Search results for ""author christo"

The collections of twentieth-century paintings in the Ashmolean Museum, Oxford, have developed largely through the generosity of individuals. Notable among these in the early decades of the century were Frank Hindley Smith and Mrs W F R Weldon, while since the Second World War the Museum's collections have been enriched through gifts and requests from Thomas Balston, R A P Bevan, Molly Freeman, Christopher Hewett and others. This book gives the reader a taste of the wide range of the collection, with its representative group of Camden Town and Euston Road School pictures, and important early works by Bonnard, Picasso and Matisse.

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Agatha Christie’s ingenious mystery thriller, reissued with a striking new cover designed to appeal to the latest generation of Agatha Christie fans and book lovers. Lucy Angkatell invited Hercule Poirot to lunch. To tease the great detective, her guests stage a mock murder beside the swimming pool. Unfortunately, the victim plays the scene for real. As his blood drips into the water, John Christow gasps one final word: ‘Henrietta’. In the confusion, a gun sinks to the bottom of the pool. Poirot’s enquiries reveal a complex web of romantic attachments. It seems everyone in the drama is a suspect – and each a victim of love.

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A major new book on the archaeology of Rome. The chapters, by an impressive list of contributors, are written to be as up-to-date and useful as possible, detailing lots of new research. There are new maps for the topography and monuments of Rome, a huge research bibliography containing 1,700 titles and the volume is richly illustrated. Essential for all Roman scholars and students. Contents: Preface: a bird's eye view ( Peter Wiseman ); Introduction ( Jon Coulston and Hazel Dodge ); Early and Archaic Rome ( Christopher Smith ); The city of Rome in the Middle Republic ( Tim Cornell ); The moral museum: Augustus and the image of Rome ( Susan Walker ); Armed and belted men: the soldiery in Imperial Rome ( Jon Coulston ); The construction industry in Imperial Rome ( Janet Delaine and G Aldrete ); The feeding of Imperial Rome: the mechanics of the food supply system ( David Mattingly ); `Greater than the pyramids': the water supply of ancient Rome ( Hazel Dodge ); Entertaining Rome ( Kathleen Coleman ); Living and dying in the city of Rome: houses and tombs ( John Patterson ); Religions of Rome ( Simon Price ); Rome in the Late Empire ( Neil Christie ); Archaeology and innovation ( Hugh Petter ); Appendix: Sources for the study of ancient Rome ( Jon Coulston and Hazel Dodge ).

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Two lectures in Bologna: on 31 March 2011 at the International Conference to Mark the Centenary of Rudolf Steiner's Lecture in Bologna, and on 8 April 1911 at the Fourth International Philosophy Congress A special conference took place in Bologna in Spring 2011, marking the hundredth anniversary of a unique lecture Rudolf Steiner delivered to a philosophically-trained audience in the same city. In his key exposition, Steiner had given a concise description of the spiritual-scientific theory of knowledge as well as a brief outline of the anthroposophical path of schooling. In his contribution to the 2011 congress, Sergei O. Prokofieff tackles two principal aspects. On the one hand, he describes how Steiner's Bologna lecture contained the essential foundations for a new 'science of the human ego'. On the other hand, Prokofieff states that Rudolf Steiner was the first person to transform this same theory into a practical path of knowledge, following it to its very conclusion. Thus, the words of Rudolf Steiner's lecture were based entirely on personal experience. Together with a transcript of Rudolf Steiner's full Bologna lecture, Sergei O. Prokofieff's own lecture is reproduced here in an expanded version. In addition, this volume features Rudolf Steiner's important 'summaries of essential points', in which he develops and connects some of his key thoughts with further aspects of anthroposophy, especially in relation to their Christological foundations.

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In 1888, Thomas Edison announced that he was experimenting on "an instrument which does for the eye what the phonograph does for the ear, which is the recording and reproduction of things in motion." Just as Edison's investigations were framed in terms of the known technologies of the phonograph and the microscope, the essays in this collection address the contexts of innovation and reception that have framed the development of moving images in the last 100 years. Three concerns are of particular interest: the contexts of innovation and reception for moving image technologies; the role of the observer, whose vision and cognitive processes define some of the limits of inquiry and epistemological insight; and the role of new media, which, engaging with the domestic sphere as cultural interface, are transforming our understanding of public and private spheres.The 17 previously unpublished essays in Moving Images represent the best of current research in the history of this field. They make a timely and stimulating contribution to debates concerning the impact of new media on the history of cinema.Contributors include: William Boddy, Carlos Bustamante, Warren Buckland, Valeria Camporesi, Bent Fausing, Oliver Gaycken, Alison Griffiths, Christopher Hales, Jan Holmberg, Solveig Jülich, Frank Kessler, Jay Moman, Sheila C. Murphy, Pelle Snickars, Paul C. Spehr, Björn Thuresson, and Åke Walldius.

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This is the first book-length study of Forster’s posthumously-published novel. Nine essays focus exclusively on Maurice and its dynamic afterlives in literature, film and new media during the twentieth and twenty-first centuries. Begun in 1913 and revised over almost fifty years, Maurice became a defining text in Forster’s work and a canonical example of queer fiction. Yet the critical tendency to read Maurice primarily as a ‘revelation’ of Forster’s homosexuality has obscured important biographical, political and aesthetic contexts for this novel. This collection places Maurice among early twentieth-century debates about politics, philosophy, religion, gender, Aestheticism and allegory. Essays explore how the novel interacts with literary predecessors and contemporaries including John Bunyan, Oscar Wilde, Havelock Ellis and Edward Carpenter, and how it was shaped by personal relationships such as Forster’s friendship with Florence Barger. They close-read the textual variants of Forster’s manuscripts and examine the novel’s genesis and revisions. They consider the volatility of its reception, analysing how it galvanizes subsequent generations of writers and artists including Christopher Isherwood, Alan Hollinghurst, Damon Galgut, James Ivory and twenty-first-century online fanfiction writers. What emerges from the volume is the complexity of the novel, as a text and as a cultural phenomenon.

