uncover her motives, Sybill cannot deny her own growing feelings for the intense and mysterious Quinn - but the secret she hides has the power to shatter the brothers' lives for ever . . .

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The Mandalorian and The Child are on the run, and nowhere is safe!Years after the fall of the Galactic Empire, a solitary bounty hunter is given a simple mission. Find and return the Child to the Imperial Remnant, all that remains of the once all-powerful Empire. This mysterious orphan has a power that can possibly turn events in their favor, and acquisition of that power is paramount. Instead, the bounty hunter goes on the run with the Child to protect him from the forces that would do him harm. Here is the story of The Mandalorian, and his desperate quest to save the Child and himself. Based on the series created by Jon Favreau and written by Jon Favreau, Dave Filoni, Christopher Yost, and Rick Famuyiwa.

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Times have changed. A choice was made and the universe diverged. And now all of history is at war. One man stands at the centre of it all. But whose side is he one? Is he with the angels? Or the demons? And does anyone even know which is which? He was a Doctor once, but now he is Doctor no more, He is the Warrior. The Doctor of War. 2.1 Who Am I? by Nigel Fairs. The Tesh and the Sevateem are at war, obeying the orders of their God Xoanon. But they cannot know their battle has a higher purpose, one led by the Time Lord responsible for Xoanon's condition. A Time Lord called... the Master. 2.2 Time Killers by Lizzie Hopley. Arriving on Marinus in search of a temporal weapon, the Warrior and the Master are confronted by a place where time literally is money. As the Master finds himself in changed circumstances, the Warrior finds himself with a deadly decision to make. 2.3 The Key to Key to Time by Tim Foley. As battle continues to rage across the history of the cosmos, the White Guardian opts to provide the Warrior with a way out... located at the end of a dangerous quest, with an even more dangerous companion. But can a Time War ever truly end? CAST: Colin Baker (The Doctor/The Warrior), Geoffrey Beevers (The Master), Nicholas Briggs (The Daleks), Jason Forbes (Gentek/Captain), Philip Hurd-Wood (Jabel/Sole), Louise Jameson (Leela), Akshay Khanna (Riffort), Lara Lemon (Horol/Coraine/Young Otia), Nichola McAuliffe (Otia/Guide), Deelvya Meir (Xoanon 2/Parama), Sadie Miller (Sarah), Remmie Milner (Castellan), Terry Molloy (Davros), Christopher Naylor (Harry), Justin Salinger (President), Anna Savva (The Guardian), Alisdair Simpson (Andor/Mannig). Other parts played by members of the cast.

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`Simply a great work of reference. Future scholars will wonder how anybody managed without the Wellesley Index. It will quietly change the whole nature of Victorian studies.' Christopher Ricks, New Statesman`It is now impossible to think of Victorian literary and historical studies without the benefit of it ... this is a very remarkable achievement indeed ... the complete set will be a monument to the Houghtons foresight, pertinacity and skill.' TLS

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A TRAGIC HOUSE FIRE A GRIEVING FATHER LEFT BEHIND But is Christopher Chatman all that he seems? While neighbours insist that the family was living the dream, Los Angeles homicide detective Elouise "Lou" Norton quickly discovers that the flames of adultery, scandal and fraud had all but consumed them. Was the fire the work of a serial arsonist known as The Burning Man? Or was one of the Chatmans responsible? Searching for justice through the ashes of a picture-perfect family, Lou doesn't know if she will catch an arsonist or be burned in the process. PRAISE FOR THE SERIES "Fast-paced, layered, and gripping" Huffington Post "Complex, profound and riveting" Hank Phillippi Ryan "The story shines" Library Journal "Following in Philip Marlowe's footsteps" Telegraph "[An] exceptional crime novel" Publishers Weekly "a phenomenal book" Hilary Davidson

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Association of Catholic Publishers 2022 Excellence in Publishing Awards: First Place, Theology Catholic Media Association, Honorable Mention in Theology: Morality, Ethics, Christology, Mariology, and Redemption Unveiling divine mysteries across continents and centuries. Revelation in the Vernacular retrieves a hermeneutics of the vernacular that is rooted en lo cotidiano, in everyday life and experience. Traversing time and geography, Ruiz remaps a theology of revelation done latinamente, beginning with sixteenth-century encounters of Spanish colonizers with Indigenous peoples in the Caribbean. Drawing on the theology of the Incarnation articulated by Fray Luis de León (1527–91), he offers rich resources for interreligious engagement by believers in today’s religiously diverse world. Through an analysis of the documents of the 2019 Amazonian Synod, including Querida Amazonia, the Postsynodal Exhortation by Pope Francis, he explores a culture of encounter and dialogue that has been a hallmark of this pontificate. From the inscriptions in the caves of la Isla de Mona through the writings of the Latin American Bishops (CELAM), this book establishes a solid basis on which to discern the “Seeds of the Word” in our times.

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In 2010, Jamaican police and military forces entered the West Kingston community of Tivoli Gardens to apprehend Christopher “Dudus” Coke, who had been ordered for extradition to the United States on gun and drug-running charges. By the time Coke was detained, somewhere between seventy-five and two hundred civilians had been killed. In Political Life in the Wake of the Plantation, Deborah A. Thomas uses the incursion as a point of departure for theorizing the roots of contemporary state violence in Jamaica and in post-plantation societies in general. Drawing on visual, oral historical, and colonial archives, Thomas traces the long-term legacies of the plantation system and how its governing logics continue to shape and replicate forms of violence. She places affect at the center of sovereignty to destabilize disembodied narratives of liberalism and progress and to raise questions about recognition, repair, and accountability. In tying theories of politics, colonialism, race, and affect together with Jamaica's history, Thomas presents a robust framework for understanding what it means to be human in the plantation's wake.

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