Search results for ""author christo"

The Eco-Self in Early Modern English Literature tracks an important shift in early modern conceptions of selfhood, arguing that the period hosted the birth of a new subset of the human, the eco-self, which melds a deeply introspective turn with an abiding sense of humans’ embedment in the world. A confluence of cultural factors produced the relevant changes. Of paramount significance was the rapid spread of literacy in England and across Europe: reading transformed the relationship between self and world, retooled moral reasoning, and even altered human anatomy. This book pursues the salutary possibilities, including the ecological benefits, of this redesigned self by advancing fresh readings of texts by William Shakespeare, Christopher Marlowe, John Webster, and Margaret Cavendish. The eco-self offers certain refinements to ecological theory by renewing appreciation for the rational, deliberative functions that distinguish humans from other species.

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A double bill by Terence Rattigan, featuring two plays of striking contrast that display his astonishing range as a writer. The comic gem Harlequinade follows a classical theatre company whose intrigues and dalliances are revealed with increasingly calamitous consequences in an affectionate celebration of the lunatic art of putting on a play. A powerfully atmospheric one-woman play, All On Her Own tells the story of Rosemary who, alone at midnight in London, has a secret burden to share that is both heartbreaking and sinister. Harlequinade & All On Her Own was performed as part of the Kenneth Branagh Theatre Company’s Plays at the Garrick Season in 2015, starring Zoë Wanamaker and Kenneth Branagh, and co-directed by Branagh and Rob Ashford. This official tie-in edition features both plays, plus exclusive additional content including an introduction to Rattigan's work, interviews with Kenneth Branagh, Rob Ashford, Zoë Wanamaker and designer Christopher Oram, and reproductions of Oram's original design sketches.

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Nicolas Roeg is one of the most distinctive and influential film-makers of his generation. The generation of film-makers who define contemporary movie-making - Danny Boyle, Kevin Macdonald (The Last King of Scotland), Christopher Nolan (The Dark Knight), James Marsh (Man on Wire), and Guillermo Del Toro (Pan's Labyrinth), all acknowledge their debt to the work of Nicolas Roeg.Roeg began as a cameraman, working for such masters as Francois Truffaut and David Lean. His explosive debut as a director with Performance, established an approach to film-making that was unconventional and ever-changing, creating works such as Don't Look Now, The Man Who Fell to Earth, Bad Timing, Insignificance, and, more recently, Puffball.Having now reached eighty years of age, Roeg has decided to pass on to the next generations, the wealth of wisdom and experience he has garnered over fifty years of film-making.

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''An expansive novel reminiscent of the literary breadth, humanity, and historical depth found in Vasily Grossman''s Life and Fate'' Christophe Boltanski, winner of the 2015 Prix Femina for The Safe House''A captivating sweep of a novel about love, resilience and impossible choices... I loved it!'' Christina Lamb, chief foreign correspondent Sunday TimesSeventeen-year-old Debora Rosenbaum, ambitious and in love with literature, arrives in the capital of the new Ukrainian Soviet Socialist Republic, Kharkiv, to make her own fate as a modern woman. The stale and forbidding ways of the past are out; 1930 is a new dawn, the Soviet era, where skyscrapers go up overnight. Debora finds work and meets a dashing young officer named Samuel who is training to become a fighter pilot. They fall in love, and begin to mix with Ukraine''s new cultural elite. But Debora''s prospects - and Ukraine''s - soon dim. State-induced famine rolls thro

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‘In many ways, being a fashion model can be compared to the life of a professional footballer. You might get signed, but the work doesn’t stop there. In fact, it’s only just begun.’ Interested in working in the fashion industry? Do you want to be a model, designer, photographer or stylist? Want a rare look at the industry from the inside? Supermodel Eunice Olumide MBE was signed when she was just 16. She has since graced catwalks all over the world, working with top design powerhouses including Christopher Kane, Harris Tweed, Alexander McQueen, and Mulberry. How to Get into Fashion is for you, whether you are looking to become a model or wish to pursue one of the many other careers in fashion – or just want to know what goes on behind the scenes. With stunning photographs and the knowledge of someone who’s been there and done it, this is your essential guide to the industry.

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'Roisin Meaney is a skilful storyteller' Sheila O'Flanagan'Utterly irresistible' Irish IndependentWhen a heatwave coincides with rehearsals for an end-of-summer concert, temperatures soar - and small town scandals are around every corner . . .It turns out that some members of the choir have secrets they are desperate to keep hidden.Christopher, the handsome and talented director, is embroiled in a steamy affair with someone who is strictly off-limits; Molly has become obsessed with a young boy whom she's convinced is her grandson; while Emily has just fallen in love - with the wrong man.As opening night approaches, it becomes clear that there are some tough decisions to be made. But until the curtain falls, you never know what might happen on The Street Where You Live.'A real treat ... Meaney wraps her readers in the company and comfort of strangers' Sunday Independent

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For the second installment of Nomenus, a limited edition arts publication, Erik Madigan Heck has curated a special issue titled The Language of Flowers, that seamlessly weaves together a curated selection of floral and figurative contemporary paintings and photographic studies from Anselm Kiefer, Rita Ackermann, Helen Frankenthaler, Gabriel Orozco, Nick Knight, Mircea Suciu, Miranda Lichtenstein, Ida Applebroog, Emily Mason, Christophe Yvoré, Ben Sledsens, Martina Hoogland Ivanow, Brigitte Lustenberger, Alex Foxton, Kaye Donachie, Jesse Willenbring, Aubrey Levinthal, Erik Madigan Heck, and Tomo Campbell.