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In The Fragile Balance of Terror, the foremost experts on nuclear policy and strategy offer insight into an era rife with more nuclear powers. Some of these new powers suffer domestic instability, others are led by pathological personalist dictators, and many are situated in highly unstable regions of the world—a volatile mix of variables. The increasing fragility of deterrence in the twenty-first century is created by a confluence of forces: military technologies that create vulnerable arsenals, a novel information ecosystem that rapidly transmits both information and misinformation, nuclear rivalries that include three or more nuclear powers, and dictatorial decision making that encourages rash choices. The nuclear threats posed by India, Pakistan, Iran, and North Korea are thus fraught with danger. The Fragile Balance of Terror, edited by Vipin Narang and Scott D. Sagan, brings together a diverse collection of rigorous and creative scholars who analyze how the nuclear landscape is changing for the worse. Scholars, pundits, and policymakers who think that the spread of nuclear weapons can create stable forms of nuclear deterrence in the future will be forced to think again. Contributors: Giles David Arceneaux, Mark S. Bell, Christopher Clary, Peter D. Feaver, Jeffrey Lewis, Rose McDermott, Nicholas L. Miller, Vipin Narang, Ankit Panda, Scott D. Sagan, Caitlin Talmadge, Heather Williams, Amy Zegart

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Now that literary critique's intellectual and political pay-off is no longer quite so self-evident, critics are vigorously debating the functions and futures of critique. The contributors to Critique and Postcritique join this conversation, evaluating critique's structural, methodological, and political potentials and limitations. Following the interventions made by Bruno Latour, Eve Kosofsky Sedgwick, Sharon Marcus and Stephen Best, and others, the contributors assess the merits of the postcritical turn while exploring a range of alternate methods and critical orientations. Among other topics, the contributors challenge the distinction between surface and deep reading; outline how critique-based theory has shaped the development of the novel; examine Donna Haraway's feminist epistemology and objectivity; advocate for a "hopeful" critical disposition; highlight the difference between reading as method and critique as genre; and question critique's efficacy at attending to the affective dimensions of experience. In these and other essays this volume outlines the state of contemporary literary criticism while pointing to new ways of conducting scholarship that are better suited to the intellectual and political challenges of the present. Contributors: Elizabeth S. Anker, Christopher Castiglia, Russ Castronovo, Simon During, Rita Felski, Jennifer L. Fleissner, Eric Hayot, Heather Love, John Michael, Toril Moi, Ellen Rooney, C. Namwali Serpell

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Now that literary critique's intellectual and political pay-off is no longer quite so self-evident, critics are vigorously debating the functions and futures of critique. The contributors to Critique and Postcritique join this conversation, evaluating critique's structural, methodological, and political potentials and limitations. Following the interventions made by Bruno Latour, Eve Kosofsky Sedgwick, Sharon Marcus and Stephen Best, and others, the contributors assess the merits of the postcritical turn while exploring a range of alternate methods and critical orientations. Among other topics, the contributors challenge the distinction between surface and deep reading; outline how critique-based theory has shaped the development of the novel; examine Donna Haraway's feminist epistemology and objectivity; advocate for a "hopeful" critical disposition; highlight the difference between reading as method and critique as genre; and question critique's efficacy at attending to the affective dimensions of experience. In these and other essays this volume outlines the state of contemporary literary criticism while pointing to new ways of conducting scholarship that are better suited to the intellectual and political challenges of the present. Contributors: Elizabeth S. Anker, Christopher Castiglia, Russ Castronovo, Simon During, Rita Felski, Jennifer L. Fleissner, Eric Hayot, Heather Love, John Michael, Toril Moi, Ellen Rooney, C. Namwali Serpell

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By far the best collection of sources to introduce readers to Renaissance humanism in all its many guises. What distinguishes this stimulating and useful anthology is the vision behind it: King shows that Renaissance thinkers had a lot to say, not only about the ancient world--one of their habitual passions--but also about the self, how civic experience was configured, the arts, the roles and contributions of women, the new science, the 'new' world, and so much more. --Christopher S. Celenza, Johns Hopkins University

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Essays on the complexity of multilingualism in medieval England. Professor Jocelyn Wogan-Browne's scholarship on the French of England - a term she indeed coined for the mix of linguistic, cultural, and political elements unique to the pluri-lingual situation of medieval England - is of immenseimportance to the field. The essays in this volume extend, honour and complement her path-breaking work. They consider exchanges between England and other parts of Britain, analysing how communication was effected where languagesdiffered, and probe cross-Channel relations from a new perspective. They also examine the play of features within single manuscripts, and with manuscripts in conversation with each other. And they discuss the continuing reach ofthe French of England beyond the Middle Ages: in particular, how it became newly relevant to discussions of language and nationalism in later centuries. Whether looking at primary sources such as letters and official documents, orat creative literature, both religious and secular, the contributions here offer fruitful and exciting approaches to understanding what the French of England can tell us about medieval Britain and the European world beyond. Thelma Fenster is Professor Emerita of French and Medieval Studies, Fordham University; Carolyn Collette is Professor of English Language and Literature at Mount Holyoke College. Contributors: Christopher Baswell,Emma Campbell, Paul Cohen, Carolyn Collette, Thelma Fenster, Robert Hanning, Richard Ingham, Maryanne Kowaleski, Serge Lusignan, Thomas O'Donnell, W. Mark Ormrod, Monika Otter, Felicity Riddy, Delbert Russell, Fiona Somerset, +Robert M. Stein, Andrew Taylor, Nicholas Watson, R.F. Yeager

