Search results for ""author christo"

I Am Not A Serial Killer is now a major film starring Christopher Lloyd and Max Records. This is the first title in the thrillingly dark John Wayne Carver series.John works in his family's mortuary and has an obsession with serial killers. He wants to be a good person, but fears he is a sociopath, and for years he has suppressed his dark side through a strict system of rules designed to mimic 'normal' behavior. Then a demon begins stalking his small town and killing people one by one, and John is forced to give in to his darker nature in order to save them. As he struggles to understand the demon and find a way to kill it, his own mind begins to unravel until he fears he may never regain control. Faced with the reality that he is, perhaps, more monstrous than the monster he is fighting, John must make a final stand against the horrors of both the demon and himself.

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Hans Memling’s altarpiece for the high altar of Santa María la Real in Nájera (1483-1494) must have been one of the most spectacular Flemish art works in the Iberian Peninsula. Only three panels survive in the Antwerp Royal Museum of Fine Arts : God surrounded by singing and music-making angels. The retable’s central theme was the mystery of the Assumption of the Blessed Virgin. The iconography of the whole has been described by Jovellanos at the end of the 18th century. From c. 1482 on, dozens of monumental altarpieces dedicated to the Assumption of the Virgin in conjunction with Christological themes have been created throughout Spain. They focus on the complex role of the Holy Virgin, her triumph and glorification. It was a common belief that she was the only human to have borne up bodily into heaven. Although ‘Maryam’ was held in very high esteem by Muslims too - and as such, she was a interreligious ‘bridge’ -, her role as Theotokos or Mother of God was a point of conflict. During the last phase of the Reconquista, to Iberian Christians, the Assumption served as an image of the Church/Faith Triumphant, not as a conciliatory belief. Paul Vandenbroeck has worked with the Collection Research Department of the Royal Museum of Fine Arts Antwerp from 1980 to 2018 and he has held a part-time professorship with the Anthropology Research Group IMMRC, Social Sciences Faculty of KU Leuven, since 2003. He is an art graduate from that same university and obtained his PhD in 1986. His main research interests are the oeuvre of Hieronymus Bosch, iconography of early modern art in the Low Countries, iconological questions regarding figurative and abstract art, North African domestic textile art, and topics on the interface between art and anthropology.

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After decades in which American popular culture dominated global media and markets, Japanese popular culture—primarily manga and anime, but also toys, card and video games, and fashion—has exploded into a worldwide phenomenon. From Pokémon and the Power Rangers to Paranoia Agent and Princess Mononoke, Japanese popular culture is consumed by an eager and exponentially increasing audience of youths, teenagers, and adults. Mechademia, a new annual edited by Frenchy Lunning, begins an innovative and fresh conversation among scholars, critics, and fans about the complexity of art forms like Superflat, manga, and anime. The inaugural volume, Mechademia 1 engages the rise of Japanese popular culture through game design, fashion, graphic design, commercial packaging, character creation, and fan culture. Promoting dynamic ways of thinking, along with state-of-the-art graphic design and a wealth of images, this cutting-edge work opens new doors between academia and fandom.The premiere issue features the interactive worlds that anime and manga have created, including the origins of cosplay (the manga and anime costume subculture), Superflat, forgotten images from a founding manga artist, video game interactivity, the nature of anime fandom in America, and the globalization of manga. Contributors: Anne Allison, Duke U; William L. Benzon; Christopher Bolton, Williams College; Vern L. Bullough, California State U, Northridge; Martha Cornog; Patrick Drazen; Marc Hairston; Mari Kotani; Thomas LaMarre; Antonia Levi, Portland State U; Thomas Looser, NYU; Susan Napier, U of Texas, Austin; Michelle Ollie; Timothy Perper; Sara Pocock; Brian Ruh; Takayuki Tatsumi, Keio U, Tokyo; Toshiya Ueno, Wako U, Tokyo; Theresa Winge, U of Northern Iowa; Mark J. P. Wolf, Concordia U; Wendy Siuyi Wong, York U.Frenchy Lunning is professor of liberal arts at the Minneapolis College of Art and Design.

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In Subjects of Advice, Ivan Lupić uncovers the rich interconnectedness of dramatic art and the culture of counsel in the early modern period. While counsel was an important form of practical knowledge, with concrete political consequences, it was also an ingrained cultural habit, a feature of obligatory mental, moral, and political hygiene. To be a Renaissance subject, Lupić claims, one had to reckon with the advice of others. Lupić examines this reckoning in a variety of sixteenth-century dramatic contexts. The result is an original account of the foundational role that counsel played in the development of Renaissance drama. Lupić begins by considering the figure of Thomas More, whose influential argument about counsel as a form of performance in Utopia set the agenda for the entire century. Resisting linear narratives and recovering, instead, the simultaneity of radically different kinds of dramatic experience, he shows the vitality of later dramatic engagements with More's legacy through an analysis of the moral interlude staged within Sir Thomas More, a play possibly coauthored by Shakespeare. More also helps explain the complex use of counsel in Senecan drama, from the neo-Latin plays of George Buchanan, discussed in connection with Buchanan's political writings, to the historical tragedies of the mid-sixteenth century. If tyranny and exemplarity are the keywords for early Elizabethan drama of counsel, for the plays of Christopher Marlowe it is friendship. Lupić considers Marlowe's interest in friendship and counsel, most notably in Edward II, alongside earlier dramatic treatments, thus exposing the pervasive fantasy of the ideal counselor as another self. Subjects of Advice concludes by placing King Lear in relation to its dramatic sources to demonstrate Shakespeare's deliberate dispersal of counsel throughout his play. Counsel's customary link to plain and fearless speech becomes in Shakespeare's hands a powerful instrument of poetic and dramatic expression.

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Tim Hartman's Theology after Colonization uses a comparative approach to examine two theologians, one from Europe and one from Africa, to gain insight into our contemporary theological situation. Hartman examines how the loss of cultural hegemony through rising pluralism and secularization has undermined the interconnection of the Christian faith with political power and how globalization undermined the expansive (and expanding) mindset of colonialization. Hartman engages Swiss-German theologian Karl Barth (1886–1968), whose work responded to the challenges of Christendom and the increasing secularization of Europe by articulating an early post-Christendom theology based on God's self-revelation in Jesus Christ, not on official institutional structures (including the church) or societal consensus. In a similar way, Ghanaian theologian Kwame Bediako (1945–2008) offered a post-colonial theology. He wrote from the perspective of the global South while the Christian faith was growing exponentially following the departure of Western missionaries from Africa. For Bediako, the infinite translatability of the gospel of Jesus Christ leads to the renewal of Christianity as a non-Western religion, not a product of colonialization. Many Western theologies find themselves unable to respond to increasing secularization and intensifying globalization because they are based on the very assumptions of uniformity and parochialism (sometimes called "orthodoxy") that are being challenged. Hartman claims Bediako and Barth can serve as helpful guides for contemporary theological reflection as the consensus surrounding this theological complex disintegrates further. Collectively, their work points the way toward contemporary theological reflection that is Christological, contextual, cultural, constructive, and collaborative. As one of the first books to examine the work of Bediako, this study will interest students and scholars of Christian theology, African studies, and postcolonial studies.

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One morning while reading Barron's, Kara Newman took note of a casual bit of advice offered by famed commodities trader Jim Rogers. "Buy breakfast," he told investors, referring to the increasing value of pork belly and frozen orange juice futures. The statement inspired Newman to take a closer look at agricultural commodities, from the iconic pork belly to the obscure peppercorn and nutmeg. The results of her investigation, recorded in this fascinating history, show how contracts listed on the Chicago Mercantile Exchange can read like a menu and how market behavior can dictate global economic and culinary practice. The Secret Financial Life of Food reveals the economic pathways that connect food to consumer, unlocking the mysteries behind culinary trends, grocery pricing, and restaurant dining. Newman travels back to the markets of ancient Rome and medieval Europe, where vendors first distinguished between "spot sales" and "sales for delivery." She retraces the storied spice routes of Asia and recounts the spice craze that prompted Christopher Columbus's journey to North America, linking these developments to modern-day India's bustling peppercorn market. Newman centers her history on the transformation of corn into a ubiquitous commodity and uses oats, wheat, and rye to recast America's westward expansion and the Industrial Revolution. She discusses the effects of such mega-corporations as Starbucks and McDonalds on futures markets and considers burgeoning markets, particularly "super soybeans," which could scramble the landscape of food finance. The ingredients of American power and culture, and the making of the modern world, can be found in the history of food commodities exchange, and Newman connects this unconventional story to the how and why of what we eat.

