Search results for ""author christo"

Dieses Buch zeigt, wie neue Health-as-a-Service-Geschäftsmodelle zu einer besseren Patientenerfahrung und zugleich Kostensenkungen beitragen können. Im Gesundheitssektor entstehen neue digitale Geschäftsmodelle der Plattformökonomie, die Vorteile für alle am Markt der Gesundheitsdienstleistung Beteiligten Akteuren – inklusive des Patienten – bringen können. Digitale, datengetriebene Gesundheitsangebote werden zu einer messbaren Verbesserung der Behandlungsqualität führen und zugleich die Effizienz der Leistungserbringung steigern. Dazu werden vermehrt auch Methoden der Künstlichen Intelligenz und des Maschinellen Lernens eingesetzt. Zudem erwarten Patienten, die in der Zukunft mehrheitlich der Gruppe der Digital Natives angehören werden, zunehmend eine individuelle Betreuung (Patienten-Journey). Alle Leistungsanbieter im Gesundheitsbereich müssen systematisch prüfen, welche Health-as-a-Service-Geschäftsmodelle entwickelt und wie diese erfolgreich umgesetzt werden können. Dieses Buch bietet dafür den fundierten Leitfaden.Inhalte aus folgenden Themenbereichen Die Grundlagen der Plattformökonomie für das Gesundheitswesen verstehen Wie Plattformen und Marktplätze das Gesundheitswesen verändern Erfolgsfaktoren von Plattform-Geschäftsmodellen im Gesundheitswesen KI als Enabler für Plattform-Geschäftsmodelle der Zukunft Mit Beiträgen von: Dr. med. Henri Michael von Blanquet – Precision Medicine Alliance, Föhr, Deutschland Tobias Chrobok – Erlangen, Deutschland Timo Frank – Ada Health GmbH, Berlin, Deutschland Julian Gansen – Mementor GmbH, Berlin, Deutschland Clemens von Guenther – Universität Augsburg, Augsburg, Deutschland Anisa Idris – Ada Health GmbH, Berlin, Deutschland Dr. Florian Koerber – Flying Health GmbH, Berlin, Deutschland Dr. Lara Maier – goetzpartners Holding AG, München, Deutschland Marius Mainz – GET.ON Institut für Online Gesundheitstrainings GmbH, Berlin, Deutschland Manon Mandel – München, Deutschland Prof. Dr. Alessandro Monti – CBS International Business School, Köln, Deutschland Prof. Dr. Volker Nürnberg – BearingPoint GmbH, Frankfurt, Deutschland Prof. Dr. Erika Raab – MSH Medical School Hamburg, Hamburg, Deutschland Prof. Dr. Christoph Rasche – Universität Potsdam, Potsdam, Deutschland Prof. Dr. Dominik Rottenkolber – Alice Salomon Hochschule Berlin, Berlin, Deutschland Dr. Alexander Schachinger – EPatient Analytics GmbH, Berlin, Deutschland Frank Stratmann – SMARTR.care, Schmallenberg, Deutschland Sophia Strube – Ada Health GmbH, Berlin, Deutschland Mario Unterbrunner – CHECK24 Vergleichsportal, München, Deutschland Stephanie Widmaier – BearingPoint GmbH, Frankfurt, Deutschland Henry Alexander Wittke – Helmut-Schmidt-Universität, Hamburg

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Recalling the Biblical and Patristic roots of the Church’s sacramental identity, the Second Vatican Council calls the Church the ‘visible sacrament’ of that unity offered through Christ (LG 9). ‘Sacrament’ in this sense not only describes who the Church is, but what she does. In this regard, the Council Fathers were careful to establish a strong connection between the symbolic nature of the Church’s sacraments and their effect on those who received them. Reginald Lynch is concerned with the cleansing of the heart—a phrase borrowed from St. Augustine and employed by Aquinas, which describes the effects that natural elements such as water or bread have on the human person when taken up by the Church as sacramental signs. Aquinas’ approach to sacramental efficacy is unique for its integration of diverse theological topics such as Christology, merit, grace, creation and instrumentality. While all of these topics will be considered to some extent, the primary focus of The Cleansing of the Heart is the sacraments understood as instrumental causes of grace. This volume provides the historical context for understanding the development of sacramental causality as a theological topic in the scholastic period, emphasizing the unique features of Aquinas’ response to this question. Following this, relevant texts from Aquinas’ early and later work are examined, noting Aquinas’ development and integration of the idea of sacramental causality in his later work. The Cleansing of the Heart concludes by contrasting alternatives to Aquinas’ theory of sacramental causality that subsequently emerged. The rise of humanism introduced many changes within rhetoric and philosophy of language that had a profound effect on some theologians during the Modern period. This book provides historical context for understanding the most prominent of these theories in contrast to Aquinas, and examines some of their theological implications.

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Film and philosophy have much in common, and books have been written on film and philosophy. But can films be, or do, philosophy? Can they “think”? Film as Philosophy is the first book to explore this fascinating question historically, thematically, and methodically.Bringing together leading scholars from universities across the globe, Film as Philosophy presents major new research that leads film studies and philosophy into a productive dialogue. It provides a uniquely sweeping, historical overview of the confluence of film and philosophy for more than a century, considering films from Jean Renoir, Lars von Trier, Jørgen Leth, David Lynch, Michael Haneke, and others; the written works of filmmakers who also theorized on the medium, including Sergei Eisenstein and Jean Epstein; and others who have written on cinema, including Hugo Münsterberg, Béla Balázs, André Bazin, Henri Bergson, Gilles Deleuze, Stanley Cavell, Alain Badiou, Jacques Rancière, and many more. Representing a major step toward establishing a media philosophy that puts the status, role, and function of film into a new perspective, Film as Philosophy removes representational techniques from the center of inquiry, replacing these with the medium’s ability to “think.” Hence it accords film with “agency,” and the dialogue between it and philosophy (and even neuroscience) is negotiated anew.Contributors: Nicole Brenez, U of Paris 3–Sorbonne; Elisabeth Bronfen, U of Zurich; Noël Carroll, CUNY; Tom Conley, Harvard U; Angela Dalle Vacche, Georgia Institute of Technology; Gregory Flaxman, U of North Carolina, Chapel Hill; Alex Ling, Western Sydney U; Adrian Martin, Monash U; John Ó Maoilearca, Kingston U, London; Robert Sinnerbrink, Macquarie U, Sydney; Murray Smith, U of Kent, Canterbury; Julia Vassilieva, Monash U, Melbourne; Christophe Wall-Romana, U of Minnesota; and Thomas E. Wartenberg, Mount Holyoke College.

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Virginia Burrus explores one of the strongest and most disturbing aspects of the Christian tradition, its excessive preoccupation with shame. While Christianity has frequently been implicated in the conversion of ancient Mediterranean cultures from shame- to guilt-based and, thus, in the emergence of the modern West's emphasis on guilt, Burrus seeks to recuperate the importance of shame for Christian culture. Focusing on late antiquity, she explores a range of fascinating phenomena, from the flamboyant performances of martyrs to the imagined abjection of Christ, from the self-humiliating disciplines of ascetics to the intimate disclosures of Augustine. Burrus argues that Christianity innovated less by replacing shame with guilt than by embracing shame. Indeed, the ancient Christians sacrificed honor but laid claim to their own shame with great energy, at once intensifying and transforming it. Public spectacles of martyrdom became the most visible means through which vulnerability to shame was converted into a defiant witness of identity; this was also where the sacrificial death of the self exemplified by Christ's crucifixion was most explicitly appropriated by his followers. Shame showed a more private face as well, as Burrus demonstrates. The ambivalent lure of fleshly corruptibility was explored in the theological imaginary of incarnational Christology. It was further embodied in the transgressive disciplines of saints who plumbed the depths of humiliation. Eventually, with the advent of literary and monastic confessional practices, the shame of sin's inexhaustibility made itself heard in the revelations of testimonial discourse. In conversation with an eclectic constellation of theorists, Burrus interweaves her historical argument with theological, psychological, and ethical reflections. She proposes, finally, that early Christian texts may have much to teach us about the secrets of shame that lie at the heart of our capacity for humility, courage, and transformative love.