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A reassessment of the impact of the Hanoverian succession. Was the accession of the Hanoverian dynasty of Brunswick to the throne of Britain and its empire in 1714 merely the final act in the 'Glorious Revolution' of 1688-89? Many contemporaries and later historians thought so, explainingthe succession in the same terms as the earlier revolution - deliverance from the national perils of 'popery and arbitrary government'. By contrast, this book argues that the picture is much more complicated than straightforwardcontinuity between 1688-89 and 1714. Emphasizing the plurality of post-Revolutionary developments, it explores early eighteenth-century Britain in light of the social, political, economic, religious and cultural transformations inaugurated by the 'Glorious Revolution' of 1688-1689 and its ensuing settlements in church, state and empire. The revolution of 1688-89 was much more transformative and convulsive than is often assumed; and the book shows that, although the Hanoverian Succession did embody a clear-cut reaffirmation of the core elements of the Revolution settlement - anti-Jacobitism and anti-popery - its impact on various post-Revolutionary developments in Church, state, Union, intellectual culture, international relations, political economy and empire is decidedly less clear. BRENT S. SIROTA is Associate Professor in the Department of History at North Carolina State University. ALLAN I. MACINNES is Emeritus Professor of History at the University of Strathclyde. CONTRIBUTORS: James Caudle, Megan Lindsay Cherry, Christopher Dudley, Robert I. Frost, Allan I. Macinnes, Esther Mijers, Steve Pincus, Brent S. Sirota, Abigail L. Swingen, Daniel Szechi, Amy Watson

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Puede convertirse un diccionario, con su estricto orden alfabético, en ficción, en un libro de cuentos? José María Pérez Zúñiga despliega a lo largo de 150 términos, de ?Adivinanza? a ?Zulo?, una estrategia narrativa, abierta, que teje a su vez todo un brillante mosaico de piezas breves. Los géneros se mezclan, se entrelazan, difuminan sus límites en lo formal y en el fondo, descubriéndonos que ficción y no ficción, voz narrativa y voz personal remiten a un único texto. Como su título, que procede de un aforismo de Georg Christoph Lichtenberg, Zúñiga reúne en un solo texto lo viejo y lo nuevo y lo que produce un resultado innovador.

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Despite major advances in the observation and numerical simulation of the atmosphere, basic features of the Earth's climate remain poorly understood. Integrating the available data and computational resources to improve our understanding of the global circulation of the atmosphere remains a challenge. Theory must play a critical role in meeting this challenge. This book provides an authoritative summary of the state of the art on this front.Bringing together sixteen of the field's leading experts to address those aspects of the global circulation of the atmosphere most relevant to climate, the book brings the reader up to date on the key frontiers in general circulation theory-including the nonlinear and turbulent global-scale dynamics that determine fundamental aspects of the Earth's climate. While emphasizing theory, as expressed through relatively simple mathematical models, it also draws connections to simulations with comprehensive general circulation models. Topics include the dynamics of storm tracks, interactions between wave dynamics and the hydrological cycle, monsoons, tropical and extratropical dynamics and interactions, and the processes controlling atmospheric humidity.An essential resource for graduate students in atmospheric, ocean, and climate sciences and for researchers seeking an overview of the field, The Global Circulation of the Atmosphere sets the standard for future research in a science that stands at a critical juncture.With a foreword by Edward Lorenz, the book includes chapters by Christopher Bretherton; Kerry Emanuel; Isaac Held; David Neelin; Raymond Pierrehumbert, Hélène Brogniez, and Rémy Roca; Alan Plumb; Walter Robinson; Tapio Schneider; Richard Seager and David Battisti; Adam Sobel; Kyle Swanson; and Pablo Zurita-Gotor and Richard Lindzen.

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A TRAGIC HOUSE FIRE A GRIEVING FATHER LEFT BEHIND But is Christopher Chatman all that he seems? While neighbours insist that the family was living the dream, Los Angeles homicide detective Elouise "Lou" Norton quickly discovers that the flames of adultery, scandal and fraud had all but consumed them. Was the fire the work of a serial arsonist known as The Burning Man? Or was one of the Chatmans responsible? Searching for justice through the ashes of a picture-perfect family, Lou doesn't know if she will catch an arsonist or be burned in the process. PRAISE FOR THE SERIES "Fast-paced, layered, and gripping" Huffington Post "Complex, profound and riveting" Hank Phillippi Ryan "The story shines" Library Journal "Following in Philip Marlowe's footsteps" Telegraph "[An] exceptional crime novel" Publishers Weekly "a phenomenal book" Hilary Davidson

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Book, or laboratory? Reader, or specimen? Wide slumber for lepidopterists is a poetic fantasia, a disorienting yet compelling dreamscape of butterflies and caterpillars and killing jars, where the waking mind's prose transforms into the sleeper's poetry. Each poem unfolds with precision, tracking the stages of sleep and pairing them with the life cycle of Lepidopterae. Insomnia is mirrored in the birth of the egg, narcolepsy in larval hatching. And when the caterpillar starts its final moult, dreams begin, weaving around us as tightly as a cocoon until we are somnambulant, a chrysalis ready to emerge as a moth. Reading the act of sleep through pupae and moths seems incongruous, but from this unlikely premise comes a darkly erotic text that takes cues from the scientific fascination of Christopher Dewdney, the linguistic experimentation of Gertrude Stein and the aural environments of Bjork to explore science, sexuality and language in equal parts. Wide slumber for lepidopterists contains luminous illustrations by artist and bookmaker Matt Ceolin, who has managed to capture the spirit of the poems with his beautiful and disturbing treated photographs of butterflies, moths and dessication.

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Celebrate St. Patrick's Day with Thomas & Friends in this all-new Thomas & The Leprechaun storybook--plus stickers!Train-loving boys and girls ages 4 to 7 will be thrilled to read how Thomas the Tank Engine meets a leprechaun and saves St. Patrick's Day! This beautifully-illustrated paperback includes more than 50 bonus stickers!In the early 1940s, a loving father crafted a small blue wooden train engine for his son, Christopher. The stories that this father, the Reverend W Awdry, made up to accompany the wonderful toy were first published in 1945 and became the basis for the Railway Series, a collection of books about Thomas the Tank Engine and his friends--and the rest is history. Thomas & Friends characters are now a big extended family of engines and others on the Island of Sodor. They appear not only in books but also in television shows and movies, and as a wide variety of beautifully made toys. The adventures of Thomas and his friends, which are always, ultimately, about friendship, have delighted generations of train-loving boys and girls for more than 75 years and will continue to do so for generations to come.