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The official behind-the-scenes art book for Sony Pictures Animation’s feature film The Mitchells vs. The Machines The Mitchells vs. The Machines is a comedy about an everyday family's struggle to relate while technology rises up around the world! When Katie Mitchell, a creative outsider, is accepted into the film school of her dreams, her plans to meet “her people” at college are upended when her nature-loving dad Rick determines the whole family should drive Katie to school together and bond as a family one last time. Katie and Rick are joined by the rest of the family, including Katie’s wildly positive mom Linda, her quirky little brother Aaron, and the family’s delightfully chubby pug Monchi for the ultimate family road trip. Suddenly, the Mitchells’ plans are interrupted by a tech uprising: All around the world, the electronic devices people love—from phones to appliances to an innovative new line of personal robots—decide it’s time to take over. With the help of two friendly malfunctioning robots, the Mitchells will have to get past their problems and work together to save each other and the world! The Art of The Mitchells vs. The Machines gives insight into how the filmmakers were able to bring this fresh, new vision to the screen through concept art, sketches, and early character designs, accompanied by exclusive commentary from director/co-writer Michael Rianda and co-director/co-writer Jeff Rowe, alumni of the team behind Emmy Award–winning Gravity Falls, and producers Phil Lord and Christopher Miller, the innovative and creative minds behind The Lego Movie and the Academy Award–winning Spider-Man: Into the Spider-Verse.

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It is well known that many of the best-known queer writers of the 1930s were involved with leftist politics. Why, then, has there been no extended examination of this striking juncture of dissident sex and socialism? What, for instance, does it mean for Sylvia Townsend Warner to call for Stephen Spender to be "purged" from the Communist Party? What if Christopher Isherwood was far more engaged with Communism in Berlin than he later claimed? How do we account for the marked homophobia of much anti-fascist writing, even in queer writers such as Katherine Burdekin? How are the dominant sexual politics of Home Front Britain epitomized by the wartime essays of George Orwell informed by the shifts in leftist cultural strategy of the late 1930s? And how do queer leftists' incessant itinerancies and investments in Communist internationalism provide new ways of interrogating both the transnational turn in queer studies and the internationalist aspirations of contemporary gay rights discourse? "Good Comrades" addresses these questions, among others, to transform current narratives of midcentury literary, cultural, and intellectual history from a queer Marxist perspective.

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New investigations into a pivotal era of the thirteenth century. The years between 1258 and 67 comprise one of the most influential periods in the Middle Ages in England. This turbulent decade witnessed a bitter power struggle between King Henry III and his barons over who should control the government of the realm. Before England eventually descended into civil war, a significant proportion of the baronage had attempted to transform its governance by imposing on the crown a programme of legislative and administrative reform far more radical and wide-ranging than Magna Carta in 1215. Constituting a critical stage in the development of parliament, the reformist movement would remain unsurpassed in its radicalism until the upheavals of the seventeenth century. Simon de Montfort, the baronial champion, became the first leader of a political movement to seize power and govern in the king's name. The essays collected here offer the most recent research into and ideas onthis pivotal period. Several contributions focus upon the roles played in the political struggle by particular sections of thirteenth-century society, including the Midland knights and their political allegiances, aristocratic women, and the merchant elite in London. The events themselves constitute the second major theme of this volume, with subjects such as the secret revolution of 1258, Henry III's recovery of power in 1261, and the little studied maritime theatre during the civil wars of 1263-7 being considered. Adrian Jobson is an Associate Lecturer at Canterbury Christ Church University. Contributors: Sophie Ambler, Nick Barratt, David Carpenter, PeterCoss, Mario Fernandes, Andrew H. Hershey, Adrian Jobson, Lars Kjær, John A. McEwan, Tony Moore, Fergus Oakes, H.W. Ridgeway, Christopher David Tilley, Benjamin L. Wild, Louise J. Wilkinson.

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Why Captain Ahab is worthy of our fear—and our compassion Herman Melville’s Captain Ahab is perennially seen as the paradigm of a controlling, tyrannical agent. Ahab Unbound leaves his position as a Cold War icon behind, recasting him as a contingent figure, transformed by his environment—by chemistry, electromagnetism, entomology, meteorology, diet, illness, pain, trauma, and neurons firing—in ways that unexpectedly force us to see him as worthy of our empathy and our compassion. In sixteen essays by leading scholars, Ahab Unbound advances an urgent inquiry into Melville’s emergence as a center of gravity for materialist work, reframing his infamous whaling captain in terms of pressing conversations in animal studies, critical race and ethnic studies, disability studies, environmental humanities, medical humanities, political theory, and posthumanism. By taking Ahab as a focal point, we gather and give shape to the multitude of ways that materialism produces criticism in our current moment. Collectively, these readings challenge our thinking about the boundaries of both persons and nations, along with the racist and environmental violence caused by categories like the person and the human.Ahab Unbound makes a compelling case for both the vitality of materialist inquiry and the continued resonance of Melville’s work.Contributors: Branka Arsić, Columbia U; Christopher Castiglia, Pennsylvania State U; Colin Dayan, Vanderbilt U; Christian P. Haines, Pennsylvania State U; Bonnie Honig, Brown U; Jonathan Lamb, Vanderbilt U; Pilar Martínez Benedí, U of L’Aquila, Italy; Steve Mentz, St. John’s College; John Modern, Franklin and Marshall College; Mark D. Noble, Georgia State U; Samuel Otter, U of California, Berkeley; Donald E. Pease, Dartmouth College; Ralph James Savarese, Grinnell College; Russell Sbriglia, Seton Hall U; Michael D. Snediker, U of Houston; Matthew A. Taylor, U of North Carolina at Chapel Hill; Ivy Wilson, Northwestern U.

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In the early modern period, thinkers began to suggest that philosophy abjure the ideal of dispassionate contemplation of the natural world in favor of a more practically minded project that aimed to make human beings masters and possessors of nature. Humanity would seize control of its own fate and overthrow the rule by hostile natural or imaginary forces. The gradual spread of liberal democratic government, the Enlightenment, and the rise of technological modernity are to a considerable extent the fruits of this early modern shift in intellectual concern and focus. But these long-term trends have also brought unintended consequences in their wake as the dynamic forces of social reason, historical progress, and the continued recalcitrance of the natural world have combined to disillusion humans of the possibility—even the desirability—of their mastery over nature. The essays in Mastery of Nature constitute an extensive analysis of the fundamental aspects of the human grasp of nature. What is the foundation and motive of the modern project in the first place? What kind of a world did its early advocates hope to bring about? Contributors not only examine the foundational theories espoused by early modern thinkers such as Machiavelli, Bacon, Descartes, and Hobbes but also explore the criticisms and corrections that appeared in the works of Rousseau, Kant, Nietzsche, and Heidegger. Ranging from ancient Greek thought to contemporary quantum mechanics, Mastery of Nature investigates to what extent nature can be conquered to further human ends and to what extent such mastery is compatible with human flourishing. Contributors: Robert C. Bartlett, Mark Blitz, Daniel A. Doneson, Michael A. Gillespie, Ralph Lerner, Paul Ludwig, Harvey C. Mansfield, Arthur Melzer, Svetozar Y. Minkov, Christopher Nadon, Diana J. Schaub, Adam Schulman, Devin Stauffer, Bernhardt L. Trout, Lise van Boxel, Richard Velkley, Stuart D. Warner, Jerry Weinberger.