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The best wine and food pairings create harmony among unexpected flavors. Chardonnay, Riesling, and Merlot are classic pairing choices, but less conventional grape varieties like Albarino, Grenache, Gruner Veltliner, Malbec, and Tempranillo are becoming increasingly popular, coveted by those with curious palates and a taste for good value. In "Daring Pairings", the adventurous companion to the acclaimed "Perfect Pairings", Master Sommelier Evan Goldstein shows how anyone can bring these emerging, exciting varieties to the table. He ventures into wine's new frontiers, exploring the flavors and pairing potential of thirty-six distinctive grapes from around the world, including Argentina, Spain, Italy, Greece, and France. In his entertaining and approachable style, Goldstein offers advice on crafting unforgettable wine and food pairings, suggests wines for everyday and special occasions, and recommends producers and importers. Thirty-six star chefs present recipes specially tailored to Goldstein's wine selections, and full-color photographs display these dishes in delectable splendor. This authoritative, down-to-earth guide reveals that pairing food and wine is no great mystery - anyone willing to explore or experiment can create bold and memorable combinations. It comes with recipes and commentary from: Nate Appleman, Dan Barber, Ben Barker, Paul Bartolotta, Michelle Bernstein, Floyd Cardoz, Robert Del Grande, Tom Douglas, Suzanne Goin, Joyce Goldstein, Christopher Gross, Fergus Henderson, Gerald Hirigoyen, Philippe Jeanty, Douglas Keane, Hubert Keller, Loretta Keller, David Kinch, Evan Kleiman, Mourad Lahlou, Michael Leviton, Emily Luchetti, Laurent Manrique, Lachlan M. Patterson, Cindy Pawlcyn, Anne S. Quatrano, Michael Romano, Susan Spicer, Frank Stitt, Craig Stoll, Ethan Stowell, Charlie Trotter, Larry Tse, Richard Vellante, Vikram Vij, and, Kate Zuckerman.

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Pope Leo I’s theological and political influence in his own time (440-461) and beyond far outweighs the amount of attention he has received in recent scholarship. That influence extended well beyond Rome to the Christian East through his contribution to preparations for the Council of Chalcedon and its outcome. For this he was alternately praised and vilified by the opposing parties at the Council. Leo made his views known through letters, and a vast number of homilies. While so many of these survive, Leo and his works have not been the subject of a major English-language socio-historical study in over fifty years. In this brief introduction to the life and works of this important leader of the early church, we gain a more accurate picture of the circumstances and pressures which were brought to bear on his pontificate. A brief introduction surveys the scanty sources which document Leo’s early life, and sets his pontificate in its historical context, as the Western Roman Empire went into serious decline, and Rome lost its former status as the western capital. Annotated translations of various excerpts of Leo’s letters and homilies are organised around four themes dealing with specific aspects of Leo’s activity as bishop of Rome: Leo as spiritual adviser on the life of the faithful Leo as opponent of heresy the bishop of Rome as civic and ecclesiastical administrator Leo and the primacy of Rome. Taking each of these key elements of Leo’s pontifical activities into account, we gain a more balanced picture of the context and contribution of his best-known writings on Christology. This volume offers an affordable introduction to the subject for both teachers and students of ancient and medieval Christianity.

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One morning while reading Barron's, Kara Newman took note of a casual bit of advice offered by famed commodities trader Jim Rogers. "Buy breakfast," he told investors, referring to the increasing value of pork belly and frozen orange juice futures. The statement inspired Newman to take a closer look at agricultural commodities, from the iconic pork belly to the obscure peppercorn and nutmeg. The results of her investigation, recorded in this fascinating history, show how contracts listed on the Chicago Mercantile Exchange can read like a menu and how market behavior can dictate global economic and culinary practice. The Secret Financial Life of Food reveals the economic pathways that connect food to consumer, unlocking the mysteries behind culinary trends, grocery pricing, and restaurant dining. Newman travels back to the markets of ancient Rome and medieval Europe, where vendors first distinguished between "spot sales" and "sales for delivery." She retraces the storied spice routes of Asia and recounts the spice craze that prompted Christopher Columbus's journey to North America, linking these developments to modern-day India's bustling peppercorn market. Newman centers her history on the transformation of corn into a ubiquitous commodity and uses oats, wheat, and rye to recast America's westward expansion and the Industrial Revolution. She discusses the effects of such mega-corporations as Starbucks and McDonalds on futures markets and considers burgeoning markets, particularly "super soybeans," which could scramble the landscape of food finance. The ingredients of American power and culture, and the making of the modern world, can be found in the history of food commodities exchange, and Newman connects this unconventional story to the how and why of what we eat.

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In London in 1770 Georg Christoph Lichtenberg (1742–1799) remarked, ‘What a work could be written on Shakespeare, Hogarth and Garrick! There is something similar in the genius of all three.’ Two-and-a-half centuries on, Robin Simon’s highly original and illuminating book takes up the challenge.William Hogarth (1697–1764) and David Garrick (1717–1779) closely associated themselves with Shakespeare, embodying a relationship between plays, painting and performance that had been understood since Antiquity and which shaped the rules for history painting drawn up by the Académie royale in Paris in the seventeenth century.History painting was considered the highest form of art: a picture illustrating a moment drawn from just a few lines in a revered text. Hogarth’s David Garrick as Richard III (1745) transformed those ideas because, although it looked like a history painting, it was also a portrait of an actor in performance. With it, Hogarth established the genre of theatrical portraiture, a new and distinctively British kind ofhistory painting.This book offers a fresh examination of theatrical portraits through close analysis of the pictures and of the texts used in performance. It also examines the central role of the theatre in British culture, while highlighting the significance of Shakespeare, Hogarth and Garrick in the European Enlightenment and the rise of Romanticism. In this context another trio of genius features prominently: Lichtenberg, GottholdEphraim Lessing and Denis Diderot.Familiar paintings and performances are seen in an entirely new light, while unfamiliar pictures are also introduced, including major paintings and drawings that have never been published.The final chapter shows that the inter-relationship between plays, painting and performance survived into the age of cinema, revealing the pictorial sources of Laurence Olivier’s legendary film Richard III.

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Deep within the wildwood lies a place of myth and mystery, from which few return, and of those few, none remain unchanged.Ryhope Wood may look like a three-mile-square fenced-in wood in rural Herefordshire on the outside, but inside, it is a primeval, intricate labyrinth of trees, impossibly huge, unforgettable ... and stronger than time itself.Stephen Huxley has already lost his father to the mysteries of Ryhope Wood. On his return from the Second World War, he finds his brother, Christopher, is also in thrall to the mysterious wood, wherein lies a realm where mythic archetypes grow flesh and blood, where love and beauty haunt your dreams, and in promises of freedom lies the sanctuary of insanity ...Readers love Mythago Wood:'6.0 stars. This book is a MASTERPIECE and will likely be on my list of "All Time Favourite" novels before too long' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Blimey, what a book! Genuine classic of mythological fiction.' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'An imaginative masterpiece has broken the boundaries of fantasy genre. In Mythagowood Myths manifest from characters's unfathomable desires. The mysterious forest which the protagonists are obsessed with is an original concept of legends, it rooted in subconscious mind arouses overwhelming power of human minds'. Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'To attempt to write a straightforward synopsis of Mythago Wood itself is almost to lose the very essence of the novel, to break away from the ethereal feeling which transcends the book.' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'I've seldomly read a book that is so rich and enthralling in its descriptions and really draws me into the mythical woods, where time flows differently, where your subconscious can conjure up archetypes and these can infringe upon your very real life outside of the forest.' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐

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'He does write beautifully, especially of his greatest love - our wild birds ... On The Marsh is a delightful read.' Christopher Hart, Daily MailHow the rewilding of eight acres of Norfolk marshland inspired a family and brought nature even closer to home. When writer Simon Barnes heard a Cetti's warbler sing out as he turned up to look at a house for sale, he knew immediately that he had found his new home. The fact that his garden backed onto an area of marshy land only increased the possibilities, but there was always the fear that it might end up in the wrong hands and be lost to development or intensive farming. His wife saw through the delicate negotiations for the purchase. Once they'd bought it, they began to manage it as a conservation area, working with the Wildlife Trust to ensure it became as appealing as possible to all species. For their son Eddie, who has Down's syndrome, it became a place of calm and inspiration. In On The Marsh, we see how nature can always bring surprises, and share in the triumphs as new animals - Chinese water deer, otters and hedgehogs - arrive, and watch as the number of species of bird tops 100 and keeps on growing. As the seasons go by, there are moments of triumph when not one but two marsh harrier families use the marsh as a hunting ground, but also disappointments as chemical run-off from neighbouring farmland creates a nettles monoculture in newly turned earth. For anyone who enjoyed books such as Meadowland and Wilding, or the writing of Stephen Moss, Roger Deakin or Adam Nicolson, this is a vivid and beautifully written account of the wonders that can sometimes be found on our doorsteps, and how nature can transform us all.