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What if Martin Luther King Jr., this name-branded, oft-sanitized preacher from Atlanta, is a prophet whose message America has yet to fully reckon with? Ten days before Martin Luther King Jr.’s assassination, Rabbi Abraham Joshua Heschel said, “Where in America today do we hear a voice like the voice of the prophets of Israel? Martin Luther King is a sign that God has not forsaken the United States of America. God has sent him to us.” What if Heschel’s words about King are true? What if this name-branded, oft-sanitized, Super-Bowl-ad-commercialized, National-Mall-memorialized preacher from Atlanta . . . is a prophet whose message America has yet to fully reckon with? This issue of Plough Quarterly looks at King’s unfinished struggle against the three evils of racism, materialism, and militarism. Perspectives from Edwidge Danticat, Gary Dorrien, Brandon M. Terry, D. L. Mayfield, Eugene Rivers, and Susannah Heschel explore the ways King’s message of nonviolence, justice, and love of neighbor still matters today: to refugees and immigrants, soldiers and veterans, preachers and prisoners, black lives matter activists and the white working class. Also in this issue: original poetry by Naomi Shihab Nye; reviews of new books by James Forman Jr., Steve Krivák, Jim Forest, and Christopher de Hamel; and art by Yvan Lamothe, Roberson Joseph, Barry Moser, Benny Andrews, Zoe Cromwell, Julian Peters, Asuka Hishiki, Mark Smith, Mary Kang, Marc Chagall, John Partipilo, Yuri Kozyrev, Vinicius Barajas, Iain Stewart, Giovanni Bellini. Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

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A landmark examination of iconic and provocative portraits by Warhol and Mapplethorpe, presented side by side and in depth for the first time Andy Warhol (1928–1987) and Robert Mapplethorpe (1946–1989) are well known for significant work in portraiture and self-portraiture that challenged gender roles and notions of femininity, masculinity, and androgyny. This exciting and original book is the first to consider the two artists together, examining the powerful portraits they created during the vibrant and tumultuous era bookended by the Stonewall riots and the AIDS crisis. Several important bodies of work are featured, including Warhol’s Ladies and Gentlemen series of drag queen portraits and his collaboration with Christopher Makos on Altered Image, in which Warhol was photographed in makeup and wigs, and Mapplethorpe’s photographs of Patti Smith and of female body builder Lisa Lyon. These are explored alongside numerous other paintings, photographs, and films that demonstrate the artists’ engagement with gender, identity, beauty, performance, and sexuality, including their own self-portraits and portraits of one another. Essays trace the convergences and divergences of Warhol and Mapplethorpe’s work, and examine the historical context of the artists’ projects as well as their lasting impact on contemporary art and queer culture. Firsthand accounts by the artists’ collaborators and subjects reveal details into the making and exhibition of some of the works presented here. With an illustrated timeline highlighting key moments in the artists’ careers, and more than 90 color plates of their arresting pictures, this book provides a fascinating study of two of the most compelling figures in 20th-century art.Published in association with the Wadsworth Atheneum Museum of ArtExhibition Schedule:Wadsworth Atheneum Museum of Art (10/17/15–1/24/16)

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"And the Word became flesh"John's Gospel famously opens with a poetic prologue about the Word. However, after these initial verses, the theme of God's Word incarnate seems to fade.The silence is only apparent. In The Word from the Beginning, Bruce G. Schuchard reunites John's prologue with the rest of his Gospel. What Jesus does in the Gospel embodies who Jesus is in the prologue. Jesus's words and actions reveal and unfold his unique identity as the Word. Jesus is indeed God's Word enfleshed.This theological reading of John's Gospel unifies Jesus's identity, words, and work, opening up implications for Johannine Christology.

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Discover a nest of vampires, brave a technological ''gate'' to another realm, and track down the truth behind Jack the Ripper in this collection of three intense adventures of Sir Edward Grey. As the Queen''s personal ''Witchfinder,'' Grey continues to pursue the occult goings on in London and beyond. But this time the events he encounters - and the things he learns - will lead him to question his very future. Complete your Witchfinder omnibus library with this second volume, featuring the writing of Mike Mignola and Chris Roberson, with art from Ben Stenbeck, D''Israeli, and Christopher Mitten and stunning colors from Michelle Madsen and Dave Stewart.

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A COMPANION TO ‘TWENTIETH-CENTURY AMERICAN DRAMA Contributors to this volume: Thomas P. Adler, Sarah Bay-Cheng, Annemarie Bean, Deanna M. Toten Beard, Murray Biggs, Stephen J. Bottoms, Mark Evans Bryan, Peter Civetta, Jerry Dickey, Jill Dolan, Harry J. Elam, Jr., Mark Fearnow, Anne Fletcher, Ehren Fordyce, J. Ellen Gainor, Janet V. Haedicke, Ann Haugo, David Krasner, Daphne Lei, Julia Listengarten, Felicia Hardison Londré, Tiffany Ana Lopez, Brenda A. Murphy, Christopher Olsen, Linda Rohrer Paige, Ann Pellegrini, Gene A. Plunka, Steven price, June Schlueter, Mike Sell, Rachel Shteir, Molly Smith. Andrew Sofer, Leslie A. Wade Also available in The Blackwell Companions to Literature and Culture series:

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A COMPANION TO ‘TWENTIETH-CENTURY AMERICAN DRAMA Contributors to this volume: Thomas P. Adler, Sarah Bay-Cheng, Annemarie Bean, Deanna M. Toten Beard, Murray Biggs, Stephen J. Bottoms, Mark Evans Bryan, Peter Civetta, Jerry Dickey, Jill Dolan, Harry J. Elam, Jr., Mark Fearnow, Anne Fletcher, Ehren Fordyce, J. Ellen Gainor, Janet V. Haedicke, Ann Haugo, David Krasner, Daphne Lei, Julia Listengarten, Felicia Hardison Londré, Tiffany Ana Lopez, Brenda A. Murphy, Christopher Olsen, Linda Rohrer Paige, Ann Pellegrini, Gene A. Plunka, Steven price, June Schlueter, Mike Sell, Rachel Shteir, Molly Smith. Andrew Sofer, Leslie A. Wade Also available in The Blackwell Companions to Literature and Culture series:

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Inspired by Hugh Lofting's classic tales of Doctor Dolittle, his son Christopher Lofting has updated his father's story for today's readers- still with all the charm of the original. Nine-and-a-half year old Tommy Stubbins is about to go on an adventure of a lifetime!Being assistant to the genius (and eccentric) Doctor Dolittle means no day is quite the same, especially when they set sail on the high seas. After a hair-raising shipwreck lands them on the floating Spidermonkey Island, they meet the mysterious Great Glass Sea Snail who could change their lives forever... The new movie Dolittle is coming February 2020, starring Robert Downey Jr.

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When Jesus turned and saw them following, he said to them, 'What are you looking for?' They said to him, 'Rabbi . . . where are you staying?' He said to them, 'Come and see.' John 1.38 39 'Come and see.' That is Jesus' invitation: courteous and confident, welcoming but not overpowering, full of grace and truth. It is the gospel in three words. The two disciples - Andrew was one of them - came and saw. They stayed with Jesus for a day and they liked what they saw. Andrew then went searching for his brother, Simon, and told him, 'We have found the Messiah.' Andrew took Simon to Jesus who (says John) 'looked at him'. . . This dynamic of seeing Jesus and being seen by him was transformative . . . They were never the same again. They became Jesus' disciples, people who spent time with him, getting to know him better and learning to see the world differently, as Jesus sees it. Those are three dimensions of seeing that will run through . . . this book: seeing Jesus, being seen by him and seeing things the way Jesus sees them.' From Chapter 1: What do you see?