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When Rabbit said, ‘Honey or condensed milk with your bread?’ Pooh was so excited that he said ‘Both’. Winnie-the-Pooh always likes a little something to eat, but when he goes to visit Rabbit he finds he can’t quite make it out the door. Classic Winnie-the-Pooh Story Pooh Goes Visiting – With The Original Text By A.A.Milne And Decorations By E.H.Shepard It’s A Timeless Gift For Fans Of All Ages. Collect The Range. This beautiful little storybook is a great way to introduce young readers to the characters in the Hundred Acre Wood. This is guaranteed to be a bedtime favourite for children aged 5 and up. This book is all the more special due to E.H.Shepard’s decorations, which are shown in full, glorious colour. They are truly iconic and contributed to him being known as ‘the man who drew Pooh’. Look out for all the titles in the collection: Winnie-the-Pooh and the Wrong Bees Winnie-the-Pooh: Pooh Goes Visiting Winnie-the-Pooh: Piglet Meets a Heffalump Winnie-the-Pooh: Piglet Does a Very Grand Thing Winnie-the-Pooh: Eeyore Has a Birthday Winnie-the-Pooh: A House is Built for Eeyore Winnie-the-Pooh: Pooh Invents A New Game Winnie-the-Pooh: Eeyore Loses a Tail The nation’s favourite teddy bear has been delighting generations of children for over 95 years. Milne’s classic children’s stories – featuring Piglet, Eeyore, Christopher Robin and, of course, Pooh himself – are gently humorous while teaching lessons about friendship and kindness. Pooh ranks alongside other beloved character such as Paddington Bear, and Peter Rabbit as an essential part of our literary heritage. Whether you’re 5 or 55, Pooh is the bear for all ages.

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This book provides the first systematic overview of German sociology today. Thirty-four chapters review current trends, relate them to international discussions and discuss perspectives for future research. The contributions span the whole range of sociological research topics, from social inequality to the sociology of body and space, addressing pressing questions in sociological theory and innovative research methods. TOC: Introduction Culture / Uta Karstein and Monika Wohlrab-Sahr Demography and Aging / François Höpflinger Economic Sociology / Andrea Maurer Education and Socialization / Matthias Grundmann Environment / Anita Engels Europe / Monika Eigmüller Family and Intimate Relationships / Dirk Konietzka, Michael Feldhaus, Michaela Kreyenfeld, and Heike Trappe (Felt) Body. Sports, Medicine, and Media / Robert Gugutzer and Claudia Peter Gender / Paula-Irene Villa and Sabine Hark Globalization and Transnationalization / Anja Weiß Global South / Eva Gerharz and Gilberto Rescher History of Sociology / Stephan Moebius Life Course / Johannes Huinink and Betina Hollstein Media and Communication / Andreas Hepp Microsociology / Rainer Schützeichel Migration / Ludger Pries Mixed-Methods and Multimethod Research / Felix Knappertsbusch, Bettina Langfeldt, and Udo Kelle Organization / Raimund Hasse Political Sociology / Jörn Lamla Qualitative Methods / Betina Hollstein and Nils C. Kumkar Quantitative Methods / Alice Barth and Jörg Blasius Religion / Matthias Koenig Science and Higher Education / Anna Kosmützky and Georg Krücken Social Inequalities―Empirical Focus / Gunnar Otte, Mara Boehle, and Katharina Kunißen Social Inequalities―Theoretical Focus / Thomas Schwinn Social Movements / Thomas Kern Social Networks / Roger Häußling Social Policy / Birgit Pfau-Effinger and Christopher Grages Social Problems / Günter Albrecht Social Theory / Wolfgang Ludwig Schneider Society / Uwe Schimank Space. Urban, Rural, Territorial / Martina Löw Technology and Innovation / Werner Rammert Work and Labor / Brigitte Aulenbacher and Johanna Grubner List of Contributors Index

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The doctrine of the pactum salutis (covenant of redemption) offers the idea of a covenant between the very persons of the Trinity for the redemption of humanity. The doctrine received most of its attention in seventeenth-century Reformed theology, and has been criticized and almost totally forgotten in dogmatics since the eighteenth century. Most recent Reformed dogmatics tend to ignore the doctrine or disparage it from biblical, trinitarian, christological, pneumatological, and soteriological perspectives-namely, the doctrine lacks scriptural basis; it is tritheistic; it leads to subordination of the Son; it omits the role of the Holy Spirit; and it applies a deterministic idea for the Christian life. The theologies of Witsius, Owen, Dickson, Goodwin, and Cocceius portray a very robust form of the doctrine. Witsius argues with the help of a peculiar methodology of cross-referencing and collation of related scriptural texts that the doctrine is firmly based on biblical exegesis that was passed on from the patristic era. The doctrine formulated by Owen endorses the doctrines of inseparable operations and terminus operationis so as to give deep insight into the Trinity. In Dickson's doctrine, the Son's voluntary consent and obedience to the will of the Father are highly emphasized. Likewise, Goodwin's depiction of the Holy Spirit secures the divinity of the Spirit as well as his indispensable role for the transaction and accomplishment of the pactum. The doctrine in the theology of Cocceius sheds much light on the vibrant dynamic of the Christian life in accordance with the ordo salutis. The doctrine of the pactum salutis of the five Reformed theologians clearly shows that the doctrine is both promised and promising for theology and the life of faith.

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This book consists of literal English translations of ten Socratic dialogues that have been largely neglected for the last century. Although everyone of these dialogues belongs to the classical canon of Platonic writings and was accepted as genuine in antiquity, most were condemned as forgeries in the early nineteenth century—and have remained under a shadow ever since. In his long introductory essay, Thomas L. Pangle offers a spirited criticism of arguments that have been adduced to support the view that some of the dialogues are counterfeit and shows in scrupulous detail why he believes in their authenticity. Each dialogue is accompanied by an interpretive essay that demonstrates how a close reading of the dialogue sheds revealing light on the Platonic understanding of political theory, ethics, aesthetics, and the philosophic way of life as exemplified by Socrates. The essays include previously published pieces, some of classic stature, as well as studies written especially for this volume. Opening an entirely new dimension of Platonic studies, The Roots of Political Philosophy addresses, in a fresh or unfamiliar perspective, major themes and puzzles such as: the nature of law, of property, and of acquisitiveness; the meaning of Socrates' famous "demonic voice"; what is at stake in the poetic claim to inspiration; and the psychology of the tyrannic as opposed to the statesmanlike or political personality. Political scientists, philosophers, classicists, and students who are familiar with the textual approach associated with Leo Strauss will welcome this book, as will other readers with an interest in ancient Greek philosophy and political thought. Contributors and translators: Allan Bloom, Christopher Bruell, Steven Forde, James Leake, Carnes Lord, James H. Nichols, Clifford Orwin, Thomas L. Pangle, Leo Strauss, and David Sweet.

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Winner, Oscar G. Brockett Book Prize in Dance Research, 2014 Honorable Mention, Sally Banes Publication Prize, American Society for Theatre Research, 2014 de la Torre Bueno® Special Citation, Society of Dance History Scholars, 2013From Christopher Columbus to “first anthropologist” Friar Bernardino de Sahagún, fifteenth- and sixteenth-century explorers, conquistadors, clerics, scientists, and travelers wrote about the “Indian” dances they encountered throughout the New World. This was especially true of Spanish missionaries who intensively studied and documented native dances in an attempt to identify and eradicate the “idolatrous” behaviors of the Aztec, the largest indigenous empire in Mesoamerica at the time of its European discovery.Dancing the New World traces the transformation of the Aztec empire into a Spanish colony through written and visual representations of dance in colonial discourse—the vast constellation of chronicles, histories, letters, and travel books by Europeans in and about the New World. Scolieri analyzes how the chroniclers used the Indian dancing body to represent their own experiences of wonder and terror in the New World, as well as to justify, lament, and/or deny their role in its political, spiritual, and physical conquest. He also reveals that Spaniards and Aztecs shared an understanding that dance played an important role in the formation, maintenance, and representation of imperial power, and describes how Spaniards compelled Indians to perform dances that dramatized their own conquest, thereby transforming them into colonial subjects. Scolieri’s pathfinding analysis of the vast colonial “dance archive” conclusively demonstrates that dance played a crucial role in one of the defining moments in modern history—the European colonization of the Americas.

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Of Angie Estes, the poet and critic Steph Burt has written that she “has created some of the most beautiful verbal objects in the world.” In The Allure of Grammar, Doug Rutledge gathers insightful responses to the full range of Estes’s work—from a review of her first chapbook to a reading of two poems appearing in her 2018 book, Parole—that approach these beautiful verbal objects with both intellectual rigor and genuine awe. In addition to presenting an overview of critical reactions to Estes’s oevre, reviews by Langdon Hammer, Julianne Buchsbaum, and Christopher Spaide also provide a helpful context for approaching a poet who claims to distrust narrative. Original essays consider the craft of Estes’s poetry and offer literary analysis. Ahren Warner uses line breaks to explore a postmodern analysis of Estes’s work. Mark Irwin looks at her poetic structure. Lee Upton employs a feminist perspective to explore Estes’s use of italics and to look at the way she uses dance as a poetic image. Doug Rutledge considers her relationship to Dante and to the literary tradition through her use of ekphrasis. An interview with Estes herself, in which she speaks of a poem as an “arranged place . . . where experience happens,” adds her perspective to the mix, at turns resonating with and challenging her critics. The Allure of Grammar will be useful for teachers and students of creative writing interested in the craft of non-narrative poetry. Readers of contemporary poetry who already admire Estes will find this collection insightful, while those not yet familiar with her work will come away from these essays eager to seek out her books.