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This monograph considers not so much the moments, thoughts, speculations with which the so-called 'Cappadocian Fathers' agreed and proposed a unified doctrine, but the points and moments, the doctrines in which they disagreed. Thus, it is not a new book on the Cappadocian Fathers considered as a unity, which surely would have come to a huge dimension, but asks the question: Is it possible to speak of agreement and, at the same time, of differentiation between these Fathers? Is it useful to change, at least in part, an established opinion, that of the 'Cappadocian theology'? The examination of the various problems leads to an affirmative answer. Concordia discors might be the true sense. So far, studies have mostly focused on the religious aspects and have shown little or no interest in the Cappadocians’ output as literature. Cultivated people with a background in paideia, which was the same as for non-Christian writers, these Fathers wished to have access to the literary forms that were most useful for their didactic activities (homilies), or also rhetorical use (epistolography or poetry): thus, literary activity should not be considered as extraneous to their speculative thought. Their interest in philosophy can be traced to their openness to pagan paideia, which had a long tradition in Christianity. Another question that arises is the need to clarify who exactly the ‘Cappadocian Fathers’ were. Naturally, Amphilochius, due to his relations with Basil and Gregory of Nazianzus, but as it is justified by the similarities of many doctrines and by his biography, also Evagrius Ponticus, even though his personal affairs and the end of his life place him more within Egyptian rather than Cappadocian monasticism. A sketch of the Cappadocian’s Nachleben in the West, with a provisional edition of a Latin translation (6th century) of some Gregory of Nazianzus’ homilies and Christological epistles concludes the volume.

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'A masterful storyteller with an intricate knowledge of his subject.' The Daily Telegraph 'Alan Judd knows more about the secret world than any other writer living. To have him turn his expert eye on the world of Christopher Marlowe – and on Francis Walsingham, the Elizabethan George Smiley – is a special kind of literary treat.' Mick Herron‘Absolutely spellbinding. I gobbled it up in two days and could not stop' Miranda Seymour Danger and dissent stalk the streets and taverns of Elizabethan England. The Queen’s chief spymaster, Francis Walsingham, and his team of agents must maintain the highest levels of vigilance to ward off Catholic plots and the ever-present threat of invasion. One operative in particular - a young Cambridge undergraduate of humble origins, controversial beliefs and literary genius who goes by the name of Kit Marlowe - is relentless in his pursuit of intelligence for the Crown. When he is killed outside an inn in Deptford, his mysterious death becomes the subject of rumours and suspicion that are never satisfactorily resolved. Years later, Thomas Phelippes, a former colleague of Marlowe’s and a man once much valued by Walsingham, finds himself imprisoned in the Tower. When he is visited by an emissary of the new king, however, it becomes clear that his long fall from favour may be reversed if he will furnish his monarch with every detail he is able to recall about his murdered friend’s life and death. But just what is it that so fascinates King James about the famously mercurial playwright-spy, and does Phelippes know enough to secure his own redemption? Virtuosic, gripping and meticulously researched, award-winning writer Alan Judd turns is at the peak of his powers in this remarkable novel about a literary genius whose short-life and violent death composed one of the most fascinating unresolved mysteries of all time.

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Traditional jazz studies have tended to see jazz in purely musical terms, as a series of changes in rhythm, tonality, and harmony, or as a parade of great players. But jazz has also entered the cultural mix through its significant impact on novelists, filmmakers, dancers, painters, biographers, and photographers. Representing Jazz explores the "other" history of jazz created by these artists, a history that tells us as much about the meaning of the music as do the many books that narrate the lives of musicians or describe their recordings. Krin Gabbard has gathered essays by distinguished writers from a variety of fields. They provide engaging analyses of films such as Round Midnight, Bird, Mo’ Better Blues, Cabin in the Sky, and Jammin’ the Blues; the writings of Eudora Welty and Dorothy Baker; the careers of the great lindy hoppers of the 1930s and 1940s; Mura Dehn’s extraordinary documentary on jazz dance; the jazz photography of William Claxton; painters of the New York School; the traditions of jazz autobiography; and the art of "vocalese." The contributors to this volume assess the influence of extramusical sources on our knowledge of jazz and suggest that the living contexts of the music must be considered if a more sophisticated jazz scholarship is ever to evolve. Transcending the familiar patterns of jazz history and criticism, Representing Jazz looks at how the music actually has been heard and felt at different levels of American culture. With its companion anthology, Jazz Among the Discourses, this volume will enrich and transform the literature of jazz studies. Its provocative essays will interest both aficionados and potential jazz fans.Contributors. Karen Backstein, Leland H. Chambers, Robert P. Crease, Krin Gabbard, Frederick Garber, Barry K. Grant, Mona Hadler, Christopher Harlos, Michael Jarrett, Adam Knee, Arthur Knight, James Naremore

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Steven Leiber was a pioneering San Francisco art dealer, collector and gallerist who specialized in the dematerialized art practices of the 1960s and 1970s and the ephemera and documentation spawned by conceptual art and other postwar movements. To sell this material, Leiber produced a series of 52 iconic catalogues between 1992 and 2010. Far from your ordinary dealer catalog, Leiber's catalogs paid homage to the kind of historic printed matter that he bought and sold, mimicking iconic publications like Wallace Berman's Semina journal and the exhibition catalog for Documenta V (1972). Leiber's reputation spread via these unique volumes, which included works by John Baldessari, Lynda Benglis, Ray Johnson, Lucy Lippard, Allan Kaprow, Yayoi Kusama, Claes Oldenburg, Ed Ruscha, Lawrence Weiner and many more. Across 252 pages, this book documents the full set of 52 dealer catalogs produced by Steven Leiber between 1992 and 2010. Inspired by Leiber's often humorous borrowing for his catalog designs, the book's format references Sol Lewitt's Autobiography and includes an essay and contextual notes by SFMOMA Head Librarian David Senior. Additional contributors include Ann Butler, Christophe Cherix, Marc Fischer, Tom Patchett, David Platzker, Marcia Reed, Lawrence Rinder and Robin Wright. Steven Leiber (1957 2012) began to buy and sell ephemera while working as a private dealer selling prints, drawings and multiples in the early 1980s. Scrupulously organized and cataloged, Leiber's collection housed in his grandmother's basement became an important resource for scholars, curators and other enthusiasts. The collection included the work of some 1,000 artists and represented basically every major movement within late 20th-century avant-garde practice, including Fluxus, conceptual art, land art, mail art, performance and video.

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Though little known, the name of the judge Roland Freisler is inextricably linked to the judiciary in Nazi Germany. As well as serving as the State Secretary of the Reich Ministry of Justice, he was the notorious president of the People s Court , a man directly responsible for more than 2,200 death sentences; with almost no exceptions, cases in the People s Court had predetermined guilty verdicts. It was Freisler, for example, who tried three activists of the White Rose resistance movement in February 1943\. Along with Christoph Probst, Sophie and Hans Scholl were arrested for their part in an anonymous leaflet and graffiti campaign which called for active opposition against the Nazi regime. Found guilty of treason, Freisler sentenced the trio to death by beheading; a sentence carried out the same day by guillotine. In August 1944, Freisler played a central role in the show trials that followed the failed attempt to assassinate Adolf Hitler on 20 July that year a plot known more commonly as Operation Valkyrie. Many of the ringleaders were tried by Freisler in the People s Court . The proceedings were filmed, the intention being to use the images as propaganda in newsreels. Freisler could be seen alternating between clinical interrogations of the defendants through to his yelling of personalized and theatrically enraged abuse at them from the bench. Nearly all of those found guilty were sentenced to death by hanging, the sentences being carried out within two hours of the verdicts being passed. Roland Freisler s mastery of legal texts and dramatic court-room verbal dexterity made him the most feared judge in the Third Reich. In this in-depth examination, Helmut Ortner not only investigates the development and judgments of the Nazi tribunal, but the career of Freisler, a man who was killed in February 1945 during an Allied air raid.