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This book is the visual resource for anyone looking for garden inspiration, showcasing image after aspirational image of garden designs and solutions.This fully updated and revised edition contains more than 800 full-color images by leading garden photographer Andrea Jones. Organized into a variety of topics and themes that address frequently encountered garden design questions and challenges, this expanded edition now covers thirty-two trending garden design topics, such as Containerism, Dutch Wave, Extreme Naturalism, New Nordic, Tropical Chic, Vertical and Roof Gardens, and Xeriscaping.With thousands of possible design solutions and inspirations for any type of garden, this book covers gardens from all over the world and features projects by leading designers, including Christopher Bradley-Hole, Rick Darke, Topher Delaney, Bunny Guinness, Sean Hogan, James van Sweden, and Piet Oudolf, among others. Detailed photos capture the essence of both never-before-seen private gardens, as well as much heralded public spaces such as New York's High Line and groundbreaking exhibitions at the Chelsea Flower Show--all sources of new ideas easily adapted for the home garden.

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Scholars from the humanities and social sciences analyze representations of Latinidad in a diversity of genres Latinos have become the largest ethnic minority group in the United States. While the presence of Latinos and Latinas in mainstream news and in popular culture in the United States buttresses the much-heralded Latin Explosion, the images themselves are often contradictory. In Latino/a Popular Culture, Habell-Pallán and Romero have brought together scholars from the humanities and social sciences to analyze representations of Latinidad in a diversity of genres—media, culture, music, film, theatre, art, and sports—that are emerging across the nation in relation to Chicanas, Chicanos, mestizos, Puerto Ricans, Caribbeans, Central Americans and South Americans, and Latinos in Canada. Contributors include Adrian Burgos, Jr., Luz Calvo, Arlene Dávila, Melissa A. Fitch, Michelle Habell-Pallán, Tanya Katerí Hernández, Josh Kun, Frances Negron-Muntaner, William A. Nericcio, Raquel Z. Rivera, Ana Patricia Rodríguez, Gregory Rodriguez, Mary Romero, Alberto Sandoval-Sánchez, Christopher A. Shinn, Deborah R. Vargas, and Juan Velasco. Cover artwork "Layering the Decades" by Diane Gamboa, 2002, mixed media on paper, 11 X 8.5". Copyright 2001, Diane Gamboa. Printed with permission.

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The twenty-five original essays in this remarkable book constitute both a state of the art survey of Dante scholarship and a manifesto for new understandings of one of the world’s great poets. The fruit of an historic conference called by the Dante Society of America, the essays confront a range of important questions. What theories, methods, and issues are unique to Dante scholarship? How are they changing? What is the essence of the distinctive American Dante tradition? Why—and how—do we read Dante in today’s global, postmodern culture? From John Ahern on the first copies of the Commedia to Peter Hawkins and Rachel Jacoff on Dante after modernism, the essays shed brilliant new light on Dante’s texts, his world, and what we make of his legacy. The contributors: John Ahern, H. Wayne Storey, Guglielmo Gorni, Teodolinda Barolini, Gary P. Cestaro, Lino Pertile, F. Regina Psaki, Steven Botterill, Giuseppe Mazzotta, Alison Cornish, Robert M. Durling, Manuele Gragnolati, Giuliana Carugati, Susan Noakes, Zygmunt Baranski, Christopher Kleinhenz, Ronald L. Martinez, Ronald Herzman, Amilcare Iannucci, Albert Russell Ascoli, Michelangelo Picone, Jessica Levenstein, David Wallace, Piero Boitani, Peter Hawkins, and Rachel Jacoff.

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An independent bookshop in Glasgow. An ice cream parlour in Havana, where strawberry is the queerest choice. A cathedral in ruins in Managua, occupied by the underground LGBTQIA+ community. Queer people have always found ways to exist and be together, and there will always be a need for queer spaces. In this lavishly illustrated volume, Adam Nathaniel Furman and Joshua Mardell have gathered together a community of contributors to share stories of spaces that range from the educational to the institutional to the re-appropriated, and many more besides. With historic, contemporary and speculative examples from around the world, Queer Spaces recognises LGBTQIA+ life past and present as strong, vibrant, vigorous, and worthy of its own place in history. Looking forward, it suggests visions of what form these spaces may take in the future to continue uplifting queer lives. Featured spaces include: Black Lesbian and Gay Centre, London Category Is Books, Glasgow Christopher Street, New York Coppelia, Havana New Sazae, Tokyo ONE Institute for Homophile Studies, Los Angeles Pop-Up spaces, Dhaka Queer House Party, Online Santiago Apóstol Cathedral, Managua Trans Memory Archive, Buenos Aires Victorian Pride Centre, Melbourne

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Derek Jarman’s Sketchbooks – Deluxe Edition. Edited by Stephen Farthing and Ed Webb-Ingall. With a preface by Tilda Swinton. Featuring contributions from Keith Collins, Christopher Hobbs, Andrew Logan, James Mackay, Jon Savage, Howard Sooley, Neil Tennant and Toyah Willcox. DELUXE SLIPCASED EDITION. INCLUDES THREE PRINTS. Containing poetry, drawings, pressed flowers, photographs, excerpts from scripts and notes, Derek Jarman’s sketchbooks are part autobiography and part social history, bursting with the energy and creativity of this groundbreaking artist. This publication collates the best of Jarman’s sketchbooks to reveal the detailed planning and emotional engagement behind each of his films in more depth than ever before. This deluxe edition is limited to 500 copies, each presented in a cloth-covered slipcase. Each numbered copy is accompanied by three prints reproduced from the sketchbooks, housed in an envelope tipped into the book. The book, which is covered in real blue cloth with gold foil blocking on the spine and in a debossed recess on the frontboard, is c.15% larger than the standard edition. 196 illustrations, 187 in colour, 31.0 x 24.0cm, 256pp, ISBN 978 0 500 517185 . £150.00 slipcased hardback + 3 prints

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In Sensing Sound Nina Sun Eidsheim offers a vibrational theory of music that radically re-envisions how we think about sound, music, and listening. Eidsheim shows how sound, music, and listening are dynamic and contextually dependent, rather than being fixed, knowable, and constant. She uses twenty-first-century operas by Juliana Snapper, Meredith Monk, Christopher Cerrone, and Alba Triana as case studies to challenge common assumptions about sound—such as air being the default medium through which it travels—and to demonstrate the importance a performance's location and reception play in its contingency. By theorizing the voice as an object of knowledge and rejecting the notion of an a priori definition of sound, Eidsheim releases the voice from a constraining set of fixed concepts and meanings. In Eidsheim's theory, music consists of aural, tactile, spatial, physical, material, and vibrational sensations. This expanded definition of music as manifested through material and personal relations suggests that we are all connected to each other in and through sound. Sensing Sound will appeal to readers interested in sound studies, new musicology, contemporary opera, and performance studies.