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Classic hardback edition of the third volume of The Lord of the Rings, now featuring Tolkien’s original unused dust-jacket design. Includes special packaging and the definitive edition of the text, with fold-out maps. The Companions of the Ring have become involved in separate adventures as the quest continues. Aragorn, revealed as the hidden heir of the ancient Kings of the West, joined with the Riders of Rohan against the forces of Isengard, and took part in the desperate victory of the Hornburg. Merry and Pippin, captured by orcs, escaped into Fangorn Forest and there encountered the Ents. Gandalf returned, miraculously, and defeated the evil wizard, Saruman. Meanwhile, Sam and Frodo progressed towards Mordor to destroy the Ring, accompanied by Sméagol – Gollum, still obsessed by his ‘preciouss’. After a battle with the giant spider, Shelob, Sam left his master for dead; but Frodo is still alive – in the hands of the orcs. And all the time the armies of the Dark Lord are massing. This classic hardback features Tolkien’s original unused dust-jacket design, and its text has been fully restored with almost 400 corrections – with the full co-operation of Christopher Tolkien – making it the definitive version, and as close as possible to the version that J.R.R. Tolkien intended. Also included are the original red and black maps as fold-out sheets, and – for the first time – a fully revised and enlarged index.

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Evolutionary biology has witnessed breathtaking advances in recent years. Some of its most exciting insights have come from the crossover of disciplines as varied as paleontology, molecular biology, ecology, and genetics. This book brings together many of today's pioneers in evolutionary biology to describe the latest advances and explain why a cross-disciplinary and integrated approach to research questions is so essential. Contributors discuss the origins of biological diversity, mechanisms of evolutionary change at the molecular and developmental levels, morphology and behavior, and the ecology of adaptive radiations and speciation. They highlight the mutual dependence of organisms and their environments, and reveal the different strategies today's researchers are using in the field and laboratory to explore this interdependence. Peter and Rosemary Grant--renowned for their influential work on Darwin's finches in the Galapagos--provide concise introductions to each section and identify the key questions future research needs to address. In addition to the editors, the contributors are Myra Awodey, Christopher N. Balakrishnan, Rowan D. H. Barrett, May R. Berenbaum, Paul M. Brakefield, Philip J. Currie, Scott V. Edwards, Douglas J. Emlen, Joshua B. Gross, Hopi E. Hoekstra, Richard Hudson, David Jablonski, David T. Johnston, Mathieu Joron, David Kingsley, Andrew H. Knoll, Mimi A. R. Koehl, June Y. Lee, Jonathan B. Losos, Isabel Santos Magalhaes, Albert B. Phillimore, Trevor Price, Dolph Schluter, Ole Seehausen, Clifford J. Tabin, John N. Thompson, and David B. Wake.

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“Once upon a time, a very long time ago now, about last Friday, Winnie-the-Pooh lived in a forest all by himself under the name of Sanders.” A.A.Milne's stories about Pooh and his friends have been loved by generations of children and their parents since Winnie-the-Pooh was first published in 1926. This magnificent slipcase features the four classic Winnie-the-Pooh titles: Winnie-the-Pooh, The House at Pooh Corner, When We Were Very Young and Now We Are Six. Each volume features the original E.H.Shepard decorations in full colour. This delightful collection is the perfect gift for Pooh fans aged 5 or 55. The nation’s favourite teddy bear has been delighting generations of children for over 95 years. Milne’s classic children’s stories – featuring Piglet, Eeyore, Christopher Robin and, of course, Pooh himself – are gently humorous while teaching lessons about friendship and kindness. Pooh ranks alongside other beloved character such as Paddington Bear, and Peter Rabbit as an essential part of our literary heritage. Whether you’re 5 or 55, Pooh is the bear for all ages.Do you own all the classic Pooh titles? Winnie-the-PoohThe House at Pooh CornerWhen We Were Very YoungNow We Are SixReturn to the Hundred Acre WoodThe Best Bear in All the WorldOnce There Was a Bear

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At a time when people use more and more geographic information and tools, the management of geographical information in software systems still holds many challenges and motivates researchers from different backgrounds to propose innovative solutions. Representing geographical space beyond our mere perception is key to making relevant decisions, whether it is with respect to sustainable development or to the planning of everyday activities. Designing, sharing and exploiting such representations entails many challenges. This book presents recent software design projects, led in teams, which sometimes have different backgrounds, to address these challenges. It analyzes the specificities of these projects in terms of motivation, data models and analysis methods. Proposals are also put forward to improve resource sharing in this domain. Contents 1. Introduction, Bénédicte Bucher and Florence Le Ber. Part 1. Software Presentation 2. ORBISGIS: Geographical Information System Designed by and for Research, Erwan Bocher and Gwendall Petit. 3. GEOXYGENE: an Interoperable Platform for Geographical Application Development, Éric Grosso, Julien Perret and Mickaël Brasebin. 4. Spatiotemporal Knowledge Representation in AROM-ST, Bogdan Moisuc, Alina Miron, Marlène Villanova-Olivier and Jérôme Gensel. 5. GENGHIS: an Environment for the Generation of Spatiotemporal Visualization Interfaces, Paule-Annick Davoine, Bogdan Moisuc and Jérôme Gensel. 6. GEOLIS: a Logical Information System to Organize and Search Geo-Located Data, Olivier Bedel, Sébastien Ferré and Olivier Ridoux. 7. GENEXP-LANDSITES: a 2D Agricultural Landscape Generating Piece of Software, Florence Le Ber and Jean-François Mari. 8. MDWEB: Cataloging and Locating Environmental Resources, Jean-Christophe Desconnets and Thérèse Libourel. 9. WEBGEN: Web Services to Share Cartographic Generalization Tools, Moritz Neun, Nicolas Regnauld and Robert Weibel. Part 2. Summary and Suggestions 10. Analysis of the Specificities of Software Development in Geomatics Research, Florence Le Ber and Bénédicte Bucher. 11. Challenges and Proposals for Software Development Pooling in Geomatics, Bénédicte Bucher, Julien Gaffuri, Florence Le Ber and Thérèse Libourel.

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American Literary Studies: A Methodological Reader gathers together leading scholars of American literature to address the questions of methodology that have invigorated and divided their field: the rise of interdisciplinarity and the wealth of theoretical methods now available to the critic of American literature. Their engagement with these issues takes a unique form in this book: Each scholar has chosen a methodologically innovative essay, which he or she then introduces, explaining why it is both exemplary in its approach and central to the issues that most engage American literary scholarship today. The book includes both an introduction to the controversial interdisciplinary methods that have made American literary studies such a vibrant field, as well as groundbreaking scholarship on topics as diverse as James Fenimore Cooper, minstrel songs, and Lakota Indian stories. This volume has been designed to serve as a starting point for teachers and students to explore the fundamental questions of American literary scholarship: What does "method" mean in literary studies? Which texts should it study? What makes literary study unique? What should literary scholarship do? American Literary Studies argues that these questions can only be answered through a discussion of the interdisciplinary methods currently in use by scholars today. Finally, an original introduction by Michael A. Elliott and Claudia Stokes explains why questions of method are crucial to American literary studies and how past scholars of American literature have tried to answer them. Contributors include: Lauren Berlant, Russ Castronovo, Wai Chee Dimock, Ann duCille, Michael A. Elliott, Frances Smith Foster, Elaine A. Jahner, Rob Kroes, Arnold Krupat, Paul Lauter, Marilee Lindemann, W. T. Lhamon, Jr., Christopher J. Looby, David Palumbo-Liu, Roy Harvey Pearce, Lora Romero, Ramón Saldívar, Carroll Smith-Rosenberg, Werner Sollors, Claudia Stokes, Claudia Tate, Paula A. Treichler, Priscilla Wald, Michael Warner, Laura Wexler, Sau-ling C. Wong