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The contributors to Passages and Afterworlds explore death and its rituals across the Caribbean, drawing on ethnographic theories shaped by a deep understanding of the region's long history of violent encounters, exploitation, and cultural diversity. Examining the relationship between living bodies and the spirits of the dead, the contributors investigate the changes in cosmologies and rituals in the cultural sphere of death in relation to political developments, state violence, legislation, policing, and identity politics. Contributors address topics that range from the ever-evolving role of divinized spirits in Haiti and the contemporary mortuary practice of Indo-Trinidadians to funerary ceremonies in rural Jamaica and ancestor cults in Maroon culture in Suriname. Questions of alterity, difference, and hierarchy underlie these discussions of how racial, cultural, and class differences have been deployed in ritual practice and how such rituals have been governed in the colonial and postcolonial Caribbean. Contributors. Donald Cosentino, Maarit Forde, Yanique Hume, Paul Christopher Johnson, Aisha Khan, Keith E. McNeal, George Mentore, Richard Price, Karen Richman, Ineke (Wilhelmina) van Wetering, Bonno (H.U.E.) Thoden van Velzen

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This is a double volume dedicated to two masterpieces by Benjamin Britten. While Peter Grimes established Britten as a composer of international standing, Gloriana, composed for the coronation of Elizabeth II, has never enjoyed a comparable fame. The variety of mood, characterization and pace, in each, illustrates Britten’s exceptional gift for theatre. Commentaries on the scores reveal, for instance, how much the popular concert extracts gain from their context in the dramas. The essay by E.M. Forster – the inspiration for Peter Grimes – is reprinted here, and Michael Holroyd discusses Lytton Strachey’s controversial Elizabeth and Essex – the source for Gloriana. Contents: Benjamin Britten’s Librettos, Peter Porter; George Crabbe: The Poet and the Man, E.M. Forster; ‘Peter Grimes’: A Musical Commentary, Stephen Walsh; Peter Grimes: Libretto by Montagu Slater; ‘Peter Grimes’ and ‘Gloriana’, Joan Cross, Peter Pears and John Evans; Some Reflections on the Operas of Benjamin Britten, Buxton Orr; ‘A daring experiment’, Michael Holroyd; The Librettist of ‘Gloriana’, Rupert Hart-Davis; The Music of ‘Gloriana’, Christopher Palmer; Notes on the Libretto of ‘Gloriana’, William Plomer; Gloriana: Libretto by William Plomer

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Neil Gaiman, Joanne Harris and other bestsellers re-imagine famous fairy tales in this wonderfully rich, scary anthology, illustrated by Oscar-winning Lord of the Rings artist Alan Lee. Following in the grand tradition of the Brothers Jacob and Wilhelm Grimm, some of today's finest writers have created their own brand-new fairy tales - but with a decidedly dark twist. Fearie Tales is a fantastical mix of spellbinding retellings of 'Cinderella', 'Rapunzel', 'Hansel and Gretel' and 'Rumpelstiltskin', amongst others, with unsettling tales inspired by other childhood classics, all interspersed with the sources of their inspiration: the timeless stories first collected by the Brothers Grimm.Edited by Stephen Jones, Britain's best-known anthologist of dark tales, and illustrated by Oscar-winning artist Alan Lee, who also provided the magnificent cover, with stories by Neil Gaiman; Joanne Harris; Garth Nix; John Ajvide Lindqvist; Markus Heitz; Michael Marshall Smith; Angela Slatter; Robert Shearman; Christopher Fowler; Ramsey Campbell; Peter Crowther; Brian Hodge; Brian Lumley; Reggie Oliver and Tanith Lee.But be warned: this stunning volume of frightening fables is definitely not suitable for children!

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Lejos de incurrir en el lugar común que tilda a los etruscos de pueblo enigmático o misterioso, Christopher Smith aborda en este libro una aproximación completa y rigurosa, por más que concisa, al conocimiento de esta civilización singular que precedió a Roma en el dominio de la península Itálica a lo largo de cinco siglos. El autor sitúa a este pueblo dentro de su contexto histórico: un mundo mediterráneo dentro el cual fueron actores importantes en el periodo de su máximo esplendor (ss. IX-V a.C.), como civilización poderosa, refinada y hegemónica en un emplazamiento relevante dentro del mismo. Aunque centrada en sus manifestaciones más importantes y en la época de su apogeo, esta breve introducción, que acoge los más recientes progresos en el estado de la historia de los etruscos, abarca desde sus primeros testimonios en la Edad del bronce tardía (s. XIII a.C.) hasta el final del ?periodo romano? (s. I a.C).

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Das Gottesbild der Offenbarung des Johannes erweist sich bei näherem Hinsehen als ausgesprochen facettenreich und religionshistorisch wie theologisch komplex. Der Sammelband geht auf eine Tagung an der Universität Wien zurück und beleuchtet die intertextuellen Bezüge zum Alten Testament, die Vernetzungen mit der zeitgenössischen römisch-hellenistischen Leitkultur und die staats- wie sozialkritische Seite dieses Gottesbildes. Mit der Frage nach wesensmäßiger oder funktionaler Dimension der Christologie sowie den auf Christus übertragenen Gottesepitheta wird die monotheistische Verankerung des Gottesbildes der Johannesoffenbarung in den Blick genommen und durch Gemeinsamkeiten und Unterschiede zu Gottesaussagen im Johannesevangelium ergänzt. Die Perspektive der Wirkungsgeschichte in der modernen Literatur rundet den Band ab.

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Wimbledon: The Pinnacle of Sport is a beautiful photographic celebration of The Championships. Its 254 beautifully printed pages are packed with stunning images from a golden era of tennis when greats of the game like Roger Federer, Raphael Nadal, Novak Djokovic, Andy Murray and Serena and Venus Williams graced the famous grass courts of London SW19. Alongside wonderful action shots of players are unique views and atmospheric images that capture the very special look and feel of Wimbledon. The official book also features a foreword by Tim Henman, an essay on ''Why Wimbledon is at the Pinnacle of Sport'' by renowned American tennis writer Christopher Clarey and is curated by former All England Club Chairman Ian Hewitt, and Photographic Chief Bob Martin.