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Queen Isabel of Castile is perhaps best known for her patronage of Christopher Columbus and for the religious zeal that led to the Spanish Inquisition, the waging of holy war, and the expulsion of Jews and Muslims across the Iberian peninsula. In this sweeping biography, newly revised and annotated to coincide with the five-hundredth anniversary of Isabel's death, Peggy K. Liss draws upon a rich array of sources to untangle the facts, legends, and fiercely held opinions about this influential queen and her decisive role in the tumultuous politics of early modern Spain. Isabel the Queen reveals a monarch who was a woman of ruthless determination and strong religious beliefs, a devoted wife and mother, and a formidable leader. As Liss shows, Isabel's piety and political ambition motivated her throughout her life, from her earliest struggles to claim her crown to her secret marriage to King Fernando of Aragón, a union that brought success in civil war, consolidated Christian hegemony over the Iberian peninsula, and set the stage for Spain to become a world empire.

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This collection of original essays honors the influential work of Robert W. Hanning. Contributors cover a wide range of fields within medieval studies, from Anglo-Saxon England to twelfth-century European intellectual culture, and from Chaucer's age to nineteenth- and twentieth-century medievalism, including a rich section on Italian Renaissance humanism and visual art. Drawing from a variety of primary sources, the essays in this volume are united in their emphases on the complex ways in which these sources are situated in their own time, mediated historically through other texts and other readers, and read within the context of contemporary social questions and disciplinary structures. This collection will be appreciated by all scholars and students of medieval studies. Contributors: Robert M. Stein, Sandra Pierson Prior, Nicholas Howe, Monika Otter, Sarah Spence, Charlotte Gross, Nancy F. Partner, H. Marshall Leicester, Jr., Christopher Baswell, Suzanne Conklin Akbari, Peter W. Travis, Margaret Aziza Pappano, William Askins, George D. Economou, Elizabeth Robertson, Laura L. Howes, John M. Ganim, Sealy Gilles, Sylvia Tomasch, Warren Ginsberg, Joan M. Ferrante, Joseph A. Dane, and David Rosand.

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February 1574 and London is in a fervour of paranoia, superstition and rumour. Mob violence is commonplace. A whispered word is all it takes to condemn a woman to burn as a witch.Having foiled the 'Incendium' plot against the Queen, intelligencer Dr Christopher Radcliff's standing within court is high. However, he has no time to reap any reward. Counterfeit coins bearing the likeness of his master, Robert Dudley, Earl of Leicester, are circulating on London's streets. This in itself is a treasonous offence, but now slogans have begun to appear on walls and doorways, implying that Leicester harbours treacherous intent. So Radcliff and his team of informants and amateur spies are sent out into the city's markets, drinking dens and brothels to track down who might be behind such outrageous and subversive acts. It will take them down a murderous path in pursuit of an elusive foe with an extraordinary agenda. And time is running out: for when rumour and fear catch fire, then surely violent insurrection and bloody chaos will follow . . . 'A fantastic tale of spies, deceit and murder in the Elizabethan age'S. D. SYKES

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From the start of the rebellion to its brutal conclusion, Arlen has haunted for Roj Blake. Cally fights beside her. Jenna Stannis works for her. Space Commander Travis is her mentor. As she plays each side off against the other, how will Arlen decide who are allies and who are enemies? 1. Saurian Major by Lizbeth Myles. Saurian Major is a key Federation communications hub. Federation Office Arlen undertakes an undercover mission to destroy the rebel factions that threaten it. The last person she expects to find is an Auron outcast among the humans. Will the mysterious Cally disrupt her plan? 2. No Name by Simon Guerrier. Everyone on Vanstone is hiding something. That's why they are there. Hiding from her own past, Arlen wonders what has brought Roj Blake to this remote outpost. Has Arlen uncovered a buried secret? And what does Space Commander Travis want on Vanstone? 3. Sedition by Jonathan Morris. Jenna Stannis knows that smuggling guns will help free Solta-Minor from the Federation. And she suspects that's not the only reason why Arlen wants her help. But Jenna doesn't know who else is on the planet. How can Travis have survived Star One? CAST: Sally Knyvette (Jenna Stannis), Jan Chappell (Cally), Brian Croucher (Travis), Stephen Greif (Travis), Sasha Mitchell (Arlen), Victoria Alcock (Mac), Christopher Brand (Haban), Lauren Fitzpatrick (Faro), Jacqueline King (Kovic), Samuel Lawrence (Tomal), Nigel Lindsay (Stor/Lux), Paul Panting (Cary / Velkrov).

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When Raymond E. Brown died in 1998, less than a year after the publication of his masterpiece, An Introduction to the New Testament, he left behind a nearly completed revision of his acclaimed two-volume commentary on the Gospel of John. The manuscript, skillfully edited by Francis J. Moloney, displays the rare combination of meticulous scholarship and clear, engaging writing that made Father Brown’s books consistently outsell other works of biblical scholarship. An Introduction to the Gospel of John represents the culmination of Brown’s long and intense examination of part of the New Testament. One of the most important aspects of this new book, particularly to the scholarly community, is how it differs from the original commentary in several important ways. It presents, for example, a new perspective on the historical development of the Gospels, and shows how Brown decided to open his work to literary readings of the text, rather than relying primarily on the historical, which informed the original volumes. In addition, there is an entire section devoted to Christology, absent in the original, as well as a magisterial new section on the representation of Jews in the Gospel of John.