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This special publication Perspectives in Carbonate Geology is a collection of papers most of which were presented at a symposium to honor the 80th birthday of Bob Ginsburg at the meeting of Geological Society of America in Salt Lake City in 2005. The majority of the papers in this publication are connected with the study of modern carbonate sediments. Bob Ginsburg pioneered the concept of comparative sedimentology - that is using the modern to compare to and relate to and understand the ancient. These studies are concerned with Bob's areas of passion: coral reefs and sea-level; submarine cementation and formation of beach rock; surface sediments on Great Bahama Bank and other platforms; origin of ooids; coastal sediments; formation of stromatolites; impact of storms on sediments; and the formation of dolomite. The remainder of the papers apply the study of modern environments and sedimentary processes to ancient sediments. Recent other publications of the International Association of Sedimentologists SPECIAL PUBLICATIONS 40 Analogue and Numerical Modelling of Sedimentary Systems From Understanding to Prediction Edited by P. de Boer, G. Postma, K. van der Zwan, P. Burgess and P. Kukla 2008, 336 pages, 172 illustrations 39 Glacial Sedimentary Processes and Products Edited by M.J. Hambrey, P. Christoffersen, N.F. Glasser and B. Hubbard 2007, 416 pages, 181 illustrations 38 Sedimentary Processes, Environments and Basins A Tribute to Peter Friend Edited by G. Nichols, E. Williams and C. Paola 2007, 648 pages, 329 illustrations 37 Continental Margin Sedimentation From Sediment Transport to Sequence Stratigraphy Edited by C.A. Nittrouer, J.A. Austin, M.E. Field, J.H. Kravitz, J.P.M. Syvitski and P.L. Wiberg 2007, 549 pages, 178 illustrations 36 Braided Rivers Process, Deposits, Ecology and Management Edited by G.H. Sambrook Smith, J.L. Best, C.S. Bristow and G.E. Petts 2006, 390 pages, 197 illustrations 35 Fluvial Sedimentology VII Edited by M.D. Blum, S.B. Marriott and S.F. Leclair 2005, 589 pages, 319 illustrations REPRINT SERIES 4 Sandstone Diagenesis: Recent and Ancient Edited by S.D. Burley and R.H. Worden 2003, 648 pages, 223 illustrations Please see inside the book for the full list of IAS publications Cover design by Code 5 Design For information, news, and content about Wiley-Blackwell books and journals in Earth Sciences please visit www.earthpages.com

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Cecil Beaton (1904–1980) is one of the most celebrated British Portrait photographers of the twentieth century and is renowned for his images of elegance, glamour and style. His influence on portrait photography was profound and lives on today in the work of many contemporary photographers.Beaton used his camera, his ambition and his larger-than-life personality to mingle with a flamboyant and rebellious group of artists, writers, socialites and partygoers. These ‘Bright Young Things’ captured the spirit of the roaring twenties and thirties as they cut a dramatic swathe through the epoch. Beaton quickly developed a reputation for his beautiful, often striking and fantastic photographs, which culminated in his portraits of Queen Elizabeth in 1939. More than a photographer, Beaton became a society fixture in his own right. In a series of themed chapters, covering Beaton’s first self-portraits and earliest sitters to his time at Cambridge and as principle society photographer for Vogue and Vanity Fair, over 60 leading figures who sat for him are profiled and the dazzling parties, pageants and balls of the period are brought to life. Among this glittering cast are Beaton’s socialite sisters Baba and Nancy Beaton, Stephen Tennant, the Mitfords, Siegfried Sassoon, Evelyn Waugh and Daphne Du Maurier. Beaton’s photographs are complemented by a wide range of letters, drawings and ephemera and contextualised by artworks created by those in his circle, including Christopher Wood, Rex Whistler and Henry Lamb.

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The President and the Provocateur explores the parallel lives of John F. Kennedy, born into wealth and celebrity, destined for glory and a violent death, and of Lee Harvey Oswald, born into poverty and obscurity, murdered in police custody and convicted - without a lawyer or a trial - of the killing of JFK. 50 years after both men were murdered, Alex Cox provides a chronological account of their lives' strange intersections, their shared interests, and the increasing body of evidence which suggests that Lee Harvey Oswald was working for some branch of the government - most likely the FBI or IRS - as an infiltrator of subversive groups, and agent provocateur. The President and the Provocateur draws on five decades of accumulated evidence that Oswald was an intelligence agent and agent provocateur. Far from being an active Communist, Oswald was mainly interested in infiltrating right-wing groups (including the White Russian community of Fort Worth, the National States Rights Party, the Minutemen, and the Cuban Alpha 66 terrorist organization in Dallas and New Orleans). From this perspective his alleged purchasing of guns by mail may be the actions of someone attempting to build a case against right-wing gun-runners and their suppliers - something the IRS and Senator Christopher Dodd's Subcommittee were also doing, at exactly the same time. The possibility that Oswald was sent as a spy to Russia has been raised before, but this is the first book to detail Oswald's continued pattern of intelligence-gathering and infiltration of political groups on his return to the USA.

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As Christopher Nolan’s Batman films and releases from the Marvel Cinematic Universe have regularly topped the box office charts, fans and critics alike might assume that the “comic book movie” is a distinctly twenty-first-century form. Yet adaptations of comics have been an integral part of American cinema from its very inception, with comics characters regularly leaping from the page to the screen and cinematic icons spawning comics of their own. Movie Comics is the first book to study the long history of both comics-to-film and film-to-comics adaptations, covering everything from silent films starring Happy Hooligan to sound films and serials featuring Dick Tracy and Superman to comic books starring John Wayne, Gene Autry, Bob Hope, Abbott & Costello, Alan Ladd, and Dean Martin and Jerry Lewis. With a special focus on the Classical Hollywood era, Blair Davis investigates the factors that spurred this media convergence, as the film and comics industries joined forces to expand the reach of their various brands. While analyzing this production history, he also tracks the artistic coevolution of films and comics, considering the many formal elements that each medium adopted and adapted from the other. As it explores our abiding desire to experience the same characters and stories in multiple forms, Movie Comics gives readers a new appreciation for the unique qualities of the illustrated page and the cinematic moving image.

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A novel interpretation of architecture, ugliness, and the social consequences of aesthetic judgmentWhen buildings are deemed ugly, what are the consequences? In Ugliness and Judgment, Timothy Hyde considers the role of aesthetic judgment—and its concern for ugliness—in architectural debates and their resulting social effects across three centuries of British architectural history. From eighteenth-century ideas about Stonehenge to Prince Charles’s opinions about the National Gallery, Hyde uncovers a new story of aesthetic judgment, where arguments about architectural ugliness do not pertain solely to buildings or assessments of style, but intrude into other spheres of civil society.Hyde explores how accidental and willful conditions of ugliness—including the gothic revival Houses of Parliament, the brutalist concrete of the South Bank, and the historicist novelty of Number One Poultry—have been debated in parliamentary committees, courtrooms, and public inquiries. He recounts how architects such as Christopher Wren, John Soane, James Stirling, and Ludwig Mies van der Rohe have been summoned by tribunals of aesthetic judgment. With his novel scrutiny of lawsuits for libel, changing paradigms of nuisance law, and conventions of monarchical privilege, he shows how aesthetic judgments have become entangled in wider assessments of art, science, religion, political economy, and the state.Moving beyond superficialities of taste in order to see how architectural improprieties enable architecture to participate in social transformations, Ugliness and Judgment sheds new light on the role of aesthetic measurement in our world.

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How a new generation of counterculture talent changed the landscape of Hollywood, the film industry, and celebrity culture. By 1967, the commercial and political impact on Hollywood of the sixties counterculture had become impossible to ignore. The studios were in bad shape, still contending with a generation-long box office slump and struggling to get young people into the habit of going to the movies. Road Trip to Nowhere examines a ten-year span (from 1967 to 1976) rife with uneasy encounters between artists caught up in the counterculture and a corporate establishment still clinging to a studio system on the brink of collapse. Out of this tumultuous period many among the young and talented walked away from celebrity, turning down the best job Hollywood—and America—had on offer: movie star. Road Trip to Nowhere elaborates a primary-sourced history of movie production culture, examining the lives of a number of talented actors who got wrapped up in the politics and lifestyles of the counterculture. Thoroughly put off by celebrity culture, actors like Dennis Hopper, Christopher Jones, Jean Seberg, and others rejected the aspirational backstory and inevitable material trappings of success, much to the chagrin of the studios and directors who backed them. In Road Trip to Nowhere, film historian Jon Lewis details dramatic encounters on movie sets and in corporate boardrooms, on the job and on the streets, and in doing so offers an entertaining and rigorous historical account of an out-of-touch Hollywood establishment and the counterculture workforce they would never come to understand.