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Motoring journalist Ashley Hollebone reveals for the first time the full story behind the hovercraft, a wonderful British invention that was created in a back shed from a rusty food tin and an old hair dryer – simple yet remarkable! Christopher Cockerell’s 1950s invention has found a multitude of uses across numerous arenas, from cross-Channel ferries and leisure cruising to racing at up to 80mph; it has modernised travel and has an impressive safety record, yet despite this little has been written about this, one of the most innovative modes of transport. This colourful book decisively redresses the balance and comprehensively reveals the history of the hovercraft, through photographs and diagrams, making it an invaluable addition to every enthusiast’s library.

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Jacques Derrida's prolific output has been the delight (and sometimes the despair) of philosophers and literary theorists for over twenty years. His influence on the way we read theoretical texts continues to be profound. No serious contemporary thinker can fail to come to terms with deconstruction and there have been a number of monographs devoted to his work. Very few, however, have combined a critical edge with a detailed knowledge of his writing. The contributors to this volume were each asked - in the most positive sense - to take just such a critical approach. There are substantive papers by Jean-Luc Nancy, Manfred Frank, John Sallis, Robert Bernasconi, Irene Harvey, Michel Haar, Christopher Norris, Geoff Bennington, John Llewelyn and an introduction by David Wood.

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The TARDIS takes the Doctor and Rose to a destination in deep space - Justicia, a prison camp stretched over seven planets, where Earth colonies deal with their criminals. While Rose finds herself locked up in a teenage borstal, the Doctor is trapped in a scientific labour camp. Each is determined to find the other, and soon both Rose and the Doctor are risking life and limb to escape in their distinctive styles. But their dangerous plans are complicated by some old enemies. Are these creatures fellow prisoners as they claim, or staging a takeover for their own sinister purposes? Featuring the Ninth Doctor and Rose as played by Christopher Eccleston and Billie Piper in the hit Doctor Who series from BBC Television

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MPT’s spring issue ’Our Small Universe’ focuses on the many languages of the United Kingdom - from Romani to Welsh; Shetlandic to BSL; Turkish to Ulster Scots – and features Owen Sheers, Zoe Brigley, Liz Berry, MacGillivray, David Morley, Al-Saddiq Al-Raddi and Matthew Hollis. Cyril Jones and Philip Gross collaborate using the Welsh `englyn’ form, and Sophie Herxheimer writes in her Grandmother’s `Inklisch’. Also: an introduction to Rohingya poetry, Zeina Hashem Beck’s bilingual form, the Duet, and a new translation of Konstanty Ildefons Gałczyński’s major modernist poem `A Trip to Świder’ by Renata Senktas and Christopher Reid. All this and more in the groundbreaking magazine dedicated to poetry in translation: for the best in world poetry read MPT.

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These lectures were delivered by Seamus Heaney while he was Professor of Poetry at Oxford University. In the first of them, Heaney discusses and celebrates poetry's special ability to redress spiritual balance and to function as a counterweight to hostile and oppressive forces in the world. He proceeds to explore how this 'redress' manifests itself in a diverse range of poems and poets, including Christopher Marlowe's 'Hero and Leander', 'The Midnight Court' by the eighteenth-century Irish poet Brian Merriman, John Clare's vernacular writing and Oscar Wilde's 'The Ballad of Reading Gaol'. Several twentieth-century poets are also discussed - W. B. Yeats, Dylan Thomas, Elizabeth Bishop and others - and the whole book constitutes a vivid proof of the claim that 'poetry is strong enough to help'.

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History is broken, and three kids must travel back in time to set it right! When best friends Dak Smyth and Sera Froste stumble upon a secret of time travel - a hand-held device known as the Infinity Ring - they're swept up in a centuries-long secret war for the fate of mankind. Recruited by the Hystorians, a secret society that dates back to Aristotle, the kids learn that history has gone disastrously off course. Now it's up to Dak, Sera and teenage Hystorian-in-training Riq to travel back in time to fix the Great Breaks ... and to save Dak's missing parents while they're at it. First stop: Spain, 1492, where a sailor named Christopher Columbus is about to be thrown overboard in a deadly mutiny.

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From the Trinity provides an overall view of the history and the philosophical and theological significance of God the Trinity, not only from a religious point of view but from an anthropological and socio-cultural view as well. The perspective is that of Christian doctrine, specifically Catholic, in dialogue with the cultural sensitivity of our times and with the religious pluralism that characterizes it. Following the generative-progressive method proposed by Vatican II, the book begins with a phenomenological reading of the signs of the times, with special focus upon the performative aspect of the announcement and the doctrine of faith. In particular, constant attention to the contribution made by the mystics and great charisms (from Augustine of Hippo to Francis of Assisi and Theresa of Avila up until Therese of Lisieux, Edith Stein and Chaira Lubich) toward a deeper understanding of the Trinitarian truth. From the Trinity is unique in what it offers not only for Trinitarian theology, but also for other theological disciplines (Christology, Pneumatology, Anthropology, Ecclesiology, etc.) – in which the Trinity shines forth as the central and enlightening truth – as well as for philosophy, the humanities and the natural sciences. This perspective is especially developed in terms of a Trinitarian ontology (see Part V) by which reality is understood in light of the revelation of the Trinity. The implications of the incarnation of the Son of God and the gift of the Holy Spirit are taken seriously in studying the truth of all things as they are perceived in the space created by living and thinking “in” Jesus, united to the Father in the Spirit, as suggested by the title of the book, looking upon reality “From the Trinity.”