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LONGLISTED FOR THE ORWELL PRIZE 2018 NEW STATESMAN BOOKS OF THE YEAR 2017'The kind of vision the world needs right now...Pankaj Mishra shouldn't stop thinking' Christopher de Bellaigue, Financial Times'This is the most astonishing, convincing, and disturbing book I've read in years' Joe Sacco'Urgent, profound and extraordinarily timely' John BanvilleHow can we explain the origins of the great wave of paranoid hatreds that seem inescapable in our close-knit world - from American 'shooters' and ISIS to Trump, from a rise in vengeful nationalism across the world to racism and misogyny on social media? In Age of Anger, Pankaj Mishra answers our bewilderment by casting his gaze back to the eighteenth century, before leading us to the present.He shows that as the world became modern those who were unable to fulfil its promises - freedom, stability and prosperity - were increasingly susceptible to demagogues. The many who came late to this new world or were left, or pushed, behind, reacted in horrifyingly similar ways: intense hatred of invented enemies, attempts to re-create an imaginary golden age, and self-empowerment through spectacular violence. It was from among the ranks of the disaffected that the militants of the 19th century arose - angry young men who became cultural nationalists in Germany, messianic revolutionaries in Russia, bellicose chauvinists in Italy, and anarchist terrorists internationally.Today, just as then, the wider embrace of mass politics, technology, and the pursuit of wealth and individualism has cast many more millions adrift in a literally demoralized world, uprooted from tradition but still far from modernity - with the same terrible resultsMaking startling connections and comparisons, Age of Anger is a book of immense urgency and profound argument. It is a history of our present predicament unlike any other.

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On 11 October 1492 the sun set on a clear Atlantic Ocean horizon and the night was cloudless with a late rising moon. As the lookouts high in the riggings of Christopher Columbus three ships strained their eyes into the golden light of the moon, near two o clock in the morning the watchman on the Pinta shouted out, Land, land igniting the era of exploration to the New World. The Age of Discovery became an epic adventure sweeping across the continent of North America, as the trailblazers dared to challenge the unknown wilderness to advance mankind s knowledge of the world. _Explorers Discovering North America_ traces the history of the discovery, exploration and settlement of the western hemisphere through the comprehensive biographies of fourteen explorers, who had the courage and inquisitiveness to search the limits of the world. The book features many famous adventurers including Hernan Cortes whose victorious battles against the Aztecs conquered Mexico for Spain, Henry Hudson s sea voyages in search of the Northwest Passage led to the colonization of New York and exploration of the Hudson Bay in Canada, while Meriwether Lewis journey across the Louisiana Purchase began the mass migration of settlers to western America. Among the lesser known explorers discussed in the work are Vitus Bering whose discovery of Alaska established Russia s claim to the region and Alexander Mackenzie s 107-day trek across western Canada that opened the frontier to settlement, commerce and development of its natural resources. From Columbus to Lewis the exploration of the New World became one of humankind s greatest quests that altered history forever.

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In the political landscape emerging from the end of the Cold War, making U.S. foreign policy has become more difficult, due in part to less clarity and consensus about threats and interests. In After the End James M. Scott brings together a group of scholars to explore the changing international situation since 1991 and to examine the characteristics and patterns of policy making that are emerging in response to a post–Cold War world.These essays examine the recent efforts of U.S. policymakers to recast the roles, interests, and purposes of the United States both at home and abroad in a political environment where policy making has become increasingly decentralized and democratized. The contributors suggest that foreign policy leadership has shifted from White House and executive branch dominance to an expanded group of actors that includes the president, Congress, the foreign policy bureaucracy, interest groups, the media, and the public. The volume includes case studies that focus on China, Russia, Bosnia, Somalia, democracy promotion, foreign aid, and NAFTA. Together, these chapters describe how policy making after 1991 compares to that of other periods and suggest how foreign policy will develop in the future. This collection provides a broad, balanced evaluation of U.S. foreign policy making in the post–Cold War setting for scholars, teachers, and students of U.S. foreign policy, political science, history, and international studies.Contributors. Ralph G. Carter, Richard Clark, A. Lane Crothers, I. M. Destler, Ole R. Holsti, Steven W. Hook, Christopher M. Jones, James M. McCormick, Jerel Rosati, Jeremy Rosner, John T. Rourke, Renee G. Scherlen, Peter J. Schraeder, James M. Scott, Jennifer Sterling-Folker, Rick Travis, Stephen Twing

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David Bentley Hart offers an intense and thorough reflection upon the issue of the supernatural in Christian theology and doctrine. In recent years, the theological—and, more specifically, Roman Catholic—question of the supernatural has made an astonishing return from seeming oblivion. David Bentley Hart’s You Are Gods presents a series of meditations on the vexed theological question of the relation of nature and supernature. In its merely controversial aspect, the book is intended most directly as a rejection of a certain Thomistic construal of that relation, as well as an argument in favor of a model of nature and supernature at once more Eastern and patristic, and also more in keeping with the healthier currents of mediaeval and modern Catholic thought. In its more constructive and confessedly radical aspects, the book makes a vigorous case for the all-but-complete eradication of every qualitative, ontological, or logical distinction between the natural and the supernatural in the life of spiritual creatures. It advances a radically monistic vision of Christian metaphysics but does so wholly on the basis of credal orthodoxy. Hart, one of the most widely read theologians in America today, presents a bold gesture of resistance to the recent revival of what used to be called “two-tier Thomism,” especially in the Anglophone theological world. In this astute exercise in classical Christian orthodoxy, Hart takes the metaphysics of participation, high Trinitarianism, Christology, and the soteriological language of theosis to their inevitable logical conclusions. You Are Gods will provoke many readers interested in theological metaphysics. The book also offers a vision of Christian thought that draws on traditions (such as Vedanta) from which Christian philosophers and theologians, biblical scholars, and religious studies scholars still have a great deal to learn.

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'I COULD NOT put this down! So, so, so tense.' Angela Clarke, Sunday Times bestseller'OMG WHAT A BOOK!!!!!' A must read and an easy five stars' ***** Goodreads reviewerPatricia Cornwell called J.S. Law's debut 'addictively readable' and now Lieutenant Dani Lewis returns in a gripping new thriller that fans of M.J. Arlidge and Elly Griffiths will love. A savage murderer taunts the police from his cell.Naval investigator Dani Lewis made her name by catching serial killer Christopher Hamilton, a master of manipulation who now lives to toy with the police. But when a stranger viciously attacks Dani, she fears Hamilton has one twisted game left to play.As the case spirals out of control, Dani realises Hamilton's deadly grip reaches deeper than she ever knew. With her sanity and family in peril, Dani has no choice but to confront pure evil - even if it drags up the darkest secrets of the past.WHY READERS ARE HOOKED ON THE LIEUTENANT DANI LEWIS SERIES:'I've LOVED this series so far but The Coldest Blood is by far the best...Fantastic.Highly Recommended.' ***** Goodreads Reviewer'I devoured this book...a must read and an easy five stars.' ***** Goodreads Reviewer'A highly enjoyable, fast paced drama...keeps you gripped from beginning to end.' ***** Goodreads ReviewerPRAISE FOR J.S. LAW:'J.S. Law's taut crime novel oozes authenticity. I read this in a day and can't wait for the next in what will undoubtedly be an explosive series' Clare Mackintosh, number one bestseller'An impressive debut...gripping, entertaining reading' The Times'Addictively readable, and memories of it linger like dreams' Patricia Cornwell

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When Owl’s house is blown down in a blusterous storm there’s only one Small Animal who can save the day. This story first appeared in A.A.Milne’s The House at Pooh Corner, accompanied by E.H.Shepard’s original, iconic decorations. Classic Winnie-the-Pooh Story Piglet Does a Very Grand Thing – With The Original Text By A.A.Milne And Decorations By E.H.Shepard It’s A Timeless Gift For Fans Of All Ages. Collect The Range. When Owl’s house is blown down in a blusterous storm there’s only one Small Animal who can save the day. This story first appeared in A.A.Milne’s The House at Pooh Corner. This book is all the more special due to E.H.Shepard’s decorations, which are shown in full, glorious colour. They contributed to him being known as ‘the man who drew Pooh’. Look out for all the titles in the collection: Winnie-the-Pooh and the Wrong Bees Winnie-the-Pooh: Pooh Goes Visiting Winnie-the-Pooh: Piglet Meets a Heffalump Winnie-the-Pooh: Piglet Does a Very Grand Thing Winnie-the-Pooh: Eeyore Has a Birthday Winnie-the-Pooh: A House is Built for Eeyore Winnie-the-Pooh: Pooh Invents A New Game Winnie-the-Pooh: Eeyore Loses a Tail The nation’s favourite teddy bear has been delighting generations of children for over 95 years. Milne’s classic children’s stories – featuring Piglet, Eeyore, Christopher Robin and, of course, Pooh himself – are gently humorous while teaching lessons about friendship and kindness. Pooh ranks alongside other beloved character such as Paddington Bear, and Peter Rabbit as an essential part of our literary heritage. Whether you’re 5 or 55, Pooh is the bear for all ages.