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'Uniquely twisted . . . cracking gags' - Guardian'Holt doesn't skimp on the flashes of brilliance' - SFX'Clever, funny, tirelessly inventive' - Christopher MooreWINTER IS COMING, SO WHY NOT GET AWAY FROM IT ALL?Being the Dark Lord and Prince of Evil is not as much fun as it sounds, particularly if you are a basically decent person. King Mordak is just such a person. Technically he's more goblin than person, but the point is that he is really keen to be a lot less despicable than his predecessors. Not that the other goblins appreciate Mordak's attempts to redefine the role. Why should they when his new healthcare program seems designed to actually extend life expectancy, and his efforts to end a perfectly reasonable war with the dwarves appear to have become an obsession? With confidence in his leadership crumbling, what Mordak desperately needs is a distraction. Perhaps some of these humans moving to the Realm in search of great homes at an affordable price will be able to help? An Orc on the Wild Side is the latest comic masterpiece from one of the funniest writers in fantasy.Books by Tom Holt: J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Other recent novelsBlonde BombshellLife, Liberty and the Pursuit of SausagesThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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The past is a foreign country: this is your guidebook.If you could travel back in time, the period from 1660 to 1700 would make one of the most exciting destinations in history. It is the age of Samuel Pepys and the Great Fire of London; bawdy comedy and the libertine court of Charles II; Christopher Wren in architecture, Henry Purcell in music and Isaac Newton in science - the civil wars are over and a magnificent new era has begun.But what would it really be like to live in Restoration Britain? Where would you stay and what would you eat? What would you wear and where would you do your shopping? The third volume in the series of Ian Mortimer's bestselling Time Traveller's Guides answers the crucial questions that a prospective traveller to seventeenth-century Britain would ask.People's lives are changing rapidly - from a world of superstition and religious explanation to rationalism and scientific calculation. In many respects the period sees the tipping point between the old world and the new as fear and uncertainty, hardship and eating with your fingers give way to curiosity and professionalism, fine wines and knives and forks. Travelling to Restoration Britain encourages us to reflect on the customs and practices of daily life - and this unique guide not only teaches us about the seventeenth century but makes us look with fresh eyes at the modern world.'Ian Mortimer is a historical truffle hound... His book is a delightful read.' Sunday Times

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This seventh volume in the Documenta Q series is concerned with the reconstruction of the Q text behind Luke 7:1-10 par. Matt 7:28a, 8:5-13. The Centurion's Faith has always been a key passage for theories of the development and transmission of gospel sayings traditions. The International Q Project's presentation of the critical text of Q 7:1-10, together with the exhaustive history of research on which it is based, will considerably enhance research in the Sayings Gospel Q, the historical Jesus, and New Testament christology. The database and evaluations are a fully expanded and revised version of those presented and discussed at the meeting of the International Q Project in Claremont, CA 1994. Just prior to the bibliography, at the conclusion of the volume, the resultant critical text of Q 7:1-10 is printed. This Greek text is followed by English, German, and French translations. (Lukan chapter and verse numeration is used only for convenience.)

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Scholars continue to dispute the foundations of Quakerism. James Nayler, his prophetic Bristol 'sign' of 1656, and George Fox's relation to him have been of especial interest in defining the movement's identity. Conventionally, historians and theologians have taken either a 'traditional' approach, which assesses Nayler by the standards of orthodoxy, or a 'revisionist' one, which absolves him by the standards of early Quaker relativism and Christology. This study by Euan David McArthur mediates between these positions, finding that Nayler and Fox developed an ambiguous theology, but adopted a consistent approach to Quaker performances. The latter dissuaded against performances such as Nayler's 'sign'; Nayler is argued, instead, to have diverged from other Quaker leaders following disputations between 1655 and 1656. The lessons his person and actions hold for us are concluded to be complex, but worthy of study for a wide range of historians and thinkers.

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El kick Boxing es una forma moderna de lucha deportiva desarrollada en la década de los años setenta y que cada vez cuenta con más adeptos, en el que los contrincantes emplean técnicas del boxeo y espectaculares golpes con las piernas. Además se entrena en las disciplinas de semi contact, ligth contact y full contact, y también existen formas con y sin armas, así como el kick boxing practicado para mantener la forma física y para la autodefensa. El autor y kickboxer Christoph Delp, junto a una serie de destacados deportistas y entrenadores, nos ilustran en este libro sobre:La historia, los fundamentos y el equipamiento del kick boxing.El espíritu combativo, la autodisciplina y el comportamiento durante el entrenamiento.Técnicas de golpes con las manos y con las piernas así como sus combinaciones.Técnicas de defensa y contraataque.Organización y planificación del entrenamiento.Todas las técnicas están explicadas de modo claro y con ilustrativas y detalladas imágenes, l

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Stephen Spender, the son of a journalist, was born in London in 1909. He was educated at University College, Oxford, where he met, among others, W. H. Auden, Christopher Isherwood and Louis MacNeice, with whom he was to develop a poetics of engagement, writing powerfully of the confusion and alarm of 1930s Europe. He visited Spain during the Civil War, in 1937, where he assisted the Republican cause with propaganda activity. His post-war memoir World within World was recognised as one of the most illuminating literary autobiographies to have come out of the 1930s and 1940s, distilling a distinctively personal, humanistic socialism. His poetry has been praised for its exploratory candour, its personal approach to the stresses of modernity, and its exact portraiture of social and political upheaval. Grey Gowrie's new selection offers a timely and incisive revaluation of Spender's substantial poetic corpus.

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Atheism is on the march in the western world, and its enemy is God. Religion, the "New Atheists" claim, "is dangerous", it "kills" or "poisons everything". And if religion is the problem with the world, their answer is simple: get rid of it. But are things really so straightforward? Tackling the likes of Richard Dawkins, Stephen Hawking, Christopher Hitchens, and Daniel Dennett head on, John Lennox highlights the fallacies in the their approach, arguing that their irrational and unscientific methodology leaves them guilty of the same obstinate foolishness of which they accuse dogmatic religious folks. Erudite and wide-ranging, Gunning for God packs some debilitating punches. It also puts forward new ideas about the nature of God and Christianity that will give the 'New Atheists' best friends and worst enemies alike some stimulating food for thought.

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Why is the idea of conflict between science and religion so popular in the public imagination?The “conflict thesis”—the idea that an inevitable and irreconcilable conflict exists between science and religion—has long been part of the popular imagination. In The Warfare between Science and Religion, Jeff Hardin, Ronald L. Numbers, and Ronald A. Binzley have assembled a group of distinguished historians who explore the origin of the thesis, its reception, the responses it drew from various faith traditions, and its continued prominence in public discourse. Several essays in the book examine the personal circumstances and theological idiosyncrasies of important intellectuals, including John William Draper and Andrew Dickson White, who through their polemical writings championed the conflict thesis relentlessly. Other essays consider what the thesis meant to different religious communities, including evangelicals, liberal Protestants, Roman Catholics, Eastern Orthodox Christians, Jews, and Muslims. Finally, essays both historical and sociological explore the place of the conflict thesis in popular culture and intellectual discourse today. Based on original research and written in an accessible style, the essays in The Warfare between Science and Religion take an interdisciplinary approach to question the historical relationship between science and religion. This volume, which brings much-needed perspective to an often bitter controversy, will appeal to scholars and students of the histories of science and religion, sociology, and philosophy.Contributors: Thomas H. Aechtner, Ronald A. Binzley, John Hedley Brooke, Elaine Howard Ecklund, Noah Efron, John H. Evans, Maurice A. Finocchiaro, Frederick Gregory, Bradley J. Gundlach, Monte Harrell Hampton, Jeff Hardin, Peter Harrison, Bernard Lightman, David N. Livingstone, David Mislin, Efthymios Nicolaidis, Mark A. Noll, Ronald L. Numbers, Lawrence M. Principe, Jon H. Roberts, Christopher P. Scheitle, M. Alper Yalçinkaya