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Living Histories: Queer Views and Old Masters is an exciting volume featuring the work of four New York based artists, each presenting a single new work in conversation with celebrated paintings in The Frick Collection, with particular emphasis on issues of gender and queer identity typically excluded from narratives of early modern European art. The idea of commissioning four works to display at Frick Madison emerged when four masterpieces by Vermeer, Holbein, and Rembrandt were loaned to exhibitions. Works by Jenna Gribbon, Doron Langberg, Toyin Ojih Odutola and Salman Toor were commissioned to replace them, alongside other works by these artists. This book is the result of the four New York artists' responses to the Frick's collection, and the conversations their work engendered. Written contributions are provided by Jonathan Anderson, Jessica Bell Brown, Christopher Lew, Jason Reynolds, Legacy Russell, and Russell Tovey. SELLING POINTS: . Queer art for the Old Masters . Ties in with a series of ongoing installations of works by contemporary LGBTQ+ artists produced in response to selected works at the Frick . Contributions by artists, writers and curators bring a diverse and rich perspective . Featured artists Jenna Gribbon, Doron Langberg, Toyin Ojih Odutola, and Salman Toor allow us to see long-familiar works in the Frick's collection in new ways . Doron Langberg's Lover is paired with Hans Holbein's Sir Thomas More;; Jenna Gribbon's What Am I Doing Here? I Should Ask You the Same with Holbein's Thomas Cromwell Salman Toor's Museum Boys with Johannes Vermeer's Officer and Laughing Girl and Toyin Ojih Odutola's The Listener with Rembrandt's Self-Portrait 45 colour illustrations

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New approaches to the everlasting malleability and transformation of medieval romance. The essays here reconsider the protean nature of Middle English romance. The contributors examine both the cultural unity of romance and its many variations, reiterations and reimaginings, including its contexts and engagements with other discourses and forms, as they were "rewritten" during the Middle Ages and beyond. Ranging across popular, anonymous English and courtly romances, and taking in the works of Chaucer and Arthurian romance (rarely treated together), in connection with continental sources and analogues, the chapters probe this fluid and creative genre to ask just how comfortable, and how flexible, are its nature and aims? How were Middle English romances rewritten toaccommodate contemporary concerns and generic expectations? What can attention to narrative techniques and conventional gestures reveal about the reassurances romances offer, or the questions they ask? How do romances' central concerns with secular ideals and conduct intersect with spiritual priorities? And how are romances transformed or received in later periods? The volume is also a tribute to the significance and influence of the work of Professor Helen Cooper on romance. Elizabeth Archibald is Professor of English Studies at Durham University; Megan G. Leitch is Senior Lecturer in English Literature at Cardiff University; Corinne Saunders is Professor of English andCo-Director of the Centre for Medical Humanities at Durham University. Contributors: Elizabeth Archibald, Julia Boffey, Christopher Cannon, Neil Cartlidge, Miriam Edlich-Muth, A.S.G. Edwards, Marcel Elias, Megan Leitch, Andrew Lynch, Jill Mann, Marco Nievergelt, Ad Putter, Corinne Saunders, Barry Windeatt, R.F. Yeager

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Twenty years ago, behavioral economics did not exist as a field. Most economists were deeply skeptical--even antagonistic--toward the idea of importing insights from psychology into their field. Today, behavioral economics has become virtually mainstream. It is well represented in prominent journals and top economics departments, and behavioral economists, including several contributors to this volume, have garnered some of the most prestigious awards in the profession. This book assembles the most important papers on behavioral economics published since around 1990. Among the 25 articles are many that update and extend earlier foundational contributions, as well as cutting-edge papers that break new theoretical and empirical ground. Advances in Behavioral Economics will serve as the definitive one-volume resource for those who want to familiarize themselves with the new field or keep up-to-date with the latest developments. It will not only be a core text for students, but will be consulted widely by professional economists, as well as psychologists and social scientists with an interest in how behavioral insights are being applied in economics. The articles, which follow Colin Camerer and George Loewenstein's introduction, are by the editors, George A. Akerlof, Linda Babcock, Shlomo Benartzi, Vincent P. Crawford, Peter Diamond, Ernst Fehr, Robert H. Frank, Shane Frederick, Simon Gachter, David Genesove, Itzhak Gilboa, Uri Gneezy, Robert M. Hutchens, Daniel Kahneman, Jack L. Knetsch, David Laibson, Christopher Mayer, Terrance Odean, Ted O'Donoghue, Aldo Rustichini, David Schmeidler, Klaus M. Schmidt, Eldar Shafir, Hersh M. Shefrin, Chris Starmer, Richard H. Thaler, Amos Tversky, and Janet L. Yellen.

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Violence against women on college campuses has remained underreported and often under addressed by both campus security and local law enforcement, as well as campus administrators. The researchers, practitioners, and activists who contribute to this pertinent volume Addressing Violence Against Women on College Campuses examine the extent, nature, dynamic and contexts of violence against women at institutions of higher education.This book is designed to facilitate an ongoing discussion and provide direction on how best to prevent and investigate violence against women, and intervene to assist victims while reducing the impact of these crimes. Chapters detail the necessary changes and implications that are part of Title IX and other federal legislation and initiatives as well as the effect these changes have had for higher education actors, including campus administrators, victim advocates, and student activists. The contributors also explore the importance of campus efforts to estimate the extent of violence against women; educating young men and women on the nature of sexual and dating violence; and shifting efforts to both make offenders accountable for their crimes and prompt all bystanders to act. Addressing Violence Against Women on College Campuses urgently argues to make violence prevention is not separate from but rather an integral part of the student experience. Contributors include: Antonia Abbey, Joanne Belknap, Ava Blustein, Stephanie Bonnes, Alesha Cameron, Sarah L. Cook, Walter S. DeKeseredy. Helen Eigenberg, Kate Fox, Christopher P. Krebs, Jennifer Leili, Christine Lindquist, Sarah McMahon, Caitlyn Meade, Christine Mouton, Matt R. Nobles, Callie Marie Rennison, Meredith M. Smith, Carmen Suarez, and the editors.

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"And the Word became flesh"John's Gospel famously opens with a poetic prologue about the Word. However, after these initial verses, the theme of God's Word incarnate seems to fade.The silence is only apparent. In The Word from the Beginning, Bruce G. Schuchard reunites John's prologue with the rest of his Gospel. What Jesus does in the Gospel embodies who Jesus is in the prologue. Jesus's words and actions reveal and unfold his unique identity as the Word. Jesus is indeed God's Word enfleshed.This theological reading of John's Gospel unifies Jesus's identity, words, and work, opening up implications for Johannine Christology.