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This reader shows why Edward Schillebeeckx remains one of the most influential Catholic theologians of the 20th century. Spanning more than half a century and including several texts that appear in English for the first time, it enables students to understand how Edward Schillebeeckx’s thought resonates with current debates in theology, for instance on ecology and secularization. T&T Clark Reader in Edward Schillebeeckx includes selections from both pre- and post-Conciliar texts that illustrate the evolution in Schillebeeckx’s thought, while also pointing towards the deep underlying continuity which comes from his essential commitment to his faith. His Christological Trilogy, which was a touchstone for doctrinal controversy and methodological progress, is represented here, as well as important works on ministry, the sacraments, hermeneutics, secularization, and the environment. These complex theological topics are broken down in every chapter with the help of explanatory notes, discussion questions and further reading suggestions. This reader is an essential resource which will enable students to contextualize and unpack the rich layers within Schillebeeckx’s theology.

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The Return of the King is the third part of J.R.R. Tolkien’s epic adventure, The Lord of the Rings. The Companions of the Ring have become involved in separate adventures as the quest continues. Aragorn, revealed as the hidden heir of the ancient Kings of the West, joined with the Riders of Rohan against the forces of Isengard, and took part in the desperate victory of the Hornburg. Merry and Pippin, captured by orcs, escaped into Fangorn Forest and there encountered the Ents. Gandalf returned, miraculously, and defeated the evil wizard, Saruman. Meanwhile, Sam and Frodo progressed towards Mordor to destroy the Ring, accompanied by Sméagol–Gollum, still obsessed by his ‘preciouss’. After a battle with the giant spider, Shelob, Sam left his master for dead; but Frodo is still alive – in the hands of the orcs. And all the time the armies of the Dark Lord are massing. The text of this edition has been fully corrected and revised in collaboration with Christopher Tolkien and is accompanied by fifteen watercolour paintings from Alan Lee.

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This collective work identifies the latest developments in the field of the automatic processing and analysis of digital color images. For researchers and students, it represents a critical state of the art on the scientific issues raised by the various steps constituting the chain of color image processing. It covers a wide range of topics related to computational color imaging, including color filtering and segmentation, color texture characterization, color invariant for object recognition, color and motion analysis, as well as color image and video indexing and retrieval. Contents 1. Color Representation and Processing in Polar Color Spaces, Jesús Angulo, Sébastien Lefèvre and Olivier Lezoray. 2. Adaptive Median Color Filtering, Frédérique Robert-Inacio and Eric Dinet. 3. Anisotropic Diffusion PDEs for Regularization of Multichannel Images: Formalisms and Applications, David Tschumperlé. 4. Linear Prediction in Spaces with Separate Achromatic and Chromatic Information,Olivier Alata, Imtnan Qazi, Jean-Christophe Burie and Christine Fernandez-Maloigne. 5. Region Segmentation, Alain Clément, Laurent Busin, Olivier Lezoray and Ludovic Macaire. 6. Color Texture Attributes, Nicolas Vandenbroucke, Olivier Alata, Christèle Lecomte, Alice Porebski and Imtnan Qazi. 7. Photometric Color Invariants for Object Recognition, Damien Muselet. 8. Color Key Point Detectors and Local Color Descriptors, Damien Muselet and Xiaohu Song. 9. Motion Estimation in Color Image Sequences, Bertrand Augereau and Jenny Benois-Pineau.

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Relational Undercurrents accompanies an exhibition curated by Tatiana Flores for the Museum of Latin American Art in Long Beach, California, which forms part of the Getty Foundation's Pacific Standard Time: LA/LA. This initiative examines the artistic legacy of Latin America and U.S. Latinos through a series of exhibitions and related programs. This exhibition catalog and volume edited by Flores and Michelle Ann Stephens calls attention to the artistic production of the Caribbean islands and their diasporas, challenging the conventional geographic and conceptual boundaries of Latin America. The editors offer an "archipelagic model," which proposes a mapping of the Caribbean from the perspective of its islands as distinct from its continental coasts. The exhibition, organized around the four themes of Conceptual Mappings, Perpetual Horizons, Landscape Ecologies, and Representational Acts, highlights thematic continuities in the art of the insular Caribbean, placing Hispanophone artists in visual conversation with those from Anglophone, Francophone, Dutch, and Danish backgrounds. It includes over eighty artists, among them Tania Bruguera, Allora & Calzadilla, Christopher Cozier, Jorge Pineda, Edouard Duval-Carrié, and Ebony G. Patterson. In accompanying essays, curators, critics, and scholars discuss particular artistic traditions in Cuban, Puerto Rican, Dominican, and Haitian art and theorize the broader decolonial and archipelagic conceptual frameworks within which such works are produced. Relational Undercurrents will be on display that the Museum of Latin American Art from September 2017 through January 2018. Publication by the Museum of Latin American Art in collaboration with Fresco Books / SF Design, LLC. Distributed by Duke University Press.

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A philosophical look at the movie Inception and its brilliant metaphysical puzzles Is the top still spinning? Was it all a dream? In the world of Christopher Nolan's four-time Academy Award-winning movie, people can share one another's dreams and alter their beliefs and thoughts. Inception is a metaphysical heist film that raises more questions than it answers: Can we know what is real? Can you be held morally responsible for what you do in dreams? What is the nature of dreams, and what do they tell us about the boundaries of "self" and "other"? From Plato to Aristotle and from Descartes to Hume, Inception and Philosophy draws from important philosophical minds to shed new light on the movie's captivating themes, including the one that everyone talks about: did the top fall down (and does it even matter)? Explores the movie's key questions and themes, including how we can tell if we're dreaming or awake, how to make sense of a paradox, and whether or not inception is possible Gives new insights into the nature of free will, time, dreams, and the unconscious mind Discusses different interpretations of the film, and whether or not philosophy can help shed light on which is the "right one" Deepens your understanding of the movie's multi-layered plot and dream-infiltrating characters, including Dom Cobb, Arthur, Mal, Ariadne, Eames, Saito, and Yusuf An essential companion for every dedicated Inception fan, this book will enrich your experience of the Inception universe and its complex dreamscape.