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Ambiguous, complex and innovative, Christopher Nolan's Memento has intrigued audiences and critics since the day of its release. Memento is the archetypal 'puzzle film', a noir thriller about a man with short-term memory loss seemingly seeking revenge for the death of his wife but finding it increasingly difficult to navigate through the facts. Truth, memory and identity are all questioned in a film that refuses to give easy answers or to adhere to some of the fundamental rules of classical filmmaking as the film makes use of some audacious stylistic and narrative choices, including a unique (for American cinema) editing pattern that produces a dizzying and highly disorienting effect for the spectator. The book introduces Memento as an important independent film and uses it to explore relationships between "indie," arthouse and commercial mainstream cinema while also examining independent film marketing practices, especially those associated with Newmarket, the film's producer and distributor. Finally, the book also locates Memento within debates around key film studies concepts such as genre, narrative and reception. Key features: * Presents an overview of Newmarket that maps the company's development from an independent financier to producer and distributor * Explores aspects of narrative complexity in contemporary films and examines Memento as an example of a 'puzzle film' * Considers Memento in relation to genre categories of noir and neo-noir * Examines the marketing of Memento and locates it within independent film marketing practices and strategies

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When beautiful heiress Nicky Samuel (1951-2019) left school at the age of 16, she was caught up in the world of Sixties London. Her first job was with Yoko Ono, and she soon fell in love with the owner of the fashionable hippy boutique ‘Granny Takes a Trip’, Nigel Waymouth, whom she married and with whom she later attended the legendary Isle of Wight Pop Concert. She spent time with celebrities such as Andy Warhol, Jane Fonda, Roger Vadim, Bob Dylan, Keith Richards, and Robert Mapplethorpe. At nineteen, Nicky became a fashionable hostess. She was photographed by Norman Parkinson for Vogue; and her close friends included Mick and Bianca Jagger, Christopher Gibbs, David Hockney, Anita Pallenberg and the eccentric, reclusive heroin addict John Paul Getty Jr. Her marriage broke up when she became involved in a passionate menage-a-trois involving the film-director Donald Cammell. In 1974, Nicky married homosexual jewellery designer, New York socialite and fortune-hunter Kenneth Jay Lane. Her social success was such that she was featured as a ‘New Beauty’ by Time Magazine. However, she became so unhappy and drug-addicted that she attempted suicide in the London Ritz. Nicky’s is exactly the kind of superficially glamorous life to which many star-struck and celebrity-hungry people aspire; this memoir is also a uniquely vivid experience of a vanished world.

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The apostle Paul’s theology of divine glory has its foundations in the biblical drama of creation, fall, redemption and consummation, and in the identity of Jesus as revealed in his teachings, life, death and resurrection. In The Glory of God and Paul, Christopher Morgan and Robert Peterson explore Paul’s view of the triune God – as one who is intrinsically glorious, and, through uniting his people to Christ, shares that glory with his people. Examining key parts of the New Testament letters, they show how the Pauline theology of glory is rooted in the Old Testament as well as in Jesus, revealing a God who joyfully displays his glory through his creation and whose people respond by glorifying him. Covering a range of topics, including the Trinity, salvation, eschatology and more, this new volume in the NSBT series ultimately shows that God intends his glory to have an impact on many areas of believers’ lives: their gradual transformation ‘from glory to glory’ occurs as they meditate and reflect on the splendour of the Lord. Full of accessible insights, The Glory of God and Paul is a brilliant addition to the New Studies in Biblical Theology series. It will leave you with a greater understanding of Pauline theology and how it is still relevant for Christians today. It is ideal for students, pastors and anyone looking for a study of Paul the apostle that digs deeply into his epistles, particularly in relation to his teachings on divine glory.

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The Never-Taken Images documents a unique long-term project that Swiss photographers Françoise and Daniel Cartier have been pursuing since 1998. They have put together a vast collection of unfixed photographic papers, glass negatives, and films, mostly dating from 1880 to 1990. Samples of these are mounted and displayed, and, exposed to light over the course of several exhibitions, evolve towards colour saturation. Instead of looking at still images, the Cartiers’ installations, titled Wait and See, allow the viewers to perceive a kind of reality for themselves. The book features on around 100 pages the entire test catalogue that the Cartiers have put together to date, showing some 900 different papers and photosensitive supports. These facsimiles offer an almost real impression of their formats, colours, and materiality. Essays by Kathrin Schönegg, photo historian and curator, Thilo Koenig, scholar of art history and critic, and Christophe Brandt, former director of the Institute for the Conservation of Photographs at the University of Neuchâtel, supplement the images and place the Wait and See project in the art historical and technological context of abstract media art. The Never-Taken Images also celebrates the industrially manufactured photo-sensitive support, representing the long central pre-digital period in the history of photography. Text in English, French and German.

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Continuing the story begun in The Hobbit, all three parts of the epic masterpiece, The Lord of the Rings, in one paperback. Features the definitive edition of the text, fold-out flaps with the original two-colour maps, and a revised and expanded index. Sauron, the Dark Lord, has gathered to him all the Rings of Power – the means by which he intends to rule Middle-earth. All he lacks in his plans for dominion is the One Ring – the ring that rules them all – which has fallen into the hands of the hobbit, Bilbo Baggins. In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as the Ring is entrusted to his care. He must leave his home and make a perilous journey across the realms of Middle-earth to the Crack of Doom, deep inside the territories of the Dark Lord. There he must destroy the Ring forever and foil the Dark Lord in his evil purpose. Since it was first published in 1954, The Lord of the Rings has been a book people have treasured. Steeped in unrivalled magic and otherworldliness, its sweeping fantasy has touched the hearts of young and old alike. This single-volume paperback edition is the definitive text, fully restored with almost 400 corrections – with the full co-operation of Christopher Tolkien – and features a striking new cover.

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"Schäfer ist eine umfassende und überzeugende Darstellung der talmudischen Wahrnehmung Jesu gelungen."Christoph Stenschke in Theologische Beiträge 45 (2014), S. 118-119"[Ein] höchst lesenswertes und spannendes Buch, das zu weiteren Forschungen und Überlegungen reichen Anlass bietet."Werner Trutwin in Freiburger Rundbrief 20 (2013), S. 224-226"Mir ist dieses kenntnisreiche und spannend geschriebene Buch eine große Hilfe geworden. Äußerst gründlich arbeitet es übergangene Zusammenhänge auf und ist damit aus meiner Sicht eine wichtige und hilfreiche Bereicherung für das jüdisch-christliche Gespräch, das in unserer Zeit zu neuer Offenheit findet."Hans-Helmar Auel in Homiletische Monatshefte 90 (2014/15), Heft 4, S. 199"In seinem neuesten Buch [Jesus im Talmud] hat Schäfer sich nicht nur als ein grossartiger Erforscher antiker und mittelalterlicher jüdischer Texte erwiesen - das wurde bereits zur Genüge demonstriert -, sondern auch als ein talentierter Autor, aus dessen Händen der Text fliesst wie das Wasser, mit dem die Rabbinen die Torah verglichen haben."Galit Hasan-Rokem in Jewish Quarterly Review 99 (2009), S. 114"Schäfers faszinierende Studie demonstriert meisterhaft, dass der babylonische Talmud auf christliche Behauptungen über Jesus von Nazareth antwortet, [...] dass die Überlieferungen der babylonischen Rabbinen nicht die verqueren Phantasien bornierter Rabbinen [...] sind, sondern faszinierende "Rohdiamanten", kurze und oft brutale Meisterstücke, die historische Lektionen von entscheidender Bedeutung mitzuteilen haben."Richard Kalmin in Jewish Quarterly Review 99 (2009), S. 112"Nicht zuletzt mit der Klarheit in der Argumentation löst das Buch […] den Anspruch Schäfers, ein allgemeinverständliches Werk vorzulegen, überzeugend ein."S.O. in Herder Korrespondenz 62 (2008), S. 269"Zudem ist sein Werk - gerade in einer Zeit aufkommenden religiösen Fundamentalismus - auch für interessierte Laien mit Gewinn zu lesen, bietet es doch Einblicke in die Auseinandersetzungen von Spätantike und Frühmittelalter, die historisch einzuordnen Aufgabe unserer Zeit ist, damit ein angemessenes Nebeneinander der Religionen erreicht werden kann."Joachim Jeska in Biblische Zeitschrift 52 (2008), S. 297-298