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How should Christians read the Old Testament today? Answers to this question gravitate between two poles. On the one hand, some pay little attention to the gap between the Old Testament and today, reading the Old Testament like a devotional allegory that points the Christian directly to Jesus. On the other hand, there are folks who prioritize an Old Testament passage's original context to such an extent that it is by no means clear if and how a given Old Testament text might bear witness to Christ and address the church.This volume is a tribute to Willem A. VanGemeren, an ecclesial scholar who operated amidst the tension between understanding texts in their original context and their theological witness to Christ and the church. The contributors in this volume share a conviction that Christians must read the Old Testament with a theological concern for how it bears witness to Christ and nourishes the church, while not undermining the basic principles of exegesis.Two questions drive these essays as they address the topic of reading the Old Testament theologically. Christology. If the Old Testament bears witness to Christ, how do we move from an Old Testament text, theme, or book to Christ? Ecclesiology. If the Old Testament is meant to nourish the church, how do scriptures originally given to Israel address the church today? The volume unfolds by first considering exegetical habits that are essential for interpreting the Old Testament theologically. Then several essays wrestle with how topics from select Old Testament books can be read theologically. Finally, it concludes by addressing several communal matters that arise when reading the Old Testament theologically.

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Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations--historical, cultural, and political--that forged them. The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionnaire reveal much about his formative tastes in the arts and the way he experienced the creative process. His previously unknown letters to Stalin shed new light on Shostakovich's position within the Soviet artistic elite. The essays delve into neglected aspects of Shostakovich's formidable legacy. Simon Morrison provides an in-depth examination of the choreography, costumes, decor, and music of his ballet The Bolt and Gerard McBurney of the musical references, parodies, and quotations in his operetta Moscow, Cheryomushki. David Fanning looks at Shostakovich's activities as a pedagogue and the mark they left on his students' and his own music. Peter J. Schmelz explores the composer's late-period adoption of twelve-tone writing in the context of the distinctively "Soviet" practice of serialism. Other contributors include Caryl Emerson, Christopher H. Gibbs, Levon Hakobian, Leonid Maximenkov, and Rosa Sadykhova. In a provocative concluding essay, Leon Botstein reflects on the different ways listeners approach the music of Shostakovich.

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Für die Interpretation der johanneischen Schriften galt seit Bultmann ein tiefgreifender Dualismus als bestimmende Kategorie. Dieser wurde religionsgeschichtlich entweder aus gnostischen oder aus frühjüdisch-qumranischen Kreisen hergeleitet. Enno Edzard Popkes arbeitet demgegenüber exegetisch heraus, daß das Netzwerk der vielfältigen Aussagen über die Liebe Gottes zur Welt, Jesu zu den Jüngern oder der Jünger untereinander die Tragweite der dualistischen Aussagen einschränkt und einen anderen Schlüssel zum Verständnis sowohl der Johannesbriefe als auch des Johannesevangeliums bietet. Der Autor erstellt eine ausführliche Analyse aller durch dualistische und liebessemantische Motive geprägten Texte der johanneischen Schriften und stützt das erhobene Verständnis durch sorgfältige religionsgeschichtliche Vergleiche ab. So zeigt sich die "Theologie der Liebe Gottes" im ersten Johannesbrief und die narrativ ausgestaltete "dramaturgische Christologie der Liebe Gottes" im Johannesevangelium, durch die deutlich wird, inwiefern das Leben und der Tod Jesu in österlicher Perspektive als ein Geschehen der Liebe Gottes verstanden werden können.

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Containing the complete and annotated texts of six pamphlets written between 1609 and 1620, "Custome Is an Idiot" makes an invaluable contribution to the scholarship on early modern British cultural history, specifically on competing opinions about the role of women in society. During the early seventeenth century a fierce debate raged in British intellectual society regarding the role of women, how much is ordained by God, and how much is merely custom. The pamphlets that circulated at the time reveal a great deal about the terms of the debate, and these six constitute a significant body of primary literature, allowing the contending voices to be heard anew. Included here are two pamphlets about gossips by Samuel Rowlands, William Heale's treatise against wife-beating, Christopher Newstead's argument for the superiority of women, and Hic Mulier and Haec Vir, two pamphlets that address the theme of cross-dressing. Introductions by Susan Gushee O'Malley place each pamphlet in a wider context, and detailed annotations shed light on the individual texts.

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Over the centuries South London has witnessed literally thousands of murders: those included within the pages of this book have shocked, fascinated and enthralled the public and commentators for generations. Some of them were milestones in the annals of crime detection sucha s those in which fingerprinting and DNA testing were used for the first time. Well-remembered crimes are featured alongside those that have been forgotten for centuries - from St Alphege's murder in Greenwich in the eleventh century, to the seedy murder of Christopher Marlowe, playwright and secret agent, in Deptford in the late sixteenth century, and from the murders of Lambeth prostitutes by a crazed hospital doctor at around the same time as Jack the Ripper, to Croydon's notorious Craig and Bentley case in 1952. Based on original documents, trial and inquest transcripts, personal stories and contemporary newspaper reports, as well as visits to the crime scenes today, South London Murders in a study of cases that have shocked both capital and country.

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How the actions of a few in Europe destroyed the prosperity of the many (and how it's happening again now in America) After the fall of the Roman Empire, vicious barbaric tribes including the Hunds lead by Atilla, the Mongols, Charlemagne and the Vikings invaded Europe, plundering property and destroying homes. But, they didn't just steal and destroy property in the villages; they also stole and destroyed any prosperity the villagers had previously enjoyed. What's worse is the barbarians of the Dark Ages did all of this not out of any deeply held religious or political belief, but, rather, for the oldest reason in the book – their own personal financial gain. Some things never change. Barbarians of Wealth examines how the greedy, self-serving decisions of a select group of politicians and financial institutions negatively impacts the economy and, ultimately, destroys America's prosperity and the American way of life. Compelling and engaging, the book Details how Goldman Sachs peddled mortgage backed securities up and down Wall Street while secretly betting against their demise Discusses how Sanford Weill, founder of Citigroup spent $100 million lobbying for the repeal of the Glass-Steagall Act that prevented the merger of commercial and investment banks and got his way. Examines Christopher Dodd, head of the U.S. Senate Banking Committee, has enriched himself while driving down the prosperity of his constituents Offers up examples of other modern barbarians, including the Federal Reserve, Alan Greenspan, Hank Paulson, and Timothy Geithner. Highlights greed driven tactics of Wall Street corporations including JP Morgan, Merrill Lynch, and Salomon Brothers. Barbarians of Wealth is a timely must read for hard-working Americans concerned with their prosperity, as well as for those fascinated with the inner workings of Washington and Wall Street.

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Julian Künstler comes from New York City to L.A. like many a lost twenty-something: to find a job writing in the entertainment industry. But this is 2020 and his temporary visit turns into an extended stay, trapped by the lockdown in a little house in Venice with his glamorous, eccentric, and ancient grandmother. Ninety-three-years old, Mamie came to Los Angeles from Vienna at eleven with her parents in 1939 among a wave of Jewish musicians, directors, and intellectuals escaping Hitler. As the months roll on, she begins to tell Julian her stories of the eminent emigres she’s known and the magical world they inhabited as their old world was destroyed - people like Arnold Schoenberg, Christopher Isherwood, and Greta Garbo. Not quite all her stories, however. The pandemic isolates Julian from his world, but from Mamie he learns of the world that came before him and how much the past holds of the future. A tender, sharply wrought comic novel about exile, the power of stories handed down and handed on, and the power of stories held secretly in the heart.

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If the sky was the limit, what would you do to become the best educator that you can be? In 2016, Ollie Lovell asked himself this same question, and concluded that asking the world’s foremost leaders in education what they do would be a great place to start.And so he did just that. Over the past five years, Ollie has spoken to sixty of the world’s most prominent teachers, leaders, and education researchers. With guests including John Hattie, Tom Sherrington, Anita Archer, Dylan Wiliam, Jim Knight, Judith Hochman, Jay McTighe, Tom Bennett, Daisy Christodoulou, Bill Rogers, Daniel Willingham, and many more, Ollie digs deep to work out what works in education, and what doesn’t. This book aims to share those insights with you. It summarises the most useful techniques, tactics and mental models from these sixty conversations, and presents them in a clear, practical, and actionable form for you to start improving your teaching and learning from the first page. Tools for Teachers will help you to teach, lead, and learn like the world’s best educators.