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For much of the twentieth century, most religious and secular Jewish thinkers believed that they were witnessing a steady, ongoing movement toward secularization. Toward the end of the century, however, as scholars and pundits began to speak of the global resurgence of religion, the normalization of secularism could no longer be considered inevitable. Recent decades have seen the strengthening of Orthodox movements in the United States and in Israel; religious Zionism has grown and radically changed since the 1960s, and new and vibrant nondenominational Jewish movements have emerged. Secularism in Question examines the ways these contemporary revivals of religion prompt a reconsideration of many issues concerning Jews and Judaism from the early modern era to the present. Bringing together scholars of history, religion, philosophy, and literature, this volume illustrates how the categories of "religious" and "secular" have frequently proven far more permeable than fixed. The contributors challenge the problematic assumptions about the development of secularism that emerge from Protestant European and American perspectives and demonstrate that global Jewish experiences necessitate a reappraisal of conventional narratives of secularism. Ultimately, Secularism in Question calls for rethinking the very terms that animate many of the most contentious debates in contemporary Jewish life and far beyond. Contributors: Michal Ben-Horin, Aryeh Edrei, Jonathan Mark Gribetz, Ari Joskowicz, Ethan B. Katz, Eva Lezzi, Vivian Liska, Rachel Manekin, David Myers, Amnon Raz-Krakotzkin, Andrea Schatz, Christophe Schulte, Daniel B. Schwartz, Galili Shahar, Scott Ury.

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Iconoclasm – the alteration, destruction, or displacement of icons – is usually considered taboo or profane. But, on occasion, the act of destroying the sacred unintentionally bestows iconic status on the desecrated object. Iconoclasm examines the reciprocity between the building and the breaking of images, paying special attention to the constructive power of destructive acts. Although iconoclasm carries with it inherently religious connotations, this volume examines the shattering of images beyond the spiritual and the sacred. Presenting responses to renowned cultural anthropologist and theorist Michael Taussig, these essays centre on conceptual iconoclasm and explore the sacrality of objects and belief systems from historical, cultural, and disciplinary perspectives. From Milton and Nietzsche to Paul Newman and Banksy, through such diverse media and genres as photography, the popular romance novel, pornography, graffiti, cinema, advertising, and the dictionary, this book questions how icons and iconoclasms are represented, the language used to describe them, and the manner in which objects signify once they are shattered. An interdisciplinary, disconnected, and non-linear consideration of the historical and contemporary relationship between the sacred and the profane, Iconoclasm disrupts entrenched views about the revered or reviled idols present in most aspects of daily life. Contributors include T. Nikki Cesare Schotzko (Toronto), Christopher van Ginhoven Rey (Pomona College), Helen Hester (West London), Emily Hoffman (Arkansas Tech), Natalie B. Pendergast (Yukon College), Beth Saunders (Maryland), Adam Swann (Glasgow), Michael Taussig (Columbia), Angela Toscano (Iowa), Brendon Wocke (Perpignan).

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Offering a cutting-edge, transdisciplinary approach to bio-physical and bio-cultural scales of sustainability, this Companion explores diverse understandings of the what, how, why and where questions of sustainability. It examines the key notion of how to optimize human quality of life whilst minimizing environmental suffering. Integrating a range of disciplines through the social sciences, natural sciences and arts and humanities, this Companion focuses on the human component of sustainability, using a place-based and life-scape approach to environmental questions. Chapters analyze critical topics including: urbanization and city life, environmental conservation and rural landscapes, long-term interactions with natural life, climate change and the importance of mountain regions. Looking beyond an economic analysis of sustainability and well-being, this Companion incorporates cross-cutting social, cultural, judicial and spiritual dimensions of sustainability and regenerative development. With a combination of international case studies and an interdisciplinary framework for understanding the topic, this will be an interesting read for those studying sustainability from a range of disciplinary bases including ecological economists, human ecologists and geographers. It will also be beneficial to urban planners and ecologists interested in how the profoundly impactful evolutionary trend towards the urban environment is impacting human geographies around the world. Contributors include: B. Antaki, J. Balsiger, A. Barreau, S. Boillat, B. Boley, A. Borsdorf, F. Boyer, M. Bush, J.B. Campbell, M. Carré, R. Cheddadi, T.J. Christoffel, B. Debarbieux , M.E. Donoso-Correa, N. Dudley, W. Dunbar, F. Ficetola, L. François, L.M. Frolich, E. Guevara, J.A. González, A. Haller, C.P. Harden, D. Harmon, A.-J. Henrot, S.L. Hitchner, G.A. Holdridge, K. Huang, J.T. Ibarra, K. Ichikawa, E.A. Macdonald, C. Mena, C. Merchant, A. Michaels, C. Monterrubio-Solís, E. Müller, M. Navarro, H. Norberg-Hodge, M. Oliva, S. Padgett-Vasquez, S.E. Pilaar Birch, D. Quiroga, J.K. Reap, L.M. Resler, A. Rhoujjati, R. Rozzi, F.O. Sarmiento, J.W. Schelhas, Y. Shao, C. Stadel, P. Taberlet, K. Taylor, S.J. Walsh, K.R. Young, Z. Zheng, F.M. Zimmermann, S. Zimmermann-Janschitz

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A selection of the most exciting current work in eighteenth-century studies.Focusing on the fraught ways in which communities are defined, volume 51 of Studies in Eighteenth-Century Culture showcases groundbreaking research in all of the disciplines that constitute eighteenth-century studies. An article by Aaron Santesso and David Rosen intervenes in the current debates over "critique" by excavating a theory of ethical reading embedded in liberalism. In a similar mode, Jesslyn Whittell reads Christopher Smart's Jubilate Agno as a "stuplime" forerunner to contemporary experimental poetry.Considering communities that emerge around artworks, Aaron Gabriel Montalvo examines Joseph Highmore's Pamela paintings for the ways in which they inculcated new forms of moral spectatorship, while Stacey Jocoy shows how Robert Burns's ballad collections manipulated both tunes and lyrics in order to fashion a new vision of Scottish culture.Renee Bryzik finds that asymmetrical friendships in eighteenth-century novels helped unravel ideological prejudices shaped by settler colonialism. Nathan D. Brown presents a history of sweetness that goes beyond Caribbean plantations by reassessing the hopes placed upon maple sugar. Meanwhile, Dario Galvão argues that Buffon distinguished humans from animals by virtue of the former's capacity for domination, and Noel Chevalier focuses on the ways in which pirates served as monstrous stand-ins for commercial corruption.This volume of SECC also includes contributions from Li Qi Peh, Maximillian E. Novak, and Judith Stuchiner that explore Daniel Defoe's thinking about individualism, community, and religious instruction. The volume concludes with a cluster of short essays responding to the methodological challenges posed by Daniel O'Quinn's Engaging the Ottoman Empire.Contributors: Nathan D. Brown, Renee Bryzik, Katherine Calvin, Noel Chevalier, Zirwat Chowdhury, Ashley L. Cohen, Angelina Del Balzo, Lynn Festa, Douglas Fordham, Dario Galvão, Stacey Jocoy, Aaron Gabriel Montalvo, Maximillian E. Novak, Daniel O'Quinn, Li Qi Peh, David Rosen, Aaron Santesso, Judith Stuchiner, Charlotte Sussman, Jesslyn Whittell

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With a gorgeously redesigned cover and the original black and white interior illustrations by Ernest Shepard, this beautiful edition of the beloved sequel to Winnie-the-Pooh by A. A. Milne, The House at Pooh Corner, is sure to delight new and old fans alike!Pooh and Christopher Robin’s escapades in the Hundred Acre Wood continue! Piglet, Eeyore, and other familiar friends encounter the energetic Tigger for the first time, whose bounce first, think later personality brings new excitement. With more Heffalump hunts and funny moments in store, each chapter is a new adventure!