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Perfect Gift Purchase for fans of Milne’s Classic Winnie-the-Pooh stories This lovely set consists of a highly appealing gift box designed with original E.H.Shepard decorations from Winnie-the-Pooh and The House at Pooh Corner. The gift box’s design includes a pull-out drawer containing two original, unabridged A.A.Milne storybooks: Winnie-the-Pooh and the Wrong Bees and Pooh Goes Visiting, together with a beautiful poster featuring E.H.Shepard's map of the Hundred Acre Wood and a gorgeous height chart designed with E.H.Shepard's original decorations – everything you need for a Winnie-the-Pooh fan’s nursery! Do you own all the classic Pooh titles? Winnie-the-PoohThe House at Pooh CornerWhen We Were Very YoungNow We Are SixReturn to the Hundred Acre WoodThe Best Bear in All the WorldOnce There Was a Bear Look out for other available Winnie-the-Pooh publishing: Winnie-the-Pooh Storybooks:Winnie-the-Pooh Helps the BeesA Present from PoohHappy Birthday to you!The Great Heffalump Hunt Winnie-the-Pooh Board Books:Surprise! A Slide & Play bookGoodnight Pooh: A bedtime peep-through bookThe Big Adventure: A lift-the-flap bookHide and Seek: A lift-and-find bookPocket LibraryHello Pooh, Hello You!Tiddely pom: Rhymes and hums to enjoy togetherh is for honey: an ABC book10 busy bees: a counting bookColoursHow are You?: a book about feelings The nation’s favourite teddy bear has been delighting generations of children for over 95 years. Milne’s classic children’s stories – featuring Piglet, Eeyore, Christopher Robin and, of course, Pooh himself – are gently humorous while teaching lessons about friendship and kindness. Pooh ranks alongside other beloved character such as Paddington Bear, and Peter Rabbit as an essential part of our literary heritage. Whether you’re 5 or 55, Pooh is the bear for all ages.

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A provocative new look at concepts of the present, their connection to ideas about time, and their effect on literature, art, and cultureThe problem of the present—what it is and what it means—is one that has vexed generations of thinkers and artists. Because modernity places so much value on the present, many critics argue that people today spend far too much time in the here and now—but how can we tell without first knowing what the here and now actually is? What Is the Present? takes a provocative new look at this moment in time that remains a mystery even though it is always with us.Michael North tackles puzzles that have preoccupied philosophy, neuroscience, psychology, history, and aesthetic theory and examines the complex role of the present in painting, fiction, and film. He engages with a range of thinkers, from Aristotle and Augustine to William James and Henri Bergson. He draws illuminating examples from artists such as Fra Angelico and Richard McGuire, filmmakers like D. W. Griffith and Christopher Nolan, and novelists such as Elizabeth Bowen and Willa Cather. North offers a critical analysis of previous models of the present, from the experiential present to the historical period we call the contemporary. He argues that the present is not a cosmological or experiential fact but a metaphor, a figurative relationship with the whole of time. Presenting an entirely new conception of the temporal mystery Georg Lukács called the "unexplained instant," What Is the Present? explores how the arts have traditionally represented the present—and also how artists have offered radical alternatives to that tradition.

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In this volume, Witte presents three case studies on biblical theology and demonstrates how the ways of speaking and thinking about God in the Old Testament constitute the religio-historical and theological basis for the discourse on God’s acts in the person of Jesus Christ in the New Testament. The theology of the Old Testament and that of the New Testament are inseparably connected, even if discrete theologies of the Old and New Testaments can be identified. The first study traces the development of the understanding of God in the Old Testament through the Hebrew divine title, El Shaddai, and one of its most important Greek equivalents, pantokrator. The use of the title El Shaddai, its ancient Near Eastern religious background, its transfer into Hellenistic Judaism, and its theological significance reveal fundamental aspects of a biblical theology that is equally indebted to comparative philology and to the history of religion. The second essay discusses justice as a central theme of the theology of the Old Testament and as an essential category in defining the relationship between God and humanity through a selection of different texts from the canon of the Hebrew Bible and the Septuagint. The third study offers a short literary-historical biography of Yahweh as the creator of the world, the master of history, the guarantor of justice, and the donor of wisdom. It takes into account the approach of the first essay, which presents theology as a sort of religio-historical onomastics, and reflects, on the basis of the second essay, the traditio-historical presentation of images of God and his anointed in the Old Testament as a background for theology and christology in the New Testament.

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Cities and Citizenship is a prize-winning collection of essays that considers the importance of cities in the making of modern citizens. For most of the modern era the nation and not the city has been the principal domain of citizenship. This volume demonstrates, however, that cities are especially salient sites for examining the current renegotiations of citizenship, democracy, and national belonging. Just as relations between nations are changing in the current phase of global capitalism, so too are relations between nations and cities. Written by internationally prominent scholars, the essays in Cities and Citizenship propose that “place” remains fundamental to these changes and that cities are crucial places for the development of new alignments of local and global identity. Through case studies from Africa, Europe, Latin America, and North America, the volume shows how cities make manifest national and transnational realignments of citizenship and how they generate new possibilities for democratic politics that transform people as citizens. Previously published as a special issue of Public Culture that won the 1996 Best Single Issue of a Journal Award from the Professional/Scholarly Publishing Division of the Association of American Publishers, the collection showcases a photo essay by Cristiano Mascaro, as well as two new essays by James Holston and Thomas Bender. Cities and Citizenship will interest students and scholars of anthropology, geography, sociology, planning, and urban studies, as well as globalization and political science.Contributors. Arjun Appadurai, Etienne Balibar, Thomas Bender, Teresa P. R. Caldeira, Mamadou Diouf, Dilip Parameshwar Gaonkar, James Holston, Marco Jacquemet, Christopher Kamrath, Cristiano Mascaro, Saskia Sassen, Michael Watts, Michel Wieviorka

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Collecting the New is the first book on the questions and challenges that museums face in acquiring and preserving contemporary art. Because such art has not yet withstood the test of time, it defies the traditional understanding of the art museum as an institution that collects and displays works of long-established aesthetic and historical value. By acquiring such art, museums gamble on the future. In addition, new technologies and alternative conceptions of the artwork have created special problems of conservation, while social, political, and aesthetic changes have generated new categories of works to be collected. Following Bruce Altshuler's introduction on the European and American history of museum collecting of art by living artists, the book comprises newly commissioned essays by twelve distinguished curators representing a wide range of museums. First considered are general issues including the acquisition process, and collecting by universal survey museums and museums that focus on modern and contemporary art. Following are groups of essays that address collecting in particular media, including prints and drawings, new (digital) media, and film and video; and national- and ethnic-specific collecting (contemporary art from Asia, Africa, and Latin America, and African-American art). The closing essay examines the conservation problems created by contemporary works--for example, what is to be done when deterioration is the artist's intent? The contributors are Christophe Cherix, Vishakha N. Desai, Steve Dietz, Howard N. Fox, Chrissie Iles and Henriette Huldisch, Pamela McClusky, Gabriel Perez-Barreiro, Lowery Stokes Sims, Robert Storr, Jeffrey Weiss, and Glenn Wharton.

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'Too ravishing for moral taste ...like lovers' kisses she bites - she is a pleasure bordering on pain, from the fierceness and insanity of her relish' wrote the poet Charles Lamb about the pineapple, the fruit that seduced the world. From the moment Christopher Columbus discovered it on a Caribbean island on 4 November 1493, the pineapple became an object of passion and desire, in a culinary romance that anthropologist Kaori O'Connor follows across time and cultures. The first New World explorers called the pineapple the apple with which Eve must have tempted Adam. Transported to Europe where it could only be grown in hothouses at vast expense, the pineapple became an elite mania, the fruit of kings and aristocrats. Soon established as the ultimate status symbol, London society hostesses would rent a pineapple at great cost for a single evening to be the centrepiece of their parties, and pineapples were as popular in the new American republic, where they were a sign of hospitality and a favourite of George Washington. Celebrated in art and literature, pineapples remained a seasonal luxury for the rich until fast shipping and then refrigeration meant they could be brought to the major markets of Europe and America, but these imported fruit were never as luscious as those eaten fresh and ripe in the tropics. Then the pineapple found its ideal home in Hawaii, the invention of canning made perfect golden fruit available and affordable all year round and the Fruit of Kings became the Queen of Fruits for all. Pineapple is a culinary love story enriched with vivid illustrations and irresistible recipes from around the world for eating and drinking the pineapple.

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