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Discover a nest of vampires, brave a technological ''gate'' to another realm, and track down the truth behind Jack the Ripper in this collection of three intense adventures of Sir Edward Grey. As the Queen''s personal ''Witchfinder,'' Grey continues to pursue the occult goings on in London and beyond. But this time the events he encounters - and the things he learns - will lead him to question his very future. Complete your Witchfinder omnibus library with this second volume, featuring the writing of Mike Mignola and Chris Roberson, with art from Ben Stenbeck, D''Israeli, and Christopher Mitten and stunning colors from Michelle Madsen and Dave Stewart.

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A COMPANION TO ‘TWENTIETH-CENTURY AMERICAN DRAMA Contributors to this volume: Thomas P. Adler, Sarah Bay-Cheng, Annemarie Bean, Deanna M. Toten Beard, Murray Biggs, Stephen J. Bottoms, Mark Evans Bryan, Peter Civetta, Jerry Dickey, Jill Dolan, Harry J. Elam, Jr., Mark Fearnow, Anne Fletcher, Ehren Fordyce, J. Ellen Gainor, Janet V. Haedicke, Ann Haugo, David Krasner, Daphne Lei, Julia Listengarten, Felicia Hardison Londré, Tiffany Ana Lopez, Brenda A. Murphy, Christopher Olsen, Linda Rohrer Paige, Ann Pellegrini, Gene A. Plunka, Steven price, June Schlueter, Mike Sell, Rachel Shteir, Molly Smith. Andrew Sofer, Leslie A. Wade Also available in The Blackwell Companions to Literature and Culture series:

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A COMPANION TO ‘TWENTIETH-CENTURY AMERICAN DRAMA Contributors to this volume: Thomas P. Adler, Sarah Bay-Cheng, Annemarie Bean, Deanna M. Toten Beard, Murray Biggs, Stephen J. Bottoms, Mark Evans Bryan, Peter Civetta, Jerry Dickey, Jill Dolan, Harry J. Elam, Jr., Mark Fearnow, Anne Fletcher, Ehren Fordyce, J. Ellen Gainor, Janet V. Haedicke, Ann Haugo, David Krasner, Daphne Lei, Julia Listengarten, Felicia Hardison Londré, Tiffany Ana Lopez, Brenda A. Murphy, Christopher Olsen, Linda Rohrer Paige, Ann Pellegrini, Gene A. Plunka, Steven price, June Schlueter, Mike Sell, Rachel Shteir, Molly Smith. Andrew Sofer, Leslie A. Wade Also available in The Blackwell Companions to Literature and Culture series:

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Inspired by Hugh Lofting's classic tales of Doctor Dolittle, his son Christopher Lofting has updated his father's story for today's readers- still with all the charm of the original. Nine-and-a-half year old Tommy Stubbins is about to go on an adventure of a lifetime!Being assistant to the genius (and eccentric) Doctor Dolittle means no day is quite the same, especially when they set sail on the high seas. After a hair-raising shipwreck lands them on the floating Spidermonkey Island, they meet the mysterious Great Glass Sea Snail who could change their lives forever... The new movie Dolittle is coming February 2020, starring Robert Downey Jr.

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This work includes Foreword by Nigel Sykes, Medical Director, St Christopher's Hospice, London. This practical, evidence-based guide has been specifically designed for teachers in cancer and palliative care. It is completely up-to-date and covers the recent complex changes in cancer and palliative care delivery, offering a range of different, creative approaches. Ideal for training, the text includes highlighted key points, self help questions for reflection, and references where applicable. It provides invaluable guidance for all healthcare professionals with palliative care teaching responsibilities, including undergraduate and postgraduate healthcare educators and Macmillan lecturers. '[This] book gives us a three-dimensional view of how to respond to the demands on cancer and palliative care education today, set particularly in a British context but, of course, capable of extrapolation to other settings. These three dimensions of innovation can be summarised as: What do you teach? How do you teach it? To whom do you teach it? Innovation in all three aspects simultaneously may be difficult to achieve, but all who have a responsibility for education are faced with the challenges of making their teaching more effective (and demonstrating that they have done so), keeping abreast of advancing knowledge and clinical practice, and of reaching out to groups of learners who hitherto have been neglected. Of significant help to anyone in this field whose concern is the delivery of effective and appropriate education.' - Nigel Sykes, in the Foreword.

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Book 3 in the horseriding series for readers aged 9+, Apley Towers! In the shade of the Giant’s Throne Mountain, and on the coast of the Indian Ocean, Port St. Christopher is home to Apley Towers; a riding school for girls and boys, young or old, who learn what it means to be a true horse rider. Trixie has outgrown her stable horse, Slow-Moe, and realises she has to put the past behind her, and find a new horse to ride. But after a terrifying incident with an advanced horse, she begins to question whether moving on is worth the risk. With a little help from the kodas, Trixie learns that she must face her fears. But will she find her perfect horse? And if she does, will riding ever be the same for her again? About the Apley Towers series: Set in the shade of Giant's Throne Mountain on the South African coast of the Indian Ocean, this adventure- and friendship-filled series stars the students of a horseback riding school, Apley Towers, who learn valuable life lessons with horses and humans alike. Kaela, Trixie, Angela, and Phoenix learn what it means to be a true rider and a good friend, with plenty of detail of the African animals and landscapes of the area that readers will love. All titles are also leveled for classroom use, including GRLs.

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A bold application of the concept of "canonical" works to the development of French operatic and concert life in the eighteenth and nineteenth centuries. This long-awaited book by a leading historian of European music life offers a fresh reading of concert and operatic life by showing how certain musical works in eighteenth- and nineteenth-century France came to be considered "canonic": that is, admirable and worthy of being taken as models. In a series of interlinked essays, William Weber draws particular attention to the ways in which such reputations could shift in different eras and circumstances. The first chapter outlines how such a surge of reputation came about for Jean-Baptiste Lully after his death in 1687, followed a century later by one for the operas of Christoph-Willibald Gluck and Niccolò Piccinni. Next, Beverly Wilcox contributes a crucial chapter exploring how a canon of sacred works evolved at the Concert Spirituel between 1725 and 1790. Subsequent chapters detail the rise of an "incipient canon" for Joseph Haydn's music in the 1780s; a new operatic canon centered on works of Gioachino Rossini and Giacomo Meyerbeer; a century-long canonic repertory at the theater of the Opéra-Comique; and, between 1860 and 1914, frequent concert performances of excerpts from Wagner's operas, sometimes along with excerpts from Meyerbeer's. Throughout, Weber and Wilcox demonstrate how the French musical press reflected musical taste, and also shaped it, across two centuries.