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We no longer inhabit a world governed by international coordination, a unified NATO bloc, or an American hegemon. Traditionally, the decline of one empire leads to a restoration in the balance of power, via a struggle among rival systems of order. Yet this dynamic is surprisingly absent today; instead, the superpowers have all, at times, sought to promote what Jason Pack terms the 'Enduring Disorder'. He contends that Libya's ongoing conflict--more so than the civil wars in Yemen, Syria, Venezuela or Ukraine--constitutes the ideal microcosm in which to identify the salient features of this new era of geopolitics. The country's post-Qadhafi trajectory has been moulded by the stark absence of coherent international diplomacy; while Libya's incremental implosion has precipitated cross-border contagion, further corroding global institutions and international partnership. Pack draws on over two decades of research in and on Libya and Syria to highlight the Kafkaesque aspects of today's global affairs. He shows how even the threats posed by the Arab Spring, and the Benghazi assassination of US Ambassador J. Christopher Stevens, couldn't occasion a unified Western response. Rather, they have further undercut global collaboration, demonstrating the self-reinforcing nature of the progressively collapsing world order.

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In 1960, Japanese scholar of Chinese literature Takeuchi Yoshimi gave a pair of lectures titled “Asia as Method,” in which he considered how one might engage with Western theory from an East Asian perspective. Since then, it has been fashionable to use the “X as method” formulation to take what might have otherwise been an object of analysis and use it to elaborate an innovative methodology. Drawing inspiration from the numerous recent books and articles built around that formulation, contributors to this issue propose breaking the linkage between methodologies and objects or phenomena that inspired them and then applying them to a broader array of topics. Essays address the meanings that get left out in the process of translation, artistic representations of garbage, indigenous eco-fiction from Inner Mongolia, the role of cannibalism in a popular Hong Kong television series, and the implications of Taiwan legalizing same-sex marriage. The issue focuses on topics related to China in hopes of reassessing the assumptions that have come to define the concept of "China" and its relationship to the West. Contributors. Yomi Braester, Hsiao-hung Chang, Margaret Hillenbrand, Chun-kit Ko, Belinda Kong, Petrus Liu, Laikwan Pang, Christopher Rea, Carlos Rojas, Shuang Shen, Robin Visser, Lorraine Wong

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In this book, Mark Johnston argues that God needs to be saved not only from the distortions of the "undergraduate atheists" (Richard Dawkins, Christopher Hitchens, and Sam Harris) but, more importantly, from the idolatrous tendencies of religion itself. Each monotheistic religion has its characteristic ways of domesticating True Divinity, of taming God's demands so that they do not radically threaten our self-love and false righteousness. Turning the monotheistic critique of idolatry on the monotheisms themselves, Johnston shows that much in these traditions must be condemned as false and spiritually debilitating. A central claim of the book is that supernaturalism is idolatry. If this is right, everything changes; we cannot place our salvation in jeopardy by tying it essentially to the supernatural cosmologies of the ancient Near East. Remarkably, Johnston rehabilitates the ideas of the Fall and of salvation within a naturalistic framework; he then presents a conception of God that both resists idolatry and is wholly consistent with the deliverances of the natural sciences. Princeton University Press is publishing Saving God in conjunction with Johnston's forthcoming book Surviving Death, which takes up the crux of supernaturalist belief, namely, the belief in life after death.

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Volume 97 of Harvard Studies in Classical Philology is a special issue, entitled “Greece in Rome,” comprising revised versions of papers presented at a Loeb Classical Conference on the question of the Greek influence on Roman culture, with a particular though not exclusive emphasis on the Augustan period. The papers reflect the complexity of the relationship between the cultures involved—Greek, Roman, and Italic—and span many fields: history, literature, philosophy, linguistics, religion, and the visual arts.Contributors include: G. W. Bowersock, “The Barbarism of the Greeks”; John Scheid, “Graeco Ritu: A Typically Roman Way of Honoring the Gods”; Calvert Watkins, “Greece in Italy outside Rome”; Gisela Striker, “Cicero and Greek Philosophy”; Brad Inwood, “Seneca in His Philosophical Milieu”; Bettina Bergmann, “Greek Masterpieces and Roman Recreative Fictions”; Elaine K. Gazda, “Roman Sculpture and the Ethos of Emulation: Reconsidering Repetition”; Ann Kuttner, “Republican Rome Looks at Pergamon”; Cynthia Damon, “Greek Parasites and Roman Patronage”; Richard F. Thomas, “Vestigia Ruris: Urbane Rusticity in Virgil’s Georgics”; R. J. Tarrant, “Greek and Roman in Seneca’s Tragedies”; Christopher P. Jones, “Graia Pandetur ab Urbe”; Albert Henrichs, “Graecia Capta: Roman Views of Greek Culture”; and Sarolta A. Takács, “Alexandria in Rome.”

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An authoritative account of the life and work of Francis Poulenc, one of the most prolific and striking figures in twentieth-century classical music"An assured overview of Poulenc’s life and work."—Alex Ross, New Yorker“Essential reading for anyone interested in the French musical culture of Poulenc’s time. This is the biography the composer deserves.”—Christopher Dingle, BBC Music Magazine, Named one of the Best Books on Classical Music in 2020 by BBC Music Magazine Francis Poulenc is a key figure in twentieth-century classical music, as well as an unorthodox and striking individual. Roger Nichols draws upon Poulenc's music and other primary sources to write an authoritative life of this great artist. Although associated with five other French composers in what came to be called “Les Six”, Poulenc was very much sui generis in personality and in his music, where he excelled over a wide repertoire—opera, songs, ballet scores, chamber works, piano pieces, sacred and secular choral works, orchestral works and concertos. This book fully covers this wide range, while also describing the vicissitudes of Poulenc's life and the many important relationships he had with major figures such as Satie, Ravel, Stravinsky, Diaghilev, Cocteau and others.

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The meat-eating dinosaurs, or Theropoda, include some of the fiercest predators that ever lived. Some of the group's members survive to this day—as birds. The theropod/bird connection has been explored in several recent works, but this book presents 17 papers on a variety of other topics. It is organized into three parts. Part I explores morphological details that are important for understanding theropod systematics. Part II focuses on specific regions of theropod anatomy and biomechanics. Part III examines various lines of evidence that reveal something about theropods as living creatures.The contributors are Ronan Allain, Rinchen Barsbold, Kenneth Carpenter, Karen Cloward, Rodolfo A. Coria, Philip J. Currie, Peter M. Galton, Robert Gay, Donald M. Henderson, Dong Huang, James I. Kirkland, Yoshitsugu Kobayashi, Eva B. Koppelhus, Peter Larson, Junchang Lü, Lorrie A. McWhinney, Clifford Miles, Ralph E. Molnar, N. Murphy, John H. Ostrom, Gregory S. Paul, Licheng Qiu,J. Keith Rigby, Jr., Bruce Rothschild, Christopher B. Ruff, Leonardo Salgado, Frank Sanders, Julia T. Sankey, Judith A. Schiebout, David K. Smith, Barbara R. Standhardt, Kathy Stokosa, Darren H. Tanke, François Therrien, David Trexler, Kelly Wicks, Douglas G. Wolfe, and Lowell Wood.

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Die hier vereinten Beiträge, von denen mehr als ein Drittel unveröffentlicht und das Übrige verstreut publiziert war, schlagen die Brücke von theologischer Grundlagenbesinnung in weite Bereiche der Dogmatik. Nachdem die Lehre von Gott schon im zweiten Band den Schwerpunkte gebildet hatte, fällt nun auf Soteriologie und Ekklesiologie das Hauptgewicht. Dabei umfaßt "Soteriologie", dem Wortsinn gemäß, die Lehre von der Sünde und die Christologie ebenso wie auch Pneumatologie und Eschatologie. Die Ekklesiologie bildet einen besonderen Komplex. In ihm werden die Beziehungen zwischen dem Grundgeschehen von Kirche und ihren geschichtlich bedingten Lebensäußerungen bedacht. Die voranstehenden Beiträge zur Fundamentaltheologie sind für alle weiteren Aufsätze wegweisend. Mit dem Thema "Erfahrung" schlägt der erste Aufsatz den Grundton des Ganzen an. Dementsprechend rücken immer wieder die Probleme in den Brennpunkt, die durch die Neuzeit aufgebrochen sind. Für deren Behandlung ist charakteristisch, daß die vorherrschende Orientierung an Luther und Schleiermacher zu kritischer Offenheit für Grundfragen heutigen Denkens (in Anthropologie, Psychotherapie oder Politik) befähigt. So wird der Leser zu konzentriertem Mitdenken im theologischen Spannungsfeld überlieferter und gegenwärtiger Erfahrung eingeladen.