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Entgegen verbreiteter Vorurteile können messianische Erwartungen zu frühjüdischer Zeit auf sehr unterschiedliche Weise auch übermenschliche Aspekte integrieren. Ruben A. Bühner unterzieht erstmals alle relevanten messianischen Texte der Hebräischen Bibel, der Septuaginta, aus Qumran und den alttestamentlichen Pseudepigraphen einer historisch-philologischen Analyse und diskutiert sie mit Fokus auf traditions- und rezeptionsgeschichtliche Perspektiven. Dabei entsteht ein eindrückliches Tableau an messianischen Gestalten, die Züge aufweisen, welche über das Bild eines bloßen Menschen hinausgehen und z.B. himmlische Zugehörigkeit, vor- oder überzeitliches Sein oder engelhafte Charakteristika umfassen.Damit erweitert der Autor unser Bild von der Pluriformität des Frühjudentums und bietet zugleich die Grundlage für wesentliche Neuzugänge in der Erforschung von Ursprung und Entwicklung neutestamentlicher Christologien.Diese Arbeit wurde mit dem Manfred Lautenschlaeger Award for Theological Promise 2021 ausgezeichnet.

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This is the second volume of a collection which includes all the significant remains of tragedies produced by the contemporaries and successors of the three classic Greek tragedians (Aeschylus, Sophocles and Euripides). Greek texts and sources are accompanied by English translations, related historical information, detailed explanatory notes and bibliographies. Volume Two includes more than a dozen poets of the fourth and early third centuries (Astydamas, Carcinus, Chaeremon, Theodectas, Moschion and others), the Alexandrian Pleiad, Ezechiel’s Exagôgê (a tragedy based on the biblical Exodus), and some anonymous material derived from ancient sources or rediscovered papyrus texts. Remnants of the satyr-plays of this period are included in a separate Aris & Phillips Classical Texts volume, Euripides Cyclops and Major Fragments of Greek Satyric Drama, edited by Patrick O’Sullivan and Christopher Collard (2013).

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Psychology of religion is essentially as old as psychology itself, with over a hundred years of history and claiming some of psychology's most notable characters as contributors, including William James, Sigmund Freud, Gordon Allport, and Jean Piaget. In recent years, this subfield of psychology has risen in prominence. Sectarian violence, secularization, the culture wars', and increase in cross-cultural and cross-religious contact through migration, urbanization, and globalization have all contributed to heightened interest in questions such as: where do religious beliefs come from? Why do they seem to motivate behaviour so powerfully? Is religious belief and practice good or bad for us? Does religious belief assist or hinder morality? Increasingly discussed by journalists and science-popularisers such as Richard Dawkins, Daniel Dennett, A.C. Grayling, Sam Harris, Christopher Hitchens, and Lewis Wolpert, these sorts of questions are psychological questions with psycho

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The Harlem Renaissance (1919-1934) is one of the most fascinating periods of American cultural history. When it was first released in 2004, Harlem Stomp! was the first trade book to bring this important period alive for young adults. Lavishly illustrated with a cover by Caldecott Honor winner Christopher Myers, with sepia tone photographs, reproductions of historical documents, and full-color paintings, this book features a powerful foreword written by award-winning poet Nikki Giovanni, as well as artwork, political rhetoric, poetry, and prose by prominent Harlem Renaissance artists, activists, and writers, such as Langston Hughes, Zora Neale Hurston, Sargent Johnson, and Marcus Garvey.Now, in time for Black History Month, we have repackaged this classic with a fresh new cover and accessible trim size so even more readers can experience this lively celebration of the Harlem Renaissance.

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“Well either a tail is there or it isn’t there. You can’t make a mistake about it, and yours isn’t there!” The perfect introduction to Winnie-the-Pooh! Classic Winnie-the-Pooh Story Eeyore Loses a Tail – With The Original Text By A.A.Milne And Decorations By E.H.Shepard It’s A Timeless Gift For Fans Of All Ages. Collect The Range. Eeyore’s tail has gone missing and Pooh promises to find it in this charming story by A.A.Milne. This beautiful little storybook is a great way to introduce young readers to the characters in the Hundred Acre Wood. This is guaranteed to be a bedtime favourite for children aged 5 and up. This book is all the more special due to E.H.Shepard’s decorations, which are shown in full, glorious colour. They are truly iconic and contributed to him being known as ‘the man who drew Pooh’. Look out for all the titles in the collection: Winnie-the-Pooh and the Wrong Bees Winnie-the-Pooh: Pooh Goes Visiting Winnie-the-Pooh: Piglet Meets a Heffalump Winnie-the-Pooh: Piglet Does a Very Grand Thing Winnie-the-Pooh: Eeyore Has a Birthday Winnie-the-Pooh: A House is Built for Eeyore Winnie-the-Pooh: Pooh Invents A New Game Winnie-the-Pooh: Eeyore Loses a Tail The nation’s favourite teddy bear has been delighting generations of children for over 95 years. Milne’s classic children’s stories – featuring Piglet, Eeyore, Christopher Robin and, of course, Pooh himself – are gently humorous while teaching lessons about friendship and kindness. Pooh ranks alongside other beloved character such as Paddington Bear, and Peter Rabbit as an essential part of our literary heritage. Whether you’re 5 or 55, Pooh is the bear for all ages.