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What moral or allegorical lessons can Homer's epics teach? Six essays by Christophoros Kondoleon, a 16th-century Greek scholar working in Rome during the last phase of Italian humanism, illustrate the moral qualities (esp. the autourgia) of the heroes, provide close readings of the two proems and of the description of Agamemnon's panoply in Iliad 11, answer a collection of miscellaneous, mostly philosophical "Homeric questions", and gather passages "on the good general (and soldier) according to Homer". While sometimes overtly indebted to the approaches of earlier Homerists (from Aristotle to ancient scholia, from Porphyry to Eustathios of Thessalonike, etc.), Kondoleon's treatises are unique both as original products in their own right, and as the only truly exegetical writings on Homer in Greek humanism. The present book provides the first critical edition (in two cases, the editio princeps) of these texts, with facing Italian translation and an introductory essay sketching their main features, their cultural significance, and some of their sources.

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Text edition. Der Bericht des ostsyrischen Patriarchen Timotheos uber eine Disputation mit dem Kalifen al-Mahdi (um 782/783 geschrieben) ist einer der ersten grossen Texte der christlich-muslimischen Kontroversliteratur. Zentralthemen der scharfsinnigen und doch fairen Diskussion sind die Trinitatslehre, die Christologie, die Stellung Mohammeds und die Frage nach einer Kontinuitat der Heilsgeschichte zwischen Christentum und Islam. Dabei werden Beispiele christlicher Koranexegese und muslimischer Bibelauslegung diskutiert. Erkennbar sind Bezuge zur islamischen Theologie der fruhen 'Abbasidenzeit wie auch zur beginnenden Rezeption der aristotelischen Philosophie in der islamischen Welt. In der sogenannten Perlenparabel uber die Unerkennbarkeit der wahren Religion wird Lessings Ringparabel vorausgenommen. Der syrische Text, bereits 1928 von Alphonse Mingana als Faksimile einer Handschrift publiziert, erscheint hier erstmals in kritischer Edition, die auch die alteste erhaltene Handschrift berucksichtigt. Die deutsche Ubersetzung mit Anmerkungen reflektiert Probleme in der Textuberlieferung.

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German translation. Der Bericht des ostsyrischen Patriarchen Timotheos uber eine Disputation mit dem Kalifen al-Mahdi (um 782/783 geschrieben) ist einer der ersten grossen Texte der christlich-muslimischen Kontroversliteratur. Zentralthemen der scharfsinnigen und doch fairen Diskussion sind die Trinitatslehre, die Christologie, die Stellung Mohammeds und die Frage nach einer Kontinuitat der Heilsgeschichte zwischen Christentum und Islam. Dabei werden Beispiele christlicher Koranexegese und muslimischer Bibelauslegung diskutiert. Erkennbar sind Bezuge zur islamischen Theologie der fruhen 'Abbasidenzeit wie auch zur beginnenden Rezeption der aristotelischen Philosophie in der islamischen Welt. In der sogenannten Perlenparabel uber die Unerkennbarkeit der wahren Religion wird Lessings Ringparabel vorausgenommen. Der syrische Text, bereits 1928 von Alphonse Mingana als Faksimile einer Handschrift publiziert, erscheint hier erstmals in kritischer Edition, die auch die alteste erhaltene Handschrift berucksichtigt. Die deutsche Ubersetzung mit Anmerkungen reflektiert Probleme in der Textuberlieferung.

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What is a saint and how do you become one?Who are the most well-known saints and why are they important?This fascinating book answers these questions and tells the remarkable life stories of over 25 saints from around the world, including Saint Francis of Assisi, Saint Patrick, Saint George, Saint Joan of Arc, Saint Christopher and Saint Bernadette. Find out about Saint George, the patron of England who never set foot in Britain; and Saint Joan of Arc, a 15-year-old girl who led the French army to victory. Filled with historical information on the lives of saints, this is a perfect title to support religious education. It includes the most famous Catholic saints as well as more minor saints from around the world, plus details on feast days, patron saints and the process of becoming a saint. An engaging layout and colourful images make The Book of Saints ideal for children aged 9-11 who are learning about religion.

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Deadpool''s classic Epic Collection series continues, with acclaimed writer Christopher Priest''s entire run on the Merc with a Mouth in one book! What happens when Deadpool crosses paths with royalty? Watch the madness unfold as the Merc with a Mouth learns what it''s like to cavort with two of Marvel''s mightiest monarchs - of the Asgardian and Wakandan varieties! But when Loki restores Wade Wilson''s handsome face, will it be a blessing... or a curse? Domestic bliss is unlikely when Deadpool starts rooming with Constrictor and Titania - and when Taskmaster hires Wade to train a group of his super-villain-wannabe students, he assigns them the ultimate test: taking over an orbiting space station! Plus: Katanas clash with claws when Deadpool battles Wolverine! And the unlikely heroes of Counter-Earth, the Remnants, must battle their former leader... Deadpool?! But who is Fight-Man, and why does everybody hate him? Collecting: Deadpool (1997) 34-45, Black Panther (1998) 23, Wolverine (1

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Much more than an excellent gazetteer'; this detailed study of the county's castles, monuments and towers shows who was responsible for the defence of the Anglo-Scottish border whilst Henry V was at Agincourt.Subsequent surveys show how in 1584 Christopher Dacre forwarded a bold project that linked a string of towers forming a defence against marauding Scots, suggesting new towers to stop gaps, with a dyke or defence' joining them like a latter-day Hadrian's Wall. Beyond this line were the many Peles or Bastles, home to the headsmen of the notorious reiving families, who were cursed in 1525 by bishops of Durham and Glasgow as punishment for their brutal way of life, giving rise to much legend and romance. Meanwhile, polite society occupied the large castles nestled amongst the coastal area still standing today for all to see.This history and gazetteer, with over 500 entries and plentiful illustrations and plans, will enhance your understanding of the h

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