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"A design isn't dozens of little objects, or hungry-looking rectangular windowpanes: it is something that becomes a design by repeating, giving you something that a single pattern doesn't give you. " - (Phyllis Barron, Dartington 1964) During the 1920s and 1930s, Phyllis Barron (1890-1964) and Dorothy Larcher (1882-1952) were at the forefront of a revival in hand block-printing in Britain. As designer-makers they formed a unique partnership, producing innovative textiles and seeing the entire process through from beginning to end. Using whatever materials they could muster - fabric ranging from balloon cotton to prison sheets and velvet, and everyday items such as combs and car mats for printing - and pushing the boundaries of what could be achieved with predominantly natural dyes, these two remarkable women ran a successful business that lasted from 1923 until the outbreak of World War II. Nearly one hundred years on, another special collaboration between the Craft Studies Centre in Farnham, Christopher Farr Cloth and Ivo Prints, has brought a selection of Barron and Larcher's work back into production. The warm welcome they have received across the globe is a testament to the timeless quality of great design.

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'Impossible to read without smiling - escapist romantic comedy at its finest' Lauren Layne'Once you start reading, you won't be able to put it down' Lyssa Kay AdamsWhat happens when your love life becomes the talk of the town?As birthdays go, this year Everly Dean has hit rock bottom. If catching her boyfriend cheating with his assistant wasn't enough, Everly's rant about Simon the Snake, a.k.a. Cheating Ex, accidentally being broadcast live on the radio really sealed the deal... When public humiliation turns her into a viral sensation with a string of potential dates, and suddenly there's some serious chemistry with her cute but until now distant boss Chris, Everly - the woman who could win a gold medal in people-avoidance - is going to have to dig deep. They say fake it till you make it, and Everly's making a list: The Ten Rules for Faking It. Because sometimes making the rules can find you happiness when you least expect it.'This is a Hallmark movie in book form' Helen Hoang'A funny, sweet rom com from a fresh, sparkling new voice' Andie J. Christopher

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Writers' relationships with their surroundings are seldom straightforward. While some, like Jane Austen and Thomas Mann, wrote novels set where they were staying (Lyme Regis and Venice respectively), Victor Hugo penned Les Misérables in an attic in Guernsey and Noël Coward wrote that most English of plays, Blithe Spirit, in the Welsh holiday village of Portmeirion.Award-winning BBC drama producer Adrian Mourby follows his literary heroes around the world, exploring 50 places where great works of literature first saw the light of day. At each destination - from the Brontës' Yorkshire Moors to the New York of Truman Capote, Christopher Isherwood's Berlin to the now-legendary Edinburgh café where J.K. Rowling plotted Harry Potter's first adventures - Mourby explains what the writer was doing there and describes what the visitor can find today of that great moment in literature.Rooms of One's Own takes you on a literary journey from the British Isles to Paris, Berlin, New Orleans, New York and Bangkok and unearths the real-life places behind our best-loved works of literature.

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The conversation of this book is structured around five major documents from the Second Vatican Council, each of which Barth commented upon in his short but penetrating response to the Council, published as Ad Limina Apostolorum. In the two opening essays, Thomas Joseph White reflects upon the contribution that this book seeks to make to contem­porary ecumenism rooted in awareness of the value of dogmatic theol­ogy; and Matthew Levering explores the way in which Barth’s Ad Limina Apostolorum flows from his preconciliar dialogues with Catholic repre­sentatives of the nouvelle théologie and remain relevant to the issues facing Catholic theology today. The next two essays turn to Dei Verbum, the Dogmatic Constitution on Divine Revelation; here Katherine Sondereg­ger (Protestant) reflects on scripture and Lewis Ayres (Catholic) reflects on tradition. The next two essays address the Dogmatic Constitution on the Church, Lumen Gentium, which touches upon central differences of Cath­olic and Protestant self-understanding. Christoph Schwöbel (Protestant) analyzes visible ecclesial identity as conceived in a Protestant context, while Thomas Joseph White (Catholic) engages Barth’s Reformed crit­icisms of the Catholic notion of the Church. The next two essays take up Nostra Aetate: Bruce McCormack (Protestant) asks whether it is true to say that Muslims worship the same God as Christians, and Bruce D. Marshall (Catholic) explores the implications of the Council’s reflections on the Jewish people. The next two essays take up the Pastoral Constitu­tion on the Church in the Modern World, Gaudium et Spes: John Bowlin (Protestant) makes use of the thought of Aquinas to consider the prom­ise and perils of the document, while Francesca Aran Murphy (Catho­lic) engages critically with George Lindbeck’s analysis of the document. The next two essays explore Unitatis Redintegratio: Hans Boersma (Prot­estant) asks whether the ecumenical intention of the document is im­paired by its insistence that the unity of the Church is already present in the Catholic Church, and Reinhard Hütter (Catholic) systematically addresses Barth’s questions regarding the document. The noted ecumen­ist and Catholic theologian Richard Schenk brings the volume to a close by reflecting on “true and false ecumenism” in the post-conciliar period.

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Hans Memling’s altarpiece for the high altar of Santa María la Real in Nájera (1483-1494) must have been one of the most spectacular Flemish art works in the Iberian Peninsula. Only three panels survive in the Antwerp Royal Museum of Fine Arts : God surrounded by singing and music-making angels. The retable’s central theme was the mystery of the Assumption of the Blessed Virgin. The iconography of the whole has been described by Jovellanos at the end of the 18th century. From c. 1482 on, dozens of monumental altarpieces dedicated to the Assumption of the Virgin in conjunction with Christological themes have been created throughout Spain. They focus on the complex role of the Holy Virgin, her triumph and glorification. It was a common belief that she was the only human to have borne up bodily into heaven. Although ‘Maryam’ was held in very high esteem by Muslims too - and as such, she was a interreligious ‘bridge’ -, her role as Theotokos or Mother of God was a point of conflict. During the last phase of the Reconquista, to Iberian Christians, the Assumption served as an image of the Church/Faith Triumphant, not as a conciliatory belief. Paul Vandenbroeck has worked with the Collection Research Department of the Royal Museum of Fine Arts Antwerp from 1980 to 2018 and he has held a part-time professorship with the Anthropology Research Group IMMRC, Social Sciences Faculty of KU Leuven, since 2003. He is an art graduate from that same university and obtained his PhD in 1986. His main research interests are the oeuvre of Hieronymus Bosch, iconography of early modern art in the Low Countries, iconological questions regarding figurative and abstract art, North African domestic textile art, and topics on the interface between art and anthropology.

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After decades in which American popular culture dominated global media and markets, Japanese popular culture—primarily manga and anime, but also toys, card and video games, and fashion—has exploded into a worldwide phenomenon. From Pokémon and the Power Rangers to Paranoia Agent and Princess Mononoke, Japanese popular culture is consumed by an eager and exponentially increasing audience of youths, teenagers, and adults. Mechademia, a new annual edited by Frenchy Lunning, begins an innovative and fresh conversation among scholars, critics, and fans about the complexity of art forms like Superflat, manga, and anime. The inaugural volume, Mechademia 1 engages the rise of Japanese popular culture through game design, fashion, graphic design, commercial packaging, character creation, and fan culture. Promoting dynamic ways of thinking, along with state-of-the-art graphic design and a wealth of images, this cutting-edge work opens new doors between academia and fandom.The premiere issue features the interactive worlds that anime and manga have created, including the origins of cosplay (the manga and anime costume subculture), Superflat, forgotten images from a founding manga artist, video game interactivity, the nature of anime fandom in America, and the globalization of manga. Contributors: Anne Allison, Duke U; William L. Benzon; Christopher Bolton, Williams College; Vern L. Bullough, California State U, Northridge; Martha Cornog; Patrick Drazen; Marc Hairston; Mari Kotani; Thomas LaMarre; Antonia Levi, Portland State U; Thomas Looser, NYU; Susan Napier, U of Texas, Austin; Michelle Ollie; Timothy Perper; Sara Pocock; Brian Ruh; Takayuki Tatsumi, Keio U, Tokyo; Toshiya Ueno, Wako U, Tokyo; Theresa Winge, U of Northern Iowa; Mark J. P. Wolf, Concordia U; Wendy Siuyi Wong, York U.Frenchy Lunning is professor of liberal arts at the Minneapolis College of Art and Design.