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In this hard-hitting anthology, Ishmael Reed and Carla Blank have invited a diverse group of informed and accomplished writers, both women and men, who are rarely heard to comment on the long-standing bigotry on Broadway towards many different ethnic minorities.How do intellectuals and scholars feel about how members of their ethnic groups are portrayed on Broadway? How would we know? Very few of them have the power to rate which plays and musicals are worthy and which are flops, and above all, be heard or read. The American critical fraternity is an exclusive club.In this hard-hitting anthology, Ishmael Reed and Carla Blank have invited a diverse group of informed and accomplishes writers, both women and men, who are rarely heard to comment on the long-standing bigotry on Broadway towards many different ethnic minorities.Contributors include Lonely Christopher, Tommy Curry, Jack Foley, Emil Guillermo, Claire J. Harris, Yuri Kageyama, Soraya McDonald, Nancy Mercado, Aimee Phan, Betsy Theobald Richards, Shawn Wong, David Yearsley, and the editors.Under review are Madame Butterfly, the Irving Berlin songbook, Oklahoma, South Pacific, Miss Saigon, Flower Drum Song, Bloody Bloody Andrew Jackson, The Color Purple, The Book of Mormon, West Side Story and Hamilton.

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The last collection of short stories published in her lifetime, The Garden Party and Other Stories would solidify Katherine Mansfield's place as the most prominent modernist short story writer of her generation. Early reviewers of the collection commented on the similarities it shared with her previous collection, Bliss and Other Stories; however, while contemporary reviews were mixed, many emphasised the psychological power of her stories, praising how she was able to bring her characters to life in a way simple action could not. While it contains some of Mansfield's most sophisticated and well-loved stories, several of the stories in The Garden Party initially appeared in the Sphere, and thus were often dismissed as inferior. Mansfield herself felt some of these stories fell short of her desired effect, though recent scholarship has revealed their greater complexity. The essays in this volume, by both seasoned and newer Mansfield scholars, work to continue this conversation. The collection also includes Mansfield-inspired short fiction, two translations of memorial poems dedicated to Mansfield by Chinese and French contemporaries with accompanying notes, and a recently re-discovered book review by Mansfield. In addition, Sydney Janet Kaplan provides a reflection on her personal meeting with Christopher Isherwood, a writer heavily influenced by the life and work of Mansfield

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Published here for the first time, Maura Laverty’s plays Liffey Lane, Tolka Row and A Tree in the Crescent are rooted in 1950s Dublin, its territories and enclaves. Teeming with the lives of the poor, the ambitious, the trapped and the struggling, the plays are moving, funny and vividly alive. They capture the capital in a state of transformation – reaching for modernisation while still enmired in stagnant class divisions, poor housing and narrow social values. Key to all three plays are questions of home, the lives of women and girls, and the impact of conservative government policies and church attitudes. Already a public figure in Irish life, and an influencer before her time through her fiction, cookery books and broadcasting, Laverty’s plays met with huge success when staged in 1951 and 1952 by Hilton Edwards of the Gate Theatre Company at Dublin’s Gaiety and Gate Theatres and on tour. Laverty’s trilogy is a significant and long-awaited part of the twentieth-century Irish theatrical canon. This volume presents the Trilogy, including a preface by Christopher Fitz-Simon, who knew and worked with Laverty. The editors’ introduction contextualises Laverty’s work and considers the theatrical values of the plays.

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Book 10 in the horseriding series for readers aged 9+, Apley Towers! In the shade of the Giant’s Throne Mountain, and on the coast of the Indian Ocean, Port St. Christopher is home to Apley Towers; a riding school for girls and boys, young or old, who learn what it means to be a true horse rider. Angela is forced to face up to her former bully, Gemma Larkin, when she finds out that she’s set to compete against Sagittarius Stables in an upcoming competition. With the support of Apley Towers, Angela is desperate to beat Gemma once and for all. But how can Angela prove herself to anyone else, if she can’t even convince herself? Luckily, the kodas are there to help her deal with a past she thought she’d left behind. About the Apley Towers series: Set in the shade of Giant's Throne Mountain on the South African coast of the Indian Ocean, this adventure- and friendship-filled series stars the students of a horseback riding school, Apley Towers, who learn valuable life lessons with horses and humans alike. Kaela, Trixie, Angela, and Phoenix learn what it means to be a true rider and a good friend, with plenty of detail of the African animals and landscapes of the area that readers will love. All titles are also leveled for classroom use, including GRLs.

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Empires of Vision brings together pieces by some of the most influential scholars working at the intersection of visual culture studies and the history of European imperialism. The essays and excerpts focus on the paintings, maps, geographical surveys, postcards, photographs, and other media that comprise the visual milieu of colonization, struggles for decolonization, and the lingering effects of empire. Taken together, they demonstrate that an appreciation of the role of visual experience is necessary for understanding the functioning of hegemonic imperial power and the ways that the colonized subjects spoke, and looked, back at their imperial rulers. Empires of Vision also makes a vital point about the complexity of image culture in the modern world: We must comprehend how regimes of visuality emerged globally, not only in the metropole but also in relation to the putative margins of a world that increasingly came to question the very distinction between center and periphery.Contributors. Jordanna Bailkin, Roger Benjamin, Daniela Bleichmar, Zeynep Çelik, David Ciarlo, Natasha Eaton, Simon Gikandi, Serge Gruzinski, James L. Hevia, Martin Jay, Brian Larkin, Olu Oguibe, Ricardo Padrón, Christopher Pinney, Sumathi Ramaswamy, Benjamin Schmidt, Terry Smith, Robert Stam, Eric A. Stein, Nicholas Thomas, Krista A. Thompson

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Saints are ordinary men and women who touch the world in extraordinary and inspiring ways. Sometimes they prevail, sometimes they come to a tragic end-but always they change the world they live in for the better. In this freshly told and boldly illustrated book, children will find the stories of the best-known and best-loved saints, from Augustine to Mother Teresa (officially canonized as St. Teresa of Calcutta). Meet Joan of Arc, whose faith inspired her to lead an army when the king's courage failed. Francis of Assisi, whose gentleness tamed a man-eating wolf. Christopher, whose medal is often worn by travelers. Valentine, a bishop in the time of ancient Rome who spoke so often of Christ's love that his saint's day, February 14, has been associated with courtly love since the Middle Ages. St. Thomas Aquinas, the great teacher. Peter Claver, who cared for hundreds of thousands of people on slave ships after their voyage as captives. Bernadette, whose vision of Mary instructed her to dig the spring that became the healing waters of Lourdes. Each tale is more vivid than the last; also included in each entry are the saint's dates, location, emblems, and patronage. Taken together, they create a rich and entertaining history of faith and courage.

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