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In Subjects of Advice, Ivan Lupić uncovers the rich interconnectedness of dramatic art and the culture of counsel in the early modern period. While counsel was an important form of practical knowledge, with concrete political consequences, it was also an ingrained cultural habit, a feature of obligatory mental, moral, and political hygiene. To be a Renaissance subject, Lupić claims, one had to reckon with the advice of others. Lupić examines this reckoning in a variety of sixteenth-century dramatic contexts. The result is an original account of the foundational role that counsel played in the development of Renaissance drama. Lupić begins by considering the figure of Thomas More, whose influential argument about counsel as a form of performance in Utopia set the agenda for the entire century. Resisting linear narratives and recovering, instead, the simultaneity of radically different kinds of dramatic experience, he shows the vitality of later dramatic engagements with More's legacy through an analysis of the moral interlude staged within Sir Thomas More, a play possibly coauthored by Shakespeare. More also helps explain the complex use of counsel in Senecan drama, from the neo-Latin plays of George Buchanan, discussed in connection with Buchanan's political writings, to the historical tragedies of the mid-sixteenth century. If tyranny and exemplarity are the keywords for early Elizabethan drama of counsel, for the plays of Christopher Marlowe it is friendship. Lupić considers Marlowe's interest in friendship and counsel, most notably in Edward II, alongside earlier dramatic treatments, thus exposing the pervasive fantasy of the ideal counselor as another self. Subjects of Advice concludes by placing King Lear in relation to its dramatic sources to demonstrate Shakespeare's deliberate dispersal of counsel throughout his play. Counsel's customary link to plain and fearless speech becomes in Shakespeare's hands a powerful instrument of poetic and dramatic expression.

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Tim Hartman's Theology after Colonization uses a comparative approach to examine two theologians, one from Europe and one from Africa, to gain insight into our contemporary theological situation. Hartman examines how the loss of cultural hegemony through rising pluralism and secularization has undermined the interconnection of the Christian faith with political power and how globalization undermined the expansive (and expanding) mindset of colonialization. Hartman engages Swiss-German theologian Karl Barth (1886–1968), whose work responded to the challenges of Christendom and the increasing secularization of Europe by articulating an early post-Christendom theology based on God's self-revelation in Jesus Christ, not on official institutional structures (including the church) or societal consensus. In a similar way, Ghanaian theologian Kwame Bediako (1945–2008) offered a post-colonial theology. He wrote from the perspective of the global South while the Christian faith was growing exponentially following the departure of Western missionaries from Africa. For Bediako, the infinite translatability of the gospel of Jesus Christ leads to the renewal of Christianity as a non-Western religion, not a product of colonialization. Many Western theologies find themselves unable to respond to increasing secularization and intensifying globalization because they are based on the very assumptions of uniformity and parochialism (sometimes called "orthodoxy") that are being challenged. Hartman claims Bediako and Barth can serve as helpful guides for contemporary theological reflection as the consensus surrounding this theological complex disintegrates further. Collectively, their work points the way toward contemporary theological reflection that is Christological, contextual, cultural, constructive, and collaborative. As one of the first books to examine the work of Bediako, this study will interest students and scholars of Christian theology, African studies, and postcolonial studies.

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One morning while reading Barron's, Kara Newman took note of a casual bit of advice offered by famed commodities trader Jim Rogers. "Buy breakfast," he told investors, referring to the increasing value of pork belly and frozen orange juice futures. The statement inspired Newman to take a closer look at agricultural commodities, from the iconic pork belly to the obscure peppercorn and nutmeg. The results of her investigation, recorded in this fascinating history, show how contracts listed on the Chicago Mercantile Exchange can read like a menu and how market behavior can dictate global economic and culinary practice. The Secret Financial Life of Food reveals the economic pathways that connect food to consumer, unlocking the mysteries behind culinary trends, grocery pricing, and restaurant dining. Newman travels back to the markets of ancient Rome and medieval Europe, where vendors first distinguished between "spot sales" and "sales for delivery." She retraces the storied spice routes of Asia and recounts the spice craze that prompted Christopher Columbus's journey to North America, linking these developments to modern-day India's bustling peppercorn market. Newman centers her history on the transformation of corn into a ubiquitous commodity and uses oats, wheat, and rye to recast America's westward expansion and the Industrial Revolution. She discusses the effects of such mega-corporations as Starbucks and McDonalds on futures markets and considers burgeoning markets, particularly "super soybeans," which could scramble the landscape of food finance. The ingredients of American power and culture, and the making of the modern world, can be found in the history of food commodities exchange, and Newman connects this unconventional story to the how and why of what we eat.

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The official behind-the-scenes art book for Sony Pictures Animation’s feature film The Mitchells vs. The Machines The Mitchells vs. The Machines is a comedy about an everyday family's struggle to relate while technology rises up around the world! When Katie Mitchell, a creative outsider, is accepted into the film school of her dreams, her plans to meet “her people” at college are upended when her nature-loving dad Rick determines the whole family should drive Katie to school together and bond as a family one last time. Katie and Rick are joined by the rest of the family, including Katie’s wildly positive mom Linda, her quirky little brother Aaron, and the family’s delightfully chubby pug Monchi for the ultimate family road trip. Suddenly, the Mitchells’ plans are interrupted by a tech uprising: All around the world, the electronic devices people love—from phones to appliances to an innovative new line of personal robots—decide it’s time to take over. With the help of two friendly malfunctioning robots, the Mitchells will have to get past their problems and work together to save each other and the world! The Art of The Mitchells vs. The Machines gives insight into how the filmmakers were able to bring this fresh, new vision to the screen through concept art, sketches, and early character designs, accompanied by exclusive commentary from director/co-writer Michael Rianda and co-director/co-writer Jeff Rowe, alumni of the team behind Emmy Award–winning Gravity Falls, and producers Phil Lord and Christopher Miller, the innovative and creative minds behind The Lego Movie and the Academy Award–winning Spider-Man: Into the Spider-Verse.

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The doctrine of the pactum salutis (covenant of redemption) offers the idea of a covenant between the very persons of the Trinity for the redemption of humanity. The doctrine received most of its attention in seventeenth-century Reformed theology, and has been criticized and almost totally forgotten in dogmatics since the eighteenth century. Most recent Reformed dogmatics tend to ignore the doctrine or disparage it from biblical, trinitarian, christological, pneumatological, and soteriological perspectives-namely, the doctrine lacks scriptural basis; it is tritheistic; it leads to subordination of the Son; it omits the role of the Holy Spirit; and it applies a deterministic idea for the Christian life. The theologies of Witsius, Owen, Dickson, Goodwin, and Cocceius portray a very robust form of the doctrine. Witsius argues with the help of a peculiar methodology of cross-referencing and collation of related scriptural texts that the doctrine is firmly based on biblical exegesis that was passed on from the patristic era. The doctrine formulated by Owen endorses the doctrines of inseparable operations and terminus operationis so as to give deep insight into the Trinity. In Dickson's doctrine, the Son's voluntary consent and obedience to the will of the Father are highly emphasized. Likewise, Goodwin's depiction of the Holy Spirit secures the divinity of the Spirit as well as his indispensable role for the transaction and accomplishment of the pactum. The doctrine in the theology of Cocceius sheds much light on the vibrant dynamic of the Christian life in accordance with the ordo salutis. The doctrine of the pactum salutis of the five Reformed theologians clearly shows that the doctrine is both promised and promising for theology and the life of faith.

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This book consists of literal English translations of ten Socratic dialogues that have been largely neglected for the last century. Although everyone of these dialogues belongs to the classical canon of Platonic writings and was accepted as genuine in antiquity, most were condemned as forgeries in the early nineteenth century—and have remained under a shadow ever since. In his long introductory essay, Thomas L. Pangle offers a spirited criticism of arguments that have been adduced to support the view that some of the dialogues are counterfeit and shows in scrupulous detail why he believes in their authenticity. Each dialogue is accompanied by an interpretive essay that demonstrates how a close reading of the dialogue sheds revealing light on the Platonic understanding of political theory, ethics, aesthetics, and the philosophic way of life as exemplified by Socrates. The essays include previously published pieces, some of classic stature, as well as studies written especially for this volume. Opening an entirely new dimension of Platonic studies, The Roots of Political Philosophy addresses, in a fresh or unfamiliar perspective, major themes and puzzles such as: the nature of law, of property, and of acquisitiveness; the meaning of Socrates' famous "demonic voice"; what is at stake in the poetic claim to inspiration; and the psychology of the tyrannic as opposed to the statesmanlike or political personality. Political scientists, philosophers, classicists, and students who are familiar with the textual approach associated with Leo Strauss will welcome this book, as will other readers with an interest in ancient Greek philosophy and political thought. Contributors and translators: Allan Bloom, Christopher Bruell, Steven Forde, James Leake, Carnes Lord, James H. Nichols, Clifford Orwin, Thomas L. Pangle, Leo Strauss, and David Sweet.

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